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Citation preview
Isotropy Exhibition
httpssoundcloudcomnataliadisotropy-show-excerpt-two-rooms-g99
httpwwwdum-umeniczenvystavydetailid249 (2017)
The exhibition reflects the heavy acoustics of the entire G99 gallery space The artist reflects on the given issue from the point of view of space and the heterogeneity of time inconspicuously transformed in an abstract if not relative form She composes special sound waves deepening the com-plexity of time organisation in the gallery space Sound becomes a start-ing point for a certain wound or tenderness Following the first room of sound pollution she creates a contrast in the second room a so-called empty space ndash vacuum Several wafting high-frequency sounds reaching our physical bodies suddenly change in utter asceticism and the sterility of empty space The ldquosound-devoidrdquo experiment then constrains the visitor to a different perception than through the eyes as we are used to
Curator Tereza Zaacutechovaacute
Artist in Residency at The House of the Lords of Kunštaacutet G99 Gallery Supported by the Czech Ministry of Culture
EXHIBITION
The House of the Lords of Kunštaacutet G99 Gallery Brno CZ (Opening 26092017)
Isotropy
All We Do Is Live (2017) Ambisonic - 3D sound installation For headphones only
httpssoundcloudcomnataliadall-we-do-is-live-ndr2
Collaboration with artist Lara Konrad
The use of sound as force and vehicle for exercising power seductive and violent dimensional and physical subtle and uncontrollable
Sound can be a source of both pain and pleasure
With the support of Amann Studios and Kultur Kontakt Austria
INSTALLATION
Zentrale Wien AT (2017)
Amann Studios Wien AT (2017)
Rozenstraat Amsterdam NL (2017)
All We Do Is Live
Untitled experiment with no image (2017) Music and sound design for video installation
httpkonstantinguzcomuntitled-experiment
httpsvimeocom217567688
Commissioned by artist Konstantin Guz
3-channel audiovisual installation 7rsquo01rsquorsquoloop stereo sound
Supported by Amsterdam Fonds voor de Kunst
INSTALLATION
Neverneverland at De Punt Amsterdam NL (2017)
Untitled experiment with no image
Pfaueninsel (Ongoing project 2016 ndash 17) Music and sound design for film
The project is a collaboration between artist Miklos Gaaacutel and myself
Pfaueninsel (ldquoPeacock Islandrdquo) is a video work filmed in Pfaueninsel Berlin The project is to follow record and produce a video essay about the mating courtship of Pfaueninselrsquos peacock population reflecting cul-tural and social separations of artificiality and nature The artistic point of departure is to consider Pfaueninsel as a symbol of instrumentalised fabrication that appears as a borderline of biology and culture The work employs the format of a nature documentary to explore associations about control of nature exoticism and encountering the unknown
With the support of Fonds Podium Kunsten and Mondriaan Fonds
INSTALLATION
To be announced (2018)
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Isotropy
All We Do Is Live (2017) Ambisonic - 3D sound installation For headphones only
httpssoundcloudcomnataliadall-we-do-is-live-ndr2
Collaboration with artist Lara Konrad
The use of sound as force and vehicle for exercising power seductive and violent dimensional and physical subtle and uncontrollable
Sound can be a source of both pain and pleasure
With the support of Amann Studios and Kultur Kontakt Austria
INSTALLATION
Zentrale Wien AT (2017)
Amann Studios Wien AT (2017)
Rozenstraat Amsterdam NL (2017)
All We Do Is Live
Untitled experiment with no image (2017) Music and sound design for video installation
httpkonstantinguzcomuntitled-experiment
httpsvimeocom217567688
Commissioned by artist Konstantin Guz
3-channel audiovisual installation 7rsquo01rsquorsquoloop stereo sound
Supported by Amsterdam Fonds voor de Kunst
INSTALLATION
Neverneverland at De Punt Amsterdam NL (2017)
Untitled experiment with no image
Pfaueninsel (Ongoing project 2016 ndash 17) Music and sound design for film
The project is a collaboration between artist Miklos Gaaacutel and myself
Pfaueninsel (ldquoPeacock Islandrdquo) is a video work filmed in Pfaueninsel Berlin The project is to follow record and produce a video essay about the mating courtship of Pfaueninselrsquos peacock population reflecting cul-tural and social separations of artificiality and nature The artistic point of departure is to consider Pfaueninsel as a symbol of instrumentalised fabrication that appears as a borderline of biology and culture The work employs the format of a nature documentary to explore associations about control of nature exoticism and encountering the unknown
With the support of Fonds Podium Kunsten and Mondriaan Fonds
INSTALLATION
To be announced (2018)
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
All We Do Is Live (2017) Ambisonic - 3D sound installation For headphones only
httpssoundcloudcomnataliadall-we-do-is-live-ndr2
Collaboration with artist Lara Konrad
The use of sound as force and vehicle for exercising power seductive and violent dimensional and physical subtle and uncontrollable
Sound can be a source of both pain and pleasure
With the support of Amann Studios and Kultur Kontakt Austria
INSTALLATION
Zentrale Wien AT (2017)
Amann Studios Wien AT (2017)
Rozenstraat Amsterdam NL (2017)
All We Do Is Live
Untitled experiment with no image (2017) Music and sound design for video installation
httpkonstantinguzcomuntitled-experiment
httpsvimeocom217567688
Commissioned by artist Konstantin Guz
3-channel audiovisual installation 7rsquo01rsquorsquoloop stereo sound
Supported by Amsterdam Fonds voor de Kunst
INSTALLATION
Neverneverland at De Punt Amsterdam NL (2017)
Untitled experiment with no image
Pfaueninsel (Ongoing project 2016 ndash 17) Music and sound design for film
The project is a collaboration between artist Miklos Gaaacutel and myself
Pfaueninsel (ldquoPeacock Islandrdquo) is a video work filmed in Pfaueninsel Berlin The project is to follow record and produce a video essay about the mating courtship of Pfaueninselrsquos peacock population reflecting cul-tural and social separations of artificiality and nature The artistic point of departure is to consider Pfaueninsel as a symbol of instrumentalised fabrication that appears as a borderline of biology and culture The work employs the format of a nature documentary to explore associations about control of nature exoticism and encountering the unknown
With the support of Fonds Podium Kunsten and Mondriaan Fonds
INSTALLATION
To be announced (2018)
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
All We Do Is Live
Untitled experiment with no image (2017) Music and sound design for video installation
httpkonstantinguzcomuntitled-experiment
httpsvimeocom217567688
Commissioned by artist Konstantin Guz
3-channel audiovisual installation 7rsquo01rsquorsquoloop stereo sound
Supported by Amsterdam Fonds voor de Kunst
INSTALLATION
Neverneverland at De Punt Amsterdam NL (2017)
Untitled experiment with no image
Pfaueninsel (Ongoing project 2016 ndash 17) Music and sound design for film
The project is a collaboration between artist Miklos Gaaacutel and myself
Pfaueninsel (ldquoPeacock Islandrdquo) is a video work filmed in Pfaueninsel Berlin The project is to follow record and produce a video essay about the mating courtship of Pfaueninselrsquos peacock population reflecting cul-tural and social separations of artificiality and nature The artistic point of departure is to consider Pfaueninsel as a symbol of instrumentalised fabrication that appears as a borderline of biology and culture The work employs the format of a nature documentary to explore associations about control of nature exoticism and encountering the unknown
With the support of Fonds Podium Kunsten and Mondriaan Fonds
INSTALLATION
To be announced (2018)
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Untitled experiment with no image (2017) Music and sound design for video installation
httpkonstantinguzcomuntitled-experiment
httpsvimeocom217567688
Commissioned by artist Konstantin Guz
3-channel audiovisual installation 7rsquo01rsquorsquoloop stereo sound
Supported by Amsterdam Fonds voor de Kunst
INSTALLATION
Neverneverland at De Punt Amsterdam NL (2017)
Untitled experiment with no image
Pfaueninsel (Ongoing project 2016 ndash 17) Music and sound design for film
The project is a collaboration between artist Miklos Gaaacutel and myself
Pfaueninsel (ldquoPeacock Islandrdquo) is a video work filmed in Pfaueninsel Berlin The project is to follow record and produce a video essay about the mating courtship of Pfaueninselrsquos peacock population reflecting cul-tural and social separations of artificiality and nature The artistic point of departure is to consider Pfaueninsel as a symbol of instrumentalised fabrication that appears as a borderline of biology and culture The work employs the format of a nature documentary to explore associations about control of nature exoticism and encountering the unknown
With the support of Fonds Podium Kunsten and Mondriaan Fonds
INSTALLATION
To be announced (2018)
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Untitled experiment with no image
Pfaueninsel (Ongoing project 2016 ndash 17) Music and sound design for film
The project is a collaboration between artist Miklos Gaaacutel and myself
Pfaueninsel (ldquoPeacock Islandrdquo) is a video work filmed in Pfaueninsel Berlin The project is to follow record and produce a video essay about the mating courtship of Pfaueninselrsquos peacock population reflecting cul-tural and social separations of artificiality and nature The artistic point of departure is to consider Pfaueninsel as a symbol of instrumentalised fabrication that appears as a borderline of biology and culture The work employs the format of a nature documentary to explore associations about control of nature exoticism and encountering the unknown
With the support of Fonds Podium Kunsten and Mondriaan Fonds
INSTALLATION
To be announced (2018)
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Pfaueninsel (Ongoing project 2016 ndash 17) Music and sound design for film
The project is a collaboration between artist Miklos Gaaacutel and myself
Pfaueninsel (ldquoPeacock Islandrdquo) is a video work filmed in Pfaueninsel Berlin The project is to follow record and produce a video essay about the mating courtship of Pfaueninselrsquos peacock population reflecting cul-tural and social separations of artificiality and nature The artistic point of departure is to consider Pfaueninsel as a symbol of instrumentalised fabrication that appears as a borderline of biology and culture The work employs the format of a nature documentary to explore associations about control of nature exoticism and encountering the unknown
With the support of Fonds Podium Kunsten and Mondriaan Fonds
INSTALLATION
To be announced (2018)
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Pfaueninsel
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
The Fly (2016) Audio Installation
httpsoudekerknlmisericordiablog
Collaboration with Manolis Tsipos for 6 hidden speakers placed throughout the staircase of the Oudekerk
Working on a new sound installation for Misericordia project
INSTALLATION
Oudekerk
Amsterdam NL (2016)
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
The Fly
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
51 (2016) Percussion quartet and electronics
httptolhuistuinnlevenementquartet-slagwerk-den-haag
Commisioned by Tolhuistuin For Slagwerk Den Haag
The idea behind this piece is a sound design based on the surround system The effect of panning the sound from left to right back to front and vice versa Ideally merging the metallic timbre from the percussions with the synthetic timbre of the electronics
PERFORMANCE
Tolhuistuin
Amsterdam NL (2016)
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Royalty
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Royalty (2016) Sound Design
Commissioned by Zhana Ivanova
In Royalty three male guests different for each performance agree to enact a pre-scripted scene The men are unrehearsed - they receive a short briefing beforehand The scene unfolds in the narration of a pre-re-corded voiceover
Royalty is conceived as a preliminary component of a larger performance based project A Royal Game which is currently in development
director Zhana Ivanova
sound design Natalia Domiacutenguez Rangel
voice Michael Blass
guests Joseph Marzolla Eric Giraudet Dylan Ferreux
development Alex Zakkas Deniz Buga Luc van Esch
supported by Mondriaan Fonds Ellen de Bruijne Projects
PERFORMANCE
FIAC Paris FR (2016)
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Royalty
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Palace Ruin (Ongoing project 2016) Audio installation
httpssoundcloudcomnataliadpalace-ruin
httptaakmenk_project=programma-palace-ruinamplang=en
Loop of 14rsquo25rsquorsquo for 4 speakers and 2 subwoofers
The sound installation is deconstructed classical musical pieces originally programmed in the Crystal Palace Thoughts of failure sonic fissures ridges noise ripped apart and fire form part of this sonic environment
The sound installation was specifically made for Palace Ruin Project by James Beckett together with TAAK Palace Ruin is a fragment of Amsterdamrsquos own lsquoCrystal Palacersquo the Paleis voor Volksvlijt which was rebuilt in part by artist James Beckett
Palace Ruin was installed at the Gustav Mahlerplein immeadiately outside of the Amsterdam Zuid station from August 14 to October 14 2016
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Palace Ruin
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
10rsquo01rsquorsquo (2016) Audio installation
httpssoundcloudcomnataliad1001-stereo-version
httpwwwjohanwagenaarstichtingnlEDITIES039039_KERKhtmlRANGEL
Transforming loop of 101 min
Multitrack audio installation for 8 speakers and 2 subwoofers
Commissioned by Dag in de Branding
10rsquo01rsquorsquo is the will conceived in spatial terms
10rsquo01rsquorsquo stands for spatial clarity white white noise rejection of rigid boundaries light natural digital cultic aerial congestion space space space
INSTALLATIONS
Dag in de Branding The Hague (2016)
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
10rsquo01rsquorsquo
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
RRRRR (2016) Sound design
httpsonjajokiniemicomprojectsrrrrr
RRRRR is a performance project that is looking into hallucinatory delu-sional and derailed structures used as choreographic starting points Sonja Jokiniemi is interested in the schizophrenic aspect of our contempo-rary reality This project moves somewhere between peripheral otherness disembodied language derailed threads of thoughts virtual fantasy con-structions self-records overlapping realities and confused truths
RRRRR credits
Direction performance text Sonja Jokiniemi
Set designer and dramaturge Miguel Angel Melgares
Sound designer Natalia Dominguez Rangel
Light designer Jenni Pystynen
Producer Riikka Thitz
Performance photos Finnish National Gallery Petri Virtanen
Co-production Dampfzentrale Bern and Kiasma Theatre
Residency support STUK Kunstencentrum Arc Artist Residency Arsenic Theatre and Les Urbaines
With support of Alfred Kordelin Foundation Kone Foundation Arts Promotion Centre Finland
PERFORMANCES
Dampfzentrale Bern (2016)
Kiasma Theater Helsinki (2016)
Theaterdiscounter Berlin (2016)
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
RRRRR
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Song Cycle ndash Convulsions of Time (2015) Artistic Director and Composer
httpnataliadominguezrangelcomsongcycle
httpssoundcloudcomnataliadsong-cycle-convulsions-of-time-2015-excerpts
Song Cycle ndash Convulsions of Time plays with the idea of slow transforma-tions mutability and long compressions In one form or another the con-stant change the inconstancy of change
Soprano voice amp Theremin Charlotte Riedijk Accordeon Krassimir Sterev Double bass Dario Calderone Electronics Natalia Domiacutenguez Rangel
Composer and Artistic director Natalia Domiacutenguez Rangel TextTania Theodorou Dramaturgical adviser Martin Butler Project manager Rutger van Otterloo Graphic design Ceacuteline Wouters
Supported by Fonds Podium Kunsten
PERFORMANCES
Korzo Theater The Hague (2015)
November Music Den Bosch (2015)
Socieacuteteacute de Musique Contemporaine Laussane (2015)
Sound of Music Festival Groningen (2015)
Ostade Theater Amsterdam (2015)
Zaal van Eek Eindhoven (2015)
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Song Cycle ndash Convulsions of Time
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Silbersee (2015) Music and sound design for video installation
httpssoundcloudcomnataliadsilbersee-extract
httpwwwalexandranavratilcomprojectsSilbersee-
Commissioned by artist Alexandra Navratil
Loop 11rsquo11rsquorsquo
The music for video Silbersee was inspired from the grains of the pho-tography The transparency and Navratilrsquos interposition from the photo-graphs In this piece I explored the color and shape of noise as an ode to the grains and the chemical results of such contaminated environment I portrayed the static approach of photography with the use of percussive minimal sounds and synths like the way dots of unmixed color are juxta-posed on a white ground
EXHIBITIONS
LatvianCentre of Contemporary Art Riga LV (2015)
DanGunn Berlin DE (2015)
Dag in de Branding The Hague NL (2015)
Frieze London London UK (2015)
International Film Festival Rotterdam Rotterdam NL (2016)
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Silbersee
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Revitalise (2015) Music and sound for video installation
httpwwwalexandranavratilcomprojectsRevitalise-
EXHIBITIONS
DanGunn Berlin (2015)
FrameFrieze New York (2015)
Electronic miniatures Fragments of ca 30rsquorsquo
Commissioned by artist Alexandra Navratil
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Revitalise
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo (2015) Audio installation
httpssoundcloudcomnataliadun-tirano-melancolico-extract
Sound installation for 8 small speakers
Partly lonely and apparently meditative Brushed on semi open lands with scattered trees residential areas and along rivers Captures most of its preys in the air with agile manoeuvres especially in circular flight returns back to the hanger To the very large preys shakes them vigorously until stripping them off or strikes them against the ground
INSTALLATIONS
ArteCaacutemara Bogotaacute (2015)
OT 301 Amsterdam (2015)
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
A melancholic tyrant aka tyrannus melancholicus ndash lsquoSiririacutersquo
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Sculpting Fear (2015) Music and Sound Design for performance
httpsvimeocom138278723
httpjulianhetzelschniggcomprojectssculpting-fear
CREDITS
Director Julian Hetzel
Performer Tomislav Feller Miri Lee Eva Susova Svetlin Velchev
Dramaturg Miguel Angel Melgares
Sound design amp music Natalia Dominguez Rangel
Costume design Gertjan Franciscus
Light Design Nico de Rooij
Production Management Yola Parie
Technical Director Vincent Beune
Produced by SPRING Performing Arts Festival Utrecht
With support of Fonds Podiumkunsten (NL) Gemeente Utrecht SPACE ndash Supporting Performing Art Circulation in Europe South East Dance Brighton through residency and Quadrennial Praguebvv
PERFORMANCES
Spring Festival Utrecht (2015)
Wiesbaden Biennale Muumlnich (2015)
Vabalava Estonia (2016)
Dampfzentrale Bern (2016)
Malta Festival Poznan Poland (2016)
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Sculpting Fear
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Ruins in Reverse (201415) Music and sound installation
httpssoundcloudcomnataliadruins-in-reverse1
httpsvimeocom120491773
Music and sound design for the installation of Persijn Broersen amp Margit Lukaacutecs
Exhibited in the exhibition ldquoOn the Moverdquo in the Stedelijk Museum Amsterdam
August 2014 till Januar 18 2015
The work has been acquired by the Stedelijk Museum Amsterdam
INSTALLATIONS
Stedelijk Museum Amsterdam (201415)
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Ruins in Reverse
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Hmm (2014) Music composition for performance
httpsonjajokiniemicomprojectshmm
For Minikorg XL | Surround system (ca 60rsquo)
Music composition for the performance by Sonja Jokiniemi
Hmm is principally about search and disorder the objects and the human figure set in the space engage in a dialogue and mutual exploration Feeling her way shuffling stumbling through a world that seems to have no cohesion a confusing universe in which objects and sounds seem to have no meaning a narrative emerges Hmm explores the transition from chaos to order from senselessness to meaning from indiscriminate sound to language An intimate dependent sensual at times violent and frag-mentary experience of the universe
Hmm credits
Concept direction amp performance Sonja Jokiniemi
Music composition Natalia Dominguez Rangel
Visual design amp dramaturgy Miguel Angel Melgares
Lighting design Katinka Marac
Costume Janneke Raaphorst
Images Timo Wright
Co-production Eastern Finland Regional Dance Centre Frascati Theatre Zodiak Centre for New Dance Workspace Brussels
With the support of Dampfzentrale Bern Finnish Cultural Institute for the Benelux Kutomo Les Urbaines STUK Leuven
PERFORMANCES
Les Urbaines Lausanne (2014)
Something Raw Festival Amsterdam (2015)
Ehkauml ndash Tuotanto Turku (2015)
Zodiak Helsinki (2015)
Eastern Finland Regional Dance Centre Kuopio (2015)
STUK Kunstencentrum Leuven (2015)
Skorohod St Petersburg (2015)
ImPulzTanz Vienna (2016)
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Hmm
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Resurrections (2014) Music and sound for video installation
httpssoundcloudcomnataliadresurrections-extract-1
httpwwwalexandranavratilcomprojectsResurrections-
Commissioned by artist Alexandra Navratil
Loop of 6rsquo39rsquorsquo
The music for video Resurrections was inspired by Navratilrsquos idea of phan-tasmagoric visions transparency rationality violence and fragility We spoke about the process of making gelatin one of the essences in pho-tography I played with the overlapping of sounds and juxtaposition of colourstimbre which is something I do constantly when I create music Creation of music constellations that juxtapose in the same universe It was important to portrait the fragility and intensity of the material itself In this piece I combined pure electronic sounds and acoustic processed instruments such as the bass drum bells and strings
EXHIBITIONS
DanGunn Berlin (2014)
Kochi-Muziris Biennale India (2014)
Ygrep Ensapc Paris (2015)
De Apple Arts Center Amsterdam (2015)
Frieze London 2015
Dag in de Branding The Hague (2015)
Colomboscope Festival Sri Lanka (2015)
Reykjavik Arts Festival Reykjavik (2015)
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Resurrections
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Helium Choir Intervention (2014) Choir
httpwwwmediamaticnet362771enignite-lightness-opening
Commisioned by Mediamatic
In a time of societal strain Mediamatic explores the light at the end of the tunnel 11 weeks 11 exhibitions Tonight the 11 curators give a preview of their week in 5 minute discussions on what lsquolightnessrsquo means to them Natalia Dominguez Rangel was commission to write a piece for a helium choir in the Opening
INTERVENTIONS
Stichting Mediamatic Amsterdam (2014)
Festival WhyNot ndash Tolhuistuin Amsterdam (2015)
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Helium Choir Intervention
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
An enchanted forest (2013) Music and sound design for video installation
httpsvimeocom93473063
Music and sound design for video installation of artist Milena Bonilla
Enchanted Forest in the area that is covering the former Bohemian Forest which has been divided between the Bavarian and Šumava Natural Parks The parks belong to Germany and the Czech Republic correspond- ingly They start to notice while they were tracking Red Deer population as a control routine that Red Deer females from both countries are not crossing the former Iron Curtain border even though the fence has been removed since 1989
EXHIBITIONS
Cisneros Fontanals Art Foundation Miami (2013)
Tina Kim Gallery New York (2014)
The Mistake Room Los Angeles (2015)
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
An enchanted forest
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Song Cycle (2010) Nieuw Ensemble and soprano voice
httpssoundcloudcomnataliadsong-cycle
ca 9rsquo20rsquorsquo
Commisionned by Tera de Marez Oyensprijs
This cycle is a collection of miniature songs that portraits in quick glances different states of beings
The texts in the three first songs are phonemes consonants and syllables Transforming in the fourth movement into speech with a selected fragment from the poem ldquoTo her portraitrdquo by Sor Juana Ineacutes de la Cruz
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2010)
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Fl
Cb
S
Hp
far and airy
pp
9
ppp
like a shadow
pppp Almost nothing Like a far echo
ppp
ppp pp p pppsub
+ 13 3 46
ff
f ff psub
gt7 77 77
gt7 77 77
$ cf
amp st
$
lv lv
7 77 7
3
$
$7 7 7 7 7 3
amp
+ - - - - - -8 -8 $$$- $$$- $$$- 2
- - - - - - -3 - -3 - - - - ) - 2
- - - -3 - - - + - - - - - -3 - - - - - - - - - - - -
- + )( - -
- - - -3 - - - - - - - - - - - - -3 - - - - - - - -3 - - - - - - - - - - - -
202
Nomenclature for Percussion
Vibraphone
Crotales
Snare Drum
Bass Drum
I p 4 II p 9 III p 17 IV p 18
For Soprano and 4 Musicians
Song CycleNatalia Domiacutenguez Rangel
FORMATION
Soprano
Flute
Contrabass
Percussion
Harp
Song Cycle
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Speech Perceptions (2009) For the Nieuwe Ensemble
httpssoundcloudcomnataliad02-speech-perceptions
httpwwwnieuw-ensemblenlmusicihtml
ca 6rsquo
Winner of Tera de Marez Oyensprijs ndash Composition Prize
Speech Perceptions refers to the processes of humans or objects (that produce sound) use in order to be able to interpret and understand sound in a musical or language context I have tried to combine two worlds In one the flow has a more articulated and spoken material and in the other time will be more stationary and condense with pointillist constellations that will articulate the space in a very subtle way All these being a matter of rhetoric and speech perceptions
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2009)
Korzo Theater The Hague (2009)
Huddersfield Contemporary Music Festival Huddersfield (2009)
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Speech Perceptions
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
ca 8rsquo
This piece was written throughout my studies in the Conservatorium van Amsterdam specially for the ASKO Ensemble It premiered in April 2008 at the Muziekgebouw aanrsquot IJ Amsterdam
Las casas del ferrocarril was an investigation of opposites Extremes in register high and low
In dynamics loud and soft
In texture dense subtle rough disperse silence
The piece was inspired from a rough neighbourhood in Bogotaacute called Las casas del ferrocarril (the houses from the railways) also known as ldquoEl cinturon de pobrezardquo (poverty belt) I was chocked by the extremes of hier- archies in societies how could people live so well and others in terrible conditions It hit me As a result I was looking for beauty in extremes and diversity in timbre was in search of unifications
Las casas del ferrocarril (2008) For Asko Ensemble
httpssoundcloudcomnataliad03-las-casas-del-ferrocarril
httpwwwjohanwagenaarstichtingnlEDITIES040040_NIEUWE_KERKhtmlRANGEL
httpwwwaskoschoenbergnlover-ons
PERFORMANCES
Muziekgebouw aanacutet IJ Amsterdam (2008)
Korzo Theater The Hague (2008)
Dag in de Branding The Hague (2016)
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Las casas del ferrocarril
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Statisch Vooruitgangsmonument (2008) Music for video installation
httpwwwruchamacomsiteindexphpprojectstatisch-vooruitgangsmonument
httpwwwrecordingmediumcomvideostatisch-vooruitgangsmonument1mov
EXHIBITIONS
Museum de LachenhalScheltema Leiden (2008)
String Quartet
ca 23rsquo
Music for video installation in collaboration with artist Ruchama Noorda and Brian McKenna
Statisch Vooruitgangsmonument
Statisch Vooruitgangsmonument
Recommended