Transcript- DRAFT ONE

(Black and White)

Innocence, (extreme close up on a female characters face- her eyes looking down- she is lip syncing)

Innocence, (Camera starts to zoom out and we see more of her face) Innocence, (Close up of just her face)

Oh, (Camera stops as we see her at a medium shot where we can identify her as saddened as she quickly looks up at the camera)

(Setting change to male and female character in what looks like an abandoned warehouse)

You'll never be mine, (Medium and medium close up shots of male and female character seeming intimate) Innocence, (Different angle shots of drug equipment that the couple are using) You'll never be mine, (Close up of female blowing smoke into the camera) Innocence, (More drug equipment close ups) You'll never be mine, (Male and female character abusing drugs) Oh (Camera follows the smoke going up into the air and fades out)

(Bass drops- Colour comes back)

During this, flashes of Ibiza footage will appear suddenly in-between footage of the male and female character.

You'll never be mine, (Quick club footage) Innocence, You'll never be mine, (Female lights cigarette in her boyfriend’s mouth)

You'll never be mine, (Quick club footage again) Oh (He blows the smoke back into her mouth)

(Long pause)

(Pills dropping close up) (Cigarette burning down extreme close up) Be mine, (Long shot of people socialising) You'll never be mine, (Camera zooms in on female face which is spaced out) Be mine, (Camera stays on her so we can identify her as having an overdose) Oh, (club

(Song slows again)

Innocence (Quick flash to the close up of females face which was shown at the start then

more Ibiza footage)

(Quickens)

(During this section the male and female character will be showing their come down from their actions. This will include shots of the female passing out on the street and them

arguing)

You'll never be mine, (both male and female are doing drugs in a car) Innocence, ( the mood then changes as they start arguing) You'll never be mine, (she throws punches at him and he holds her arms) You'll never be mine, (they are shouting at eachother and close ups of them both shouting) Oh, (Female exits the car and slams the door as she storms off- it is night)

(Footage turns black and white like the start- repeated footage of the female is shown)

Innocence, (extreme close up on a female characters face- her eyes looking down- she is lip

syncing) Innocence, (Camera starts to zoom out and we see more of her face)

Innocence, (Camera stops as we see her at a medium shot where we can identify her as saddened as she quickly looks up at the camera)

Innocence. (Ends with ambulance lights to show that it didn’t end well)