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Shooting script SCENE ONE - DAY Extreme, still shot of the country side Fade: SCENE TWO - DAY Mid shot of performer (PUNK GIRL- Emily) making a cup of tea Jump cut: SCENE THREE - DAY Close up of a MAN with a face of disgust Fade: SCENE FOUR - DAY Long shot of performer (UPPER CLASS GIRL – Ibby) LADY comes walking in LADY “Take that hoodie off Isabella, I don’t want you to scare anyone away”. Jump cut: SCENE 5 - DAY Close up of UPPER CLASS GIRL huffing and taking her hoodie down. UPPER CLASS GIRL walks off scene Fade: SCENE SIX - DAY Extreme close up of clock bleeping Jump cut: SCENE SEVEN - DAY

Shooting Script

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Page 1: Shooting Script

Shooting script

SCENE ONE - DAY

Extreme, still shot of the country side

Fade:

SCENE TWO - DAY

Mid shot of performer (PUNK GIRL- Emily) making a cup of tea

Jump cut:

SCENE THREE - DAY

Close up of a MAN with a face of disgust

Fade:

SCENE FOUR - DAY

Long shot of performer (UPPER CLASS GIRL – Ibby)

LADY comes walking in

LADY “Take that hoodie off Isabella, I don’t want you to scare anyone away”.

Jump cut:

SCENE 5 - DAY

Close up of UPPER CLASS GIRL huffing and taking her hoodie down.

UPPER CLASS GIRL walks off scene

Fade:

SCENE SIX - DAY

Extreme close up of clock bleeping

Jump cut:

SCENE SEVEN - DAY

Close up of performer (LOWER CLASS GIRL – Sian) sleeping in bed

Voice from down stairs “GET UP YOU’RE LATE!”

Page 2: Shooting Script

LOWER CLASS GIRL jumps out of bed

Fade:

SCENE EIGHT - DAY

Front door

Title of song and name of artist fades up to screen “Sub Focus, Turn it Around”

LOWER CLASS GIRL then storms out of door

The song begins in the back ground

Fade:

SCENE NINE - NIGHT

Close up of LOWER CLASS GIRL walking through streets at night

Camera behind LOWER CLASS GIRL

I don't know what they're telling you

Fade:

SCENE TEN - NIGHT

Mid shot of LOWER CLASS GIRL walking through streets

Camera in front of LOWER CLASS GIRL

But I know I can turn it around

Fade :

SCENE ELEVEN - NIGHT

Close up of LOWER CLASS GIRL drinking a pint of beer in a pub

Blurred background

I know I've hurt you, and I've not been true

Fade:

SCENE TWELVE - NIGHT

Long shot of LOWER CLASS GIRL walking out of pub back into streets.

A song of desperation, but I'm not letting go

Page 3: Shooting Script

Fade:

SCENE THIRTEEN - NIGHT

Close up of small amount of change in LOWER CLASS GIRL’s hand

Not enough money for a taxi.

I'll be with you in the hour, fade

Fade:

SCENE FOURTEEN - NIGHT

Mid shot of LOWER CLASS GIRL walking away from camera to walk home

I'll be with you

Jump cut:

SCENE FIFTEEN - DAY

Long shot of UPPER CLASS GIRL mucking out horse looking miserable

They said we were too young, to keep our love so strong

Fade:

SCENE SIXTEEN - DAY

Mid shot of UPPER CLASS GIRL brushing her horse main with her hoodie up

She looks outside into the distance

You said you want devotion, look no further

Jump cut:

SCENE SEVENTEEN - DAY

The beet of the song has dropped

UPPER CLASS GIRL is galloping away on her horse

Jump cut:

SCENE EIGHTEEN - DAY

Long shot of UPPER CLASS GIRL on her horse galloping in a field

Page 4: Shooting Script

Jump cut:

SCENE NINETEEN - DAY

Mid shot of UPPER CLASS GIRL getting off horse and tying it to the fence

UPPER CLASS GIRL turns around and looks confused

I don't know what they're telling you

Jump cut:

SCENE TWENTY - DAY

Long shot of LOWER CLASS GIRL walking down the path with the camera behind her

LOWER CLASS GIRL turns around and is surprised

But I know we can turn it around

Jump cut:

SCENE TWENTY-ONE - NIGHT

Flashback to the night before when LOWER CLASS, UPPER CLASS and PUNK GIRL were dancing together at a party

I know I've hurt you, and I've not been true

Jump cut:

SCENE TWENTY-TWO - DAY

Long shot of PUNK GIRL walking out of house with a bicycle

But I know I can turn it around

Fade:

SCENE TWENTY-THREE - DAY

Mid shot of PUNK GIRL cycling up the hill

She stops and looks down a footpath

A song of desperation, but I'm not letting go

Fade:

Page 5: Shooting Script

SCENE TWENTY-FOUR - DAY

Long shot of PUNK PERFORMER cycling down the down the field

The camera is behind PUNK GIRL

I'll be with you in the hour,

Fade:

SCENE TWENTY-FIVE - DAY

Mid shot of PUNK GIRL cycling from the field onto a path

I'll be with you

Jump cut:

SCENE TWENTY-SIX - DAY

Over-the-shoulder shot of the PUNK GIRL bumping into the UPPER CLASS GIRL and LOWER CLASS GIRL

The UPPER CLASS GIRL and LOWER CLASS GIRL turn around and look shocked

You said you want devotion,

Fade:

SCENE TWENTY-SEVEN - DAY

Long shot of PUNK GIRL, UPPER CLASS GIRL and LOWER CLASS GIRL walking towards the camera smiling and laughing

LOWER CLASS GIRL, PUNK GIRL and UPPER CLASS GIRL walk past the camera

look no further

Jump cut:

SCENE TWENTY-EIGHT - NIGHT

The beet of the song drops

Mid shot of a flashback from the night before when the UPPER CLASS GIRL, LOWER CLASS GIRL and PUNK GIRL were dancing at a party

Fade:

Page 6: Shooting Script

SCENE TWENTY-NINE - DAY

As the music is fading away the UPPER CLASS GIRL,LOWER CLASS GIRL and PUNK GIRL are walking away from the camera (camera behind them)

Fade:

CUT TO BLACK.