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Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format Brett Park David Gerhard

Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

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Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format. This talk details musical hexagonal isomorphisms, proves coprimes as the requirement for completeness, and explores a number of popular layouts

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Page 1: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Brett Park David Gerhard

Page 2: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Isomorphic Hexagonal Note Layouts:

• Iso = Same; Morph = Shape

• An arrangement of tones whereby musical constructs have the same shape regardless of key / root

Page 3: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Major Triads (Piano): 12 shapes

Page 4: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Major Triads (Piano): actually 6 shapes

Page 5: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Major Triads (isomorphic): 12 shapes

Page 6: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Major Triads (isomorphic): actually 1 shape

All musical constructs are a single shape regardless of key

Page 7: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Advantages

• Quicker learning

• Intuitive connection to harmony

• Most compact note arrangement

• A. Milne et al. (2008)

Page 8: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

The sum of intervals along a path that return to the start location must be 0

0

1

1

-1

5-5

-5

4

What makes an isomorphism

Page 9: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Chose any interval for an initial direction

What makes an isomorphism

Page 10: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Opposite Direction always has negative interval value

What makes an isomorphism

Page 11: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Second Direction can be any interval

What makes an isomorphism

Page 12: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Third interval is the sum of the other two

+2

What makes an isomorphism

Page 13: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Third interval is the sum of the other two

+2

What makes an isomorphism

Page 14: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Many isomorphisms, depending on interval choices

Page 15: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Janko

+2

-1 -1

Page 16: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Harmonic

-4+7

-3

Page 17: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Wicki-Hayden

+2

-7 +5

Page 18: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Physical InstrumentsJanko

P. von Jankó (1885)

Page 19: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Physical InstrumentsThummer

G. Paine et al. (2007)

Page 20: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Physical InstrumentsOpal

Peter Davies

Page 21: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Physical InstrumentsAxis

C-Thru Music (2007)

Page 22: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Virtual InstrumentsHex Player

A. J. Milne et al 2011

Page 23: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Virtual InstrumentsMusix Pro for iPad

Gerhard and Park 2011

Page 24: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Rainboard: Physical Reconfigurable isomorphic instrument

Gerhard and Park 2011

Page 25: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

3 research questions

Page 26: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Is a layout “complete”?

• are all notes available to play?

Page 27: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Are two layouts the same / similar?

• to a translation, mirroring or rotation?

Page 28: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Which layouts are better than others

• Note compactness

• Ease to play melodies

• Easy to play chords

Page 29: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Brute Force Generation

Page 30: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Given two interval vectors x,y that define a unidirectional isomorphism, the isomorphism is complete (contains all note intervals) if and

only if x and y are co-prime.

{GCD (x,y) = 1}

Proof in paper

Isomorphic Completeness

Page 31: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Complete:gcd(-5, -2) = 1gcd(9, 2) = 1

Degenerate:gcd(4, 2) = 2gcd(6, 3) = 2

Isomorphic Completeness

Page 32: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Isomorphic Completeness

Two categories: Complete and degenerate.

Degenerate layouts may have their own musical purposes.

Musical interestingness of degenerate microtonal hexagonal isomorphic layouts is left

for future work

Page 33: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Notation

The UIL (Unified Isomorphic Layout) is a proposed notation based on Hayden’s

initial GLD notation

Page 34: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Unified Isomorphic Layout

L,G,D;RMS;TG

-L-D

D

-G

L

G = largest intervalL = smallest intervalD = difference (G – L)

Page 35: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Unified Isomorphic Layout

L,G,D;RMS;TG

-L-D

D

-G

L

R = clockwise rotationM = mirroringS = shear (Prechtl 2011)

Page 36: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Unified Isomorphic Layout Notes:

• Base Representation

• R=0; M=0

• T = number of tones (if omitted, T=12tet)

• Format can make use of Cents, Ratios, Roman or traditional interval shorthand namings

Page 37: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Unified Isomorphic Layout

-L-D

D

-G

L

GPitch!Axis!Range

Mirrored!

Pitch!Range

Isotone!Axis!Range

Mirrored!Isotone!Range

Isotone!Axis!RangeMirrored!Isotone!Range

Isotone axis: a line indicating zero pitch changePitch axis: the direction in which pitches ascend

(pitch axis orthogonal to isotone axis)

A. Milne et al.

Page 38: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Example: 1,4,3;000;12

Pitc

h Ax

isIsotone Axis

Page 39: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Harmonic Table

Page 40: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Wicki-Hayden

Page 41: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Janko

Page 42: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Janko (base)

Page 43: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Musix ProIsomorphic Exploration Tool

Page 44: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Musix Pro

• Any layout (up to octave adjacent interval)

Page 45: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Musix Pro

• Hexagon or Rectangles

Page 46: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Musix Pro

• Note Sizes

Page 47: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Musix Pro

• Scale Selection

Page 48: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Musix Pro• Note Identification

Page 49: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

Conclusions• A pair of coprime intervals define a complete layout

• Degenerate layouts may be interesting

• Not limited to 12-tet

• Universal Isomorphic layout for comparing layouts

• Musix Pro tool to explore all hexagonal (and rectangular) isomorphic layouts

Page 50: Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format

LINKS• Musix Pro

• http://shiverware.com/musixpro/index.html

• Rainboard

• http://www.soundonsound.com/news?NewsID=16407

• http://www.therainboard.com

• TED talk on isomorphisms, musix and the rainboard

• http://youtu.be/r3kocjx69g4