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HISTORYof
M E L A K A
Early Malaya 1396• Sumatran Prince arrives from Temasek (Singapore) on a
hunting expedition and seeks sanctuary here. He gave the name Malacca
• It is situated at strategic point, midway along the straights that linked China to India
The Malay Fort• Constructed by indigenous Malay at the bottom of the hill,
which is the most prominent feature of Malacca• Fort was built for protection made of a system of earthworks
surrounded by wooden stockades
1511-1641 Portuguese era• Portuguese forces under the command of Alfonso de
Albuquerque attacked and defeated the armies of Malacca Sultanate.
• Local Malays lived scattered around the land, while the Portuguese took over the fort
• The wooden fort was reconstructed in 1511 after much damage. In 1511, the Portuguese began construction on a stone and mortar fort to replace wooden one. It was completed on the 1512.
• Bastions were built; St Pedro, St Domingos (Bastion Victoria), Santiago and Onze Mil Virgens and A’Famosa (in light red)
1641-1700 Dutch era• Dutch invaded Malacca after 8 month siege and battle on
the night of 13 January 1641 through the back door of St Domingo (Bastion Victoria)
• They rebuilt the city after much destruction of the battle• St Domingo was renamed to bastion Victoria• The Stadthuys (in light red) was built between 1641 to
1660 and was used ad the administrative center or successive governments
1700-1807 Dutch era• The Dutch built up many parts of the city, including
the system of roads.• In 1753, Christ Church (in light red) was built
alongside the Stadthuys• Population expanded and more houses and shops
were built outside the fort
1807-1957 British rule• British invaded Malacca and destroyed the fort• However, Malacca flourished under the ruling of the
British• Opening schools; Sacred Heart Canossian Convent in
Jalan Kota, and expanding the city which is now under the UNESCO
1957- Present Day• In 1957, Malaysia gained independence
from Britain • Malacca is an established city and is
administered by the Malacca City Council• Land reclamation was done due to
increasing population demands. • In 2008, Malacca was inscribed in the
UNESCO World Heritage List
ARCHITECTURAL
STYLE
Dutch Style 17th century – 18th century
Simple Facade Design
Limited Openings on upper floor
One center window or two symmetrical windows
Symmetrical facade design of centralized door and two
windows
Five foot way not connected to adjacent building
Materials: Walls
(Dutch Brick plastered with lime)
Roof (Timber)
Southern China Style (18th – Early 19th century)
Has lots of ornaments (To convey Luck, Direction, Seasons, The Wind and
Constellations
Has a courtyard
Strong emphasis on roof
Exposure of structural elements
Use of various colors
Materials: Walls (Brick plastered with lime)
Roof (Timber)
Early Shophouse Style 1800 – 1850s
Recessed ground floor
Simple pitched roof
Facade as a means of filling the space between two end walls
Upper floor facade supported by squat pillars
Continuous row of panelled or louvered shutters
Materials: Masonry dividing walls
Timber upper floors
Tiled roof
Early Transitional Style (1840 – 1900s)
Structures are built to street edge
Incorporate a five foot pedestrian walkway
Expressive gable ends to rows
Upper consoles enlarged and decorated with floral motifs
Row of continuous timber shutter openings
Materials: Masonry dividing walls
Timber upper floor
Tiled roof
Timber beams
Early Eclectic Style (1880 – 1910s)
Restrained use of ornaments on its facade
Doors and windows made of timber
Transoms are flat arched or semicircular with glass infill
Symmetrical double doors
Wide roof overhangs
Materials: Extensive use of masonry with reinforced concrete
lintels and beams
Timber upper floors
Tiled roof
Late Straits Eclectic Style (1920 – 1940s)
Excessive use of ornamentation
Extra windows reduce wall space and maximize
ventilation
Chinese panel frescoes combined with Malay timber
fretworks
More elaborate cantilevered details on facades
Materials: Extensive use of masonry
First floor timber fenestration and tiled
roof
Neo Classical Style
Sparing use of ornaments
Strict use of orders of architecture
Well proportioned
High ceilings and large porches
Painted in pastel or white finishing on exterior face of
building
Art Deco Style
Use of straight lines
Strong vertical or horizontal emphasis to structure
Windows are arranged in groups
Date of construction on facade of building
Use of metal frame window
Cantilevered sunshades
Materials: Reinforced concrete masonry
Early Modern Style
Radically ornamented
Simplified approach towards architecture
Clean cut openings
Aesthetics derive from simplicity
Materials: Reinforced Concrete
LAND USE
DISTRICT
COMMERCIAL
HOTEL
HEALTHCARE
EATERY
RELIGION
GALLERY & MUSEUM
ABANDON BUILDING
MIX-USED COMMERCIAL
RESIDENTIAL
GOVERNMENT
HERITAGE
HERITAGE
COMMERCIAL
RELIGION
RESIDENTIAL
MIX-USE
GOVERNMENT
VEHICULAR PATH
PEDESTRIAN PATH
LANDMARK
L o c a l ( M a l a c c a )
1
S t . F r a n c i s X a v i e r ’ s C h u r c h
R e d b u i l d i n g
T h e S t a d t h u y s
J o n k e r S t r e e t
1
2
2
3
3 4
4
C h i n a T o w n
L i t t l e I n d i a
5
6
5
6
LANDMARK
L o c a l ( M a l a y s i a )
1
C h i c k e n R i c e B a l l
R e d b u i l d i n g
T h e S t a d t h u y s
J o n k e r S t r e e t
1
2
2
3
3 4
4
S a n S h u G o n g
C h e n g H o ’ sC u l t u r a l M u s u e m
5
6
5
6
LANDMARK
T o u r i s t
1
S t . F r a n c i s X a v i e r ’ s C h u r c h
R e d b u i l d i n g
T h e S t a d t h u y s
J o n k e r S t r e e t
1
2
2
3
3 4
4
H a r d R o c k C a f e
T h e D u t c hG r a v e y a r d
5
6
5
6
1
R e d b u i l d i n g
T h e S t a d t h u y s
J o n k e r S t r e e t
1
2
2
3
3
1
R e d b u i l d i n g
T h e S t a d t h u y s
J o n k e r S t r e e t
1
2
2
3
3
D o m i n a n t L a n d m a r kS t . F r a n c i s X a v i e r ’ s C h u r c h
HUMAN ACTIVITIES
DAY TIME
32
1
1
2
3
MELAKA CLOCK TOWER
TOURIST START TO SWARM IN THE AREA AROUND
9AM DROPOFF
THE GATHERING POINT
3
4
2
1
DAY TIME
4
1
2
3
A CATHOLIC CHURCH THAT SERVE ON SUNDAY
PIGEON SPOT
TAKING PHOTO AROUNDTHE SITE
SHOP OF INDIAN CULTURAL FOOD
32
1
DAY TIME
1
2
3
PEOPLE VISITING CHENGHO’S MUSUEM
COLOURFUL WALLPAINTINGS
CYCLING ON THE UNESCO ZONE
4
3
4
2
1
1
2
3
DAY TIME
EXPLORING JONKERSTREET FOOD
BUYING CENDOL
CHIT CHATING AND DRINKING
STREET PERFORMANCE
3
2
1
1
2
3
NIGHT TIME
BABA NYONYA FOOD
OPEN KARAOKE FOROLD FOLK
TRAFFIC CONGESTION DURING ENTERING JONKER STREET
3
2
1
1
2
3
NIGHT TIME
HANGOUT PLACEDURING NIGHT`
TAKING A BOAT TRIPALONG SUNGAI MELAKA
HAVING A CANDLE DINNING ASIDE THE RIVER
NIGHT TIME
3
21
1
2
3
NIGHT LIFE ACTIVITYLIVE BAND SINGING
OKU PEOPLE SINGING
BECA ON THE ROAD FOR RENT
HUMAN DENSITY
NODES
WEEKDAYS8 A.M.
WEEKDAYS12 P.M..
WEEKDAYS4 P.M.
WEEKDAYS8 P.M.
WEEKDEND8 A.M.
WEEKDEND12 P.M.
WEEKDEND4 P.M.
WEEKDEND8 P.M.
SURVEYOR’S INTEREST
LOCAL ( BORN IN MELAKA OR MALAYSIA) NON - LOCAL ( TOURIST OVERSEA)
BASE ON THE SURVEYOR MADE, THE LOCALS HAVE MORE KNOWLEDGE ON FOOD CATEGORYWHEREBY TOURIST ARE MORE INTERESTED IN TRADITIONAL ACTIVITIES PROVIDED AROUND THE AREA.
TOURIST TEND TO BE MORE ADVENTURES TO EXPLOIT THE BEAUTY OF MALACCA AND HAVE THE LEAST COMPLAINS ABOUT THE INFRASTURCTURE THERE.
ISSUESBASE ON SURVEYER
NO BUS STOP
TRAFFIC CONGESTION
LACK OFPOLICE
LACK OFMAINTAINANCE
LACK OFPUBLIC TOILET
LACK OFCAR PARK
LOCAL RESIDENT
TOURISTS
USER DISTRIBUTION
Comparison of theHUMAN DENSITYbetween SITE & The STADTHUYS
PROPOSED PROGRAMME TO INCREASE HUMAN DENSITY
FOOD TRISHAW BISCYCLE STOP STREET PERFORMERS
VEGETATIONS
AQUILARIA SINENSIS
MELAKA TREE
HIBISCUS
BOUGAINVILLEA
ARROW BAMBOO
YELLOW LXORA FLOWER
AQUILARIA SINENSIS
MELAKA TREE
HIBISCUS
BOUGAINVILLEA
YELLOW LXORA FLOWER
ARROW BAMBOO
SITE
DOCUMENTATION
Boundary line
Set back
S W O T
Center Point-- strategic location –- leading to the core of
UNESCO Heritage
District Center Point betweena) Commercialb) Heritage/ historicalc) Government
Near to the main tourist attraction-- Jonker Street
STRENGTH
Limited Car Park Traffic Congestion-- Especially during weekends
Pigeons Nesting Habits-- Excretion, noise, smell
WEAKNESS
Involvement of Bastion Victoria ruins -- allow history and culture education to take place.
Secondary Entrance-- from the river
Focal/ starting point-- before entering UNESCO Heritage Core
OPPORTUNITY
Foundation and earth work might affect the soil stability near the river bank causing the river bank to collapse.
THREAT
VIEW TO SITE
DESIGNSTRATEGY
1. Bastion Victoria
Covered roof over bastion
Experience bastion through clear barriers
Suspended walkway over bastion ruins
Views to river and shop lots by designing overhangs Roof garden to view church
2. Views
3. Noises
Avoid noise pollution with vegetation Reduce noise pollution through green walls
Natural sunlight through courtyard Natural sunlight from skylight
4. Sunlight
Natural threat (birds) by providing bird pits and using flat roofs for easy maintenance
Natural ventilation through air well and large openings
5. Natural Ventilation
PRECEDENTSTUDY
KOLUMBA MUSEUM
Peter Zumthor
Legend:
1. Main Entrance
2. Foyer
3. Courtyard
4. Main Exhibition (Ruins
Excavation)
5. Former Vestry
6. Chapel Madonna Entrance
7. Chapel Madonna
1
2
3
4
5
6
7
A
Ground Floor Plan First Floor Plan Second Floor Plan
Section A-A
C C
A
A
B
B
C C
A
B
B
C C
A
B
B
Section B-B
Section C-C
Exhibition Space
Madonna Chapel
St. Columba’s Ruin
Exhibition Space
Buffer Space
Madonna Chapel
Moderna Museet MalmöTham & Videgå rd Architect
Front Elevation
Legend:1. Main Entrance2. Reception3. Cafe4. Hallway5. Exhibition Space6. loading Area / Exhibition Space7. Loading Area/ car8. Office9. Public Toilet
13
2
4
5 76
8
9C C
A
A
B
Old
New
Public
Private
Legend:
Axonometric
Cross Section
Longitudinal Section
Cafe
Facade
Toilet
Office
1100
0
CONCLUSION
ARCHITECTURAL POSITION
P R O G R A M M E I N T R O D U C E D
E d u c a t i o n
C u l t u r e
T o C r e a t e A w a r e n e s s- P r e s e r v e & C u l t i v a t e
B a s t i o n V i c t o r i a- S i t e P r e s e r v a t i o n
S p r e a d T h r o u g h o u t R e g i o n a l a n d N a t i o n a l
O u t r e a c h I n t e r n a t i o n a l l y
P R O P O S A L B U I L D I N G T Y P E
M u s e u m C o m m u n i t y C e n t r e A r c h i v e / L i b r a r y
S C H E D U L E O F A C C O M M O D A T I O N
2 0 0 m 2
L e a r n i n g C e n t r e
1 0 0 m 2
G a l l e r y
5 0 0 m 2
P u b l i c G a t h e r i n gS p a c e
2 5 0 m 2
L i b r a r y / R e s e a r c h
U S E R G R O U PT o u r i s t + L o c a l ( M a l a y s i a n ) – 6 4 %
L e c t u r e H a l l
1 0 0 m 2
W o r k e r s o n S i t e – 2 7 %
L o c a l s ( M a l a c c a ) – 9 %
THANK YOU
T E A M M U N I N N
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