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RDA for Music: Classical Music Audio Recordings Workshop
Citation preview
RDA for Music
Classical Music Audio Recordings
Damian Iseminger, New England Conservatory
Casey Mullin, Stanford University
Music Library Association Workshop
2014 October 2
Our Focus
Our Focus
RDA for Content
ISBD Punctuation for Display
MARC21 for Encoding
Our Focus
RDA for Content
ISBD Punctuation for Display
MARC21 for Encoding
Our Focus
RDA for Content
ISBD Punctuation for Display
MARC21 for Encoding
Our Focus• Supporting Documentation
– Library of Congress-Program for Cooperative Cataloging Policy Statements (LC-PCC PS) (RDA Toolkit: Resources Tab)
– Music Library Association’s Best Practices for Music Cataloging Using RDA and MARC21 (RDA Toolkit: Resources Tab: Other Resources)
– PCC RDA BIBCO Standard Record Metadata Application Profile (http://www.loc.gov/aba/pcc/scs/documents/PCC-RDA-BSR.pdf)
Our Emphasis
Our Emphasis
Photo by Kent Miller, National Park Service. Used under CC BY 2.0
Out of scope
• Subject headings for music• Form/Genre terms for music• Medium of Performance terms for music• Classification of music materials• Creating authority records
What is RDA?
RDA Organization
RDA Organization
RDA Organization
RDA Organization
RDA Organization
RDA Organization
RDA Terminology
• Core - required element• Core if - required element if certain conditions are met
(or not met)• Alternative - alternative guideline applied by choice of
cataloging agency / cataloger• Optional addition / Optional omission - option to
provide more / less information• Exception - under certain conditions, do NOT apply the
immediately preceding guideline
RDA Terminology
RDA guidelines will instruct to either “record” or “transcribe” data
• Record - provide data according to guidelines, but not necessarily how it appears on resource
• Transcribe - take what appears on the source of information (apply general guidelines on capitalization, punctuation, symbols, etc.)
A (relatively) Simple Example
Beethoven, Violin concerto in D, op. 61
Title proper (2.3.2) and Statement of responsibility relating to title proper (2.4.2):
245 10 $a Violin concerto in D, op. 61 / $c Beethoven.
Beethoven, Violin concerto in D, op. 61
Place of publication (2.8.2) and Publisher’s name (2.8.4):264 _1 $a New York, NY : $b EMI Classics
Beethoven, Violin concerto in D, op. 61
Date of publication (2.8.6) and Copyright date (2.11):264 _1 $a New York, NY : $b EMI Classics, $c [1997]264 _4 $c ℗1981, $c ©1997
Beethoven, Violin concerto in D, op. 61
Identifier for the manifestation (2.15) and Note on title (2.17.2.3):028 02 $a 7243 5 56210 2 3 $b EMI Classics028 00 $a 5 56210 2 3 $b EMI Classics500 __ $a Title from disc label.
Beethoven, Violin concerto in D, op. 61
Carrier attributes (+ one Expression and one content attribute)• Content type (6.9) Media type (3.2) and Carrier
type (3.3)• Extent (3.4) and Dimensions (3.5)• Base material (3.6), Type of recording (3.16.2),
Playing speed (3.16.4), Tape configuration (3.16.7), Configuration of playback channels (3.16.8), File type (3.19.2), Encoding format (3.19.3)
• Playing time (7.22.1.3)
Beethoven, Violin concerto in D, op. 61
Carrier attributes (+ one Expression and one content attribute)007/00 s
007/01 d
007/03 f
007/04 s
007/06 g
007/10 m
007/12 e
007/13 d
300 __ $a 1 audio disc (44:00) ; $c 4 3/4 in.
336 __ $a performed music $2 rdacontent
337 __ $a audio $2 rdamedia
338 __ $a audio disc $2 rdacarrier
344 __ $a digital $g stereo $2 rda
347 __ $a audio file $b CD audio $2 rda
Beethoven, Violin concerto in D, op. 61
Place and date of capture (7.11):033 10 $a 19800914 $a 19800915 $b 5754 $c L7
518 __ $o Recorded $p No. 1 Studio, Abbey Road, London $d 1980 September 14-15.
Beethoven, Violin concerto in D, op. 61
Performer, narrator or presenter (7.23), Note on statement of responsibility (2.17.3), Supplementary content (7.16):
511 0_ $a Itzhak Perlman, violin ; Philharmonia Orchestra ; Carlo Maria Giulini, conductor.
500 __ $a Cadenzas in 1st and 3rd movements by Fritz Kreisler.500 __ $a Program notes by Basil Deane inserted in container.
Beethoven, Violin concerto in D, op. 61
Access points– The work embodied (6.14, 19.2, 6.28.1)
100 1_ $a Beethoven, Ludwig van, $d 1770-1827, $e composer.
240 10 $a Concertos, $m violin, orchestra, $n op. 61, $r D major
– The persons and corporate body involved (20.2)700 1_ $a Kreisler, Fritz, $d 1875-1962, $e composer (expression).
700 1_ $a Perlman, Itzhak, $d 1945- $e instrumentalist.
700 1_ $a Giulini, Carlo Maria, $e conductor.
710 2_ $a Philharmonia Orchestra (London, England), $e instrumentalist.
Beethoven, Violin concerto in D, op. 61
Complete MARC record (variable fields only)028 02 $a 7243 5 56210 2 3 $b EMI Classics
028 00 $a 5 56210 2 3 $b EMI Classics
033 10 $a 19800914 $a 19800915 $b 5754 $c L7
100 1_ $a Beethoven, Ludwig van, $d 1770-1827, $e composer.
240 10 $a Concertos, $m violin, orchestra, $n op. 61, $r D major
245 10 $a Violin concerto in D, op. 61 / $c Beethoven.
264 _1 $a New York, NY : $b EMI Classics, $c [1997]
264 _4 $c ℗1981, $c ©1997
300 __ $a 1 audio disc (44:00) ; $c 4 3/4 in.
336 __ $a performed music $2 rdacontent
337 __ $a audio $2 rdamedia
338 __ $a audio disc $2 rdacarrier
344 __ $a digital $g stereo $2 rda
347 __ $a audio file $b CD audio $2 rda
511 0_ $a Itzhak Perlman, violin ; Philharmonia Orchestra ; Carlo Maria Giulini, conductor.
500 __ $a Cadenzas in 1st and 3rd movements by Fritz Kreisler.
518 __ $o Recorded $p No. 1 Studio, Abbey Road, London $d 1980 September 14-15.
500 __ $a Title from disc label.
500 __ $a Program notes by Basil Deane inserted in container.
700 1_ $a Kreisler, Fritz, $d 1875-1962, $e composer (expression).
700 1_ $a Perlman, Itzhak, $d 1945- $e instrumentalist.
700 1_ $a Giulini, Carlo Maria, $e conductor.
710 2_ $a Philharmonia Orchestra (London, England), $e instrumentalist.
Works for Cello and Orchestra
We will focus on…
• Determining titles and statements of responsibility
• Determining required work authorized access points and their placement in MARC
• Recording and coding the dates of the manifestation and related manifestations
We will focus on…
• Determining titles and statements of responsibility
• Determining required work authorized access points and their placement in MARC
• Recording and coding the dates of the manifestation and related manifestations
We will focus on…
• Determining titles and statements of responsibility
• Determining required work authorized access points and their placement in MARC
• Recording and coding the dates of the manifestation and related manifestations
We will focus on…
• Determining titles and statements of responsibility
• Determining required work authorized access points and their placement in MARC
• Recording and coding the dates of the manifestation and related manifestations
2.2.2 Preferred Source of Information
• 2.2.2.4 Other Sources– Disc label
• Record the source in a note (2.17.2.3)• 500 __ $a Title from disc label.
2.3.2.9 Resource Lacking a Collective Title
• If the resource lacks a collective title, and is being described comprehensively, record the titles proper of the parts as the appear on the source of information
• Alternative to devise a collective title– Do not apply per the LC-PCC PS and MLA Best
Practices
2.3.2.9 Resource Lacking a Collective Title
• If the resource lacks a collective title, and is being described comprehensively, record the titles proper of the parts as the appear on the source of information
• Alternative to devise a collective title– Do not apply per the LC-PCC PS and MLA Best
Practices
2.3.2.9 Resource Lacking a Collective Title
• If the resource lacks a collective title, and is being described comprehensively, record the titles proper of the parts as the appear on the source of information
• Alternative to devise a collective title– Do not apply per the LC-PCC PS and MLA Best
Practices
What is the Title Proper?
a) Konzertb) Cello concertoc) Concertod) Konzert für Violoncello und Orchester op. 104
What is the Title Proper?
a) Konzertb) Cello concertoc) Concertod) Konzert für Violoncello und Orchester op. 104
2.3.2.4 Title in More Than One Language or Script
If: the content is not written, spoken, or sung,
then:choose the title proper on the basis of the sequence, layout, or typography of the titles on the source of information.
2.3.2.8 Other Elements Recorded as Part of the Title Proper
• 2.3.2.8.1 Type of Composition, Medium of Performance, Key, Etc.– If the title consists only of the name or names of
one or more types of composition and one or more of:
• Medium of performance• Key• Date of composition• Number
– Then treat all of them together as the title proper
2.3.2.8 Other Elements Recorded as Part of the Title Proper
• Use Types of Composition for Use in Authorized Access Points for Music for assistance
• Available at http://www.library.yale.edu/cataloging/music/typesrda.htm
Treat the opus number as Other Title Information according to 2.3.4
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104
Schelomo
Kol nidrei
2.3.2 Title Proper
2.3.3 Parallel Title Proper
2.3.4 Other Title Information
Core
2.3.2 Title Proper
2.3.3 Parallel Title Proper
2.3.4 Other Title Information
Core
LC-PCC Core
LC-PCC Core
Sources of Information
• 2.3.3 Parallel Title Proper– Preferred source of information– Another source forming part of the resource itself– A source outside the resource
Sources of Information
• 2.3.3 Parallel Title Proper– Preferred source of information– Another source forming part of the resource itself– A source outside the resource– Best Practices: record all parallel titles proper on
the preferred source. Optionally provide parallel titles proper found elsewhere on the resource
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle
Schelomo
Kol nidrei
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle
Schelomo = Salomo = Solomon = Salomon
Kol nidrei
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle
Schelomo = Salomo = Solomon = Salomon
Kol nidrei
Provide a source for these parallel titles proper since they come from outside the preferred source of information, per 2.17.2.3.
500 __ $a German, English, and French titles for 2nd work from container.
or246 1_ $i German, English, and French titles for 2nd work from container: $a Salomo = $b Solomon = Salomon
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle
Schelomo = Salomo = Solomon = Salomon
Kol nidrei
Sources of Information
• 2.3.4 Other Title Information– May only be the same source of information as
the title proper
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle
Schelomo = Salomo = Solomon = Salomon
Kol nidrei : op. 47
2.4 Statement of Responsibility
• For statements identifying performers of music whose participation is limited to performance, execution, or interpretation, see 7.23
• 7.23 Performer, Narrator, and/or Presenter– 511 0_ $a Pierre Fournier, cello ; Berliner
Philharmoniker, George Szell (1st work), Alfred Wallenstein (2nd work), conductors ; Orchestre Lamourex, Paris, Jean Martinon, conductor (3rd work).
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle / Antonín Dvořák.
Schelomo = Salomo = Solomon = Salomon / Ernest Bloch.
Kol nidrei : op. 47 / Max Bruch.
Putting the Puzzle Together
Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle / Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.
Putting the Puzzle Together
245 00 Konzert für Violoncello und Orchester op. 104 = Cello concerto = Concerto pour violoncelle / Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.
Putting the Puzzle Together
245 00 $a Konzert für Violoncello und Orchester op. 104 = $b Cello concerto = Concerto pour violoncelle / $c Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.
Putting the Puzzle Together
245 00 $a Konzert für Violoncello und Orchester op. 104 = $b Cello concerto = Concerto pour violoncelle / $c Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.
246 31 $a Cello concerto 246 31 $a Concerto pour violoncelle …740 02 $a Schelomo.740 02 $a Salomo.740 02 $a Solomon.740 02 $a Salomon.740 02 $a Kol nidrei.
Consult LC-PCC PS 2.3.6.3 for using fields 246 and 740 to provide access for titles
2.3.6 Variant Title
• A title that differs from the titles recorded according to 2.3.2-2.3.5 and 2.3.7-2.3.10
• Best Practices: Record subtitles found outside of the preferred source of information, if considered important for identification and access
• In MARC: Use field 246
Putting the Puzzle Together
245 00 $a Konzert für Violoncello und Orchester op. 104 = $b Cello concerto = Concerto pour violoncelle / $c Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.
246 0_ $i German, English, and French subtitles for 2nd work on container: $a Hebraische Rhapsodie für Violoncello und Orchester = $b Hebraic rhapsody for violoncello and orchestra = Rhapsodie hebraique pour violoncelle et orchestre
246 0_ $i German, English, and French subtitles for 3rd work on container: $a Adagio nach hebraischen Melodien für Violoncello und Orchester = $b Adagio on Hebrew melodies for violoncello and orchestra = Adagio sur des melodies hebraiques pour violoncelle et orchestre
Continued
Putting the Puzzle Together
246 31 $a Cello concerto 246 31 $a Concerto pour violoncelle …740 02 $a Schelomo.740 02 $a Salomo.740 02 $a Solomon.740 02 $a Salomon.740 02 $a Kol nidrei.
Work Access
Finding the “Main” Work
• Start at 6.28 for musical worksa) Musical works with lyrics, libretto, text, etc.b) Pasticcios, ballad operas, etc.c) Works composed for choreographic movementd) Adaptationse) Operas and other dramatic works with new text and
titlef) Cadenzasg) Musical scores for dramatic works, etc.
• If none of the above apply, go to 6.27.1
6.27.1 Authorized Access Point Representing a Work
• 6.27.1.2 Works Created by One Person, Family, or Corporate Body
• 6.27.1.3 Collaborative Works• 6.27.1.4 Compilations of Works by Different
Persons, Families, or Corporate Bodies– If the compilation lacks a collective title, construct
separate access points for each of the works in the compilation.
– Do not apply the Alternative to construct an authorized access point using a devised title
6.27.1 Authorized Access Point Representing a Work
• 6.27.1.2 Works Created by One Person, Family, or Corporate Body
• 6.27.1.3 Collaborative Works• 6.27.1.4 Compilations of Works by Different
Persons, Families, or Corporate Bodies– If the compilation lacks a collective title, construct
separate access points for each of the works in the compilation.
– Do not apply the Alternative to construct an authorized access point using a devised title
6.27.1 Authorized Access Point Representing a Work
• 6.27.1.2 Works Created by One Person, Family, or Corporate Body
• 6.27.1.3 Collaborative Works• 6.27.1.4 Compilations of Works by Different
Persons, Families, or Corporate Bodies– If the compilation lacks a collective title, construct
separate access points for each of the works in the compilation.
– Do not apply the Alternative to construct an authorized access point using a devised title
6.27.1 Authorized Access Point Representing a Work
• 6.27.1.2 Works Created by One Person, Family, or Corporate Body
• 6.27.1.3 Collaborative Works• 6.27.1.4 Compilations of Works by Different
Persons, Families, or Corporate Bodies– If the compilation lacks a collective title, construct
separate access points for each of the works in the compilation.
– Do not apply the Alternative to construct an authorized access point using a devised title
Authorized Access Points Needed
Dvořák, Antonín, 1841-1904. Concertos, cello, orchestra, op. 104, B minor
Bloch, Ernest, 1880-1959. Schelomo
Bruch, Max, 1838-1920. Kol nidrei
MARC Display
• 1XX field is for the Creator of the whole work– Consult RDA 19 for instructions
• Our resource– No one composer can be considered the Creator
for the whole work– Performers are not Creators!– Therefore no 1XX field
Authorized Access Points in MARC
245 00 $a Konzert für Violoncello und Orchester op. 104 = $b Cello concerto = Concerto pour violoncelle / $c Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.
[…]
700 1_ $a Fournier, Pierre, $d 1906-1986, $e instrumentalist.
700 1_ $a Szell, George, $d 1897-1970, $e conductor.
700 1_ $a Wallenstein, Alfred, $e conductor.
700 1_ $a Martinon, Jean, $d 1910-1976, $e conductor
700 12 $i Container of (work): $a Dvořák, Antonín, $d 1841-1904. $t Concertos, $m cello, orchestra, $n op. 104, $r B minor.
700 12 $i Container of (work): $a Bloch, Ernest, $d 1880-1959. $t Schelomo.
700 12 $i Container of (work): $a Bruch, Max, $d 1838-1920. $t Kol nidrei.
710 2_ $a Berliner Philharmoniker, $e instrumentalist.
710 2_ $a Orchestre des concerts Lamoureux, $e instrumentalist.
Authorized Access Points in MARC
245 00 $a Konzert für Violoncello und Orchester op. 104 = $b Cello concerto = Concerto pour violoncelle / $c Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.
[…]
700 1_ $a Fournier, Pierre, $d 1906-1986, $e instrumentalist.
700 1_ $a Szell, George, $d 1897-1970, $e conductor.
700 1_ $a Wallenstein, Alfred, $e conductor.
700 1_ $a Martinon, Jean, $d 1910-1976, $e conductor
700 12 $i Container of (work): $a Dvořák, Antonín, $d 1841-1904. $t Concertos, $m cello, orchestra, $n op. 104, $r B minor.
700 12 $i Container of (work): $a Bloch, Ernest, $d 1880-1959. $t Schelomo.
700 12 $i Container of (work): $a Bruch, Max, $d 1838-1920. $t Kol nidrei.
710 2_ $a Berliner Philharmoniker, $e instrumentalist.
710 2_ $a Orchestre des concerts Lamoureux, $e instrumentalist.
2.8.6 Date of Publication Core
• 2.8.6.6 Date of Publication Not Identified– Supply the date or approximate date of
publication using 1.9.2 or– Record date of publication not identified
2.8.6 Date of Publication Core
• 2.8.6.6 Date of Publication Not Identified– Supply the date or approximate date of
publication using 1.9.2 or– Record date of publication not identified– LC, PCC, and Best Practices strongly encourage you
to use the first option
2.8.6 Date of Publication Core
• In most circumstances, the (p) or © dates can be used to infer a date of publication
• But our resource has– (p)1961, (p)1962, and (p)1967– CD format not available until 1982
• 1.9.2.5 Earliest and/or Latest Possible Date Known– In MARC: 264 _1 … $c [not before 1982]
2.8.6 Date of Publication Core
• In most circumstances, the (p) or © dates can be used to infer a date of publication
• But our resource has– (p)1961, (p)1962, and (p)1967– CD format not available until 1982
• 1.9.2.5 Earliest and/or Latest Possible Date Known– In MARC: 264 _1 … $c [not before 1982]
2.8.6 Date of Publication Core
• In most circumstances, the (p) or © dates can be used to infer a date of publication
• But our resource has– (p)1961, (p)1962, and (p)1967– CD format not available until 1982
• 1.9.2.5 Earliest and/or Latest Possible Date Known– 264 _1 … $c [not before 1982]
2.11 Copyright Date
• Best Practices recommends to routinely record
• Record the latest date of copyright– Optional addition to record the additional
copyright dates in a note (2.17.10.3)• Our resource
– 264 _4 $c (p)1967500 __ $a The 1st work (p)1964, 2nd work (p)1967, 3rd work (p)1961.
LDR njm Ii007 sd fsngnnmmnee008 140915r1982uuuugw conn n zxx d040 $a ENG $b eng $e rda $c ENG024 10 $a 028942915527028 02 $a 429 155-2 $b Deutsche Grammophon245 00 $a Konzert für Violoncello und Orchester op. 104 = $b Cello concerto = Concerto pour violoncelle / $c Antonín Dvořák. Schelomo = Salomo = Solomon = Salomon / Ernest Bloch. Kol nidrei : op. 47 / Max Bruch.246 0_ $i German, English, and French subtitles for 2nd work on container: $a Hebräische Rhapsodie für Violoncello und Orchester = $b Hebraic rhapsody for violoncello and orchestra = Rhapsodie hébraïque pour violoncelle et orchestre246 0_ $i German, English, and French subtitles for 3rd work on container: $a Adagio nach hebräischen Melodien für Violoncello und Orchester = $b Adagio on Hebrew melodies for violoncello and orchestra = Adagio sur des mélodies hébraïques pour violoncelle et orchestre246 31 $a Cello concerto246 31 $a Concerto pour violoncelle264 _1 $a Hamburg : $b Deutsche Grammophon, $c [not before 1982]264 _4 $c (p)1967300 __ $a 1 audio disc (71 min.,11 sec.) ; $c 4 3/4 in.306 __ $a 011111336 __ $a performed music $b prm $2 rdacontent337 __ $a audio $b s $2 rdamedia338 __ $a audio disc $b sd $2 rdacarrier344 __ $a digital $g stereo $2 rda347 __ $a audio file $b CD audio $2 rda490 0_ $a Musikfest
500 __ $a Title from disc label.500 __ $a German, English, and French titles for 2nd work from container.511 0_ $a Pierre Fournier, cello ; Berliner Philharmoniker, George Szell (1st work), Alfred Wallenstein (2nd work), conductors ; Orchestre Lamourex, Paris, Jean Martinon, conductor (3rd work).500 __ $a All selections previously released.500 __ $a The 1st work (p)1964, 2nd work (p)1967, 3rd work (p)1961.500 __ $a Made from analog originals.500 __ $a Durations: 38:26; 21:47; 10:29.700 1_ $a Fournier, Pierre, $d 1906-1986, $e instrumentalist.700 1_ $a Szell, George, $d 1897-1970, $e conductor.700 1_ $a Wallenstein, Alfred, $e conductor.700 1_ $a Martinon, Jean, $d 1910-1976, $e conductor.700 12 $i Container of (work): $a Dvořák, Antonín, $d 1841-1904. $t Concertos, $m cello, orchestra, $n op. 104, $r B minor.700 12 $i Container of (work): $a Bloch, Ernest, $d 1880-1959. $t Schelomo.700 12 $i Container of (work): $a Bruch, Max, $d 1838-1920. Kol nidrei.710 2_ $a Berliner Philharmoniker, $e instrumentalist.710 2_ $a Orchestre des concerts Lamoureux, $e instrumentalist.740 02 $a Schelomo.740 02 $a Salomo.740 02 $a Solomon.740 02 $a Salomon.740 02 $a Kol nidrei.
500 __ $a Title from disc label.500 __ $a German, English, and French titles for 2nd work from container.511 0_ $a Pierre Fournier, cello ; Berliner Philharmoniker, George Szell (1st work), Alfred Wallenstein (2nd work), conductors ; Orchestre Lamourex, Paris, Jean Martinon, conductor (3rd work).500 __ $a All selections previously released.500 __ $a The 1st work (p)1964, 2nd work (p)1967, 3rd work (p)1961.500 __ $a Made from analog originals.500 __ $a Durations: 38:26; 21:47; 10:29.700 1_ $a Fournier, Pierre, $d 1906-1986, $e instrumentalist.700 1_ $a Szell, George, $d 1897-1970, $e conductor.700 1_ $a Wallenstein, Alfred, $e conductor.700 1_ $a Martinon, Jean, $d 1910-1976, $e conductor.700 12 $i Container of (work): $a Dvořák, Antonín, $d 1841-1904. $t Concertos, $m cello, orchestra, $n op. 104, $r B minor.700 12 $i Container of (work): $a Bloch, Ernest, $d 1880-1959. $t Schelomo.700 12 $i Container of (work): $a Bruch, Max, $d 1838-1920. Kol nidrei.710 2_ $a Berliner Philharmoniker, $e instrumentalist.710 2_ $a Orchestre des concerts Lamoureux, $e instrumentalist.740 02 $a Schelomo.740 02 $a Salomo.740 02 $a Solomon.740 02 $a Salomon.740 02 $a Kol nidrei.
500 __ $a All selections previously released.
Coding Dates in the 008
• Byte 06 (OCLC: DtSt)– Possible codes for this resource
• r (Reprint)• t (Publication Date and Copyright Date)• q (Questionable Date)
Coding Dates in the 008
Precedence of Codes from OCLC
Single items or multipart items complete in one year
b B.C. date
r Reprint/Original date
e Detailed date
s Single date
p Distribution/production date
t Publication and copyright date
q Questionable date
n Unknown date
Coding Dates in the 008
• Byte 06 (OCLC: DtSt)– Possible codes for this resource
• r (Reprint)• t (Publication Date and Copyright Date)• q (Questionable Date)
– Code for this resource: “r”• Bytes 07-14 (OCLC: Date 1 and Date 2)
– “1982uuuu” or “19821961” depending on your confidence
Titles, titles everywhere!
What is the Title Proper?
ExerciseTranscribe:
Title proper (2.3.2)Statement of responsibility relating to the title proper (2.4.2)
What is the Title Proper?
245 10 $a Symphonies / $c Stravinsky.not
245 10 $a Symphony in three movements ; $b Symphony in C ; Symphony of Psalms / $c Igor Stravinsky.
What is the Title Proper?
What is the Title Proper?
• 2.1.2.3 Resource issued as a single unit“If the resource embodies multiple works (e.g., a compact disc embodying multiple works), prefer a source that has a collective title.”
What is the Title Proper?
• 2.1.2.3 Resource issued as a single unit“If the resource embodies multiple works (e.g., a compact disc embodying multiple works), prefer a source that has a collective title.”
• So:245 10 $a Symphonies / $c Stravinsky.
What is the Title Proper?
• 2.1.2.3 Resource issued as a single unit“If the resource embodies multiple works (e.g., a compact disc embodying multiple works), prefer a source that has a collective title.”
• So:245 10 $a Symphonies / $c Stravinsky.
• Applying 2.4.2.2 for the SOR
What about those other titles?
What about those other titles?
505 0_ $a Symphony in three movements = Sinfonie in drei Satzen (23:04) -- Symphony in C = Sinfonie in C (31:15) -- Symphony of Psalms = Psalmensinfonie (22:57).740 02 $a Sinfonie in drei Satzen.740 02 $a Symphony in C.740 02 $a Sinfonie in C.740 02 $a Symphony of Psalms.740 02 $a Psalmensinfonie.
Multiple Recording Dates
033 10 $a 20030325 $a 20030326 $a 20051207 $a 20051208 $a 20060502 $a 20060503 $a 20060504518 __ $3 1st work $o recorded $p Konzerthaus Freiburg $d 2003 March 25-26.518 __ $3 2nd work $o recorded $p Konzerthaus Freiburg $d 2006 May 2-4.518 __ $3 3rd work $o recorded $p Konzerthaus Freiburg $d 2005 December 7-8.
Works embodied
• The “kitchen sink”: applying 6.14.2.8.6, Alternative• Identifying the aggregate work (6.14.2.8.2, 6.14.2.8.6)
100 1_ $a Stravinsky, Igor, $d 1882-1971, $e composer.240 10 $a Works. $k Selections
• Identifying the constituent works (25.1.1.3, 6.28.1, 6.14.2)700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphony in three movements.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonies, $r C.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonie de Psaumes.
Works embodied
• The “kitchen sink”: applying 6.14.2.8.6, Alternative• Identifying the aggregate work (6.14.2.8.2, 6.14.2.8.6)
100 1_ $a Stravinsky, Igor, $d 1882-1971, $e composer.240 10 $a Works. $k Selections
• Identifying the constituent works (25.1.1.3, 6.28.1, 6.14.2)700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphony in three movements.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonies, $r C.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonie de Psaumes.
Works embodied
• The “kitchen sink”: applying 6.14.2.8.6, Alternative• Identifying the aggregate work (6.14.2.8.2, 6.14.2.8.6)
100 1_ $a Stravinsky, Igor, $d 1882-1971, $e composer.240 10 $a Works. $k Selections
• Identifying the constituent works (25.1.1.3, 6.28.1, 6.14.2)700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphony in three movements.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonies, $r C.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonie de Psaumes.
Works embodied
• The “kitchen sink”: applying 6.14.2.8.6, Alternative• Identifying the aggregate work (6.14.2.8.2, 6.14.2.8.6)
100 1_ $a Stravinsky, Igor, $d 1882-1971, $e composer.240 10 $a Works. $k Selections
• Identifying the constituent works (25.1.1.3, 6.28.1, 6.14.2)700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphony in three movements.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonies, $r C.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonie de Psaumes.
Summary of elements discussed
033 10 $a 20030325 $a 20030326 $a 20051207 $a 20051208 $a 20060502 $a 20060503 $a 20060504100 1_ $a Stravinsky, Igor, $d 1882-1971, $e composer.240 10 $a Works. $k Selections245 10 $a Symphonies / $c Stravinsky.518 __ $3 1st work $o recorded $p Konzerthaus Freiburg $d 2003 March 25-26.518 __ $3 2nd work $o recorded $p Konzerthaus Freiburg $d 2006 May 2-4.518 __ $3 3rd work $o recorded $p Konzerthaus Freiburg $d 2005 December 7-8.505 0_ $a Symphony in three movements = Sinfonie in drei Satzen (23:04) -- Symphony in C = Sinfonie in C (31:15) -- Symphony of Psalms = Psalmensinfonie (22:57).700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphony in three movements.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonies, $r C.700 12 $i Container of (work): $a Stravinsky, Igor, $d 1882-1971. $t Symphonie de Psaumes. 740 02 $a Sinfonie in drei Satzen.740 02 $a Symphony in C.740 02 $a Sinfonie in C.740 02 $a Symphony of Psalms.740 02 $a Psalmensinfonie.
Cantatas by Bach
Cantatas by Bach
Cantatas by Bach
• 43 page booklet• Program notes in German, English and French• Librettos in German and English
Preferred Source of Information
a) The containerb) The label on disc 1c) The label on disc 2d) The label on both of the discse) The booklet
Preferred Source of Information
a) The containerb) The label on disc 1c) The label on disc 2d) The label on both of the discse) The booklet
Going Backward to Go Forward
• 2.2.2 Preferred Source of Information– Disc label of some kind
• 2.1 Basis for Identification of the Resource– 2.1.2 Comprehensive Description– 2.1.2.3 Resource Issued in More Than One Part
Going Backward to Go Forward
• 2.2.2 Preferred Source of Information– Disc label of some kind
• 2.1 Basis for Identification of the Resource– 2.1.2 Comprehensive Description– 2.1.2.3 Resource Issued in More Than One Part
Going Backward to Go Forward
• 2.2.2 Preferred Source of Information– Disc label of some kind
• 2.1 Basis for Identification of the Resource– 2.1.2 Comprehensive Description– 2.1.2.3 Resource Issued in More Than One Part
Going Backwards to Go Forward
Going Backwards to Go Forward
Going Backwards to Go Forward
Going Backward to Go Forward
• 2.1.2.3 Resource Issued in More Than One Partb) If the resource has sequentially numbered issues or parts, choose a source of information identifying the lowest numbered issue or part available– Best Practices recommends using this option if
the title information of the numbered discs is repeated across the discs
Going Backward to Go Forward
• 2.1.2.3 Resource Issued in More Than One Partb) If the resource has sequentially numbered issues or parts, choose a source of information identifying the lowest numbered issue or part available– Best Practices recommends using this option if
the title information of the numbered discs is repeated across the discs
Going Backwards to Go Forward
Going Backwards to Go Forward
245 10 $a Secular cantatas
245 10 $a Secular cantatas
2.3.2.6 Collective Titles and Titles of Individual Contents
• 2.3.2.6.1 Comprehensive Description– If there is a collective title and titles of individual
contents present on the preferred source of information, only consider the collective title to be the title proper
– Optional addition to record the titles of the individual works as Related Works
Methods for Coding Parallel Titles
245 10 $a Secular cantatas = $b Weltliche Kantaten = Cantates profanes
246 1_ $i German and French titles from container: $a Weltliche Kantaten = $b Cantates profanes
246 31 $a Cantates profanes
Methods for Coding Parallel Titles
245 10 $a Secular cantatas = $b Weltliche Kantaten = Cantates profanes
246 31 $a Weltliche Kantaten246 31 $a Cantates profanes500 __ $a German and French titles from
container.
Methods for Coding Parallel Titles
245 10 $a Secular cantatas 246 1_ $i German and French titles from
container: $a Weltliche Kantaten = $b Cantates profanes
246 31 $a Cantates profanes
245 10 $a Secular cantatas /$c Johann Sebastian Bach.246 1_ $i German and French titles from container: $a Weltliche Kantaten = $b Cantates profanes246 31 $a Cantates profanes
245 10 $a Secular cantatas /$c Johann Sebastian Bach.246 1_ $i German and French titles from container: $a Weltliche Kantaten = $b Cantates profanes246 31 $a Cantates profanes
Use 7.23 for this
Where is the librettist?
Where is the librettist?
Where is the librettist?
500 __ $a Words by Christian Friedrich Henrici, known as Picander.
Publication Statement
264 _1 $a Arles [France] : $b harmonia mundi, $c [2014]
Added using the Optional addition at 2.8.2.3 Recording Place of Publication
Publication Statement
264 _1 $a Arles [France] : $b harmonia mundi, $c [2014]
Added using the Optional addition at 2.8.2.3 Recording Place of Publication
Publication Statement
264 _1 $a Arles [France] : $b harmonia mundi, $c [2014]
Added using the Optional addition at 2.8.2.3 Recording Place of Publication
Publication Statement
264 _1 $a Arles [France] : $b harmonia mundi, $c [2014]
• Transcription applies (1.7)• Appendix A Capitalization
– A.2.1 allows for unusual capitalization to be preserved for names commonly found that way
• Given throughout the resource as lower-case
Publication Statement
264 _1 $a Arles [France] : $b harmonia mundi, $c [2014]
• ©2014 on the disc label has been used to infer the Date of Publication
2.11 Copyright Date
264 _4 $c (p)1996, $c ©2014• If copyright date pertaining to different
aspects of the resource are present, both may be recorded if important for identification and selection
• (p) = sound• © = text or packaging
2.12.2 Title Proper of Series
490 0_ $a hmGold• Unusual capitalization transcribed using
Exception to Appendix A.4.1 for Titles of Manifestations
2.15 Identifier for the Manifestation
2.15 Identifier for the Manifestation
2.15 Identifier for the Manifestation
2.15 Identifier for the Manifestation
2.15 Identifier for the Manifestation
• Best Practices: transcribe all the numbers• Also apply 2.5.1.7 and supply qualifications for each of the
numbers
028 02 $a HMG 501544.45 $b harmonia mundi $q (set)028 02 $a HMG 501544 $b harmonia mundi $q (disc 1)028 02 $a HMG 501545 $b harmonia mundi $q (disc 2)
2.5.1.4: “Precede the identifier with a trade name or the name of the agency, etc., responsible for assigning the identifier, if readily ascertainable.”• Notice that because of MARC, the agency is recorded by itself in $b
2.15 Identifier for the Manifestation
• Best Practices: transcribe all the numbers• Also apply 2.5.1.7 and supply qualifications for each of the
numbers
028 02 $a HMG 501544.45 $b harmonia mundi $q (set)028 02 $a HMG 501544 $b harmonia mundi $q (disc 1)028 02 $a HMG 501545 $b harmonia mundi $q (disc 2)
2.5.1.4: “Precede the identifier with a trade name or the name of the agency, etc., responsible for assigning the identifier, if readily ascertainable.”• Notice that because of MARC, the agency is recorded by itself in $b
2.15 Identifier for the Manifestation
• Best Practices: transcribe all the numbers• Also apply 2.5.1.7 and supply qualifications for each of the
numbers
028 02 $a HMG 501544.45 $b harmonia mundi $q (set)028 02 $a HMG 501544 $b harmonia mundi $q (disc 1)028 02 $a HMG 501545 $b harmonia mundi $q (disc 2)
2.5.1.4: “Precede the identifier with a trade name or the name of the agency, etc., responsible for assigning the identifier, if readily ascertainable.”• Notice that because of MARC, the agency is recorded by itself in $b
2.15 Identifier for the Manifestation
• Dates on the resource indicate this is a re-issue• RDA 27 allows for a structured or unstructured description (note) of
the related manifestation
028 02 $a HMG 501544.45 $b harmonia mundi $q (set)028 02 $a HMG 501544 $b harmonia mundi $q (disc 1)028 02 $a HMG 501545 $b harmonia mundi $q (disc 2)028 00 $a HMC 905144.45 $b harmonia mundi028 00 $a HMC 905144 $b harmonia mundi028 00 $a HMC 905145 $b harmonia mundi
500 __ $a Originally released in 1996 as harmonia mundi HMC 905144.45 (HMC 905144--HMC 905145).
2.15 Identifier for the Manifestation
• Dates on the resource indicate this is a re-issue• RDA 27 allows for a structured or unstructured description (note) of
the related manifestation
028 02 $a HMG 501544.45 $b harmonia mundi $q (set)028 02 $a HMG 501544 $b harmonia mundi $q (disc 1)028 02 $a HMG 501545 $b harmonia mundi $q (disc 2)028 00 $a HMC 905144.45 $b harmonia mundi028 00 $a HMC 905144 $b harmonia mundi028 00 $a HMC 905145 $b harmonia mundi
500 __ $a Originally released in 1996 as harmonia mundi HMC 905144.45 (HMC 905144--HMC 905145).
2.15 Identifier for the Manifestation
• Dates on the resource indicate this is a re-issue• RDA 27 allows for a structured or unstructured description (note) of
the related manifestation
028 02 $a HMG 501544.45 $b harmonia mundi $q (set)028 02 $a HMG 501544 $b harmonia mundi $q (disc 1)028 02 $a HMG 501545 $b harmonia mundi $q (disc 2)028 00 $a HMC 905144.45 $b harmonia mundi028 00 $a HMC 905144 $b harmonia mundi028 00 $a HMC 905145 $b harmonia mundi
500 __ $a Originally released in 1996 as harmonia mundi HMC 905144.45 (HMC 905144--HMC 905145).
Coding Dates in the 008
• Byte 06 (OCLC: DtSt)– “r” for reprint
• Bytes 07-14 (OCLC: Date 1 and Date 2)– “20141996”
Dealing with Accompanying Material
Method 1:
LDR njm Ii006 aa 000 0d007 sd fsngnnmmned300 __ $a 2 audio discs ; $c 4 ¾ in.300 __ $a 43 pages ; 12 cm336 __ $a performed music $2 rdacontent336 __ $a text $2 rdacontent337 __ $a audio $2 rdamedia 337 __ $a unmediated $2 rdamedia338 __ $a audio disc $2 rdacarrier338 __ $a volume $2 rdacarrier344 __ $a digital $g stereo $2 rda347 __ $a audio file $b CD audio $2 rda
Dealing with Accompanying Material
Method 1:
LDR njm Ii006 aa 000 0d007 sd fsngnnmmned300 __ $a 2 audio discs ; $c 4 ¾ in.300 __ $a 43 pages ; 12 cm336 __ $a performed music $2 rdacontent336 __ $a text $2 rdacontent337 __ $a audio $2 rdamedia 337 __ $a unmediated $2 rdamedia338 __ $a audio disc $2 rdacarrier338 __ $a volume $2 rdacarrier344 __ $a digital $g stereo $2 rda347 __ $a audio file $b CD audio $2 rda
Dealing with Accompanying Material
Method 2:
LDR njm Ii007 sd fsngnnmmned300 __ $a 2 audio discs ; $c 4 ¾ in.300 __ $a 43 pages ; 12 cm336 __ $a performed music $2 rdacontent337 __ $a audio $2 rdamedia 338 __ $a audio disc $2 rdacarrier344 __ $a digital $g stereo $2 rda347 __ $a audio file $b CD audio $2 rda
500 __ $a Booklet with librettos in German with English translation and program notes in German with English and French translations (43 pages) laid in container.
Note based on combining 3.21.2 (Note on Extent of Manifestation) and 7.16 (Supplementary Content)
Dealing with Accompanying Material
Method 2:
LDR njm Ii007 sd fsngnnmmned300 __ $a 2 audio discs ; $c 4 ¾ in.300 __ $a 43 pages ; 12 cm336 __ $a performed music $2 rdacontent337 __ $a audio $2 rdamedia 338 __ $a audio disc $2 rdacarrier344 __ $a digital $g stereo $2 rda347 __ $a audio file $b CD audio $2 rda
500 __ $a Booklet with librettos in German with English translation and program notes in German with English and French translations (43 pages) laid in container.
Note based on combining 3.21.2 (Note on Extent of Manifestation) and 7.16 (Supplementary Content)
Dealing with Accompanying Material
Method 2:
LDR njm Ii007 sd fsngnnmmned300 __ $a 2 audio discs ; $c 4 ¾ in.300 __ $a 43 pages ; 12 cm336 __ $a performed music $2 rdacontent337 __ $a audio $2 rdamedia 338 __ $a audio disc $2 rdacarrier344 __ $a digital $g stereo $2 rda347 __ $a audio file $b CD audio $2 rda
500 __ $a Booklet with librettos in German with English translation and program notes in German with English and French translations (43 pages) laid in container.
Note based on combining 3.21.2 (Note on Extent of Manifestation) and 7.16 (Supplementary Content)
Main and Related Works
• Multiple works by 1 composer– Conventional collective title AAP for the “main”
work
100 1_ $a Bach, Johann Sebastian, 1685-1750,$e composer.
240 10 $a Cantatas. $k Selections
Main and Related Works
• Multiple works by 1 composer– Conventional collective title AAP for the “main”
work
100 1_ $a Bach, Johann Sebastian, 1685-1750,$e composer.
240 10 $a Cantatas. $k SelectionsSee Appendix I for terms
Recommended by Best Practices
Main and Related Works
• Multiple works by 1 composer– Related work AAP for the individual works (“related” to
the “main” work)
700 12 $i Container of (work): $a Bach, Johann Sebastian, $d 1685-1750. $t Geschwinde, geschwinde, ihr wirbelnden Winde.
700 12 $i Container of (work): $a Bach, Johann Sebastian, $d 1685-1750. $t Zerreisset, zersprenget, zertrümmert die Gruft.
700 12 $i Container of (work): $a Bach, Johann Sebastian, 1685-1750. $t Hercules auf dem Scheidewege.
Main and Related Works
• Multiple works by 1 composer– Related work AAP for the individual works (“related” to
the “main” work)
700 12 $i Container of (work): $a Bach, Johann Sebastian, $d 1685-1750. $t Geschwinde, geschwinde, ihr wirbelnden Winde.
700 12 $i Container of (work): $a Bach, Johann Sebastian, $d 1685-1750. $t Zerreisset, zersprenget, zertrümmert die Gruft.
700 12 $i Container of (work): $a Bach, Johann Sebastian, 1685-1750. $t Hercules auf dem Scheidewege.
See Appendix J for terms
Recommended by Best Practices
25 Related Works: Contents Note Core
505 00 $t Geschwinde, ihr wirbelnden Winde : $g BWV 201 : $g Der Streit zwischen Phoebus und Pan = $g Le defi entre Phebus et Pan = $g The contenst between Phoebus and Pan $g (48:58) -- $t Zerreisset, sersprenget, zertrümmert die Gruft : $g BWV 205 : $g Der zufriedengestellre Aeolus = $g Eole apaise = $g The pacified Aeolus $g (38:16) -- $t Lass uns sorgen, lasst uns wachen : $g BWV 213 : $g Hercules auf dem Scheidewege = $g Hercule a la croisee des chemins = $g Hercules at the crossroads (47:02).
25 Related Works: Contents Note Core
505 00 $t Geschwinde, ihr wirbelnden Winde : $g BWV 201 : $g Der Streit zwischen Phoebus und Pan = $g Le defi entre Phebus et Pan = $g The contenst between Phoebus and Pan $g (48:58) -- $t Zerreisset, sersprenget, zertrümmert die Gruft : $g BWV 205 : $g Der zufriedengestellre Aeolus = $g Eole apaise = $g The pacified Aeolus $g (38:16) -- $t Lass uns sorgen, lasst uns wachen : $g BWV 213 : $g Hercules auf dem Scheidewege = $g Hercule a la croisee des chemins = $g Hercules at the crossroads (47:02).
25 Related Works: Contents Note Core
505 00 $t Geschwinde, ihr wirbelnden Winde : $g BWV 201 : $g Der Streit zwischen Phoebus und Pan = $g Le defi entre Phebus et Pan = $g The contenst between Phoebus and Pan $g (48:58) -- $t Zerreisset, sersprenget, zertrümmert die Gruft : $g BWV 205 : $g Der zufriedengestellre Aeolus = $g Eole apaise = $g The pacified Aeolus $g (38:16) -- $t Lass uns sorgen, lasst uns wachen : $g BWV 213 : $g Hercules auf dem Scheidewege = $g Hercule a la croisee des chemins = $g Hercules at the crossroads (47:02).
25 Related Works: Contents Note Core
505 00 $t Geschwinde, ihr wirbelnden Winde : $g BWV 201 : $g Der Streit zwischen Phoebus und Pan = $g Le defi entre Phebus et Pan = $g The contenst between Phoebus and Pan $g (48:58) -- $t Zerreisset, sersprenget, zertrümmert die Gruft : $g BWV 205 : $g Der zufriedengestellre Aeolus = $g Eole apaise = $g The pacified Aeolus $g (38:16) -- $t Lass uns sorgen, lasst uns wachen : $g BWV 213 : $g Hercules auf dem Scheidewege = $g Hercule a la croisee des chemins = $g Hercules at the crossroads (47:02).
25 Related Works: Contents Note Core
505 00 $t Geschwinde, ihr wirbelnden Winde : $g BWV 201 : $g Der Streit zwischen Phoebus und Pan = $g Le defi entre Phebus et Pan = $g The contenst between Phoebus and Pan $g (48:58) -- $t Zerreisset, sersprenget, zertrümmert die Gruft : $g BWV 205 : $g Der zufriedengestellre Aeolus = $g Eole apaise = $g The pacified Aeolus $g (38:16) -- $t Lass uns sorgen, lasst uns wachen : $g BWV 213 : $g Hercules auf dem Scheidewege = $g Hercule a la croisee des chemins = $g Hercules at the crossroads (47:02).
25 Related Works: Contents Note Core
505 00 $t Geschwinde, ihr wirbelnden Winde : $g BWV 201 : $g Der Streit zwischen Phoebus und Pan = $g Le defi entre Phebus et Pan = $g The contenst between Phoebus and Pan $g (48:58) -- $t Zerreisset, sersprenget, zertrümmert die Gruft : $g BWV 205 : $g Der zufriedengestellre Aeolus = $g Eole apaise = $g The pacified Aeolus $g (38:16) -- $t Lass uns sorgen, lasst uns wachen : $g BWV 213 : $g Hercules auf dem Scheidewege = $g Hercule a la croisee des chemins = $g Hercules at the crossroads (47:02).
Playing time is covered by 7.22.1.5. May give as separate note instead
25 Related Works: Unstructured Description
500 __ $a The 3rd work consists of previously composed material. The opening chorus and all five of the arias were later incorporated into the Christmas oratorio by Bach, using different words.
7 Describing Content
500 __ $a The 1st work for 6 solo voices, chorus (SATTBB) and orchestra; 2nd work for 4 solo voices, chorus (SATB) and orchestra; 3rd work for 4 solo voices, chorus (SAATB), and orchestra. 7.21 Medium of Performance of Musical Content
7 Describing Content
511 0_ $a Maria Cristina Kiehr (1st work), Efrat Ben-Nun (2nd-3rd works), sopranos ; Katharina Kammerloher, alto (2nd work) ; Andreas Scholl, countertenor (1st and 3rd works) ; Christoph Pregardien (2nd work), James Taylor (1st and 3rd work), Kurt Azesgerger (1st work), tenors ; Roman Trekel, baritone (1st work) ; Peter Lika (1st work), Klaus Hager (2nd-3rd works), basses ; RIAS Kammerchor ; Akademie für Alte Musik Berlin ; Rene Jacobs, conductor. 7.23 Performer, Narrator, and/or Presenter
20 Contributors
700 1_ $a Ben-Nun, Efrat, $e singer.700 1_ $a Kiehr, Maria Cristina, $e singer.700 1_ $a Kammerloher, Katharina, $e singer.700 1_ $a Scholl, Andreas, $e singer.700 1_ $a Pregardien, Christoph, $e singer.700 1_ $a Taylor, James, 1966- $e singer.700 1_ $a Azesberger, Kurt, $e singer.700 1_ $a Trekel, Roman, $e singer.700 1_ $a Lika, Peter, $e singer.700 1_ $a Hager, Klaus, $e singer.700 1_ $a Jacobs, Rene, $e conductor.710 2_ $a RIAS-Kammerchor, $e singer.710 2_ $a Akademie für Alte Musik Berlin, $e instrumentalist.
Relationship designators from Appendix I
7 Describing Content
033 00 $a 199411--033 00 $a 199509--
518 __ $3 2nd-3rd works $o recorded $d 1994 November.
518 __ $3 1st work $o recorded $d 1995 September.
7.11 Place and Date of Capture
7.12 Language of the Content Core
• Best Practices recommends recording:– Language of sung text– Language of separately printed librettos– Language of any accompanying text– Original language of librettos– Original language of accompanying text
• Code, at a minimum, in the 008/35-37 (OCLC: Lang) and 041 fields– May also be explained in a 546 for the “main” content
or in a 500 note describing accompanying material
7.12 Language of the Content Core
MARC coding
008/35-37: ger041 1_ $d ger $e ger $e eng $n ger $g ger $g eng $g
fre $m ger500 __ $a Booklet with librettos in German with
English translation and program notes in German with English and French translations (43 pages) laid in container.
LDR njm Ii008 140915r20141996fr ctnn di n ger d007 sd fsngnnmmned040 ENG $b eng $e rda $c ENG024 30 $a 3149020154410028 02 $a HMG 501544.45 $b harmonia mundi $q (set)028 02 $a HMG 501544 $b harmonia mundi $q (disc 1)028 02 $a HMG 501545 $b harmonia mundi $q (disc 2)028 00 $a HMC 905144.45 $b harmonia mundi028 00 $a HMC 905144 $b harmonia mundi028 00 $a HMC 905145 $b harmonia mundi033 00 $a 199411--033 00 $a 199509--041 1_ $d ger $e ger $e eng $n ger $g ger $g eng $g fre $m ger100 1_ $a Bach, Johann Sebastian, 1685-1750, $e composer.240 10 $a Cantatas. Selections.245 10 $a Secular cantatas / $c Johann Sebastian Bach.246 1_ $i German and French titles from container: $a Weltliche Kantaten = $b Cantates profanes246 31 $a Cantates profanes264 _1 $a Arles [France] : $b harmonia mundi, $c [2014]264 _4 $c ℗1996, $c ©2014
300 __ $a 2 audio discs (2 hr., 14 min., 30 sec.) ; $c 4 3/4 in.306 __ $a 021430336 __ $a performed music $b prm $2 rdacontent337 __ $a audio $b s $2 rdamedia338 __ $a audio disc $b sd $2 rdacarrier344 __ $a digital $g stereo $2 rda347 __ $a audio file $b CD audio $2 rda490 0_ $a hmGold500 __ $a Title from disc label.500 __ $a Secular cantatas composed between 1725 and 1733 for the Zimmermann coffee-house or gardens in Leipzig, Germany.500 __ $a The 1st work for 6 solo voices, chorus (SATTBB) and orchestra; 2nd work for 4 solo voices, chorus (SATB) and orchestra; 3rd work for 4 solo voices, chorus (SAATB), and orchestra.500 __ $a The 3rd work consists of previously composed material. The opening chorus and all five of the arias were later incorporated into the Christmas oratorio by Bach, using different words.500 __ $a Words by Christian Friedrich Henrici, known as Picander.511 0_ $a Maria Cristina Kiehr (1st work), Efrat Ben-Nun (2nd-3rd works), sopranos ; Katharina Kammerloher, alto (2nd work) ; Andreas Scholl, countertenor (1st and 3rd works) ; Christoph Prégardien (2nd work), James Taylor (1st and 3rd work), Kurt Azesgerger (1st work), tenors ; Roman Trekel, baritone (1st work) ; Peter Lika (1st work), Klaus Häger (2nd-3rd works), basses ; RIAS Kammerchor ; Akademie für Alte Musik Berlin ; René Jacobs, conductor.518 __ $3 2nd-3rd works $o recorded $d 1994 November.518 __ $3 1st work $o recorded $d 1995 September.
500 __ $a Originally released in 1996 as harmonia mundi HMC 905144.45 (HMC 905144--HMC 905145).500 __ $a Booklet with librettos in German with English translation and program notes in German with English and French translations (43 pages) laid in container.505 00 $t Geschwinde, ihr wirbelnden Winde : $g BWV 201 : $g Der Streit zwischen Phoebus und Pan = $g Le défi entre Phébus et Pan = $g The contenst between Phoebus and Pan $g (48:58) -- $t Zerreisset, sersprenget, zertrümmert die Gruft : $g BWV 205 : $g Der zufriedengestellre Aeolus = $g Eole apaisé = $g The pacified Aeolus $g (38:16) -- $t Lass uns sorgen, lasst uns wachen : $g BWV 213 : $g Hercules auf dem Scheidewege = $g Hercule a la croisée des chemins = $g Hercules at the crossroads (47:02).700 0_ $a Picander, $d 1700-1764, $e librettist.700 1_ $a Ben-Nun, Efrat, $e singer.700 1_ $a Kiehr, Maria Cristina, $e singer.700 1_ $a Kammerloher, Katharina, $e singer.700 1_ $a Scholl, Andreas, $e singer.700 1_ $a Prégardien, Christoph, $e singer.700 1_ $a Taylor, James, 1966- $e singer.700 1_ $a Azesberger, Kurt, $e singer.700 1_ $a Trekel, Roman, $e singer.700 1_ $a Lika, Peter, $e singer.700 1_ $a Häger, Klaus, $e singer.700 1_ $a Jacobs, René, $e conductor.
700 12 $i Container of (work): $a Bach, Johann Sebastian, $d 1685-1750. $t Geschwinde, geschwinde, ihr wirbelnden Winde.700 12 $i Container of (work): $a Bach, Johann Sebastian, $d 1685-1750. $t Zerreisset, zersprenget, zertrümmert die Gruft.700 12 $i Container of (work): $a Bach, Johann Sebastian, 1685-1750. $t Hercules auf dem Scheidewege.710 2_ $a RIAS-Kammerchor, $e singer.710 2_ $a Akademie für Alte Musik Berlin, $e instrumentalist.
Q&A
Bryn Terfel sings
What is the Title Proper?
ExerciseTranscribe:
Title proper (2.3.2)Statement of responsibility relating to the title proper (2.4.2)
What is the Title Proper?
245 05 $a “The vagabond” & other songs / $c by Ralph Vaughan Williams, Gerald Finzi, George Butterworth, John Ireland.
or245 05 $a “The vagabond” / $c & other songs by Ralph Vaughan Williams, Gerald Finzi, George Butterworth, John Ireland.
Two possible answers!
What is the Title Proper?
245 05 $a “The vagabond” : $b & other songs / $c by Ralph Vaughan Williams, Gerald Finzi, George Butterworth, John Ireland.
Not allowed per 2.4.1.8
But why not this?
Hedging our bets (thanks, 2.3.6!)
245 05 $a “The vagabond” & other songs / $c by Ralph Vaughan Williams, Gerald Finzi, George Butterworth, John Ireland.246 3_ Vagabond and other songs246 30 Vagabond246 1_ $i Title on container spine: $a Vagabond : $b English songs
or
245 05 $a “The vagabond” / $c & other songs by Ralph Vaughan Williams, Gerald Finzi, George Butterworth, John Ireland.246 3_ Vagabond and other songs246 3_ Vagabond & other songs246 1_ $i Title on container spine: $a Vagabond : $b English songs
Creators galore
ExerciseList all creators involved in this resource
Creators galore
700 1_ $a Vaughan Williams, Ralph, $d 1872-1958.700 1_ $a Finzi, Gerald, $d 1901-1956. 700 1_ $a Butterworth, George, $d 1885-1916. 700 1_ $a Ireland, John, $d 1879-1962.
and also…700 1_ $a Stevenson, Robert Louis, $d 1850-1894700 1_ $a Shakespeare, William, $d 1564-1616700 1_ $a Housman, A. E. $q (Alfred Edward), $d 1859-1936700 1_ $a Masefield, John, $d 1878-1967
Works embodied and (all of) their creators (25.1, 6.28.1.2, 19.2, 18.5)
700 1_ $a Stevenson, Robert Louis, $d 1850-1894, $e author.700 1_ $a Shakespeare, William, $d 1564-1616, $e author.700 1_ $a Housman, A. E. $q (Alfred Edward), $d 1859-1936, $e author.700 1_ $a Masefield, John, $d 1878-1967, $e author.700 12 $i Container of (work): $a Vaughan Williams, Ralph, $d 1872-1958. $t Songs of travel.700 12 $i Container of (work): $a Finzi, Gerald, $d 1901-1956. $t Let us garlands bring.700 12 $i Container of (work): $a Butterworth, George, $d 1885-1916. $t Bredon Hill and other songs.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Sea fever.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Vagabond.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Bells of San Marie.700 12 $i Container of (work): $a Butterworth, George, $d 1885-1916. $t Songs from A Shropshire lad.
Full complement of access points (25.1, 19.2, 20.2, 18.5)
700 1_ $a Terfel, Bryn, $e singer.700 1_ $a Martineau, Malcom, $e singer.700 1_ $a Stevenson, Robert Louis, $d 1850-1894, $e author.700 1_ $a Shakespeare, William, $d 1564-1616, $e author.700 1_ $a Housman, A. E. $q (Alfred Edward), $d 1859-1936, $e author.700 1_ $a Masefield, John, $d 1878-1967, $e author.700 12 $i Container of (work): $a Vaughan Williams, Ralph, $d 1872-1958. $t Songs of travel.700 12 $i Container of (work): $a Finzi, Gerald, $d 1901-1956. $t Let us garlands bring.700 12 $i Container of (work): $a Butterworth, George, $d 1885-1916. $t Bredon Hill and other songs.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Sea fever.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Vagabond.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Bells of San Marie.700 12 $i Container of (work): $a Butterworth, George, $d 1885-1916. $t Songs from A Shropshire lad.
No 100!!
Identifiers for the manifestation (2.15)
024 1_ 028944594621028 02 445 946-2 $b Deutsche Grammophon
UPC
Issue number
Summary of elements discussed
024 1_ 028944594621028 02 445 946-2 $b Deutsche Grammophon245 05 $a “The vagabond” & other songs / $c by Ralph Vaughan Williams, Gerald Finzi, George Butterworth, John Ireland.246 3_ Vagabond and other songs246 30 Vagabond246 1_ $i Title on container spine: $a Vagabond : $b English songs700 1_ $a Terfel, Bryn, $e singer.700 1_ $a Martineau, Malcom, $e singer.700 1_ $a Stevenson, Robert Louis, $d 1850-1894, $e author.700 1_ $a Shakespeare, William, $d 1564-1616, $e author.700 1_ $a Housman, A. E. $q (Alfred Edward), $d 1859-1936, $e author.700 1_ $a Masefield, John, $d 1878-1967, $e author.700 12 $i Container of (work): $a Vaughan Williams, Ralph, $d 1872-1958. $t Songs of travel.700 12 $i Container of (work): $a Finzi, Gerald, $d 1901-1956. $t Let us garlands bring.700 12 $i Container of (work): $a Butterworth, George, $d 1885-1916. $t Bredon Hill and other songs.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Sea fever.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Vagabond.700 12 $i Container of (work): $a Ireland, John, $d 1879-1962. $t Bells of San Marie.700 12 $i Container of (work): $a Butterworth, George, $d 1885-1916. $t Songs from A Shropshire lad.
Final Q & A
Resources for RDA music cataloging
Bibliographic Control Committee (MLA)http://bcc.musiclibraryassoc.org/bcc.html
• MLA RDA workshops and sessions
• Best Practices for Music Cataloging Using RDA and MARC21
Hit the Ground Running! RDA Training for Music Catalogers (MLA 2013 preconference workshop)http://guides.library.cornell.edu/MLARDA2013
• Spreadsheets, sample records, exercises, handouts