1
Likewise with the other deconstruction they have also kept the colour scheme simplistic. Using just black and whites this enables the large red L to stand out on the opposite page, which will entice the readers to read on. This L has been used here as it’s the first initial of the artists name who is involved and also as it’s the same font as the title of the magazine. Also as with the first deconstruction, the image of the singer in this article is the same quantity as that of the writing on the next page. The font is very small which is readable yet they can fit quite a lot of information in. However I think that because there is a large amount of writing it wouldn’t be very good if people grabbed this magazine in a rush as they could just flick past it. In my opinion I don’t particularly like the large red L, although it’s very eye- catching and bold, I believe that it could be quite off- putting when reading this.

Deconstruction of double page spread 2

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Page 1: Deconstruction of double page spread 2

Likewise with the other deconstruction they

have also kept the colour scheme simplistic.

Using just black and whites this enables the

large red L to stand out on the opposite

page, which will entice the readers to read

on.

This L has

been used

here as it’s the

first initial of

the artists

name who is

involved and

also as it’s the

same font as

the title of the

magazine.

Also as with the first deconstruction, the

image of the singer in this article is the

same quantity as that of the writing on

the next page.

The font is very small which is

readable yet they can fit quite a lot

of information in. However I think

that because there is a large amount

of writing it wouldn’t be very good if

people grabbed this magazine in a

rush as they could just flick past it.

In my opinion I

don’t

particularly

like the large

red L, although

it’s very eye-

catching and

bold, I believe

that it could be

quite off-

putting when

reading this.