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Act 1 scene 1 Antony and Cleopatra.

Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

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Page 1: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

Act 1 scene 1Antony and Cleopatra.

Page 2: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

Act 1 scene 1:

Philo is bemused at Cleopatra’s power over Antony. Antony declares his love for Cleopatra and she taunts him over the hold that Rome has on him, including his wife. Philo and Demetrius discuss Antony’s poor conduct.

Reading task (as a class)

There will be 5 speakers, the rest of you will be either Romans or Egyptians. As the characters read the lines it is your job to echo key words or phrases. Romans should repeat phrases to do with Rome, war and empire. Egyptians should repeat words or phrases to do with Egypt, love and pleasure.

Now repeat but this time Romans will echo everything Roman with approval and everything Egyptian with disdain. Egyptians will do the opposite.

Page 3: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

“Without conflict, there is no drama.”

Conflict on the stage is everywhere, from language (contrast, antithesis, juxtaposition, oxymoron) and characterization, to action and setting.

Divide your page into 4 (language, action, setting, character) and identify some of the key points of conflict.

Page 4: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

“Those his goodly eyes…Have glowed like plated Mars, now bend, now turnThe office and devotion of their view Upon a tawny front.”

In what ways is the relationship between Antony and Cleopatra made to seem a turbulent one?

Page 5: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

PHILO

Nay, but this dotage of our general's

O'erflows the measure: those his goodly eyes,

That o'er the files and musters of the war

Have glow'd like plated Mars, now bend, now turn,

The office and devotion of their view

Upon a tawny front: his captain's heart,

Which in the scuffles of great fights hath burst

The buckles on his breast, reneges all temper,

And is become the bellows and the fan

To cool a gipsy's lust.

Flourish. Enter ANTONY, CLEOPATRA, her Ladies, the Train, with Eunuchs fanning her

Look, where they come:

Take but good note, and you shall see in him.

The triple pillar of the world transform'd

Into a strumpet's fool: behold and see.

Page 6: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

CLEOPATRAIf it be love indeed, tell me how much.MARK ANTONYThere's beggary in the love that can be reckon'd.CLEOPATRAI'll set a bourn how far to be beloved.MARK ANTONYThen must thou needs find out new heaven, new earth.Enter an AttendantAttendantNews, my good lord, from Rome.MARK ANTONYGrates me: the sum.CLEOPATRANay, hear them, Antony:Fulvia perchance is angry; or, who knowsIf the scarce-bearded Caesar have not sentHis powerful mandate to you, 'Do this, or this;Take in that kingdom, and enfranchise that;Perform 't, or else we damn thee.'MARK ANTONYHow, my love!

Page 7: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

CLEOPATRAPerchance! nay, and most like:You must not stay here longer, your dismissionIs come from Caesar; therefore hear it, Antony.Where's Fulvia's process? Caesar's I would say? both?Call in the messengers. As I am Egypt's queen,Thou blushest, Antony; and that blood of thineIs Caesar's homager: else so thy cheek pays shameWhen shrill-tongued Fulvia scolds. The messengers!MARK ANTONYLet Rome in Tiber melt, and the wide archOf the ranged empire fall! Here is my space.Kingdoms are clay: our dungy earth alikeFeeds beast as man: the nobleness of lifeIs to do thus; when such a mutual pairEmbracingAnd such a twain can do't, in which I bind,On pain of punishment, the world to weetWe stand up peerless.CLEOPATRAExcellent falsehood!Why did he marry Fulvia, and not love her?I'll seem the fool I am not; AntonyWill be himself.

Page 8: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

CLEOPATRAPerchance! nay, and most like:You must not stay here longer, your dismissionIs come from Caesar; therefore hear it, Antony.Where's Fulvia's process? Caesar's I would say? both?Call in the messengers. As I am Egypt's queen,Thou blushest, Antony; and that blood of thineIs Caesar's homager: else so thy cheek pays shameWhen shrill-tongued Fulvia scolds. The messengers!MARK ANTONYLet Rome in Tiber melt, and the wide archOf the ranged empire fall! Here is my space.Kingdoms are clay: our dungy earth alikeFeeds beast as man: the nobleness of lifeIs to do thus; when such a mutual pairEmbracingAnd such a twain can do't, in which I bind,On pain of punishment, the world to weetWe stand up peerless.CLEOPATRAExcellent falsehood!Why did he marry Fulvia, and not love her?I'll seem the fool I am not; AntonyWill be himself.

Page 9: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

MARK ANTONYBut stirr'd by Cleopatra.Now, for the love of Love and her soft hours,Let's not confound the time with conference harsh:There's not a minute of our lives should stretchWithout some pleasure now. What sport tonight?CLEOPATRAHear the ambassadors.MARK ANTONYFie, wrangling queen!Whom every thing becomes, to chide, to laugh,To weep; whose every passion fully strivesTo make itself, in thee, fair and admired!No messenger, but thine; and all aloneTo-night we'll wander through the streets and noteThe qualities of people. Come, my queen;Last night you did desire it: speak not to us.Exeunt MARK ANTONY and CLEOPATRA with their trainDEMETRIUSIs Caesar with Antonius prized so slight?

Page 10: Shakespeare: Antony and Cleopatra: Act 1 Theatre Literature

PHILOSir, sometimes, when he is not Antony,He comes too short of that great propertyWhich still should go with Antony.DEMETRIUSI am full sorryThat he approves the common liar, whoThus speaks of him at Rome: but I will hopeOf better deeds to-morrow. Rest you happy!Exeunt