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Pictorial Continuity The proper development and connection of motion sequences to create a smoothly joined, coherent motion story

Pictorial continuity

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Page 1: Pictorial continuity

Pictorial Continuity

The proper development and connection of motion sequences to create a smoothly joined, coherent motion story

Page 2: Pictorial continuity

Sequence

Series of related shots Simple Sequence

Long shot Medium shot Close-up

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Reestablishing Shot

Pull back Pan Reverse angle

Page 4: Pictorial continuity

Overlap & Matching Action

Reshoot the action that has taken place at the end of the previous shot

Those shots can then be cut together in the editing process

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Cut-ins & Cut-aways

Cut-in cuts into the main action, to something already on the screen

Cut-away cuts away to a related subject or separate action that is going on at the same time

Head-on & tail-away

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General rule

When shooting a new shot, change the size of the image or change the angle or both

Covers jumpy action by changing the audience’s frame of reference

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Camera angles

Variation brings drama and excitement to the action

Low angle High angle Dutch angle Side angle

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Panning

Panning requires steadiness of stance, keeping the camera level, moving it smoothly, evenly and slowly.

A pan is usually made from left to right, a "tilt" from bottom to top.

Hold the camera steady for a moment before beginning and after ending a pan.

If the action is not to be followed through, let it go cleanly out of the frame before stopping the camera. (Clean exit)

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Panning

Avoid switching from an action pan to a still scene.

Avoid whitewashing. Do not pan merely to avoid moving back far

enough to get all the subject in the frame with a single long shot.

A pan is rarely indispensable to a picture and a bad pan is much worse than no pan at all.

Avoid panning unless following action.

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Moving shots

Pan Tilt Dolly Truck Arc Zoom

don’t unless there is not alternative

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Zoom or Dolly?

Varying the focal length of a zoom lens changes more than just the size of the image on the camera target, or CCD.

Three other things are also affected: the apparent distance between objects in

the scene the relative size of objects at different

distances the apparent speed of objects moving

toward or away from the camera