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room101inc documents
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Suck… don't suck.' Framing Ideology in Kathryn Bigelow's 'Near Dark' - Steven Jay Schneider
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Manifestations of the Literary Double in Modern Horror Cinema - Steven Jay Schneider
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The Essential Evil in/of 'Eraserhead' (or, Lynch to the Contrary) - Steven Jay Schneider
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Horror Movies - Steven Jay Schneider
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Uncanny Realism and the Decline of the Modern Horror Film - Steven Jay Schneider
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Thrice-Told Tales: 'The Haunting' From Novel to Film... to Film - Steven Jay Schneider
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Van Sant the Provoca(u)teur - Steven Jay Schneider
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Manufacturing Horror in Hitchcock's 'Psycho' - Steven Jay Schneider
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Warren Newcombe: 'The Enchanted City' (1922) - Steven Jay Schneider
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Introduction to 'Dark Thoughts: Philosophic Reflections on Cinematic Horror' - Steven Jay Schneider & Daniel Shaw
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Genre Bending and Gender Bonding: Masculinity and Repression in Dutch 'Thriller' Cinema - Steven Jay Schneider & Kevin W. Sweeney
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Monsters as (Uncanny) Metaphors: Freud, Lakoff, and the Representation of Monstrosity in Cinematic Horror - Steven Jay Schneider
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Introduction to 'Horror Film and Psychoanalysis: Freud's Worst Nightmare': Psychoanalysis in/and/of the Horror Film - Steven Jay Schneider
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Commendatory Preface [The Shower Scene in Hitchcock's 'Psycho' by Philip J. Skerry] - Steven Jay Schneider
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Toward an Aesthetics of Cinematic Horror - Steven Jay Schneider
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Shaft' - Steven Jay Schneider
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A Tasteless Art: Waters, Kaufman, and the Pursuit of 'Pure' Gross-Out - Xavier Mendik & Steven Jay Schneider