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Pictorial Continuity
The proper development and connection of motion sequences to create a smoothly joined, coherent motion story
Sequence
Series of related shots Simple Sequence
Long shot Medium shot Close-up
Reestablishing Shot
Pull back Pan Reverse angle
Overlap & Matching Action
Reshoot the action that has taken place at the end of the previous shot
Those shots can then be cut together in the editing process
Cut-ins & Cut-aways
Cut-in cuts into the main action, to something already on the screen
Cut-away cuts away to a related subject or separate action that is going on at the same time
Head-on & tail-away
General rule
When shooting a new shot, change the size of the image or change the angle or both
Covers jumpy action by changing the audience’s frame of reference
Camera angles
Variation brings drama and excitement to the action
Low angle High angle Dutch angle Side angle
Panning
Panning requires steadiness of stance, keeping the camera level, moving it smoothly, evenly and slowly.
A pan is usually made from left to right, a "tilt" from bottom to top.
Hold the camera steady for a moment before beginning and after ending a pan.
If the action is not to be followed through, let it go cleanly out of the frame before stopping the camera. (Clean exit)
Panning
Avoid switching from an action pan to a still scene.
Avoid whitewashing. Do not pan merely to avoid moving back far
enough to get all the subject in the frame with a single long shot.
A pan is rarely indispensable to a picture and a bad pan is much worse than no pan at all.
Avoid panning unless following action.
Moving shots
Pan Tilt Dolly Truck Arc Zoom
don’t unless there is not alternative
Zoom or Dolly?
Varying the focal length of a zoom lens changes more than just the size of the image on the camera target, or CCD.
Three other things are also affected: the apparent distance between objects in
the scene the relative size of objects at different
distances the apparent speed of objects moving
toward or away from the camera