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Presented at the 9th International Workshop of Writing Systems and Literacy
Citation preview
Typological Differencesin the
Linked Writing of CursivesOKADA Kazuhiro
(Hokkaido University, Japan)
Summary
• This is an attempt at a typological analysis of writing systems, based on their graphical nature
• In cursive scripts letters are often linked (joined) together
• Cursives give rise to numerous scripts (e.g. Western Alphabets, Arabic, and Hiragana)
• Such cursives differ in terms of the degree of linkage between individual graphemes
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Summary
• Linkage degree will capture typological differences in the nature of cursives
• This naturally requires that such linkage is encoded in orthographic databases, noting in what manner they are linked, e.g., merged or not
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Some Terminology
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Some Terminology
• Cursive: More than one part of a letter is made in a single stroke, cf. Calligraphic scripts in which individual letters or parts of a letter are formed separately (Lowe 2006)
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Some Terminology
• Cursive: More than one part of a letter is made in a single stroke, cf. Calligraphic scripts in which individual letters or parts of a letter are formed separately (Lowe 2006)
• Linked writing: A manner in which graphemes are linked (joined) to one another
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Some Terminology
• Cursive: More than one part of a letter is made in a single stroke, cf. Calligraphic scripts in which individual letters or parts of a letter are formed separately (Lowe 2006)
• Linked writing: A manner in which graphemes are linked (joined) to one another
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An example
Some Terminology
• Cursive: More than one part of a letter is made in a single stroke, cf. Calligraphic scripts in which individual letters or parts of a letter are formed separately (Lowe 2006)
• Linked writing: A manner in which graphemes are linked (joined) to one another
• Linkage degree: Degree of linkage between individual graphemes
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An example
Starting Point
• ‘[C]ursive writing was the key to changes in scripts through the centuries’ (Bischoff 1990)
• Problems in changes in cursive:
• “More than one part of a letter is made in a single stroke” is not done by simple smoothing
• Cursive generation model using a certain smoothing method usually fails
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Starting Point
• Cursives are important not only in the Latin alphabet, but also in every other script
• However its details are elaborated independently
• Can we grasp the cursive phenomenon generally?
• An important common feature is linked writing
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Cursives and Linked Writing
• Cursives do often possess linked writing
• e.g. The ‘Uyghur’ Sogdian script (right; https://commons.wikimedia.org/wiki/
File:Bugut.jpg, by Yastanovog)
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Cursives and Linked Writing
• Cursives do not necessarily have linked writing: e.g. Uncial script (right), Modern Hiragana (あいう)
• i.e. no linkage degree
• Depends on writing material and tools, purpose, beauty, etc.
Book of Kells, 8c8
Cursives and Linked Writing
• Linkage degree can be illustrated in terms of graphic cohesion and the motivation of allographs
• Graphic cohesion is the degree to which graphemes are linked
• involving merger of graphemes?
• linkage related to word units?
• Motivation of allographs is related to how allographs are moulded in a script (not necessarily related to linked writing)
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Cursives and Linked Writing
• These two concepts will help in capturing the nature of cursives
• I will investigate and compare three cases with regard to graphic cohesion and motivation of allographs
• Latin alphabet, Arabic, Hiragana (Jpn)
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Latin Alphabet
• Contemporary Latin cursive usually links all the letters within a word
• Linkage even enables word unit recognition with narrow spaces between words
• Ligature use is limited (esp. in printing); though historically copious
• Some letters and diacritics which originate from ligatures, e.g. &, æ, ¨ (umlaut), å, and so on
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Latin Alphabet
Development of Ampersandfrom left to right: Old Roman Cursive [1], New Roman Cursive [2–3], to Carolingian minuscule [6]
https://commons.wikimedia.org/wiki/File:Historical_ampersand_evolution.svg by Alatius
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Latin Alphabet
The ing
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Latin Alphabet
• Contemporary Latin cursive relies heavily on linked writing to show word units, but mergers of graphemes are rare
• In addition, linked writing triggered many ligatures which are still used today
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Arabic
• Letters within a word are linked except after several letters (a, d, ḍ, r, z, w: e.g. الرسول al-rswl, ‘messenger’)
• Letters change shape depending on its position in a linkage: beginning, middle or end, or isolated
• Ligature use depends on style: widely used in handwriting, but limited use in printing
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Arabic
A Summary Explanation of the Pronouncements of the Scholars and Theologianshttps://commons.wikimedia.org/wiki/
File:A_Summary_Explanation_of_the_Pronouncements_of_the_Scholars_and_Theologians_WDL31.jpg
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Arabic
• Arabic relies on, but not entirely, linked writing to show word units. In addition, mergers of graphemes are common
• Bauer (1996) says ‘[w]ords are set apart by greater spaces [rather than by not-linking letters]’
• By contrast Arabic linked writing triggers contextual allographs, and in handwriting, ligatures
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Hiragana
• Contemporary Hiragana lost linked writing except calligraphic writing
• Older writing possesses extensive linkage (right, Kokin wakashū Kōya copy)
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Hiragana
• Old Hiragana has linked writing, and linkage is usually limited within phrase
• number of linked graphemes are often no larger than 4
• It has few ligatures: merger of grapheme does not remain stative (cf. Okada, 2013) (right, Ōtsubo, 1977)
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Hiragana
• It has copious allographs: for 47 basic categories, one source gives two or three possible allographs for each
• Figure shows characters with their source kanji characters (right, Aston, 1872)
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Hiragana
Chinese Cursives
• Hiragana is developed from the script on the right
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Hiragana
• Old Hiragana does not rely on linked writing or word spacing to show word units — determined by context
• Mergers of graphemes also limited
• It has few ligatures, with too many allographs to establish combinations of letters
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Comparison: Graphic Cohesion
Arabic
Latin
Hiragana
Merger
Word Unit
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Comparison: Motivation of Allograph
• Relationship between linked writing and the motivation of allographs tells us about the history and current structure of each script
• Allographs in Latin Alphabet and Arabic correspond to linked writing
• Allographs in Hiragana correspond to diversity of source characters
• Can this be applied to other scripts?24
Linkage and Database
• What is required for a typologically conscious orthographic database of cursives? What should be annotated?
• Grapheme is linked or not to neighbouring ones
• Allograph and ligature
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Cursive and Database
• Okada (2013) created a small diachronic corpus of hiragana graphemes, arguing that allographs in cursive can be distinguished by number, order, movement, etc. of strokes
• In this way, manner of linkage can be elaborated further than in this attempt
• Annotated database would help such an endeavour
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Conclusion
• Cursives can be categorised in terms of linked writing
• Linked writing can be illustrated in terms of linkage degree
• Latin alphabet, Arabic, and Hiragana differ in terms of linkage degree
• More detailed and comprehensive discussion would benefit from annotated databases
• correspondence: [email protected]
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Reference
• Aston, W. G. 1872. A Grammar of the Japanese Written Language with a short chrestomathy. Privately printed• Bauer, T. 1996. Arabic writing. In P. T. Daniels, W. Bright Eds. The world’s writing systems. OUP• Bischoff, B. 1990. Latin palaeography: Antiquity and the middle ages. Tr. D. Ó Cróinín, and D. Ganz. CUP• Diringer, D. 1968. The Alphabet: A key to the history of mankind 3e. Rev. R. Regensburger. London: Hutchinson• Lowe, K. A. 2006. Paleography, Greek and Latin. Encyclopedia of language and linguistics 2e. Elsevier• Nakata, H. & Kano, H. 2003. Generation of Japanese cursive sentences using optimal smoothing Splines. IPSJ Journal 44 (1)• Naveh, J. 1982. Early history of the alphabet: An introduction to west semitic epigraphy and palaeography. Jerusalem:
Magnes Press, The Hebrew U; Brill • Okada, K. 2013. For diachronic corpus of hiragana grapheme. Presented at the 24th Research Seminar on Computing in
Oriental Studies, Kyoto University• Ōtsubo, H. 1977. Katakana, Hiragana [Katakana and Hiragana]. Iwanami kōza Nihongo 8 [Iwanami lectures on the Japanese
language]. Tokyo: Iwanami• Takashina, Y. 2001. Arabia moji [Arabic script]. In Kōno R., Chino E., Nishida T. Eds. Gengogaku daijiten 7 [The Sanseido
encyclopaedia of linguistics] Sekai moji jiten [‘Scripts and writing systems of the World’]. Tokyo: Sanseidō• Tuttle, E. 1996. Romance languages (A subsection of Section 57 ‘Adaptations of the Roman Alphabet’). In P. T. Daniels, W.
Bright Eds. The world’s writing systems. OUP• Wang, F.-Y. 1958. Chinese cursive script: An introduction to handwriting in Chinese. Yale UP
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