31
MODULE FIVE MODULE FOUR MODULE THREE MODULE TWO Character 101 This is a crash-course in dramatic structure. I didn’t like how the textbook did it, so I am deviating from it. There are some definitions you need from the book, but otherwise, everything you need is on these slides. Charact er Onstage Manifesta tion Dramati c Questio n Artisti c Goal Percept ion Shift

Character

  • Upload
    garrets

  • View
    506

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character 101

This is a crash-course in dramatic structure.

I didn’t like how the textbook did it, so I am deviating from it. There are some definitions you need from the book, but otherwise, everything you need is on these slides.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 2: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

All characters have goals.

The character with the goal you’re supposed to follow for the whole play/movie/tv show is called the ‘protagonist’.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 3: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

The goal is something tangible that has an immediate effect on the protagonist.

“Being happy” is a horrible goal. It is a piece of an Artistic Goal, but a very poor character goal.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 4: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

The goal is something tangible that has an immediate effect on the protagonist.

“I will kill forty people and get away with it” is a GOOD character goal. It is very specific.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 5: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

The goal is something tangible that has an immediate effect on the protagonist.

“I will ruin John’s life because he passed me up for a promotion.” Is a GOOD character goal. It gives a reason for the goal, but we are unsure of how we will achieve it.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 6: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

The goal is something tangible that has an immediate effect on the protagonist.

“I will find the cause of the Plague and rid Thebes of it, because Thebes is my home and I love all of you.”Is GREAT. It is specific, and there’s a reason.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 7: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

If there was nothing that got in the way of the protagonist, it would be VERY boring.

But sometimes things get in the way, and it is STILL boring.

Why?

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 8: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Because the writer didn’t understand conflict.

Conflict is when two things are trying to exist in the same place at the same time.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 9: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

We will be using the story of the Starbelly Sneetches, from Dr Suess:

http://www.youtube.com/watch?v=v3yJomUhs0g

It starts at 50 seconds.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 10: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

The goal is to become special by getting a star and enjoy all of the great parties together.

The goal for the star-bellies is to stay special, so they have to do the opposite of what the NS does.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 11: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

They can’t exist in the same place at the same time. If one of the NS got a star, then the S can’t take it and something HAS to change.

Conflict than escalates. In this case, with quicker and quicker enterings into the machine. We feel our pulse raising. This can’t end very well!!

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 12: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Or we can use another example.

Football.

Titans Versas the Bengals.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 13: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Titan’s Goal: We want to win!

Bengal’s Goal: We want to win!

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 14: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Can they both win?

NO!

So this is CONFLICT!!

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 15: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

In a bad game, you can stop watching after 30 minutes, because you know the outcome.

A good game is a nailbiter!

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 16: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

The titans will start impossible far away from their goal. Then they have successes, then they have setbacks, then more successes, then more setbacks…

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 17: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

You’re cheering them on AND swearing at their incompetance!

They can’t let you down!!

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 18: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

And it’s down to the last TWO MINUTES, They are 50 yards away and down by 6! They’re toast!

But no, Jake throws a long-bomb, it’s received, and run for a touchdown.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 19: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

And now they bring on the kicker, but he’s injured.

Can he do it?

He prays, kisses the locket that has his dead mother on it, bites thru the pain, kicks it, and….

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 20: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

His makes it!

They win!

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 21: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Now let’s talk about resolution…

The resolution is when the protagonist has finally gotten what they want.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 22: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

In a good piece, the protagonist ALWAYS gets what she wants.

But in a way they didn’t expect it. This fulfills the artistic goal , or their secret intention behind their goal.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 23: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

In the Sneetches video, all of the sneetches are messes up!It’s hopeless!Some of the NS have stars, and some don’t.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 24: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

They thought that stars made them special. And that’s what they’d been working towards.

But through their journey, they achieved their goal.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 25: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Those sneetches are special, because they tried to get stars, and ended up back where they started.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 26: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Finally.

And this is important.

Characters don’t change.I’ll say it again.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 27: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Characters aren’t real.

They don’t change.

Our perception of them changes.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 28: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise MIND =

BLOWN

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 29: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

On the discussion board:

Click on “Character”

And your assignment is to identify a character goal, obstacles, and resolution on something you’ve read/watched.

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 30: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

How it needs to look:

Subject: Your Name

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift

Page 31: Character

MODULEFIVE

MODULEFOUR

MODULETHREE

MODULETWO

MODULEONE

Character

• Character– Goal– Conflict– Resolution– Exercise

Body: Title of Movie/Play/TV ShowCharacter:Character Goal:Three Conflicts:Resolution:What the character Actually wanted:

Character Onstage Manifestation

Dramatic Question

Artistic Goal

Perception Shift