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The Magical Art of Clear Writing

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Page 1: The Magical Art of Clear Writing
Page 2: The Magical Art of Clear Writing

But first, let’s dispel some myths:

Medusa – scary Greek

goddess with snakes for

hair.

Not a good writer.

Page 3: The Magical Art of Clear Writing

But first, let’s dispel some myths:

Medusa – scary Greek

goddess with snakes for

hair.

Not a good writer.

Page 4: The Magical Art of Clear Writing
Page 5: The Magical Art of Clear Writing
Page 6: The Magical Art of Clear Writing
Page 7: The Magical Art of Clear Writing
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Page 10: The Magical Art of Clear Writing
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1. Clear thoughts

Page 12: The Magical Art of Clear Writing

1. Clear thoughts

2. Clear words

Page 13: The Magical Art of Clear Writing

1. Clear thoughts

2. Clear words

3. Short, clear sentences

Page 14: The Magical Art of Clear Writing

1. Clear thoughts

2. Clear words

3. Short, clear sentences

4. Clearly organized structure

Page 15: The Magical Art of Clear Writing

1. Clear thoughts

2. Clear words

3. Short, clear sentences

4. Clearly organized structure

5. Concise introduction or thesis

and conclusion

Page 16: The Magical Art of Clear Writing

Review your learning contract or instructions from your mentor or instructor. Ask questions if you are unclear.

Refine and focus your topic to a reasonable scope of your available research and understanding. What do you think about your topic? What will your thesis be? What conclusions can you come to?

Line up your notes and sources so that you can cite your quotations, facts and information. Write down what you know.

Sketch out and free write your ideas on paper or on computer.

Organize related ideas and focus on structure (more on that later).

Think of a clear, concise opening statement or thesis.

Give yourself plenty of time to write and revise.

Page 17: The Magical Art of Clear Writing

Use clear, understandable language.

Don’t try to impress your faculty with words you think are “scholarly,” especially if you don’t really understand them.

Don’t use five words when one or two will do.

Don’t use colloquial speech in writing.

Don’t use clichés. (Avoid clichés like the plague!)

If you don’t understand what a word means, or you’re not sure, look it up.

Don’t hurry this process. Use words mindfully.

Use strong verbs and nouns.

Use fewer adjectives and adverbs.

Page 18: The Magical Art of Clear Writing

“Poe’s verbiage in ‘The Raven’ is a

deliberately obfuscated hallucination that

reflects the subordinated libido of his

narrator’s psycho-induced melancholia

induced by the abandonment of him by his

paramour, Lenore.”

THIS IS NOT CLEARLY WORDED!

Page 19: The Magical Art of Clear Writing

This would be your

instructor or mentor

when they read

something like that

in your paper or

essay.

Page 20: The Magical Art of Clear Writing

“Poe uses the images of the raven to show what it must

be like to experience severe depression and

emotional loss. He shows by images that his

narrator is losing his mind.”

THIS IS PERFECTLY ADEQUATE COLLEGE

WRITING – PRECISE AND CLEAR.

Page 21: The Magical Art of Clear Writing

This is a run-on sentence:

“If a sentence wanders on for more than three

typed lines what happens is you most likely

really have a run-on sentence trying to cram

too much information into one form and

therefore the sentence is losing most of if not

all its clarity and the meaning you are trying to

express to your instructor is lost in excessive

verbiage and complicated syntax…”

Page 22: The Magical Art of Clear Writing

Translation:

“Don’t try to cram too much information into a

sentence. Use short, clear sentences using

words that everyone understands.”

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However, neither do we want you to be too

simplistic:

Run, Dick, run.

See Dick run?

See Dick and Jane run!

Page 24: The Magical Art of Clear Writing

Keep important points at the beginning of a

sentence.

Keep related words together.

Awkward:

“The ghost of Hamlet’s murdered father telling

him to is the reason that Hamlet seeks revenge

on his uncle.”

Page 25: The Magical Art of Clear Writing

Keep important points at the beginning of a

sentence.

Keep related words together.

Better:

“Hamlet seeks revenge when his father’s ghost

tells him he was murdered.”

Page 26: The Magical Art of Clear Writing

Keep important points at the beginning of a

sentence.

Keep related words together.

Awkward:

“A flower garden, when not tended properly, becomes

becomes infested with weeds and pests.”

Page 27: The Magical Art of Clear Writing

Keep important points at the forefront of a

sentence.

Keep related words together.

Better:

“An untended garden can become infested with

weeds and pests.”

Page 28: The Magical Art of Clear Writing

Always use active voice, never passive voice.

Passive voice - incorrect:

“The Christmas shopping was always done by my

mother and sister months in advance.”

Page 29: The Magical Art of Clear Writing

Always use active voice, never passive voice.

Passive voice - incorrect:

“The Christmas shopping was always done by my

mother and sister months in advance.”

Active voice – correct:

“My mother and sister always did the Christmas

shopping months in advance.”

Page 30: The Magical Art of Clear Writing

Pick a tense, past or present, and stick with it.

“The artist depicted how the American landscape

of the 18th century is altered by slash and burn

logging.”

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Pick a tense and stick with it.

Verbs do not agree:“ The artist depicted how the American 18th

century landscape is altered by slash and burn

logging.”

Verbs agree:

“The artist depicted how the American 18th

century landscape was altered by slash and

burn logging.”

Page 32: The Magical Art of Clear Writing

Make sure your pronouns agree within a

sentence.

Wrong:

“One is never at fault if they admit defeat.”

Right:

“One is never at fault if she admits defeat.”

Page 33: The Magical Art of Clear Writing

Make sure your pronouns agree within a

sentence.

Incorrect:

A man is never sure about security in airports

when they travel for business.

Correct:

A man is never sure about security in airports

when he travels for business.

Page 34: The Magical Art of Clear Writing

Avoid colloquialisms – common in speech but not

appropriate in college papers.

Colloquial and inappropriate for a college level

paper: “He was, like, you know, pretty much

tanked when he drove off the road, and that

sucked.”

College level: “He had been drinking when the

accident occurred.”

Page 35: The Magical Art of Clear Writing

Your introduction or thesis statement is a clear, concise

statement of your purpose in writing this paper. It

can be one sentence to start.

Everything that follows will support this statement like

a pillar…

Introduction or

thesis statement

Page 36: The Magical Art of Clear Writing

4. CLEARLY ORGANIZED STRUCTURE

Introduction

Each paragraph supports your introduction or thesis…

Page 37: The Magical Art of Clear Writing

Introduction

Conclusion

Page 38: The Magical Art of Clear Writing

Your Introduction or Thesis (or Hypothesis) is your

selected or assigned topic introduced reworded and

refined to show your opinion. For instance…

Introduction

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For instance:

The topic (or title) is: “Hermits Walk Among Us:

Solitaries in Modern Day American Life.”

The thesis is: “Hermits are not just an

historical human oddity of old world Europe,

England or Africa. Hermits, both religious and

secular, exist in rural and urban areas in our

time, in our country.”

Page 40: The Magical Art of Clear Writing

The body of your paper or essay will provide the information regarding

hermits that you have found in your research and reading. This

information, whether quoted or rephrased in your own words IS

ALWAYS CITED AND DOCUMENTED!

Paragraphs, however many,

build the body of your text.

Introduction:

Hermits…

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Your conclusion, your final paragraph or

statement of the paper, is simply your thesis

restated and including a concise summary of

your evidence and research supporting what

you stated at the beginning. Your conclusion

should show (we hope) what you have proved

about hermits living in modern day America.

Conclusion

Page 42: The Magical Art of Clear Writing

Draft – free write (rough draft)

Rewrite (first draft)

Read aloud

Revise (second draft)

Read aloud again

Check your sources and citations!

Third and final draft

Page 43: The Magical Art of Clear Writing

Reading, research

Organization

Simplicity

Clarity

Revision

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Page 45: The Magical Art of Clear Writing

“Amid chaos of images, we value

coherence. We believe in the

printed word. And we believe in

clarity. And we believe in

immaculate syntax. And in the

beauty of the English language.”

Wallace Shawn,

Editor of The New Yorker

Page 46: The Magical Art of Clear Writing

My ESC – Writing Resource Center

ESC on-line library

Purdue On-Line Writing Lab: http://owl.english.purdue.edu/

www.DianaHacker.com

A Writer’s Reference, 5th edition, Hacker and Van Goor

ESC College Writing Course

Other Academic Support Workshops

The Elements of Style, by Strunk and White

The back of your orange and white student datebook has a quick reference guide.

Page 47: The Magical Art of Clear Writing

What is a learning coach?

A learning coach is someone who provides academic support to students in one-on-one or small

group settings in all areas of the writing process and related study skills strategies including time

management, organization, reading efficiency, developing a study plan, goal setting, critical

thinking, library research skills, note-taking, and learning styles.

Sarah Spence-Staulters is located in Latham working with Schenectady & Latham/Albany students

Her hours are: Mondays - 4:45pm-7:45pm

Wednesdays - 4:30pm-8:00pm

Fridays - 9am-11:30am

Contact Sarah to make an appointment :

(518) 783-6203 ext 5992 or [email protected]

___________________________________________________________________________________________

_____

Kate Stockton is located in Latham working with Johnstown & Latham/Albany students

Her hours are: Mondays - 4:30pm-6:30pm

Tuesdays - 4:30pm-8:00pm

Thursdays - 4:30pm-8:00pm

Contact Kate to make an appointment :

(518) 783-6203 ext 5992 or [email protected]

Mary Sanders Shartle is located in Saratoga working with

Saratoga & Queensbury students

Her hours are: Mondays – 12pm-2pm

Wednesdays – 3pm-6pm

Thursdays 4pm-6pm

Contact Mary to make an appointment :

(518) 587-2100 ext 2827 or [email protected]