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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
2 sec.
2 sec.
2 sec.
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
F
2
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violin
viola
cello
Bel Canto - Score B violin, viola, cello
Two scores:Ensembles A (alto flute, clarinet, guitar, mezzo-soprano) and B (violin, viola, cello) read from two separatescores (scores A and B) and proceed alongside each other without relation, for the duration of the piece, asif two pieces played simultaneously. Both ensembles begin at the same moment. Ensemble B begins with onemeasure of rest, and will therefore begin to sound a couple of seconds after Ensemble A. This does not need tobe precise.
Tempo:Each "measure" represents a variable amount of seconds, as written above the staff. It is not necessary that thistiming be precise, rather the barlines function to keep the group together. The violist should cue each barline asdiscretely as possible.
Repeated material, phrasing and acting:When material repeats, every detail of inflection, articulation, dynamic, and indeed also the physical motions of the performer - all should strive to mimic the first instance as precisely as possible. This remains the case even when the tempo changes between iterations.
Pitch notation:Wavy lines indicate width and speed of vibrato/oscillation. As the tempo slows down, also this oscillation slows down proportionately.
Noteheads indicate that a bow change must be made, however bow changes are also welcome between noteheads, at the liberty of the performer.
(under the cello)
(under the cello)
singing, romantic, molto espress. (senza sordino)
warm, gentle, con sordino (practice mute), sul D
warm, gentle, con sordino (practice mute), sul D
Section I “Vissi d'arte”
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
F
8 3 sec.
3 sec.
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3 sec.
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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
13
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p
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p
p
F
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4 sec.
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4 sec.
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4 sec.
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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
p
F
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p
p
F
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5 sec.
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5 sec.
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5 sec.
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2 Bel Canto - Score B
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
p
F
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p
p
F
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6 sec.
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6 sec.
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6 sec.
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e
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
29
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p
F
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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
p
F
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7 sec.
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7 sec.
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7 sec.
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p
p
F
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3 Bel Canto - Score B
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
39
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p
p
F
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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
44
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p
p
F
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8 sec.
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8 sec.
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8 sec.
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e
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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
p
F
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9 sec.
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9 sec.
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9 sec.
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4 Bel Canto - Score B
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
p
F
54œ œ
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10 sec.
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10 sec.
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10 sec.
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e
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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
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GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
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65
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5 Bel Canto - Score B
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
p
F
70
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11 sec.
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11 sec.
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11 sec.
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e
(An)
e
(F#)
e
(Dn)
GFEbDCBb
EbDCBbAbG
CBbAbGFEb
p
p
F
76
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12 sec.
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12 sec.
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12 sec.
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6 Bel Canto - Score B
attacca
7 Bel Canto - Score B
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EbDCBbAbG
BbAbGFEbD
BbAbGFEbD
F
82
4 sec.
open G string:
sul D:
(con sord.)
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senza sord 4 sec.
con sord (practice mute) 4 sec.
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EbDCBbAbG
BbAbGFEbD
BbAbGFEbD
87
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5 sec. 3x
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5 sec. 3x
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5 sec. 3x
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3x
8 Bel Canto - Score B
Section II “non feci mai male”
still, austere
FEbDC
F
^^^^^^^^^^^^ ^^^^^^ ^^^^^^^^^^^^
^^^^^^ ^̂ ^93
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5 sec.senza sord
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FEbDC
F
^^^ ^^^^^^ ^^^^^^^^^^^^ ^^^^^^ ^^^^^^
97
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6 sec.
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FEbDC
F
CBbAbG
C
AbGFEb
Ab
^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^
^^^^^^^^^^
^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^
^^^^^^^^^^
^^^^^^^^^
^^^
101
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9 sec.
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9 sec.
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9 sec.
senza sord
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9 Bel Canto - Score B
Section III “quante miserie”Wait 20 seconds, or if ensemble A becomes silent during this time, begin immediately:
violin
violin
violin
viola
cello
very agressive, with heat, with intensity
FEbDC
F
CBbAbG
C
AbGFEb
Ab
^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^
^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^
105
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8 sec.
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8 sec.
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8 sec.
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F
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F
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F
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CBbAbGF
GFEbDC
EbDCBbAb
^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^
110
œ
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(Bn)
œ
(G)
10 Bel Canto - Score B
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