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YOU CAN WATCH THIS PRESENTATION IN MUSIC HERE (You have a link on the first slide): http://www.authorstream.com/Presentation/sandamichaela-1633091-jorge-gonz-lez-camarena-1/ Thank you! Jorge González Camarena (1908-1980) received the Mexican National Prize for Arts and Sciences in 1970. For his portrait of Michelangelo Buonarotti, which hangs at his birthplace at Caprese, he was awarded the Ordine al Merito della Repubblica Italiana in 1967.
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http://www.authorstream.com/Presentation/sandamichaela-1633091-jorge-gonz-lez-camarena-1/
The muralist, painter and sculptor Jorge González Camarena (1908-1980) was born in Guadalajara, Jalisco, Mexico. He attended the Fine Arts Academy of San Carlos (“Escuela Nacional de Artes Plásticas”) in Mexico City. In 1928 headed a movement to promote Diego Rivera to be the dean of the Fine Arts Academy of San Carlos.Jorge was part of the Second Generation of the Mexican School of Painting. He was a member of the Seminar of Mexican Culture (“Seminario de Cultura Mexicana”), the Arts Academy, member of the Commission to Protect and Preserve the Murals of Mexico of INBA (“Instituto Nacional de Bellas Artes”), and president of the Mexican Association of Plastic Arts (“Asociacion Mexicana de Artes Plásticas AMAPAC.”)Throughout his career González Camarena earned many coveted awards, such as “Insignia Jose Clemente Orozco” from the Congress of Jalisco State in 1956, second prize at the “Salon Annual de Pintura del INBA” sponsored by the National Institute of Fine Arts in 1962, Gold Plaque from the Government of Jalisco in 1964, “L’Ordine al Merito de la República Italiana” from the government of Italy for painting a portrait of Michael Angelo, located at the Italian artist’s house in 1967, and the National Prize of Arts in Painting in 1970.González Camarena’s works have been displayed in many exhibits, for example, at the National Museum of Plastic Arts at the Fine Arts Palace (“Palacio de Bellas Artes.”) in Mexico City and the Contemporary Mexican Art Exhibit promoted by the Foreign Relations Secretariat and the OPIC in Bordeaux, Paris, Lille, Lyon and Tolouse, France in 1958. The artist’s murals are included in public collections such as the library at the Technological Institute of Monterrey, Mexico ("El historiador Sahagun”), Main building of the Social Security Institute in Mexico City, (“Pintura Mural”), University of Concepción, Chile (“Integracion Latinoamericana”), National Museum of Anthropology in Mexico, D.F. (“Las Razas y la Cultura”), Fine Arts Palace in Mexico City (“Liberación”), Mexican Senate building (“Las Dos Revoluciones”) The Bank of Mexico, Veracruz, the Museum of Modern Art, and the National Museum of History (“Castillo de Chapultepec”) in Mexico City.
Aquellos arcos
Casa con botellon Iglesia de Dolores Hidalgo 41x46 cm
Mujer con Collar
Dibujo
Bambi
Caballo con Jinete
Ultimo estere
Cinco para las siete, 1978Tlalpan
Canción de esperanza, 1975,col. Academia de Artes
Teocallis
Convento de Huejotzingo, 1947
Cabeza de mujer
Diamantes
Jeannie
( Brigitte Bardot ) Mexico 1978
Sueño
Trilogía de Saltillo
Triptico Gabriela
Perro de circo
Mujer sentado, 1961
Retrato de Rosa Luz Alegría, 1979Rosa Luz Alegría Escamilla (born 1949) the first female Secretary of State in Mexico
Amapolas de Xochimilco, 1940
El pericoMuseo Nacional de Arte, INBA
La vendimia nacional
Sin-titulo
Aguas frescas, 1979
La Patria
Mural de Jorge González Camarena en edificio de rectoría del ITESMUntitled
La muchacha de San Miguel
woman
Diamantes
Cuarto estudio en el convento de Huejotzingo
La Constitution de 1917Mexico’s National HistoryMuseum
La fusión de dos culturas 1963 (4.20m x 5.10 m) Mexico’s National History Museum
Detail from La fusión de dos culturas 1963 (4.20m x 5.10 m) Mexico’s National History Museum
El abrazo de las culturasMuseo de Santo Domingo , Oaxaca
Some of his works depict soldiers in violent combat - a metaphor for Mexico's historic clash of cultures - and some are character examinations. At different moments, his work can represent the experience of alien peoples living side by side, or express an irreducible mystery at the heart of indian culture.
El mural La exhumación del conquistador Cristóbal Romero (249 x 249cm) Diablo filarmonico
Instituto Mexicano del Seguro Social El trabajo
'El Trabajo.' Ca. 1950 Grupo escultórico del edificio delIMSS Dibujo de proyecto sobre papel
Instituto Mexicano del Seguro Social El trabajo
Instituto Mexicano del Seguro Social Paseo de la Reforma
Pintura Mural México Instituto Mexicano del Seguro Social
Benito Juarez, by Jorge Gonzalez Camarena, 1968 The Right to Conquer (derecho)
Horses
Xochitl, 1956 Cantera Xaltocán Colección Alfonso Gaytán
Los bañistas
Naked
La sombra
La tierra alcanzando la luna (40.6x110.5 cm)
La ofrenda (dia de los muertos)
Trabajo campesino, industrial e intelectua
La muchacha del diablito no. 3
Cara de mujer
Tercer Victoria
Procesion
Centenario Del encuentro De Dos Mundos Expo 92
Mural by Jorge González Camarena, National Museum of Anthropology and History
The Museo Soumaya is a private museum in Mexico City with free admission
Jorge González Camarena Milagro del Tepeyac,1947
"El Triunfo de la cultura“ (The Triumph of Culture) A 7 by 32.40 meters (23 ft × 106.30 ft) polychromatic bas-relief in stone, mosaic and oil painting at the Old Library (current Rectorate) of the Monterrey Institute of Technology
"El Triunfo de la cultura“ (The Triumph of Culture), Monterrey, 1954)
"Sin titulo"
Mural Belisario Domínguez, de 130 metros cuadrados, Camara de Senadores (detail)
Palacio de Bellas Artes in México CityPalacio de Bellas Artes in Mexico City Liberación o La humanidad se libera de la miseria
Liberación o La humanidad se libera de la miseria
Liberación o La humanidad se libera de la miseria
Palacio de Bellas Artes in Mexico City Liberación o La humanidad se libera de la miseria
Jorge González Camarena
Palacio de Bellas Artes in México City
Text and pictures: InternetCopyright: All the images belong to their authors
Presentation: Sanda Foişoreanuwww.slideshare.net/michaelasanda
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