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IMD09117 and IMD09118 Web Design and Development Unit 7 Layout principles continued

Layout Principles

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Page 1: Layout Principles

IMD09117 and IMD09118 Web Design and Development Unit 7

Layout principles continued

Page 2: Layout Principles

Basic design principles

Version A Unit 7 ©2008 Napier University

Proximity

Alignment

Repetition

Contrast

Page 3: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

Repetition creates a unified statement

The opposite is episodicity

The repetitive element may be a bold font, a thick rule line, a certain bullet, colour, design element, particular format, spatial relationships etc. It gives consistency.

Page 4: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

An effective way of repeating a structural element is to use a line or rule.

Reinforces structure and provides lines along which the eye can travel.

Rules can interfere with one another and direct the eye in more than one route.

Page 5: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

Adding a light rule at the top and bottom of the screen will add order to the pages.

Making the lower rule a lighter weight will help to lead the eye through the display.

Page 6: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

Structural repetition is particularly important in user interfaces to online information systems.

Navigation system needs to be the same in place and function similarly throughout

Visual invariance maintains visual momentum across displays.

Page 7: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

Typefaces in headlines and subheadings and the space around them.

Graphics used should be similar in style.

Differing image styles harder to create a feeling of consistency.

A unified graphic language creates a personality for a system http://www.buyarock.com

Page 8: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

Consistency from the spacing between controls as well as the size of controls

Use of grids that help with the vertical and horizontal spacing. Roughly 5-7 divisions in the horizontal spacing.

Pulling a design element outside of the borders unifies two or more pieces, or foreground and the background.

Page 9: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

Repetition adds visual interest. Decide if you can you make the

repetitive element stronger. Find the existing repetitions and

make them stronger. Create repetitions to enhance the

design and the clarity of the information.

Make sure that it is not overwhelming.

Page 10: Layout Principles

Repetition

Version A Unit 7 ©2008 Napier University

     

http://www.417north.com/v7/

http://www.bbc.co.uk/science/humanbody/

http://www.napier.ac.uk

Page 11: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast is the most dynamic of the visual techniques. Opposite is harmony.

Sharpening can be associated with contrast and levelling with harmony.

Contrast and harmony are differing ends of a continuum.

Page 12: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast is effective ways to add visual interest to screens or pages.

Harmony is a way of constructing ‘safe’, balanced and attractive solutions to design problems and often advised for inexperienced designers.

Page 13: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast HarmonyInstabilityIrregularityComplexityFragmentationIntricacyExaggeration

Page 14: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast HarmonyInstability StabilityIrregularity RegularityComplexity SimplicityFragmentation UnityIntricacy EconomyExaggeration Understatement

Page 15: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast HarmonyActivenessBoldnessAccentVariationDistortion

Page 16: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast HarmonyActiveness StasisBoldness SubtletyAccent NeutralityVariation ConsistencyDistortion Accuracy

Page 17: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast HarmonyDepthJuxtapositionRandomnessSharpnessEpisodicity

Page 18: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast HarmonyDepth FlatnessJuxtaposition SingularityRandomness SequentialitySharpness DiffusionEpisodicity Repetition

Page 19: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast is created when two elements are different.

Contrast by any of the perceptual qualities: size, value, orientation, texture, shape, position or colour.

Page 20: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

If the two elements are not very different, they are said to conflict.

Effective design creates no more contrast then is necessary.

Variation along only one dimension at a time.

Page 21: Layout Principles

Contrast

Page 22: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Contrast organises your information.

Use contrast in your titles, heads, and subheads and page segments

Use contrast to help create a focal point for a page.

Also use strong alignment and proximity to reinforce your focal point.

Page 23: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

All contrasts should be intended to fulfil a specific communication goal.

Often with a GUI this is to provide critical state feedback.

Active, selected or focussed elements need to be contrasted with the surrounding areas.

Page 24: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

The most important information should be prominent enough to emerge from the design and secure the user’s attention almost involuntarily.

Less important information may require focal attention and conscious effort to extract.

Page 25: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Page 26: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

Avoid excessive contrast. Too many differences: sizes, fonts, widgets and in particular garish colours.

http://developer.gnome.org/projects/gup/hig/1.0/layout.html

http://www.colorado.edu/AmStudies/lewis/Design/usable.htm

Page 27: Layout Principles

Contrast

Version A Unit 7 ©2008 Napier University

http://www.colette.fr/index.phphttp://www.artcenter.edu/ http://www.nationalgeographic.com/

education http://www.blueman.com.br/#

Page 28: Layout Principles

Summary

Version A Unit 7 ©2008 Napier University

The four basic design principles of proximity, alignment, repetition and contrast will help to design interfaces.

The principle of repetition is that you repeat some aspect of the design throughout the whole piece. It gives consistency.

Page 29: Layout Principles

Summary

Version A Unit 7 ©2008 Napier University

Contrast is one of the most effective ways to add visual interest to screens or pages.

You can contrast by any of the perceptual qualities.

If the two elements are not very different, they are said to conflict.