Billboard - MUSIC OIL CAMPUS - World Radio History

BillboardMUSIC OIL CAMPUSThe College Market for Record and Talent

Section Two / April 8, 1967 / Price 1.25

G w IGERARD VI. PURCELL ASSOCIATES, LTD.

New York: 150 East 52nd St., New York 22, N. 't(212) PL 3-760

Nashville: 806 17th Ave., S., Nashville, Tenn. (615)244-2006

Hollywood: 6269 Selma Ave., Hollywocd 28, Calif.(213) HO 6-439

1068CONCERTS

nd never a no show. When GWPbooks you a performer you can make bookon We even hire Lear Jets to get themthere on time. Go with a complete GWPpackage: Promotion, Puolicity, Ad Mats,Conrract Arrangements. Go with GWP'stop name talent like Al Hirt, Eddy Arnold,Gale Garnett and dozens more. Go witha Pro-Go with GWP.

//LUICCRUSS CARLYLE & ORCHESTRA

LES & LARRY ELGART ORCH.

DIRECTED BY LARRY ELGART

BILLY MAY ORCHESTRADIRECTED BY FRANKIE LESTER

FRANKIE MASTERS & ORCHESTRA

SI ZENTNER & ORCHESTRA

COUNT BASIE & ORCHESTRA

WARREN COVINGTON & ORCHESTRA

DON GLASSER & ORCHESTRA

HARRY JAMES & ORCHESTRA

SAMMY KAY & ORCHESTRA

GLENN MILLER ORCHESTRA®

DIRECTED BY BUDDY DeFRANCO

JAZZ SOUNDCHARLIE BYRD TRIO

CHRIS CONNOR

BOBBY HACKETT QUARTET

MODERN JAZZ QUARTET

DICK MORGAN TRIO

KAI WINDING

SPECIAL ATTRACTIONS

RAY McKINLEY SEXTETMEXICALLI BRASS

TONY PASTOR QUINTET

ENDEN

HEgTR

VI

RAY McKINLEY & ORCHESTRA

FREDDY MARTIN & ORCHESTRA

ORROW &ORCHESTRA

LLOYD PRICE & ORCHESTRA

TOP ROCK GROUPSTHE CRYAN SHAMES

DAVID, della ROSA &BROOKS

THE DEL-VETTS

THE FABULOUSFLIPPERS

THE FIVE EMPREES

THE FLOCK

THE KOOKS

THE LUV'D ONES

NEW COLONY SIX

THE RIVIERAS

SATURDAY'S CHILDREN

TROLLS

THE VENTURES

THE WARNER BROS.

willard alexander inc.artists management WU! 660 madison avenue, new york 21, new york/plaza 1-7070

333 no. michigan:avenue, chicago 1, ill./central 6-2460449 so. beverly drive, beverly hills, calif./crestview 3-4322

BOBBY ROBERTS ENTERPRISES PRODUCER: LOU ADLER

BOBBY ROBERTS ENTERPRISES IDUNIHI ILL PRODUCER: LOU ADLER

.Il: ()1' ()t11í«Ult-RAGES

A Beatles SongbookEl The Brothers Four

singLennon/McCartney

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Michelle Help! YesterdayAnd l Love Her, All My Loving

And More

2502/CS 9302

JOHNNY CASHHappiness Is You

Foe Looin' Me Happy to Be With YouGuess Things Happen That Way

A Wound Time Can't EaseWabash Cannon

and mot

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CL 2479/CS 9279

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Anyt inges!

including:Love for SaleI Get a Kick

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Those ThingsYou're the TopNight and Day

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THNEONE «RKLEfeaturing including:I WISH YOU I'm Happy JustCOULD BE HERE to Dance With YouPLEASE DON'T EVER- I'm Not SureLEAVE ME What I Wanna Do

The Visit(She Was Here)

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hyme

Homeward BouncThe Dangling Conversatior

A Poem on the Underground WalFlowers Never Bend With the Rainfali

7 O'Clock News/Silent Night'4 and more

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ON COLUMBIA RECORDS(!', THE BIG NAME ON CAMPUS.

6

COLUMBIA'.' S MARCAS REG. PRINTED IN U. S

Billboard Music on Campus April 8, 1967

VLSIC O\ CAMPUSThe College Market for Record and Talent

Contents

Top Artists on Campus 11

Top Product on Campus 18

Where Have All the Folkies Gone? 24

They're Rockin' in the Ivory Tower 26

Jazzmen Dig College Dates 28

Major Customer for Classical Acts 32

Training Ground for Band Musicians 34

Golden Opportunity for Rack Jobbers 36

Protecting the Callow Undergrad 40

CEA's College Concert Production Guide 42

WNYU Formula 48

WEAK Comes on Strong at MSU 52

College Concert Dates Sell Records 58

WM Woos the Colleges 60

Perenchio Views the College Market 60

Broadway Show on Campus 62

Block Booking Catches On 64

College Market Directory 65

College Music Festivals and Competitions 106Talent Marketplace 108

The Billboard Publishing Company2160 Patterson St., Cincinnati, 0. 45214

Tel.: Area Code 513, 381-6450

PublisherHal B. Cook New York Office

Editorial Office165 W. 46th St., New York, N. Y. 10036

Area Code 212, PL 7-2800Cable: BILLBOARD NEWYORK

Editor in Chief . Lee Zhito

Executive EditorsPaul Ackerman, Ray Brack,

Aaron Sternfield

U. S. Editorial OfficesCincinnati, Exec. News Editor Wm. J. SachsChicago, Midwest Editor Ray BrackWashington Bureau Chief Mildred HallHollywood, W. Coast News Eliot TiegelNashville News Editor Bill Williams

Production Department, New YorkProduction Manager Bob PhillipsArt Director Virgil Arnett

General Advertising Office, N. Y.Director of Sales Denis HylandAdvertising Manager Ron CarpenterPromotion Director Geraldine PlattMidwest Music Sales Richard WilsonWest Coast Gen. Mgr. Peter HeineNashville Gen. Mgr. Robt. 1, Kendall

U. S. Branch OfficesChicago, Ill. 60601, 188 W. Randolph

Area Code 312, CE 6-9818Los Angeles, Calif. 90069

9000 Sunset Blvd.Area Code 213, 273-1555

Nashville, Tenn. 37203, 110 21st Ave.Room 710Area Code 615, 244-1836

Washington, D. C. 20005733 15th St., N.W.Woodward Bldg., Rm. 533Area Code 202, 393-2580

EuropeanEuropean

International OfficeOffice Andre de Vekey, Dir.Editor Don Wedge7 Welbeck St., London W 1

Tel.: 486-5971Cable: Billboard London

Copyright 1967 by The Billboard PublishingCompany. The company also publishes RecordRetailer, Vend, Amusement Business, HighFidelity, American Artist, Modern Photography,Merchandising Week. Postmaster, please sendForm 3579 to Billboard, 2160 Patterson St.,Cincinnati, Ohio 45214.

ABPialq moo

Vol. 79 No. 14

April 8, 1967 Billboard Music on Campus 7

THE FIVE AMERICANSSMASH HIT

"WESTERN UNION"The Five Americans Are the Group To Watch for in '67. They are destined tobecome one of America's Biggest Recording Groups.

Recordings"WESTERN UNION"

ExclusivelyParamount Artists Corp.

For the East Coast

"I SEE THE LIGHT"Bankers Mgt., Inc.825 Olive StreetDallas, Tex. 75201For All Other Areas

THE CHIFFONSThe Chiffons Broke Into the Recording Scene by Storm With One of the BiggestHits of All Time, "He's So Fine," which was soon followed with AnotherSmash, "One Fine Day." The Chiffons Were Soon Established as One ofAmerica's Major Recording Artists. This past summer "Sweet Talking Guy"was a giant chart success. The Girls Are a MUST for Your College Dates.

Direction, Paramount Artists Corp.

DEE DEE SHARPThis charming ball of fire is SURE to win her way into the hearts of manycampuses in the coming season. This talented gal can go from "Shout" to"Slow Boat to China" and anywhere in between.

Million Sellers"Mashed Potatoes" "The Pony"

"Gravy" "Slow, Slow Twistin' "Available as a single or with a band.

Exclusively, Paramount Artists Corp.

WILLIEAND THE HAND JIVESEveryone Remembers "The Hand Jive." Now This versatile performer is at itagain, running the gamut from Alpha to Zeta, leaving behind a trail of satisfiedGreeks. As a supporting concert act or the Headliner of a Frat Weekend,Willie's a must for your Social Calendar.


"HANDYMAN"JIMMY "GOOD TIMIN'" JONES

The "Handyman" strikes again, and again, and again-thrilling audiences.Although he's had two certified million sellers ("Handyman" & "GoodTimin' ") you'd be surprised how well he'd fit into your budget. A mover fromthe word go, this gentleman is guaranteed to be the hit of every party, thestar of every package. Available as a single or with a band.


8 Billboard Music on Canpus April 8, 1967

The SIIANGII-LASAmerica's

Most ElectrifyingFemale Campus Attraction

HIT RECORDS

"Leader of the Pack" "Remember" (Walking In the Sand) "I Can Never Go Home Anymore" "Give Him a Great Big Kiss" "Long Live Our Love" "Out in the Streets" "Give Us Your Blessings"

NOW SCHEDULING OUR 1967-68CAMPUS TOURS

Exclusively, Paramount Artists Corp. Personal Mgr., Larry Martire

THE CHARTBUSTERS

The Hottest Vocal -Instrumental group on the East Coast or any coast. Theirfour-part harmony has floored collegians from Maine to Florida. A terrificshow band. For concerts or Prat parties.

RECORDINGS

"She's The One" "New Orleans" "Why" (Dontcha Be My Girl)

THE BRITISH WALKERS

The Hottest New Group Ever To it the U. S. CAMPUS SCENE.

RECORDINGS

"Shake" "I Found You" "Watch Yourself" "Gloria"

THE HOME OF TOP CAMPUS ATTRACTIONSPARAMOUNT ARTISTS CORP.

Mitch Corday, Vice Pres. 1203 28th Street, N.W. Washington, 0. C. Phone (202) 337-7015


LAURINDO ALMEIDiNANCY AMES RAY ANTHONY AND HIS BOOKEND REVUEANTHONY AND THE IMPERIALS CHARLES AZNAVOUFPEARL BAILEY LEN BARRY BRANDYWINE SINGER1BEACH BOYS BLUES PROJECT BUFFALO SPRINGFIELEBURNS AND SCHREIBER RON CAREY CHAD & JEREIVP,MAURICE CHEVALIER ROSEMARY CLOONEY BILL COSEI''MYRON COHEN NORM CROSBY RODNEY DANGERFIE.

XAVIER CUGAT DAMITA JO SAMMY DAVIS, Jr.JIMMY DEAN DEREK & RAY JOHNNY DESMONDDOODLETOWN PIPERS FERRANTE & TEICHERTHE DRIFTERS SERGIO FRANCHI PHIL FORD& MIMI HINES BRAMWELL FLETCHER DAVE FRYEER ROLL GARNER STAN GETZ BENNY GOODMANBOBBY GOLDSBORO JOHN GARY JOSE GRECOGREENWOOD SINGERS HINES, HINES & DADTHE GUILD THE HAPPENINGS NOEL HARRISONHENDRA & ULLETT HAL HOLBROOK JIM & JEANJAY AND THE AMERICANS JACKIE KAHANETHE KINGSMEN PEGGY LEE JACK E. LEONARDLONDON LEE THE LETTERMEN SAM LEVENSONRICH LITTLE THE LUVS HUGH MASEKELATHE MAD SHOW MARILYN MAYE THE McCOYSBARBARA McNAIR BOB MELVIN MITCHELL TRIOCORBETT MONICA CARLOS MONTOYA RUBINMITCHELL TRIO WILLIAM MOONEY GENE PITNEYWAYNE NEWTON PAIR EXTRAORDINAIRETHE OUTSIDERS THE PILGRIMAGE POZO SECOSINGERS BASIL RATHBONE JIMMY ROSELLIBOBBY RYDELL ANITA SHEER THE SIDE KICKS

SANDLER & YOUNG SHADOWS OF KNIGHT FRANK SINATRA, Jr.HARRY SIMEONE CHORALE SONNY & CHER MARTIN ST. JAMESSMOTHERS BROTHERS BUFFY ST. MARIE STILLER & MEARATHE ROLLING STONES STROLLING PLAYERS THE TEMPTATIONSTHREE COINS JERRY VAN DYKE JACKIE VERNON FRED WARINGJEREMY VERNON ADAM WADE DIONNE WARWICK WARNER, PORTS& WARNER EARL WRIGHTSON & LOIS HUNT THE YOUNGBLOODb

WILLIAM MORRIS AGENCY, INC.

NEW YORKBEVERLY HILLSCHICAGOLONDONROMEPARISMADRIDMUN/C,

ESTABLISHED 1898

»0«TheAgencyOfTheEntertainmentWorld

TOP ARTISTS ON CAMPOSArtist popularity is based on record sales figures from more than 250 collegebook 'stores and record stores in campus areas. The research and tabulations

were done by Billboard's Market Research Department. These figures reflect

mainly purchases by college students, although purchases by faculty members,

college employees and residents of the area do play some part in the results.

Period covered in Oct. 1966 -Feb. 1967.

BEST SELLING ARTISTS

1. HERB ALPERT & THETIJUANA BRASS (A&M)

2. Monkees (Colgems)3. Mamas and the Papas

(Dunhill)4. Bill Cosby (Warner Bros.)5. Rolling Stones (London)6. Temptations (Gordy)7. Beatles (Capitol)8. Lou Rawls (Capitol)9. Supremes (Motown)

10. Frank Sinatra (Reprise)11. Ray Conniff & the Singers

(Columbia)12. New Vaudeville Band

(Fontana)13. Association (Valiant)14. Paul Revere & the Raiders

(Columbia)15. Wilson Pickett (Atlantic)16. Simon & Garfunkel

(Columbia)

April 8; 1967 Billboard Music on Campus

17. Lovin' Spoonful (KamaSutra)

18. Four Tops (Motown)19. Roger Williams (Kapp)20. Butterfield Blues Band

(Elektra)21. Sergio Mendes & Brasil '66

(A&M)22. Animals (MGM)23. Lawrence Welk (Dot)24. Beach Boys (Capitol)25. Barbra Streisand

(Columbia)26. Lettermen (Capitol)27. Sandpipers (A&M)28. Miracles (Tamla)29. Blues Project (Verve

Folkways)30. Ramsey Lewis Trio (Cadet)31. Otis Redding (Volt)32. Senator Everett McKinley

Dirksen (Capitol)33. Gary Lewis & the Playboys

(Liberty)

34. Blues Magoos (Mercury)35. Elvis Presley (RCA Victor)36. Herman's Hermits (MGM)37. Mothers of Invention

(Verve)38. Tams (ABC)39. Peter, Paul & Mary

(Warner Bros.)40. Johnny Rivers (Imperial)41. Young Rascals (Atlantic)42. Percy Sledge (Atlantic)43. James Brown (King,

Smash)44. Sam & Dave (Stax)45. Glen Yarbrough (RCA

Victor)46. Donovan (Epic)47. Jimmy Smith (Verve, Blue

Note)48. Bob Dylan (Columbia)49. Kinks (Reprise)50. Jr. Walker & the All Stars

(Soul)

11

BEST SELLING MALEVOCALISTS

1. LOU RAWLS (Capitol)2. Frank Sinatra (Reprise)3. Wilson Pickett (Atlantic)4. Otis Redding (Volt)5. Senator Everett McKinley

Dirksen (Capitol)6. Elvis Presley (RCA Victor)7. Johnny Rivers (Imperial)8. Percy Sledge (Atlantic)9. James Brown (King,

Smash)10. Glenn Yarbrough (RCA

Victor)11. Donovan (Epic)12. Bob Dylan (Columbia)13. Don Ho (Reprise)14. Dean Martin (Reprise,

Capitol)15. John Davidson (Columbia)16. Eddy Arnold (RCA Victor)17. Andy Williams (Columbia)18. Stevie Wonder (Tamla)19.. Gene Pitney (Musicor)20. Ray Charles (ABC)20. Buck Owens (Capitol)

BEST SELLING POPULARGROUPS

1. MONKEES (Colgems)2. Mamas and the Papas

(Dunhill)3. Rolling Stones (London)4. Temptations (Gordy)5. Beatles (Capitol)6. Supremes (Motown)7. New Vaudeville Band

(Fontana)8. Association (Valiant)

BEST SELLING FEMALEVOCALISTS

9.

10.

Paul Revere & the Raiders(Columbia)Simon & Garfunkel(Columbia)

1. BARBRA STREISAND 11. Lovin' Spoonful (Kama(Columbia) Sutra)

2. Nancy Wilson (Capitol) 12. Four Tops (Motown)3. Dionne Warwick (Scepter) 13. Butterfield Blues Band4. Loretta Lynn (Decca) (Elektra)5. Judy Collins (Elektra) 14. Sergio Mendes & Brasil '666. Carla Thomas (Stax) (A&M)7. Petula Clark (Warner Bros.) 15. Animals (MGM)8. Cher (Imperial) 16. Beach Boys (Capitol)9. Eydie Gorme (Columbia) 17. Lettermen (Capitol)

10. Nancy Sinatra (Reprise) 18. Sandpipers (A&M)11. Nina Simone (Philips) 19. Miracles (Tamla)12. Brenda Lee (Decca) 20. Blues Project (Verve13. Sandy Posey (MGM) Folkways)

12 Billboard Music on Campus April 8, 1967

BEST SELLINGINSTRUMENTAL ARTISTS

1. HERB ALPERT & THETIJUANA BRASS (A&M)

2. Roger Williams (Kapp)3. Lawrence Welk (Dot)4. Ramsey Lewis Trio

(Cadet)5. Jimmy Smith (Verve,

Blue Note)6. Jr. Walker & the All Stars

(Soul)7. Midnight String Quartet

(Viva)8. Ventures (Dolton)9. Wes Montgomery (Verve)

10. Walter Wanderley (Verve,Tower)

11. Buddy Rich (Pacific -Jazz)12. Richard (Groove) Holmes

(Prestige, Pacific -Jazz)13. Henry Mancini (RCA

Victor)14. Gabor Szabor (Impulse)15. Boots Randolph

(Monument)16. Al Hirt (RCA Victor)17. Brass Ring (Dunhill)18. Mantovani (London)19. Jazz Crusaders

(Pacific -Jazz)20. Kenny Burrell (Cadet)21. Baja Marimba Band

(A&M)22. Sonny Stitt (Cadet,

Prestige)23. John Coltrane (Impulse)24. Mystic Moods Orch.

(Philips)25. Sil Austin (Mercury)26. Bert Kaempfert (Decca)27. Horace Silver (Blue Note)28. Percy Faith (Columbia)29. Lee Morgan (Blue Note)30. Hugh Maskela (MGM)April 8, 1967 Billboard Musk on Campus

BEST SELLING FOLKARTISTS

1. SIMON & GARFUNKEL(Columbia)

2. Butterfield Blues Band(Elektra)

3. Sandpipers (A&M)4. Blues Project (Verve

Folkways)5. Peter, Paul & Mary

(Warner Bros.)6. Glenn Yarbrough (RCA

Victor)7. Donovan (Epic)8. Bob Dylan (Columbia)9. Judy Collins (Elektra)

10. Jim Kweskin & the JugBand (Vanguard)

11. Fugs (ESP Disk)12. Pozo -Seco Singers

(Columbia)13. Chad Mitchell (Warner

Bros.)14. Mimi & Richard Farina

(Vanguard)15. Harry Belafonte (RCA

Victor)16. Ravi Shankar (World

Pacific)17. Jim & Jean (Verve

Folkways)18. Eric Andersen (Vanguard)19. Ian & Sylvia (MGM)20. Joan Baez (Vanguard)21. Howlin' Wolf (Chess)22. Seekers (Capitol)23. Just Us (Kapp)24. Buffy Sainte -Marie

(Vanguard)25. Joe & Eddie (GNP

Crescendo)26. 3'D's (Capitol)27. Phil Ochs (Elektra)

TOP ARTISTSON CAMPUS

(continued)

BEST SELLING COMEDYARTISTS

1. BILL COSBY (Warner Bros.)2. Tom Lehrer (Reprise)3. Doug Clark & the Hot

Nuts (Gross)4. Redd Foxx (Dooto)5. Moms Mabley (Mercury,

Chess)6. Pigmeat Markem (Chess)7. Kenny Solms & Gail

Parent (Jamie)8. Kalie & Taylor (Capitol)9. Smothers Brothers

(Mercury)10. Rowan & Martin (Epic)

13

The "Coolest" Group on Campus,

has the 7IollesfNaiiie Going !!

CURRENT BELL RECORDS RELEASE

"IT AIN'T NECESSARY"ALBUM TO BE RELEASED

IN MARCH

The success The Embers have achieved over the past several years has beenphenomenal. Their sell-out performances from New York to Miami havedemonstrated their acceptance and popularity with all age groups. Availablefor: Dances, club performances, Deb parties, college and civic concerts.

Exclusive Management:

TALENT INTERNATIONAL CORPORATIONSUITE 224, YORK BUILDING, CAMERON VILLAGE, RALEIGH, NORTH CAROLINA 27605

Telephone 919-834-2983


The liollest" Group on Campus,

Iras the `Coolest" Sound!!'

Maurice &tne1wiams _

r

iJ

i IACSMILLION -SELLERS

"MAY I" "STAY"Maurice Williams and the Zodiacs are famous for their fast moving show andsuperb contemporary dance arrangements and interpretations.

Credits: Dick Clark Show, Saturday Prom, Howard Theatre, Washington, D. C.,

Apollo Theatre, New York, Paramount Theatre, New York.

Exclusive Concert Management:

TALENT INTERNATIONAL CORPORATIONSUITE 224, YORK BUILDING, CAMERON VILLAGE, RALEIGH, NORTH CAROLINA 27605

Telephone 919-834-2983


TOP ARTISTSON CAMPOS(continued)

BEST SELLING JAZZARTISTS

1. LOU RAWLS (Capitol)2. Ramsey Lewis Trio

(Cadet)3. Jimmy Smith (Verve,

Blue Note)4. Wes Montgomery (Verve)5. Buddy Rich (World Pacific)6. Ray Charles (ABC)7. Richard (Groove) Holmes

(Prestige, Pacific Jazz)8. Gabor Szabo (Impulse)9. Al Hirt (RCA Victor)

10. Jazz Crusaders(Pacific Jazz)

11. Kenny Burrell (Cadet)12. Sonny Stitt (Cadet,

Prestige)13. John Coltrane (Impulse)14. Horace Silver (Blue Note)15. Lee Morgan (Blue Note)16. Johnny Hodges (Verve)17. Stanley Turrentine

(Blue Note)18. Dave Brubeck (Columbia)19. Afro Blues Quintet Plus

One (Mira)20. Ray Bryant (Cadet)16

BEST SELLING COUNTRYARTISTS

1. EDDY ARNOLD (RCAVictor

2. Loretta Lynn (Decca)3. Buck Owens (Capitol)4. Sonny James (Capitol)5. David Houston (Epic)

6. Ray Price (Columbia)7. Merle Haggard (Capitol)8. Willie Nelson (RCA Victor)9. Hank Williams (MGM)

10. Jim Reeves (RCA Victor)

BEST SELLING RHYTHMAND BLUES ARTISTS

1. TEMPTATIONS (Gordy)2. Lou Rawls (Capitol)3. Supremes (Motown)4. Wilson Pickett (Atlantic)5. Four Tops (Motown)6. Miracles (Tamla)7. Ramsey Lewis Trio

(Cadet)8. Otis Redding (Volt)9. Tams (ABC)

10. Percy Sledge (Atlantic)11. James Brown (King,

Smash)

12. Sam & Dave (Stax)13. Jimmy Smith (Verve,

Blue Note)14. Jr. Walker & the All Stars

(Soul)15. Nancy Wilson (Capitol)16. Dionne Warwick (Scepter)17. Carla Thomas (Stax)18. Stevie Wonder (Tamla)19. Ray Charles (ABC)20. Richard (Groove) Holmes

(Prestige, Pacific Jazz)Billboard Music on Campus April 8, 1967

YESTERDAY, TOIMY...TQlIO$ROIr jazz, the on* constant ia change. Stylet change, trenlive and die, artists rise an fall fom faro- with merciles#swiftness. Occasionally, homier, a giant comes_aleng who .ú

breaks all the rules and creeves his ewr special status,above constant change yet alive and grewings An artistesteemed by his fellow siels and yet ;part from tiemty virtue of the security of his talent, his strength, bitinventiveness and his craftaran:híp.

Such a man is Stan Getz

In the opínice of most :-itts Stae is ',ne of the mostastonishingly gifted muicius Americas jaº has prc-

duced." He has been an important part d jar_ life fcr 25tears. He has won more 3oIs aed awares that any @tier

saxophonist in the Habig o` jazz. hgais this yearhe received more votes :han any othe- recording

artist ín America.

Critics and fellow musiráus and the listening public hateapplauded hit music as Ian" music, aryl good for music.

1Mrat will tcnorrow's ne.sic sotnd like?

Ask the man who helps set :Ye trends that mild America'smusical taste. Verve is pried to present Sun Get] aiithe many facets of hi: genius As an artis., he is ccn-s:antly in search of new venues of expressºn - and nef nds them everywhere .. .

ETTAN 4R2¡ J000 411JAFIfi

GE^.Z/GL.BERTO t2STAN G5 TZ-.DAO GIZ.3ERTO

Music honwhe Sound:rxA of "MicAs OdTWed by

STAN GETZComposed y

Eddie -Sauter

rLA Ltilt117,

DirectionWILL AM MORRIS <GENCY

+1i_1 4í]:l1-.


TOP PRODUCTON CAMPUS

Albums listed below are based on sales figures (Oct. 1966 -Feb. 1967) from morethan 250 college bookstores and record stores in campus areas. The research

and tabulations were done by Billboard's Market Research Division. The figuresmainly reflect student purchases, but purchases by faculty members, collegeemployees and residents of campus areas are also included.

.,(N...I...j11LL1171lild feted, dalI.u.Nit. I tNw Ile knob Dry

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BEST SELLING ALBUMS1. MONKEES (Colgems)2. DR. ZHIVAGO-Sound-

track (MGM)3. S. R. 0. -Herb Alpert &

the Tijuana Brass (A&M)4. SOUND OF MUSIC -

Soundtrack (RCA Victor)5. THE MAMAS AND THE

PAPAS (Dunhill)6. TEMPTATIONS GREATEST

HITS (Gordy)7. THE SUPREMES A' GO GO

(Motown)8. WHIPPED CREAM &

OTHER DELIGHTS -HerbAlpert & the Tijuana Brass(A&M)

9. WHAT NOW MY LOVE-Herb Alpert & the TijuanaBrass (A&M)

10. REVOLVER -Beatles(Capitol)

11. GOING PLACES -HerbAlpert & the Tijuana Brass(A&M)

12. GOT LIVE IF YOU WANT IT-Rolling Stones (London)

13. WINCHESTER CATHEDRAL-New Vaudeville Band(Fontana)

14. SOMEWHERE MY LOVE-Ray Conniff & the Singers(Columbia)

15. WONDERFULNESS-Bill Cosby (Warner Bros.)

16. IF YOU CAN BELIEVEYOUR EYES AND EARS-Mamas and the Papas(Dunhill)

17. AND THEN . . . ALONGCOMES THE ASSOCIATION(Valiant)

18. HUMS OF THE LOVIN'SPOONFUL (Kama Sutra)

19. PARSLEY, SAGE, ROSE-MARY AND THYME-Simon & Garfunkel(Columbia)

20. FOUR TOPS LIVE!(Motown)

21. THAT'S LIFE-Frank Sinatra (Reprise)

22. THE SPIRIT OF "67"-Paul Revere & the Raiders(Columbia)

23. BORN FREE-Roger Williams (Kapp)

24. LOU RAWLS SOULIN'(Capitol)

25. SERGIO MENDES &BRASIL '66 (A&M)

26. LOU RAWLS LIVE!(Capitol)

27. WILD ANGELS -Sound-track (Tower)

28. WINCHESTER CATHEDRAL-Lawrence Welk (Dot)

29. THE EXCITING WILSONPICKETT (Atlantic)

30. GUANTANAMERA-Sandpipers (A&M)

31. AFTERMATH -RollingStones (London)

32. STRANGERS IN THENIGHT -Frank Sinatra(Reprise)

33. JE M'APPELLE BARBRA-Barbra Streisand(Columbia)

34. EAST -WEST -ButterfieldBlues Band (Elektra)

35. PROJECTIONS -BluesProject (Verve Folkways)

36. A COLLECTION OF 16 BIGHITS, VOL. 5 -VariousArtists (Motown)

37. WHY IS THERE AIR? -Bill Cosby (Warner Bros.)

38. A MAN AND A WOMAN -Soundtrack (United Artists)

39. BEST OF BEACH BOYS(Capitol)

40. AWAY WE A' GO GO -Miracles (Tamla)

41. BILL COSBY IS A VERYFUNNY FELLOW, RIGHT?(Warner Bros.)

42. THE BEST OF THELETTERMEN (Capitol)

43. GALLENT MEN -SenatorEverett McKinley Dirksen(Capitol)

44. MORE OF THE MONKEES(Colgems)

45. GOLDEN GREATS -GaryLewis & the Playboys(Liberty)

46. BIG HITS, HIGH TIDE ANDGREEN GRASS -RollingStones (London)

47. THE BEST OF THEANIMALS (MGM)

48. PSYCHEDELIC LOLLIPOP-Blues Magoos (Mercury)

49. BORN FREE -Soundtrack(MGM)

50. GETTIN' READY -Temptations (Gordy)

(continued)18 Billboard Music on Campus April 8, 1967

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Concert Representation: ITA-GAC

PETER NEROSALUTES

HERB ALPERT &THE TIJUANA BRASS

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BEST SELLING POPSTANDARD ALBUMS

1. S. R. 0. -Herb Alpert &the Tijuana Brass (A&M)

2. WHIPPED CREAM &OTHER DELIGHTS -HerbAlpert & the Tijuana Brass(A&M)

3. WHAT NOW MY LOVE -Herb Alpert & the TijuanaBrass (A&M)

4. GOING PLACES -HerbAlpert & the Tijuana Brass(A&M)

5. SOMEWHERE MY LOVE-Ray Conniff & the Singers(Columbia)

6. THAT'S LIFE -Frank Sinatra (Reprise)

7. BORN FREE-Roger Williams (Kapp)

8. SERGIO MENDES &BRASIL '66 (A&M)

9. WINCHESTER CATHEDRAL-Lawrence Welk (Dot)


11. STRANGERS IN THENIGHT -Frank Sinatra(Reprise)

12. JE M'APPELLE BARBRA-Barbra Streisand(Columbia)

13. TINY BUBBLES -Don Ho(Reprise)

14. TIME OF MY LIFE-John Davidson (Columbia)

15. RHAPSODY FOR YOUNGLOVERS -Midnight StringQuartet (Viva)

16. SINATRA AT THE SANDS-Frank Sinatra/CountBasie (Reprise)

17. DEAN MARTIN'S T. V.SHOW (Reprise)

18. SHADOW OF YOUR SMILE-Andy Williams(Columbia)

19. SIDE BY SIDE -Sandler &Young (Capitol)

20. RAIN FOREST -Walter Wanderley (Verve)

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BEST CONTEMPORARYPOP ALBUMS

1. MONKEES (Colgems)2. MAMAS AND THE PAPAS

(Dunhill)3. TEMPTATIONS GREATEST

HITS (Gordy)4. SUPREMES A' GO GO

(Motown)5. REVOLVER -Beatles

(Capitol)6. GOT LIVE IF YOU WANT IT

-Rolling Stones (London)7. WINCHESTER CATHEDRAL

-New Vaudeville Band(Fontana)

8. IF YOU CAN BELIEVEYOUR EYES AND EARS -Mamas and the Papas(Dunhill)

9. AND THEN . . . ALONGCOMES THE ASSOCIATION(Valiant)

10. HUMS OF THE LOVIN'SPOONFUL (Kama Sutra)

11. PARSLEY, SAGE, ROSE-MARY AND THYME -Simon & Garfunkel(Columbia)


13. SPIRIT OF "67" -PaulRevere & the Raiders(Columbia)


15. LOU RAWLS LIVE! (Capitol)16. EXCITING WILSON

PICKETT (Atlantic)17. AFTERMATH -Rolling

Stones (London)18. A COLLECTION OF 16 BIG

HITS, VOL. 5 -VariousArtists (Motown)

19. BEST OF THE BEACHBOYS (Capitol)


TeREATEt'

Beauty Is Only Skin Deep W. Ain't Too Proud To Beg

My Girl ** Get Ready *NI. My Baby -M'* It's Growing

The Girl's Alright With Me ** W* Since 1 Lost My Baby

Id (Why You Wanna Make Me Blue! ';; Don't Look Back

The Way You Do The Things You Do *:iE. ro Be In Trouble

BEST SELLING RHYTHMAND BLUES ALBUMS

1. TEMPTATIONS GREATESTHITS (Gordy)

2. SUPREMES A' GO GO(Motown)




6. EXCITING WILSONPICKETT (Atlantic)

7. A COLLECTION OF 16 BIGHITS, VOL. 5 -VariousArtists (Motown)


9. GETTIN' READY -Temptations (Gordy)

10. PRESENTING THE TAMS(ABC)

11. WADE IN THE WATER -Ramsey Lewis Trio (Cadet)

12. OTIS REDDING DICTION-ARY OF SOUL (Volt)

13. WARM AND TENDER SOUL-Percy Sledge (Atlantic)

14. WICKED PICKETT-Wilson Pickett (Atlantic)

15. HERE WHERE THERE ISLOVE -Dionne Warwick(Scepter)

16. CARRYIN' ON -Lou Rawls(Capitol)

17. HOLD ON I'M COMIN'-Sam & Dave (Stax)

18. BUCKET -Jimmy Smith(Blue Note)

19. JR. WALKER AND THE ALLSTARS PLAY SHOTGUN(Soul)

20. SOLID GOLD SOUL -Various Artists. (Atlantic)


BEST SELLING COUNTRYALBUMS

1. YOU AIN'T WOMANENOUGH -Loretta Lynn(Decca)

2. SOMEBODY LIKE ME -Eddy Arnold (RCA Victor)

3. THE BEST OF SONNYJAMES (Capitol)

4. ALMOST PERSUADED -David Houston (Epic)

5. CARNEGIE HALL CONCERTWITH BUCK OWENS ANDHIS BUCKAROOS (Capitol)

6. TOUCH MY HEART -Ray Price (Columbia)

7. LAST WORD IN LONE-SOME -Eddy Arnold(RCA Victor)

8. SWINGING DOORS -Merle Haggard (Capitol)

9. LIVE COUNTRY MUSICCONCERT -Willie Nelson(RCA Victor)

10. ANOTHER BRIDGE TOBURN -Ray Price(Columbia)

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GENE SAKS

BEST SELLING ORIGINALCAST ALBUMS

1. MAME (Columbia)2. FIDDLER ON THE ROOF

(RCA Victor)3. CABARET (Columbia)4. MAN OF LA MANCHA

(Kapp)5. I DO! I DO! (RCA Victor)

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BEST SELLING FOLKALBUMS

1. PARSLEY, SAGE, ROSE-MARY AND THYME -Simon & Garfunkel(Columbia)


3. EAST -WEST -ButterfieldBlues Band (Elektra)

4. PROJECTIONS -BluesProject (Verve Folkways)

5. PETER, PAUL AND MARYALBUM (Warner Bros.)

6. PAUL BUTTERFIELDBLUES BAND (Elektra)

7. BLONDE ON BLONDE -Bob Dylan (Columbia)

8. SUNSHINE SUPERMAN -Donovan (Epic)

9. LONELY THINGS -GlennYarbrough (RCA Victor)

10. IN MY LIFE -Judy Collins(Elektra)

11. SEE REVERSE SIDE FORTITLE -Jim Kweskin & theJug Band (Vanguard)

12. FUGS (ESP Disk')13. TIME -Pozo -Seco Singers

(Columbia)14. SOUNDS OF SILENCE -

Simon & Garfunkel(Columbia)

15. CHAD MITCHELL ... HIM-SELF (Warner Bros.)

16. GLENN YARBROUGH ATTHE HUNGRY i(RCA Victor)

17. CALYPSO IN BRASS -Harry Belafonte(RCA Victor)

18. FAIRY TALE -Donovan(Hickory)

19. I CAN MAKE IT WITH YOU-Pozo-Seco Singers(Columbia)

20. REFLECTIONS IN ACRYSTAL WIND -Mimi &Richard Farina (Vanguard)

BEST SELLING JAZZALBUMS



3. WADE IN THE WATER -Ramsey Lewis Trio (Cadet)

4. CARRYIN' ON -Lou Rawls(Capitol)

5. BUCKET -Jimmy Smith(Blue Note)

6. TEQUILA -Wes Montgomery (Verve)

7. SWINGIN' NEW BIG BAND-Buddy Rich (World -Pacific)

8. SPELLBINDER -Gabor Szabo (Impulse)

9. THE IN CROWD -RamseyLewis Trio (Cadet)

10. RAY'S MOODS -Ray Charles (ABC)

BEST SELLING SPOKENWORD ALBUMS

1. GALLANT MEN -SenatorEverett McKinley Dirksen(Capitol)

Note: There are no remainingspoken word albums. The Con-troversy on Capitol received onemention. The Bible by ArtLinkletter on 20th Century -Foxalso received one mention.


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BEST SELLING CLASSICAL ALBUMS1. MY FAVORITE CHOPIN-Van Cliburn (RCA

Victor)2. TCHAIKOVSKY: CONCERTO NO. 1 -Van

Cliburn (RCA Victor)3. OPENING NIGHTS AT THE MET (3-12" LP's)

-Various Artists (RCA Victor)4. WAGNER: DIE WALKUERE (5-12" LP's) -

Nilsson, King & Various Artists, ViennaPhilharmonic (Solti) (London)

5. PUCCINI: LA BOHEME (2-12" LP's) -VariousArtists, RCA Victor Orch. (Beecham)(Seraphim)

6. LEONTYNE PRICE -PRIMA DONNA (RCAVictor)

7. ORFF: CARMINA BURANA-NewPhilharmonia Orch. (DeBurgos) (Angel)

8. VERDI: FALSTAFF (3-12" LP's)-Fischer-Dieskau & Various Artists/ViennaPhilharmonic (Bernstein) (Columbia)

9. ART OF SERGE KOUSSEVITZKY (3-12" LP's)-Boston Symphony Orch. (Koussevitzky)(RCA Victor)

10. HANDEL: MESSIAH (3-12" LP's) -RobertShaw Chorale and Orch. (RCA Victor)

11. MAHLER: SYMPHONY NO. 7 (2-12" LP's) -New York Philharmonic (Bernstein)(Columbia)

12. BEETHOVEN: SYMPHONY NO. 5/HOW AGREAT SYMPHONY WAS WRITTEN -N. Y.Philharmonic (Bernstein) (Columbia)

13. HANDEL: WATER MUSIC-ConcertgebouwOrch. (Van Beinum) (Philips World Series)

14. BACH: LUTE SUITES NO. 1 & 2 -JulianBream (RCA Victor)

15. IVES: MUSIC FOR CHORUS -Gregg Smith(Columbia)

16. PROKOFIEV: PETER & THE WOLF/TCHAIKOVSKY: NUTCRACKER SUITE -N. Y.Philharmonic (Bernstein) (Columbia)

17. ROSSINI: SEMIRAMIDE (3-12" LP's)-Sutherland/Horne/Various Artists, LondonSymphony (Boynyge) (London)

18. BEETHOVEN: COMPLETE NINE SYMPHONIES(8-12" LP's) -Berlin Philharmonic Orch.(Von Karajan) (DGG)

19. DONIZETTI: LUCREZIA BORGIA-MontserratCaballe/Various Artists (RCA Victor)

20. SIBELIUS: FINLANDIA -Philadelphia Orch.(Ormandy)/Mormon Tabernacle Choir(Columbia)

21. ARTUR RUBINSTEIN'S CHOPIN (RCA Victor)22. MAHLER: SYMPHONY NO. 8 -London

Symphony Orch. (Bernstein) (Columbia)23. BACH: MAGNIFICAT-N. Y. Philharmonic

(Bernstein) & Various Artists (Columbia)24. ORFF: CARMINA BURANA-Harsanyi, Petrak,

Presnell, Philadelphia Orch. (Ormandy)(Columbia)

25. CHOPIN WALTZES-Artur Rubinstein (RCAVictor)

26. IVES: SYMPHONY NO. 4 -AmericanSymphony Orch. (Stokowski) & VariousArtists (Columbia)

27. REVERIE -Philadelphia Orch. (Ormandy)(Columbia)

28. GROFE: GRAND CANYON SUITE -BostonPops (Fiedler) (RCA Victor)

29. HOROWITZ AT CARNEGIE HALL -ANHISTORIC RETURN (Columbia)

30. BEETHOVEN: MISSA SOLEMNIS IN D (2-12"LP's) -New Philharmonia Orch., (Klemperer)and Various Artists (Angel)

31. DEBUSSY: CLAIR de LUNE-PhiladelphiaOrch. (Ormandy) (Columbia)

32. TCHAIKOVSKY: OVERTURE 1812-Minneapolis Symphony Orch. (Dorati)(Mercury)

33. RIMSKY-KORSAKOV: SCHEHERAZADE-London Symphony Orch. (Stokowski) (London)

34. HANDEL: MESSIAH (2.12" LP's) -VariousArtists, Mormon Tabernacle Choir,Philadelphia Orch. (Ormandy) (Columbia)

35. RAVEL: BOLERO/RHAPSODIE/LA VALSE-New York Philharmonic (Bernstein)(Columbia)

36. BACH ORGAN FAVORITES, VOL. 2-E. PowerBiggs (Columbia)

37. MOZART: DON GIOVANNI (4-12" LP's)-Ghiaurov & Various Artists, PhilharmoniaOrch. (Klemperer) (Angel)

38. SMETANA: MA VLAST (2-12" LP's) -CzechPhilharmonic Orch. (Ancerl) (Crossroads)

39. BERNSTEIN CONDUCTS IVES -New YorkPhilharmonic (Bernstein) (Columbia)

40. BEETHOVEN: SYMPHONY NO. 9 (2-12" LP's)-Pittsburgh Symphony Orch. (Steinburg)(Command)

41. BEETHOVEN: COMPLETE NINE SYMPHONIES(7-12" LP's) -Philadelphia Orch. (Ormandy)(Columbia)

42. WAGNER: TRISTAN UND ISOLDE (5-12" LP's)-Nilsson/Windgassen/Ludwig/VariousArtists/Bayreuth Festspiele (Boehm) (DGG)

43. GERSHWIN: RHAPSODY IN BLUE -New YorkPhilharmonic (Bernstein) (Columbia)

44. TCHAIKOVSKY: NUTCRACKER SUITE-Philadelphia Orch. (Ormandy) (Columbia)

45. BEST OF THE BOSTON POPS -Boston Pops(Fiedler) (RCA Victor)

46. AN EVENING WITH THE BOSTON POPS-BOSTON POPS (Feidler) (RCA Victor)

47. MAHLER: SYMPHONY NO. 10 -PhiladelphiaOrch. (Ormandy) (Columbia)

48. BEETHOVEN: "EMPEROR" CONCERTO -VanCliburn (RCA Victor)

49. BIZET: CARMEN (3-12" LP's) -Maria Callas/Gedda & Various Artists (Angel)

50. HANDEL: MESSIAH (3-12" LP's) -VariousArtists/London Symphony (Davis) (Philips)


BILL COSBY

BEST SELLING COMEDYALBUMS

1. WONDERFULNESS-Bill Cosby (Warner Bros.)

2. WHY IS THERE AIR?-Bill Cosby (Warner Bros.)

3. BILL COSBY IS A VERYFUNNY FELLOW, RIGHT?(Warner Bros.)

4. I STARTED OUT AS ACHILD-Bill Cosby(Warner Bros.)

5. THAT WAS THE YEARTHAT WAS-Tom Lehrer(Reprise)

6. NEW FIRST FAMILY, 1968-Various Artists (Verve)

7. PANTY RAID-Doug Clark& the Hot Nuts (Gross)

8. RUSH WEEK-Doug Clark& the Hot Nuts (Gross)

9. CRACKED UP-Redd Foxx(Dooto)

10. OUR WEDDING ALBUM ORTHE GREAT SOCIETYAFFAIR-Kenny Solms &Gail Parent (Jamie)

BEST SELLING SOUND-TRACK ALBUMS

1. DR. ZHIVAGO (MGM)

2. SOUND OF MUSIC(RCA Victor)

3. WILD ANGELS (Tower)

4. A MAN AND A WOMAN(United Artists)

5. BORN FREE (MGM)

6. SPINOUT-Elvis Presley(RCA Victor)

7. SINGING NUN (MGM)

8. THE DAYS OF WILFREDOWENS (Warner Bros.)

9. ENDLESS SUMMER(World -Pacific)

10. MY FAIR LADY (Columbia)

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Artist Management: 5_Arthur H. Gorson, Inc.850 Seventh Avenue,New York, N.Y. 10019212 JU 6.5124

ELEKTRA RECORDS


Guitarist John Cohen, of the New Lost CityRamblers, chats informally with studentsduring workshop session of University ofChicago Folk Festival.

Where Have All The Folkies Gone?By KRISTIN WHITE

It used to be that every fraternityhad its well -scrubbed quartet who sangrousing folk songs at parties. On off -

campus coffeehouse stages, long-hairedgirls caressed guitars and warbled sadsongs. Folk music was big business oncampus, big enough for some col-legiate folkies to break into the topranks of the music business.

Though the bloom has long sinceleft the rose, what is loosely termed"folk music" is still a potent force oncollege campuses, and for the handfulof artists who came to dominate theirfield, business is better than ever.

In point of fact, however, there arefew artists today who describe them-selves as "folk singers," and talentmanagers go to great lengths to avoidusing the term. While it is true thatmost of the artists labeled "folk" inindustry parlance dealt at first withold ballads and traditional material,most have slipped from underneaththe label to go their own ways. Yet nosubstitute has been found.

Publicity releases and biographiestry words like "contemporary," "topi-cal," "cabaret," "art song," "experi-mental," and, of course, "folk rock,"but, unsurprisingly, none fits precisely."Folk" was first used to describe thematerial and the basic styles of suchartists as Bob Dylan, Joan Baez, JudyCollins, Ian & Sylvia, Simon & Gar-funkel and the others-but since thentheir repertoires have expanded, their

styles have evolved, and the artists havenew goals and new notions about theirtalents.

But while the term "folk" is tooconfining for the ferment and explora-tion of the artists, their numbers aredwindling. For one thing, new talentthat three or four years ago couldhave found an audience only in thecozy world of coffeehouses is nowwelcome in the larger pop music mar-ket, with its newly widened and sophis-ticated tastes. For another thing, muchof the folk audience itself has gravi-tated to the pop market, and the pure-ly folk market is smaller and pooreras a result.

For the top performers in the "folk"field, however, the demand is greaterthan ever. "All of our artists have asmuch work as they want- more thanthey want, usually," says Arthur Gor-son, manager of Phil Ochs, Tom Rush,Jim & Jean, and others. "And mostof it is on the campuses." The officeof Albert Grossman receives a con-stant stream of inquiries from col-legiate entrepreneurs asking when BobDylan, recovering from an accident,will be available for college concertdates. Judy Collins was able to sellout a solo concert at the Universityof Chicago on the eve of a three-day"folk festival" sponsored by anotherstudent group.

For the second -string artist, how-ever, the pinch is tightening, and forthe relative unknown, the outlook isbleak. With the demise of many coffee-

houses and small clubs, it is increas-ingly difficult to support oneself asa folk artist or to build a -reputation.The audience has shrunk to where itcan support very few novices. Asmore folk showcases switch to rockand roll or go out of business, youngperformers have fewer places to sharp-en their talents and practice workingwith audiences.

As a result, recordings are more im-portant than ever in promoting anartist and building him up as a concertattraction. A case in point is youngArlo Guthrie, son of elder folk -statesman Woody Guthrie, whoseslender record as a club artist andguest at folk festivals points to apromising career. "He hasn't been re-corded as yet," says Irene Zachs ofthe Harold Leventhal office. "Hisreputation so far is mostly word-of-mouth from people who have heardhim in person. When he's made anLP he will suddenly be in great de-mand at colleges."

Strictly speaking, folk music is pri-vate, informal and anonymous. Untilrecently it was a contradition in termsto refer to a folk music star or a folkmusic concert. True folk singers earntheir living from non-musical pursuits,have no formal training and none ofthe professional's finesse or poise. Atraditional artist like Almeda Riddleor Dillard Chandler sounds raw andamateurish to a non -folk -oriented lis-tener-which is precisely what makessuch artists authentic.


Music of this sort is not for everyear, but it has fierce adherents on al-most every campus, and most festivalsassociated with universities (such asthe University of Chicago festival men-tioned earlier, the Berkeley folk festi-val, and the Philadelphia folk festi-val) include a substantial number ofthese true folk musicians. Some, suchas Doc Watson, the blind singer -gui-tarist, are professionals, working al-most full time at their music andmuch in demand at colleges.

When young city musicians with nopersonal connection with the folk tra-dition became interested in it, it wasnatural to include these new perform-ers in the category of "folk singers."It seemed at the time irrelevant thatPete Seeger had been to Harvard orthat Harry Belafonte used highly the-atrical lighting and staging techniques-after all, they were both singingfolk songs so they both must be folksingers. Then poets and propagandistsfound the folk idiom more congenialto their ideas than the rigid 32 -barscheme of the standard popular song.

Following the examples of WoodyGuthrie and Leadbelly they wroteabout modern concerns, using thetunes, rhymes and "feel" of folk music.And while it was stretching the pointstill further, it seemed reasonable tocall "Blowin' in the Wind" and "Puff,the Magic Dragon" folk songs.

To the young musicians of the '50'sand early '60's, the folk boom offeredthe chance to be listened to and takenseriously by the college -age audiences,and while Dylan, Baez, Collins andthe others first concerned themselveswith social problems and political so-lutions, each, after working with musicfor a while, began to feel that theimportance of the music itself ap-proached the importance of the mes-sage it conveyed.

Often without realizing it con-sciously, perhaps, they made the subtletransition from enthusiastic amateurto serious professional musician. Dylanturned from the savage political satiresand achingly lovely lyrics of his acous-tic period to the greater freedom andcreative potential of an electric group,and began working with intricateimagery and surrealist narratives. Baez,blessed with an angelic voice that cangalvanize listeners in a bar, a baseballstadium, or a cathedral, enlarged herrepertoire to include Villa Lobos andLennon -McCartney. Judy Collins' un-failing musical taste and her straight -on -target instinct for the drama of alyric is now as at home with songs byKurt Weill and Jacques Brel as withthe austere ballads and stirring protestsongs of her early career. Phil Ochs,a masterful journalist -propagandist insong, has turned, with less success,

Bluesman Skip James (left) and Mike Seeger, of the New Lost City Ramblers(right), discuss development of rural vocal styles at workshop during University ofChicago Folk Festival. Small scale of campus festivals makes for relaxedatmosphere.

Sellout audience in University of Chicago's Mandel Hall braved the Blizzard of'67 to attend 3 -day campus folk festival, featuring relatively unknown traditionalperformers. Enthusiasm for these "real folk" artists is centered on college campuses.

to looser forms and less topicalthemes. Buffy Sainte -Marie, the Amer-ican Indian singer -songwriter, con-tinues to perform in benefits for herpeople, yet her repertoire includes fewsongs dealing directly with theirplight. Most are more suitable to thebistro than the teepee. While she foot-notes her Indian -protest numbers withher family phrase, "I hope you're of-fended," she says that her aim inplanning a concert is "to have anartistic little evening."

Meanwhile, younger artists who acouple of years ago might have es-sayed the coffeehouse route are in-stead organizing rock groups andstorming the bastions of pop music, asgroups like the Blues Project, theYoungbloods, the Jefferson Airplane,and the Mothers of Invention havedone. Thus new blood which mightotherwise replenish the lower ranks of

folk music is flowing in other direc-tions.

It would seem, then, that so far asthe college concert scene is concerned,the position of the top-flight folk -nurtured artist like those mentionedis likely to remain secure. College au-diences sympathize with their strivingsin new directions, and, to a sometimeslesser degree, to the New Left.Writing in Sing Out! Nat Hentoffunderstates, ". . . the term `folk'-ifit is to survive at all-will have to beradically enlarged." In a field under-nourished by any influx of new per-formers, and from which so many ofthe established performers are turningtoward individual creative goals, theuse of an overstrained word like"folk" is unnecessary. Be that as itmay, whatever you call it, big-time"folk" music is as big as ever on thecampus.


TU EY'neTIOCKIN'id 11leIVORY

ToWdRIt was a long climb that took more or less 10 years,

but the aloofness of the Ivory Tower was attacked, stormedand conquered during the past year by rock 'n' roll. Inprevious years, ever since Elvis Presley first swung a tewnips and started a musical trend that was to engulf theworld, rock 'n' roll artists were appreciated at fraternityand sorority dances, and maybe a few other occasions, butnever as an art form. That is, few concerts featured rock'n' roll artists.

But no longer. In the past several months, record talenthas been riding current hit records to "millions and millionsof dollars" in earnings at college concerts. Rock 'n' rollmusic is considered to now be the major form of entertain-ment on the nation's college campuses and the demandfor rock 'n' roll acts-for dances as well as for concerts-has increased in the past year anywhere from 25 per centto 400 per cent, depending upon which booking agencyyou ask.

But at any rate, Ed Rubin, of Ashley -Famous Agency,estimates that 80 per cent of the total concert markettoday is colleges. That shows why rock 'n' roll stars arelooking to the campuses with eagerness. The amount spenton any given record act may range from a few hundreddollars for a dance to several thousand dollars for aconcert. Wally Amos at the William Morris Agency saidthat a good act working only on weekends can earn asmuch as $500,000 a year.

Two or three years ago, according to Rubin of Ashley -Famous, college talent buyers wouldn't even have discussedthe possibility of signing up a rock 'n' roll artist for aconcert. These concerts were devoted to jazz, symphonyconcerts, ballet, folk music, or a pop -standard artist. Buttoday a major record act like the Four Seasons on PhilipsRecords will easily play 80 per cent of their performanceson college campuses. In one month alone, the group did14 college dates.

Also making the scene in a big way on campuses arer&b artists. Don Soviero, president of SAC, said that inthe past year or so there has been a much bigger demandfor r&b acts on campuses. "The interesting thing is that


this is true all over the nation ... not just one part of thecountry. Perhaps five years ago, the major interest inr&b acts was by Southern Negro colleges. Now there areno geographic barriers." He felt that one reason for thepopularity of r&b acts on campus today could be traceddirectly to the pop record charts-showing the sales ofrecords-and the heavy airplay given r&b records on popradio stations.

"This academic year will surpass last school year inthe number of college performances by our artists,"Soviero said. He estimated that on a weekend, SAC's50 -plus artists would perform on at least 75 differentcampuses.

One of the booking agents who feels, as many do,that rock 'n' roll is the No. 1 entertainment today is FrankBarsalona, president of Premier Talent. Between 25 and40 per cent of the acts booked by Premier Talent areworking each week at one college or another, rangingfrom major concerts to fraternity dances. "We have someacts that are too highly priced for the college market, likeHerman's Hermits, but other acts do pretty well, earningfrom $1,000 to $1,500 a night and often playing threedances a week." He saw nothing unusual in the growingdemand for rock 'n' roll acts on campuses, claiming thatthe college student of today began supporting rock 'n'roll music years ago.

"The Righteous Brothers are in big demand on cam-puses," said Elliot Kelman, of Perenchio Artists, and theduo does 65.75 per cent of their work on campuses. Hefelt the demand for hot record acts was up about 25 percent in the past year alone.

One reason why rock 'n' roll is more appreciatedtoday on campuses than in years past, according to EdRubin, is that faculty members are getting student pressureand becoming more aware of the names of today's popularrecord acts." Another reason advanced by one agent isthat the rock 'n' roll fan of a few years ago, say, whenPresley launched his career, is the college faculty memberof today.

At any rate, rock 'n' roll has established not only abeachhead, but taken over.


rrtl r7r.7 rvi741

JAZZMENBy ELIOT TIEGEL

The collegiate circuit, offering op-portunities for musicians to play instudent unions, small on - campuslounges and giant open air footballfields, very often is the transfusionkeeping the professional jazzman alive.

As the night club field has dimin-ished, jazz players have lost theirfrontline to the public. Today thewords "college date" are a welcomesound to those jazz players with publicrecognition.

"I don't know of any jazz musicianwho would turn down a college con-cert if he had a group capable of play-ing it," states Dave Brubeck, the pi-anist credited with pioneering thecampus as a concert arena for jazz in1946. "Many guys have thanked mefor opening this market up," Brubecksaid one afternoon in his Wilton,Conn., home during a layover be-tween concerts. "They said at firstthey didn't know what we were doing,but they now realize college bookingsare what's keeping their groups going."

If_ anyone is qualified to speak onthe place of the professional jazz too-tler among the storied ivy thatched

universities in the U. S., University ofthe Pacific graduate Brubeck certainlyqualifies.

Brubeck has watched the campusbecome a key source of an enter-tainer's income. Campuses are becom-ing vital centers for cultural activities,the leader of his own award -winningquartet emphasizes. There seems tobe a shift away from metropolitanareas and out to college campuses forcultural events. In Brubeck's opinion,Broadway plays are no longer "moti-vated by any new force" but ratherby "box office insurance."

Cultural innovators or experimen-tors are being forced to seek newstages for their works. Enter the iso-lated campuses which seem eager toparticipate in programs whereby thearts are presented unsullied to thepublic.

"Oberlin College and other liberalarts schools are important places forplaywrites, ballet, electronic music andjazz." Brubeck feels campus com-munities are more prepared for anycultural explosion-and expansion-than any other group of people.

"The first time I became aware ofthis," Brubeck said, "was ten years

NGago when we were touring at thesame time with four actors perform-ing Shaw's play 'Quartet.' They wereplaying the Midwest and one of theircomments was: 'those Midwest audi-ences are sharper than in New York.' "

Brubeck feels the hard-earned posi-tion for jazz musicians on the campusis not being threatened by the ava-lanche of rock 'n' roll groups whichare gaining favor with youthful talentbookers. Brubeck has a story with asurprise ending which indicates tohim his own value. "There was a groupof rock 'n' roll players which losttheir lead guitarist last year. He wasdrafted. We were called to play thedate. Ticket sales almost tripled (forthe upstate New York school) whenwe were called in. I couldn't believeit because this was a very populargroup."

Demands for jazz players this sea-son will continue to grow, Brubeckbelieves. Because of his own successfulniche in the top ten of jazzdom,Brubeck can "work almost everynight of the year." However, a morerealistic 100 concert schedule in anyyear propels the Brubeck quartetaround the world. Half of these con -


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An easygoing speaker, Brubeckclaims the big bands "right now arepractically being kept alive on cam-puses. Everyone was afraid big bandswere dying, but look at North TexasState College which fields six full-size bands. The idea there is not toget on the football team but to makethe first string dance band." Thesestudent bands are very often called"stage bands" and are functioninglaboratories for the more serious musicstudents. In addition to this inter-collegiate participation, such bandsas Count Basie's, Duke Ellington's, theElgarts and Glenn Miller are activewith college bookings.

The avant-garde musicians, shornof mass appeal by the minority con-cept of their music with its atonal,hyper - rhythmic patterns and free -swinging forms, are gaining the inter-collegiate's ears. "I think it's great,"Brubeck commented. At one time hismusic was considered avant-garde. Re-ferring to the reported acceptance bystudents for the ultra -modern musi-cians, Brubeck offered a seriousthought: "We discovered 20 years ago

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DATESthat colleges were as good an audi-ence as any other. There are so manyfallacies about audiences. There isno perfect audience for anything!"

Recalling his own hectic past, thepianist noted that when he first startedon the collegiate trail, he used to do250 one-nighters. "At one time earlyin our college career we played 90straight one-nighters. We took themfor any price they would pay us justto open it all up. We drove to mostof the dates. Of course, now we can

Wherever Brubeck plays, Baldwinpiano provides a nine -foot grand ifit's possible. Schools with theaters aremuch preferred over gyms. "But ifthat's all they got, then we play there.Bad acoustics-that's the only thingI've got against gyms." He adds: "Theacoustics are bad all right, but it'smuch better than the ballparks weplay in during the summer. Theysound miserable!"

If he were just starting out as aprofessional jazz musician, would hethink immediately of securing collegedates? "Definitely. I think you haveto be very immature to want to spendyour life in nightclubs. This limits

the scope of your creative life and Ithink this is rather depressing." Whenhe does take a club date, it's at a lo-cation "where the musicians are con-sidered."

The college circuit has long been acoveted hall to vibist Cal Tjader whereaudiences heartwarmingly welcome theartists. A member of Brubeck's 1964octet (as a drummer), Tjader has beenworking colleges for 12 years as aleader of his own group following hisdeparture from George Shearing's em-ploy.

"Enthusiasm for jazz is as strong asever," the bespectacled proponent ofLatin jazz offered. "Maybe evenmore so." Tjader estimates he'll playaround 50 college dates this year,more than double his involvement oflast year. The majority of Tjader'sbookings have been in the West andMidwest, but he has his sights peeringover the Rockies. "Except for kidsin New York, most college studentsdon't know anything about good Latindancing," Tjader remarked betweensips of coffee in his Millbrae, Calif.,home. Tjader bears the distinc-tion of being a proponent of a brand

(continued)

April 8, 1967 Billboard Musk on Campus 29

Continued from page 29of Latin jazz which for the past sever-al years has been in a state of decline,but this year has shown signs of en-thusiastic revitalization.

Tjader thinks the best situation forhis group with its vibes -piano -bass -drums -Cuban percussion lineup, is towork on a package offering someother form of music. These packagesdon't develop regularly, the vibist saiddejectedly. Two years ago he traveledwith a Ford Caravan which had jazz -pop folk representatives.

Along with Brubeck and Tjader,the Modern Jazz Quartet reigns amongthe first jazz groups offering an in-tellectual approach to college con-certizing. John Lewis, the MJQ's softspoken musical director, feels that thecollege market has changed duringthe ten years he has been playing foryoung people. "The students are moreaware of what we're doing than theirpredecessors." Avant-garde music hasits place among undergrads, Lewisfeels, adding that this controversialbrand of jazz "is moving much fasterthan any other style in the history ofjazz." The reason is "better communi-cations means" like phonograph rec-ords, phonographs and radios whichare priced within most people's reach.

While the MJQ places no limita -

Cal Tjader performing on campus.

tions on its college activities, it hasnonetheless shied away from Southernbookings. "Now many things havechanged," Lewis said. The quartet hasplayed several Southern schools andLewis, recalled one specific instanceat Sewanee College in Tennessee. "Inorder for us to play the concert theyintegrated the audience themselves.The school isn't near any town, sothey had to bring people in from FiskUniversity in Nashville. There wereno Negroes," Lewis said, "so theywent and got some."

A series of jazz festivals have beenspringing up in the South, breakingracial barriers for the first time andallowing musicians previously skepti-cal about venturing over the Mason-Dixon line to stride ahead.

The West remains a strong bastionfor festivals and tours. Jimmy Lyons,a former San Francisco disk jockey,this past fall took out a package billedas the "Monterey Jazz Festival AllStars" to some 30 schools over fiveweeks. The package featured the JohnHandy Quartet, Bole Sete Trio andpianist Jean Hoffman.

Lyons is now working on the firstannual Los Angeles Jazz Festival atUCLA. This enterprising event willtake place in the new 12,000 -seatPauley Pavilion May 12-13-14. The

theme is "The Tradition of the New"with Gary McFarland hired as festivaldirector and several headliners receiv-ing overtures anent the dates. Lyonsis working with a $45,000 budget,similar to that allotted for the Mon-terey Festival.

Following his hectic tour as moder-ator with the Monterey All Stars tojunior and senior colleges, Lyons isconvinced that educators need a littleshow business savvy in the promo-tional area. Lyons' concept for a tourwould be to spend half a day at eachschool on the schedule one monthahead and "just sit down with thesponsoring bodies and show them thelittle tricks. It would prove they couldmake more money than they thoughtwas possible."

In many parts of the countryschools haven't booked jazz for anumber of years. Here is the untappedmarket, Lyons says. Apparently thefollowing additional musicians whoare already on the undergrad trail orare about to embark, see the impor-tance of the post high school audience:Joe Williams, Ramsey Lewis, Al Hirt,Ella Fitzgerald, Stan Getz, Pete Foun-tain, Brasil '66, Buddy Rich, JohnColtrane, Jaki Byard, Zoot Sims, AlCohn, Walt Dickerson, Armand Hug,Andrew Hill et al.


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The Seeburg Stereo Music Centreis a great entertainer or the studentunion. It plays and stjres up to fifty

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MAJOR CUSTOMERFOR CLASSICAL ACTS

By FRED KIRBY

The campus has become the majorcustomer for classical acts, with vir-tually every touring classical attractionplaying college dates. Concert seriesare the rule at almost every collegeand the number of colleges is increas-ing steadily. The only artists not in-cluding colleges in their tours arethose committed to only orchestral oroperatic performances. These perform-ers, however, usually include campusdates in subsequent tours.

Some of the artists regularly ap-pearing before student bodies on anextensive basis are Julian Bream,Maureen Forrester, Richard Tucker,John Williams, the Romeros, WilliamWarfield, Robert Merrill, Cesare Siepi,Frank Guerrera, Mildred Miller, LoisMarshall, and Whittemore and Lowe.Even full symphony orchestras andlarge package shows participate inthe series.

An example is the annual series atNorth Carolina State University inRaleigh, which next season will openwith the Vienna Philharmonic. Theseven -program series also will havethe Grand Ballet Canadian, the Regi-mental Band of the Welsh Guard andthe Pipes and Drums of the ScotchGuard, Claudio Arrau, the French Na-tional Dance Co., Birgit Nilsson andSandor Konya, and the StockholmPhilharmonic.

Among the most popular attractionsin earlier series were Leonard Bern-stein and the New York Philharmonic,Tucker and Merrill, Arthur Fiedlerand the Boston Pops, Isaac Stern withthe Japan Philharmonic, Artur Rubin-stein, Van Cliburn, the LeningradPhilharmonic with David Oistrakh.and the Hague Philharmonic.

All concert programs in the 12,500 -

seat Coliseum at the university arefor two or more nights. Payment ofcollege fees entitles students to twofree admissions for each concert. Inaddition, 19,000 memberships are soldto the community at $7 each. Facultyand other university staff membersparticipate in this fashion. The seriesis supervised by Friends of the College.which includes faculty, students andtownspeople on its board of directors.Henry Bowers, director of the StudentUnion, also is administrative direc-tor of the series.

In addition, the Student Union spon-

Violinist Isaac Stern explainedwhy leading artists enjoy play-ing before college students:"They're a marvelous audiencebecause they're absolutely re-ceptive. They listen with theirpores open. One feels instantcommunication. More than that-when one plays a contempo-rary piece, one immediately hascontact in the same languagewhich the young people findeasy to understand."

sors a chamber music series. Also,the university has a musician in resi-dence, who plays frequently for thestudents. Among other large collegeswith regular major classical series arethe University of California, IndianaUniversity, Purdue University, BostonUniversity and the University of Mich-igan.

A long list of top pianists regularlyplay colleges, including Arrau, Cliburn,Rubinstein, Robert Casadesus, GinaBachauer, Alicia de Larrocha, JeorgDemus, Philippe Entremont, RudolfFirkusny, Emil Gilels, Glenn Gould,Lorin Hollander, Eugene Istomin,Gary Graffman, Peter Frankl, GrantJohannesen, Byron Janis, Lili Kraus,Eugene List, Arturo Benedetti Michel-angeli, Leonard Pennario, RudolfSerkin, Andre Watts, Yakov Zak,Leon Fleisher and Guimar Novaes.

Among the star vocalists playing

colleges are Nilsson, Joan Sutherland,Elisabeth Schwarzkopf, Evelyn Lear,Leontyne Price, Dorothy Kirsten,Eileen Farrell, Pilar Lorengar, AnnaMoffo, Marilyn Horne, Regine Cres-pin, Victoria de los Angeles, Montser-rat Caballe, Mattiwilda Dobbs, LiciaAlbanese, Frances Bible, Teresa Ber-ganza, Christa Ludwig, Shirley Verrett,Forrester, Jan Peerce, Nicolai Gedda,Tucker, Walter Cassel, George Lon-don, Guerrera, Hermann Prey, JeromeHines, Nicolai Ghiaurov, Siepi,Kenneth Smith, Justino Diaz, Theo-dore Uppman, Tom Krause, GerardSouzay, Merrill, Leopold Simoneau,Konya, Tucker, Irene Dalis and GalinaVishnevskaya.

The list of major orchestras includesthe Baltimore Symphony, Boston Sym-phony, Detroit Symphony, HoustonSymphony, Concertgebouw of Amster-dam, Washington National Symphony,Philadelphia Orchestra, New YorkPhilharmonic, Mineapolis Symphony,and Toronto Symphony.

Other leading instrumentalists areviolinsist Zino Francescatti, SzymonGoldberg, Yehudi Menuhin, MichaelRabin, Isaac Stern and HenrykSzeryng; cellists Leonard Rose, Jac-queline Du Pre, Pierre Fournier,Mstislav Rostropovich, and JanosStarker; flutist Jean-Pierre Rampal.harpist Nicanor Zabaleta, harpsichord-ist Rafael Puyana, organists VirgilFox, Maurice Durufle; and guitaristsRe de la Torere, Bream, Williams, andNarciso Yepes.

The college scene has become soimportant to major bookers of classi-cal acts like Hurok Attractions andColumbia Artists Management thatdates are arranged for all availableartists. Tchaikovsky Award winnerslike Jane Marsh, Veronica Tyler andSimon Estes are among the youngartists who will be active on thecampus scene. Student audiences nowdetermine the success of classical tours.


SIMON and GARFUNKEL

EXCLUSIVELY: COLUMBIA RECORDS CONCERTS: GAC

State Teachers College, Auburn, N. Y.

University of Massachusetts

Pennsylvania State University

Hamilton College

Rutgers University

Florida University

State University, Cortland, N. Y.

Marquette University

Ithaca College

Boston State Teachers

Memphis State

Arkansas State

University of Virginia

Worcester Tech.

State University, Stony Brook, N. Y.

American University

Columbia University

University of Massachusetts

Akron University

Washington and Jefferson College

University of West Virginia

Vanderbilt University

Southern Georgia University

State College, Brockport, N. Y.

April 8, 1967 Billboard Music on Campus

University of California

University of FairfieldUniversity of N. Ontario

University of Maine

Texas Tech.

Southern Methodist University

Providence College

R.P.I., Troy, N. Y.

Carnegie Tech.

Bowdoin College

Johns Hopkins

Rider College

Fairleigh Dickenson University

Hiram College

Suffolk College, N. Y.

Adelphi College

University of Manitoba

University of North Dakota

Mundelein College

E. Illinois University

Grove City College

Alfred University

St. Joseph's, Emmitsburg, Md.

St. Anselm

University of Pittsburgh

University of Connecticut

PERSONAL MANAGEMENT: MORT LEWIS

Allegheny College

Fordham University

Oberlin College, Ohio

Brandeis University

Johnson State

Harper College

University of DetroitState Teachers College, New Paltz, N. Y.

Virginia Polytech Inst.St. John's University, New Brunswick, Can.

University of New Brunswick

Acadia University, Wolfville

Carleton University, Ottawa

Sir George, Williams College, Montreal

Coe College, Cedar Rapids, Iowa

Loras College, Dubuque, Iowa

Villanova University

Lehigh University

Valparaiso University

University of Dayton, Ohio

Tufts, Boston

Brooklyn College

M.I.T., Boston, Mass.

John Carroll University

State University, Plattsburgh, N. Y.

Princeton University

33

Training Ground for

Band Musicians

By ELIOT TIEGEL

Are colleges becoming the traininggrounds for professional musicians? Alook at the growing number of insti-tutions supporting stage bands indi-cates undergrads are being producedwith a high degree of polish whichappeals to commercial band leaders.

Many touring road bands "no longercall Los Angeles, New York or Chi-cago when they need a man for aweek. They call North Texas StateCollege and several other schools,"says Charles Suber, supplier of musi-cal educational materials to colleges,"because they know that's where thecompetent players are." Suber hasbeen a prime participant -observer tothe growth of the stage band move-ment in the U. S. since it first beganappearing about 1952.

The crowning glory for a collegiateconcert band was achieved by theNorth Texas State University's OneO'Clock Lab Band when it began aState Department -sponsored tour ofMexico last January. The idea forthe good -will tour was prompted bythe band's outstanding performanceat a State Department function inWashington. This school has beenthe leading developer for stage bandprograms.

Today, some 300 higher educationalinstitutions sport stage bands, a eu-phemism for dance bands. The stageband is a concert organization em-phasizing jazz, Suber explains. Fiveyears ago there were only 10 collegesoffering credit for jazz study.

"The definition of stage band hascaught up with the actual meaning.Originally the movement started inthe Southwest where schools wouldn'tuse the word dance or jazz in thedesignation. Today we are talkingabout 18 -piece concert bands in thestyles of Count Basie, Woody Herman,Duke Ellington and Stan Kenton."

While Suber does not claim that allstage band participants automaticallyvenerate a life as a professional mu-sician, he has seen enough to statethat the majority of young playersnow working in road bands have hadexperience in stage bands.

Gary Burton, the brilliant youngvibist on RCA, came straight from thestage band movement. Burton evolved

out of high school and into a StageBand Clinic at Indiana University.From there he won a scholarship toBerkeley and was signed by Victorduring his two years at the NorthernCalifornia school.

The growth of the concert bandson the collegiate level may be tracedto the surprisingly strong grass -rootsappeal for jazz bands at high schoolsaround the country. Suber says thereare some 10,000 high school stagebands. High school administratorswant young teachers for their stagebands, which in effect has created apressure on the colleges to developerudite music teachers.

The development of the collegiatebands has lured such professional mu-sicians as Clare Fischer, Stan Kenton,Dave and Buddy Baker and JerryCoker back to the campus as teachers.Gene Hall, who led the stage bandmovement at North Texas State out-side Dallas for some 12 years, is aleading figure in the involvement ofyoung people with contemporary se-rious composition. Hall is now head ofthe music department at the College ofthe Desert in Palm Desert, Calif.

Indiana University, which Subersays has the largest music school inthe nation with 1,100 students, and theentire junior college structure in Cal-ifornia, are doing outstanding jobs indeveloping concert - conscious mu-sicians.

Suber's firm, headquartering in Lib-ertyville, Ohio, sells sheet music andpublished works to schools of alllevels. For the past two years at col-legiate festivals, 50 per cent of allmusic offered by participants has beenof an original nature, he reports.

Does this mean the newer musicstudents have tired of the old stand-ards? Not at all, Suber replies. Rather,it indicates a fresh search for one'sown creativity. "The guys in collegeare more aware of strangers now thanthey've ever been. They know QuincyJones, Oliver Nelson, Neal Hefti andManny Albam. When the modernstudent musician plays a publishedchart, Suber contends, he plays worksby men of this gender.

Music publishers are developingtheir own ties to the collegiate musicscene. Several of the old-line firmshave always had strong educationaldepartments, but Suber sees more par-ticipation these days than in the past.Broadcast Music, Inc. (BMI), the li-censing society, has been very help-ful in the stage band movement, Subersays, through scholarships and otherparticipation. As for the other licens-ing society, the American Society ofComposers, Authors and Publishers,Suber says they fall below BMI's in-volvement. "This hurts," the musicsupplier contends, "because therewould be a lot more standards playedor rearranged if they were available.


Artists Cum Laude!Ed Ames.

The AngelsPaul Anka

Eddy ArnoldThe Astronauts

Chet AtkinsSusan Barrett

Len BarryHarry Belafonte

Brook BentonGary Burton

Lana CantrellGeorge CarlinMyron Cohen

Perry ComoBarbara Cooper

Floyd CramerVic Damone

Wild Bill DavisJimmy Dean

Milton DeLuggDerek and RayJose FelicianoEddie Fisher

Sergio FranchiGale Garnett

John GaryMarty Gold

Lome GreeneRoy Hamilton

Neal HeftiAl Hirt

Homer & JethroPaul Horn

Los Indios TabajarasJefferson Airplane

Liverpool FiveHenry ManciniGary MarshalMarilyn MayeRod McKuen

Lou MonteHugo Montenegro

Peter NeroClaus Ogerman

Nick PalmerAndré Previn

Frankie RandallBarry Sadler

The SidekicksNina Simone

Connie SmithKate Smith

Pee Wee SpiteleraGlenn YarbroughThe Youngbloods

RCAVICTORThe most trusted name in soundel)


Typical Merco/Collegiate college bookstore record department.

Jack Grossman, president and chair-man of Merco Enterprises and itswho'ly owned subsidiary, Merco/Col-legiate Record Corp., heralded the col-lege book store as "the greatest growtharea for record rack merchandisers inthe entire record retailing industry to-day." Grossman cited as support forhis contention the substantial increasein the size and volume of college storesduring the past few years.

"In many areas," Grossman said,"the bookstore has become a multi-level operation with air-conditioning,escalators and as many as 100 em-ployees. This is a result of several fac-tors. College campuses have beenphysically extended to the point wherethe student is remote from the townstores. In addition, students have tospend more and more time in studyand have less opportunity to visit shop-ping centers. Colleges have to providemore of the students' needs in thereadily accessible college store.

"Today more college stores havebecome self-service `junior' departmentstores, centrally located in the studentunion building. College store profitsoften amortize the bond issue for thestudent union building. College stores

sell more books at retail than all othershops together-about $250,000,000worth in 1965, an increase of 83 percent in five years. College enrollmentduring the same period jumped 56 percent.

"An ever-increasing proportion ofthe college stores' total sales is in 'qual-ity merchandise' and more and moremanagers are discovering that it's thehigh -volume, big -traffic items, such asrecordings, that can make the differ-ence in their business. We estimatethat there are approximately 500 col-lege bookstores which carry recordingsout of a potential of at least 1,000.These facts alone should indicate thebooming business that can and willbe done in this specialized market overthe next few years."

Grossman is in a unique positionto make such an evaluation. Merco/Collegiate Record Corp., which wasknown as Collegiate Records prior toits acquisition by Merco in Octoberof 1966, combined with Merco's ownBookstore Record Service Corp., nowoperates in 36 States servicing 260 ofthe 500 bookstores that sell records oncampus. Among the campuses servedby Merco/Collegiate are Baylor, Col-

gate, Dartmouth, Columbia, Loyola,N. Y. U., West Virginia, Syracuse,Bucknell, City College of N. Y., Brook-lyn College, U. of Colorado, IdahoState, Texas A & M, Haverford,L. S. U., Northwestern, Tufts, U. ofHouston, Brandeis, Bryn Mawr, SetonHall, Emerson, Cornell, Tulane, WakeForest, U. of S. Carolina, U. of Cin-cinnati, U. of Chicago, U. of Virginia,U. of Kentucky, Yeshiva, U. of Penn-sylvania, Johns Hopkins and the U. ofAlaska.

The activities of Merco/Collegiateare directed internally by Mrs. BeaPost and in the field by Arthur M.Miller, who was formerly with Col-legiate Records. Both of these exec-utives report to Sol Gleit, Merco'svice-president. Gleit is responsible toJack Grossman.

The advent of record departmentsin college bookstores is of surprisinglyrecent vintage, a development of thelast few years. There are still manystores in which the problem of space,combined with an adverse attitude onthe part of university authorities,makes it impossible for store man-agers to carry records. This situation,however, is changing rapidly.


COLLEGE BOOK STORE

GoldenOpportunityforRack Jobbers

Sol Gleit stressed that while ap-proximately 50 per cent of the record-ings sold in college bookstores are thesame as those sold anywhere, the re-maining half are different from theproduct to be found in the non -scholastic retail record outlets. He in-dicated that the Merco/Collegiate in-ventory is deeper in classical, jazz,spoken word, folk, educational andlanguage LP's than would ordinarilybe found in collections of similar sizeoff campus. In the pop field, he citedsuch groups as the Blues Project, theRolling Stones, the Supremes, theMonkees, Herb Alpert, Beach Boys,Bob Dylan, Simon & Garfunkel andJimmy Smith as particularly strong incollege stores.

Among the biggest sellers thatMerco -Collegiate carries are the Tiju-ana Brass, Bill Cosby and motion pic-ture soundtracks. Broadway shows,Gleit said, rarely become majoritems unless the score itself is out-standing or there is a tour of the na-tional company. The fastest buildingproduct group is in the budget -pricedclassical area.

In the popular field, Merco/Collegi-ate fieldmen report that the students

want current recordings by their favo-rites and are willing to pay regularprice for them. Accessories are gener-ally difficult to display due to thespace problem but Gleit revealed thatbrushes and cloths, as well as needlesand carrying cases more than pay forthemselves when Merco/Collegiate canstock them in the department.

All Merco/Collegiate accounts areserviced by fieldmen either weekly oran alternate weeks. Miller called thisthe key factor in the college field. "Thisis an area," he said, "where tasteschange very rapidly and the bookstoremanager requires constant protectionfrom òbsolescence.' He must have therecords that his student customerswant, as soon as they want them. Ifhe can't get this kind of service, anda student goes elsewhere for his re-cordings, a buying pattern is brokenand a long-term customer lost."

Queried about stereo tape cartridges,Mrs. Post indicated that while the po-tential is probably greater at the col-lege level than it in the general popu-lation, the need for more player units,confusion on standards and high costhave so far prevented the tape business

from becoming an important factor oncampus.

Again and again, Gleit's conversa-tion returns to the theme of "service."Stressing how small the actual amountof space is in many of these depart-ments, Gleit said that it is impossiblefor most of the stores to have a full-time record man. As a result, theMerco/Collegiate fieldmen must dothe inventory, supply ad mats and pro-motions and see to it that all stockis current. To be able to spend theamount of time that each servicemandevotes to a bookstore, Merco/Col-legiate employs a unique labeling sys-tem-each category has its own col-ored price label. The dividers in thedisplay bins are banded in a matchingshade. In this manner, even after al-bums have been moved around bybrowsers, they can be sorted into theproper categories quickly and the stockreplenished where necessary.

An overlooked record buyer oncampus, according to Grossman, is thefaculty member. "In addition to beingcollectors and in many instances un-usually heavy record buyers, today'scollege professor is a far cry from the

(continued)


Continued from page 37

threadbare, stereotype of the 30's and40's. They are well paid and morethan willing to dig deep for the jazzand classical albums that they want.In many cases, they represent the vol-ume that makes the difference betweena profitable college department and amarginal operation.

"For a great many small, esotericlabels and occasionally a larger manu-facturer who has a heavy catalog ofjazz or folk or classical albums thatare slow movers, these college storesrepresent a much needed outlet. Insome instances, where the college isisolated and the student would be un-able to buy records if we had not suc-ceeded in getting them into his book-store, these college sales are new vol-ume that would have otherwise beenlost to the record industry."

Although Mrs. Post indicated thatthere are regional differences in whatrecords are sold by Merco/Collegiate,she revealed that by and large, coun-try music does not sell well on cam-pus, even in the South and Southwest.What is surprising, according to Mrs.Post, is the kind of esoteric type ofrecordings that college students seemto prefer. Mrs. Post stated that itwould be interesting to see if thispreference continues after the studentleaves the university or if it's simplya phenomenon of his student days.

A stimulus to record sales is the

increasing frequency of campus toursby major artists. Gleit revealed thatthe Merco/Collegiate fieldmen makeit a point to subscribe to the collegenewspaper in every school that theyservice. They also check with localpromoters to tie in advertising and dis-play material whenever a recordingartist is going to concertize at theschool. Gleit stated that the fieldmenhave found the college newspapersto be an excellent medium for thispurpose.

Approximately 2,700 titles represent95 per cent of the total volume of allthe records sold on campus by Merco/Collegiate. Every week about 25 al-bums are added to this list, replacingthe same number that are dropped.Every three months the entire catalogwill be reappraised and revised. Atthe time of its acquisition by Merco,Collegiate Records, as it was knownthen, had a gross volume of approxi-mately $1,800,000. Grossman dis-closed that he feels that this figurewill be substantially raised during thenext 12 months.

In most cases, prices paid for re-cordings at college bookstores servicedby Merco/Collegiate are comparablewith those available in many other dis-count locations: $2.79 for $3.79 and$3.69 for a $4.79 album. Of course,special promotional programs giveadded impetus to sales. In these pro-grams, Merco/Collegiate provides thecollege bookstore with specially pricedmerchandise, ad mats and/or repro

Jack Grossman, president and chairman of Merco.

Collegians scan the racks.

proofs, co-operative advertising on 50per cent participation basis. Ordinarily,all product is on a 100 per cent ex-change privilege. Merco/Collegiatemakes available on a "loan" basis-Formica fixtures, signs, classifiers andall other physical needs for the collegebookstore record department. EachLP is individually poly. wrapped,shrunk skintight, prepriced and cate-gory color coded to match the dividersin display fixtures and bins.

In addition to taking the physicalinventory and arranging for special

Sol Gleit, at desk, with Pat Berger, supervisor,and Irving Freedman, Gleit's assistant.


motions, the Merco/Collegiate field -man removes any defaced, soiled ortorn albums and discontinued or slow -moving merchandise to preclude ac-cumulating dead stock. He gives thestore manager a receipt for the pulledmerchandise or authorizes return ship-ment of the stock for which Merco/Collegiate issues credit. In this man-ner a constant, up-to-date label in-ventory is maintained with the fluc-tuations limited to the amount of re-cordings sold between service calls.

Self-service "special order" formsand current Schwann catalogs withspecial order instructions imprinted onthem are provided the bookstoremanager. These special orders are nor-mally filled in less than a month. Tothe bookstore manager, the problemof lack of personnel is solved.

By bringing to the college bookstorerecord market its financial strengthand sales acumen, Merco should ef-fectively improve and extend sales of.records on college campuses throughout the United States.

Merco Enterprises also providesmerchandising services and sells pho-nograph records to approximately 101retail record departments and 61"junior" sized departments in 24States. In addition, the company nowhas 34 leased departments.

Mrs. Beatrice Director, manager ofthe Brooklyn College Book Store, isin many ways typical of the campusstore managers now dealing with re-cordings. Although the Brooklyn Col-lege Book Store has handled records

for 10 or 15 years on an occasional,promotional basis, records became a"serious" item two years ago whenMerco's Book Store Record ServiceCorp., now Merco/Collegiate, startedto service them.

According to Mrs. Director, "Ourproblem was and is lack of space, butwe were under so much pressure fromstudents and faculty to carry recordsthat we were delighted when Merco'sefficient merchandising program madeit feasible for us to put in a permanentrecord department. Today we considerour records an adjunct to the goodoutside reading that we offer.

"Also, the music department hassuggested listening guides which theyissue and we stock for the students.But to a great extent, while our salesare certainly heavier in spoken word,folk, classical and jazz than the ordi-nary location, we carry virtually every-thing in recorded entertainment, in-cluding children's records which thefaculty buy on a year-round basis andstudents purchase before Christmas.We run a great many special salesjust before vacations."

Queried as to specific favoritesamong the 25,000 students on theBrooklyn campus, Mrs. Directornamed Bob Dylan, Lovin' Spoonful,Frank Sinatra, Judy Collins, Sonny &Cher, Supremes, Mamas & the Papas,Simon & Garfunkel, Johnny Mathis,Joan Baez, Tijuana Brass, Donovan,Beatles, Pete Seeger, Seekers, HerbieMann, Jimmy ,Smith, Andy Williamsand Barbra Streisand.

Left to right, Irving Freedman, Sol Gleit, Morti-mer Kline, Merco vice-president, and MarvinRossman, Merco vice-president, secretary anddirector.

The Verdi operas, motion picturesoundtracks, original cast albums andcomedy LP's, according to Mrs. Di-rector, also do proportionately betterin her location than they would in theaverage record retail market. As tospecific labels which are outstandingfor her, Mrs. Director cited Nonesuch,Spoken Arts and Caedmon. As in thecase in many campus locations, Brook-lyn College doesn't sell singles.

The Brooklyn College Book Storeemploys up to eight cashiers at onetime during its peak seasons and anaverage of five cashiers when businessis "normal." The entire operation isconfined to an area of 6,000 squarefeet and the amount of space allocatedto recordings varies with the storeneeds at any given moment. Whileevery location will have individualvariations, Mrs. Director's well -runcampus bookstore affords a valuableinsight into what this type of retaillocation has to offer to the recordbusiness.

Merco's net sales for the year end-ed Dec. 31, 1965, were $8,143,131and net income reached $385,543or $1.02 per share. In 1966 MercoEnterprises attained new highs in bothsales and earnings. Sales (not yet of-ficially audited) were estimated at over$10 million and earnings are expectedto be in excess of 1965's. The addi-tional volume and profits from Merco/Collegiate should have a profound ef-fect on the entire company's futurerevenues, according to Grossman.

Merco/Collegiate warehouse.


TOPSON

COLLEGIATERACKS

POPULAR1. Mamas and Papas2. Young Rascals3. The Monkees4. Frank Sinatra5. Beach Boys6. Rolling Stones7. Lovin' Spoonful8. Supremes9. Herman's Hermits

10. Four Seasons11. Dean Martin12. Andy Williams13. James Brown14. Barbra Streisand15. Beatles16. Righteous Brothers17. Nancy Wilson18. Nat King Cole19. Dave Clark Five20. Sonny and Cher21. Animals22. The Kinks23. Gene Pitney24. Al Martino25. Tony Bennett26. Petula Clark27. Chad and Jeremy28. Seekers29. Gary Lewis30. Cyrkle31. Jay and Americans32. Johnny Mathis33. Ventures34. Kingsmen35. Temptations36. Johnny Rivers37. Trini Lopez38. Jan and Dean39. Sam the Sham40. Sandler and Young41. Associations42. Impressions43. Peter and Gordon44. Jack Jones45. Dionne Warwick46. Robert Goulet47. Four Tops48. Harry Belafonte49. Charles Aznavour50. Byrds51. Cher52. John Gary53. Miracles54. Bobby Vinton55. Eydie Gorme56. Jr. Walker57. Chris Montez58. Bobby Darin59. Ronnie Dove60. Little Anthony61. Sammy Davis62. Brenda Lee63. Paul Revere and the

Raiders64. Jerry Vale65. Connie Francis66. Yard Birds

The following list of top artists on campus are based on audited sales figures of the 260college outlets racked by Merco/Collegiate. Period covered is the first six months of the1966-/967 academic year. The geographical spread covers all sections of the country. Whilethe report does not purport to be a comprehensive survey of ALL college outlets, it doesprovide an accurate picture of which artists are selling in college bookstores. The soundtrackfigures are based on albums. All other categories are based on artists.

67. Otis Redding68. Edith Piaf69. Francoise Hardy70. Sam Cooke71. Ray Charles Singers72. Platters73. Bill Black74. Stevie Wonder75. Roy Orbison76. Arthur Prysock77. Nancy Sinatra78. Shirelles79. Dusty Springfield80. Mary Wells81. Manfred Mann82. Marvin Gaye83. Anita Kerr84. Al Jolson85. Brian Hyland

MOOD/DANCE1. Mantovani2. Roger Williams3. Bert Kaempfert4. Ray Conniff5. Ferrante and Teicher6. Henry Mancini7. Enoch Light8. Peter Nero9. Sounds Orchestral

10. Horst Jankowski11. Stanley Black12. Baroque Inevitable13. Mystic Moods14. Tony Mottola15. Jackie Gleason16. Ted Heath17. New Vaudeville Band18. Lawrence Welk19. Carlos Montoya20. Midnight Strings21. Indios Tabajaros22. Frank Chacksfield23. Martin Denny24. Edmundo Ros25. Billy Vaughn

COUNTRY/RELIGIOUS1. Eddy Arnold2. Hank Williams3. Roger Miller4. Johnny Cash5. Buck Owens6. Marty Robbins7. Jimmy Dean8. Chet Atkins9. Geo. B. Shea

10. Mormon Tabernacle11. Jimmy Reeves12. Floyd Cramer13. Loretta Lynn14. Ernie Ford15. Blackwood Brothers16. Sonny James17. Ernest Tubb18. The Statesmen19. Chuckwagon Gang

JAZZ

1. Herb Alpert2. Jimmy Smith3. H. Mann4. Stan Getz5. Ramsey Lewis6. Dave Brubeck7. Ray Charles8. Modern Jazz Quartet9. A. Gilberto

10. Miles Davis11. Lee Morgan12. K. Burrell13. Willie Bobo14. Lou Rawls15. A. C. Jobim16. Walter Wanderly17. Les McCann18. S. Mendez19. Horace Silver20. Cal Tjader21. Yusef Lateef22. C. Hamilton23. Art Blakey24. Oscar Peterson25. Kai Winding26. Mongo Santamaria27. M. Allison28. Hank Crawford29. B. Evans30. Baja Marimba31. A. Jahmal32. C. Mingus33. V. Guaraldi34. M. Ferguson35. Richard G. Holmes36. Count Basie37. Al Hirt38. Sonny Rollins39. Gene Ammons40. E. Harris41. Ray Bryant42. Clark Terry43. Hank Mobley44. B. Holiday45. Archie Shepp46. Gabor Szabo47. Nina Simone48. Ella Fitzgerald49. H. Laws50. Bobby Short

FOLK

1. Joan Baez2. Bob Dylan3. Peter, Paul and Mary4. Simon and Garfunkel5. Blues Project6. Love7. Judy Collins8. Ian and Sylvia9. G. Yarbrough

10. Blues Magoos11. Donovan12. Jefferson Airplane

13. Kweskin Jug Band14. Christy Minstrels15. Buffy Sainte -Marie16. Mothers of Invention17. Fugs18. Butterfield Blues Band19. P. Ochs20. T. Paxton21. Patrick Sky22. Pete Seeger23. D. Van Ronk24. T. Bikel25. Smothers Brothers26. Odetta27. Back Porch Majority28. Joe and Eddie29. T. Rush30. Kingston Trio31. Leon Bibb32. Swingle Singers33. Josh White34. Weavers35. Brothers Four36. Susan Reed37. B. Gibson38. J. Henske39. E. Anderson40. Leadbelly41. S. Bull42. P.D.Q. Bach43. Silverman44. Chad Mitchell45. Miriam Makeba46. M. Spoelstra47. Even Dozen Jug Band48. J. Hooker49. W. Guthrie50. Doc Watson

SHOW ALBUMS

1. Sound of Music2. Dr. Zhivago3. Man and Woman4. Man of La Mancha5. Fiddler on the Roof6. Victory at Sea7. West Side Story8. My Fair Lady9. Mame

10. Mary Poppins11. Gigi12. Goldfinger13. Hard Day's Night14. Music Man15. Oklahoma!16. Camelot17. Exodus18. Funny Girl19. Guys and Dolls20. Zorba the Greek

COMICS

1. Bill Cosby2. Godfrey Cambridge3. Tom Lehrer4. Pat Cooper


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Few college students have either theexperience or the temperament to dealwith the legitimate talent bookingagency, let alone the sharpshooter whopromises the Supremes and deliversthe Four Nosebleeds.

A good deal of the foul-ups whichoccur in the college concert area arenot the result of a larcenous bookingagent fleecing a callow undergraduate.More often, the result is brought on bythe failure of the student impresarioto grasp the elements of showbusiness.

The College Entertainment Bureau,formed by Stan Rubin in associationwith Sean LaRoche, acts as the repre-sentative for the college in its dealingswith booking agents.

CEA does not book or package.The college indicates which acts itwants, which dates are available, andthe negotiations are up to CEA, whichgets anywhere from 5 per cent to 15per cent of the talent cost for its end.In some instances CEA gets a flat fee.

Rubin has a strong showbusiness

Stan Rubin puts onan impromptu concert

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By AARON STERNFIELD

and legal background (Fordham LawSchool, 1955). While an undergraduateat Princeton in the early 1950's, heorganized the Tigertown Five, still anactive Dixieland band and later ex-panded into a dance orchestra. Rubinmade his first album while at Prince-ton, and played his first concert inhis senior year.

According to Rubin, the studentcommittee head charged with the re-sponsibility of buying talent often hasonly a glimmering of an idea as tothe cost of acts, and even less knowl-edge about the mechanics of the con-tract.

Rubin's argument is that while thecollege does pay an extra fee to CEA,the net cost to the school can be con-siderably less. CEA attempts to getthe best acts available within theschool's budget, to check on the avail-ability of artists and to check thecontracts.

One feature of CEA is a seven -day -

a -week, 24 -hour -a -day phone service

for schools. Relying on an answeringservice, CEA is able to follow up in-quiries within a matter of hours.

And to fill out a program, Rubin'sTigertown Five is available for collegedates.

During the last two years, CEA hascontracted with talent for such schoolsas Washington & Lee, Holy Cross, theU. of Virginia, the U. of Kentucky,Notre Dame, the U. S. Naval Acad-emy, Princeton, Cornell, Vanderbilt,Fordham and Georgetown.

Among the artists he has negotiatedwith are Ray Charles, James Brown,Dionne Warwick, the Supremes, BoDiddley, the Brothers Four; Peter,Paul & Mary; the Kingston Trio,Simon and Garfunkel, Judy Henskeand Count Basie.

Rubin said that the top acts, whoget about $5,000 for a performance,can generally be counted on to appear,but lesser acts are apt to cop out if abetter offer comes along. Rubin makesevery effort to avoid release clausesin contracts.


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CEA'SCOLLEGECONCERTPRODUCTIONGUIDE

1. UNDERWRITING THE CONCERT:Obtain a legitimate, solvent backer for the event. Itcould be your own organization, the school or evenan independent. Remember, you must operate underthe assumption that you might not sell any ticketsat all. And if this happened, can the person who signedthe contract or the organization by whom he wasauthorized to sign pay all of the obligations incidentalto the concert such as the cost of the act, cost of thehall, promotional expenses, etc.? In other words, youcan't get involved in a concert merely because you arequite sure the concert will be a success. You must befinancially prepared for failure in order to meet all ofthe obligations you will incur.

2. AUTHORIZED PARTY MUST SIGN CONTRACT:If the sponsor is the school or an organization in theschool, make sure that the person signing the contractis legally authorized to sign the contract with theact, preferably the dean, director of student activities,etc. Even though a student is "of age" it is inadvisablefor him to sign contracts, except under extenuatingcircumstances. Have the school lawyer check all thecontracts if possible.

3. YOU MUST HAVE THE PLACE BEFORE YOUENGAGE THE ATTRACTION:in most instances, school organizations use their ownfacilities on campus, such as the gym, auditorium, etc.Obtain a written guarantee or option for the hallbefore you sign with the act, even though the schoolis offering its availability. Mistakes can be madewhen written documents are not used. Why take achance?

If you have to incur great expense for the hall,or have to go off campus for a hall, and the existenceof the concert depends on a particular act, obtain awritten option for the hall for at least two to fourweeks, during which time CEA can negotiate foran act and hopefully obtain a written contract fromthe act. If you can't get the act's confirmation, thenyou merely do not exercise your option on the hall.

In negotiating for off campus halls or hotels or

ballrooms, ask the parties to include in writing all ofthe accessories they will provide, such as lighting,sound, security officers, etc. Discuss these items beforeyou sign their contract. If you sign first, the accessoriesmay be quite expensive. Make sure you have a firm,legal commitment for the hall or room on the part ofthe hotel with capacity spelled out in the contract.

4. YOUR SCHOOL OR ORGANIZATION ATTOR-NEY SHOULD CHECK ALL WRITTEN DOCU-MENTS BEFORE THEY ARE EXECUTED(SIGNED) IF POSSIBLE.

5. SELECTING AN ATTRACTION:After CEA has obtained an accurate list of availa-bilities you, of course, will make the selections. Tryto obtain an accurate pulse of your campus' tastes.A campus poll would be the best way. Don't be undulyinfluenced by your immediate friends. Consider quality,reliability, reputation of act and of course, your budg-etary limitations. Know the exact seating capacity ofhall and approximate prices to be charged for tickets.

6. IF YOUR SCHOOL OR ORGANIZATION IN-TENDS TO PRODUCE CONCERTS OR DANCESWITH NAME ENTERTAINMENT AT NUMER-OUS TIMES IN THE FUTURE, IT IS ECONOM-ICALLY ADVISABLE TO OBTAIN EQUIPMENTTHAT IS ALMOST ESSENTIAL OR CUSTOM-ARILY UTILIZED IN THIS DAY AND AGE.IN THE LONG RUN IT MIGHT BE MUCHLESS EXPENSIVE TO BUY THE EQUIPMENTINSTEAD OF RENTING IT, AND THE HEAD-ACHES AND PROBLEMS AVOIDED WILL BEWELL WORTH IT:

CEA would recommend the following items:A. An excellent high fidelity sound system. Employ

a reliable, experienced local (if possible) soundman to aid you -a person who would take alegitimate interest in your problems and be avail-able to you in case of problems. How often hasthe sound system failed on the night of perform-ance? Have the electrician on call on the dayand night of the concert.


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B. At least four microphones- cardiod if possible.(Again, get your sound man to advise you as toequipment but insist on quality items.)

C. Sturdy microphone stands with boom types in-cluded. At least one microphone should be port-able in order to enable a performer like SammyDavis or lead singers in famous groups like theFour Tops' Levi to move around the stage,and even into the audience.

Get a good microphone stand for piano andfor acoustical bass fiddle.

Remember, many of the artists you engageare appealing to you because of the "sound" ontheir records. This sound is created with great tech-niques in electronics. The better and more ex-tensive your equipment, the greater the chanceof getting the value of your purchase. Since everyhall varies acoustically, have a reliable, competentsound man analyze your particular situation andadvise you.

D. Get good speakers, placed in appropriate places.We find that one of the best systems is to gettwo big column speakers placed high on stage oneither side. But most important is the "monitor"speaker behind the performer (arranged so as notto produce feedback). Why is this so vital? Inorder that the performer can instantaneously hearhimself. This helps him immeasurably in creatingproper pitch and avoids voice strain and alsohelps him psychologically. If he enjoys what hehimself hears, it will help his performance con-siderably. Too often a room is filled with goodspeakers (often placed in the ceiling) that canbe heard well by the audience, but the performercan't hear anything.

E. Central switches in places easily accesible to stageand performers to regulate all sound equipment.

7. ADDITIONAL TIPS THAT WILL MAKE LIFEEASIER ON THE NIGHT OF THE PERFORM-ANCE:A. Have hall available for rehearsals and testing

of equipment at least one to two hours before showtime.B. Have a room ready for rehearsal in case theact is late and you don't want to rehearse on stagein view of or audible to the audience as the peopleenter.

C. Find out names of best local bands, both rockand roll and regular, and phone numbers ofmusicians in case of emergencies. Have this infor-mation with you on night of performance.

D. See that a telephone is installed close to or actuallybackstage that can receive calls in case of emer-gencies on night of performance. THERE ISNOTHING MORE FRUSTRATING THANNOT KNOWING WHETHER THE ACT ISCOMING OR WHETHER THEY WILL BELATE OR NOT. You should be reachable at alltimes on day of performance in case of problems.

E. Know local American Federation of Musicians'requirements. If there are local representativesof these organizations, get to know them. Tryto co-operate whenever possible. Most name actsfall under the jurisdiction of these unions.

F. Have trained students available for ushering andfor technical assistance.

8. PROMOTION OF CONCERTS:Do not publicize the act until you have in your pos-session written evidence of a contract with the pro-posed act. Save a lot of embarrassment by tempering

your enthusiasm. (Don't even tell your closest girl orboy friend until the act is signed).A. Budget your ads, but don't be too conservative.

It's better to spend a little more than a little less.Try to get articles in the paper about the acts andthe concert.

B. Get your tickets printed promptly. Keep an ac-curate running tab on sales in order to enable youto know how extensively to advertise, especiallyduring the last week. If things are slow, get "ontop" of the situation.

C. Distribute posters and pamphlets wherever possible.Saturate the area, but don't cover up bulletinboards completely. The posters will only be torndown. Distribute pamphlets at football games oncars and to individuals, or at any other big eventsprior to the concert. Try to have announcementsmade at these events. DON'T BE BASHFUL,.BUT BE IN GOOD TASTE.

(Regarding posters: some acts supply theirown ... usually not, however. But even if theydo, print some of your own right away. Oftenprinters are not prompt about sending outposters . . . remember, it's not their concertbeing promoted. They may mean well, butyou'd be better off getting some posters outimmediately. CEA sends you pictures and"bios" for reproduction.

D. Get the local printer to co-operate with you. Youmay need last minute material.

E. See your local radio and your campus radio station.Usually they will co-operate fully. Get air spotsif possible at moderate rates. Ask them to plugyour concert on their disk jockey shows. Givethem albums, but don't wait for the acts to sendthem to you (the acts, managers, and the recordcompanies are slow in sending you the material

and some don't even do it). But don't wait.Invest a few dollars and get the albums to theradio stations.

F. Try to canvas dormitory rooms, fraternities, etc..to sell tickets if it is permissible. Try to have10 or 20 people selling tickets individually aswell as placing tickets at important locationson campus ... but watch your money. Remember,in many instances, the act will be receiving apercentage of the gross intake and you will haveto account to them for the sale of tickets as perthe percentage arrangement. If the contract ismerely a flat guarantee, there is a less onerousbookkeeping problem, but acts do not want to beunreasonably exploited - therefore the percentage.

G. Create incentives for ticket sellers !H. Have balance of payment due act ready and inthe manner specified in the contract. Be preparedwith ticket manifest if artist is entitled to anaccounting that night.

9. CENTRALIZE YOUR SOCIAL EVENTS ANDORGANIZATIONS INTO ONE BUYING ENTITYSO THAT YOU DO NOT COMPETE WITH EACHOTHER TO EVERYONE'S DETRIMENT. One

school had Ramsey Lewis, the Supremes and RogerMiller in one week ... the results were poor. If theyhad been spaced properly, all organizations wouldhave done well.

10. KNOW YOUR SCHOOL CONSTITUTION, STRUC-TURE AND POLICIES. DO NOT CONFLICTWITH DEANS OR OTHER FACULTY MEMBERSOR OFFICIALS.


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The equipment, staff, records andstudio facilities mean nothing to a col-lege radio station without its most im-portant ingredient-a listening audi-ence. It is for this reason that WNYUon the Washington Square Campus ofNew York University, runs one of themost promotion -minded campus op-erations in the country.

Promoting the station's name, in-cluding the staging of live remotes,shows and dances, has become anever-increasing activity at WNYU.Capacity audiences have attendedsome paid events. Also, a large num-ber of free events are presented forthe students.

Fall Orientation is the most crucialperiod for any college station. It isthe time to capture the audience's at-tention and to recruit new staff mem-bers.

Last summer Sol Handwerger, di-rector of publicity and promotion forMGM/ Verve Records, agreed to joinus in a co-operative on -campus promo-tion campaign. We had previously pre-sented MGM -sponsored artists oncampus. After several meetings, Hand-werger provided 100 three -color post-ers showing the station's dial posi-

A poster campaign is an integralpart of every WNYU promotion.

WNYU Formula

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PROMOTEBy LEE RUDNICK

Director of 'PromotionWNYU, Washington Square Campus

tion, headlining "Daybreak," its morn-show, and, promoting MGM Rec-

ords. These posters were placed inbookstores, restaurants, and clothingstores in the NYU area. MGM alsoprovided a 10 -foot wide rayon ban-ner, which is used at every WNYUremote broadcast and dance. However,the heart of our orientation campaignwas 5,000 two-color tent cards, whichwere placed on each dormitory room

desk. The cards, printed on both sides,contained a welcome message, a catch -phrase, a list of our special orientationshows, four station -suggested LP's,and an invitation to our OrientationDance. The "Daybreak" show wasbroadcast from our Loeb Student Cen-ter studio and drew 500 spectators,many of whom were interviewed onthe air.

Pam's, a local restaurant, was namedas an official student -orientation tourstop. One afternoon we taped inter-views with over 100 students, each in-terview ending with a request for afavorite record. These interviews wereaired throughout the next morning fol-lowed by the requested records. Thetapes were aired on the date of theOrientation Dance. Almost every in-terview ended with a query as towhether the student was coming to thedance.

The Orientation Dance was co -spon-sored by WNYU and the dormitorygovernment. WNYU tries to co-spon-sor most of our shows with a studentorganization. The student group han-dles all the physical details, leavingus free to concentrate on talent, pro-duction, and staging. The dance was


hosted by WABC personality BobLewis, himself a graduate of collegeradio. The capacity crowd saw sixacts. We maintain the policy of book-ing new or just -breaking record acts,since they welcome college exposure.Our live shows have also included suchacts as Billy Taylor, Phil Ochs, TradeMartin, and the Tokens.

The Orientation Dance was a paidevent, and the station felt it shouldsoon stage a free program. We sched-uled a two hour talent show, broadcastfrom the lobby of the Weinstein Resi-dence Hall. The show included Verve -Folkway artist, Janis Ian, who createda stir with her performance of "So-ciety's Child." Tower recording artistJake Holmes appeared, as did TinyTim, courtesy of "The Scene" night-club. After a half-hour coffee breakwe staged a one hour fashion show (inco-operation with the Pants Pub cloth-ing shop) with 10 students modelingoutfits.

With Fall Orientation completed,Martin Bennett, of our programmingdepartment, returned WNYU to itsregular program schedule, including alarge number of remotes. Many a&rmen, including RCA's Bob Cullen,have attended our remotes.

WNYU general manager JonathanP. Nelson, authorized a weekly remotefrom the Student Center. The remoteis aired Thursday afternoons, and withthe co-operation of Decca Record'sPaul Jaulis and others, we have pre-sented live acts each week includingDecca's Yo-Yo's, and the Gurus ofUnited Artists. As a Thanksgivingspecial, we produced a four-hour liveremote, with dancing girls, banjobands, and live rock 'n roll. All of our

(continued)

WNYU is for swingers of all ages.


, dc Martin sings at WNYU's "All Night.'

Lee Rudnick, right, discusses a remotewith a couple of his colleagues.

nor. a.....

Sh,'1s1 Greenberg, NYU coed, glancesthrough a text at the Student BookExchange. WNYU's sign is at her right.

49

Jim Brown, album promotion manager of United ArtistsRecords, engages in some record talk with Lee Rudnick.


live remotes and shows are constructedwith one theme in mind: Remind youraudience to listen to you on the radio,by keeping your name and frequencyin front of them. In accordance withthis theme, WNYU, in association withthe Double 07 Discotheque in mid-town Manhattan, broadcasts a weeklylive remote every Saturday night from10 to 1 a.m. University officials andmusic industry representatives are in-vited to WNYU showcase program,which is produced by Shelley Green-berg and Edythe Lazarow.

A function of WNYU's promotiondepartment is the acquisition of newreleases. We maintain a mailing listof all key local and national recordpersonnel, and we send out at leastthree mailings a year, telling whatthe station is doing and requestingcontinued service. While our recordservice is adequate, it still needs con-stant watching and prodding. We reg-ularly call on distributors and manu-facturers to relate audience reactionon their new records.

During our orientation campaign,every New York promotion man re-ceived a telegram letting him knowthat we were resuming broadcast ac-tivities and that we needed their help.A phone call, or one of our printedrecord request sheets, always bringprompt service on records. Most pro-motion men are interested in expand-ing into the college market. Neil Bo-gart, sales promotion manager forCameo/ Parkway Records, displays

this, and WNYU has profited from hisadvice and assistance.

WNYU News attempts to giveNYU students news with a perspective.World and local events, coupled withcampus news, is broadcast. WNYUNews broadcasts hourly five-minutenewscast, as well as a comprehensiveround -up at six o'clock.

WNYU News does not limit itsfunction to the dissemination of hardnews. With its audience in mind, itprepares specials in such areas asfashions and sports. WNYU Newsfeels it has a larger responsibility thansimply informing and educating. Asa college radio station. WNYUserves as a channel of communicationbetween the administration, facultyand students. WNYU News realizesthis, and plans regular features tohelp combine the three groups.

During the recent anti -tuition boy-cott, WNYU's biggest story, live cov-erage was presented for two full days.Using mobile units, portable equip-ment and live interviews, WNYUNews provided an in-depth study thatwould have been possible nowhereelse. The ability to induce the studentto turn to you for information isinherent in the WNYU News' slogan-"Serving the university community."

In order to run a contest on cam-pus, we contacted Frank Campana,Columbia Records New York pro-motion chief, who provided us with50 LP's as prizes and 5,000 two-colorflyers promoting the contest and thestation.

In January, Jim Brown, national

promotion manager for albums ofUnited Artists, prepared a cardboarddaily class schedule sheet bearing thestation's call letters and frequency,and an advertisement for United Art-ist. These cards were also distributedto both resident and commuting stu-dents.

WNYU does not hesitate to affili-ate with other New York stations.and recently co -sponsored a dancewith the WMCA Good Guys.

WNYU maintains these promotionprinciples:

I. It is vital to promote continuallyyour station on campus. Promote yourstation to local and national recordofficials. Keep after your local dis-tributors - they'll get the message.Don't present too many campus showsand dances-aim for quality.

2. Try to present dances and showswith campus organizations. Let themhandle the physical details-tickets,decorations, security, etc. The stationshould handle talent, production, andpromotion.

3. Control the printed publicity foryour events. Sloppy flyers and postersdon't pull audience.

4. On -campus promotion of yourstation will result not only in newlisteners but in new recruits.

5. And finally we have learned andpass on this suggestion: DON'T BEAFRAID TO TRY SOMETHINGNEW IN PROMOTING YOUR STA-TION. COLLEGE RADIO IS THEBEST PLACE TO EXPERIMENT.IT TOO, LIKE THE CLASSROOM,IS A LEARNING EXPERIENCE.


KING OF THE ROAD -fir,

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Wonders Hall, home of WEAK and about 1,200 students, is shown with portions of twosimilar dormitories, all part of the South Campus Hall complex at MSU.

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WEAK Comes On Strong at MSU

Less than a year ago, WEAK Radioon Michigan State University's campus,began broadcasting with home-brewequipment from a dormitory room inNorth Wonders Hall. The call lettersof the station, recalls station managerDavid Morris, described fairly ac-curately the scope of the operation.

"The primary reason for its creationwas the student dissatisfaction withthe local commercial stations. The factis that local commercial stations don'twant to program to suit the students'taste. This fact was demonstrated tome in October when I was interviewingthe Beach Boys when they appeared toa sellout crowd of 6,000 at JenisonFieldhouse. At that time a representa-tive of WJIM in Lansing who was alsoon campus for an interview, told methat they were not interesting in pro-gramming for the students' variedtastes because neither of the ratingsurveys included the campus.

By DENNIS BLYTHProgram Director

WEAK RadioMichigan State University

"As a result many MSU studentshave felt that this campus was beingignored by the music -record industry.WEAK Radio was created to fill thevoid."

There were many obstacles to beovercome. Funds had to be appropri-ated, equipment built, and a roomprocured. But the enthusiastic WEAKstaff worked diligently and WEAKRadio was on the air in April 1966.

"During those times it was good toknow that the dormitory advisory staffwas behind us all the way," reportsstation manager Dave Morris. "Theyfeel that radio is a valuable organiza-tional activity for the residents of thedorm. For this reason the station willremain a student run activity spon-sored by and programmed for thestudents."

"The success of our station," de-clares Jim Donahue, WEAK's promo-tion director, "was directly related to

the enthusiasm generated by its staff.Our people didn't know very muchabout broadcasting, but they know alot about music and they were willingto learn the rest. Most important waswhat the students said about our sta-tion being WEAK and the home of theSTRONG SOUNDS which helped usto promote the station. It didn't takeus long to build student loyalty to thestation."

While WEAK had the necessarystudent support, it took quite a whileto build the active support of recorddistributors. Many letters were sent, butthere was little co-operation until atrip a trip was made to Detroit to visitdistributors personally. That's whenthings began to happen for the station.

At that time most of the distributorsremarked that the survey was behindon certain records. Moreover, distrib-utors claimed they did not need an-other Hot 100 outlet in the Lansing


area. At Music Merchants in Detroit,Jack Millman offered the most cuttingcomment about college stations: "Thetrouble with most college stations likeyourself is that they're not doing any-thing original for their audience. I cango to any of the commercial stationsin your area and get better responsefrom them than I can from you. Youshould be innovating-bringing newrecords to the attention of your audi-ence before the other radio stations do.

"Moreover, you should be experi-menting with different formats at dif-ferent times. If college stations won'tat least do this, then they're not worthanything to me."

WEAK's delegation returned to thecampus sadder but wiser: WEAK nowset out to set up new programmingby innovating formats designed forthe college audience.

The first thing WEAK did was totake a survey of listeners' tastes andto base its programming on "what'shappening." This is programmingbased on the principle that in the dor-mitory situation there are certain hoursin each day in which most of the resi-dents are doing basically the samething. For example, from 7 a.m. to10 a.m. most of the residents are wak-ing up and getting out of bed. Duringthis time period WEAK programsbright music which is popular andpleasant to wake up to.

Correspondingly, it has been found

that the evening is the most popularstudy time. Therefore, during the mid -evening hours WEAK programs aneasy listening format which is goodbackground music for studying.

"Programming to `what's happening'during each time period of the daykeeps our audience happy and enablesus to program different formats dur-ing their best respective time period.During each time slot we keep in mindwhat the commercial stations are pro-gramming, what our listeners are do-ing, and what our listeners have toldus they want to hear in the survey.Using these factors we believe we havebeen able to set up a format whichis most beneficial for our listeners byfilling the void created by the localcommercial stations.

WEAK has also found out that thestation is an important media in sup-plying news. According to a studymade by the Michigan State UniversityCommunication Arts Department,campus radio stations are the secondprimary course of news for the resi-dent student body. For this reason,WEAK Radio carries news live at5:50 p.m., and has a staff of campuscorrespondents in dorms widely scat-tered throughout the campus.

"WEAK innovated in another wayin the area of information," reportspromotion director Jim Donahue."WEAK gives advance publicity tocampus events, including special on -

(Left) David Albery, at control board,and Doug Roberts do their regular Satur-day evening show.

(Below) Dennis Blyth takes care of theprogramming chores.

the -spot coverage of noted speakers,sports events and concerts. For ex-ample, when the Beach Boys were hereon campus at Jenison Fieldhouse,WEAK gave them a special push inpublicizing their arrival. The concertwas a' sellout. When the Boys finallyarrived on campus, we covered theconcert and aired an exclusive inter-view with them. We traveled with themto Ann Arbor for their next concert,and while we were with them WEAKwas the only station in Michigan toobtain exclusive Beach Boy promos.

"WEAK works hard to promote art -fists who are appearing in the area,even if their appearance is off campus.Our biggest problem, however, is thatwe have never received any advanceinformation or any promotional ma-terial about the artists involved. Cam-pus radio stations can do a lot moreto publicize the concert, but only ifdistributors would. co-operate and giveus some advance notice.

"WEAK's relations with record dis-tributors have been fairly good. Butthis has mainly been due to the factthat we have made regular personaltrips to Detroit to meet distributorspersonally. Mailings of records fromfrom have always been quite sporadic,however. For awhile we were only re-ceiving the singles that really neededpromotion. Thus we were missing outon several that were hits. Album serv-ice was almost nil.

"Then we embarked on a big pro-motional campaign, sending distrib-utors weekly copies of our FabulousForty and written material about thestation and its potential for influencingsales. This mail campaign was fol-lowed up with personal visits to dis-tributors. The important thing about

(continued)



this campaign is that it must neverstop.

"Communications between distrib-utors and radio stations is vital to thesurvival of the station. Through thiscampaign, the promotion men are con-stantly kept aware of the station, andwe, in turn, are kept informed ofwhat is happening in the industry.Moreover, mailings of singles and al-bums has improved considerably.Nevertheless, the most valuable as-pect of this campaign has beenwhat promotion men have had to say.They have told us which records havethe most potential and which recordsthey would like extra promotion on.These men really know the business.We have found they know their rec-ords well and in addition they seemto have an excellent insight into thecollege audience.

"When they tell me they have some-thing they would like exposed to the

college audience, I see to it that thematerial gets played. Once a stationacts on what distributors have to say,then that station gets the reputation ofa place distributors will like to turn tofor help in exposing new product. Aslong as the station is known for co-operating with and helping distributors,the distributors will be more likelyto help the station."

One question that distributors haveabout college stations is what happensto their records when they are givento the station. Distributors have ex-pressed concern that their records arenot being played or that they are re-maining in the hands of station per-sonnel.

WEAK has a system of filing rec-ords which avoids this problem. Everyalbum or single that is received isgiven its own numbered IBM card.The record is then cataloged by list-ing the title, artist, label, date received,format, type of selection and otherpertinent information on one side of

(Left) This was the extent of WEAK'sstudio equipment when it began broad-casting a year ago.

(Bottom left) Several modules from newequipment constructed by WEAK's en-gineering staff. They are: 1. Low voltagepower supply for the new transmitter.2. Modulator for the new transmitter.4 and 5. Solid-state modules in the newboard. R.F. exciter for the new trans-mitter.

the IBM card. After the station librari-an fills out the card, the card is thenkey punched and fed along with thestation's other cards into the computerat MSU's Computer Center. The com-puter then makes alphabetical listingsof each record under the proper for-mat and by title and artist. The sta-tion has these listings on file and eachdisk jockey is able to use these liststo plan his show. We have found thatthis system saves time and work bylibrarians in the actual filing progressalone.

Moreover, having a central listinghelps the disk jockeys find the recordsquickly for request shows. WEAKrecommends that other college stationswith access to time on a computer usethis system.

A constant headache to radio sta-tions in the establishment of a survey.WEAK prepares a survey for weeklydistribution to the residence based onrequests and record sales. The publi-cation of this list creates listener in-terest and also serves to inform dis-tributors of what is getting the heav-iest air play during Hot 100 hours. Inaddition to helping record distributors,campus stations can help the localrecord stores by letting them know ofthe new trends in music tastes in thestudent body.

Specifically, college stations shouldlet record stores know what is beingrequested and what albums are beingfeatured. WEAK Radio visits EastLansing record stores weekly to ob-tain a report of record sales and tolet them know what is being requested.

Commenting on the role of campusstations, Mr. Orr, manager of the DiscShop in East Lansing, said: "Campusstations should be aware of the stu-dents' tastes and promote them. Stu-dent radio stations and record storesshould co-operate more. These shouldbe more access on both sides to whatis being requested on campus andabout what is actually selling." Orrfurther pointed out that currently inLansing this is not happening. Com-mercial stations are not reporting re-quests like they should be. He indi-cated that his store was reporting sales

(continued)54 Billboard Music on Campus April 8, 1967

E1Z,1,,21

COLLEGE*

-X-favorite female jazz vocalistmusic on campus polls1964, 1965, 1966

EXCLUSIVE REPRESENTATION: SALLE PRODUCTIONS, INC., 451 N. CANON DR., BEVERLY HILLS, CALIF. PERSONAL MANAGEMENT: NORMAN GRANZ

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reprisePRODUCED BY JIMMY BOWEN

BOOKINGSslatASHLEY FAMOUS AGENCY, INC.


Continued from page 54to the commercial stations, but thatthe playlists of the commercial stationswere not responsing to record sales.When handed a copy of the campussurvey, a clerk in his store remarked,"This is one of the best surveys in thearea."

The other record stores agreed withOrr. At Campus Music, for example,the opinion was expressed that thecommercial stations' playlists were"too artificial" because the lists arenot made by actual record sales.Moreover, the commercial stations arenot keeping pace with the stock thatthe stores had on hand. This is shownby the fact that either the stations areplaying things before the stores get ashipment or the stations start playingtoo late to influence record sales of aparticular item.

WEAK Radio is acting as a stabilizerto counterbalance both those effects.By maintaining good communicationwith the record stores, it has been ableto reflect student taste and at the sametime concentrate its efforts where theyare most needed.

WEAK Radio has only been in op-eration nine months. Nevertheless, ithas shown that campus stations havea great potential if they take advan-tage of their particular situationand innovate programming designedexpressly for the students. Campusstations need not get in the way ofuniversity administration. On the con-trary, WEAK Radio has shown thatdormitory advisory personnel willrecognize the radio station as a bene-ficial educational activity. Campusclubs and organizations will use it topromote their activities. Perhaps themost important factor in favor ofcampus stations is that the studentsthemselves will respond to the pro-gramming because it is "their" station.

What is the value of a "WEAK"station? As a source of news of worldand campus events, the station hasprovided a valuable service to thecampus residents. By covering campusevents and controversies, the stationhas aroused the interest of the studentbody and has made them more activein student government.

By stressing increased communica-tion with record distributors, the sta-tion has been able to promote singlesand album product successfully.

In addition, WEAK Radio has keptlocal record stores informed of thetrends of music taste on campus. Bymaking its appeal directly to the col-lege market based on "what's happen-ing" in the student's daily life, WEAKRadio has shown its strength to thestudent body. All this proves that evena WEAK Radio station can be strongif it INNOVATES!April 8, 1967 Billboard Music on Campus

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The many moods of Simon & Garfunkel-on stage at Fordham.

58

COLLEGECONCERT DATESSELL RECORDS

By AARON STERNFIELD

The college concert stage is virtually the only publicexposure medium for one of the top contemporary musicacts in the business, Simon & Garfunkel. The ColumbiaRecords artists did give a recent concert at New York'sPhilharmonic Hall and had a couple of exposures ontelevision, but well over 90 per cent of their contact withthe record -buying public has been on campus stages.

Simon & Garfunkel are probably the two most success-ful part-time artists in the business. Artie Garfunkel is agraduate student at Columbia University, and his heavyacademic schedule leaves only weekends free for hismusic. Paul Simon is a writer, and the only opportunityhe has to spend with his colleague is on weekends.

And these weekends are usually spent on campus.During the 1966-1967 academic year, S&G play suchschools as the University of Virginia, Florida State, Ford -ham, the University of West Virginia, Vanderbilt, BostonUniversity, the University of Massachusetts, ArkansasState, the University of California, Penn State, Marquette,Texas Tech and Southern Methodist.

Equipment is at a minimum-the two principals, oneguitar and personal manager Mort Lewis.

Strength of S&G is their ability to communicate tothe undergraduates. And ironically, their songs deal mainlywith the failure of human beings to communicate witheach other. By and large, their material deals withpersonal problems, not sweeping protests of social andeconomic conditions.

Thus the lyrics and the collegiate appearance of theperformers create a rapport with the undergraduates.Simon & Garfunkel do not come across as show businesspeople. They do appear as members of the undergraduatepopulation with a story to tell and the talent to tell it well.

When the concert is over, Simon & Garfunkel willhave a bull session with the collegians. Questions aregenerally about the songs, their meaning, and their origin.

There is little question that college dates have been ina large measure responsible for the record sales of the duo.Playing before an average of more than 10,000 collegiansa weekend, Simon & Garfunkel will appear before some300,000 young adults in the course of a year. A largepercentage of this group buys their records.

Their record output is limited-only three albums andfive singles in the last two years. But S&G haven't hit aclinker yet, and "Sound of Silence," with well over1.000,000 sales, still moves over the counter.

While Simon & Garfunkel probably would have madeit eventually without the college exposure, it is doubtful ifthey would have made it this big this soon without devot-ing full time to personal appearances and promotion.

The college concert weekends have enabled S&G tocome into close contact with their primary buying audiencesand to keep their record product hot.

Billboard Music an Campus April 8, 1967

ITINERARY

COLUMBIA UNIVERSITY - New 'FOP.INDIANA JNIVERSITY - IdDIANAMISSISSIPPI STATE uNIrEFSI-Y - MIST_MIAMI UNIVERSITY - OHIOQUEENS LNIVERSITY -CANADAALLEGI-ENY COLLEGE - {ETNA,LNIVERSITY OF VERMONCOLGATE UNIVERSITY - .1E'/ YORKLNIVER511Y OF PENNSYLATJIAFAIRLEIESI- DICKENSON L. - NEW JERSUNIVERSITY OF ARKANSASUNIVERSITY OF DETROIT - f.ICHtGANRATE LNIVERSITY OF NEJJ 'ALTZ - NAY.rJEwHAMPSHtRE COLLEGEFRANKLIN PIERCE COLLEGE- NEW RAMP,HUDSON VALLEY COLLECE - NEW YONBAPSENCCL_EGE - MASS_BEAN JR, COLLEGE - MASSrJORWALK COMM, COLL G= - COQVORCE;TER JP, COLLEGE -MASS.DELTA COL_EGE - MICHIGANMONTGOMERY JR, COLLEGE - MARYLANDBRIDGEWATER COLLEGE -VIRGINIALITTLE FOC< UNIVERSITY - ARKARKANSAS STATE TEAC-lEStiOLLEGECORNING COMM. COLL GE - NEW YORKNORTHWEST STATE UNIV_ -ILLINO6LNIVERSITY OF ILLINOISWESTERN MICHIGAN UNR/ERSITrLNIVERSITY OF NORTH DAKOTALNIVERSITY OF CONNECTICUTSTATE TEACHERS COLLEG -KANSA;VASHISURN UNIVERSITY -KANSAS

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Perenchio Views the College Market

Locking into trends is the key to keeping ahead ofthe competition in the talent agency business. The growinginterest for light shows on the West Coast has promptedPerenchio Artists to begin developing light show presenta-tions for college audiences. When the three -year -oldagency discovered that "top 40 sounds were in" withcollegians, as co-partner Fred Dale calls the situation, heand partner Jerry Perenchio obtained as clients theRighteous Brothers, Paul Revere and the Raiders and theMamas and the Papas, for example.

Today the agency represents 20 clients, including suchprestigeous names as Andy Williams and Henry Mancini.To cover the emerging light show field, Perenchio hassigned Frank Werber's Trident Productions in San Fran-cisco to package these pop -op light shows which serve asbackdrops for rock 'n' roll music of a frantic nature. Anact called the West Coast Pop Art Experimental Bandwill also prepare a combination light and musical presenta-tion for collegians. This form of expression has been popu-lar in San Francisco, Los Angeles and New York.

The ineffable appetite for entertainment on campusesmay be reflected in the dollar volume of the Perenchiooperation. Dale claims the company is doing $6 milliongross business on college bookings, which is double whatit was the previous year.

In dealing with college talent buyers, Dale has formedthe opinion that many don't understand the scope of per-former's activities. They want to lock an act in solid fora date but don't realize that with some individuals thereare also film and television commitments. Generallyspeaking, the Perenchio concept is to work toward elimi-

nating embarrassing situations which cause cancellations.This involves careful advance planning and strong workingrelationships with the performers which can be translatedinto their agreeing to lock in dates well in advance.

"An agency must strive to achieve a good, harmoniousrelationship with college buyers, so they have completeconfidence in the agency when they make a commitment."Dale is realistic to know that while his company strives forcomplete satisfaction, this is a nebulous state and one nottotally acquired.

Dale says there are occasions when people ask foran act 30 days before the scheduled concert. He once hadto provide a replacement act within 24 hours. His closestcall was for a Las Vegas replacement when illness befellthe headliner.

Student buyers are becoming more aware of the prob-lems in the personal appearance business, he says. Butthere are still colleges, Dave contends, where the act isexpected to perform without the benefit of proper staging,lighting and sound systems.

These deficiences are screened during early discussionswith the school. The agency doesn't avoid these schools,but it tells the act what to expect.

Dale feels a key problem to be overcome is with thestudent buyers who never investigate the background ofintermediary agents, some of whom bilk the collegians bypromising acts for which they have no authority to repre-sent. The answer as Dale sees it is in having one studentcommittee pass on its knowledge to its successors, so thatonly legitimate agencies will be called upon.

Don't Forget the Junior Colleges

The often overlooked pocket of our higher educationalnetwork-the junior college-spends as much on entertain-ment as the four-year colleges and universities, accordingto Ed Rubin, promoter for Ashley Famous Agency.

"The junior college entertainment budgets range from$1,500 to $3,000," said Rubin, "and the schools hold asmany as four concerts a school year."

Rubin said most of the junior colleges he deals withare in the South. However, a recent survey indicated that15 out of 35 Southern junior colleges have never had aconcert. Many schools don't have the facilities and oftenone school combines efforts with another.

"One school will put up the money and the other willfurnish the auditorium," said Rubin. Rubin said that heaccidentally stumbled upon the junior college entertainmentmarket five years ago when a friend asked him what hewas doing for the junior colleges in Florida.

"I started making calls to schools in Florida and they

were very receptive to concert proposals." One majorstumbling block, according to Rubin, is that he has to dealalmost exclusively with junior college administrations.

"Very often the entertainment tastes of the kids aren'tmet," he said. Contrasting this with the larger institutions,Rubin added, "The students themselves set up and selectthe talent they want."

Junior college talent bookings have increased substan-tially over the past few years, according to Rubin.

"I can only attribute this to the rise in junior and com-munity colleges," he added. "It's getting tougher each yearto get into college and these smaller institutions are catch-ing those students who are unable to get into the largerschools," he continued.

Ashley now provides talent for concert appearances injunior colleges as well as four-year schools throughoutthe nation.


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(Above) Rehearsing for the show isJaime Rodgers, choreographer, seated;Mitch at the mike, and a band member.

(Left) Being fitted for one of three specialoutfits that totaled $3,000, Mitch standspatiently, hands at side, for his tailor.

(Below) Mitch helps a workman set up aplexiglas piece for the show.

By CHARLES BARRETT

Rock artist Mitch Ryder is out toprove to college audiences this seasonthat a new idea in campus entertain-ment can make it. Ryder, who hasseen success in the rock field, has de-parted from the normal college enter-tainment format with a touring pro-duction that embodies elements of aTimes Square extravaganza.

The show traces the influences andsinging career of Ryder with rhythmand blues numbers that he first heardon the radio in his Cleveland home asa boy. Songs such as "Function at theJunction," an early r&b classic, to hisrecent successes such as "Devil Withthe Blue Dress On" and "What NowMy Love" are included.

There is also somewhat of a plot.Ryder attempts to demonstrate hisdevelopment as a recognized performerby showing the r&b influences, his ar-rangements and successful records.The production includes a 10 -pieceorchestra. Each band member per-forms on his own plexiglas stand.The stands, each with its own revolv-ing lights, are arranged on the stagein a graduating formation. Both Ryderand the bandsmen do some dancesteps. The bandsmen do dance move-ments in unison, while Mitch doessteps that individually fit each num-ber.

The show contains a p.a. system,along with a 5,000 amp, hand -wiredamplifier and lightworks. Jaime Rodg-ers, choreographer for "Golden Boy,"does the show's choreography, andHutch Davie the arrangements.

The production opened at the Uni-versity of Detroit Jan. 20. The showis playing primarily to college audi-ences in the New England and Penn-sylvania areas. However, some publicdates at community auditoriums andsimilar facilities are included in theplans. On March 3, the Syndicate ofSound, Tommy Roe, Jimmy Clanton,Left Bank and Chicago Loop, joinedthe show for an appearance at theAlbuquerque, N. M., Civic Auditori-um. From this point, all the artistswill play schools in the Southwestand will then return to the East forcollege dates in New York, Pennsyl-vania and New England.

Ryder said that his show will playsmaller schools for slightly reducedprices during the week, and the largerinstitutions on weekends. This, accord-ing to the singer, allows him to workfor a little less during the week enroute from one big date to another.Also, this gives the smaller schools achance to hear the show that wouldn'tnormally be able to meet the cost of aweekend appearance.


ant to work hard far ycuo sing and play for you

entertain youortmunicate . . with you.

if _,want us to work hard for youand iri play, entertain, communicate

`=Yin touch with our agent bybell telephone system

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Represenved by Mike letferi

Block BookingCatches On

What was once primarily Southern college activity hastaken on national proportions. The fifth annual BlockBooking Conference originated in 1963 with 13 schoolsand five talent agencies. Eighty-five schools and 27 agencieswere represented this year.

The block booking theory is a simple one. Two orthree schools in proximity to one another are able to gettop talent at lower individual costs if they purchase theartists in a block. This co-ordinating of talent results in asaving of travel and time expenses to the artists and he isable to offer his services at a saving.

This year's conference was held from Feb. 1-4 at theWade Hampton Hotel in Columbia, S. C. The talentagencies informed the students and faculty members ofthe artists they represent and advised on the advantages ofblock bookings

64

The conference was also entertained by some topname talent. Agencies provided talent such as GlennYarbrough, Jim and Jean and the Swinging Medallions attalent showcases held in the evenings. During the day,participants heard talks on talent and booking and discus-sion groups formed to talk over selection of artists, presen-tation of artists and contract negotiations.

Talent agencies and managers represented were: Asso-ciated Booking Corp., Albert Kay Associates Inc., BennettMorgan Agency, Gerard W. Purcell Associates, ParamountArtists Corp., Universal Attractions, William T. Cash,Premier Talent Associates, Talent Management Associates,Willard Alexander, Yorktown Talent Associates, AlkahestAttractions, Bliss Agency, American Program Bureau andAshley Famous Agency.

Also, CAMI, Shaw Artists Corp., Agency for the Per-forming Arts, GAC-ITA, William Morris Agency, CapitolBooking Corp., Queen Booking Corp., Global BookingAssociation, Bill Lowery Talent, Talent InternationalCorp., National Shakespeare Co., and America's BestAttractions.

Next year's conference will be held at Charlotte, N. C.,for three days in early February.

I berett Morgan Rgenq

Talent agencies set up tables at the conference to display the talent theyrepresent and to advise the schools on the advantages of block booking.


Col lege Market DirectoryUniversity of Akron, Akron, OhioEnrollment, 6,700. President Norman P.Auburn. Dean of Men R. L. Hansford.Concert facilities: Memorial Hall Gym-nasium (5,000), Kolbe Theatre (300),John S. Knight Auditorium (600). Soundfacilities: all halls have built-in systemsemploying Bogen amplifiers and Shuremicrophones (up to five available).Lighting provided through local stagehands' union. Acts appearing in 1966-67:Ella Fitzgerald, Count Basie, SerendipitySingers, Glenn Miller Orchestra, plusseveral others not yet confirmed, allsponsored by UA Student Council, Don-ald E. Sabatino, faculty advisor. Allbookings through sponsoring group's fac-ulty advisor. Campus weekly is AkronBuchtelite, Dave Pagnard, editor. Radiostation WAUP-FM programs classicalmusic, no pop. Local record stores: M.O'Neil Co., 226 S. Main St.; EdfredsRecord Store, High Street; A. Polsky Co.,225 S. Main St., all in Akron.

University of AlabamaUniversity, Ala.

Enrollment, 11,975. President Frank A.Rose. Dean of Men John L. Blackburn.Concert facilities: Morgan Auditorium(750), Foster Auditorium (3,700), As-sembly Hall (15,000). Sound facilities:Foster Auditorium has amplifier with 4microphone connections; Morgan Audi-torium has amplifier with 3 microphoneconnections; microphones: 2 Electro -voice, 3 RCA ribbon, 1 Shure availablefor both Foster and Morgan halls, plus1 pencil microphone with all -directionalpickup for Morgan Auditorium only.Lighting: Foster Auditorium has panelto which 200 -amp, 220 -volt board canbe connected (no board available); 2rows of overhead lekos, 4 side spots, 1

Trouper spot available. Morgan Audi-torium has dimmer board, spot lights.Assembly Hall now under constructionwill have latest available sound andlighting facilities. Acts appearing in 1966-67: Righteous Brothers, Ramsey LewisTrio, Kingston Trio, sponsored by Stu-dent Government Association, RalphKnowles, president, and Cotillion Club,Bill Cochrane, president; also, GoldovskyOpera Theatre, Birmingham SymphonyOrchestra, The Little Angels, JohnBrowning, Chamber Symphony of Phila-delphia, Half A Sixpence, Shirley Ver-rett, Rohs Male Chorus, sponsored byUA Concert -Lecture Series, W. H. Row -and, chairman. Mr. Rowand clears allbookings. Campus semi-weekly news-paper is Crimson -White, Miss Billie Blair.editor. Radio WABP (AM) programsclassical and pop music. Local recordstores: Music House, 408 GreensboroAve.; Audio House, 505 15th St., bothin Tuscaloosa.

The University of AlaskaCollege, Alaska

Enrollment, 1,879. President William R.Wood. Dean of Men Lewis Haines. Con-cert facilities: Schaible Auditorium. (300),Commons (500), Patty Gymnasium(3,000). Sound facilities: built-in speak-ers in Patty Gymnasium, limited numberof microphones available. Lighting:Schaible Auditorium facilities reportedample; very limited facilities reported inCommons and Patty Gymnasium. Actsappearing in 1966-67: Carlos Montoya,sponsored by Associated Students of U.of A. (Greg Jones); also, AnchorageSymphony with Jean -Paul Billaud, spon-sored by Special Events Committee(James Hadra). Campus weekly is ThePolar Star, Kent Sturgis, editor. Radiostation KUAC (FM) programs classicaland pop music. University Bookstoresells records, radios. LeRoy E. Rich ismanager. Local record stores: A-1 Rec-ord Shop, 520 2nd Ave.; Melody Lane,535 3rd St.; Music Mart Studio, 413Noble St.; Music Shop & Television Cen-ter, 525 2nd St., all in Fairbanks.

American UniversityWashington, D. C.

Enrollment, 5,487. President Hurst R.Anderson. Dean of Men Joseph Neale.Concert facilities: Woods -Brown Amphi-theater (2,000), Leonard Center Gym-nasium (1,100), Clendenen Gymnasium(600), Glover Room (290), KreegerRecital Hall (192). Sound facilities: two60-W amplifiers in Leonard Center Gymand in amphitheater; six microphonesavailable. Lighting is rented. Acts ap-pearing in 1966-67: Little Anthony & theImperials, Judy Collins, the Platters, Ian& Sylvia, London Lee, sponsored by Stu-dent Union Board, Marcia Lev, programchairman. Campus semi-weekly news-paper is The Eagle, Tom Shales, editor.Radio stations WAMU AM & FM pro-gram classical and pop music. AU Book-store sells records. James Sampson ismanager. Local record stores: DiscountRecord Shop, 1340 Connecticut Ave.,N.W.; Learmont's Record & Book Store,3131 M. St., N.W.; Record City, 70913th St., N.W., all in Washington.

Amherst College, Amherst, Mass.

Enrollment, 1,220. President Calvin H.Plimpton. Dean of Men William L.Swartzbaugh. Concert facility: AlumniGymnasium (1,000). Sound and lightingfacilities are portable. Bookings must beapproved by Dean Robert Ward. Semi-weekly newspaper is The Amherst Stu-dent, Harold Wilde, editor. Radio sta-tion WAMF (FM) programs classicaland pop music. Local record store: Jef-frey Amherst Bookshop, in Amherst.

Arizona State UniversityTempe, Ariz.

Enrollment, 13,000. President G. HomerDurham. Dean of Men Russ Bloyer. Con-cert facilities: Gymnasium (4,000), GradyGammage Memorial Auditorium (3,000),Memorial Union Ballroom (900). Soundfacilities: Auditorium has console with2 Altec speakers over proscenium arch;also 12 Altec Cardiod microphones,Altec amplifier (10 channel monitoring),2 large Altec portable speakers. Lighting:24 balcony rail positions in Auditorium,14-16 positions in slots at sides of house,and 8-10 positions in side of proscenium;all positions regularly filled with 1000W8" Lekos; also available are 36 1000WFresnels and 2 rows strip lights. Actsappearing in 1966-67: Manitas de Plata,Houston Symphony, American BalletTheatre, Los Angeles Philharmonic, spon-sored by Fine Arts Series; also, Ferrante& Teicher, Fred Waring, sponsored byCelebrity Series; also Sergio Franchi,Jean Langlais, Metropolitan Opera Na-tional Company, Philadelphia Orchestra,sponsored by Special Events; also Mon-terey Jazz Festival All -Stars, Dionne War-wick, Odetta and Shelley Manne Quintet,sponsored by Jazz Series. David Scoularis director of Gammage Auditorium ofUniversity Center for Performing Arts;all bookings must clear through Perform-ing Arts Board. Campus four -times -weekly newspaper is State Press, TonyAult, editor. Radio station KASN-AMprograms classical and pop music. Localrecord stores: Hills Records, TempeCenter in Tempe, and Sandy's Recordsin Phoenix.

University of Arizona, TucsonEnrollment, 21,407. President Richard A.Harvill. Dean of Men Robert S. Svob.Concert facilities: Bear Down Gym-nasium (3,600), University Auditorium(2,522), Student Union Ballroom(1,000), Liberal Arts Auditorium (600),Crowder Hall Theater (550). Sound fa-cilities: auditoriums have permanent,complete sound systems; Crowder Hallacoustically designed to require no am-plification; ballroom and gym requireportable systems. Lighting: auditoriumsand theater have permanent fixtures(University Auditorium most complete):ballroom and gym require portable sys-tems. Acts appearing in 1966-67: Starsof the Monterey Jazz Festival, TravisEdmonson, Paris Rive Gauche, NewChristy Minstrels, Ramsey Lewis Trio,Dionne Warwick, sponsored by Associ-ated Students of University of Arizona(Charles Tribolet); also, Fiesta Mexi-cana, Royal Highland Fusiliers, EileenFarrell, Detroit Symphony Orchestra,Stuttgart Chamber Orchestra, AmericanBallet Theatre, Los Angeles Philhar-

continued on page 66


COLLEGE MARKET DIRECTORYContinued from page 65

monic, sponsored by Artist Series (DeanRobert L. Hull). Booking policy: ArtistSeries concerts cleared through student-

faculty Artist Series committee; ASUAconcerts cleared through student -facultyAppropriations Board. Campus news-paper is Arizona Daily Wildcat. Localrecord stores: Rubitom's, 1722 E. Speed-way; Park Music Shop, 1702 E. Speed-way; Niles Radio & Television, 400 N.Fourth Ave., all in Tucson.

Bakersfield CollegeBakersfield, Calif.

Enrollment, 4,800. President EdwardSimonsen. Dean of Students Robert Poor -man. Concert facilities: College Theatre(528), outdoor amphitheatre (1,969),gymnasium (2,800). Acts appearing in1966-67: Chad and Jeremy, Melos En-semble, Eugene Pridonoff, George Sakel-larion, D. Hobart Mowrer, sponsored byAssociated Student Body, Ronald Mc -Masters, Director of Student Affairs.Bookings handled through AssemblyCommittee. Student weekly is RenegadeRip, Mike Phillips, editor. Campus book-store at 1801 Panorama Dr., sells rec-ords, radios, tape recorders. ClarenceThomas is manager. Local record stores:Booth's 2020 H. St.; and Wheeler's 206Bernard, both in Bakersfield.

Ball State UniversityMuncie, Ind.

Enrollment, 12,683. President John R.Emens. Assistant Dean of Students Ken-neth Collier. Concert facility: EmensAuditorium (3,605). Sound facilities:Altec system with seven Altec No.689 microphones. Lighting: two SuperTrouper spots; complete stage lightingwith 10 -scene pre-set board. Acts ap-pearing in 1966-67: Fred Waring and thePennsylvanians, Isaac Stern, JeromeHines, Count Basie, Godfrey Cambridgeand Mitchell Trio, sponsored by variousorganizations. Direct booking inquiriesto Student Programs Office. Campusfour -times -weekly newspaper is Ball StateNews, Brian Usher, editor. Radio stationWBST-FM programs . classical and popmusic. Ball State Bookstore sells records,radios, tape recorders, sheet music. MissRuth Kitchin is manager. Local recordstores: Record House, 910 N. Martin;Muncie Music Center, Inc., 207 W. Jack-son; Freddié s Record Shop, 422 W. Me-morial Dr., all in Muncie.

Baylor University, Waco, Tex.Enrollment, 6,432. President Abner V. -McCall. Dean of Men Travis Dubois.Concert facilities: Waco Hall (2,280),Roxy Grove Hall (225). Sound facilities:Altec system, 250 SU console, feeds to436C compressor amplifier, feeds to1570 power amplifier, to Altec theaterspeakers; also 11 microphones -3 Elec-tro -Voice 666, 2 RCA BK5, 2 RCA77D, 2 RCA BK6, 2 E -V 665. Lighting:one Ariel Davis dimmer to handle houseand stage border lights; additional dim-mer for 12 large ceiling spots; smallLekos and Fresnels on stage; one arc spot

with gels. Acts appearing in 1966-67:New Christy Minstrels, Jim Roberts,Norma Zimmer, sponsored by StudentUnion, Mrs. L. H. York, assistant direc-tor. Campus daily is The Baylor Lariat,Tommy Miller, editor. Radio stationKWBU-FM programs classical and popmusic. Baylor Bookstore sells records,radios, tape recorders, phonographs,sheet music, guitars. J. C. Underwood ismanager.

Boston University, BostonEnrollment, 14,227. President HaroldCase. Dean of Men J. Arthur Samuelson.Concert facilities: SFAA Concert Hall,B. U. Theatre, Hayden Hall. Acts ap-pearing in 1966-67: Charlie Byrd &Astrud Gilberto, sponsored by GeorgeSherman Student Union, William Hobbs,music director. Bookings must go throughProgram Director, Student Activities Of-fice. Campus weekly is Boston UniversityNews, Raymond Mungo, editor. Radiostation WTBU (AM) and WBUR-FMprogram classical and pop music. BostonUniversity Bookstore sells records. Ru-dolph Gehm is manager. Local recordstore: Radio Shack, CommonwealthAve., Boston.

Bowdoin College, Brunswick, Me.Enrollment. 925. President James StacyColes. Dean of Student Jerry W. Brown.Concert facilities: New Gymnasium(2,500), Sargent Gymnasium (1,200),Pickard Theater (600), Senior CenterLounge (350), College Chapel (300),Moulton Union Lounge (250), SmithAuditorium (210), Gibson Hall of Mu-sic (100). Sound facilities: A two -channel amplifying system using Mac-Intosh MC275 amplifier and five Electro -Voice Marquis KD9 speaker enclosuresthat can be placed in any hall; also, fourElectro -Voice 666 microphones; fourE -V 664's, two E -V 649b's (lavaliertype), plus two Altec 1567a mixer pre-amplifiers that can handle four inputseach. Lighting: two pre-set 30 -dimmerIzenaur electronic controls; more than30 instruments. Acts appearing in 1966-67: The New Pandoras, Simon & Gar-funkel, sponsored by the Student UnionCommittee, Donovan D. Lancaster, direc-tor; Vaghy Quartet (four appearances),Curtis String Quartet, Clarion WindQuintet, Beveridge Webster, Music inMaine Chamber Orchestra, Paul Zukof-sky and Gilbert Kalish, Aeolian Cham-ber Players, Louis Rogers, FrederickWeidner, Cambridge Consort, sponsoredby Bowdoin College Music Department,Robert K. Beckwith, chairman. All book-ing contracts must be approved by fac-ulty advisor to sponsoring committee.Campus weekly is Bowdoin Orient, JohnP. Ranahan, editor. Radio station WBOR-FM programs pop and classical music.Moulton Union Bookstore sells records,FM radios. Miss Almoza C. LeClerc ismanager. Local record store: Field'sRadio and TV Co., 146 Maine St., Bruns-wick.

Bowling Green State UniversityBowling Green, Ohio

Enrollment, 11,298. President William T.Jerome III. Dean of Men Wallace W.

Taylor Jr. Concert facilities: AndersonArena (5,500), Grand Ballroom Univer-sity Union (2,500) ), Main Auditorium(1,300), Recital Hall (350), Joe E. BrownTheater (225). Sound facilities: reportedas broadcast quality for all halls. Light-ing: 1 Super Trouper and 1 Trouper arcspot available. Acts appearing in 1966-67:Ramsey Lewis Trio, Mitchell Trio, HenryMancini & Orchestra, Oscar Peterson,Al Hirt. New Christy Minstrels, spon-sored by Union Activities Organization(R. A. Lenhart); also American BrassQuintet, Chicago Symphony, Beaux ArtsTrio, Jerome Hines, sponsored by ArtistSeries Committee (Dr. Harold Obee). Allbookings cleared through R. A. Lenhart,Director of Student Activities. Campusdaily is the B -G News, Randy Ketcham,editor. Radio station WBGU-FM pro-grams classical music, no pop. UniversityBookstore sells records, sheet music. PaulShepherd is manager. Local record store:Bigelow Music Shoppe, 126 E. Wooster,Bowling Green.

University of BridgeportBridgeport, Conn.

Enrollment, 4000. President Henry W.Littlefield. Dean of Men Alfred Wolff.Concert facilities: Gymnasium (2,500),Student Center Social Room (800), KleinMemorial (Civic Auditorium) (1,500).Lighting facilities: Gymnasium and ball-room very limited; Civic Auditoriumfully equipped. Acts appearing in 1966-6': the American Folk Ballet and twounconfirmed additional concerts spon-sored by Student Center Board, AlbertDickason, chairman. Contracts must becleared with Student Center Director.Campus Weekly is Scribe. Radio stationis WPKN-FM; programs pop and classi-cal music.

Birmingham -Southern CollegeBirmingham, Ala.

Enrollment, 992. President Howard M.Phillips. Dean of Men John A. Greaves.Concert facilities: Munger Auditorium(1,000), Hill Recital Hall (400), HillAmphitheatre (900). Acts appearing in1966-67: Dorian Quintet, Karl BoxerTrio, Chadek Quartet, Sergui Luca,James Dick, Eastman Brass Quintet,sponsored by QUEST, Dr. Cecil E. Aber-nethy, Chairman; also, Jay and theAmericans, sponsored by the StudentGovernment Association, Gary Klotzman,vice-president. Campus weekly is TheHilltop News, Eugene Breckenridge, edi-tor. The campus bookstore, Birmingham -Southern Bookstore sells records. ThomasH. Wallace is manager. Local recordstores: Forbes, Inc., 1914 4th Ave.;Alabama Music Center, 1906 4th Ave..both in N. Birmingham.

Brigham Young UniversityProvo, Utah

Enrollment, 20,000. President Ernest L.Wilkinson. Dean of Students J. ElliotCameron. Concert facilities: George Al-bert Smith Fieldhouse (10,000), HarrisFine Arts Center Concert Hall, PardoeDrama Theatre (capacities not given).Full-scale production lighting system in

continued on page 6866 Billboard Music on Campus April 8, 1967

Your next lunwill he with the

BAJAMARIMBA

MIlDexclusively on

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theater. Acts appearing in 1966-67: SueRaney, Nelson Riddle, sponsored bySophomore Class, Curtis Wynder, Ac-tivity Adviser; also, Serendipity Singers,Kingston Trio, sponsored by StudentBody, same adviser. University policyprohibits artists from smoking or drink-ing while on campus. Campus newspaperis Daily Universe, Dennis Berrett, editor.B.Y.U. Bookstore sells records, radios,tape recorders, phonographs. Ivan L.Sanderson is manager.

California State College atLos Angeles, Los Angeles

Enrollment, 19,300. President John A.Greenlee. Dean of Men Edmond C.Hallberg. Concert facilities: Gymnasium(5,000), Campus Theatre (425), MusicHall (300), North Hall (250). Acts ap-pearing in 1966-67: the Association,Carlos Montoya, Cal Tjader, New FolkTrio, Pair Extraordinaire, Mitchell Trio,sponsored by Associated Students, MissLynn Loughery, Co-ordinator of StudentActivities. Campus daily is College Times,O. Day, editor. Trident (campus book-store) sells records. William Gehr ismanager. Local record stores: Berry &Grassmueck, 354 E. Main St.; PedriniMusic, 230 W. Main St.; Laurel RecordShop, 734 E. Valley Blvd., all in Alham-bra.

California State PolytechnicCollege, San Luis Obispo, Calif.

Enrollment, 7.800. Chief AdministrativeOfficer, Dr. Dale Andrews. Dean ofStudents Everett M. Chandler. Concertfacilities: Men's Gymnasium (3,400),Crandall Gymnasium (1,500), AC Audi-torium (500), Little Theater (500). Soundfacilities: for gym concerts, 4 large port-able speakers; system in Little Theatrebuilt-in. Lighting: Lekos available:Troupers rented for gyms; stage lightsin theatre. Acts appearing in 1966-67:Glenn Yarbrough, Ferrante & Teicher,Chad & Jeremy, sponsored by CollegeUnion Assemblies and Fine Arts Com-mittees, Miss Cleo Bauer, activities ad-viser to both. Booking contracts signedby graduate manager for student body.Campus bi-weekly newspaper is El Mus-tang, Sally Boss, editor. El Corral (cam-pus bookstore) sells records. Duke Hillis manager. Local record stores: PremierMusic Co., 986 Monterey; H. T. BennettMusic Co.; Brown's Music Co., 717Higuera, all in San Luis Obispo.

California State PolytechnicCollege, Kellogg-Vorrhis

Pomona, Calif.Enrollment, 5,400. President Robert C.Kramer. Dean of Students Henry House.Concert facility: Campus Theater (500).Sound facilities: all broadcast equipment.stereo, monaural and full playback;equipped for cinemascope and unlimitednumber and types of microphones re-ported available. Lighting: 30 -dimmerelectronic board, five -scene pre-set type;two follow spots available; no permanentlighting equipment, 300 portable units

available. Acts appearing in 1966-67:Young Folk, sponsored by Pi Sigma(Kerrey Walsh); also Lynn Blair, BobbyDarin, sponsored by College Union (JuneSchaeffer). All acts booked through theSpecial Events Committee composed ofstudents and faculty. Campus biweeklyis Poly Post, John C. Brewer, editor.Campus bookstore, El Patio CollegeStore, sells records. Ella M. York is man-ager. Local record stores: Wallich's Mu-sic City, Eastland Shopping Center inW. Covina; also, Unimart, 2301 W. ValleyBlvd., and Mr. Mac, 250 Pomona MallWest, both in Pomona.

University of CaliforniaBerkeley Calif.

Enrollment, 26,963. Chancellor Roger W.Heyns (Berkeley campus). Dean of menJames Lemmon. Concert facilities: HearstCreek Theatre (outdoor amphitheater,7,500-8,500), H a r m on Gymnasium(5,200-7,000), Pauley Ballroom, StudentUnion (1,100), Wheeler Auditorium(800-936), Alfred Hertz Memorial Hallof Music (714-894). Sound facilities:not used for classical concerts; rented forpop or folk concerts. Lighting: standardconcert lighting reported in Hertz Hall;stage lighting facilities available in Wheel-er Auditorium; portable spots and dim-mer board available for other facilities;additional lights rented as needed. Actsappearing in 1966-67: Teresa Berganza,Studio der Freihen Musik, Melos Ensem-ble, Fine Arts Quartet, Alicia de Lar -rocha, Manuela Vargas & Company,Michelangeli, Alfons and Aloys Kontar-sky, Paul Taylor Dance Company,George Buelow and Maria Stoesser, Wil-liam Read, De Lavallade Dance Quartet,Hungarian Quartet, Gerald Souzay, PeterFrankl, Borodin Quartet, Die WienerSolisten, First Chamber Dance Quartet,Alan Curtis, Stuttgart Chamber Orches-tra, Abbey Simon, Kabi Laretei, JamesOliver Buswell IV, LaSalle Quartet, Mari-lyn Horne. Beaux Arts Quartet, AeolianChamber Players, sponsored by Commit-tee for Arts and Lectures, Mrs. B. J.Connors, manager, Arts and LectureEvents; also ASUC Union ProgramBoard sponsors various pop events. Cam-pus newspaper is Daily Californian, JohnF. Oppedahl, editor. Radio station KAL(AM-an FM license is pending), a car-rier current station to residence hallsonly, programs classical and pop music.

University of CaliforniaSanta Barbara, Calif.

Enrollment, 11,245. Chancellor VernonI. Cheadle. Dean of Men Robert Evans.Concert facilities: Robertson Gymnasium(3,000), Campbell Hall (900), New The-ater (400). Sound facilities: reported asadequate; provided by university Audio -Visual Department. Lighting: reportedadequate in Campbell Hall and New The-ater. Most classical concerts held inCampbell Hall, most pop concerts inRobertson Gymnasium. Acts appearingin 1966-67: Studio Der Fruehen Musik,Orchestra Michelangelo de Firenze, Juil-liard Quartet, Borodin Quartet, Calame/Daniel Duo, Karl Ulrich Schnabel, Mari-lyn Horne, Rey De La Torre, sponsoredby Committee on Arts and Lectures,

Philip Chamberlain, co-ordinator; otherperformers reported as not yet known,booked by Associated Students, RobertLorden, executive director. Arts and Lec-tures committee books independently;student events must be cleared withOrganization Calendar Board. Campusfour -times -weekly newspaper is ElGaucho, John Maybury, editor. Radiostation KCSB-FM programs classical andpop music. University Center sells rec-ords, radios. Louis Hahl is manager.Local record stores: The Record Rack,5120 Hollister Ave., Santa Barbara;also Gramophone Shop, 6529 Trigo Rd.,and Goleta Music Co., 5731 HollisterAve., both in Goleta.

University of California, RiversideRiverside, Calif.

Enrollment, 4,000. President Clark Kerr(statewide). Riverside Chancellor IvanHinderaker. Dean of Men AdolphBrugger. Concert facilities: Gymnasium(1.200), University Theatre (500), LittleTheatre (178). Sound facilities: publicaddress system with three or more micro-phones. Lighting: full complement inUniversity Theatre, standing spots only inGymnasium. Acts appearing in 1966-67:Melos Ensemble, Houston Symphony,Paul Taylor Dance Company, HungarianString Quartet, Smetana String Quartet,sponsored by Committee for Arts &Lectures, Mrs. Pearl Letz, manager; also,Paris Rive Gauche, sponsored by Com-mittee for Arts & Lectures and MaisonFrancaise & Alliance France Committee;also, Aeolian Ensemble, The Romeros,sponsored by the Committee for Arts &Lectures and Associated Students; also,Rafael Puyana, Gina Bachauer, DizzyGillespie, Theodore Bikel, sponsored byAssociated Students, Keith Klein, finearts commissioner. Other events to beannounced. Committee events are re-ferred to manager; Associated Studentevents to the Fine Arts Commissioner.Campus weekly newspaper is UCRHighlander, Cheryl Zintgraff, editor.Radio station KUCR (AM) programsclassical and pop music.

University of California, SanDiego, La Jolla, Calif.

Enrollment, 2,258. Chancellor John S.Galbraith. Dean of Men, George S.Murphy Jr. Concert facilities: SherwoodHall (auditorium off -campus, 500),Revelle Commons Cafeteria (500), Hu-manities -Library Auditorium (260), Sum-ner Auditorium (248). Sound facilities:one Dukane amplifier, 60 watts with 4mike inputs; 2 portable Altec 605 speak-ers; 4 Shure 545 microphones (2 withon/off switches). Lighting: None. Actsappearing in 1966-67: Smetana Quartet,Eudice Shapiro, Borodin Quartet, DieWiener Solisten, LaSalle Quartet, Matti-wilda Dobbs, Rosalyn Tureck, Alan Cur-tis, Dimitri Bashkirov, Carmen de Laval -lade Dance Company, the Romeros, ParisRive Gauche, sponsored by Committeefor Arts and Lectures (Ben Patterson);other concerts sponsored by AssociatedStudents UCSD, Rick Moncreiff, presi-dent; also by the Student Committee forthe Return of Aristocratic Monarchy. Allbookings must be cleared with the Chan -


cellor. Campus bimonthy newspaper isThe Indicator, Roy Verderey, editor.Campus Bookstore sells records, sheetmusic. Paul E. Mares is manager. Localrecord stores: Hamilton's TV, Radio &Appliance Co., 7865 Girard St.; La JollaMusic, 1128 Wall St.; Arcade RecordShop, Arcade Building, all in La Jolla.

Carleton CollegeNorthfield, Minn.

Enrollment, 1,357. President John W.Nason. Dean of Men Merrill E. Jarchow.Concert facilities: New Men's Gymna-sium (2,500), Skinner Memorial Chapel(1,050), Severance Great Hall (400).Lighting facilities limited-spots can beinstalled. Acts appearing in 1966-67:Ruth Slencznska, Minneapolis Symphony,sponsored by College Concert Series(Harry Nordstorm); also Isaac Stern,Moscow Chamber Orchestra, sponsoredby College Concert Series and StudentSocial Co-operative (John Kinneberg).Sponsoring organizations book independ-ently. Campus weekly is Carletonian,Peter Iverson, editor. Closed circuit AMradio station KARL programs classicaland pop music. Jason G. Austin is man-ager. Local record stores: Kindem RecordShop, 411 Division St., Northfield; Rec-ords Unlimited,. a student service oncampus.

Central Missouri State CollegeWarrensburg, Mo.

Enrollment, 9,000. President W. C. Lov-inger. Dean of Men W. O. Hampton. Con-cert facilities: Hendricks Hall (1,500),Recital Hall (350), Wood -Martin Audi-torium (250), Garrison Gymnasium(5,000), College Union (600). Acts mustbe cleared through Director of Activities.Campus weekly is The Student, Mrs.Evelyn Runyon, editor. Campus radiostation KCMW-FM programs pop andclassical music. College Union Book-store, Burl Gray, manager, sells records.Local record stores: Burchfields; Dis-count Record Shop, both in Warrens-burg.

University of Chicago, Chicago, Ill.Enrollment, 10,000. President George W.Beadle. Concert facilities: Mandel Hall(1,060); some smaller halls also on cam-pus. Sound: Ampex speakers; micro-phones reported available but never used.Lighting: theater lighting reported. Actsappearing in 1966-67: Chicago SymphonyOrchestra, New York Pro Musica, Bal-sam-Kroll-Heifetz Trio, Early MusicQuartet, Janos Starker, Paul Jacobs, Mil-ton and Peggy Salkind, sponsored byDepartment of Music (Leonard B. Meyeror Mrs. Z. Cogan). Each sponsoring or-ganization does its own booking. Campusbiweekly newspaper is Maroon. Radiostation WUCB (AM) programs classicaland pop music. U. of C. Bookstore sellsrecords, radios, tape recorders, phono-graphs. Local record store: Lowe's Rec-ord Store, 1315 E. 55th St. in Chicago.

Chico State College, Chico, Calif.Enrollment, 6,500. President Robert E.Hill. Dean of Men Donald Gerth. Con-cert facilities: College Auditorium(1,500). North Gymnasium (3,300).

Sound facilities: reported as excellent.Lighting: two spot with gels. Acts ap-pearing in 1966-67: New Christy Min-strels, the Mama's and the Papa's, theAssociation, Stars of Monterey Jazz Fes-tival, Ramsey Lewis Trio, Harry Bela-fonte, Petula Clark, High Society Or-chestra of Tokyo, sponsored by Asso-ciated Students, Mackay Martin, generalmanager. Bookings must go throughsponsoring organization's faculty advisorand be cleared with Activities Office.Campus weekly is Wildcat, Bill Boyer,editor. Radio station KCSC (AM) pro-grams classical and pop music. StudentBookstore sells records, tape recorders,phonographs. Jeff Wanee is manager.Local record store: Valley Music Center,325 Broadway in Chico.

University of Cincinnati, CincinnatiEnrollment, 13,000. President WalterLangsam. Dean of Men William Nester.Concert facilities: UC Armory Field -house (9,000), Wilson Auditorium(1,230), Union Great Hall (1,000).Sound facilities; standard theater systemsand good acoustics reported in two audi-toriums; special systems installed in field -house for concerts. Lighting: WilsonAuditorium has standard overheads andspots, Great Hall has simple overheadsystem with dimmer control (spotsbrought in); lights must be brought intofieldhouse. Acts appearing in 1966-67:Harry Belafonte, Manitas DePlata, BackPorch Majority, Four Preps, Skip James,Junior Wells, Buddy Guy Trio, sponsoredby Union Concert Series, Barry Zelikov-sky, program director; also, CincinnatiSymphony, sponsored by University Spe-cial Programs Committee, Joan Cochran,director; also, La Salle Quartet, spon-sored by College Conservatory of Music,Jack Watson, Dean of the College. Book-ings must be cleared through facultyadviser to sponsoring group and centralcalendar office. Campus weekly is News -record, Judy McCarty, editor. Radio sta-tions WFIB (AM & FM) program popmusic; WGUC-FM programs classicalmusic. UC Bookstore sells records, ra-dios, phonographs. Robert J. Martin ismanager. Local record stores: Goody's,McMillan Ave.; Discount Records, 525Vine St.; Air-Waye Radio & TV, 326Ludlow Ave., all in Cincinnati.

Clemson University, Clemson, S. C.

Enrollment, 5,540. President Robert C.Edwards. Dean of Men George E. Coak-ley. Concert facilities: Tillman Hall Au-ditorium (2,000), Clemson Field House(5,000), Dining Hall (2,500). Soundfacilities: portable hi-fi system. Light-ing: four 1000-W spots available. Actsappearing in 1966-67: Don Shirley Trio,Jaime Laredo, Richard Tucker, Pitts-burgh Symphony Orchestra, Robert ShawChorale and Orchestra, sponsored byFine Arts Committee (Claud Green);also, The Tams, Cavaliers, Caravelles,sponsored by Central Dance Association(Jay Hair). All bookings must be clearedthrough Office of Student Affairs. Cam-pus weekly is The Tiger, Ernie Stall -worth, editor. Radio stations WSBF AM& FM program classical and pop music.

Clemson Bookstore sells records, radios.John Cureton is manager. Local recordstores: John B. Lee for Music, 132 N.Main St. in Anderson; Harper's, CollegeAve. in Clemson.

Colgate University, Hamilton, N. Y.

Enrollment, 1,739. President Vincent M.Barnett Jr. Dean of Men William F.Griffith. Concert facilities: Colgate Me-morial Chapel (1,000), Charles A. DanaCreative Arts Center (theatre, 400).Acts appearing in 1966-67: Karen Duke,Jean & Kenneth Wentworth, Syoko Aki,Frank Del Camp, M. S. Subbalaks'mi,Otto Luening, Vivien Harvey Slater,sponsored by Music Dept. Recital Series,William Skelton, director; also, La Con-trescarpe-Paris Rive Gauche, MarioMaya, First Trumpet Quartet, HalinaSiedzieniewska, Veronica Tyler, YaleRussian Chorus, Paris Chamber Orches-tra, sponsored by University ConcertSeries, Lloyd L. Huntley, director. Cam-pus weekly is The Colgate Maroon,Bruce M. Buck, editor. Radio stationWRCU (AM) programs classical andpop music. The Campus Store sells rec-ords. Miss Helen Amberg is manager.Local record stores: P. M. Jones, BroadSt.; Western Auto, Lebanon St., both inHamilton.

Colorado CollegeColorado Springs, Colo.

Enrollment, 1,450. President Lloyd E.Worner. Dean of Men J. Juan Reid.Concert facilities: Armstrong Hall Audi-torium (800), Chapel (1,000). Sound andlighting facilities: reported as most mod-ern theater facilities in Colorado. Actsappearing in 1966-67: Judy Collins, spon-sored by Rastall Center; also, JuilliardString Quartet, New York WoodwindQuintet, sponsored by Public LecturesCommittee (Dr. Fred Sondermann).Bookings must be cleared through PublicLectures Committee. Campus weeklynewspaper is Tiger, Charles Buxton, edi-tor. Radio station KRCC FM programsclassical and pop music. Local recordstores: Miller Music Co., 114 E. PikesPeak Ave.; Colorado Springs Music Co.,110 N. Tejon St.; Altone's RecordRoundup, 1444 N. Hancock Ave., all inColorado Springs.

Colorado State UniversityFort Collins, Colo.

Enrollment, 12,300. President W. E. Mor-gan. Concert facilities: Auditorium/Gym-nasium (8,900), Student Center Ball-room (600 to 1,600), Student CenterTheatre (677). Sound facilities: AltecVOT/EV 606 systems; 6 microphones.Lighting facilities: Auditorium/Gym has42 circuits, 12 dimmers, limited instru-ments, but power for portable instru-ments; Ballroom has 36 circuits, 12

dimmers, limited instruments; theaterhas 120 circuits, 18 dimmers, good in-struments. Acts appearing in 1966-67:The U. S. Marine Band, Harry Belafonte,Fred Waring, The Denver Symphony,The San Francisco Mime Troupe, TheFirst Ballet Quartet, The ConcordiaChoir, The Back Porch Majority, Alex -




ander Gabriel, Maria Von Trapp. Con-certs sponsored by Fine Arts Series,Special Events Board and Chairman,Summer Session Activities. Full profes-sional ticket sales system utilized understaff management. Contracts require reg-istration with James K. Campbell, Man-ager, Public Events. Radio station KCSU-FM programs classical and pop music.Local record stores: Bachor Rock, W.Laurel; Kyles, 640 S. College, both inFort Collins.

The University of ConnecticutStorrs, Conn.

Enrollment, 11,399. President Homer D.Babbidge Jr. Dean of Men John P. Dun-lop. Concert facilities: Jorgensen Audi-torium (3,527), Von de Mehden RecitalHall (692), Jorgensen Theater (494).Sound facilities: custom system, lowlevel, 83 speakers, custom amplificationhigh level Altec speakers. Pencil, RCA77DX and hand microphones available.Lighting: full theatre and auditoriumlighting. Acts appearing in 1966-67: NewYork Philharmonic, American BalletTheatre, Pittsburgh Symphony, Cleve-land Orchestra, Virtuosi di Roma andCoro Polifonico di Roma, Esterhazy Or-chestra, Budapest String Quartet withWalter Trampler, Mstislav Rostropovich,Rosalyn Tureck, Renaissance Quartet,Concertgebow Orchestra, Szymon Gold-berg & Victor Babin, sponsored by Jor-

- gensen Michael Brotman,manager; also, the Four Seasons andDionne Warwick, sponsored by theAlumni, Michael Brotman, manager;also, Simon and Garfunkel, Mitch Ryderand the Detroit Wheels, the CampusMinstrels, the Pembroke Chattertocks,the Ephlates, the Trinity Pipes, sponsoredby Student Union Board of Governors.All contracts must be signed by Univer-sity Controller and approved by Boardof Trustees. Campus newspaper is Con-necticut Daily Campus (5 days a week)Eileen Zemetis, editor. Radio stationsWHUS (AM & FM) program classicaland pop music. Campus Bookstore sellsforeign language records. R. C. Zimmeris manager. Local record store: Phil'sRecord & Radio Shop, Rt. 195, in Storrs.

Cornell CollegeMount Vernon, Iowa

Enrollment, 991. President Arland F.Christ-Janer. Acting Dean of Men J.Barron Bremner. Concert facilities:Field House (1,800), King MemorialChapel (900), Little Theatre-Arm-strong Hall (400), Maxwell Audio -VisualAid Theater (180), Palisades Room-The Commons (150). Sound facilities:built-in or external plus occasional rental;microphones include directional andnon -directional, cardiod and ribbon (somerented). Lighting: rented. Acts appearingin 1966-67: Judy Collins, New ChristyMinstrels, We Five, sponsored by Com-mons Union Board, Robert A. Reid, di-rector; also, Erick Hawkins Dance Com-pany, Chicago Symphony, Ralph Vote-

pek, New York String Sextet, sponsoredby Artist Lecture Series (Prof. BernardRichardson) and Cornell Music Festival(Professor Jesse Evans). No students al-lowed to book performers; all eventsmust be cleared on College Master Cal-endar. Campus weekly is The Cornellian,Martin Malin, editor. Radio stationKRNL-FM programs classical and popmusic. Local record store: Beranek's inMount Vernon.

Cornell University, Ithaca, N. Y.

Enrollment, 13,904. President James A.Perkins. Dean of Students Stanley W.Davis. Concert facilities: Barton Hall(7,200), Bailey Hall (2,047), Alice Stat-ler Auditorium (920), Barnes Audi-torium (324). Lighting: varies-BaileyHall is equipped primarily for concerts,Statler Auditorium for theater, BarnesAuditorium has limited lighting and Bar-ton Hall has various lighting. Acts ap-pearing in 1966-67: Drolc String Quartet,Jean Pierre Rampal & Robert Veyron-Lacroix, Borodin String Quartet, FineArts Quartet, Moscow Chamber Or-chestra, Tossy Spivakovsky, Regine Cres-pin, Cleveland Orchestra, Emil Gilds,Zurich Chamber Orchestra, MinneapolisSymphony Orchestra, Robert ShawChorale, sponsored by Faculty Commit-tee on Music (through concert manager,Cornell University); also, Sandy Bull,sponsored by Watermargin Fraternity;also Ray Charles, sponsored by Inter -fraternal Council, through Program Di-rector, Willard Straight Hall; also TheLovin' Spoonful, sponsored by CampusChest; also, Ella Fitzgerald, sponsoredby Willard Straight Hall; also, MarthaGraham Dance Company, sponsored byWomen's Physical Education Dept.(Martha Arnett). Bookings for all actsother than the Faculty Committee onMusic series must go through StudentCommittee Activities Review Board andProgram Director, Willard Straight Hall.Campus newspaper is Cornell Daily Sun,Ronald G. Thwaites, editor. Radio sta-tions: WVBR (AM) programs pop mu-sic, no classical; WVBR-FM programsclassical, no pop. Cornell Campus Storesells records. P. J. Krebs is manager.Local record stores: Fred's Record Shop,State St.; McNeill's Music Store, TiogaSt., both in Ithaca.

Creighton University, OmahaEnrollment, 4,079. President,the VeryRev. H. W. Linn. S.J. Dean of MenUrban E. Rohr. Concert facilities: PeonyPark Ballroom (2,000), Omaha CivicAuditorium Music Hall (2,960), OmahaCivic Auditorium Arena (10,000), Epp-ley Lecture Hall (290), University Gym-nasium (3,500). Lighting and soundfacilities: if not on hand, can be rented.Acts appearing in 1966-67: The YoungAmericans and one or two other con-certs not yet booked, sponsored byStudent Board of Governors, John B.Balousek Jr., president. Campus weeklyis The Creightonian, Stephen Schroeder,editor. Radio station KOCU (AM) pro-grams pop and classical music. CampusBookstore sells records, radios. ClementMcCarty is manager. Local record stores:J. L. Brandeis & Sons, Inc., 16th and

Douglas Sts.; Schmoller & Mueller PianoCo., 1516 Dodge St.; Walker Music,3925 Farnam St., all in Omaha.

Dartmouth College, Hanover, N. H.Enrollment, 3,100. President John SloanDickey. Dean of Men Thaddeus Sey-mour. Concert facilities: Spaulding Audi-torium (900), Leverone Field House(5,000). Sound facilities: good amplifiersand speakers reported available; 20microphones of various makes andmodels available. Lighting: full stagelighting reported in Spaulding Audi-torium; Troupers available in LeveroneField House. Acts appearing in 1966-67:Maureen Forrester, Leopold Simoneau,Chamber Symphony of Phildelphia,Ronald Turini, Melos Ensemble, Juil-liard Quartet, Betty -Jean Hagen, TorontoFestival Singers, Ian & Sylvia, Judy Col-lins, Theo Bikel, sponsored by HopkinsCenter (Warner Bently). All bookingsare made through the director of Hop-kins Center. Campus daily is The Dart-mouth, Michael Wolfe, editor. Radio sta-tion WDCR (AM) programs classicaland pop music. The Dartmouth Book-store sells records. Wilbur Goodhue ismanager. Local book stores: Music andRecording; The Dartmouth Bookstore;Eastman's Drugstore, all in Hanover.

University of Detroit, Detroit, Mich.Enrollment, 9,000. President MalcolmCarron, S.J. Dean of Men Joseph Dono-hue. Concert facilities: Memorial FieldHouse (three arrangements: A, 8,500capacity; B, 2,500; C, 6,000), StudentUnion Ballroom (600). Sound facilities:built-in PA system in all halls; 24 micro-phones. Lighting: 10 small spots. Actsappearing in 1966-67: Dukes of Dixie-land and the Four Saints, Charles Azna-your, Manuela Vargas FlamencoDancers, Al Hirt, Carlos Montoya,Philadelphia Chamber Symphony Or-chestra, Rhos Male Choir of Wales,sponsored by Town and Gown CelebritySeries, the Rev. Herman Hughes, pro-ducer. Bookings must be cleared throughDean of Men. Campus biweekly is TheVarsity News. Radio station WUOD(closed circuit) programs classical andpop music. U. of D. Bookstore sells rec-ords, radios, tape recorders.

Duke University, Durham, N. C.Enrollment, 7,395. President Douglas M.Knight. Dean of Men James L. Price.Concert facilities: Page Auditorium(1,508), Baldwin Auditorium (1,235),East Duke Chamber Music Hall (400),Duke Indoor Stadium (7,500), DukeChapel (1,800). Sound facilities: perma-nent in Page Auditorium and indoorstadium; portable elsewhere. Lightingfacilities: stage facilities in Page audi-torium; spots from 360 degrees availablein indoor stadium; portable elsewhere.Acts appearing in 1966-67:. AmericanBallet Theatre, Julian Bream, TamasVasary, Pittsburgh Symphony, RobertShaw, Chorale and Orchestra sponsoredby Duke Artists Series; also Early MusicQuartet, Quartetto Italiano, JuilliardQuartet, Fine Arts Quartet, Janos Stark-er, sponsored by Chamber Arts; also


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Martha Graham Dance Company, PeteSeeger, The Four Seasons, ContemporaryChamber Ensemble, Ustad Ali AkbarKhan, Bethany Beardslee, Peter Nero,Brasil '66, sponsored by Duke StudentUnion; also Marik and Ranck, CiompiString Quartet, sponsored by Music De-partment Faculty Series. Bookingshandled by student committees workingwith faculty advisors. Co-ordinated byWilliam Griffith, assistant dean of artsand sciences. Campus thrice -weeklynewspaper is Duke Chronicle, DaveBirkhead, editor. Radio station WBDS(carrier wave) programs both classicaland pop music. Duke Bookstore sellsradios, tape cartridges. David Wellons ismanager. Local record stores: RecordBar, 118 N. Church; Record and TapeCenter, 112 E. Main, both in Durham,and Kemp's in Chapel Hill.

Duquesne University, PittsburghEnrollment, 4,500. President, the VeryRev. Henry J. McAnulty, C.S.Sp. Deanof Men Glenn Nelson. Concert facilities:Mills Auditorium (1,000), Campus Thea-ter (300), Music School Recital Hall(314). Acts sponsored by Student Con-gress, Student Union (Mrs. Joan Orr),fraternities, sororities. Campus weeklyis Duquesne Duke, Sarah Julian, editor.Radio station WDUQ-FM programs clas-sical music. Campus bookstore sellssheet music. Mrs. Mary M'Guirk ismanager.

Emory University, Atlanta, Ga.Enrollment, 5,431. President Sanford S.Atwood. Dean of Men E. Jerome Zeller.Concert facilities: Glenn Memorial Audi-torium (1,500), Alumni Memorial Audi-torium (750), Field House (1,500), alsoseveral smaller auditoriums. Sound facili-ties: Glenn Memorial Auditorium hasbuilt-in sound system; Operations Depart-ment has wide variety of sound ampli-fiers which are installed as needed; 3Electro -Voice 546 A, 4 Electro -Voice664, 1 Shure 555 and 1 Shure 556 micro-phones. Lighting: Glenn Memorial andAlumni Memorial Auditoriums havelarge number of built-in spotlights whichcan be arranged as occasion demands; 30portable spots in Alumni Memorial Audi-torium. Acts appearing in 1966-67: TheAmerican String Quartet, Claudio Arrau,Cesare Siepe, Evelyn Lear, William W.Lemonds, Conducting members of theAtlanta Symphony with Emory GleeClub, Women's Chorale, and ChamberOrchestra, sponsored by Emory ConcertSeries (Dr. Chappell White); also, PeterNero, sponsored by Student Center board(Glenn Pelham); also additional actssponsored by Inter -Fraternity Council.Glenn Pelham, director of student activi-ties oversees events. Campus weekly isThe Emory Wheel, Em Cole and BobRohrer, co-editors. Radio station WEMO(AM) programs classical and pop music.Local record stores: Emory CameraShop, 1385 Oxford Rd., NE; Salle Rec-ord Shop, 3084 Roswell Rd. NW; Rich's,45 Broad St., SW, all in Atlanta.

East Carolina CollegeGreenville, N. C.

Enrollment, 9,023. President Leo W.Jenkins. Dean of Men James B. Mallory.Concert facilities: Memorial Gymnasium(3,000), McGinnis Auditorium (780),Austin Auditorium (1,000), Wright Audi-torium (2,000). Lighting: follow andfixed spots, including long-range carbonarc spot, in all four halls. Acts appearingin 1966-67: the National Symphony Or-chestra, Westminster Choir, New YorkBrass Quintet, Don Shirley Trio, Sabicas,Dukes of Dixieland, Orchestra Michel-angelo di Firenze, all sponsored by Stu-dent Government Association, bookedthrough Rudolph Alexander, concertmanager and assistant dean of studentaffairs. Must be approved by Student -Faculty Entertainment Committee. Cam-pus semi-weekly is East Carolinian,Nellie Lee, editor. Campus radio stationWECC programs pop and classical music.ECC Students Supply Store, Joseph O.Clark, manager, sells sheet music. Localrecord stores: Music Arts, Evans St.;Bodkin Music Co., E. Fifth St., both inGreenville.

Eastern Michigan UniversityYpsilanti, Mich.

Enrollment, 12,915. President, Harold E.Sponberg. Dean of Students Susan B.Hill. Concert facilities: McKenny Union(1,400), Pease Auditorium (1,600),Bowen Fieldhouse (4,500), Quirk Thea-tre (400). Sound facilities: 300 wattBogen amplifier, Shure Uni-dyn micro-phones, 6 Electro Voice Slim Air andUni-dyn microphones. Lighting facili-ties: 4 spots in Pease auditorium; spotsrented as needed in other facilities. Actsappearing in 1966-67: The CambridgeCircus, Clancy Brothers and TommyMakem, sponsored by Public and StudentRelations Committee (Milton Foster);also, Josh White, sponsored by McKennyUnion (Miss Laura Girard); also, SiZentner, sponsored by All UniversityStudent Activities Committee (DonaldKleinsmith); also, Dick Gregory, spon-sored by Green and White Series (Wil-liam C. Lawrence). All activities mustbe registered at the Office of StudentActivities, McKenny Union. Campusweekly is the Eastern Echo, Miss ShirleyCox, editor. Radio station WEMU (FM)programs classical and pop music. Mc -Kenny Union Bookstore sells records,tape cartridges. Wayne Morgan is man-ager. Local record stores: Carty's MusicBox, 101 N. Washington; The Bop Shop,28 N. Huron, both in Ypsilanti.

Eastern Illinois UniversityCharleston, Ill.

Enrollment, 5,787. President QuincyDoudna. Dean of Men Donald Kluge.Concert facilities: McAfee Gymnasium(2,500), Buzzard School Auditorium(420), Fine Arts Theater (420). Soundsystems are portable. Acts appearing in1966-67: Roger Wagner Chorale, Indi-anapolis Symphony, Van Cliburn, Baro-que Chamber Players, Lucia Gudoy,Erick Hawkins Dance Company, spon-sored by Artist Series Board (S. R.Steele). Campus weekly is Eastern News,William Moser, editor. Radio station

WELH (AM) programs classical and popmusic. University Bookstore sells phono-graphs, sheet music. Garland Bryan ismanager.

Eastern Kentucky UniversityRichmond, Ky.

Enrollment, 10,011. President Robert R.Martin. Dean of Men Paul L. Seyfrit.Concert facilities: Hiram Brock Audi-torium (1,800), Weaver Health Building(gym, 4,000), Alumni Coliseum (gym,8.000). Sound facilities: Brock Auditori-um has Altec 30-W amplifier, Altecspeaker, 2 Altec microphones; Coliseumhas Altec 250-W amplifier, Altec speaker,6 Altec microphones; Weaver Gym hasRCA 50-W amplifier, Universal speaker,I Universal microphone. Lighting: 2moble spots. Acts appearing in 1966-67:Dick Clark Summer Caravan of Stars;also David, della Rosa & Brooks. Spon-soring and booking organizations: SocialCommittee (Miss Mary Engles, Dean ofWomen) and Department of BusinessAffairs, J. C. Powell, Executive Dean.Campus weekly is the Eastern Progress,Bill Raker, editor. Radio station WEKU-FM programs classical and pop music.Campus Book Store sells records, radios,tape recorders, phonographs. Fred Ballouis manager. Local record store: CentralMusic Co., 1st & Water Sts., Richmond.

East Tennessee State UniversityJohnson City, Tenn.

Enrollment, 8,300. President Burgin E.Dossett. Dean of Men Calvin Mercer.Concert facilities: Memorial Hall Gym-nasium (4,000), University Center Ball-room (500), Gilbreath Auditorium(850). Sound facilities: Dukane andAltec amplifiers with Dukane and Voiceof Theatre speakers; 3 Altec 689 micro-phones available. Lighting: 1 carbon arcspot, 2 2100 -spots. Acts appearing in1966-67: Righteous Brothers, Lettermen,Ramsey Lewis Trio, Chet Atkins, BootsRandolph & Floyd Cramer, Chad &Jeremy, Josh White Jr., sponsored byPerforming Arts Council, UniversityCenter, Donald R. Carter, director. Allbookings must be cleared through Performing Arts Council. Campus weeklyis the Collegian, Ruby Wilhoit, editor.Local radio station WETS (AM) pro-grams pop and some classical music.University Bookstore sells records, radios,sheet music. Guy Maddox is manager.Local record stores: Music Mart, MainSt.; Record Shop, Lamont St.; both inJohnson City.

Florida A&M UniversityTallahassee, Fla.

Enrollment, 3,482. President George W.Gore Jr. Dean of Men Warren H. Shirley.Concert facility: Lee Hall (1,550). Soundfacilities: Ampex stereo -monaural PAsystem, tape recorder; 3 microphones.Lighting: complete set of spotlights in-cluding 1 trouper. Acts appearing in1966-67: Goldovsky Grand Opera Thea-ter, Cleo Quitman Danse Generale,American Folk Ballet, Olatunji & HisDrums of Passion, sponsored by LyceumSeries Committee, Dr. William P. Foster,chairman. Campus monthly newspaper isFamuan, Miss Dayatra Baker, editor.




University of FloridaGainesville, Fla.

Enrollment, 18,000. President J. WayneReitz. Dean of Men Frank T. Adams.Concert facilities: Florida Gymnasium(6,400), University Auditorium (1,248),Florida Union Theater (467). Soundsystem with 5 or 6 microphones adapt-able to all facilities. Lighting: 2 spots ingym, 2 in auditorium; overhead whitelight in both; complete lighting systemin theater. Acts appearing in 1966-67:Nicholas DiVirgilio, Brask-Schieber Duo,Lee Luvisi, James Brown, SerendipitySingers, Helen McGehee's Modern DanceGroup, Al Hirt, Bach Aria Group, GlennYarbrough. Sponsoring organizations:Inter -fraternity Council (Clyde Taylor,c/o Dean of Men), Lyceum Council (Dr.Reid Poole, Music Dept.), Accent Com-mittee (Charles Shepherd, c/o StudentGovernment), Florida Union Fine Artsand Forums Committees, Dr. DelbertSterrett, program director for both. Allbooking contracts must be signed byfaculty advisor to sponsoring organiza-tion. Correspondence for any studentorganization may be sent to Public Func-tions Office. Campus daily is FloridaAlligator, Eddie Sears, editor. Radio sta-tions WRUF-AM and FM program bothclassical and pop music. Local recordstores: Record Bar, 923 W. UniversityAve.; Top Tunes, 1119 W. UniversityAve.; J. M. Fields, 1409 NW 23rd Blvd.,all in Gainesville.

Florida State UniversityTallahassee, Fla.

Enrollment, 13,590. President John E.Champion. Dean of Men Donald Loucks.Concert facilities: Westcott Auditorium(1,629), Tully Gymnasium (5,000), Op-perman Music Hall (542), Conradi The-ater (350), Moore Auditorium (400),Union Ballroom (2,000). Sound facilities:Built-in system designed for each facility;5-Sheere microphones available. Light-ing: Built-in system designed for eachfacility; Spots -2 Troupers. Acts appear-ing in 1966-67: Lovin' Spoonful, BeachBoys, Mitchell Trio, The Lettermen, AlHirt, Martin St. John, sponsored by Stu-dent Entertainment Series, Mrs. KathrynW. Vernon, director of special events;also, John Jacob Niles, The Lovin Dolls,sponsored by Union Program Council,Miss Lynda Brinks, program director,University Union; also, American BalletTheater, New Orleans Symphony, TheRomeros, Half a Sixpence, The Pitts-burgh Symphony, The Metropolitan Op-era Nat'l Co., sponsored by UniversityArtist Series (Mrs. Kathryn W. Vernon).All events must be booked through Of-fice of Special Events. Campus daily isThe Florida Flambeau, Dave Nelsen,editor. Radio station WFSU (FM) pro-grams classical and pop music. The Uni-versity Bookstore sells records, radios,sheet music; also sells tape recorders,phonographs, guitars, auto tape cartridgeson special request. Gordon Wheeler is

manager. Local record stores: MusicCity Record Shop, 648 W. TennesseeSt.; Gridley Music Co., 224 E. CollegeAve.; Feinberg's, 134 N. Monroe St., allin Tallahassee.

Fordham University, Bronx, N. Y.Enrollment, 10,000. President, the Rev.Leo McLaughlin, S.J. Dean of Men, theRev. Thomas McCall, S.J. Concert facil-ities: Collins Auditorium (400), CampusCenter Ballroom (600), gymnasium(4,500). Sound and lighting systemsrented as needed. Acts appearing in 1966-67: Mamas and the Papas, sponsoredby Fordham Concert Bureau (JohnValenti); also Simon & Garfunkel. Allbooking must be approved by Vice -Presi-dent for Student Personnel. Campusweekly is Fordham Ram, Peter Stace andJ. Michael Willman, co-editors. Radiostation WFUV-FM programs classical andpop music. University Shop sells records.Thomas Forkin is manager. Local recordstores: Cousins, E. Fordham Rd.; Spin-ning Disk, Grand Concourse, both inBronx.

Franklin and Marshall CollegeLancaster, Pa.

Enrollment, 1,607. President Keith Spald-ing. Dean of Men O. W. Lacy. Concertfacilities: Mayser Center Gymnasium(4,000), Hensel Hall Auditorium (847),Green Room Theater (234). Sound facil-ities: Amplifying system including micro-phones, phonograph and taping equip-ment plus a theater speaker system isavailable at Hensel Hall; Mayser Centerhas a system with facilities for up to 4microphones plus an auxiliary systemfor sports events. Phonograph equipmentand portable sound lectern also available.Lighting: Green Room has professionaltheater lighting including switchboard;Hensel hall has basic rheostat controlledoverhead and foot lights; Mayser Centerhas a battery of six large rheostat con-trolled floodlights. Acts appearing in1966-67; The Lee Vincent Orchestra,Righteous Brothers, Young Rascals, Su-premes, Peter, Paul & Mary, and Ram-sey Lewis Trio, sponsored by StudentUnion Board, Dennis Riff, president;also, Johnny Mathis and the Four Tops,sponsored by Interfraternity Council, JayDiamond, president; also, BarbaraBlegen, Borodin String Quartet, WienerSolisten Chamber Orchestra, Presti-La-goya, sponsored by Music Department,Prof. Hugh A. Gault, chairman. Con-tracts are countersigned by the AssistantDean of Students. Bi-weekly newspaperis College Reporter, Tom Morris andMark Sklarz, editors. The Bookshop sellsrecords. Mrs. Eva E. Rutter is manager.Radio station WWFM (AM) programspop music. Local record stores: Darm-staetter's, 37 N. Queen St.; Pee VeeEast Coast Promotion Record Co., 8 E.Vine St.; Stan's Record Bar, 43 N. PrinceSt., all in Lancaster.

Georgia Institute of TechnologyAtlanta

Enrollment, 7,300. President Edwin D.Harrison. Dean of Men, James E. Dull.Concert facilities: Three auditoriums

(400 to 600). Sound and lighting sys-tems described as routine; no micro-phones. Acts sponsored by Student Lec-ture and Entertainment Committee, Dr.I. E. Foote, director. Campus weekly isTechnique, John Gill, editor. Radio sta-tion WGST (AM) programs both clas-sical and pop music. Campus bookstore,College Inn, sells records, radios, taperecorders, phonographs, sheet music.T. D. Edwards is manager.

George Washington UniversityWashington, D. C.

Enrollment, 6,333. President Lloyd H.Elliott. Dean of Men, Paul V. Bissell.Concert facility: Lisner Auditorium(1,502). Sound facilities: reported goodwith 6 microphones. Lighting: good sys-tem reported; resident lighting techni-cian. Acts appearing in 1966-67: Na-tional Ballet, Opera Society of Washing-ton, Washington National Symphony,sponsored by GWU Student Council;also, other acts not yet confirmed. Allbooking is done through Office of Deanof Students through Washington bookingagencies only. Campus weekly is TheUniversity Hatchet, Miss Billie Stablein,editor. Radio station WRGW (carriercircuit) programs classical and pop mu-sic. GWU Bookstore sells records. C. R.Canfield is manager. Local record stores:The Disc Shop, 1825 Connecticut Ave.NW; Discount Record Shop, 1340 Con-necticut Ave. NW; Learmont RecordShop, 3131 M Street NW. all in Wash-ington.

University of Georgia, Athens, Ga.Enrollment, 14,460. President O. C.Aderhold. Dean of Men William Tate.Concert facilities: Fine Arts Auditorium(1,625), Coliseum (10,000). Sound fa-cilities: Fine Arts sound handled bylocal sound company to meet require-ments of artist; Coliseum sound providedby Baker Audio of Atlanta to meet re-quirements of artist; Altec microphonesavailable in Coliseum, microphones pro-vided in Fine Arts as needed. Lighting:2 Trouper and 2 Super Trouper spots,8 six-inch Ellipsoidal spots 500-750watts, standard stage lighting, Fresnels,olivettes, wizards available. Acts appear-ing in 1966-67: Ray Charles, AmericanFolk Ballet, William Warfield, The Ro-meros, Al Hirt, Edith Peinemann, Rob-ert Shaw Chorale, sponsored by the Cul-tural Affairs Program, John Cox, direc-tor; also, Ferrante & Teicher, Lettermen& Charlie Manna, also, RighteousBrothers (tentative), sponsored by Inter -Fraternity Council, William R. Parker.president. All bookings must be clearedthrough Department of Student Activities,John Cox, director. The campus biweek-ly newspaper is Red and Black, MichaelMills, editor. The bookstore, UniversityStores sells records. Tom C. Chambersis manager. Local Record Stores: Bow -den's Music Shop, 125 N. Lumpkin;Ideal Music Co., 130 Oconee St.; TheMusic Shop, 187 N. Lumpkin; The Plat-ter Shop, 216 Clayton St., all in Athens.



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College of the Holy CrossWorcester, Mass.

Enrollment, 2,200. President, the Rev.Raymond J. Swords, S.J. Dean of Men,the Rev. James Barry, S.J. Concert fa-cilities: Holy Cross Field House (4,000),Fenwick Theater (300). Sound facilities:PA system with four microphones in fieldhouse. Stage lighting and spots in fieldhouse. Acts appearing in 1966-67: Ianand Sylvia, sponsored by Yearbook; alsothe Toys, the Lovin' Spoonful, the 4Seasons, sponsored by 1843 Club (P.Kevin Condran). Campus bi-weeklynewspaper is The Crusader, Bruce Clark,editor. Radio station WCHC (AM)programs classical and pop music. Localrecord stores: Carl Seder's Music Mart,Front St.; Pauline's, Commercial St.;Denholm/McKay, Main St., all inWorcester.

Howard UniversityWashington, D. C.

Enrollment, 11,500. President James M.Nabrit Jr. Dean of Men James L. Cary.Concert facilities: Physical Education forMen Building (3,500), .Cramton Audi-torium (1,500), Ira Aldridge Theater(300). Sound facilities: amplification andspeaker systems with six microphonesavailable. There is no written bookingpolicy, but bookings must be endorsedby adviser to sponsoring organ-ization. Campus weekly is The Hilltop,Carolyn Carter, editor. University Book-store sells records, phonographs, sheetmusic. Carrothers J. Moore is manager.

University of Houston, HoustonEnrollment, 19,986. President PhilipG. Hoffman. Dean of Men L. StandleeMitchell. Concert facilities: Cullen au-ditorium (1,668), University CenterBallroom (1,200), Oberholtzer HallBallroom (500), Library Auditorium(225). Sound facilities: PA system;2 stage speakers; University Center has2 pulley microphones, 3 floor micro-phones, 5 desk microphones (models:GD668, GD666, Shure 545-5). Lighting:Cullen Auditorium has 24 -dimmer panel,full set of gels, ceiling & aisle controls;University Center has 10 dimmer con-trols, 6 theatrical lights above stage withfilter, 3 rows fluorescent lights, 3 spotsat sides of room, 2 1500-w follow spots.Acts appearing in 1966-67: Lettermen,sponsored by Student Association, Rich-ard Gahager, president; also La Con-trescarpe Rive Gauche Paris, sponsoredby Lecture Artist Series (Dr. J. T.Manns, Political Science Dept.). Book-ing policy: Lecture Artist Series bookingsgo through a faculty -student board; Uni-versity Center Program Council book-ings must clear with University Activitiesstaff. Campus daily newspaper is TheCougar, Jamie Spardella, editor. Radiostation KUHT (AM) programs classicaland pop music. U. of Houston Bookstoresells records, radios, tape recorders, pho-nographs. Dudley Shroen is manager.

Local record stores: H & H Music, 1211Caroline; Goggans, 1201 Main; Wadler's,3907 Main, all in Houston.

University of Illinois, UrbanaCampus, Champaign -Urbana, III.

Enrollment, 29,120. President David D.Henry. Dean of Students Stanton Millett.Concert facility: Assembly Hall (capac-ities as follows: in the round, 17,000; fullcircle, 16,000; open stage, 7,500; the-ater, 3,600 to 4,200). Sound facilities:30-50-150 ohm RCA sound console with18 inputs; Altec Lansing speaker system;following microphones: 8 RCA-BK5, 3RCA -SK 46, 4 EV 642, 4 EV 644, 8 EV655-C, 2 EV lavalier, 2 Vega wireless.Lighting: 4 Super Troupers; 4 -circuit bal-cony rail; 15 circuits on side booms; 211000-W Fresnels, iodine quartz; 35 1000-W ellipsoidal iodine quartz; 5 floor pock-ets on each side of stage. Acts appearingin 1966-67: Florence Henderson andAllen & Rossi, John Gary, SmothersBrothers, Young Americans, JohannStrauss Vienna Orchestra, Tijuana Brass,Lovin' Spoonful and The Association, TheSupremes, Ice Capades, D'Oyle CarteOpera Company, Peter, Paul & Mary,sponsored by Assembly Hall, ThomasParkinson, director; also, Chicago Sym-phony Orchestra, Harry Belafonte, NewYork City Center Opera, Ferrante &Teicher, Minneapolis Symphony, spon-sored by Star Course, Prof. Morris Car-ter, secretary. Campus newspaper is DailyIllini, John Schmadeke, editor. Radiostations WILL AM & FM program clas-sical music, no pop. Local record stores:Discount Records, Inc., 603 S. Wright;Lois Taylor Music, Art, Gifts, 514 E.John, both in Champaign.

Illinois Institute of TechnologyChicago

Enrollment, 2,500. President J. T. Ret-taliata. Dean of Men T. E. Hogan. Con-cert facilities: Grover M. Hermann Hall(1,000). Lighting facilities are limited.Acts appearing in 1966-67: ChadMitchell, Victoria de los Angeles, SwingleSingers, Whittemore & Lowe, RamseyLewis Trio, New York Pro Musica,Chamber Symphony of Philadelphia,Anita Sheer, all sponsored by UnionBoard of Concerts and William R. Dun-bar, director, Grover M. Hermann Hall.All booking contracts must be signedby a member of the Institute administra-tion. Campus weekly is Tech News.Radio station WIIT programs both popand classical music. IIT Bookstore, 3200S. Federal, sells records, radios, tape re-corders and phonographs. Paul Fox ismanager.

Illinois State UniversityNormal, Ill.

Enrollment, 9,699. President Robert G.Bone. Dean of Men John Gillis. Con-cert facilities: Horton Field House(9,000), Capen Auditorium (1,000),Westhoff Theater (700). Acts appear-ing in 1966-67: St. Louis Symphony,Half A Sixpence, Henry Mancini, RobertShaw Chorale, sponsored by Entertain-ment Board (Dr. Isabelle Terrill). Cam-pus bi-weekly newspaper is Vidette, Dave

English, editor. Radio station WGLT(FM) programs classical and pop music.Local record stores: Co-op, North St.;Libby Laness, North St.; Key Pharmacy,Main St., all in Normal.

Indiana State UniversityTerry Haute, Ind.

Enrollment, 10,529. President Alan C.Rankin. Dean of Men Allan Rodgers.Concert facilities: Tilson Music Hall(1,732), Arena (gym) (6,000, expand-able to 7,000), Sycamore Playhouse(300), Sycamore Theatre (auditorium)(712), two Holmstead Hall LectureRooms (250 each), Union Building eastand west ballrooms (capacity not given),Hulman Center Ballroom (capacity notgiven). Sound facilities: Dukane PA sys-tem, Column speakers in Tilson MusicHall, eight Electro -Voice microphones-five 664, one 666, two lavaliers. Lightingfacilities: one Arc Trouper, two 1,000 -watt trouperettes, four border lights (red,white, blue), separate dimmers, foot-lights. Acts appearing in 1966-67: NewChristy Minstrels (Homecoming); Car-los Montoya, Jerome Hines, Ferranteand Teicher (all Convocation programs).Concerts sponsored by Extended Services(Dr. Norbert Stirzaker), Tirey MemorialUnion Board (Miss Linda Eldred), Stu-dent Government Association (Mrs. Con-stance Risch). All convocation programsare selected by a student -faculty board.Campus bi-weekly newspaper is The In-diana Statesman, Mark S. Hayes, editor.Radio station WISU-FM programs clas-sical and pop music. University Book-store sells records, tape recorders, sheetmusic. Mrs. Doris Staggs is manager.Local record stores: Paige's Music Store,642 Wabash Ave.; Jensen's TV and Ap-pliance, 43A Meadows Shopping Center;Seward-Sterchi Music Store, 307 WabashAve., all in Terre Haute.

Indiana UniversityBloomington, Ind.

Enrollment, 25,717. President Elvis J.Stahr. Dean of Men Robert H. Shaffer.Concert facility: University Auditorium(3,788). Sound facilities: Altec custom-built system with channels for 8 micro-phones. Lighting: 100 -dimmer systemwith two Metro arc spots. Acts appearingin 1966-67: Peter, Paul and Mary, John-ny Mathis, Duke Ellington, Eydie Gorme& Steve Lawrence, Nancy Wilson & JoanRivers, Henry Mancini, sponsored by In-diana Memorial Union (John Ketter);also, American Ballet Theater, Stern,Rose & Istomin Trio, Martha GrahamDance Company, Indianapolis Symphony,Joan Sutherland, Rhos Male VoiceChoir, Rudolf Firkusny, Boston Sym-phony, Carlos Montoya, sponsored byIndiana University Auditorium SeriesCommittee, Harold W. Jordan, chairman.Both sponsoring organizations handletheir own bookings; popular series mustbe cleared with Student Activities Centerof Indiana Memorial Union. Campusnewspaper is Indiana Daily Student. Ra-dio station WFIU-FM programs classicaland pop music. Local record stores: TomMusic & Folklore Shoppe, 424 E. Kirk -


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wood; Vance's Music Shop, College Mall;Curry Campus Bookstore, 1302 E. Third,all in Bloomington.

Iowa State University, Ames, IowaEnrollment, 15,000. President RobertParks. Dean of Men Millard Kratochuil.Concert facilities: ISU Armory (5,000).Central School Auditorium (1,100).Sound and lighting facilities repórtedadequate. Acts appearing in 1966-67:Gianna D'Angelo, Van Cliburn, St. OlafLutheran Choir, Chicago Symphony Or-chestra, Little Angels From Korea,Eugene Holmes, Zurich Chamber Or-chestra, New York Pro Musica, KingstonTrio, Harry Belafonte, Swingle Singers,Half A Sixpence, sponsored by MusicCouncil. All acts booked through Dr.Alvin R. Edgar, Director of Concerts.Campus newspaper is Iowa State Daily.Radio stations WOI-AM&FM programclassical and pop music. Local recordstore: Eschbach Music House, Main St.,Ames.

University of KansasLawrence, Kans.

Enrollment, 14,600. Chancellor W. ClarkeWescoe. Dean of Men Donald Alderson.Concert facilities: Allen Field House(17,000), Hoch Auditorium (3,800),University Theater (1,200), SwarthoutRecital Hall (400), Experimental Theater(50), Kansas Union Ballroom (capacitynot given). Lighting: two theaters re-ported to have 'superior equipment; port-able equipment required for field house.Acts appearing in 1966-67: Al Hirt,Odetta, Duke Ellington, Bill Evans, Rayde la Torre, M. S. Subbalaks'mi, BillCosby (pending), sponsored by StudentUnion Activities, Tom Swale, specialevents chairman. All bookings must becleared by University Events Committee.Campus newspaper is University DailyKansan, Robert Stevens, editor for fallsemester. Radio stations KFKU (AM)and KANU-FM program jazz and clas-sical music. Local record stores: BellMusic Company Co., 925 Massachusetts;Kief's Record & Hi -Fi, 711 W. 23d;Sound, Inc., 925 Iowa, all in Lawrence.

Kent State University, Kent, OhioEnrollment, 17,885. President Robert I.White. Dean of Students Robert E. Mat-son. Concert facilities: Memorial Gym-nasium (7,500), Wills Gymnasium(1,500), University Auditorium (1,000),Stump Theatre (526), Bowman LectureHall "A" (446), Bowman Lecture Hall"B" (206), Music & Speech Center Re-cital Hall (295), University School Au-ditorium (488). Sound facilities: Univer-sity Auditorium has Limpander 5S-10PA amplifier and 2 Telefunken micro-phones, MD -43; Memorial Gym has PAsystem (not hi-fi) with 3 loudspeakersat one end, each driven by 50 -watt KDukane amplifier, and 3 Shure broad-cast quality Model 546 and/or Phillips6031 microphones. Lighting: new dimmerboard in University Auditorium; 12 port-able lights in auditorium and Memorial

84

gym; additional spots available in theater.Acts appearing in 1966-67: Jay & theAmericans, sponsored by Pan Hell andIFC; also, Harry Belafonte, sponsoredby Major Events Committee (Miss BettyHovencamp), which will also sponsortwo other concerts; also, Cleveland Sym-phony Orchestra, Robert Shaw Chorale,Byron Janis, sponsored by Artist -LectureSeries (Dr. James Fox). Student -spon-sored events booked through Miss BettyHovencamp, Director of Student Activi-ties. Campus newspaper is Daily KentStater, Jom Thorns, editor. Radio stationWKSU-FM programs classical and popmusic. University Bookstore sells records,radios, tape recorders. James T. Shaw ismanager. Local record stores: MusicMart of Kent, 173 E. Main St., Kent,.Music Mart of Ravenna, 249 Main St.,Ravenna.

University of KentuckyLexington, Ky.

Enrollment, 13,815. President John W.Oswald. Dean of Men Jack Hall. Con-cert facilities:. Memorial Coliseum (12,-500), Memorial Hall (1,000), StudentCenter Ballroom (1,100), Guignol The-ater (450), Student Center Theater(250). Sound facilities: Altec stereosystem in Coliseum with 10 Altecmicrophones: Memorial Hall has 3stand-up microphones. Lighting: 4 Su-per Trouper spots, 2 Trouper ,spots,16 Lekolites (2,000 watts), 20 DavisBar 64 lights, complete footlighting; dim-mer board control for all. Acts appear-ing in 1966-67: Righteous Brothers,sponsored by Student Center Board (MissJane Batchelder); also Stan Getz, spon-sored by Little Kentucky Derby Commit-tee (Miss Jane Batchelder); also RichardTucker and Phyllis Curtin, MantovaniOrchestra, DeCormier Folk Singers, Phil=harmonia Hungarica, St. Louis Sym-phony, Anna Moffo, Andre Watts, spon-sored by Central Kentucky Concert As-sociation, Mrs. Burton Milward, secre-tary. Bookings for student -sponsoredevents cleared by Student Center Pro-gram Director, Miss Jane Batchelder.Campus daily is The Kentucky Kernel,Walter Grant, editor. Radio stationWBKY-FM programs classical music, nopop. University Bookstore sells records,radios. William Eblen is manager. Localrecord stores: Kennedy Book Store, 405S. Limestone St.; Wallace Book Store,385 S. Limestone St.; Barney Miller's,232 E. Main St., all in Lexington.

Lafayette College, Easton, Pa.Enrollment, 1,730. President K. RoaldBergethon. Dean Charles C. Cole Jr.Concert facilities: Alumni MemorialGymnasium (2,800). Hogg Hall (200),Marquis Hall (100), Pardee Hall (450),Colton Chapel (660). Acts appearing in1966-67: The Lettermen, Galliard Play-ers, Renaissance Quartet, McHenry Boat-wright, Die Wiener Solisten, Janos Stark-er, Witold Malcuzynski, sponsored byStudent Council Lectures -Concerts Com-mittee, Prof. Richmond M. Rudden,chairman. All booking arranged throughProf. Rudden. Campus biweekly news-paper is The Lafayette, Phillip Eppard,

editor. Radio station WJRH-FM pro-grams classical and pop music. LafayetteCollege Book Store sells records, radios.John Kercsmar is manager. Local recordstores: Allegro Music House, 1708 Wash-ington Blvd., Century Music House, 221Northampton St., both in Easton.

Lake Forest CollegeLake Forest, Ill.

Enrollment, 1,250. President WilliamGraham Cole. Dean of Men Howard H.Hoogesteger. Concert facilities: AlumniMemorial Field House (2,000), CalvinDurand Commons (550), McCormickAuditorium (200); also proposed FineArts Center Auditorium (5,000), pro-posed Fine Arts Center Theater (450).Sound facilities: permanent and portablesystems; microphones: 3 in field house;2 portable RCA mikes; commons has 3Dukane mikes. Acts appearing in 1966-67: Mitchell Trio, Reynolds Whitney,also several additional acts not yetbooked. Sponsoring organizations includeOn -Campus Cultural Committee (Mrs.Ruth Winter), Special Projects Board(Miss Linda Hudson), Convocation Com-mittee (Mrs. Winter). Contracts must beapproved by the board of the studentgovernment sponsoring the event. Cam-pus weekly is The Stentor, James Kidney,editor. Radio station WLFC (AM) pro-grams classical and pop music. L. F.College Bookstore sells records. DaleScott is manager. Local record stores:Best Records, 247 E. Market Sq.; Grant& Grant, 586 Bank Lane, both in LakeForest, and Deerfield Record Shop, 726Deerfield Rd. in Deerfield.

Lehigh University, Bethlehem, Pa.Enrollment, 3,073. President W. DemingLewis. Dean of Men Charles W. Bren-nan. Concert facility: Grace Hall(3,000). Sound facilities: permanent in-stallation with four microphones on ad-justable stands. Lighting: portable sys-tem consisting of Lekos and Fresnelswith four Luxtrol dimmers. Acts appear-ing in 1966-67: Gary Graffman, YfrahNeaman, Robert Shaw Chorale & Or-chestra, sponsored by Committee on Per-forming Arts (Samuel I. Connor); also;Mitchell Trio, Four Tops, Dionne War-wick, sponsored by various classes andStudent Council (Dean Preston Parr,Chairman, Student Life Committee).Campus semi-weekly newspaper is TheBrown and White, Brian M. Kanes, edi-tor. Radio stations WLRN (AM) andWLVR-FM program classical and popmusic.

Los Angeles City CollegeLos Angeles, Calif.

Enrollment, 18,023. President Glenn G.Gooder. Coordinator in charge of men'sactivities Robert Wilkinson. Concert fa-cilities: Camino Theatre (312), CaminitoTheatre (116), Recital Hall (150), Stu-dent Lounge (350), Men's Gymnasium(800), Women's Gymnasium (300).Sound facilities: 2 -channel stereo, Altecequipment available; 4 Altec 685 and 4Altec 686 microphones available. Light-ing: 50 -dimmer, 365 civ SCR Board,50 spot including X-rays available. Acts


appearing in 1966-67: Michael Lorimer,Nelson Piano Duo, Emilio Osta, spon-sored by Associated Students, Robert E.Wilkinson, coordinator, student activities.All acts must be accepted by the StudentCouncil. Campus bi-weekly is THE LosAngeles Collegian, Willie Hamilton, edi-tor. College bookstore, Associated Stu-dents Store, 855 N. Vermont Ave., inLos Angeles, sells records. Joseph Flynnis manager.

Louisiana State UniversityBaton Rouge, La.

Enrollment, 17,629. Chancellor Cecil G.Taylor. Dean of Student Services, JamesW. Reddoch. Concert facilities: LSUUnion Theater (1,315), Royal CotillionBallroom (1,200), Gymnasium -Armory(2,200), John M. Parker AgriculturalCenter (coliseum) (9,000). Sound fa-cilities: all facilities reported good. 20Altec microphones available. Lighting:follow spots available; Dimmer Boardsin all but Coliseum. Acts appearing in1966-67: Peter Nero, Lettermen, CarlosMontoya, Metropolitan Opera Nat'l Co.,sponsored by LSU Union Celebrity Show-case, James Wockenfuss, adviser; alsoBallet Folklorico of Mexico, RobertCasadesus, sponsored by LSU Lecturers& Artists Committee, Dr. Joel Selbin,chairman. Newspaper is The DailyReveille, Larry Holden, ellitor. Radiostation WLSU (wined wireless in dormi-tories) programs classical and pop music.LSU Bookstore sells records. Ray Nolenis manager. Local book store: Kadair's inUniversity Shopping Center.

Mankato State CollegeMankato, Minn.

Enrollment, 10,274. President James F.Nickerson. Dean of Men Norbert Baum-gart. Concert facilities: Auditorium(1,200), Recital Hall (350), HighlandArena (7,000), new music and dramabuilding to open in fall, 1967. Built-insound facilities with Sony, Norelco,Shure microphones -7 total. Lighting:beam spotlights. Dr. Roy Lashway forCUSA handles some bookings; bookingsfor convocations handled by Dr. DonaldMacRae, Chairman, Convocations. Cam-pus semi-weekly newspaper is CollegeReporter, Willis Switchzenberg, editor.Radio station KMSU-FM programs bothclassical and pop music. College Book-store sells auto tape cartridges. Mrs.James Anderson is manager.

Marquette University, MilwaukeeEnrollment, 13,042. President, the VeryRev. John P. Raynor, S.J. Dean of MenWayne F. Tinkle. Concert facilities: Uni-versity Gymnasium (2,200), MU HighSchool Auditorium (1,500), BrooksMemorial Union Ballroom (900). Soundfacilities: ceiling speakers; 3 high im-pedance microphones (2 floor, 1 table).Lighting: 8 systems including travelspots, individual cuts. Acts appearing in1966-67: Deller Consort, Irene Jordan,Milwaukee Symphony, Eugene Istomin,Riverside Singers, sponsored by BrooksCouncil. Bookings must go through Stu-dent Activities Office. Campus bi-weeklynewspaper is The Marquette Tribune,Leonard J. Egan, editor. Local record

stores: Schroeders, 801 W. WisconsinAve.; Radio Doctors, 240 W. Wells;Esquire Record Shop, 825 N. 27th St., allin Milwaukee.

Marshall UniversityHuntington, W. Va.

Enrollment, 5,523. President Stewart H.Smith. Dean of Student Affairs John E.Shay. Concert facilities: Old Main Audi-torium (600), Gullickson Hall (4,000),Keith -Albee Theatre (2,000), MusicComplex (300). Sound facilities: PAsystems; . two microphones. Lighting:spots and footlights reported available.Acts appearing in 1966-67: Roger Wag-ner Chorale, Vienna Johann Strauss Or-chestra, Royal Winnipeg Ballet, Cincin-nati Symphony Orchestra, JohnnyMathis, Swingle Singers, Fred Waring& the Pennsylvanians, Roger Williams,Marc et Andre, Lucktenburg Duo, Berk-shire Quartet, Italian Men of Song,Maria Godoy, Stecher & Harowitz, spon-sored by Marshall Artists Series Corp.(Prof. Curtis Baxter). Inquiries regard-ing any bookings to Mr. Baxter or Presi-dent Smith. Campus bi-weekly newspaperis Parthenon, Lloyd Lewis, editor. Radiostation WMUL-FM programs classicaland pop music. Marshall Bookstore sellsrecords. Percy Galloway is manager.Local record stores: Davidson's, 4thAve.; Kenny Music Co., 3rd Ave., bothin Huntington.

The University of MarylandCollege Park, Md.

Enrollment, 27,500. President Wilson H.Elkins. Executive Dean of Student LifeLeslie R. Bundgaard. Concert facilities:Cole Field House (14,500), Ritchie Coli-seum (theater) (6,000), Record Armory(1,500), Student Union Ballroom (400).Sound facilities: reported adequate, ex-tra equipment rented as needed. Lighting:Equipment rented for concerts as needed.Cole Field House can accommodate 6carbon arc lights which are rented forconcerts. Acts appearing in 1966-67:Tom Paxton, Leon Bibb, Four Seasons,sponsored by Student Union Board; alsoHarry Belafonte, sponsored by Interfra-ternity Council; also The Cyrkle, Rubyand the Romantics, National Symphony,Van Cliburn, Aaron Copeland, LeonardPennario, Virgil Fox, Baltimore Sym-phony, sponsored by SGA Cultural Com-mittee. All acts are booked through Cul-tural and Special Events co-ordinator,Alfred E. Miller. Campus daily is TheDiamondback, John M. Purnell, editor.Radio station WMUC (AM) programsclassical and pop music. Maryland BookExchange sells records. Harry Headleeis manager. Local record stores: MusicTime, Prince George's Plaza ShoppingCenter, Music Box, Langley Park Shop-ping Center, both in College Park; Rec-ord Dept. of S. Klein's, in Greenbelt.

Memphis State UniversityMemphis

Enrollment, 14,500. President C. C.Humphreys. Dean of Men E. Don Mc-Daniel. Concert facilities: Memphis Mu-nicipal Auditorium (5,500), MemphisMemorial Coliseum (13,000), MSUField House (4,000). Acts sponsored by

Associated Student Government. WilliamG. Tatum, Director of Activities, clearsall bookings. Campus weekly is TigerRag, Forrest Laws, editor. Radio stationWTGR (AM) programs both classicaland pop music. Campus Bookstore sellsrecords, radios, tape recorders, phono-graphs, sheet music, guitars, tape car-tridges. Charles Jetton is manager. Localrecord stores: Poplar Tunes RecordShop, Poplar Ave.; Melody Music Shop,Poplar Ave.; and Paul Craft's Guitarand Drum City, Summer Ave., all inMemphis.

Mercer University, Macon, Ga.Enrollment, 1,911. President Rufus Car-rollton Harris. Dean of Men Joseph M.Hendricks. Concert facility: WillinghamChapel (1,042). Acts appearing in 1966-67: Swingle Singers, Paul Winter JazzEnsemble, Jean Langlais, Fred Waringand the Pennsylvanians, Bach AriaGroup, all sponsored by the Student Ac-tivities Board (Dr. Arthur L. Rich) andthe Student Government Association,Jerry Stone, chairman. Bookings clearedthrough University Calendar Committeein addition to sponsoring committee.Campus weekly is The Mercer Cluster,Tom Lang, editor. The College Storesells records. Mrs. Vernon C. Grimes ismanager. Local record stores: EvansMusic Co., 371 Cotton Ave.; InglesideMusic Center, 2320 Ingleside Ave.; andThe Music Shop, 620 Poplar St., all inMacon.

Middle Tennessee StateUniversity, Murfreesboro, Tenn.

Enrollment 5,890. President Quill E.Cope. Dean of Men Chester Burns. Con-cert facilities: MTSU Theatre -Auditori-um (1,100), MTSU Memorial Gym-nasium (4,200). Sound facilities: re-ported excellent in auditorium, poor ingymnasium. Large number of micro-phones reported available. Lighting: re-ported excellent in auditorium, fair ingymnasium. Acts appearing in 1966-67:Smothers Brothers, Righteous Brothers,Chilean Dancers, The Lettermen, spon-sored by Associated Student Body, BillBoner, president. All acts must be clearedwith Public Programs Committee, LaneBoutwell chairman. Campus weekly isThe Sidelines, Tony Pendergrass, editor.MTSU Bookstore sells records, radios,tape recorders, sheet music. Charles R.Phillips is manager. Local record stores:Toy and Hobby Shop, 129 S. Church St.:Tom -Tom's High Fidelity, Penny Plaza;Music Shop, 102 E. Vine St., all inMurfreesboro.

University of MichiganAnn Arbor, Mich.

Enrollment, 36,063. President HarlanHatcher. Vice -President, Student Affairs,Richard L. Cutler. Concert facilities:Hill Auditorium (4,200), MendelssohnTheatre (750), Michigan Union Ball-room (700), Michigan League Ballroom(500). Lighting: complete theater sys-tems in Hill Auditorium and Mendels-sohn Theatre; spots available in ball-rooms. Acts appearing in 1966-67: Chi -

continued on page 86April 8 1967 Billboard Music on Campus 85


cago Symphony, Guiomar Novaes, To-ronto Symphony, American Ballet The-atre, Detroit Symphony, Royal WinnipegBallet, Shirley Verrett, Stockholm Uni-versity Chorus, Boston Symphony, EmilGilds, Minneapolis Symphony, JoseGreco & Company, Chamber Symphonyof Philadelphia, Moscow Chamber Or-chestra, Christian Ferras, Andres Sego-via, Jacqueline du Pre & Stephen Bishop,Boston Symphony Chamber Players,sponsored by University Musical Society,Gail Rector, executive director. All stu-dent organization bookings are throughOffice of Student Organization Auditor,Student Activities Building. Campusnewspaper is Michigan Daily, Mark Kil-lingsworth, editor. Radio station WUOM-FM programs classical music, no pop.Three independently owned, campus -ori-ented bookstores, selling records: Slater's,Follett's, Ulrich's. Local record stores:Liberty Music Shop, Liberty St.; Dis-count Records, State St.; Music Center,S. Thayer St., all in Ann Arbor.

Michigan State UniversityEast Lansing, Michigan

Enrollment, 38,000. President John A.Hannah. Dean of Men John Fuzak. Con-cert facilities: Auditorium (4,500), Jeni-son Field House (10,000), Fairchild The-ater (800). Sound and lighting facilitiesreported adequate. Acts appearing in1966-67: New York City Ballet, MarthaGraham Dance Company, Toronto Sym-phony Orchestra, Lucas Hoving DanceCompany, Vienna Johann Strauss Or-chestra, New York City Opera, UkranianDancers, Indianapolis Symphony Or-chestra, Chicago Symphony Orchestra,Ballet Folklorico de Mexico, Los An-geles Philharmonic Orchestra, Ferrante& Teicher, Concertgebouw Orchestra ofAmsterdam, Lisa Czobel & Alexandervon Swaine, Cliff & Betty Jones, EarlRobinson, Allan Atlas, sponsored byLecture Concert Series (Dr. WilsonPaul). Student Government Association.through Dean Fuzak, books other acts.Campus daily is Michigan State News,Kyle Kerbawy, editor. Radio stationsWKAR AM & FM program classicalmusic, no pop. University Book Storesells records, sheet music. Robert Frewis manager.

University of MisissippiUniversity, Miss.

Enrollment, 5,862. President John D.Williams. Dean of Men Franklin Moak.Concert facilities: Coliseum (8,500), Ful-ton Chapel (450), Education Auditori-um (500). Sound facilities: RCA ampli-fier, 2 RCA Model MI -11010 micro-phones and 2 speaker units; also four175 -watt Altec amplifiers, two 80 -wattAltec stand-by amplifiers, 3 Altec Model865 microphones, 2 Altec 632-C micro-phones, cluster of 3 full -range speakerunits. Lighting: 110 instruments, includ-ing 90 spots; 24 circuits (auto -trans-former) from 10-40 amps, mechanicallymastered; 400 amps of feed to company

box. Acts appearing in 1966-67: BrothersFour, Johnny Cash, four unconfirmedconcerts, sponsored by ASB ConcertCommittee; also Cambridge Circus, Bal-let Folklorico, Gregg Smith Singers,Claudio Arrau, Quartet Italiano, Pitts-burgh Symphony, sponsored by ArtistsSeries, Mrs. Anita C. Hutcherson, chair-man. All bookings cleared through TomS. Hines, Director of Student Activities.Campus daily is Mississippian, BillyGreer, editor. Radio station WCBH(AM) programs classical and pop mu-sic. University Book Store sells records,radios. Carl Coers is manager. Localrecord store: Morgans, in Oxford.

University of MiamiCoral Gables, Fla.

Enrollment, 10,000. President HenryKing Stanford. Dean of Men RobertHynes. Concert facilities: Whitten UnionPatio (5,000), Flamingo Ballroom (500),Beaumont Hall (400), various smalllounges (75 each). Sound facilities:Union reported to have completely inte-grated system with almost unlimited ca-pacity in a given programming area.Lighting: one small spotlight and over-head incandescent stage bulbs. Acts ap-pearing in 1966-67: Dionne Warwick,The Cyrkle, Ramsey Lewis Trio, TheFour Seasons, sponsored by Undergrad-uate Student Government, Dr. T. Adams,Director of Student Activities. Contractsmust be signed by Vice -President for Fi-nancial Affairs and cleared through ad-visers to sponsoring organizations. Cam-pus weekly is The Hurricane, Dan Bar-ber, editor. Radio station WVOH (FM)is in process of organization. UniversityBookstore sells records, radios, tape re-corders, phonographs, guitars, tape car-tridges. John Galbraith is manager.

University of MinnesotaDuluth, Minn.

Enrollment, 3,727. Provost Raymond W.Darland. Academic Dean Thomas W.Chamberlin. Concert facilities: KirbyStudent Center (1,000), Gymnasium(5,000). Sound facilities: Altec amplifier,speaker system, high impedance line torecording system; 2 Shure 545S pencilmicrophones, 1 Shure 55SW standingmicrophone, 1 lavalier, 1 Electro -Voice664 standing microphone. Lighting: re-ported very limited, 1 strong Trouperettefollow spot. Acts appearing in 1966-67:Back Porch Majority, sponsored byOrientation Committee; also Jerry andMyrna Music, sponsored by Homecom-ing Committee. Bookings must be clearedthrough appropriate committee. Campusweekly is the Statesman, David Haglin,editor. Radio station KUMD (FM) pro-grams classical and pop music. VMDBookstore sells records. Manager isJames Stuberg.

University of MissouriColumbia, Mo.

Enrollment, 18,669. President John C.Weaver. Chancellor John W. Schwada.Dean of Men Jack Matthews. Concertfacilities: Jesse Auditorium (1,847), Brew-er Fieldhouse (1,500 to 5,000), RecitalHall of Fine Arts Bldg. (300), UniversityTheatre (300), Rothwell Gymnasium

(1,400). Sound facilities: Built-in with upto six microphones. Lighting: two followspots, up to 30 fixed stage spots, threeborder spots and five sets of collapsiblefootlights. Acts appearing in 1966-67:Ike & Tina Turner, Chad & Jeremy.Carlos Montoya, sponsored by MissouriStudents Association; also Victoria deLos Angeles, Eugene Istomin, CesareBalletti, Henryk Szerying, Chicago Sym-phony, sponsored by Fine Arts Depart-ment, Prof. Rogers Whitmore, chairman.Bookings must be cleared by Bob Dicke -son, Director of Student Activities. Cam-pus weekly is The Maneater, Larry VanDyne, editor. Radio station KCCS (AM)programs pop and classical music. Mis-souri Store Company sells records, radios,tape recorders, sheet music, auto tapecartridges. Manager is Kent Simmons.Local record stores: Andes Candies, 804E. Broadway; Cottage Record Shop, 905Broadway; Hi Fi House, 13 N. Ninth.all in Columbia.

University of Missouri at KansasCity, Kansas City, Mo.

Enrollement, 7,800. Chancellor RandallM. Whaley. Concert facilities: PiersonHall (1,200), University Playhouse (500).Acts appearing in 1966-67: JohnnyMathis, Miriam Williams, Jean-PierreHallet, We Five, V. Tarsis, Chad Mitch-ell, sponsored by All -Student Associa-tion. Bookings must be cleared throughMrs. Debbie Normal, Director of Stu-dent Activities. Campus weely is Uni-versity News, Frank Titterington, editor.Radio station KCUR-FM programs clas-sical music, no pop. UMKC Bookstore,5100 Rockhill, sells records.

Monmouth CollegeWest Long Branch, N. J.

Enrollment, 4,625. President William G.Van Note. Dean of Men Joseph A.Yanchik. Concert facilities: Pollak Audi-torium (400), Lecture Hall 1 (400), Lec-ture Hall 2 (300), Gymnasium (2,500).Sound facilities: Auditorium has perma-nent sound facilities; Gymnasium hasportable speaker system and channeledspeaker system with one master controlof 4 consoles; 5 Altec 51, 3 Syncronsavailable. Lighting: Available equipmentincludes bank floodlights and spots, and1,500 capital spots. Acts appearing in1966-67: The Four Seasons, Jay and theAmericans, Peter, Paul and Mary, JohnnyMathis, sponsored by Student Govern-ment Association, Frank M. Smith, direc-tor of student activities and William N.Frantz, assistant director. All contractsmust be signed by the vice-president ofBusiness Affairs. Campus weekly is TheOutlook, Philip Dorin, editor. Radiostation WVMC programs classical andpop music. Monmouth College Bookstoresells records, sheet music. Local recordstores, Anderson Music House; HarmonyHouse Discount Records, both in WestLong Branch.

Montana State UniversityBozeman, Mont.

Enrollment, 6,300. President, LeonJohnson. Dean of Men Ed Hason. Con-cert facility: Field House (13,000). Sound


facility: Stromberg-Carlson 52 speakers;4 RCA microphones available. Lighting:two 1000 -follow spots, ample footlights,500 Lekos. Acts appearing in 1966-67:Dave Brubeck, Harry Belafonte, NewChristy Minstrels, Lettermen. Acts mustbe cleared through Field House Board,Bud Purdy, manager. Campus weekly isthe Exponent, Bob Norton, editor. Localrecord store: Montana Music Co. inBozeman.

University of MontanaMissoula, Mont.

Enrollment, 6,022. Acting PresidentRobert T. Pantzer. Dean of Men AndrewC. Cogswell. Concert facilities: Univer-sity Theatre (1,400), Adams Field House(5,000), Dornblazer Football Field(8,000), Music Recital Hall (400). Soundfacilities: Reported poor for concert pur-poses; acoustics at football field and fieldhouse reported impossible, but excel-lent in recital hall; theater has fair port-able system -35 -watt Bogen system withcolumn speakers and four -microphoneinput. Acts appearing in 1966-67: Hous-ton Symphony, Seattle Symphony, spon-sored by Music School of School of FineArts; also Dave Brubeck Quintet, Chad& Jeremy, Carlos Montoya, sponsored byA.S.U.M. Program Council and VisitingLecturer's Committee, Lee Tickell, stu-dent director, and Ray F. Chapman, ad-visor. Sponsoring student organizationsadvised by Director of Student Union.Staff signature must be on all contracts.Campus daily is Montana Kaimin, Dan

Webber, editor. Radio station KUFMprograms classical and pop music. Localrecord stores: Dickinson's, 1805 Brooks;Music Center, Holliday Village; MusicalNote Record Co.. 614 S. Higgins, all inM issoula.

University of NebraskaLincoln, Neb.

Enrollement, 17,500. President CliffordHardin. Dean of Men Robert G. Ross.('oncert facilities: Nebraska Union Ball-room (1,000), Pershing Municipal Audi-torium (7,000). Sound facilities: Reportedas excellent with Shure floor and tablemicrophones. Acts appearing in 1966-67:Herb Alpert & Tijuana Brass, sponsoredby Nebraska Union, Richard K. Scott,program director; also Earl Hines Trio,Swingle Singers. Sabicas, sponsored byFine Arts Convocations Series. Campusnewspaper is Daily Nebraskan, WayneKrusher, editor. Radio station KNUS(AM) programs classical and pop music.Local record stores: Gold & Co.; Miller& Plane; Record Mart, all in Lincoln.University of Nevada, Reno, Nev.Enrollment, 7,749 (including Las Vegascampus). President Charles J. Armstrong.Dean of Men James R. Hathhorn. Con-cert facilities: Church Fine Arts Theater(270), University Gymnasium (4,000),Jot Travis Lounge (250), Dining Com-mons (400). Centennial Coliseum inReno (8,000). Sound facilities: none ingym, though portable speakers are avail-able; 6 Shure microphones available.


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Lighting: Trouperettes available. Actsappearing in 1966-67: Dolmetsch-Schoen-feld Ensemble, Beveridge Webster, Len-nox Quartet, David Abel, Paul WinterEnsemble, Alma Trio, sponsored by Pub-lic Occasions Board, Kenneth J. Carpen-ter, chairman; also U. S. Marine Band,Checkmates Ltd., Johnny Rivers, RandySparks, sponsored by Jot Travis UnionBoard, Bill Adams, director. Campusweekly is University of Nevada Sage-brush, Hampton Young editor. Radiostation KUNR-FM programs classicalmusic, no pop. Local record stores:Emporium of Music, 214 N. Sierra St.;Gray Reid's Record Shop, 525 N. Vir-ginia St.; Reno Records, 22 E. SecondSt.. all in Reno.

University of New HampshireDurham, N. H.

Enrollment, 6,000. President John Mc-Connell. Dean of Men Robert Keesey.Concert facilities: Snively Arena (4,000),Field House (5,000), New HampshireGymnasium (1,000), Johnson Theater(770), Strafford Ballroom (500). Soundfacilities: Individual systems installed oravailable in each area; wide varietyof microphones reported available. Light-ing: permanent lighting in some facilities.portable spots available in others. Actsappearing in 1966-67: Detroit Symphony.Juilliard String Quartet, Krainis BaroqueTrio, Regine Crespin. Itzhak Perlman

sponsored by Blue and White Committee,Ronald C. Barrett, secretary; also, BillCosby, sponsored by Senate Social Com-mittee: Wayne W. Justham, assistant di-rector, Memorial Union; also, Peter, Pauland Mary, sponsored by Campus ChestCommittee (Wayne W. Justham). Studentorganizations must have budget approvedby the Associated Student Organization.Campus weekly is The New Hampshire,Margaret Vreeland, editor. Radio sta-tions WUNH AM & FM program clas-sical and pop music. Local record stores:Price's; Town and Campus, both inDurham.

New York UniversityNew York, N. Y.

Enrollment, 41,000. President James M.Hester. Concert facility: Loeb StudentCenter Auditorium (735). Sound andlighting facilities reported complete.Acts appearing in 1966-67: sponsored bySchool of Continuing Education (MissKatherine Gault) and Student ActivitiesOrganization. Any booking needs spon-sorship of a university official. Campusweekly is Washington Square Journal,Jonathan Williams, editor. Closed-circuitradio station WNYU programs classicaland pop music. NYC Campus Stores sellrecords. John Bologna is manager.

State University of New York atBuffalo, Buffalo, N. Y.

Enrollment, 10,265. President MartinMeyerson. Dean of Men Richard A. Sig-glekow. Concert facilities: Clark Gymna-

sium (2,000), Baird Hall (270), Con-ference Theatre (286). Sound and light-ing facilities: usually rented for concertsas needed. Acts appearing in 1966-67:Judy Collins, Arlo Guthrie, sponsoredby Union Board; also, Four Seasons,Charlie Manna, Blues Project, spon-sored by Concert Committee. Allacts must be presented by recognizedcommittee with regular contracts. Cam-pus semi-weekly newspaper is Spectrum,David Edelman, editor. Radio stationWBFO (FM) programs classical, folkand jazz music. Campus Bookstore sellsrecords, radios. George Bielan is manager.

University of New MexicoAlbuquerque, N. M.

Enrollment, 13,000. President Tom L.Popejoy. Dean of Men Howard Methany.Concert facility: Concert Hall (2,094).Sound facilities: Altec Lansing and Am-pex equipment with 12 Electra -Voicemicrophones. Lighting: Izenauer punchcard remote system. Acts appearing in1966-67: Utah Symphony, Deller Con-sort, Albuquerque Symphony, Itzak Perl-man, Kingston Trio, Houston Symphony,Philadelphia Symphony. Sponsoring or-ganizations include UNM Music Dept.,Associated Students (Dean H. Lavender),Sante Fe Opera Guild. Bookings super-vised by Concert Hall Board (W. J.Martin). Campus four -times -weekly news-paper is The Lobo, Jim Jansson, editor.Radio station KUNM-FM programs clas-sical and pop music. Local record store:Rieblings, in Albuquerque.

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North Carolina A & T CollegeGreensboro, N. C.

Enrollment, 3,595. President Lewis F.Dowdy. Dean of Men William E. Goode.Concert facilities: Charles Moore Gym-nasium (3,350), Harrison Auditorium1,440), Student Union Ballroom (readyin March 1967) (1,000). Sound facilitiesreported complete in each facility. Light-ing: several portable spotlights in audi-torium which are moved to other facili-ties as needed. All bookings must beapproved by Dean of Student Affairsand cleared through Co-ordinator ofStudent Activities. Campus weekly isA & T College Register, Miss EulaBattle, editor. Radio station WANT(AM) programs classical and pop music.College Bookstore sells records; radios,tape recorders, phonographs may berented. James Meachem Jr. is manager.Local record stores: Carolina CameraCenter, 103 N. Elm St.; GreensboroRecord Center, 302 S. Elm St.; HarveyWest Music Co., 228 W. Market St., allin Greensboro.

University of North DakotaGrand Forks, N. D.

Enrollment, 6,370. President George W.Starcher. Dean of Men John T. Wynne.Concert facilities: UND Fieldhouse(9,000), University Center Auditorium(1,200), Burtness Theatre (400). Soundfacilities: fieldhouse has 3 PA systems;room for 9 or 10 microphones in field -house and auditorium-seven or eight onhand (Dynamic Head). Lighting: superTrouper and Trouperette spots in field -house and auditorium. Acts appearing in1966-67: Preservation Hall Jazz Band,Winnipeg Symhony, Erick HawkinsDance Company, sponsored by UNDConvocation Committee (Dr. WilliamBoehle); also, Brothers Four, CharleyWilliams Orchestra, sponsored by Home-coming Committee. Bookings clearedeither by Student Activities Committee orthrough Appropriations of Senate. Cam-pus bi-weekly newspaper is The DakotaStudent, Ronald Way, editor. Radio sta-tion KFJM (AM) programs classical andpop music. University Bookstore sellsrecords. Dallas Breitbarth is manager.Local record stores: Scott's Music Store,Third St. N.; Poppler's Music Store,De Mers Ave., both in Grand Forks.

North Dakota State UniversityFargo, N. D.

Enrollment, 5,479. President H. R. Al-brecht. Dean of Men D. Dean Scott.Concert facilities: Field House (3,000),Festival Hall Auditorium (1,200), Me-morial Union Ballroom (capacity notgiven). Sound facilities: Mixer systemwith four microphones in Field House.Lighting: Reported as inadequate; someLekos and Fresnels available; dimmersare available in auditorium and WardLeonard Auto Transformers in FieldHouse. Acts appearing in 1966-67: Mos-cow Chamber Orchestra, Jose Molina,Gary Graffman, sponsored by UniversityCommittee for Fine Arts (Dr. F. G.Walsh); also Brothers Four, Simon &Garfunkel, Louis Armstrong, Peter, Paul

continued on page 90April 8, 1967 Billboard Music on Campus

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& Mary, sponsored by Student Union Ac-tivities Board; Ray Kril, program man-ager. Campus weekly is The Spectrum,Joseph Satrom, editor. Radio stationKDSU-FM programs mostly classical,some pop music. Varsity Mart, cam-pus bookstore sells records, radios. DickKasper is manager. Local record stores:Daveau's: Musicland, both in Fargo.

Northeastern University, BostonEnrollment, 11,851. President Asa S.Knowles. Dean of Men Edward W.Robinson. Concert facility: AlumniAuditorium. Sound and lighting facilities:reported as sufficient. Twenty micro-phones available. Acts appearing in1966-67: New York Percussion Trio,Woody Herman Orchestra, sponsored byCultural Activities Committee. Acts mustbe cleared through the Student ActivitiesDirector. Campus weekly is The North-eastern News, David Stern, editor. Radiostation WNEV (AM) programs popmusic. N.U. Bookstore sells, records,radios. Walter H. Floyd is manager.

Northern Arizona UniversityFlagstaff, Ariz.

Enrollment, 6,000. President J. LawrenceWalkup. Dean of Men Joseph C. Rolle.Concert facilities: University Auditorium(966), Ballroom (2,000), Ashurst MusicHall (500), Liberal Arts Little Theater(100), Lumberjack Gymnasium (3,500).Sound facilities: 4 column speakers, 2commander amps, 4 Electro -Voice 664microphones in gym; 1 Newcomb K5-1250 amp., 2 Altec A7-500 speakers,4 Shure 545 microphones, 1 Garrardturntable in Ballroom. Lighting: 1 strongtrouper arc spot, 2 500 -watt fresnelspots, 1 dimmer control board, 10 -ft.boom poles. Acts appearing in 1966-67:Stars of the Monterey Jazz FestivalDave Brubeck Quartet, the Collegiansand the Deep Six and the Challengers,Ramsey Lewis Show, Dionne Warwick,the Beau Brummels, Petula Clark,Supremes, Lovin' Spoonful, sponsoredby Associated Students, Grant L. Wolf,social manager; also, "The Soul in Jazz,"Cole Porter Revisited, sponsored by Stu-dent Series (Dr. Roger Ardrey). Allbooking must go through social man-ager's office. Campus bi-weekly is theLumberjack, Carol Hatch, editor. Radiostation KASC (AM) programs classicaland pop music. Local record store:Northern Arizona Amusement Co., 107W. Aspen Ave. in Flagstaff.

Northwestern State CollegeNatchitoches, La.

Enrollment, 5,100. President Arnold Kil-patrick. Dean of Men Leonard Nichols.Concert facilities: Coliseum (3,500),Fine Arts Auditorium (1,720), LittleTheatre (250). Sound facilities: Com-plete built-in systems for Coliseum andauditorium; Little Theatre needs portableamplifier; three microphones on hand,more available. Lighting: Coliseum hasspots controlled from side booths; audi-torium has beam spots from booth at

rear, ceiling spots and border spots; Lit-tle Theatre has ceiling and border spots.Acts appearing in 1966-67: Nicholas deVirgilio, Lucas Hoving Trio, San An-tonio Symphony, sponsored by North-western -Natchitoches Concert Assn., Dr.Paul Torgrimson, chairman; also Right-eous Brothers, the Lettermen, Martin St.James, sponsored by SGA EntertainmentCommittee, Mrs. Joan Coke, chairman;also Peter Nero, sponsored jointly byboth organizations. Campus weekly isThe Current Sauce, Danny Gayer, editor.

University of Notre DameNotre Dame, Ind.

Enrollment, 7,000. President, the Rev.T. M. Hesburgh. Dean of Men, the Rev.Joseph B. Simons. Concert facilities:Stepan Center (4,000), Morris CivicAuditorium (2,500). Sound facilities:self-contained amplifying system includ-ing amplifier, pre -amp, 3 Altec micro-phones and various booms. Lighting:Stepan Center has only house lights; alllights rented for each concert. Acts ap-pearing in 1966-67: Brothers Four,Righteous Brothers, Ray Charles, ClancyBrothers & Tommy Makem, The Tempta-tions, The Fantasticks, sponsored by So-cial Commission. All acts must becleared with Vice -President of StudentAffairs. Campus weekly is Scholastic,Daniel Murray, editor. Radio stationWSND (AM) programs pop music.Radio station WSND (FM) programsclassical music. Notre Dame Bookstoresells records, radios, tape recorders,Phonographs. Brother Conan is manager.Local record stores: Al Smith's RecordBar, 128 W. Washington Ave.; EvansRecord Shop, 2210 Michigan Ave.; Ro-din's Record Shop, 136 N. MichiganAve., all in South Bend.

Ohio University, Athens, OhioEnrollment, 15,000. President Vernon R.Alden. Dean of Students, James Whalen.Concert facilities: Memorial Auditorium(2,750), Ewing Hall (465), UniversityTheatre (300). Sound facilities: amplequantity of various types of microphonesreported available. Lighting: Trouperfollow spots, ceiling beams and usualstage lighting. Acts appearing in 1966-67:Chamber Symphony of Philadelphia,Cleveland Symphony Orchestra, NationalBallet Company, Saramae Endich, also,Juilliard String Quartet, Antioch StringQuartet, New York Woodwind Quintet,Marlboro Trio, Half A Sixpence, Porgyand Bess, The Fantasticks, sponsored byUniversity Convocations Committee.Bookings approved by Student Govern-ment and faculty advisor. Campus dailyis Ohio University Post, Richard Pesin,editor. Radio stations WOUB AM&FMprogram classical and pop music. Logan's,independently owned college bookstore,sells records, sheet music. Charles Ram-seth is manager. Local record store:Koon's Music Store, Court St., Athens.

Ohio State UniversityColumbus, Ohio

Enrollment, 40,000. President Novice G.Fawcett. Dean of Men Mylin H. Ross.Concert facility: Mershon Auditorium(3.072). Sound facilities: 70-W Altec

90Billboard Music on Campus April 8, 1967

amplifier and speaker distribution sys-tem; 16 microphones-six Electro -Voice666, six Altec M30, four Altec M20.Lighting: 2 Super Trouper arc spotsplus 18-20,000 watts from beam posi-tion; 50 miscellaneous spots, border lightsand footlights: 60 -circuit dimmer board.Acts appearing in 1966-67: Chad Mitch-ell, the Mamas & the Papas, Roger Wil-liams, Johnny Mathis, Ferrante & Teich-er, Cleveland Orchestra, Vienna ChoirBoys, New York City Opera Company,Eugene Istomin, Eileen Farrell, spon-sored by Advisory Committee on Cul-tural Programs. All bookings clearedthrough Donald H. Horton, Director.Auditorium Programs. Campus daily isOhio State Lantern, Charles Hunter,editor. Radio station WOSU AM & FMprogram classical and pop music. Uni-versity Bookstore sells radios, tape re-corders. E. B. Laird is manager. Localrecord store: Discount Records, Inc.,1956 N. High, in Columbus.

Ohio Wesleyan UniversityDelaware, Ohio

Enrollment, 2,450. President Elden T.Smith. Dean of Men Ronald Stead. Con-cert facilities: Gray Chapel (1,600). Ed-wards Gymnasium (1,100), MemorialUnion Ballroom (500). Sound facilities:built-in PA system in Gray Chapel; otherhalls use portable; microphones rented.Lights: some permanent in Gray Chapel.Acts appearing in 1966-67: Peter Nero,sponsored by Student Government (SteveAkin); also Rafael Puyana, ClevelandOrchestra, Alicia De Larrocha, Regis

Pasquier, Regine Crespin, StockholmUniversity Chorus, sponsored by ArtistSeries (Prof. Rexford Keller). All eventscleared through Mrs. Helen Taggart,Co-ordinator of Calendar. Campusweekly is Ohio Wesleyan Transcript,Larry Heinzerling, editor. Radio stationWSLN-FM programs classical and popmusic. Local record stores: News Shop,25 N. Sandusky, Campus Music Shop,40 N. Sandusky, both in Delaware.

Oklahoma State UniversityStillwater, Okla.

Enrollment, 16,003. President Robert B.Kimm. Dean of Men James Miller. Con-cert facilities: University Fieldhouse(7.200), University Auditorium (1,485),Union Theater (539). Sound facilities:four Shure microphones available forfieldhouse. Lighting: reported adequate,but with long throw from side, in field -house. Acts appearing in 1966-67:Ramsey Lewis Trio, The Four Freshmen,i an Peerce, Robert de Cormier FolkSingers, Goya & Matteo, Oklahoma CitySymphony Orchestra, New York ProMusica, Fred Waring & Pennsylvanianssponsored by Allied Arts, booked by Dr.Max A. Mitchell on flat fee basis. Book-ings for other organizations must be ap-proved by President. Campus newspaperis The Daily O'Collegian, Norman Going,editor. Radio stations KVRO and KOSU-FM program classical and pop music.t.ocal record stores: Platter Shop, OSUstudent Union; Audio Sound Systems,107 S. Washington; Chenoweth & GreenMusic Co., 623 S. Main, all in Stillwater.

University of OklahomaNcrman, Okla.

Enrollment, 15,731. President George L.Cross. Dean of Men William R. Brown.Concert facilities: Holmberg Hall(1,100), Oklahoma Memorial Union(1,300), Field House (6,000), MechamAuditorium (500), Rupel J. Jones Thea-tre (600). Sound facilities: Altec system-several base and high frequency unitswith appropriate pre -amps and 12 micro-phones, including RCA, Altec and Shure.Lighting: two arc follow spots. Acts ap-pearing in 1966-67: John Gary, Peter,Paul & Mary; Hank Thompson, sponsoredby Union Activities Board, Mrs. HelenDarks, director. Must clear bookingsthrough University Committee on Enter-tainment and Social Events. Campusnewspaper is The Oklahoma Daily, LindaJohnson, editor. Campus radio stationsWNAD and WNAD-FM program popand classical (but no Top 40) music.University Book Exchange, sells recordsphonographs, auto tape cartridges. JamesC. Mayfield is manager. Local recordstores: Hensley's Music Album, 745 W.Asp St.; Thomas Sound System, 315 W.Boyd, both in Norman.

Oklahoma City UniversityOklahoma City

Enrollment, 1,646. President John F.Olson. Dean of Men Lester W. Metheny.Concert facilities: Fine Arts Auditorium(1,180), Goldbug Theatre (200), Fred -


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erickson Field House (3,700), Theaterunder construction (253). Sound facili-ties: new sound systems being installedin auditorium and new theater: 2 stand-ing microphones 1 Dukane and 1 Elec-tro -Voice, 2 lecturn microphones per-manently mounted. All are directional.Lighting: new lighting system plannedfor auditorium and new theater. Actsappearing in 1966-67: Tsutsumi, Cham-ber Symphony of Philadelphia, JohnAlexander, Gina Bachauer, MarilynHome, all sponsored by the Civic MusicAssociation. The Cultural Enrichmentcommittee co-ordinates scheduling of allevents on campus. Campus daily is TheCampus, Miss Jan Burge, editor. OCUBookstore sells records and sheet music.Mrs. Bertha Coleman is manager. Localrecord stores: Willcox Record Shop andAntiques, 1423 N.W. 23; Records, Inc.,2410 N. Classen Blvd.; Jenkins MusicCo., Shepherd Mall, all in OklahomaCity.

University of OregonEugene, Oregon

Enrollment, 13,041. President Arthur S.Flemming. Dean of Men Robert Bowlin.Concert facilities: Erb Memorial StudentUnion Ballroom (800), McArthur CourtGymnasium (6,000 to 9,000), UniversityTheatre (401). Acts appearing in 1966-67: Bill Cosby, Al Hirt, Marc et Andre,Harry Belafonte, Deller Consort, IowaString Quartet, Hungarian Quartet, Ber-keley Chamber Singers, Gustav Leon-hardt, Philharmonic Wind Quintet of LosAngeles, sponsored by Student UnionBoard, Mrs. Mary Hudzikiewicz, pro-gram adviser; also, Nancy Wilson, spon-sored by Sophomore Class; also, High-land Fusiliers, Claudio Arrau, BachAria, Philharmonia Hungarica, AmericanBallet Theatre, sponsored by Civic MusicAssociation, Arthur Bailey, chairman.Every special attraction must be ap-proved by Erb Memorial Student UnionBoard. Campus newspaper is OregonDaily Emerald, Phil Semas, editor. Radiostation KWAX-FM programs classicalmusic and jazz, no pop. Co-op Store sellsrecords, radios, sheet music. Gerald Hen-sen is manager. Local record stores:Thompson's Record Mart, 62 W. Broad-way; Campus Book Store of Eugene, 877E. 13th Ave.; Bon Marche -Russells, 175W. Broadway, all in Eugene.

University of Maine, Orono, Me.Enrollment, 6.325. President EdwinYoung. Dean of Men John Stewart.Concert facilities: Memorial Gymnasium(2,500 to 3,000), Hauck Auditorium(600). Lighting: stage lights in audi-torium; portable lights must be installedin gym. Acts appearing in 1966-67: De-troit Symphony, Goldovsky Opera Thea-ter, De Pasquale String Quartet, NadiaKoutzen, Vienna Choir Boys, NortheastChamber Orchestra, sponsored by Con-cert Series Committee, Dr. Herrold E.Headley, chairman. Campus weekly isThe Maine Campus, David Kimball,editor. Radio station WMEB-FM pro-

grams classical and pop music. Univer-sity Store sells records, radios, tape re-corders, phonographs. George Piper ismanager. Local record stores: Viner'sMusic, Inc.; Andrew's Music House,both in Bangor.

Oregon State UniversityCorvallis, Oregon

Enrollment, 12,650. President James H.Jensen. Dean of Men Dan W. Poling.Concert facilities: Gill Coliseum (10,-000), Home Economics Auditorium(750). Sound facilities: RCA hi-fi sys-tem with two speakers; five microphones.Lighting: Footlights in three colors, lightsin shell and two Super Trouper arc spots.Acts appearing in 1966-67: Four Preps,Harry Belafonte, sponsored by Encore(student entertainment committee), IrwinC. Harris, director of Student Activitiesand faculty adviser; also Nancy Wilson,sponsored by Sophomore Class (Mr. Har-ris); also the Lettermen, sponsored byJunior Class (Mr. Harris); also Al Hirt,sponsored by Associated Students ofOSU (Mr. Harris); also the Romeros,Cesare Valletti, Obernkirchen Children'sChoir, American Ballet Theater, Port-land Symphony, Philharmonia Hungarica,Isaac Stern, sponsored by Corvallis &OSU Music Assn. Mr. Harris books allacts except classical series. Campus news-naper is Oregon State Daily Barometer,Robert Moore, editor. Radio stationsKOAC and KBVR (both AM) programclassical and pop music. OSU Bookstoresells records, tape recorders, radios, pho-nographs. Paul Irvine is manager. Localrecord stores: Chase Radio & TV;Toney's House of Music, both in Cor-vallis.

University of Pittsburgh,Oakland campus, Pittsburgh

Enrollment, 11,127. Acting ChancellorDavid H. Kurtzman. Dean of Men Her-bert McGibbeny. Concert facilities: Stu-dent Union Ballroom (700), Field House(5,200), Stephen Foster Memorial Audi-torium (672). Off -campus halls are oftenrented for student -sponsored concerts.Sound facilities: some facilities havebuilt-in systems; 30 -watt amplifiers with4 inputs and 2 25 -30 -watt speakers areused in other facilities. Acts appearingin 1966-67: Back Porch Majority, New-port All -Star Jazz Group, Four Seasons,sponsored by Student Union (Miss Har-riet Friday); also Simon & Garfunkel,sponsored by Homecoming Committee(Michael Weingarten) ; also Lettermen,sponsored by Men's Dorm Council(Wayne Masterman); also acts to besponsored by Winter Weekend Commit-tee (Michael Teller) and by Greek WeekCommittee (Bruce Martin). All book-ings must be cleared for the calendar byStudent Government and registered withthe Dean of Women. Campus thrice -weekly newspaper is The Pitt News,Fred Frank, editor. Closed circuit radiostation WPGH (AM) programs classicaland pon music. College Bookstore, PittBook Center, sells records, radios, taperecorders, tape cartridges. Mrs. GeraldineMcCord is manager. Local record stores:National Record Mart, 3715 Forbes Ave.;


Bound and Sound, 5415 Walnut St.:Bob's Discount Center, 120 OaklandAve., all in Pittsburgh.

University of PortlandPortland, Ore.

Enrollment, 1,850. President, the Rev.Pave E. Waldschmidt, C.S.C. Dean ofMen Fr. Wheylan, C.S.C. Concert facili-ties: Mehling Hall Auditorium (750),Education Hall (500). Sound facilities:Ampex stereo tape recorder, stereo Strom -berg Carlson dual channel (30 W. perchannel) amplifier; 2 12 -inch speakers, 5Shure 55 microphones plus various othermicrophones available. Lighting reportedexcellent. Acts appearing in 1966-67:Soulima Stravinsky, Milton & Peggy Sal -kind, sponsored by Humanities and ArtsFestival (Paul Oulette). Campus weeklyis The Beacon, Tom Caruso, editor. Ra-dio station KDUP (AM) programs clas-sical and pop music. University of Port-land Bookstore sells records. Brother Paul,C.S.C., is manager. Local record stores:Music on Records, 1033 S. W. Morrison;6th Ave. Records & HiFi, 511 S.W. GAve.; Johnson Music Co., 1022 S.W.Morrison, all in Portland.

C. W. Post CollegeGreenvale, N. Y., N. Y.

Enrollment, 3,700. President R. GordonHoxie. Dean of Men Frederick DeMarr.Concert facilities: Richard L. ConollyGymnasium (1,400), Little Theatre(300). Lighting: full lighting board intheatre; temporary system used in gym.Acts appearing in 1966-67: Patty LaBelle& the Blue Bells, sponsored by JuniorClass. Other concerts unconfirmed. Vari-ous student organizations sponsor events;all bookings must he cleared throughDean of Students. Campus weekly is

Post Pioneer, Anthony Toscano, editor.Radio stations WCWP AM & FM pro-gram classical and pop music. Localrecord stores: E. J. Korvette RecordCenter, Glen Cove Rd. & Westbury Ave.in Carl Place; School Street Music Store,School St. in Glen Cove; Barrow MusicShop, Inc., 27 Middle Neck Rd. in GreatNeck.

Providence CollegeProvidence, R. I.

Enrollment, 2,715. President, the Rev.William Paul Haas, O.P. Dean of Men,the Rev. Raymond B. St. George, O.P.Concert facilities: Alumni Hall (5,500),Raymond Hall (2,500), Harkins Hall(1,000). Sound facilities: 12 cone -typeceiling speakers; Stromberg-Carlson SCP-1005 5 -channel input mixer -preamplifier;Stromherg-Carlson APH-1100 100-Wpower amplifier; phonograph; also 4microphones -2 DeMambro DM -41, 1

Stromberg-Carlson MC -41, 1 Electro -Voice 644. Lighting: professionally runcarbon -arc spot with gels; intercom avail-able from stage. Acts appearing in 1966-67: not yet confirmed. All bookings musthe cleared with Director of Student Af-fairs. Campus weekly is The Cowl,Gerald A. McClure, editor. Radio sta-tion WDOM-FM programs classical and



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pop music. The Book Store sells records.Daniel Sullivan is manager. Local recordstores: Alexrod Music, Inc., 251 Wey-bosset St.; Beacon Record Distributors,Inc., 725 Branch Ave.; Carl's Diggins"House of Jazz," 759 N. Main St., all inProvidence.

Princeton UniversityPrinceton, N. J.

Enrollment, 4,600. President Robert F.Goheen. Dean of Students W. O. Laugh-lin. Concert facilities: McCarter Theater(1,077), Alexander Hall (no capacitygiven). Acts appearing in 1966-67:Martha Graham Dance Company, Ianand Sylvia, The National Ballet, "TheWorld of Kurt Weill" with MarthaSchlamme and Will Holt, Manitas dePlata, Julian Bream, Buffy Sainte -MarieRobert Casadesus and Zino Francescatti,Deller Consort, Alicia de Larrocha,Isaac Stern, Christa Ludwig and WalterBerry, Janos Starker, Rosalyn Tureck,sponsored by McCarter Theater, NancyShannon, general manager. Radio stationWPRB-FM programs classical and popmusic.

Purdue UniversityWest Lafayette, Ind.

Enrollment, 21,407. President FrederickL. Houde. Dean of Men O. D. Roberts.Concert facilities: Edward C. Elliot Hallof Music (6,000), Fowler Hall (400), 2adjoining Memorial Union Ballrooms(1,000 each), Field House (6,000),ROTC Armory (7,000). Sound andlighting facilities reported as complete.Acts appearing in 1966-67: Buckinghams,Cryan Shames, sponsored by StudentUnion (Mrs. Billsborough); also, LouisArmstrong, Herbie Mann, John David-son, Smothers Brothers, Jerry Vale,Woody Herman, Roger Williams, LainieKazan, Godfrey Cambridge, sponsoredby Victory Varieties (Albert P. Stewart).All sponsoring organizations exceptVictory Varieties, which books inde-pendently, must clear bookings throughDean of Men's Office. Events list isincomplete, as Victory Varieties policyprecludes announcing acts until 1-2weeks prior to appearance. Campus dailyis Purdue Exponent, Joe Bankoff, editor.Radio station WBAA (AM) programsclassical music, no pop; also severalcarrier -current stations that can be ad-dressed through Purdue Residence Net-work. Four independently owned, cam-pus -oriented bookstores that sell records,radios, tape recorders, phonographs are:Southworths at Purdue Service Centerand at Village on State; Deac's at Villageon State, and University Book Store, alsoat Village on State. Local record stores:Sound Productions, Purdue ServiceCenter; Adamson Music Center, 113Northwestern, both in W. Lafayette.

Rollins College, Winter Park, Ha.Enrollment, 1,100. President Hugh F.McKean. Dean of Men Fred Hicks. Con-cert facilities: Annie Russell Theatre

(445), Knowles Memorial Chapel (750),Bingham Hall (converted church struc-ture on campus (no capacity given),Crummer Hall (auditorium, 206). Soundand lighting facilities: Built-in systemsin chapel, theater and Crummer Hall,portable available for Bingham Hall. Actsappearing in 1966-67: University -spon-sored Concert Series including the LenoxQuartet and the Beaux-Arts String Quar-tet; The Righeous Brothers, sponsoredby Rollins Student Association, BobGustafson, president. Campus weekly isSandspur, Bill Renforth, editor. Radiostation WPRK-FM programs classicalmusic, no pop. Local record stores:Janel's Books, 124 Park Ave.; The Mu-sic Box, 333 Park Ave.; both in WinterPark; Streep Music Co., 641 N. OrangeAve., Orlando.

Rice University, Houston, Tex.

Enrollment 3,741. President K. S. Pitzer.Dean of Men P. E. Pfeiffer. Concertfacilities: Grand Hall of Rice MemorialCenter (1,200), Hamman Hall (500).Sound facilities: Hamman Hall has lowimpedance multiple inputs to Strombergmixers and amplifiers; Grand Hall ofRice Memorial Center has 6 low im-pedance mike inputs, 3 high impedanceinputs all mixed with Stromberg pre -amps to dual 25 watt Stromberg ampli-fiers; ceiling speakers or dual Frazier8 -inch sound columns; also, 6 ShureUnidyne 545S, 1 EV "lipstick" lavalier,2 Shure lavaliers, 1 Norelco unidirec-tional microphone. Lighting: reportedas standard in Hamman Hall;.Grand Hallhas I follow spot, 2 ellipsoidals available.Acts appearing in 1966-67: John Wil-liams, Charlie Byrd, sponsored by Stu-dent Center Board. Student Center Boardevents are reviewed by Director of RiceMemorial Center. Campus weekly is TheRice Thresher, Miss Sandy Coyner, edi-tor. Rice Campus Store sells radios, taperecorders, phonographs. W. S. Red III ismanager. Local record stores: HomeEntertainment, Inc., 5310 Kirby Dr.;Moses Melody Shop, 4048 Westheimer;Parker Music Co., Inc., 902 Walker, allin Houston.

Rutgers, the State University ofNew Jersey, New Brunswick, N. J.Enrollment, 5,389. President Mason W.Gross. Dean of Men Howard J. Crosby.Concert facilities: University Gymnasium(3,000), Voorhees Chapel (900), Kirk-patrick Chapel (560), Ledge CollegeCenter (500). Sound facilities: Gym-nasium has built-in system with wall -mounted speakers, 3 microphone inputs;College Center has built-in system withproscenium speakers, 3 inputs; Gym-nasium & College Center each have 3Shure microphones available (no booms.)Lighting: 2,000 -watt follow spots rentedas needed in Gymnasium and CollegeCenter. Acts appearing in 1966-67;Mitchell -Ruff Trio, Contemporary Cham-ber Ensemble (four concerts), Maurice& Marie -Madeleine Durufle, DrolcString Quartet, Pittsburgh Symphony Or-chestra, Melos Ensemble, Julian Bream,Moscow Chamber Orchestra, Randy


Weston & Sextet, Early Music Quartet,Francis Jackson, Netherlands ChamberChoir, New York Chamber Soloists,Gerard Souzay, Carl Weinrich, AmericanBrass Quintet, Abrosian Consort, PeeWee Russell & His All Stars, GinaBachauer, Robert Shaw Chorale, BostonSymphony Orchestra & Rutgers Uni-versity Choir, Nina Simone, The UncalledFor Three, Muddy Waters & His BluesBand, sponsored by College Center, JohnWong, director, and Office of the Deanof Men, R. Thomas Flynn, assistantdean; also Ray Charles and Raelets,sponsored by Alpha Phi Omega; alsoThe Dukes of Dixieland, sponsored byFreshmen Relations Committee; alsoThe Young Rascals, The Blues Project,Charlie Manna, The Moppets, The TakeFive, sponsored by the Sophomore Class.All student -sponsored events handledthrough the Major Program. All con-tracts must be signed by staff member.Committee Campus daily is The Targum,Donald Kaplan, editor. Radio stationWRSU (AM) programs classical and popmusic. University Bookstore sells rec-ords, radios. Ward G. Goetz is manager.

Rensselaer Polytechnic InstituteTroy, New York

Enrollment, 4,011. President Richard G.Folsom. Dean of Men Ira E. Harrod.Concert facility: RPI Field House(7,000). Sound facilities: 2 separatesound systems driven by 2 separate 100 -watt amplifiers; unlimited number andvariety of microphones available. Light-ing: 2 strong Trouper spot lights and

footlights available. Acts appearing in1966-67: Royal Highland Fusiliers, Man-tovani, Henry Mancini, sponsored byRPI, H. C. Butler, managing director,Field House; also, Simon & Garfunkel,sponsored by Sophomore Class; also,Peter, Paul & Mary, sponsored by ROTC& RPI; also, The Association and TheYoung Rascals, sponsored by Student Or-ganization. Student sponsored eventscleared through Frank McNeil, director,Student Union and RPI, H. C. Butler,Managing Director, Field House. Cam-pus weekly is The Polytechnic, RichardMiller, editor. Radio stations WHAZ(AM) and WRPI (FM) programs classi-cal and pop music.

University of RichmondRichmond, Va.

Enrollment, 3.000. President George M.Modlin. Concert. facility: Millhiser Gym-nasium (1,000). Sound facilities: speakersystem reported available. Acts appear-ing in 1966-67: The Drifters, The Shir-elles, Platters, sponsored by Student Gov-ernment, William McCann, president. Allfunctions must be approved. Campusweekly is The University of RichmondCollegian, Judith Baily, editor. Radiostation WCRC (AM) programs pop mu-sic only.

St Bona,/enture UniversitySt. Bonaventure, N. Y.

Enrollment, 2,000. President, the VeryRev. Francis W. Kearney, O.F.M. Deanof Men, the Rev. Timothy Quinn, O.F.M.

Concert facilities: McGraw JenningsField House (6,000) Olean Armony(3,000), Gargoyle Park Pavillion(2,000). Lighting and sound equipmentrented as needed. Acts appearing in1966-67; Vibrations, Gary (U. S.) Bonds,sponsored by Class of 1967; also YoungRascals, sponsored by Class of 1969; alsoDionne Warwick, The Lettermen, StanKenton Orchestra, sponsored by Class of1968. Concerts booked by class enter-tainment chairmen, cleared with Direc-tor of Student Activities, Fr. Roy Gas -nick, O.F.M. Campus weekly is TheBonaventure, John Callaghan, editorRadio station WOFM (AM) programsclassical and pop music. Local recordstores: Melody Corner, Union St.; FamilyBargain Center, State St., both in Olean.

St. Lawrence UniversityCanton, N. Y.

Enrollment, 1,700. President Foster S.Brown. Dean of Men Walter H. Baum-hoff. Concert facilities: Appleton Arena(4,000), Noble Center Auditorium(500). Acts appearing in 1966-67: ChadMitchell, Uncalled For Three, sponsoredby University Center Association (NealRoth) ; also, New York Pro Musica,Olatunji and his Drums of Passion,sponsored by Concert & Lecture Com-mittee (Dr. Donald Makosy). Campusweekly is The Hill News, Robert Axel-rod, editor. Radio stations WSLU AM &FM program classical and pop music.SLU Bookstore sells records, radios, tape


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recorders, phonographs. Lewis Clarke ismanager. Local record stores: The NewsShop, 96 Main St. in Canton; Calipari'sMusic Store, 15 Market St. in Potsdam.

St. Olaf CollegeNorthfield, Minn.

Enrollment, 2,450. President Sidney A.Rand. Dean of Men Mark Almli. Con-cert facility. St. Olaf Gymnasium(2,000). Acts appearing in 1966-67:Minneapolis Symphony, Br a m w e 11Fletcher, Maureen Forrester, John Wil-liams, sponsored by Artist Series (FredSchmidt); also Mitchell Trio, sponsoredby Student Events (Miss Evelyn Jerdee).Acts not booked by Artist Series mustbe approved by Student Activities Com-mittee. Campus weekly is Manitou Mes-senger, Kathy Wylde, editor. Radio sta-tion WCAL (AM) programs classicalmusic, no pop.

San Diego State CollegeSan Diego, Calif.

Enrollment, 16,000. President MalcolmA. Love. Dean of Students Herbert C.Peiffer Jr. Concert facilities: PetersonGymnasium (5,200), Music Auditorium(225), Campus Theater (200), StudentUnion to be completed in fall, 1968(1,200). Sound and lighting systems arerented. Acts appearing in 1966-67: Har-ry Belafonte, Manuela Vargas, LenoxString Quartet, John Williams, CalTjader, sponsored by Associated Stu-dents. All booking is through Student/Faculty Cultural Arts Board; see GaryA. Solbue, Activities Advisor, Office ofthe Dean of Activities. Campus news-paper is The Daily Aztec, Larry Ander-son, editor. Radio station KEBS-FMprograms classical music, no pop. AztecShops (campus bookstore) sells records,sheet music. Tom Macklin is manager.

Sanford UniversityBirmingham, Ala.

Enrollment, 2,800. President Leslie S.Wright. Dean of Men Arthur Walker.Concert facility: Siebert Gymnasium(4,000). Acts appearing in 1966-67:Mitchell Trio and one other act, not yetconfirmed, sponsored by Student Gov-ernment Association (Judson Jones).Bookings must be approved by Dean ofStudents. Campus bi-weekly newspaperis Crimson, Andy Collins, editor. Radiostation WVSU-FM programs classicaland pop music.

University of San FranciscoSan Francisco, Calif.

Enrollment, 2,971. President, the Rev.Charles W. Dullea, S.J. Dean of Men,the Rev. Robert A. Sunderland, S.J.Concert facilities: Memorial Gymnasium(6,600), Gill Theater (500), Phelan HallDining Room (900), University Com-mons (800). Sound facilities: completeAltec Lansing Voice of the Theaterspeaker system; extensive speaker sys-tem in Memorial Gymnasium; housesystem must be used for all events; mi -


crophones available include NorelcoD24E, Sony C37a, RCA BK-5B, RCA77DX, EV 655C, Neumann U67, 269.Lighting: rented as needed for concerts.U. S. F. students must operate lightingfacilities. Acts appearing in 1966-67:Bola Sete, Jean Hoffman Trio, JohnHandy Quintet, Glenn Yarbrough, StanWilson, California Boys, Tradesmen 2,sponsored by Associated Students, RodBlonien, activity chairman; also, Right-eous Brothers, sponsored by SpecialEvents Committee, Patrick Flanagan,chairman. Sponsoring group clears withfaculty advisor and Vice -President forStudent Affairs before scheduling-ordi-narily a formality in the case of enter-tainment events. Campus weekly is TheFoghorn, Thomas Fitzpatrick, editor.Radio station KUSF (AM) programsclassical and pop music. USF Bookstoresells records. Albert Schoenstein is man-ager. Local record store: Sears Roebuck,Geary Blvd. & Masonic Ave.; A. C.Doughty, 5031 Geary Blvd., both in SanFrancisco.

San Fernando Valley StateCollege, Northridge, Calif.

Enrollment, 10,700. President RalphPrator. Dean of Men Don Cameron,Concert facilities: Campus Theater(400), Gymnasium (4,000). Sound facili-ties: reported excellent with unlimitedmicrophones. Lighting: reported excellentin Campus Theater. All bookings mustbe cleared through Lecture & ConcertsCommittee( Dean Don Cameron). Cam-pus daily is Sundial, Bob Rawitch, editor.

SFUSC Bookstore sells records and pho-nographs. William Holbrook is manager.

University of ScrantonScranton, Pa.

Enrollment, 2,600. President, the Rev.Aloysius Galvin, S.J. Dean of Men, theRev. Henry Butler, S.J. Concert facility:Catholic Youth Center (4,958). Soundfacilities: Amplifier and speakers; Bogenmicrophones. Lighting: Trouper spots.Acts appearing in 19667-67: The Cyrkle,Ronettes, Vogues, sponsored by SeniorClass, John F. McVeigh, S.J., moderator.He approves ':ookings. Campus biweek-ly newspaper is Aquinas, Charles Gib-bons, editor. Radio station WUSV-FMprograms classical and pop music. Localrecord stores: Spruce Record Shop, 407Spruce St., and Basch TV & Appliances,142 Adams Ave., both in Scranton.

Seton Hall UniversitySouth Orange, N. J.

Enrollment, 10,000. President, BishopJohn J. Dougherty. Dean of Men RobertFennell. Concert facilities: Walsh Audi-torium (4,000), Student Center Lounge(900), Student Center Theater -in -theRound (500), Little Theater (200).Sound facilities: new Altec system with5 Sennheiser Dynamic microphones.Lighting: Super Trouper arc spots, over-heads and follow spots (2100). Acts ap-pearing in 1966-67: Mantovani, HarryBelafonte (two concerts), Duke Elling-ton and Ella Fitzgerald, Pittsburgh Sym-phony, Ray Charles, Four Seasons, TonyBennett with Count Basie and Jack E.

Leonard, the Supremes, Trini Lopez,Peter, Paul and Mary, Johnny Mathis(two concerts), Sammy Davis Jr., spon-sored by the University. All bookingsmade by Ken Roberts, who is retained asExecutive Producer by the University; healso works for University Concert Pro-ductions, a firm representing SHU as pro-duction company. Campus weekly is TheSetonian, Bob Windram, editor. Radiostation WSOU-FM programs classicaland pop music. Seton Hall Bookstoresells records and radios. Joseph Sapienzais manager. Local record store: VillageRecord Shop, South Orange Ave., SouthOrange.

Simmons College, BostonEnrollment, 1,980. President William E.Park. Dean of Women Eleanor Clifton.Concert facilities: Auditorium (500,small platform only), Alumnae Hall(350, has stage). Sound facilities: Fullamplification in both halls. Lighting:Remote lighting and spots. Acts appear-ing in 1966-67: N. Y. Jazz Sextet, aspart of Fine Arts Festival. Other book-ings unconfirmed; they will be sponsoredby Student Committee on ProgrammedEvents, Dr. Donald Dunbar, faculty ad-visor. Campus weekly is The SimmonsNews, Nancy Scannell, editor. Local rec-ord store: Jordan Marsh, WashingtonSt., Boston.

South Dakota State UniversityBrookings, S. D.

Enrollment, 5,013. President H. M.Briggs. Dean of Men Orlin Walder. Con -


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cert facilities: University Auditorium(900), University Gymnasium (3,800).Campus weekly is the Collegian, JohnWhalen, editor. Radio station KAGY(AM) programs classical and pop music.

University of South CarolinaColumbia, S. C.

Enrollment, 10,500. President ThomasF. Jones. Dean of Men Eugene Cooper.Concert facilities: Township Auditorium(3,280), U.S.C. Field House (3,300),Drayton Hall (capacity not given), Rus-sell House Assembly Room (390).Sound facilities: Built-in system with Col-umn speakers in auditorium; portable sys-tems used in other halls. Lighting: NoTroupers available, but there are foot-lights, side and overhead lights and largespots. Acts appearing in 1966-67; MajorLance, New York Brass Quintet, Jay andthe Americans, Roy Hamilton, Ronettes,Drifters, Roger Wagner Chorale, Derek &Ray, Lettermen, Little Anthony, MauriceWilliams, Dionne Warwick, JohnnyMathis, Charlie Byrd, Four Seasons,Kingsmen, Jose Malino, Paul KoontzParis Chamber, sponsored by RussellHouse Student Union, David W. Phillips,director. Mr. Phillips clears all bookings.Campus weekly is The Gamecock, DickElliot, editor. Radio stations WUSC AM& FM program classical and pop music.Campus Shop sells radios. MarionDantzler is manager.

Southern Illinois UniversityCarbondale, III.

Enrollment, 18,188. President Delyte W.Morris. Dean of Student Affairs DivisionJack W. Graham. Concert facilities: TheArena Gymnasium (10,000), ShryockAuditorium (1,600), New PlayhouseTheater (588), Furr Auditorium (450),Davis Auditorium (300), MuckelroyAuditorium (250), Old Playhouse The-ater (200), Experimental Theater (capac-ity not given). Lighting: New Playhousehas full stage lighting plus high port-holes providing multi -directional lighting;Experimental Theater has ceiling grid.Acts appearing in 1966-67: Ferrante &Teicher, Martha Graham Dance Com-pany, sponsored by Paul Hibbs, Co-ordinator of Special Event, and StudentActivities Programming Board, Lyle A.Gohn, co-ordinator; also, Andre Watts,Donald Gramm, Ruth Page Ballet, Phila-delphia Chamber Orchestra, sponsored byCarbondale Community Concert Asso-ciation, Dr. Robert D. Faner (SIU Eng-lish Dept.), president; also, WilliamDoppmann, American Arts Trio, ArthurPoister, Frank Glazer, American Wood-wind Quintet, Robert Ericson, Al Pay-son & Bobby Christian, sponsored byMusic Department (Chairman, GuestArtist Series); also Harry Belafonte &Nipsy Russell, sponsored by Homecom-ing Committee. Mr. Hibbs clears book-ings for all student -sponsored events.Campus newspaper is The Daily Egyp-tian, John Matheson, editor. Radio sta-tion WSIU-FM programs classical andpop music. Local record stores: Saluki

Currency Exchange; Williams ApplianceStore; Cousin Fred's, all in Carbondale.

University of Southern MississippiSouthern Station, Hattiesburg, Miss.Enrollment, 7,000. President W. D. Mc-Cain. Dean of Men Rader Grantham.Concert facilities: USM Auditorium(1,500), Reed Green Coliseum (9,000).Sound facilities: reported excellent, ade-quate microphones, mostly Altec. Light-ing: follow spots (with gels); stage over-heads. Acts appearing in 1966-67: Mar-tin St. James, Back Porch Majority, spon-sored by University Union. All acts mustbe cleared through Union Director. Cam-pus bi-weekly newspaper is the StudentPrintz, Danny Green, editor. Radio sta-tion WMSU (AM) programs classicaland pop music. USM Bookstore sells rec-ords, radios. J. Gore is manager. Localrecord stores: Pal's Music Store, WXXXRecord Rack, Johnson's Music Store, allin Hattiesburg.

Southern Methodist UniversityDallas, Tex.

Enrollment, 5,278. President Willis M.Tate. Dean of Men Joe A. Howell. Deanof Student Life Fred W. Bryson. Concertfacilities: Moody Coliseum (12,000),McFarlin Memorial Auditorium (2,429),Caruth Auditorium (520). Sound facili-ties: Low impedance system, five direc-tional microphones, with Altec speakers.Lighting: One arc follow spot; stage bor-der lights on dimmers. Acts appearing in1966-67: Marc et Andre, Jose MolinaBailes Espanoles, Andre Watts, spon-sored by the Community Course, R. C.Knickerbocker, executive director; alsoJapanese Noh Theatre, Shinichi Suzuki,Durufle, Lelia Gousseau, Harkness Bal-let, Robert Anderson, sponsored bySchool of the Arts, Dr. Kermit Hunter,dean; also Jonathan Winters, RamseyLewis Trio, Bill Cosby (pending), JoseGreco, Ferrante & Teicher, JohnnyMathis, Hal Holbrook in "An EveningWith Mark Twain," sponsored by SMUConcert Series (Dean of Student Lifein co-operation with Neiman-Marcus).Campus newspaper is The SMU Campus,Sherry Roberts, editor. Radio stationKSMU (AM) programs classical and popmusic. SMU Book Store sells records,radios. Reuben R. Friou is manager. Lo-cal record stores: Hillcrest High Fidelity,6309 Hillcrest Ave.; Melody Shops,122 Inwood Village and 1026 Northpark(-enter; Miracle Music, 4356 LoversLane, all in Dallas.

University of SouthwesternLouisiana, Lafayette, La.

Fnrollment, 8,984. President Clyde L.Rougeou. Dean of Men Glyn Abel. Con-cert facilities: B 1 a c k ha m Coliseum(5,500), Men's Gymnasium (2,500),Angelle Hall (new music theater, 900),Burke Theater (550), Hamilton Theater(475). Sound and lighting facilities:What is not on hand can be rented lo-cally. Acts appearing in 1966-67: Her-mann Prey, Lucktenbertg Duo, FiestaMexicana, Nelson & Neal, Carlos Mon-toya, Rhos Male Choir, ContemporaryDance Theater, Theodore Upmann, spon-sored by USL Artists Series, Willis F.


Ducrest, chairman. Also Righteous Broth-ers, sponsored by Student Council. Cam-pus weekly is The Vermillion, JamesBradshaw, editor. USL Bookstore sellsrecords. Henry Barker is manager. Lo-cal record store: Prof. Erny's MusicShop, Oil Center, in Lafayette.

Stanford UniversityStanford, Calif.

Enrollment: 11,223. President J. E. Wal-lace Sterling. Dean of Students H. Don-ald Winbigler. Concert facilities: Dinkel -spiel Auditorium (720), Memorial Audi-torium (1,684), Cubberley Auditorium(500), Little Theater (192), MemorialChurch (1,800 plus chairs), Frost Amphi-theater (outdoors) (11,000), StanfordPavilion (2,700). Sound facilities: Me-morial Auditorium has 1 Altec Lansingspeaker, ceiling mounted; DinkelspielAuditorium has 2 Altec speakers and1-6 pot mixer; five 665 E/V micro-phones. Lighting: Memorial Auditoriumhas two carbon -arc spots and SCRboard: Dinkelspiel Auditorium has 2516 -inch scoops, 16 8 -inch ellipsoidalspots, one follow spot, 10 10 -inchfresnels, five strips, four 2000 -wattlamps, six 6 -inch ellipsoidal spots;Frost Amphitheater has PARs; can rentcarbon -arcs for Pavilion. Acts ap-pearing in 1966-67: Deller Consort, Isa-belle Nef, Borodin String Quartet, Stutt-gart Chamber Orchestra, sponsored bythe Music Department (John Planting);also Mary Costa, Rudolf Firkusny,American Ballet Theater, Sabicas, spon-sored by Associated Students of Stan-

ford University (Richard Bale); alsoBudapest String Quartet and PhiladelphiaOrchestra, sponsored by Committee onPublic Exercises, Agnes Nohrnberg,chairman; also Louis Armstrong, spon-sored by Stanford Club of Palo Alto.Students' programs approved by ASSUand by Committee on Public Exercises,which approves all other programs.campus newspaper is Stanford Daily,James V. Selna, editor. Campus radiostations, KZSU and KZSU-FM, programpop and classical music. Stanford Book-store, James Wilson, manager, sells rec-ords, radios, :ape recorders. Local recordstores: MeloJy Lane Music Store, 532Ramona St., Palo Alto; Discount Rec-ords, El Camino, Menlo Park; Town& Country Music Center, 127 Town &Country Village, Palo Alto.

Syracuse UniversitySyracuse, N. Y.

Enrollment, 15,000. Chancellor WilliamP. Tolley. Dean of Men Jim G. Carleton.Concert facilities: Manley Field House(2,150), Men's Gymnasium (2,000),Women's Gymnasium (1,500), War Me-morial Auditorium, city (7,000), Uni-versity Regent Theatre (1,008). Acts ap-rearing in 1966-67: Count Basie, NinaSimone, sponsored by University Unioncommittee; also Dionne Warwick, Jay &the Americans, sponsored by Class Gov-ernments, which sponsors several otherconcerts not yet confirmed; also Theloni-ous Monk, Le Treteau de Paris, AmericanFolk Ballet. Erroll Garner, Hal Holbrookin "Mark Twain Tonight," Carlos Mon-

toya, sponsored by University RegentTheatre, Rex Henriot, managing director.All talent booking for student -sponsoredevents is initiated and confirmed by theSocial Committee. Campus newspaper isThe Daily Orange, Thomas L. Jones,editor. Radio station WAER-FM pro-grams classical and pop music. SyracuseU. Bookstore sells records, radios, taperecorders, phonographs, sheet music,guitars, auto tape cartridges. Burton Finkis manager. Local record store: HillMusic Box, 754 Crouse Ave., Syracuse.

Temple University, PhiladelphiaEnrollment, 14,727. President Millard E.Gladfelter. Dean of Men Carl M. Grip.Concert facility: Mitten Memorial HallAuditorium (1,850). Sound facilities:Permanent stereo amplification andspeaker system; microphones not on handare rented. Lighting: System on stage;recessed ceiling panel for colored spots;two spots. Acts appearing in 1966-67:Dionne Warwick, John Coltrane, Martha& the Vandellas, sponsored by StudentUnion Board (Ellen R. Geig). All book-ings must be cleared through Officeof Student Activities. Campus thrice -weekly newspaper is Temple UniversityNews, Arlene Notoro, editor. Radio sta-tions WRTI AM & FM program classicaland pop music.

University of Tampa, Tampa, Fla.Enrollment, 1,850. President David M.Delo. Dean of Men Alvin Terry. Con -


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cert facilities: Falk Theater (1,150),University Ballroom (300). Sound facili-ties: Usual sound facilities reported withat least 3 microphones available. Light-ing: reported to be normal for pro-scenium stage. Other facility has thruststage which makes lighting difficult. Mostconcerts performed on the thrust stage.Acts appearing in 1966-67: Jack andSally Jenkins, sponsored by SpecialEvents Committee, D. J. Cermele, chair-man; also Cole Porter Revisited, spon-sored by Theater Artist Series. All book-ings go through Special Events Commit-tee. Campus biweekly newspaper is theMinaret. Miss Leslie M. Barr, editor.

Texas A&M UniversityCollege Station, Texas

Enrollment, 9,208. President Earl Rudder.Dean of Men James P. Hannigan. Con-cert facilities: G. Rollie White Coliseum(8,400), Guion Hall Theater (1,200),Memorial Student Center Ballroom (500).Sound facilities: Altec systems; 5 Electro -Voice, 8 Turner microphones. Lightingis reported variable but somewhatlimited. Acts appearing in 1966-67: NewChristy Minstrels, Doc Severinsen Sextet,Four Freshmen, Fred Waring and thePennsylvanians, Johnny Mathis, Univer-sity of Texas Concert Choir & DallasConcert Orchestra, Don Cossack Chorus& Dancers, James Dick, Sam Hinton,Sergiu Luca, sponsored by MemorialStudent Center Town Hall Committee(J. Wayne Stark, Hal Gaines). Actsselected by committee comprised ofstudents, faculty and townspeople. Finalbooking authority is Dean of Students.Campus daily newspaper is The Bat-talion, Winston Green, editor. TexasA&M Exchange Store sells records,radios, tape recorders, phonographs, autotape cartridges. Chuck Cargill is man-ager. Local record stores, Schaffers,North Gate; The Gift Shop, Box 5718,both College Station.

Texas Christian UniversityFort Worth, Tex.

Enrollment, 4,500. Chancellor James M.Moody. Dean of Men Bill Murray. Con-cert facilities: Daniel Meyer Coliseum(8,100), Landreth Auditorium (1,250),Student Center Ballroom (800). Soundand lighting facilities: that not on handis rented. Acts appearing in 1966-67:Glenn Yarbrough and Godfrey Cam-bridge, Righteous Brothers, sponsored byEntertainment Committee (Mrs. R. L.Proffer); also Preservation Hall JazzBand, Ballet Folklorico de Mexico, NewYork Woodwind Quintet, Janos Starker,Evelyn Lear, sponsored by Select Series(also Mrs. R. L. Proffer). All bookingcontracts must be signed by Vice Chan-cellor for Fiscal Affairs. Campus bi-weekly newspaper is The Skiff, Kath-leen Clough, editor. Radio stationsKTCU AM & FM program classical andpop music. University Store sells records.E. M. Moore is manager.

Texas College of Arts andIndustries, Kingsville, Tex.

Enrollment, 4,907. President James C.Jernigan. Dean of Men J. E. Truner.Concert Dx facilities: Joe Jones Audi-torium (1,445), Little Theatre (200),Music Building (300). Sound facilities:amplifier and microphone available ineach facility; maximum of 3 microphonescan be hooked up for concerts. Lighting:fixed spots, stage lights, 2 travel spotsavailable. Acts appearing in 1966-67:Preservation Hall Jazz Band, NewChristy Minstrels, sponsored by ArtistCourse Committee, Dr. Billy Cowart,chairman. Campus weekly is The SouthTexan, Clark Councill, editor. CollegeBookstore, Texas A & I College Storesells records. Thomas C. Harris ismanager. Local record store: Durham'sMusic in Kingsville.

University of Texas at El PasoEl Paso, Tex.

Enrollment, 8,113. President Joseph M.Ray. Dean of Men Carlos A. Garcia.Concert facilities: Magoffin Auditorium(1,600), Union Ballroom (500), Me-morial Gymnasium (5,000). Soundfacilities: complete facilities reported inMagoffin Auditorium; facilities reportedgood in Union Ballroom; microphonesavailable, with more rented for indi-vidual concerts as needed. Lighting: re-ported to be complete in Magoffin Audi-torium; portable lighting in Union Ball-room and Memorial Gym. Acts appear-ing in 1966-67: New Christy Minstrels,Lettermen, Chuck Berry, sponsored bythe Student Association (Tom Chism andJohn Boice) ; also other concerts to besponsored by the Student Activities Board(Tom Chism). All major events arescheduled in conference with the direc-tor of student activities. Campus weeklyis The Prospector, Abel Aldaz, editor.Radio Station KVOF (AM) programsclassical and pop music. UTEP Book-store sells records, radios. J. D. Jonesis manager. Local record stores: Har-mony Shops, El Paso National BankBldg.; White House Dept. Store; MelodyShop, 66 Basset Center, all in El Paso.

Texas Technological CollegeLubbock, Tex.

Enrollment, 17,768. President Grover E.Murray. Dean of Men Lewis N. Jones.Concert facilities: University Theater(500), Lubbock Municipal Auditorium(3,500). Sound facilities: University The-ater speaker system reported excellent;Lubbock Auditorium amplifier andspeaker system reported fair. Lighting:adequate facilities reported in Theaterand Lubbock Auditorium. Acts appear-ing in 1966-67: Simon & Garfunkel, StanGetz, Flatt & Scruggs, sponsored by TechUnion, Dorothy Pijan, program director.All acts cleared and booked by TheTech Union, Campus newspaper is Uni-versity Daily, David Snyder. editor.Radio station KTXT (FM) programsclassical and pop music. Tech CollegeBookstore sells records, sheet music.Conner Cole is manager. Local recordstores: Wayne's Records, 3117 34th:


U. V. Blake Record Center, 2401 34th;LaFeria Record Shop, 1215 H St., all inLubbock.

Tulane University, New OrleansEnrollment, 10,517. President Herbert E.Longenecker. Dean of Men John H.Stibbs. Concert facilities: McAlister Au-ditorium (1,950), Dixon Hall (1,000),Tulane Gymnasium (5,400), KendallCram Ballroom (400). Sound and light-ing facilities: Some equipment availableand additional equipment rented asneeded. Acts appearing in 1966-67:Obernkirchen Children's Choir, New Or-leans Philharmonic Symphony, Sabicas,Galina Vishnevskaya, sponsored by Tu -lane Artist Series, Agatha Newitt, direc-tor, cultural activities. Acts must becleared through Joint Student -FacultyCommittee. Campus weekly is TulaneHullabaloo, Andrea Voegel, editor. Ra-dio station WTUL (AM) programs clas-sical and pop music. Tulane UniversityBookstore sells records, radios. EltonEndicott is manager. Local record stores:Smith's; Werlein's; Canal Record Center,all in New Orleans.

Utah State UniversityLogan, Utah

Enrollment, 8,200. President Daryl Chase.Dean of Men Claude Burtenshaw. Con-cert facilities: George Nelson MemorialFieldhouse (6,000). Sound and lightingfacilities: campus technician provides al-most any facilities desired; great numberand variety of microphones reportedavailable. Acts appearing in 1966-67:

Irana Arkipova, Soulima Stravinsky, Or-chestra Michelanglo, Van Cliburn, UtahSymphony with Arthur Fiedler conduct-ing, Chanteurs de Paris, Utah Symphonywith Maurice Abravanel, Vienna ChoirBoys, Golden Curtain Opera Quartet,Utah State University Concert Band,Mikhail Vaiman, Justina Diaz, sponsoredby U. S. U. Concert Forum Committeeand Civic Concert Series, Dr. Twain Tip-pets, director, Lectures, Concerts & Tours.All bookings made through student -facul-ty committee. Campus triweekly news-paper is Student Life, Brent Check-etts, editor. Radio Station KUSU (FM)programs classical and pop music. UtahState University Bookstore sells records,radios, tape recorders, phonographs, gui-tars. Dean Haslam is manager. Localrecord stores: Somers Music Store, WestCenter; Low Cost Drug Store; J. C.Penney's, all in Logan.

U. S. Air Force Academy, Colo.Enrollment, 3,100 cadets. Superintendent,Lt. Gen. Thomas S. Moorman. Dean ofMen, Brig. Gen. Robert F. McDermott.Concert facility: Arnold Hall (3,000).Sound facilities: Altec amps with Voiceof Theatre speakers available; Altec,Electrovoice, RCA microphones avail-able. Lighting: reported adequate for on-stage productions. Acts appearing in1966-67: Glenn Yarbrough, Half A Six-pence, Al Hirt, Ballet Folklorico, Colo-rado Springs Symphony, Susan Starr,William Warfield, Whittemore & Lowe,sponsored by Allied Arts Board, MajorJames A. Turner, Special Activities. All

acts must be cleared by Allied ArtsBoard. Campus monthly magazine isTalon, Cadet First Class Wilbur W. East,editor. Cadet Store sells records, radios,tape recorders, phonographs, guitars.Tape cartridges may be specially ordered.

U. S. Naval AcademyAnnapolis, Md.

Enrollment, 4,150. Superintendent, RearAdm. Draper L. Kauffman. Dean ofMen A. Bernard Drought. Concert facili-ties: Field House (8,000), Dahlgren Hall(3,000). Acts appearing in 1966-67:Erroll Garner, Lettermen, Clancy Broth-ers, sponsored by Popular Music Con-cert Committee. Bookings cleared throughComdr. R. H. Bayslinger Jr., Operationsand Plans Department. Academy weeklymagazine is Log. Radio station WRNV(AM) programs classical and pop music.Midshipman's Store sells records, radios,tape recorders, phonographs, guitars,auto tape cartridges. Sheldon Lacey ismanager. Local record stores: Hi -FiShop, 7 Parole Plaza; Jess Radio, Inc.,Francis & Main Sts., both in Annapolis,and Severna Park Disc Shop, ArundelPlaza, Severna Park.

University of UtahSalt Lake City, Utah

Enrollment, 17,482. President James C.Fletcher. Dean of Students Virginia P.Frobes. Concert facilities: Einar NielsenField House (6,000), Pioneer MemorialTheatre (1,000), Kingsbury Hall (1,895),


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Sound facilities: Ampex tape system andAltec distributed sound reinforced sys-tem, equalized by the patented bonerprocess with a guaranteed frequency re-sponse, 20-22 cycles; 100 microphonesavailable, including push -to -talk intercomand Altec M-20 systems. Lighting: 2 car-bon arc follow spots, 8 leko lights tospot stage. Acts appearing in 1966-67:Harry Belafonte, Brasil '66, ClancyBrothers (tentative), sponsored by Artists& Speakers, Jan Van Orman, faculty ad-visor; also, Claude Gordon Orchestra,sponsored by the Homecoming Commit-tee; also, Stan Kenton (tentative); also,Jon Hendricks, sponsored by Concerts &Lectures, L. Keith Wilson, director; also,Buddy Rich and Glenn Yarbrough, spon-sored by L.D.S. Student Association, Gor-don Gee, student body officer. Co-opera-tive Research approves all contracts.Campus newspaper is Daily UtahChronicle, Michael Heywood, editor.Radio station KUER (FM) programsclassical and some jazz. University Book-store sells records. Seibert Mote ismanager. Local record stores: House ofMusic, 156 S. Main; Broadway Music, 11E. Broadway; Frosts Book and RecordShop, 1320 Foothill Dr., all in Salt LakeCity.

University of VirginiaCharlottesville, Va.

Enrollment, 7,888. President Edgar F.Shannon Jr. Dean of University B. F. D.Runk. Concert facilities: University Hall(3,000), Cabell Hall (1,000). Sound facili-ties described as ample; three micro-phones. Lighting: 9 spots, 1 follow spot.Acts appearing in 1966-67: Acts carefullyconsidered and special contracts written.Closed-circuit radio station WUVA (AM)programs Pop music only, WTJU (FM)programs classical music only. Campusnewspaper is The Cavalier Daily, RichardHughes, editor. Local record stores:Mincer's Pipe Shop, Anderson's BookStore, both in Charlottesville.

The University of VermontBurlington, Vt.

Enrollment, 5,005. President Lyman S.Rowell. Dean of Student Personnel Serv-ices Roland D. Patzer. Concert facilities:Tra Allen Chapel (1,950), Patrick Gym-nasium (3,000), Arena Theatre (400),Southwick Ballroom (500). Acts appear-ing in 1966-67: John Browning, sponsor-ing agent, George Bishop; also, HenryMancini, Martha Graham, PittsburghSymphony, Stan Getz, Royal WinnipegBallet, Cleveland Orchestra, VictorBorge, sponsored by Lane Artists Series.Campus weekly is The Cynic, RichardBerk, editor. Radio stations WRUV (AM& FM) program classical and pop music.University Bookstore sells records. OwenHeney is manager.

Vanderbilt University, NashvilleEnrollment, 5,334. Chancellor Alexan-der Heard. Dean of Men Sidney Bout-well. Concert facilities: Memorial Gym

(6,000-10,000), Neely Auditorium (1,-100), Underwood Auditorium (500).Sound facilities: Reported as the usualelectronic equipment including amplifiersand speakers; microphones rented forconcerts. Lighting: Reported as average.Acts appearing in 1966-67: Simon &Garfunkel, Little Anthony & the Im-perials, The Brothers Four, NashvilleSymphony Orchestra, plus 2 other con-certs not yet set, sponsored by StudentAssociation Concert Committee, BobDinkelspiel, chairman; also, The EarlyMusic Quartet, The Hungarian Quartet,Janos Starker, Princeton Chamber Or-chestra, sponsored by Vanderbilt Uni-versity. All events must be clearedthrough the Student Government Asso-ciation and the Dean of Men's office.Closed circuit radio stations WRVUAM & FM program classical and popmusic. Campus weekly is the Hustler,Frank Allen Philpot, editor. Local rec-ord stores: Buckley's Record Store, 1707Church St.; Patty's Record Shop, 180421st Ave. S.; Ernie's Record Mart, 1793rd Ave. N., all in Nashville.

Villanova UniversityVillanova, Pa.

Enrollment, 4,500. President, the Rev.Joseph A. Flaherty, O. S. A. Dean ofMen, the Rev. Robert Gill, O. S. A. Con-cert facilities: Field House (4,000),Vasey Hall (350). Sound and lighting re-ported sufficient for any concerts. Actsappearing in 1966-67: Leonard Bernsteinand New York Philharmonic, sponsoredby the student body; also, Lovin'Spoonful, sophomoreclass; also, New Orleans Pops Orchestrasponsored by Student Government Asso-ciation (the Rev. Richard Appicci, theRev. George Lawless). All bookings mustclear with Dean, Student Activities. Cam-pus weekly is the Villanovan, E. J.Ruane, associate moderator. Radio sta-tion WWVU (FM) programs classicaland pop music. University Shop sellsrecords. John Bauman is manager.

Virginia Military InstituteLexington, Va.

Enrollment, 1,200. Superintendent GeorgeR. E. Shell. Director of Student Affairs F.H. Barksdale. Concert facilities: WilliamH. Cocke Hall (2,500), Jackson Memo-rial Hall (1,200), Lejeune Hall (350).Sound facilities: Public address systemsavailable in all facilities; 4 microphonesavailable. Lighting: Plenty of overheadwhite light, a few Fresnel spots available,no follow spots. Acts appearing in 1966-67: Ian & Sylvia, Isley Brothers, TommyDorsey Band, Kingsmen, Bill BlackCombo, Serendipity Singers, sponsoredby the Hop Committee. All acts mustbe cleared through faculty adviser tothe Hop Committee or Director of Stu-dent Affairs, F. H. Barksdale. Campusweekly is The Cadet, C. E. Miley, editor.Local record store: Campus Corner, Jef-ferson St., in Lexington.

Wake Forest CollegeWinston-Salem, N. C.

Enrollment, 3,000. President Harold W.Tribble. Dean of Men Mark H. Reece.Concert facilities: Wait Chapel (2,378)


Memorial Coliseum, in city (8,600).Sound facilities: in chapel, 2 columnspeakers, 120W amplifier and integratedsound system. Lighting: in chapel, sixNo. 1357 Klieg 1000W lamps recessedin ceiling; canopy over stage has 16 No.1365-E 500W lamps; SCR 63 dimmerboard, 2 arc spots 112 ft. from stage(Troupers); Coliseum has 2 Troupers,stage lights. Acts appearing in. 1966-67:Itzhak Perlman, John Shirley -Quirk,Artur Rubinstein, Lee Evans Trio, Vir-tuosi di Roma, Coro Polifonica, spon-sored by College Artist Series (Dr.Charles M. Allen); also, Bitter EndSingers, Dukes of Dixieland, RighteousBrothers, Four Seasons, Ferrante &Teicher, Barbara Lewis, Coasters, spon-sored by College Union, Steve Kelley,Chairman, Major Functions Committee.College Union bookings must be clearedthrough Dean of Men. Campus weeklyis Old Gold and Black, Sylvia Pridgen,editor. Radio station WFDD AM & FMprogram classical and pop music. Col-lege Book Store sells records, radios,tape recorders, phonographs. RichardClay is manager. Local record stores:Reznick's Downtown, 440 N. LibertySt.; Reznick's Thruway, ThruwayShopping Center; Bocock-Stroud, 501 W.Fourth St., all in Winston-Salem.

Washington State UniversityPullman, Wash.

Enrollment, 10,600. Acting PresidentWallis Beasley. Dean of Men J. C.Clevenger. Concert facilities: Bohler

Gymnasium (4,500), Bryan Hall (800).Sound facilities described as adequate;6 microphones. Lighting: 4 stationaryspots, 2 Trouperette follow spots. Actsappearing in 1966-67: The 3 D's, Chad& Jeremy, Fred Waring & the Pennsyl-vanians, Ferrante & Teicher, The Cana-dian Opera, sponsored by CUB MusicCommittee, James Crow, program ad-visor. Campus thrice -weekly newspaperis The Daily Evergreen, Patty Clark, edi-tor. Radio station KWSC (AM) programsclassical and pop music. Students BookCorp. sells radios, tape recorders, pho-nographs, auto tape cartridges. MerlSimmons is manager. Local record stores:The Empire Dept. Store, 205 Main,and 4 Notes Music, 909 N. Grand,both in Pullman.

Washington University, St. LouisEnrollment, 6,500. Chancellor ThomasH. Eliot. Director of Student ActivitiesJames Ewing. Concert facilities: GrahamMemorial Chapel (1,000), Brown HallAuditorium (400), Steinberg Hall Audi-torium (400), University Field House(5,000). Sound facilities: Graham Chapelhas built in, permanent sound system ofgood quality; other auditoriums use port-able equipment. Acts appearing in 1966-67: Julian 3ream, An Evening with ColePorter, Thelonious Monk, History ofJazz, Nicanor Zabaleta, Laurindo Al-meida, Rhos Male Choir, sponsored byOffice of Performing Arts, EdwardCorn, director. Acts must check withOffice of Student Activities. Campussemi-weekly is the Student Life, Gary

Arlen, editor. Radio station KFRH (car-rier -current) programs classical and popmusic.

Wayne State CollegeWayne, Neb.

Enrollment, 2,700. President W. A.Brandenberg. Dean of Men DonaldMerriman. Concert facilities: Rice Me-morial Gymnasium (3,200), RamseyTheater (850). Both have full stagelighting and overhead follow spots. Actsappearing in 1966-67: Guy Lombardo,sponsored by Student Council, Dr. LyleSkou, sponsor; also P. H. Jazz Band,Serendipity Singers, American FolkBallet, Zurich Chamber Orchestra, spon-sored by Special Programs, Dr. R. G.Johnson, director. All bookings must beapproved by Dean of Administration.Campus weekly is Wayne Stater, GeorgeTubbs, editor. AM & FM radio stationnow under construction. Wayne StateBook Store sells records, radios, taperecorders, phonographs. Leonard Gade-kan is manager. Local record stores:Wayne Book Store, Sav-Mor Drugs, bothin Wayne.

Wayne State UniversityDetroit, Mich.

Enrollment 29,125. President William R.Keast. Dean of Students Harold Stewart.Concert facilities: Cobo Hall (1,500),Ford Auditorium (2,500), both off -cam-pus. University Center Building currentlyunder construction. All sound and light-ing handled by auditoriums. All events


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must be cleared through Student Activi-ties Office- and/or Music Departmentand listed at Activities Office. Campusnewspaper is The Daily Collegian, VartanKupelian, editor. Radio Station WDET(FM) programs classical music only. Uni-versity Bookstores sell records, HarleyW. Haskins, director. Ralph Thiel ismanager. Local record stores: John R.Record Shop, 9413 John R.; Bob's Photoand Record Shop, 1435 W. Willis; Bob'sRecords & Appliance, 500 E. Warren, allin Detroit.

West Georgia CollegeCarrollton, Ga.

Enrollment, 2,800. President James E.Boyd. Dean of Student Affairs Dr. JohnJ. Pershing. Union Director David S.Parkman. Co n c e r t facilities: H.P.E.Building (2,200), College Auditorium(550). College Union (400). Acts ap-pearing in 1966-67: Peter Nero, NewChristy Minstrels, Roy Orbison, New-

beats, Candymen, Billy Joe Royal. Spon-soring organizations: West Georgia Mu-tual Concert Assn., Student GovernmentAssn., College Union Board.

West Hartford, Conn.University of Hartford

Enrollment: 2,500. Chancellor Vincent B.Coffin, Dean John W. Addley. ConcertFacilities: Field House (2,500), MillardAuditorium (425), Auerbach Auditorium(210), Gengras Campus Center (800).Sound equipment available in all facili-ties with a full complex of lighting inMillard Auditorium. Artists appearing in1966-67: Four Preps, Shirelles, KennyBurrell, Father Tom Vaughn, YourFather's Moustache, Hartt String Quar-tet, Hartt Symphony Orchestra. Sponsor-ing organizations: Activities Commission,Student Faculty Association, Interfrater-nity Council. All contracts must be madethrough the Program Director, Robert W.McCurdy. Radio Station license pending.Campus weekly: The Cauldron, DanRiley, Editor. Campus Store, JosephJurczak, Manager, sells records. Otherrecord stores are G. Fox, Korvettes andthe Music Box.

Wesleyan UniversityMiddletown, Conn.

Enrollment, 1,535. President Victor L.Butterfield. Dean of the College StanleyJ. Idzerda. Concert facilities: Mc-Conaughy Hall (1,500), Alumni AthleticBuilding (3,500). Sound facilities: port-able amplifiers and speakers. Programssponsored by Student Events Committee,Robert Vom Eigen, chairman. Campusbi-weekly is The Wesleyan Argus,Michael R. Feagley, editor. Campusradio station WESU-FM programs bothpop and classical music. Local recordstore: Watt & Decibel, 107 College St.,Middletown.

Western Carolina CollegeCullowhee, N. C.

Enrollment, 3,000. President Paul A.Reid, Dean of Men Douglas Davis.

Concert facilities: Hoey Auditorium(850), Reid Gymnasium (3,000). Soundfacilities: public address system avail-able through audio-visual department;microphones available as needed. Light-ing; spots available. All acts must clearwith College Calendar in the office ofDean of Student Affairs. Campus bi-weekly newspaper is The Western Caro-lian. Radio station WWOO programspop and some classical music. The Col-lege Shop bookstore sells records. H. P.McCarroll is manager. Local recordstores: High Fidelity Sales; Bradley'sHigh -Fi; Dunhan's Music House, all inAsheville.

Western Reserve UniversityCleveland

Enrollment, 2,400. President John S.Millis. Dean of Men C. R. Cramer. Con-cert facilities: Adelbert Gymnasium(2,500), Case Gymnasium (3,000), Sever-ance Hall (1,800). Sound facilities: re-ported as good standard equipment;microphones supplied by Audio Visualdepartment and University Maintenanceas needed. Lighting: Reported as goodstandard equipment, available as needed.Acts appearing in 1966-67: Ray Charles,Serendipity Singers, sponsored by Stu-dent Congress, Vinton Ludwig, concertcommittee booking chairman. Otherevents to be sponsored by Student Con-gress and Case Senate; events alsoto be sponsored by Interfraternity Coun-cil and Student Congress. All bookingsmust be approved by Student Congress.Campus semi-weekly newspaper is TheReserve Tribune, Daniel L. Kacian, edi-tor. Radio station WRAR (FM) pro-grams classical and pop music. Campusbookstore, Reserve Book Store sellsradios. Mr. Grover is manager.

University of WisconsinMadison, Wis.

Enrollment, 31,120. President Fred Har-vey Harrington. Madison ChancellorR. W. Fleming. Dean of Student AffairsJoseph F. Kauffman. Concert facilities:Wisconsin Memorial Union Theater(1,300), Pavilion (2,800), Field House(8,900). Sound facilities: Theater has 2independent amplifier systems with pro-visions for house or stage speakers plusdressing room monitor. Pavilion andField House have portable systems; 5microphones in Theater, others availableit needed. Lighting: complete stage light-ing system reported in Theater, tempor-ary lighting in Pavilion and Field House.Follow spots available. Acts appearingin 1966-67: William Warfield, JaimeLaredo, Andres Segovia, Byron Janis,Lenox Quartet, Helen Boatwright, PaulDoktor, Minneapolis Symphony Orches-tra, Moscow Chamber Orchestra, EarlyMusic Quartet (from Munich), New Mu-sic Choral Ensemble (Univ. of Illinois),Chicago Symphony Orchestra, Metropoli-tan Opera National Co., Rudolph Serkin,sponsored by Wisconsin Union MusicCommittee, William M. Dawson, theaterprogram director; also, Martha GrahamDance Co., Manuela Vargas and Co.,Ruth Page's International Ballet, spon-sored by the Wisconsin Union Theater


Committee, William M. Dawson, theaterprogram director. All events must beapproved by Student Life and InterestsCommittee and Theater Director. Cam-pus daily (Tues.-Sat.) is Daily Cardinal,Ellen Laskin, editor. Radio stationsWHA AM & FM program pop and clas-sical music. University Bookstore, 702State St., sells records. John Shaw ismanager. Local record stores: DiscountRecords, Inc., 658 State St.; Victor Mu-sic 401 State St.; University Bookstore,1325 University Ave., all in Madison.

Wichita State UniversityWichita, Kans.

Enrollment, 10,000. President EmoryLindquist. Dean of Men James Rhatigan.Concert facilities: Wilner Auditorium(800), Duerksen Fine Art Center (580),Campus Activities Center (350), Math -Physics Auditorium (117), Neff HallAuditorium (127), WSU Field House(10,235). Acts appearing in 1966-67:Peter, Paul and Mary sponsored byStudent Government Association, JimRoberts, president; other events spon-sored by Campus Activities ProgramBoard, Marshall Williams, advisor;events also sponsored by WSU Schoolof Music. Acts must be cleared throughCampus Activities Program Board. Cam-pus bi-weekly paper is The Sunflower,Don Awtrey, editor. Radio stationKMUW (FM) programs classical andpop music. WSU Bookstore sells records,radios. Dick Adkisson is manager. Localrecord stores: Record Bar, 120 N. Hill-

side; Irwin's Records, 106 S. Grove; Ter-rell's Record Shop, 2429 E. 13th St., allin Wichita.

Western Illinois UniversityMacomb, III.

Enrollment, 7,500. President ArthurKnoblauch. Dean of Men GerhartSchwartz. Concert facilities: WesternHall Field House (4,500), Morgan Gym-nasium (2,500), Union Ballroom(1,000), Fine Arts Auditorium (450).Sound facilities: 4 -channel input Columnspeakers; Electro -Voice Models 664 and636 microphones. Lighting: 2 SuperTrouper spots; 2 rows of border lights.Acts appearing in 1966-67: Chad Mitch-ell, New Society, Harry Belafonte,Ferrante & Teicher, sponsored by Uni-versity Union Board, Ron Robinson,activities co-ordinator. Radio stationWW -FM programs classical and pop mu-sic. Local record stores: Sears andModern Home, both in Macomb.

Western Michigan UniversityKalamazoo, Mich.

Enrollment, 16,000. President James Mill-er. Associate Dean of Students DavidGillette. Concert facilities: Read FieldHouse (9,600), Central High SchoolAuditorium (2,500), Ballroom, Universi-ty Student Center (1,800). Sound facili-ties reported as available but not of bestquality. Lighting: Follow spots available.Acts appearing in 1966-67: Gary Lewis &the Playboys, Ramsey Lewis. Martha andthe Vandellas, Si Zentner, Washington

Square Stompers, Kingston Trio, spon-sored by various student organizations.All bookings for student -sponsored eventsare through Adviser of Student Affairs,Chuck Richards. Campus newspaper isThe Western Herald, Bert Leaf, editor.Closed circuit radio station WIDR pro-grams pop music; WMUK-FM programsclassical music. Campus bookstore sellsrecords, radios. Ken Hawkins is manager.Local record store: Dodds -Davidson, 135W. Michigan Ave., Kalamazoo.

West Virginia UniversityMorgantown, W. Va.

Enrollment, 12,183. Acting PresidentHarry B. Heflin. Dean of StudentsJoseph C. Gluck. Concert facilities:University Field House (6,500), Metro-politan Theater (1,200), Music Audito-rium (500). Sound facilities: Portablesystem in Field House; built-in systemsin other facilities; 3 first quality micro-phones reported available. Lighting: 2follow spots, 10 Lekos, complete foot-lights. Acts appearing in 1966-67: TheYoungbloods, Moscow Chamber Or-chestra, Pete Seeger, Shinichi Suzuki,Four Freshmen, Yakov Zak, RighteousBrothers, sponsored by the Cultural Com-mittee (Joseph C. Gluck). All acts mustbe cleared through Dean of Students'office. Campus newspaper is the DailyAthenaeum (except Monday), MeridethRobb, editor. W.V.U. Bookstore sellsrecords, radios, tape recorders. Miss RuthRobinson is manager.


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College Music Festivals and CompetitionsUNIVERSITY OF AKRON, AKRON, OHIO.

Fine Arts Festival, April 21-23, 1967.UNIVERSITY OF ALASKA, FAIRBANKS,ALASKA.

Festival of Arts, April 1967.BOWDOIN COLLEGE, BRUNSWICK, ME.

Contemporary Music Festival, Aug.1967.

CALIFORNIA STATE POLYTECHNIC COL-LEGE, KELLOGG-VOORHIS, P 0 M O N A,CALIF.

Music Festival, March 8, 9, 10, 1967.3d Annual Invitational Music Festival

April 15, 1967.UNIVERSITY OF CALIFORNIA, BERKELEY,CALIF.

Berkeley Folk Music Festival, June(tentative) 1967.

CARLETON COLLEGE, NORTHFIELD, MINN.Mai -Fete, mid -May 1967.

UNIVERSITY OF CHICAGO, CHICAGO.Folk Lore Festival.Festival of the Arts.

CHICO STATE COLLEGE, CHICO, CALIF.Fine Arts Festival, May 12, 13, 14,

1967.UNIVERSITY OF CINCINNATI, CINCIN-NATI.

Union Spring Arts Festival, April 23-29, 1967.

Blues Concert as part of this has SkipJames, Junior Wells, Buddy GuyTrio.

UNIVERSITY OF CONNECTICUT, STORRS,CONN.

All -Connecticut Music Festival, Oct.28, 1966.

CORNELL COLLEGE, MOUNT VERNON, IA.Cornell Music Festival, April 13-15,

1967 (includes Chicago Symphony,Ralph Votepek, New York StringSextet.)

DARTMOUTH COLLEGE, HANOVER, N. H.Congregation of the Arts, June 28 -

Aug. 19, 1967.DUKE UNIVERSITY, DURHAM, N. C.

Festival of Contemporary Arts, duringentire 1966-67 academic year.

Experimental Film Groupings, Nov.20 -Dec. 1, 1966.

EAST CAROLINA COLLEGE, GREENVILLE,N. C.

Contemporary Music Festival, April 2124, May 6-16, 1967.

EASTERN MICHIGAN UNIVERSITY,YPSILANTI, MICH.

Solo Ensemble Festival, Feb. 11-18,1967.

Michigan State Vocal AssociationChoral Festival, March 17, 18, 1967.

EMORY UNIVERSITY, ATLANTA.The Baroque Era.The 20th Century.

UNIVERSITY OF ILLINOIS, CHAMPAIGN -URBANA, ILL.

Festival of Contemporary Arts, Feb. -April 1967.

INDIANA STATE UNIVERSITY, TERREHAUTE, IND.

Fine Arts Festival, April 25 -May 6,1967.

UNIVERSITY OF KANSAS, LAWRENCE,KAN.

Festival of the Arts, week of March25, 1967.

KENT STATE UNIVERSITY, KENT, OHIO.Conference on Music, Feb. 16, 17, 18,

1967.UNIVERSITY OF KENTUCKY, LEXINGTON,KY.

Festival of the Arts (art, music,drama), April 4-22, 1967.

LEHIGH UNIVERSITY, BETHLEHEM, PA.Residence Halls Council Folk Festival,

Oct. 22, 1966.MARSHALL UNIVERSITY, HUNTINGTON,W. VA.

Marching Band Festival, Oct. 1, 1966.MERCER UNIVERSITY, MACON, GA.

Collegiate Folksong Festival, SpringQuarter.

MIAMI BEACH Intercollegiate Music Fes-tival, May 3-6, 1967.

UNIVERSITY OF MICHIGAN, ANN ARBOR,MICH.

Contemporary Music Festival, Nov. 2,4, 6, 7, 9, 1966.

UNIVERSITY OF MISSOURI, COLUMBIA,MO.

State High School Music Festival, lastweekend in April.

UNIVERSITY OF MONTANA, MISSOULA,MONT.

Fine Arts Festival, April.Contemporary Fine Arts Festival, May.Battle of the Bands, May 1967.

STATE UNIVERSITY OF NEW YORK ATBUFFALO, BUFFALO, N. Y.

Folk Festival, Oct. 7, 8, 1966.UNIVERSITY OF NORTH DAKOTA, GRANDFORKS, N. D.

Fall Music Clinic Festival, Nov. 3-5,1966.

NORTHEASTERN UNIVERSITY, BOSTON,MASS.

Winter Music Festival, Nov. 18-23,1966.

Winter Carnival, Feb. 18, 19, 1967.NOTRE DAME UNIVERSITY, NOTREDAME, IND.

Collegiate Jazz Festival, March 3, 4,1967.

OKLAHOMA CITY UNIVERSITY, OKLA-HOMA CITY

Festival of Artists Teachers, Feb. 10,11, 12, 1967.

High School District Contests, March9, 10, 11, 16, 17, 18, 1967.

Annual Phi Mu Alpha Sinfonia JazzFestvial (dates not announced).

UNIVERSITY OF OKLAHOMA, NORMAN,OKLA.

Sooner Scandals, March 2, 3, 4, 1967.OKLAHOMA STATE UNIVERSITY, STILL -WATER, OKLA.

Autumn Festival of the Arts, Oct. 30 -Nov. 5, 1966.

UNIVERSITY OF PORTLAND, PORTLAND,ORE.

N. W. Stage Band Festival, March18, 1967.

ROLLINS COLLEGE, WINTER PARK, FLA.32d Annual Bach Festival, March 9,

10, 11, 1967.SAN DIEGO STATE COLLEGE, SAN DIEGO,CALIF.

Fine Arts Festival, Dec. 1-11, 1966.ST. LAWRENCE UNIVERSITY, CANTON,N. Y.

Steinman Arts Festival, Feb. 1967.SIMMONS COLLEGE, BOSTON

Fine Arts Festival (New York JazzSextet appears), Oct. 27, 1966.

UNIVERSITY SOUTHERN CALIFORNIA,LOS ANGELES.

Carnival of the Arts, April 10-15,1967.

SOUTHERN ILLINOIS UNIVERSITY, CAR-BONDALE, ILL.

Southern Illinois High School ChoralClinic (25 schools)-evening massedconcerts, Oct. 8, 1966.

Music Under the Stars Music Festival(Junior and senior high schoolbands, orchestras, choruses-massedevening concerts).

Also vocal and piano competition,May 1967.

SOUTHERN METHODIST UNIVERSITY,DALLAS

Bach Year.STANFORD UNIVERSITY, STANFOR D,CALIF.

Budapset String Quartet, April 14, 16,19, 21, 23, 26, 1967.

SYRACUSE UNIVERSITY, SYRACUSE.WAER-FM Broadway Music Festival,

Dec. 10, 11, 1966.WAER-FM Folk Festival, Oct. 28, 29,

1966.UNIVERSITY OF UTAH, SALT LAKE CITY.

Regional Jazz Festival, Winter Quarter.Jazz Workshop, Summer Quarter.Quartet Competition, Fall Quarter.National Stage Band Camp, Summer

Quarter.Mozart Festival, several concerts dur-

ing year.VILLANOVA UNIVERSITY, VILLANOVA,PA.

Villanova Intercollegiate Jazz Festival,Feh. 24, 25, 1967.

WEST VIRGINIA UNIVERSITY, MORGAN-TOWN. W. VA.

Festival of Fine & Lively Arts, Nov.1966.

WESTERN CAROLINA COLLEGE, CUL-I OWHEE. N. C.

Western District Band Clinic, Jan.97. 28. 1967.

WESTERN MICHIGAN UNIVERSITY, KALA-MAZOO, MICH.

Fine Arts Festival, month of Feb.1967.

WILLIAMS COLLEGE, WILLIAMSTOWN,MASS.

2d Annual Intercollegiate Songfest,Oct. 22, 1966.

UNIVERSITY OF WYOMING, LARAMIE,WYO.

Spring Music Festival, April 1967.


TALENT MARKET PLACEListed on the following pages, by classification, are artists currently engagedin playing the college concert circuit. Two main divisions are classical andpopular. Classical artists are broken down by category. The popular list includesall forms of contemporary music-rock, r&b, country, folk, jazz, etc. Artistsare identified by record label, personal manager and booking agent. Lists ofpersonal managers and booking agents appear separately. We regret that spacelimitations prevent listing all acts available for college booking. Only thoseacts who appear regularly in colleges are listed.

PopularAD LIBS-(Top) PM: Bill Downs; BA:

Capitol Booking Corp.ALLEN, MARTY, & STEVE ROSSI-

(Mercury)ALMEIDA, LAURINDO-(Capitol) BA: Wm.

MorrisALPERT, HERB, & THE TIJUANA BRASS

-(A&M) PM: Gil Friesen; BA: GACANIMALS, THE-(MGM) PM: Michael Jeff-

rey; BA: Premier Talent AssociatesARMSTRONG, LOUIS - (Columbia) BA:

Associated Booking Corp. (Joe Glaser)ASSOCIATION, THE-(Valient) PM: Pat

Coleccio; BA: Associated BookingCorp.

ASTRONAUTS-(RCA) BA: America's BestAttractions

ATKINS, CHET-(RCA)AZNAVOUR, CHARLES-(Reprise) BA: In-

ternational Performing Corp. (HerriGoldgren)

BABY HUEY & THE BABYSITTERS-(Atlantic) BA: Capitol Booking Corp.

BACK PORCH MAJORITY, THE-(Epic)PM: Randy Sparks; BA: PerenchioArtists

BAEZ, JOAN-(Vanguard) BA: FolkloreProductions

BASIE, COUNT-(Command) BA: WillardAlexander

BEACH BOYS-(Capitol) PM: Steve Kort-hof; BA: Wm. Morris

BEAU BRUMMELS-(WB) BA: PremierTalent Associates

BELAFONTE, HARRY-(RCA) PM: Bela-fonte Enterprises

BENNETT, TONY-(Columbia)BERRY, CHUCK-BA: Universal Attrac-

tionsBIKEL, THEODORE-(Elektra) PM: Harold

Leventhal; BA: GACBITTER END SINGERS, THE-(Atco) PM:

Fred WeintraubBLACK, BILL, COMBO (Hi) PM: Peter

Paul -Lew FuttermanBLAKEY, ART, & THE JAZZ MESSENGERS

-BA: Capitol Booking Corp.BLUE, DAVID, AND THE AMERICAN

PATROL-(Elektra) PM: Arthur H. Gor-son

BLUES MAGOOS, THE-(Mercury) BA:Capitol Booking Corp.

BLUES PROJECT, THE-(Verve/Folkways)PM: Sid Bernstein

BONDS, GARY (U. S.)-(Legrand) PM:Frank Guida

BOOKER T & THE MG's-(Sfax) BA:America's Best Attractions

BORGE, VICTOR-(Verve)BRAND, OSCAR-PM: Jerry CampbellBRASIL '66-(A&M) PM: Richard Adler;

BA: Perenchio ArtistsBRITISH WALKERS-PM: Chartbuster

Music Corp.; BA: Paramount ArtistsCorp.

BROTHERS FOUR-(Columbia) PM: MortLewis; BA: GAC

BROWN, JAMES-(Smash) PM: Ben Bart;BA: Universal Attractions

BROWN, MAXINE-(Wand) PM: PaulCantor; BA: SAC

BRUBECK, DAVE, QUARTET-(Columbia)PM: Oli Brubeck; BA: AssociatedBooking Corp.

BYRD, CHARLIE-(Columbia) PM: MonteKay

BYRDS, THE-(Columbia) PM: Tickner-Dickson; BA: Perenchio Artists

CAMBRIDGE, GODFREY-(Epic) BA: A.

P. A. (John Gaines)CANNIBAL & THE HEADHUNTERS-(Date)

BA: Capitol Booking Corp.CAPITOLS, THE-(Karen) PM: 011ie Mc-

Laughlin; BA: Capitol Booking Corp.CAPRALONS, THE-(Cameo) PM: Ken

CapursoCASH, JOHNNY-(Columbia)

HoliffCAVALIERS, THE-(Coral)CHAD & JEREMY-(Columbia)

MorrisCHALLENGERS, THE-(GNP)CHAMBERS BROTHERS - BA:

Product ionsCHARACTERS, THE -

One -Eyed JacksCHARADES, THE-(Monument) BA: One -

Eyed JacksCHARLES, RAY-(ABC)

BA: SACCHARLES RIVER

BA: FolkloreCHARTBUSTERS,

buster MusicArtists Corp.

CHIFFONS, THE-(Laurie) PM: ErnestMartinelli; BA: Paramount ArtistsCorp.

CLANCY BROTHERS & TOMMY MAKEM-(Columbia) PM: Jerry Campbell

CLARK, 'DOUG, & THE HOT NUTS-BA:Horton Artists Corp. and SAC

CLARK, PETULA - (WB) PM: ClaudeWolff; BA: GAC (Bert Bloch)

CLINGER FAMILY, THE-PM: Seymour N.Heller; BA: Perenchio Artists

COASTERS, THE-(Atco) BA: Sherman En-terprises and SAC

COCHRAN, WAYNE-(Mercury) BA: SAC

COLLINS, JUDY-(Elektra) PM: HaroldLeventhal; BA: GAC

COLTRANE, JOHN-(Impulse) BA: SAC

COSBY, BILL-(WB) PM: Roy Silver; BA:Wm. Morris

COUNT FIVE-(Double Shot) PM: SaulEllner; BA: Capitol Booking Corp.

CRAMER, FLOYD-(RCA) BA: X fosseCUBA, JOE-(Tico) BA: Capitol Booking

Corp.CYRKLE, THE-(Columbia) PM: Nemperor

Artists Ltd. (Nat Weiss); BA: GACDARIN, BOBBY-(Atlantic)DAVIDSON, JOHN-(Columbia) PM: Bob

Banner Associates; BA: A.P.A.DAVIS, REV. GARY-(Prestige) BA: Folk-

lore ProductionsDAVIS, MILES-(Columbia) PM: Harold

Lovette; BA: Capitol Booking Corp.DAVIS, JR., SAMMY-(Reprise) BA: Wm.

MorrisDE CORMIER FOLK SINGERS-BA: CAMIDEE, JOEY, & THE STARLIGHTERS-BA:

Capitol Booking Corp.DEEP SIX-(Liberty) PM: Howard WolfDEREK & RAY-(RCA) PM: Marty GoldDIDDLEY, BO-(Chess) PM: Galaxy Artists

(John Burton); BA: SAC

DOMINO, FATS-BA: SAC

PM: Saul

BA: Wm.

Folklore

(Monument) BA:

PM: Joe Adams;

VALLEY BOYS-(Elektra)ProductionsTHE-(Bell) PM: Chart -

Corp.; BA: Paramount

DON COSSACK CHORUS-(Decca) PM:

Kenneth AllenDRIFTERS-(Atlantic) PM: George Tread -

well; BA: SAC

DUKES OF DIXIELAND-(Decca) PM: JoeDelaney

ELGART, LARRY-(Columbia)ELGART, LES-(Columbia)ELLINGTON, DUKE-(RCA)EVANS, BILL-BA: Capitol Booking Corp.FAIRLANES, THE-(Dot) BA: One -Eyed

JacksFITZGERALD, ELLA-(Salle) PM: Salle

ProductionsFIVE AMERICANS-BA: Paramount Artists

Corp. (East Coast); Bankers Mgmt.,Inc. (other areas).

FLAMINGOS, THE-(Mercury) BA: CapitolBooking Corp.

FLATT & SCRUGGS-(Columbia) PM & BA:Mrs. Earl Scruggs

FOUR FRESHMEN-(Decca) BA: Peren-chio Artists

FOUR PREPS, THE-(Capitol) PM: Kal

Ross; BA: Perenchio ArtistsFOUR SEASONS, THE-(Philips) PM: Fred

Weintraub; BA: Ashley -Famous4 SAINTS-BA: Talent Management As-

sociatesFOUR TOPS-(Motown) PM: Intl Talent

Management, Inc.; BA: AssociatedBooking Corp.

FRANCHI, SERGIO-(RCA) BA: Wm. Mor-ris (Harry Kalsheim)

FUGS, THE-(Atlantic) PM: Edmiston -Rothschild

FULLER, JESSEE-(Prestige) BA: Folk-lore Productions

GAYLORD & HOLIDAY-(Mercury) BA:Perenchio Artists

GARNER, ERROLL-(MGM) PM: MarthaGlaser; BA: Wm. Morris

GARY, JOHN-(RCA) PM: Joseph CsidaGILBERTO, ASTRUD-(Verve) PM: Monte

KayGILLESPIE, DIZZY-(RCA)GORME, EYDIE-(Columbia) PM: Ken

Greengrass; BA: GACGREENHILL, MITCH-(Prestige) BA: Folk-

lore ProductionsGROUP THERAPY-(Parasonic) BA: One -

Eyed JacksHAMBRO, LEONID-PM: Jerry CampbellHAMILTON, ROY-(RCA) PM: Bill CookHAMMOND, JOHNNY-(Vanguard) BA:

Folklore ProductionsHANDY, JOHN, QUINTET-(Columbia)HARLEY, RUFUS-(Atlantic) BA: SACHAWKINS, SCREAMIN' JAY-(Decca) BA:

Capitol Booking Corp.HEBB, BOBBY-(Philips) PM: Lloyd

Greenfield; BA: SAC

HENDRICKS, JON-BA: Bennett MorganHERMAN, WOODY-(Columbia) PM: Abe

Turchen; BA: Associated BookingCorp.

HERMAN'S HERMITS-(MGM) PM: AllenKlein; BA: Premier Talent

HINES, EARL, & TRIO-(Decca) BA: Ben-nett Morgan

HIRT, AL-(RCA) PM: Gerard PurcellHOLBROOK, HAL, in "Mark Twain To-

night"-(Caedmon) BA: Wm. MorrisIAN AND SYLVIA-(Vanguard)

INDIOS TABAJARAS, LOS - BA: BlissAgency

ISLET BROTHERS-(Tamla) PM: IntlTalent Management Inc.; BA: WillardAlexander

JACKSON, CHUCK-(Wand) PM: Paul

Cantor; BA: SACJACKSON, J. J.-(Calla) PM: Peter Paul -

Lew Futterman; BA: Capitol BookingCorp.

JAY & THE AMERICANS-(UA) PM: PeterPaul -Lew Futterman; BA: Wm. Morris

JIM & JEAN-(Verve/Folkways) PM:Arthur H. Gorson

JONES, JIMMY "HANDYMAN"-(Cameo)PM: Chartbuster Music Corp.; BA:Paramount Artists Corp.

JONES, TOM-(Parrot) PM: Lloyd Green-field; BA: Capitol Booking Corp.

KAPERS, THE-(Jed) BA: One -Eyed JacksKAZAN, LAINIE-(MGM) PM: Sal Bona-

fede; BA: Wm. MorrisKENTON, STAN-(Capitol) PM: c/o Harold

PlantKING, B. B.-(ABC) BA: SACKING. BEN E.-(Arco) BA: SAC

KINGSMEN, THE-(Wand) PM: Scandor &Shan

KINGSTON TRIO-(Decca) PM: FrankWerber; BA: Perenchio Artists

KIRK, ROLAND-(Limelight) BA: SAC

KNACK, THE-PM: Abe Hoch; BA: Wm.Morris

KNIGHT, GLADYS, & THE PIPS-(Soul)PM: Intl Talent Management, Inc.;BA: SAC

KOERNER, "SPIDER" J.-(Elektra) BA:Folklore Productions

LABELLE, PATTY & THE BLUEBELLS-(Atlantic) PM: Iry Nahan

LANCE, MAJOR-(Epic)LAWRENCE, STEVE-(Columbia) PM: Ken

Greengrass; BA: GACLEFT BANKE-(Mercury) BA: Premier

Talent AssociatesLETTERMEN, THE-(Capitol) PM: Jess

Rand; BA: Wm. MorrisLEWIS, BARBARA-(Karen) PM: 011ie

McLaughlin; BA: Capitol BookingCorp.

LEWIS, GARY, AND THE PLAYBOYS-(Liberty) BA: Ashley -Famous

LEWIS, RAMSEY, TRIO-(Cadet)LILLY BROTHERS BAND-(Folkways) BA:

Folklore ProductionsLITTLE ANTHONY AND THE IMPERIALS

-(DCP) BA: Ernie MartinelliLITTLE EVA-(Verve) PM: David Nicol -

son; BA: Capitol Booking Corp.LITTLE MILTON-(Checker) BA: SAC

LLOYD, CHARLES-(Atlantic) PM: GeorgeAvakian; BA: SAC

LOPEZ, TRINI-(Reprise) PM: George A.Durgom; BA: GAC

LOST IN SOUND, THE-(Showcase) BA:

One -Eyed Jacks

LOVIN' SPOONFUL, THE-(Kama Sutra)PM: Bob Cavallo; BA: GAC

LUBOFF, NORMAN-(RCA) PM: EdwardTraubner

McCANN, LES-(Limelight) BA: SAC



TALENT MARKET PLACEContinued from page 107

McCOY, CHARLIE, & THE ESCORTS-(Monument) BA: One -Eyed Jacks

McCOYS, THE-(Bang) PM: Roy RifkindMcDUFF, BROTHER JACK-(Atlantic) PM:

Peter Paul -Lew Futterman; BA: SACMcGRIFF, JIMMY-(Sue) BA: SACMcPHATTER, CLYDE, & THE DRIFTERS-

(Columbia) BA: Capitol Booking Corp.MAMAS & THE PAPAS, THE-(Dunhill)

PM: Bobby Roberts; BA: GACMANCINI, HENRY-(RCA) BA: Perenchio

ArtistsMANHATTANS, THE-(Carnival) BA: SACMANN, HERBIE-(Atlantic) BA: John

Levy EnterprisesMANNE, SHELLY-(Atlantic)MANTOVANI-(London) BA: CAMIMARAUDERS, THE-(Laurie) PM: Ken

CapursoMARCHAN, BOBBY-(Cameo) BA: Capitol

Booking Corp.MARTHA & THE VANDELLAS-(Gordy)

PM & BA: Intl Talent Management,Inc.

MATHIS, JOHNNY-(Mercury) PM: DonRiber; BA: GAC

MERITS, THE-(Modern) BA: One -EyedJacks

MESSENGERS, THE-BA: One -Eyed JacksMILLER, GLENN, ORCHESTRA-(Epic) BA:

Willard AlexanderMITCHELL, CHAD-(Mercury) BA: Wm.

MorrisMITCHELL TRIO, THE-(Mercury) BA:

Wm. Morris

MODERN JAZZ QUARTET-(Atlantic) PM& BA: Monte Kay

MONK, THELONIOUS - (Columbia) PM:Harry Colomby; BA: Hemisphere Con-cert Corp.

MONROE, BILL, & BLUEGRASS BOYS-BA: Folklore Productions

MONTEZ, CHRIS - (A&M) BA: CapitolBooking Corp.

MOORE, BOBBY, & THE RHYTHM ACES-(Checker) BA: SAC

NERO, PETER-(RCA) PM: Stan GreesonNEW CHRISTIE MINSTRELS-(Columbia)

PM: Greif-Garris; BA: Ashley -FamousNEW LOST CITY RAMBLERS-(Folkways)

BA: Folklore ProductionsNEW SOCIETY, THE-(RCA) PM: Randy

Sparks; BA: Perenchio ArtistsNEW YORK JAZZ SEXTET-BA: Ann Sum-

mers Mgmt.NEWPORT ALL-STAR JAZZ GROUP-(Im-

pulse) BA: Musical ArtistsNILES, JOHN JACOB-(RCA)OCHS, PHIL-(Elektra) PM: Arthur H.

Gorson

ODETTA-(Verve/Folkways) PM: Albert B.Grossman

OLATJUNJI AND HIS DRUMS OF PAS-SION-(Columbia)

PAIR EXTRAORDINAIRE, THE-(Liberty)PM: Kragen/Fritz; BA: Wm. Morris

PARRISH, DEAN - (Boom) BA: CapitolBooking Corp.

PATTERSON, DON-BA: SACPENNYWHISTLERS, THE-(Elektra) BA:

Folklore ProductionsPETER, PAUL & MARY-(WB) PM: Albert

B. Grossman; BA: GAC (Bert Bloch)PETERSON, OSCAR-(Limelight) BA: SACPLATTERS, THE-(Musicor) PM: Personal-

ity Productions? AND THE MYSTERIANS-(Cameo) PM:

Lillian Gonzales; BA: Premier TalentAssociates

RANDOLPH, BOOTS-(Monument) BA: XCosse

RANEY, SUE-(Liberty) PM: Ed Yellin;BA: Perenchio Artists

REDDING, OTIS-(Volt) PM: Phil Walden;BA: SAC

REDPATH, JEAN-(Elektra) BA: FolkloreProductions

REVERE, PAUL, & THE RAIDERS-(Colum-bia) PM: Roger Hart; BA: PerenchioArtists

RICH, BUDDY-(Liberty) PM: Stan IrwinRIDDLE, NELSON-(Reprise) BA: Academy

Management, Inc. (Nick Sevano)

RIGHTEOUS BROTHERS-(Verve) BA: Per-enchio Artists

RIVERS, JOHNNY-(Imperial) PM: PhilTeretsky

ROAMINS, THE-BA: One -Eyed JacksRODERICK, JUDY-(Vanguard) PM: Arthur

H. GorsonRONETTES-(Philles) PM: Phil SpectorROYAL GUARDSMEN-(Laurie) BA: Capitol

Booking Corp.RUBY & THE ROMANTICS-(Kapp)RUSH, TOM-(Elektra) PM: Arthur H.

GorsonRUSSELL, PEE WEE-(Mainstream)MITCH RYDER SHOW, THE-(New Voice)

PM: Alan S. Stroh; BA: Premier Tal-ent Associates

SABICAS-(ABC) BA: HurokSAINTE-MARIE, BUFFY-(Vanguard) PM

& BA: Herbert S. GartST. PETERS, CRISPIN-(Decca) PM: David

Nicolson

SALETAN, TONY-(Folk Legacy) BA: Folk-lore Productions

SCHMIDT, ERIC VON-(Vanguard) BA:Folklore Productions

SEEGER, MIKE-(Vanguard) BA: FolkloreProductions

SEEGER, PETE-(Columbia) PM: HaroldLeventhal

SERENDIPITY SINGERS - (Philips) PM:Fred Weintraub; BA: Ashley -Famous

SETE, BOLA-(Fantasy) PM: Trident Man-agement; BA: GAC

SEVERINSON, DOC, SEXTET-(Command)SHANGRI-LAS - (Red Bird) BA: Para-

mount Artists Corp.SHARPE, DEE DEE-(Atlantic) PM: Kenny

Sharp

SHEER, ANITA-BA: Wm. MorrisSHIRELLES, THE - (Scepter) PM: Paul

Cantor; BA: SACSHIRLEY, DON, TRIO - (Impulse) BA:

CAMISILVER, HORACE, QUINTET-(Blue Note)

BA: Capitol Booking Corp.SIMONE, NINA-(RCA) PM:. Stroud Pro-

ductions; BA: GACSIMON & GARFUNKEL-(Columbia) PM:

Mort Lewis; BA: Wm. Morris

SMOTHERS BROTHERS - (Mercury) PM:Kragen/Fritz; BA: Wm. Morris

SPARKS, RANDY, THE NEW SOCIETY-(RCA) PM: Self -managed; BA: Peren-chio Artists

STITT, SONNY-(Roulette) BA: SACSTRANGELOVES, THE-(Bang) BA: Capitol

Booking Corp.SUPREMES, THE-(Motown) PM: Irt'I Tal-

ent Mgmt., Inc.; BA: GACSWINGLE SINGERS-(Philips) PM: Pierre

Fatosme; BA: GACTAMS, THE-(ABC) PM & BA: Bill LoweryTHOMAS, B. J.-(Scepter) PM: Paul Can-

tor; BA: Capitol Booking Corp.THOMAS, CARLA, & BAND-(Stax) BA:

America's Best AttractionsTJADER, CAL, ORCHESTRA-(Verve PM:

Norman Schwartz; BA: Trident Man-agement and Global Booking

THOMPSON, HANK-(WB) BA: GACTOYS, THE-(Mercury) BA: Capitol Book-

ing Corp.TROMBONES UNLIMITED-(Liberty) PM:

Ed Yellin; BA: Perenchio ArtistsUNCALLED FOR THREE-PM: Fred Wein-

traub; BA: Ashley -FamousVAGRANTS, THE-(Atlantic) BA: Premier

Talent AssociatesVALE, JERRY - (Columbia) PM: Mort

FarberVIBRATIONS, THE-(Okeh) PM: Ire Na-

han; BA: SAC and Queen BookingCorp.

VINTON, BOBBY-(Epic) PM: Allen KleinVOGUES, THE-(Co & Ce) BA: GACVONTASTICS, THE-PM: Galaxy Artists

(John Burton); BA: Capitol BookingCorp.

WAGNER, ROGER, CHORALE-(Capitol)WARD, CLARA-(Verve) BA: SACWARING, FRED, & HIS PENNSYLVANI-

ANS-(Decca) PM: Murray Looth; BA:Wm. Morris

WARWICK, DEE DEE-(Mercury) BA: Cap-itol Booking Corp.

WARWICK, DIONNE-(Scepter) PM: PaulCantor

WASHINGTON, JACKIE-(Vanguard) BA:Folklore Productions

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WATERS, MUDDY-(Chess) PM: Bob Mes-singer; BA: Folklore Productions

WATSON, DOC-(Vanguard) BA: FolkloreProductions

WE FIVE-(A&M) PM: Frank Werber; BA:Perenchio Artists

WF THE PEOPLE-BA: One -Eyed JacksWELLS, JUNIOR-(Bright Star) PM: Rich-

ard A. WatermanWINTER, PAUL, JAZZ ENSEMBLE-BA:

Judson, O'Neill, Beall & SteinwayWESTON, RANDY, SEXTET-BA: SACWILLIAMS, MARION-(Epic) BA: Barbara

GrinerWILLIE & THE HANDJIVES-(Veep) PM:

Chartbuster Music Corp.; BA: Para-mount Artists Corp.

WILSON, FLIP-(Scepter) BA: SACWILSON, NANCY-(Capitol) PM: Wil-den

Productions; BA: GACWILLIAMS, ROGER-(Kapp)WINTERS, JONATHAN-(Verve)YANKEE PEDLARS, THE-(Mercury) PM:

Ken CapursoYARBROUGH, GLENN-(RCA) PM: Kragen/

Fritz; BA: Ashley -FamousYARDBIRDS, THE - (Epic) PM: Simon

Napier -Bell; BA: Premier Talent As-sociates

YOUNG RASCALS, THE-(Atlantic) PM:Sid Bernstein; BA: Associated BookingCorp.

YOUNGBLOODS, THE-(RCA) PM: HerbertS. Gart; BA: Wm. Morris

ZENTNER, 51-(Liberty) PM: Gregory &Howard; BA: Willard Alexander

ClassicalCONI)UCTORS

ABRAVANEL, MAURICE-(Vanguard, West-minster) BA: Hurok

COPLAND, AARON-BA: Thea DispekerSHAW, ROBERT-(RCA) PM: Walter Gould

ORCHESTRASBALTIMORE SYMPHONY ORCHESTRA-

BA: Bliss AgencyBOSTON SYMPHONY CRCHESTRA-(RCA)

BA: CAMICHICAGO SYMPHONY ORCHESTRA-(RCA)

Jean Martinon, Conductor; BA: CAMICONCERTGEBOUW ORCHESTRA OF AM-

STERDAM-BA: CAMIDETROIT SYMPHONY ORCHESTRA-BA:

CAMIESTERHAZY ORCHESTRA-(Vanguard) BA:

CAMIHOUSTON SYMPHONY ORCHESTRA-BA:

Judson, O'Neill, Beall & SteinwayMANTOVANI ORCHESTRA-BA: CAMIMINNEAPOLIS SYMPHONY ORCHESTRA-

BA: HurokNATIONAL SYMPHONY ORCHESTRA OF

WASHINGTON- Howard Mitchell, Con-ductor; BA: CAMI

NEW YORK PHILHARMONIC WITH LEON-ARD BERNSTEIN-(Columbia) BA: CAMI

PHILADELPHIA ORCHESTRA - (Columbia)BA: CAMI

TORONTO SYMPHONY-BA: Central Flori-da Civic Music Association

VIENNA JOHANN STRAUSS ORCHESTRA-BA: Hurok

CHAMBERGROUPS

ALMA TRIO-BA: Mariedi AndersAMERICAN BRASS QUINTET-BA: East-

man Boomer Mgmt.AMERICAN STRING QUARTET-BA: CAMIANTIOCH STRING QUARTET-PM: J.

David ColdrenBALSAM-KROLL-HEIFETZ TRIO-BA: Col-

bert ArtistsBAROQUE CHAMBER PLAYERS-BA: Sher-

man PitluckBEAUX-ARTS STRING QUARTET - (Epic)

BA: Herbert BarrettBEAUX ARTS TRIO-(Philips World Series)

BA: CAMI

BERKSHIRE QUARTET-BA: Ann SummersBORODIN STRING QUARTET-BA: Mariedi

AndersBOSTON SYMPHONY CHAMBER PLAYERS

--(RCA) BA: Judson, O'Neill, Beall& Steinway

BUDAPEST STRING QUARTET-(Columbia)BA: Friedberg Management

CHAMBER SYMPHONY OF PHILADELPHIA-(RCA) BA: Judson O'Neill, Beall &

Steinway

CLARION WIND QUINTET - BA: BlissAgency

CONTEMPORARY BRASS QUINTET-BA:Bliss Agency

CONTEMPORARY CHAMBER ENSEMBLE-BA: University Concerts

DELLER CONSORT-(Bach Guild) BA:Mariedi Anders

DE PASQUALE STRING QUARTET-BA:Wm. Morris

DORIAN QUINTET, THE-BA: Ann Sum-mers Mgmt.

EARLY MUSIC QUARTET-(Studio DerFruehen Musik) BA: Colbert Artists

EASTMAN BRASS QUINTET-BA: AnnSummers

FINE ARTS QUARTET-BA: Colbert ArtistsFIRST TRUMPET QUARTET-BA: Eastman

BoomerHUNGARIAN QUARTET-BA: Colbert Art-

istsIOWA STRING QUARTET-BA: Albert Kay

AssociatesJUILLIARD STRING QUARTET, THE-(Epic,

Columbia) BA: CAMIKAMMER WIND QUINTET - BA: Bliss

AgencyKRAINIS BAROQUE TRIO-BA: Sheldon

SofterLaSALLE QUARTET-BA: Mariedi AndersLENOX QUARTET-BA: Herbert BarrettMARLBORO TRIO-BA (Europe): Thea Dis-

peker; BA (USA): Judson, O'Neill,Beall & Steinway

MITCHELL -RUFF TRIO-BA: HemisphereConcert Corp.

MONTREAL BRASS QUINTET-BA: BlissAgency

NEW YORK BRASS QUINTET-BA: CAMINEW YORK CHAMBER SOLOISTS-(Decca)

PM: Melvin Kaplan, Inc.NEW YORK PRO MUSICA-(Decca) BA:

CAMINEW YORK STRING SEXTET-BA: Colbert

Artists Mgmt.NEW YORK WOODWIND QUINTET-(Con-

cert-Disc) BA: Herbert BarrettPHILHARMONIC WIND QUINTET OF LOS

ANGELES-BA: Alexander HaasPRINCETON CHAMBER ORCHESTRA, NICH-

OLAS HARSANYI, Music Director-(Decca) BA: Herbert Barrett

SCHOENFELD TRIO, THE-BA: AlexanderHaas

SMETANA STRING QUARTET-(Crossroads,Westminster) BA: Mariedi Anders

STERN, ISTOMIN, & ROSE TRIO-)Colum-bia) BA: Hurok

STUDIO DER FRUEHEN MUSIK-(see EarlyMusic Quartet)

STUTTGART CHAMBER ORCHESTRA-BA:CAMI

SUZUKI, SHINICHI & HIS JAPANESESTUDENTS-BA: Sheldon Soffer Mgmt.

VIRTUOSI DI ROMA-(Decca) BA: CAMIWIENER SOLISTEN-BA: Mariedi AndersZURICH CHAMBER OCTET-BA: Albert

Kay Associates

INSTRUMENTALDUOS

DOLMETSCH, CARL, & JOSEPH SAXBY-BA: Alexander Haas

DU PRE, JACQUELINE, & STEPHEN BISH-OP-(Angel) BA: Hurok

FERRANTE & TEICHER-(United Artists)BA: Wm. Morris

GALEN, MARYLOU, & CARMELA PIACEN-TINI-BA: Bliss Agency

GOLD & FIZDALE-(Columbia) BA: CAMIGOLDBERG, SZYMON, & VICTOR BABIN-

BA: CAMIKONTARSKY, ALFONS & ALOYS-BA:

Mariedi Anderscontinued on page 110

THE t3EEDSThe Originators of the Flower Generation

Exclusive Direction:LORD TIM HUDSON

BROMPTON PRODUCTIONS

8255 Sunset Blvd., Hollywood, California

"PUSHIN' TOO HARD""UP IN HER ROOM"

THE WILLIAM MORRIS AGENCY

151 El CaminoBeverly Hills, California

"MR. FARMER""A THOUSAND SHADOWS""CAN'T SEEM TO MAKE YOU MINE"



MARLOWES, THE-BA: CAMIMORISSET & BOUCHARD-BA: CAMIRABINOF, BENNO & SYLVIA-(Decca) BA:

CAMI

RAMPAL/VEYRON-LACROIX-BA: ColbertArtists Mgmt.

SI -HON, MA, 8 TUNG KWONG-KWONG-BA: CAMI

STECHER & HAROWITZ-BA: Judson,O'Neill, Beall & Steinway

VRONSKY & BABIN-(Capitol-EMI, Decca,RCA) BA: CAMI

WHITTEMORE & LOWE-(RCA, Capitol)BA: CAMI

VIOLINISTSABEL, DAVID BA: Herbert BarrettACCARDO, SALVATORE - (RCA Victor

Italiana) BA: CAMIBUSWELL IV, JAMES OLIVER-BA: CAMIFERRAS, CHRISTIAN-(DGG) BA: CAMIFRANCESCATTI, ZINO-(Columbia) BA:

CAMIGLENN, CAROLL-(Columbia, HMV, West-

minster) BA: CAMIGOLDBERG, SZYMON-(Decca, Epic) BA:

CAMI

KOUTZEN, NADIA-BA: Thea DispekerLAREDO, JAIME-(Columbia, RCA) BA:

CAMIMENUHIN, YENUDI-(Angel, Mercury,

Capitol, RCA) BA: CAMIMORINI, ERICA-(Decca) BA: CAMIPASQUIER, REGIS-BA: CAMIPEINEMANN, EDITH-(DGG) BA: CAMIPERLMAN, ITZHAK-(RCA) PM: HurokRABIN, MICHAEL-(Capitol, Angel) BA:

CAMI

SENOFSKY, BERL-(RCA, Epic) BA: CAMISHAPIRO, EUDICE-BA: Alexander HaasSPIVAKOVSKY, TOSSY-(Everest) BA:

CAMI

STERN, ISAAC-(Columbia) BA: HurokSZERYNG, HENRYK-(Mercury, RCA) BA:

HurokTREGER, CHARLES-BA: Herbert Barrett

VIOLISTDOKTOR, PAUL-BA: Colbert Artists

Mgmt.

CELLISTSDAVIS, DOUGLAS-BA: CAMIDU PRE, JACQUELINE-(Angel) BA: HurokFOURNIER, PIERRE-(DGG) BA: CAMINELSOVA, ZARA-BA: Herbert BarrettROSE, LEONARD-(Columbia) BA: CAMIROSTROPOVICH, MSTISLAV-BA: HurokSTARKER, JANOS-(Angel, Mercury) BA:

Colbert Artists

FLUTISTRAMPAL, JEAN -PIERRE BA: Colbert Art-

ists

HARPISTZABALETA, NICANOR-(DGG, Grand Prix

du Disque) BA: Mariedi Anders

HARPSI-CHORDISTS

JONAS, HILDA-BA: Bliss AgencyPUYANA, RAFAEL-)Mercury) BA: Hurok

ORGANISTSANDERSON, ROBERT-BA: Lilian MurtaghDURUFLE, MARIE-MADELEINE-BA: Lilian

MurtaghDURUFLE, MAURICE-BA: Lilian MurtaghFOX, VIRGIL-(Command) BA: Richard

Torrence

JACKSON, FRANCIS-BA: Lilian MurtaghLANGLAIS, JEAN-BA: Lilian Murtagh

GUITARISTSBREAM, JULIAN-(RCA) Howard HartogDE LA TORRE, REY-(Epic) BA: Herbert

BarrettDE PLATA, MANITAS-(Connoisseur So-

ciety, Vanguard) BA: CAMIGOLD, JAMES BA: Bliss AgencyMONTOYA, CARLOS-(ABC) BA: Wm.

MorrisTHE ROMEROS, CELENDONIO, CELIN,

PEPE, ANGEL-BA: CAMISEGOVIA, ANDRES-(Decca) BA: HurokWILLIAMS, JOHN-(Columbia) BA: HurokYEPES, NARCISO-(London) BA: CAMI

PIANISTSANDA, GEZA-(DGG) BA: CAMIARRAU, CLAUDIO-(Philips, Angel) BA:

CAMI

BACHAUER, GINA-(Mercury) BA: HurokBAR-ILLAN, DAVID-BA: CAMIPASHKiROV, DIMITRI-BA: Mariedi An-

ders

BLOCK, MICHEL-(RCA, DGG) BA: CAMIBOLET, JORGE-(RCA, Colpix, Everest)

BA: CAMICASADESUS, JEAN-BA: CAMICASADESUS, ROBERT-(Columbia) BA:

CAMICASADESUS, ROBERT & GABY-(Columbia)

BA: CAMICASS, RICHARD-BA: CAMICLIBURN, VAN-(RCA) PM: HurokDAVIS, IVAN-(Columbia) BA: CAMIDE LARROCHA, ALICIA-(Epic) PM: Her-

bert Breslin; BA: CAMIDEMUS, JOERG-(Westminster, DGG) BA:

CAMIDOPPMANN, WILLIAM-BA: Albert Kay

AssociatesENTREMONT, PHILIPPE-(Columbia) BA:

CAMP

FIRKUSNY, RUDOLF-(Capitol, Decca) BA:CAMI

FLEISHER, LEON-(Epic, Columbia) BA:CAMI

FRANK, CLAUDE-(Vox) BA: CAMIFRANKL, PETER-(Vox) BA: HurokGILELS, EMIL-BA: HurokGLAZER, FRANK-BA: Herbert BarrettGOULD, GLENN-(Columbia)GRAFFMAN, GARY-(Columbia) BA: Thea

Dispeker

HOLLANDER, LORIN-(RCA) BA: CAMIISTOMIN, EUGENE-(Columbia) BA: Hu-

rokJANIS, BYRON-(Mercury) BA: HurokJOHANNESEN, GRANT - (HMV, Golden

Crest, Capitol) BA: CAMIKALLIR, LILIAN-(Columbia) BA: CAMIKEMPFF, WILHELM-(DGG) BA: CAMIKRAUS, LILT -(Epic) BA: Alix William-

sonLAREDO, RUTH-(Columbia) BA: Young

Concert ArtistsLARETEI, KABI-(Philips) BA: Sheldon

Softer Mgmt.LATEINER, JACOB - (RCA, Westminster)

BA: CAMILETTVIN, THEODORE-(HMV) BA: CAMILIST, EUGENE-(Vanguard, Mercury) BA:

CAMILUVISI, LEE --BA: CAMIMALCUZYNSKI, WITOLD-(Angel, London)

BA: CAMIMICHELANGELI, ARTURO BENEDETTI-

(Angel, London) BA: CAMINOVAES, GUIOMAR-(Vox) BA: Herbert

BarrettPENNARIO, LEONARD-(RCA, Capitol) BA:

CAMI

RICHTER-HAASER, HANS-(Angel, Epic)BA: CAMI

ROSEN, CHARLES-(Epic, Columbia) BA:CAMI

RUBINSTEIN, ARTUR-(RCA) PM: HurokSERKIN, RUDOLF-(Columbia) BA: CAMPSEVILLA, JEAN-PAUL-BA: CAMISHIRLEY, DONALD-(Columbia) BA: CAMISIMON, ABBEY-BA: HurokSLENCZNSKA, RUTH-BA: International

ArtistsSTARR, SUSAN-(RCA) BA: CAMI

Is themanufacturer's

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SHELTON TOWERS RICKENBACKER, INC. Atlanta, Ga. 30319(404) 233-3962

201 STEVENS ST., SANTA ANA. CALIF.


TS'ONG, FOU-(Westminster, Parliament)BA: CAMI

TURECK, ROSALYN-(HMV, Odeon, Decca)BA: CAMI

TURINI, RONALD -(RCA) BA: CAMIVASARY, TAMAS-(DGG) BA: CAMIVOTAPEK, RALPH -BA: HurokWATTS, ANDRE-(Columbia) BA: CAMIZAK, YAKOV--BA: Hurok

OPERACOMPANIES

CANADIAN OPERA COMPANY --BA: BlissAgency, Inc.

GOLDOVSKY GRAND OPERA THEATER"BA: Herbert Barrett

NEW YORK CITY OPERA BA: PaulSzilard Productions

VOCALENSEMBLES

AMBROSIAN CONSORT - BA: AccademiaMonteverdiana, Inc.

BACH ARIA GROUP-(Decca, RCA, MGM,Vox) BA: Herbert Barrett

DE PAUR CHORUS -(Mercury) BA: CAMILITTLE ANGELS FROM KOREA -PM:

Kenneth AllenMELOS ENSEMBLE OF LONDON -(Angel)

BA: HurokOBERNKIRCHEN CHILDREN'S CHOI R -

(Angel, London) BA: CAMIRHOS MALE VOICE CHOIR -BA: Wm.

MorrisRIVERSIDE SINGERS -BA: Ann Summers

Mgmt.VIENNA CHOIR BOYS, THE -BA: HurokWESTMINSTER CHOIR -BA: CAMI

VOCALISTBASSO

DIAZ, JUSTINO-(Columbia) BA: Hans J.

Hofmann

BASS-BARITONES

BOATWRIGHT, McHENRY - BA: ElwoodEmerick

CROSS, RICHARD -(RCA, Columbia) BA:CAMI

ESTES, SIMON-BA: CAMIFERES, AMIN-(RCA) BA: CAMIGHIAUROV, NICOLAI-(London, Angel)

BA: CAMIGRAMM, DONALD -(Columbia) BA: CAMIHINES, JEROME-BA: HurokMICHALSKI, RAYMOND -BA: CAMISIEPI, CESARE -(London) BA: CAMISMITH, KENNETH-BA:-CAMISZE, YI-KWEI-BA: CAMI

BARITONESCASSEL, WALTER -(Columbia, MGM) BA:

CAMIGORIN, IGOR-(RCA) BA: CAMIGUARRERA, FRANK -(RCA) BA: CAMIHOLMES, EUGENE -BA: Sherman PitluckKRAUSE, TOM -(London) BA: CAMIKRUYSEN, BERNARD (Westminster), Va-

lois) BA: CAMILONDON, GEORGE -(RCA, Columbia, Lon-

don) BA: CAMIMERRILL, ROBERT -(RCA, Columbia, Lon-

don) BA: CAMIPREY, HERMANN-(Angel, London) BA:

Colbert ArtistsQUILICO, LOUIS - (Vanguard, Decca,

DGG) BA: CAMISHIRLEY-QUIRK, JOHN - (Philips) BA:

HurokIDUZAY, GERARD-(Angel, Epic, DGG,

Capitol) BA: CAMIUPPMAN, THEODOR-BA: CAMIWARFIELD, WILLIAM -(RCA, MGM, Co-

lumbia, Capitol) BA: CAMI

TENORSALEXANDER, JOHN -(RCA, Columbia) BA:

Judson, O'Neill, Beall & Steinway

CRAIN, JON -BA: CAMIDiVIRGILIO, NICHOLAS - BA: Herbert

BarrettGEDDA, NICOLAI-(Angel, RCA, Pathe-

Marconi) BA: CAMIKONYA, SANDOR-(DGG) BA: CAMIMcCOLLUM, JOHN-(Decca, Westminster)

BA: CAMIMORELL, BARRY -BA: CAMIPEERCE, JAN -BA (Europe): Theo Di-

speker; BA (USA): HurokSIMONEAU, LEOPOLD (Angel, Westmin-

ster, Columbia, London) BA: CAMISULLIVAN, BRIAN -BA: CAMITUCKER, RICHARD -(Columbia, RCA, An-

gel) BA: CAMIVALETTI, CESARE - (RCA, Cetra) PM:

Hurok

CONTRALTOSCHOOKASIAN, LILI-(RCA, Columbia) BA:

CAMIFORRESTER, MAUREEN-(Vanguard, West-

minster, Columbia) BA: CAMIKOPLEFF, FLORENCE - (RCA, Columbia,

Vanguard, Decca) BA: CAMI

MEZZOSOPRANOS

ALLEN, BETTY (Columbia, Odeon, Vox)BA: CAMI

BERGANZA, TERESA -(London) BA: CAMI

BIBLE, FRANCES - (MGM, Angel, C.R.I.)BA: CAMI

DALIS, IRENE-BA: CAMIELIAS, ROSALIND-(RCA) BA: CAMI

LUDWIG, CHRISTA-(Angel) BA: ColbertArtists

MILLER, MILDRED - (Westminster, Co-

lumbia) BA: CAMIVANN1, HELEN -(Columbia) BA: CAMIVERRETT, SHIRLEY-(RCA) PM: Hurok

WOLFF, BEVERLY - (Columbia) BA:CAMI

SOPRANOSALBANESE, LICIA-(RCA) BA: CAMIBEARDSLEE, BETHANY -BA: Sheldon Sof-

terBLAIR, LYNN - BA: National Music

LeagueBOATWRIGHT, HELEN - BA: Judson,

O'Neill, Beall & SteinwayCABALLE, MONTSERRAT - (RCA) BA:

CAMICOSTA, MARY -BA: HurokCRESPIN. PEGINE-(Angel, London, DGG)

BA: CAMICURTIN, PHYLLIS-(RCA, Columbia, Van-

guard, Westminster) BA: CAMID'ANGELO, GIANNA-(Angel, DGG, Lon-

don, Columbia) BA: CAMIDAVRATH, NETANIA - (Vanguard) BA:

CAMIDE LOS ANGELES, VICTORIA -(Angel) BA:

HurokDOBBS, MATTIWILDA-(Epic) BA: CAMIELGAR, ANNE -BA: CAMIENDICH, SARAMAE-(RCA) BA: CAMIFARRELL, EILEEN-BA: Herbert BarrettGODOY, MARIA LUCIA - BA: Judson,

O'Neill, Beall & SteinwayGRIST, RERI-(RCA, Columbia) BA: CAMIHORNE, MARILYN-(London) BA: Colbert

ArtistsJORDAN, IRENE-BA: Herbert BarrettKIRSTEN, DOROTHY - (RCA, Columbia,

Capitol) BA: CAMIKRALL, HEIDI-BA: CAMILEAR, EVELYN - (DGG) BA: Judson,

O'Neill, Beall & SteinwayLEE, ELLA -BA: CAMILORENGAR, PILAR - (Angel, DGG, Lon-

don) BA: CAMIMARSH, JANE -(RCA) BA: CAMIMARSHALL, LOIS - (RCA, Angel) BA:

CAMIMOFFO. ANNA (RCA) PM: CAMINILSSON, BIRGIT-(London, Angel, RCA,

DGG) BA: CAMIPOPP, LUCIA -(Angel, DGG) BA: CAMIPRICE, LEONTYNE-(RCA) PM: CAMI


WE ARE PROUD TO REPRESENT THE WORLD'S

MAJOR ARTISTS IN THE ENTERTAINMENT FIELD

PACPARAMOUNT ARTISTS CORP.

THE NEWEST MOST AGGRESSIVE TALENT AGENCY

WITH 3 COMPLETE DEPARTMENTS DESIGNED TO GIVE THE

CAMPUSES OF AMERICATHE MOST THOROUGH SERVICE POSSIBLE

CONCERT DANCE & SPECIAL EVENTS FRATERNITY

Mitch Corday, Vice -President1203 28th Street, N.W., Washington

Telephone (202) 337-7015D. C.



ROTHENBERGER, ANNELIESE - (Angel)BA: CAMI

SCHWARZKOPF, ELISABETH-(Angel) BA:CAMI

SCOTTO, RENATA - (Angel, DGG) BA:CAMI

STICH-RANDALL, TERESA-BA: HerbertBarrett

SUTHERLAND, JOAN-(London) BA: Col-bert Artists

TYLER, VERONICA-(Columbia) BA: CAMIVISHNEVSKAYA, GALINA-BA, HurokWALTERS, JEANNETTE-BA: CAMIWARENSKJOLD, DOROTHY-(Capitol) BA:

CAMI

YARICK, DORIS-BA: CAMIYE END, FRANCES-(RCA, Columbia) BA:

CAMI

DANCE GROUPSAND

MUSICAL SHOWSAMERICAN BALLET THEATRE-BA: CAMIBALLET FOLKLORICO DE MEXICO-BA:

Hurok

FANTASTICKS, THE-BA: American TalentMgmt.

FIRST CHAMBER DANCE QUARTET-BA:CAM I

GRAHAM, MARTHA, DANCE COMPANY-BA: Hurok

GRECO, JOSE, & COMPANY-BA: Wm.Morris

JAVIER DE LEON'S FIESTA MEXICANA-BA: CAMI

HARKNESS BALLET-PM: Reginald Tonry;BA: Kenneth Allen

HAWKINS, ERIC, DANCE COMPANY-BA:Murray Farr

MAYA, MARIO, "FLAMENCO"-BA: CAMI

NEW YORK CITY BALLET - BA: PaulSzilard

RUTH PAGE'S INTERNATIONAL BALLET-BA: CAMI

PARIS RIVE GAUCHE (LA CONTRE-SCARPE)-BA: Mel Howard

ROYAL WINNIPEG BALLET-BA: HurokVARGAS, MANUELA, & COMPANY-BA:

Wm. Morris

PersonalManagers

JOE ADAMS-RPM International Bldg.2107 W. Washington Blvd., Los Angeles, Calif.

RICHARD ADLER-9000 Sunset Blvd., LosAngeles, Calif. Tel: (213) 278-0838

KENNETH ALLEN -125 E. 63rd St., NewYork, N. Y. Tel: (212) RI 9-0767

GEORGE AVAKIAN-200 W. 57th St.,Rm. 1008, New York, N. Y. Tel: (212)SU 7-7778

B -J ENTERPRISES -9220 Sunset Blvd.,Los Angeles, Calif. Suite 330. Tel:(212) 273-8016

BOB BANNER ASSOCIATES -545 MadisonAve., New York, N. Y. Tel: (212) PL2-6666

BEN BART-Try Me Music, 200 W. 57thSt., New York, N. Y. Tel: (212) JU2-7575

BELAFONTE ENTERPRISES -157 W. 57thSt., New York, N. Y. Tel: (212) PL7-9660

SID BERNSTEIN ENTERPRISES, INC.-75 E. 55th St., New York, N. Y. Tel:(212) 752-5193

SAL BONAFEDE-237 W. 54th St., NewYork, N. Y. Tel: (212) LT 1-0827

HERBERT H. BRESLIN-119 W. 57th St.,New York, N. Y. Tel: (212) 581-1750

OLI BRUBECK-221 Millstone Rd., Wilton,Conn. Tel: (203) PO 2-7710

JERRY CAMPBELL -41 Central Park West,New York, N. Y. Tel: (212) 874.1121

PAUL CANTOR-Wand Management Corp.,254 W. 54th St., New York, N. Y.Tel: (212) CI 5-2170

KEN CAPURSO-6 Imperial Rd., Worcester,Mass. Tel: (617) 757-0269

BOB CAVALLO MANAGEMENT -1414 Ave.of the Americas, New York, N. Y.10019. Tel: (212) 421-9365

J. DAVID COL OREN-Antioch College, Yel-low Springs, Ohio 45387. Tel: (513)767-7331

PAT COLECCIO-9654 Wilshire Blvd.,Beverly Hills, Calif. Tel: (213) OL2-8520

HARRY COLOMBY-69-45 108th St., For-est Hills, N. Y. Tel: (212) BO 3-7991

BILL COOK -604 Bergen St., Newark,N. J. Tel: (201) OR 5-1766

JOSEPH CSIDA ENTERPRISES -1 E. 57thSt., New York, N. Y. Tel: (212) PL9-7470

JOE DELANEY-2116 Bonnie Brae, LasVegas, Nev. Tel: (702) 384-5378

BILL DOWNS -410 W. 115th St., NewYork, N. Y. Tel: (212) UN 5-9795York, N. Y. Tel: (313) UN 5-9795

GEORGE A. DURGOM-c/o Ashley -Fa-mous, 9255 Sunset Blvd., Los Angeles,Calif. Tel: (213) CR 3-8811

EDMISTON-ROTHSCHILD - Management,Inc., 330 E. 48th St., New York,N. Y. Tel: (212) HA 1-0592

SAUL ELLNER-164 N. Bascon, San Jose,Calif. Tel: (408) 286-0726

MORTON H. FARBER-Farber, Cohen &Diamond, 608 Fifth Ave., New York,N. Y. Tel: (212) CI 7-8418

PIERRE FATOSME-8 Rue de Lorraine,Asnieres, Seine, France. Tel: 733-0577

GIL FRIESEN -8255 Sunset Blvd., LosAngeles, Calif. Tel: (213) 656-5330

GALAXY ARTISTS -2116 Michigan Ave.,Chicago, Ill. Tel. (312) CA 5-2965

HERBERT S. GART MANAGEMENT INC.-161 W. 54th St., New York, N. Y.10019. Tel: (212) 765-2890

MARTHA GLASER-118 W. 57th St., NewYork, N. Y. Tel: (212) CO 5-5475

MARTY GOLD -185 Glenwood Ave., Le-onia, N. J. Tel: (201) WI 4-2285

LILLIAN GONZALES-1102 S. Michigan,Saginaw, Mich. Tel: (517) PL 2-4343

ARTHUR H. GORSON, INC.-850 7th Ave.,New York, N. Y. Tel: (212) JU 6-5124

LLOYD GREENFIELD-9 Rockefeller Plaza,New York, N. Y. Tel: (212) CI 5-8130

KEN GREENGRASS-600 Madison Ave.,New York, N. Y. Tel: (212) HA 1-8415

STAN GREESON ASSOCIATES, INC.-4East 52nd St., New York, N. Y. Tel:(212) 753-7390

GREGORY & HOWARD -3478 ParadiseRd., Las Vegas, Nev. Tel: (702) 734-6784

GREIF-GARRIS MANAGEMENT - Greif-Garris Bldg., 8467 Beverly Blvd., LosAngeles, Calif. 90048. Tel (213)653-4780

ALBERT B. GROSSMAN MANAGEMENT,INC.-75 E. 55th St., New York, N. Y.Tel: (212) PL 2-8715

FRANK GUIDA-6143 Sewells Point Rd.,Norfolk, W. Va. Tel: (703) 853-4041

ROGER HART -9100 Sunset Blvd., LosAngeles, Calif. 90069. Tel: (213)276-3400

HOWARD HARTOG-Igpen & Williams,Ltd., 14 Henrietta Place, London W.1,England

SEYMOUR N. HELLER-9220 Sunset Blvd.,Los Angeles, Calif. Tel: (213) 273-3060

ABE HOCH-Capitol Records, Inc., Holly-wood & Vine, Hollywood, Calif. 90028.Tel: (213) 462-6252

SAUL HOLIFF-509 Jarvis St., London,Ont., Canada. Tel: (519) 471-5519

INTERNATIONAL TALENT MANAGEMENT,INC.-2657 W. Grand Blvd., Detroit,Mich. Tel: (313) 871.1355

STAN IRWIN-953 E. Sahara, Las Vegas,Nev. Tel: (702) 734-6333

MICHAEL JEFFREY -39 Gerrard St., Lon-don W.1, England. Tel: GER 9916

MELVIN KAPLAN, INC.-81 Riverside Dr.,New York, N. Y. Tel: (212) TR 7-6310


FOR YOURFINE ARTS SERIES

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FOLKLOREPRODUCTIONS

/76 Federal StreetBoston 10, Massachusetts

Tel.: HUbbard 2-1827Manuel Greenhill, manager.


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MONTE KAY -200 W. 57th St., New York,N. Y. Tel: (212) CO 5-6690

ALLEN KLEIN-Time & Life Bldg., 1271Ave. of the Americas, Rm. 4326,New York, N. Y. Tel: (212) CI 5-7010

STEVE KORTHOF-8281 Melrose, Holly-wood, Calif. 90046. Tel: (213) 653-5315

KRAGEN-FRITZ-451 N. Canon Dr., Bev-erly Hills, Calif. Tel: (213) 273.5011

MORT LEWIS-75 E. 55th St., New York,N. Y. Tel: (212) PL 2-2276

HAROLD LEVENTHAL-200 West 57th St.,New York, N. Y. Tel: (212) JU 6-6553

MURRAY LOOTH-1776 Broadway, NewYork, N. Y. Tel: (212) CI 6.3500

HAROLD LOVETTE-120 E. 56th St., NewYork, N. Y. Tel: (212) PL 5-3520

BILL LOWERY TALENT, INC.-P. 0. Box9687, Atlanta, Ga. Tel: (404) 233-6703

OLLIE McLAUGHLIN-1300 Arbor View,Ann Arbor, Mich. Tel: (313) NO3-2059

ERNEST MARTINELLI-888 8th Ave., NewYork, N. Y. Tel: (212) LT 1-0966

BOB MESSINGER-60 W. 45th St., NewYork, N. Y. Tel: (212) OX 7-1849

IRV NAHAN-2203 Spruce St., Phila-delphia, Pa. Tel: (215) LO 3-6484

SIMON NAPIER-BELL-Royalty House, 72Dean St., London W.C.1, England. Tel:GER 6111

NEMPEROR ARTISTS LTD. -1501 Broad-way, New York, N. Y. Tel: (212) OX5-2175

DAVID NICOLSON-35 Curzon St., Lon-don W.1, England

PETER PAUL-LEW FUTTERMAN-The Con-cert House, 315 W. 57th St., NewYork, N. Y. Tel: (212) 246-2302

PERSONALITY PRODUCTIONSstock Dr., Las Vegas, Nev. Tel: (702)385-4657

HAROLD PLANT -10000 Santa MonicaBlvd., Los Angeles, Calif. Tel: (212)CR 1-5761

GERARD W. PURCELL ASSOCIATES, LTD.-150 East 52nd St., New York, N. Y.Tel: (212) PL 3-7602

JESS RAND -140 S. Beverly Dr., BeverlyHills, Calif. 90212. Tel: (213) CR5-6000

TEDDY REIG-250 Tryon Ave., Teaneck,N. J. Tel: (201) TE 7-1885

DON RIBER-6290 Sunset Blvd., Holly-wood, Calif. Tel: (213) HO 2-1127

ROY RIFKIND-Sire Productions, 146 W.54th St., New York, N. Y. Tel: (212)LT 1-5398

BOBBY ROBERTS ENTERPRISES -321 S.

Beverly Dr., Beverly Hills, Calif. Tel:(213) 278-1862

KAL ROSS -8440 Sunset Blvd., Hollywood,Calif. Tel: (213) 654-2200

SALLE PRODUCTIONS -451 N. Canon Dr.,Beverly Hills, Calif. Tel: (213) CR1-1186

SCANDORE & SHAYNE-161 W. 54th St.,New York, N. Y. Tel: (212) CO 5-5587

NORMAN SCHWARTZ-161 W. 54th St.,New York, N. Y. Tel: (212) JU 2-8854

MRS. EARL SCRUGGS-201 Donna Dr.,Madison, Tenn. Tel: (615) 895-2254

KENNY SHARP -5412 Osage Ave., Phila-delphia, Pa. Tel: (215) 472-6717

ROY SILVER -9424 Dayton Way, Los An-geles, Calif. Tel: (213) CR 4-8071

RANDY SPARKS -10513 Santa MonicaBlvd., West Los Angeles, Calif. Tel:(213) 474-3565

PHIL SPECTOR-9130 Sunset Blvd., LosAngeles, Calif. 90069. Tel: (213) 273-8661

ALAN STROH-S.C.C. Management, Inc.,1841 Broadway, Suite 600, New York,N. Y. Tel: (212) CI 5-3535

STROUD PRODUCTIONS -507 Fifth Ave.,New York, N. Y. Tel: (212) MU 2-2380

PHIL TERETSKY-9028 Sunset Blvd., LosAngeles, Calif. 90069. Tel: (213) 274-8325

TICKNER-DICKSON-9000 Sunset Blvd.,Los Angeles, Calif. Tel: (213) 278-1723

REGINALD TONRY-125 E. 63rd St., NewYork, N. Y. 10021. Tel: TE 8-3773

EDWARD TRAUBNER-132 S. Rodeo Dr.,Beverly Hills, Calif. Tel: (213) CR4-6681

GEORGE TREADWELL-161 W. 54th St.,New York, N. Y. Tel: (212) 757-6794

TRIDENT MANAGEMENT, INC.-855 TreatAve., San Francisco, Calif. Tel: (415)648-7750

ABE TURCHEN-200 W. 57th St., NewYork, N. Y. Tel: (212) CI 5-3715

PHIL WALDEN-Redwal Bldg., 535 Cot-ton Ave., Macon, Ga. 31201. Tel:(912) 746.8810

RICHARD A. WATERMAN-Avalon Produc-tions, 500 Franklin St., Cambridge,Mass. 02139. Tel: (617) 876-9837

FRED WEINTRAUB-180 Thompson St.,New York, N. Y. Tel: (212) GR 5-7804

WIL-DEN PRODUCTIONS -9465 WilshireBlvd., Beverly Hills, Calif. Tel: (213)CR 3-1556

HOWARD WOLF -6331 Hollywood Blvd.,Hollywood, Calif. Tel: (212) 469-2911

CLAUDE WOLFF-c/o Vogue P.I.P., 82Rue Maurice Grandcoing, Villetaneuse,Seine, France

FRANK WERBER-Columbus Tower, 916Kearney St., San Francisco, Calif. Tel:(415) EX 2-3637

ED YELLIN-Wil-Den Productions, 9465Wilshire Blvd., Suite 820, BeverlyHills, Calif. Tel: (213) CR 3-1556

BookingAgents

A.P.A. (Agency of the Performing Arts)120 W. 57th St., New York, N. Y.Tel: (212) LT 1-8860 and9000 Sunset Blvd., Hollywood, Calif.Tel: (213) CR 3-0744

ACADEMY MANAGEMENT, INC.9220 Sunset Blvd., Los Angeles, Calif.Tel: (213) 273-3590

ACCADEMIA MONTEVERDIANA, INC.3671 Hudson Manor Terrace, 3C,Riverdale, N. Y. 10463Tel: (212) 549-5228

WILLARD ALEXANDER, INC.600 Madison Ave., New York, N. Y.Tel: (212) PL 1-7070

KENNETH ALLEN125 E. 63rd St., New York,N. Y. 10021. Tel: (212) 838-3773

AMERICA'S BEST ATTRACTIONSSuite 201, 1800 Burlington St., NorthKansas City, Mo. 64116. Tel: (816)BA 1-9094

AMERICAN TALENT MANAGEMENT200 W. 57th St., New York, N. Y.Tel: (212) JU 2-2240.

MARIEDI ANDERS ARTIST MANAGEMENT535 El Camino del Mar,San Francisco, Calif. 94121.Tel: (415) 752.4404. Cable: ALLTRADE

ASHLEY FAMOUS AGENCY, INC.1301 Ave. of the Americas,New York, N. Y., Tel: (212) 956-5800,and 9255 Sunset Blvd., Los Angeles,Calif. Tel: (213) CR 3-8811

ASSOCIATED BOOKING CORP.445 Park Ave., New York, N. Y.Tel: (212) HA 1-5200

BANKERS MANAGEMENT, INC.825 Olive St., Dallas, Tex.

HERBERT BARRETT MANAGEMENT250 W. 57th St.,New York, N. Y. 10019.Tel: (212) CI 5-3530.Cable: HERBARRETT

BLISS AGENCY, INC.70 W. 38th St., Bayonne, N. J.Tel: (201) 339-8023

CAMI (Columbia ArtistsManagement, Inc.)165 W. 57th St.,New York, N. Y. 10019.Tel: (212) CI 7-6900

CAPITOL BOOKING CORPORATION527 Madison Ave., New York, N. Y.Tel: (212) 421-9590

CENTRAL FLORIDA CIVICMUSIC ASSOCIATION

Floyd Eaddy, 106 E. Church St.,Orlando, Fla. 32801

DICK CLARK PRODUCTIONS9125 Sunset Blvd., Hollywood, Calif.Tel: (213) CR 8-0311

COLBERT ARTISTS MANAGEMENT, INC.850 7th Ave., New York, N. Y. 10019.Tel: (212) PL 7-0782.Cable: COLABER

X COSSE-ARCO Enterprises -Suite 305, 806 17th Ave. S.,Nashville, Tenn. Tel: (615) 256-6609

THEA DISPEKER, ARTISTS' REPRESENTA-TIVE

59 E. 54th St., New York, N. Y. 10022.Tel: (212) 421-7676.Cable: THEADISPEK

EASTMAN BOOMER MANAGEMENT119 W. 57th St., New York,N. Y. 10019. Tel: (212) JU 2-9364

ELWOOD EMERICK MGT.501 Madison Ave., New York,N. Y. 10022. Tel: (212) PL 2-8565

MURRAY FARR, Foundation forModern Dance, Inc.80 Fifth Ave., New York, N. Y. 10011.Tel: (212) 255-6698 & 989-8062

FOLKLORE PRODUCTIONS176 Federal St., Boston, Mass.Tel: (617) HU 2-1827

THE FRIEDBERG MANAGEMENT, INC.111 W. 57th St., New York,N. Y. 10019. Tel: (212) CI 7-1407Cable: AFRICONDI

GAC (General Artists Corp.)600 Madison Ave., New York, N. Y.Tel: (212) 935-4000, and9025 Wilshire Blvd., Beverly Hills,Calif. Tel: (213) 273-2400

HERBERT S. GART MANAGEMENT, INC.161 W. 54th St., New York,N. Y. 10019. Tel: (212) 765-2890

GLOBAL BOOKING ASSOCIATES, INC.850 Seventh Ave., New York, N. Y.Tel: (212) 245-4585

BARBARA GRINER312 W. 76th St., New York, N. Y.

Tel: (212) 877-2188ALEXANDER NAAS ARTIST MANAGEMENT

427 W. 5th St.,Los Angeles, Calif. 90013Tel: (213) MA 5-3043

HEMISPHERE CONCERT CORP.200 W. 57th St., New York,N. Y. 10019. Tel: (212) 246-2231

HANS J. HOFMANN200 W. 58th St.,New York N. Y. 10019Tel: (212) CI 6-1557Cable: ARTHOFMANN

HORTON ARTISTS CORPORATIONSuite 200, 274 S. 3d St.,Columbus, Ohio 43215Tel: (614) 221-7153

MEL HOWARD450 W. 24th St., New York, N. Y.Tel: (212) 243-1488

HUROK ATTRACTIONS, INC.730 Fifth Ave., New York, N. Y.

Tel: (212) CI 5-0500INTERNATIONAL ARTISTS

Suite 609, Carnegie Hall,New York, N. Y. 10019.Tel: (212) 586-2349

INTERNATIONAL PERFORMING CORP.

55 W. 55th St., New York, N. Y.

Tel: (212) 247-4260JUDSON, O'NEILL, BEALL &STEINWAY, INC.

119 W. 57th St.,New York, N. Y. 10019.Tel: (212) JU 6-8135

ALBERT KAY ASSOCIATES, INC.38 W. 53d St., New York N. Y. 10019Tel: (212) 765-3195

KENALLEN ENTERPRISES, INC.125 E. 63d St., New York,N. Y. 10021. Tel: (212) TE 8-3773

JOHN LEVY ENTERPRISES, INC.119 W. 57th St., New York, N. Y.Tel: (212) CI 5-2488

BILL LOWERY TALENT, INC.P. 0. Box 9687, Atlanta, Ga.Tel: (404) CE 3-6703

BENNETT MORGAN AGENCYParkway House, Suite 215,2201 Benjamin Franklin Pkwy.,Philadelphia, Pa. 19130Tel: (215) LO 8-3550

WILLIAM MORRIS AGENCY, INC.1350 Ave. of the Americas,New York, N. Y. Tel: (212) JU 6-5100and 151 El Camino, Beverly Hills,Calif. Tel: (213) 274-7451

LILIAN MURTAGHCONCERT MANAGEMENT

P. O. Box 272, Canaan, Conn.Tel: (203) 824-7877

MUSICAL ARTISTS (Sue Pimsleur)119 W. 57th St., New York, N. Y.Tel: (212) JU 6-2747

NATIONAL MUSIC LEAGUE, INC.130 W. 56th St., New York,N. Y. 10019. Tel: (212) 265-2472

ONE -EYED JACKS ARTISTS & ASSOCI-ATES

3307 Wimboldon Rd.Nashville, Tenn. 37215Tel: (615) 291-7533

PARAMOUNT ARTISTS CORP.1203 28th St. N.W.Washington, D. C.

Tel: (202) 337-7015PERENCNIO ARTISTS REPRESENTATIVES

434 N. Rodeo Dr., Beverly Hills, Calif.Tel: (213) CR 3-6700

SHERMAN PITLUCK, Manager,Musical Attractions, School of Music,Indiana University, Bloomington, Ind.Tel: (213) 657-1730

PREMIER TALENT ASSOCIATES200 W. 57th St., New York, N. Y.Tel: (212) 757-4300

QUEEN BOOKING CORPORATION1650 Broadway, Suite 1410,New York, N. Y. Tel: (212) 265-3350

SAC (Shaw Artists Corporation)565 Fifth Ave., New York, N. Y.Tel: (212) OX 7-7744

MRS. EARL SCRUGGS201 Donna Dr., Madison, Tenn.Tel: (615) 895-2254

SHERMAN ENTERPRISES8833 Sunset Blvd., Suite 308,Los Angeles, Calif., 90069Tel: (213) 657-1730

SHELDON SOFFER MANAGEMENT130 W. 56th St., New York,N. Y. 10019. Tel: (212) PL 7-8060

ANN SUMMERS MANAGEMENT, INC.162 W. 54th St., New York,N. Y. 10019. Tel: (212) CO 5-5194Cable: ANNSUMMERS

PAUL SZILARD PRODUCTIONS, INC.250 W. 57th St., New York,N. Y. 10019. Tel: (212) JU 6-6723

TALENT MANAGEMENT ASSOCIATESEmire State Bldg., 350 5th Ave.,New York, N. Y. Tel: (212) 563-5440

RICHARD TORRENCE MANAGEMENT394 East Palisade, Englewood,N. Y. 07631. Tel: (201) 563-6395

TRIDENT MANAGEMENT, INC.855 Treat Ave., San Francisco, Calif.Tel: (415) 648-7750

UNIVERSAL ATTRACTIONS200 W. 57th St., New York, N. Y.Tel: (212) JU 2-7575

UNIVERSITY CONCERTS542 George St., New Brunswick,N. J. 08903

ALIX WILLIAMSON119 W. 57th St., New York, N. Y.Tel: (212) CO 5-1758

YOUNG CONCERT ARTISTS75 E. 55th St., New York,N. Y. 10022. Tel: (212) PL 9-2541



Western Washington State CollegeBellingham, Wash.

Enrollment, 6,000. President HarveyBunke. Dean of Men Merle Kuder. Con-cert facilities: Auditorium (1,200),Caner Gymnasium (3,600), VikingUnion (400). Sound facilities: Altecamplifier, 5 place mixer, permanent andportable speakers; 8 Shure microphones.Lighting facilities: rented. Acts appearingin 1966-67: We Five, Brasil '66, ModernJazz Quartet. Concerts sponsored by As-sociated Students, cleared throughRichard Reynolds, Director of StudentActivities. Campus weekly is The Col-legian, Bruce Delbridge, editor. StudentCo-op sells records, radios, tape re-corders, phonographs, auto tape car-tridges. Ray Knabe is manager. Localrecord stores: Pay n' Save; DiscountCity, both in Bellingham.

Williamette UniversitySalem, Ore.

Enrollment, 1,461. President G. HerbertSmith. Dean of Men Scott Rickard. Con-cert facilities: Fine Arts Auditorium(1,250), Waller Auditorium (500), Col-lege of Music Recital Hall (300), Gym-nasium (2,000), McCulloch Stadium(3,500). Acts appearing in 1966-67:Serendipity Singers, Marion Williams,Norman Luboff Choir, John Williams,Johnny Rivers, sponsored by Assoc.Students of WU. All bookings must becleared through the office of the Assistantto the President and the Business Man-ager. Campus weekly is Willamette Col-legian, Jon Carder, editor. Local recordstores: Salem Record Shop; Meier &Frank Dept. Store; Pay Less Drug andDept. Store, all in Salem.

College of Williám & MaryWilliamsburg, Va.

Enrollment, 3,100. President Davis Y.Paschall. Dean of Men Carson Barnes.Concert facilities: Adair Gymnasium(2,500), Blow Gymnasium (3,000), PhiBeta Kappa Hall (805), Campus CenterBallroom (500), Gymnasium -auditoriumopening January 1968 (10,000). Soundfacilities: borrowed or rented to suitartists' requirements. Lighting: Phi BetaKappa Hall has outstanding stage lightingsystem; other halls borrow 1500-W spotsfrom TV studio. Acts appearing in 1966-67: Doug Clark & the Hot Nuts, spon-sored by Interfraternity Council; alsoZurich Chamber Orchestra, Newport JazzFestival All -Stars Quintet, Eugene List,sponsored by W&M Concert Series; alsoChuck Berry, sponsored by StudentAssociation. Student Association bookingsgo through a committee (not specified);Interfraternity Council not regulated.Campus weekly is The Flat Hat, JohnHaley, editor. Radio station WCWM-FMprograms classical and pop music. W&MBookstore sells records. Y. O. Kent ismanager. Local record stores: SchmidtMusic, Duke of Gloucester St.; BandBox Music, Prince George St., both inWilliamsburg.

Williams CollegeWilliamstown, Mass.

Enrollment, 1,124. President John Ed-ward Sawyer. Dean of Men Benjamin W.Larabee. Concert facilities: Adams Me-morial Theater (479), Chapin Hall(1,000), Jesup Hall, Thompson Memo-rial Chapel, Lawrence Hall Rotunda (ca-pacities not given). Sound facilities: 3

mikes with PA system in Chapin Hall.Acts appearing in 1966-67: Ruth Laredo,Kenneth Roberts, The Juilliard Quartet,The Netherland Chamber Choir, TeresaStich -Randall, Sergiu Luca, The Berk-shire Symphony, all under the sponsor-ship of the Department of Music, IrwinShainman, chairman. Campus bi-weeklyis The Williams Record, Arthur S. Lutz-ke, editor. Radio stations WMS (AM)and WCFM program pop and classicalmusic. Local record stores: Lilly's MusicHouse, 59 Main St., North Adams, Mass.,and Senecal's Sound Center, 501 MainSt., Bennington, Vt.

Worcester Polytechnic InstituteWorcester, Mass.

Enrollment, 1,500. President Harry P.Storke. Dean of Students Martin C. Vande Visse. Concert facilities: Alden Me-morial Auditorium (800), gymnasiumand auditorium now under construction(2,500). Auditorium has stage lights andspots. Acts appearing in 1966-67: IsleyBrothers, sponsored by Tech Senate,Steven Luber, chairman. Other bookingsunconfirmed, but will be sponsored byIFC Council, John Kilguss, chairman,and Junior Class, Robert Woog, presi-dent. Campus weekly is Tech News,Frank Magiera, editor. FM radio stationprograms both classical and pop music.Worcester Polytechnic Bookstore sellsrecords. Harry Thompson is manager.

University of WyomingLaramie, Wyo.

Enrollment, 6,700. President John E.King. Dean of Men Richard E. Kinder.Concert facilities: Arts & Sciences Audi-torium (2,000), Union Ballroom (1,000),War Memorial Fieldhouse (9,000) Soundand lighting facilities: new; no specificsgiven. Acts appearing in 1966-67: Gol-dovsky. Grand Opera Theater, OrchestraMichelangelo de Firenze, CambridgeCircus, Rosalyn Tureck, Bach AriaGroup, Charles Treger, The Four Ro-meros, Glenn Gould, all sponsored byPublic Exercises Committee, A. A. Will-man, chairman. Also several popular con-certs, not yet booked, to be sponsoredby ASUW Program Committee, JamesMcNutt, chairman. All bookings mustbe approved by Public Exercises Com-mittee. Campus weekly is BrandingIron, James Coates, editor. FM radio sta-tion KUWR programs pop and classicalmusic. University Bookstore (StudentUnion) sells sheet music. Manager isMildred Bree. Local record stores: J. J.Humphrey Co., 207 South Second; TheMusic Box, 100 South Second, both inLaramie.

Xavier University, CincinnatiEnrollment, 2,270. President, the VeryRev. Paul L. O'Connor, S.J. Dean of

Men Patrick J. Nally. Concert facilities:Xavier Stadium (15,000), MemorialFieldhouse (6,000), Xavier Armory(1,000), Center Theater (500). Soundfacilities rented. Lighting: Good theat-rical equipment reported available. Actsappearing in 1966-67: Jay & the Ameri-cans, sponsored by Student Council(Michael Berkery); also Les & LarryElgart, sponsored by Xavier Order ofMilitary Merit. Bookings must be clearedthrough Dean Nally. Campus weekly isThe Xavier News, John R. Getz, editor.Closed circuit AM radio station WCXUprograms classical and pop music. XavierU. Bookstore sells records. John W.Wintz is manager.

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ilIIEiXiTOA guide to valuable sources ofj records, talent, products and

j especiallysuitable forcolleges, college students andcollege officials. This index is

providedadditionalj serv-ice to readers. The publ sher

t assumeliability for er-dsoomions,rors or ssj

ADVERTISERS

Advertiser Page Advertiser Page

A & M RECORDS 67 SERGIO MENDES & BRASIL '66 77WILLARD ALEXANDER 3 ROGER MILLER 51AMERICAN PROGRAM BUREAU 87 WILLIAM MORRIS AGENCY 10AMERICA'S BEST ATTRACTIONS 96 MUSIC MACHINE 101ANIMALS, THE 63

PETER NERO 19AVALON PRODUCTIONS 100

BLISS AGENCY 112 PARAMOUNT ARTISTS 8, 9THE BLOSSOMS 74 PERENCHIO ARTISTS 71

PREMIER TALENT ASSOC. 3d CoverC. T. S. I 93 GERARD W. PURCELL 2d CoverRAY CHARLES 41

CLANCY BROTHERS 4th Cover RCA VICTOR RECORDS 35COLUMBIA ARTISTS MGMT. 83 R. S. V. P. RECORDS 106COLUMBIA RECORDS 6 SUE RANEY 76

LOU RAWLS 43DELLA REESE 94

FAMILY DOG 57 PAUL REVERE AND THE RAIDERS 73ELLA FITZGERALD 55 RICKENBACKER GUITAR 110FLATT & SCRUGGS 95 RIGHTEOUS BROTHERS 72FOLKLORE PRODUCTIONS 112 JOHNNY RIVERS 4FOUR FRESHMEN 76 MITCH RYDER 59G. A. C. 47 SEEBURG 31STAN GETZ 17 THE SEEDS 109ARTHUR H. GORSON, INC. 23, 90, 96 SHAW ARTISTS CORP. 99ALBERT B. GROSSMAN MGMT. 89 SIMON & GARFUNKEL 33VINCE GUARALDI 96 CONNIE SMITH 88LEONID HAMBRO 102 RANDY SPARKS & ASSOC. 78HARD TIMES 92 APRIL STEVENS & NINO TEMPO 74

JUBILEE RECORDS 61 TALENT INT'L CORP. 14, 15J. B. LANSING 104 CAL TJADER 93

LETTERMEN 45 UNIVERSAL ATTRACTIONS 98LOWERY MUSIC 110

VIRGINIANS 97M. L. R. ENTERPRISES 105MAGNIFICENT SEVEN 56 WAND MGMT. 91

MAMA'S & PAPA'S 5 WEST COAST POP ART

PAT MASON 112 EXPERIMENTAL BAND 75

YORKTOWN TALENT ASSOC. 110

For the Latest and Best in Music, Records and Talent Be Sureto Check Billboard Each and Every Week


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Sometimes a BagpipeFour young men stand dressed in rough -knitsweaters, playing a guitar, a tin whistle andsometimes a bagpipe. They sing rebel refrains,sea chanties, drinking songs and lamentsof every kind.

When The Clancy Brothers and TommyMakem sing of the "auld sod," the room-andan occasional rafter-reverberates withGaelic gusto.

Leaving "Danny Boy" and "My Wild IrishRose" to old Mother Machree, The ClancyBrothers and Tommy Makem hold forth withrousing Irish enthusiasm unmatched anyplacethis side of County Cork.

Share the excitement.Call, write or wire for concert datesJERRY B. CAMPBELL MANAGEMENT INC.41 CENTRAL PARK WEST, NEW YORK, N. Y. 10023212-874-1121

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