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Bloch; Bruch; Kotova Cello Concertos
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Bloch; Bruch; Kotova Cello ConcertosA v ir tu o so p ro vid e s a co lo u r fu l a n d id e a - fille d co n ce r to fo r h e rse lf
It is a lo n g tim e s in ce in stru m e n ta l v ir tu o s i w e re e x p e cte d to p ro vid e m u ch o f th e ir o w n re p e r to ire . T h o u g h it w a s a tra d itio n th a t
o fte n p ro d u ce d ve ry tr iv ia l m u sic , th e h ig h p o in ts – fro m V iva ld i to W ie n ia w sk i, fro m Bo cch e r in i to P o p p e r – g a ve u s w o rks th a t,
b e ca u se o f th e ir c lo se re la tio n sh ip to th e ch a ra cte r is tics o f o u tsta n d in g p e r fo rm e rs , h a ve a sp e c ia l in d iv id u a lity .
It’s g o o d to se e th a t a t le a st o n e v ir tu o so ce llis t is ke e n to re v ive th e tra d itio n , a n d if N in a K o to va ’s C o n ce r to d o e sn ’t p u t h e r
a lo n g s id e R a ch m a n in o v o r P a g a n in i, it d o e s p ro vid e so m e ve ry co lo u r fu l m u sic th a t a d m ira b ly su its h e r q u a litie s a s a p la ye r – h e r
fle x ib le e x p re ss ive s ty le , b e a u tifu l to n e th ro u g h o u t th e ce llo ’s ra n g e , a n d a n im p re ss ive ly d e x tro u s, co n fid e n t m a n n e r o f d e live ry. T h e
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tro u b le w ith th is a m b itio u s co n ce r to , in m y v ie w , is its d iffu se n e ss ; th e re a re p le n ty o f id e a s , b u t th e y a re ra re ly b ro u g h t in to fo cu s so
a s to p ro d u ce a s tro n g co n tin u o u s e ffe ct. B y fa r th e b e st m u sic co m e s to w a rd s th e e n d o f th e s lo w m o ve m e n t w h e n e a r lie r id e a s
re cu r , tra n sfo rm e d to a n a tm o sp h e re o f e e r ie s tilln e ss . H e re , K o to va d a re s to p la y e x tre m e ly q u ie tly , w ith a s tr ik in g ly h u sky to n e .
T h e co m p a n io n w o rks b y B lo ch a n d B ru ch fa re w e ll. O n e h a s h e a rd m o re p o w e r fu l a cco u n ts o f S ch e lo m o , b u t K o to va , a d va n ta g e o u s ly
b a la n ce d , d o e s n o t n e e d to p ro je ct m o re s tro n g ly. In K o l N id re i, h e r rh yth m ic fre e d o m w h e n th e m a in th e m e is fir s t s ta te d th re a te n s
to d is to r t th e m u sic ’s flo w . T h a n k fu lly , th is d o e sn ’t co n tin u e , a n d h e r b e a u tifu l, re stra in e d p la yin g in th e fin a l m a jo r-ke y se ctio n is
m o st a ffe ctin g . H e re th e o rch e stra p ro d u ce s a lo ve ly r ich , so ft so u n d a n d , th ro u g h o u t, O rb e lia n d ire cts in a ve ry p o s itive , live ly
m a n n e r .
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