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Museum of King Jan III’s Palace at Wilanow, Warsaw, Poland. Conservation and Restauration of the Museum placed between the Metropolia and Nature Reserve and its influence on the social surrounding and local administration. Dorota Folga Januszewska

Museum of Kin Jan III's Palace at Wilanow - Dorota Folga Januszewska

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Museum of King Jan III’s Palace at Wilanow, Warsaw, Poland.

Conservation and Restauration of the Museumplaced between the Metropolia and Nature Reserve and itsinfluence on the social surrounding and local administration.

Dorota Folga Januszewska

The form and organization of the Museum of King Jan III’s Palace at Wilanow, Warsaw, Poland – may serve as a keyexample of an institution where museum professionals can find all kinds of questions concerning the impact of a museum on the local development:

1. Museum consists of:

• the 17th. – 19.th c. architecture masterpiecies: a palace, side-annexes, Orangerie, farm buildings, pavillons;

• Collections of arts and crafts from Antiquity to the 19th. C., Library and Archives;

• French - Italian Style and Romantic Gardens with underground spaces of historical cisterns;

• Wilde gardens and fields with ponds, lakes, streams and cascade;

• Natural Reserve called Morysin with 19th c. monuments (among other - articficial ruins) situated in the oldvaley of Vistula river

Nature Reserve„Morysin”

French-ItalianBaroque and Romantic Gardens

Palace

Farm

Fot. Jerzy Gumowski, Gazeta Wyborcza

This coexistance of culture and nature stimulated investors to built a new city(New quarter: Wilanów City) in the neighbourhood of the museum.

The museum became „a neigbour -treasure” but also a stumbling block for commercial investements

beeing pressed from both sides: - conservation, nature and heritage care’ law regulations from one side,

- agresive and commercial projects from the other side.

Fot. Jerzy Gumowski, Gazeta Wyborcza

The Old Valey of Vistula River, Wilanow, Warsaw

In this situation, the Wilanów museum posed an argument to be analysed:

Conservation of nature and culture heritage generates higher revenuesthen new investments because:

1. Museum as a center of heritage care is one of the most valueable tourists offer2. Museum is one of the greatest employer in the region

3. Museum offers education and offers work for educators4. Museum stimulates „culture industries” (publications, multi media products, digital

equipments technologies, games, etc)5. Museum activates seniors and organizes special occupations (social budgets) and

supports social stimulation programs.6. Museum activates local activities (gastronomy, hotels, meeting clubs)

MUSEUM COOPERATES CLOSELY WITH LOCAL ADMINISTRATION

Museum and local development was the essential point of the ICOM Resolution: The Responsibility of Museums Towards Landscape - adopted by the ICOM General

Assembly in Milano, July 9, 2016

Resolution No. 1:

The Responsibility of Museums Towards Landscape

ICOM Resolution on „extended museum”

Museums and landscapes are an essential element of humanity’s physical, natural, social and symbolic environment.

Landscape is a highly complex network, defined by relationships between social and natural elements. The richness of landscape arises from its diversity.

Museums are part of the landscape. They collect tangible and intangible testimonials linked to the environment. The collections forming part of their heritage cannot be explained without the landscape.

Museums have a particular responsibility towards the landscape that surrounds them, urban or rural. This implies a dual duty: on the one hand, the management and upkeep of heritage in a sustainable development perspective for the territory; on the other, attention given to images and representations that identify and connote the landscape itself.

Considering the above, and

Remembering UNESCO Conventions, ICOM Code of Ethics and NATHIST Code of Ethics;

Knowing that the concept of Cultural Landscape incorporates not only the physical size of a territory, but also a wide range of intangible factors - from language to lifestyle; from religious belief to the different forms of social life; from technology to ways of life and production, as well as to power relations and exchanges between generations;

Recognizing that such concept encompasses soundscapes, olfactory, sensory and mental landscapes, and also the landscapes of memory and of conflict, often incorporated in places, objects, documents and images, endlessly expanding opportunities for museums to take action on cultural landscapes;

Understanding that museums contribute with the knowledge and expertise of their professionals, to raise awareness among communities - helping the development of decisions that involve a transformation of the landscape;

Considering that museums share the task with other institutions working to preserve heritage and ensuring its management and development.

The 31st General Assembly of ICOM recommends that:

Museums extend their mission from a legal and operational point of view and manage buildings and sites of cultural landscape as 'extended museums', offering enhanced protection and accessibility to such heritage in closed relationship with communities.

Museums contribute not only to the knowledge of the values of cultural landscapes, but also to the development of symbolic frameworks that determine them, so that the notion of cultural landscape becomes an instrument for the assessment of what needs to be protected, enhanced and handed on to future generations, and what will go instead questioned, criticized and modified.

The International Council of Museums assumes the need to emphasize the mention of cultural landscapes in its key documents, such as the Definition of Museum, the ICOM Statutes and the ICOM Code of Ethics.