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peter-osim documents
Documents
Krenek - Studies in Counterpoint Based on the Twelve-Tone Technique (1939)
Documents
Allen Forte - Context and Continuity in an Atonal Work
Documents
Amy M. Hatch - A Transformational Network Approach to Stravinsky's Double Canon and Fireworks
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Dr. Ross Feller - Strategic Defamiliarization
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Elina Packalén - Musical Feelings and Atonal Music
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Robert T. Kelley - Evaluating Prolongation in Extended Tonality
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Christopher Lewis - Tonal Focus in Atonal Music
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Joseph N. Straus - Uniformity, Balance and Smoothness in Atonal Voice Leading
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Joseph Straus - Harmony and Voice Leading in the Music of Stravinsky
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Jacquelyn Hale - Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World
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Sun Hyun Ahn - Musical Language and Formal Design in Dallapiccola's Sicut Umbra
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Benjamin John Davies - Debussy and Stravinsky
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Emily J. Adamowicz - Subjectivity and Structure in Milton Babbitt's Philomel
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Hyojin Ahn - Karol Szymanowski's Musical Language in Mythes for Violin and Piano, Op. 30
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Brian Moseley - Transpositional Combination and Collection Interaction in George Crumbs Vox Balaenae
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Alan Lessem - Schönberg and the Crisis of Expressionism
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Brian Alegant - Cross Partitions as Harmony and Voice-Leading in Twelve-Tone Music