Pre-Production Lead Roles

Camera & Lighting

Director ProducerScreen WriterScript Supervisor

Production

ManagerCoordinatorAssistantLocation:-ManagerScout Assistant

Art Department

DirectorAssistant DirectorSet:-DesignerDecoratorSet DresserGreensmanSet BuyerConstruction:-CoordinatorCarpenterProperty:-Props MasterProp MakerWeapon Master

CameraElectricalGrip

Costume Department

Hair & Make-up

Make-Up ArtistSupervisorHair Stylist

Post-Production

DesignerSupervisorCostumerStandbyArtist BuyerCutter

Editorial:-Sound/Music Special & Visual Effect

Film DirectorFilm directors create an overall vision through which a film eventually becomes realized. Realizing this vision includes overseeing the artistic and technical elements of film production, as well as directing the shooting timetable and meeting deadlines. Requiring skills of group leadership, as well as the ability to maintain a singular focus, an artistic eye and excellent communication skills.

CinematographerA cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera and lighting crews working on the film. Basically, cinematography means bringing a story to life visually, working with the film's director to capture the underlying story in a way that will captivate the movie audience. Bringing movement to screenwriter's script requires more than simply shooting photos or video of a scene.They are also responsible for achieving artistic and technical decisions related to the image.

Location Manager

The location manager is a member of the film crew responsible for the finding and securing locations to be used, obtaining fire, police and other governmental permits, and coordinating the logistics involved for the production. Responsible for addressing the issues that may arise due to the production's impact on the community.

An Art Director, works directly in collaboration with the Set Decorator, especially Construction, Special FX, Property, Transportation (graphics), and Locations Departments . A large part of their duties include the administrative aspects of the art department; they‘re responsible for assigning tasks to personnel such as the Art Department Coordinator, and the Construction Coordinator, keeping track of the art department budget and scheduling

Art Director

Hair Dresser

Hairdressers are briefed by Heads of Department (either the Make-up and Hair Designer, or the Chief Hairdresser) who provide them with detailed continuity notes for the characters they create. They prepare performers' scalp and skin and create hairstyles to suit production requirements. They also work with wigs, hair pieces, and hair extensions and may be required to use chemical solutions, and to administer hair and scalp treatments as necessary.

A special effects supervisor (also referred to as a special effects coordinator or SFX Supervisor) is an individual who works on a commercial, theatre, television or film set creating special effects. Their responsibilities are very much like those of an art director, production designer or chief creative officer, though with a particular focus on the computer-generated imagery of their projects. Though they are primarily responsible for directing and supervising the creative and technical execution of visual effects sequences, from concept to completion.

Lead Special Effects Artist

A costume designer is a person who designs costumes for a film or stage production. The role of the costume designer is to create the characters and balance the scenes with texture and color. The costume designer works alongside the director, scenic, lighting designer, sound designer, and other creative personnel. The costume designer is responsible for all the clothing and costumes worn by the cast. They design and plan construction of the garments down to the fabric, colours, and sizes.

Costume Designer

Robert Edmond Jones (December 12, 1887 - November 26, 1954) An American scenic, lighting, and costume designer. Credited for incorporating the new stagecraft into the American drama. His sought to integrate the scenic elements into the storytelling instead of having them stand separate and indifferent from the play’s action. His visual style, often referred to as simplified realism, combined bold vivid use of color and simple, yet dramatic, lighting.