Malcolm middle

MALCOLM MIDDLE

BY

ASHLEY RILEY

1.

“MALCOLM MIDDLE”

INSERT SHOT: MANNEQUIN HAND WITH MIDDLE FINGER UP.

INSERT SHOT: NOTEPAD WITH “MALCOLM MIDDLE” WRITTEN ON IT.

EXT. DILAPIDATED CAR PARK – DAY.

RILEY IS STANDING IN THE CAR PARK.

EXT. TUNNEL WITH GRAFFITTI – DAY.

REVERSE ZOOM THROUGH THE TUNNEL.

INSERT SHOT: BLACK TITLES SCREEN WITH TEXT “RILEY”.

EXT. COUNTRY ROAD – NIGHT.

RILEY IS WALKING TOWARDS THE CAMERA WITH A CAR FOLLOWING

HIM.

Insert shot: Zoom in on “X”.

EXT. DILAPIDATED CAR PARK – DAY

RILEY IS MIMICING AIMING A PISTOL WHILE MOUTHING THE

LYRICS.

INT. BEDROOM – NIGHT

RILEY IS WRITING LYRICS IN HIS ROOM.

INSERT SHOT: MANNEQUIN HAND WITH MIDDLE FINGER UP.


RILEY IS LEANING ON THE SIDE OF THE CAR.

EXT. COUNTRY ROAD – NIGHT

RILEY IS STANDING IN FRONT OF THE HEADLIGHTS OF THE CAR.

THERE IS TEXT ABOVE THE CAR “BLACK CHALK”.


INTERIOR OF CAR. RILEY IS STANDING OUTSIDE THE FRONT

WINDSHIELD, IN FRONT OF THE HEADLIGHTS. PROP MONEY ON THE

DASHBOARD.

INT. PRODUCER’S ROOM – NIGHT

SKULL AND CROSS-BONES ON WALL.

EXT. DILAPIDATED CARK PARK – DAY

RILEY IS RAPPING, WITH VARIOUS CLOSE UPS OF MISE-EN-

SCENE.


2.

RILEY RAPPING.

RILEY LEANING OUT THE CAR WINDOW MAKING HAND AND ARM

MOTIONS.

RILEY BEHIND THE STEERING WHEEL.

RILEY ON THE SIDE OF THE CAR JUMPING TO MUSIC WITH A

BOTTLE OF ALCOHOL IN HAND.

RILEY CONTINUES TO RAP IN A COUNTRY ROAD.


RILEY MAKING RIPPING MOTIONS WITH HIS HANDS.

HE THEN THROWS UP A MIDDLE FINGER.

EXT. TUNNEL WITH GRAFITTI – DAY

RILEY WALKING DOWN TUNNEL.

RILEY RAPPING ON WALL WITH PRODUCER HASSAN COLEMAN. BOTH

MAKE SUGGESTIVE MOTIONS WITH HANDS AND ARMS.

WALKING DOWN TUNNEL AGAIN. TURNS AROUND TO FACE THE

CAMERA.


SUGGESTIVE ARM MOTIONS IN FRONT OF THE CAR.

INSERT SHOT: ZOOM IN ON THE X.

INT. ROOM WITH WATER BASIN. – NIGHT.

RILEY IS RAPPING WITH A BLANK EXPRESSION WHILE LOOKING IN

THE MIRROR ABOVE A WATER BASIN.


RILEY IS LEANING ON THE CAR. HE MAKES A V SYMBOL WITH

FINGERS.

INSERT SHOT: REVERSE ZOOM THROUGH TUNNEL WITH GRAFITTI.

INSERT SHOT: SPLIT SCREEN MID-SHOT OF AN ATTRACTIVE

FEMALE AND RILEY.

INSERT SHOT: SPLIT SCREEN CLOSE UP, RILEY AND FEMALE BOTH

MOUTH LUST AS THE WORD FLASHES OVER THEIR LIPS. SHE

SMILES, HE LOOKS SOMEWHAT FEARFUL.

INSERT SHOT: RILEY WITH HAND AND FINGERS EXTENDED.

INSERT SHOT: CIGARETTE BUTT BEING TAPPED.

INSERT SHOT: ASHTRAYS.

INSERT SHOT: FEMALE REAR, HOT PANTS. RIPPED.

3.

INSERT SHOT: REVERSE ZOOM THROUGH TUNNEL.

INSERT SHOT: ATTRACTIVE FEMALE IN A GROUP OF FRIENDS

WALKING FLIRTACIOUSLY.

INSERT SHOT: SPLIT SCREEN OF ATTRACTIVE FEMALE AND RILEY

BOTH MIMING LYRICS.


RILEY IS WALKING FORWARDS WITH NOTEPAD CHAIN AROUND NECK.

INSERT SHOT: NOTEPAD WITH “MALCOLM MIDDLE” NOW HAS

“VENUS” WRITTEN ON IT TOO.


RILEY IS RAPPING WITH NOTEPAD CHAIN AROUND NECK.

RILEY RIPS ANOTHER NOTEPAD OPEN.


RILEY IS RAPPING OUTSIDE THE WINDSCREEN OF THE CAR.

INT. ROOM WITH WATER BASIN – NIGHT

RILEY RAISES HIS HEAD FROM THE WATER BASIN, FACE DRIPPING

IN THE MIRROR.

EXT. FIELD – DAY

RILEY WALKING THROUGH THE FIELD.


RILEY IS RAPPING AND MAKING TRIGGER FINGER MOTIONS WITH

HIS HANDS IN FRONT OF THE CAR.

INT. BEDROOM – NIGHT.

PENCIL ROLLING ACROSS THE DESK. A NOTEPAD IS BEING PICKED

UP IN THE BACKGROUND.

RILEY PRACTICING IN HIS ROOM.

INSERT SHOT: ZOOM IN ON THE X.

INSERT SHOT: MANNEQUIN HAND WITH IT’S MIDDLE FINGER UP.

INSERT SHOT: “WELCOME TO FENLAND” SIGN.

INSERT SHOT: RILEY’S FATHER PRESENTS HIS PALMS.

INSERT SHOT: RILEY’S FATHER LOOKS FORWARD WITH A BLACK

STRIP ACROSS HIS EYES. THE STRIP HAS “MALCOLM MIDDLE”

WRITTEN IN IT.

EXT. FIELD – DAY

4.

RILEY IS CROUCHING IN A FIELD WHILE RECITING LYRICS.


RILEY IS RAPPING BY THE CAR WHILE CROUCHED.

INSERT SHOT: REVERSE ZOOM THROUGH THE TUNNEL, GRADUALLY

TURNS TO COLOUR.

INSERT SHOT: SPLIT SHOT, RILEY’S EYES IN ONE SHOT, AND

HIS MOUTH MIMING THE LYRICS IN THE OTHER.

INSERT SHOT: ZOOM IN ON X.

INT. HOUSE – DAY.

RILEY TAKES MONEY FROM A PURSE, LOOKS UP AND WALKS OUT

THE HOUSE.

EXT. FIELD – DAY.

RILEY IS MAKING CYCLIC MOTIONS WITH HIS ARMS WHILE

RAPPING.

RILEY THEN WALKS BACKWARDS IN THE FIELD WITH ARMS

OUTSTRETCHED, AND TURNS TO WALK FORWARD WHILE CUPPING HIS

FACE IN HIS HANDS.

EXT. DILAPIDATED CARP PARK – DAY.

RILEY POINTS FORWARD WHILE MIMING LYRICS.

HE THEN MAKES THE MOTION OF CUTTING HIS THROAT WITH HIS

HANDS.

INT. ROOM WITH WATER BASIN – NIGHT.

RILEY’S FACE IS DRIPPING FROM PREVIOUSLY DUNKING HIS HEAD

IN THE WATER. HE IS RECITING LYRICS WITH NO EXPRESSION.

EXT. COUNTRY ROAD - NIGHT.

RILEY IS RAPPING. HE MOTIONS TO THE CAMERA, THEN TO

HIMSELF.

INSERT SHOT: REVERSE ZOOM THROUGH TUNNEL OF GRAFITTI.

COLOUR IS ALMOST RESTORED.


RILEY IS CROUCHING AND RAPPING IN FRONT OF THE CAR.


RILEY IS RAPPING IN THE CAR PARK.


RILEY MAKES GUN MOTIONS WITH HIS HANDS WHILE RAPPING.

EXT. FIELD – DAY.

5.

RILEY IS WALKING WITH A LENS FLARE.

EXT. TUNNEL WITH GRAFITTI – DAY.

RILEY IS LEANING ON THE WALL, WHILE RECITING LYRICS. HE

THEN THROWS UP 9 FINGERS.


RILEY EXTENDS HIS HAND. A PICTURE OF RILEY AS A TODDLER,

AND AN IMAGE OF BIG L BOTH EXTENDING THEIR HANDS ARE

OVERLAYED OVER THE VIDEO FOOTAGE.

INSERT SHOT: ZOOM OUT FROM THE X.

INSERT SHOT: BLACK SCREEN WITH TEXT SAYING “TITLED/SELF”.

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Malcolm middle