Upload
independent
View
1
Download
0
Embed Size (px)
Citation preview
Lexical Portraits of Vulnerable Women in War:
The 1641 Depositions
Nicci MacLeod & Barbara Fennell University of Aberdeen
The 1641 Depositions are testimonies collected from (mainly Protestant)
witnesses documenting their experiences of the Irish uprising that began in
October 1641. As news spread across Europe of the events unfolding in Ireland,
reports of violence against women became central to the ideological construction
of the barbarism of the Catholic rebels (McAreavey, 2010). Against a backdrop of
women’s subordination and firmly defined gender roles (Fletcher, 1995), this
article investigates the representation of women in the Depositions, creating what
we have termed lexical portraits of particular categories of woman. In line with
other research dealing with discursive constructions in 17th century texts (e.g.,
Prentice & Hardie, 2009), a corpus-assisted discourse analytical approach is taken.
Adopting the assumptions of Critical Discourse Analysis (e.g. Van Dijk, 1991;
1996), the discussion is extended to what the findings reveal about representations
of the roles women, both in the reported events and in atrocity propaganda more
generally.
1. Introduction
The uprising that began in Ulster in October 1641 was a crucial event in Irish history,
and is considered by many to be one of the most successful revolts of the early modern
period (Ohlmeyer, 1995). Beginning as an attempt by the Irish Catholic gentry to
overthrow the English State, it soon escaped the control of its instigators and
deteriorated into chaotic violence between the native Irish and their Protestant settler
neighbours. The collection of documents that has come to be known as the 1641
Depositions are testimonies collected from witnesses – mostly English and Scottish
Protestant settlers – documenting their experiences of the uprising. A number of
different types of text are represented, including the relatively spontaneous reports
collected by commissioners in 1641-42 as the uprising was ongoing, and records of
judicial interrogation collected in the 1650s for the purposes of prosecuting individual
2 Nicci MacLeod & Barbara Fennell
rebels. The initial commission set out to collect information about robberies committed
against Protestant settlers, and subsequent commissions extended the scope to include
murders, massacres and apostasy (Clarke, 1986).
‘Accepted as unimpeachable by the earliest historians’ (Read, 1938:231), the
Depositions have since been regarded with considerable scepticism, based on the
significant threat to their objectivity presented by their position within a tradition of
anti-Catholic propaganda (Marotti, 2009). With selected extracts of the most grisly
reports being reproduced in publications such as Henry Jones’ Remonstrance of Diverse
Remarkable Passages Concerning the Church and Kingdom of Ireland (1642) (Cope,
2001) and John Temple’s The Irish Rebellion (1646), the uprising was constructed as
the ruthless slaying of Protestant settlers by their dispossessed Catholic neighbours. It
has been noted that pamphleteers were motivated to portray the victims of the rebellion
in a positive light, and to construct a ‘coherent community of victims’ (Cope,
2001:388), and that they selected, edited and interpreted the Depositions to this end in
order to mobilise support for assisting this apparently unified body of victims. In
contrast, the rebels were depicted as ‘a diverse if not conflicted assembly of Irish and
popish malcontents’ (Cope, 2001:380). A reliance on the Depositions as the chief
evidence that the uprising began with a bloody and indiscriminate massacre – thereby
justifying Cromwell’s subsequent brutal re-conquest of Ireland – has led to them being
described as standing at the centre of one of the most protracted and bitter controversies
of Irish history (Clarke, 1986). Thus, while the assumptions and ideology underlying the
texts that resulted from the Depositions have already been subject to scrutiny, this
article aims to explore the extent to which such phenomena are observable in the
original texts.
It has been noted that within portrayals of the Irish as barbarous and violent,
rebel women were constructed as ‘having a particular talent for aggression and
instigating rebellion’ (Knox, 2004:21), earning ‘an almost mythical reputation for their
ferocity’ (O’Dowd, 1991:95). Crucially, as O’Dowd (1991) points out, this reputation
reveals more about the assumptions and prejudices of the individuals reporting the
events than about the reality of the matter – ‘in a conflict where the main issue was male
political control the participation of women...must have surprised and shocked many
observers’ (O’Dowd, 1991:96). Women’s involvement in the rebellion was central to
British concerns about female behaviour, and consequently contemporary accounts of
Irish women’s actions constitute a discourse of female agency and empowerment.
Conversely, accounts of violence against Protestant settler women were one of the
central media through which the barbarity of the rebels was depicted in atrocity
propaganda (McAreavey, 2010) – thus, the discourse around Protestant women is one
of disempowerment. This seeming contradiction in ideological constructions of
womanhood makes sense when we consider that the priority for contemporary authors
was a differential and negative construction of the ‘other’. ‘Our’ women require ‘our’
protection from ‘them’; ‘their’ women are not like ‘our’ women, and do not display the
same characteristics. Such representations allow for a view of the Irish as a distinct
category, having little in common with the ‘civilised’ settlers, and at times as barely
LEXICAL PORTRAITS OF WOMEN IN WAR 3
even human. This fear of ‘savage femininity’ (Knox, 2004: 27) is supported by the
following extract, which describes the confession of an Irish woman to the wounding
and intended cannibalism of one of her own number.
(1)
And about one yere now since there is was brought to this deponent at his howse called
Ballyhornan an Irish woman for wounding & attempting to kill another Irish
woman and her child which woman soe accused & brought * before him vpon her
examinacion confessed That she had hurt (but had an intent to haue killed) the
other woman and her child, and to haue eaten the child, wherevpon & becawse he
was credibly informed that such a lyke fatt woman hadd killed and devowred divers
others, he this deponent cawsed her to be hanged
(Peter Hill, County Down)
This paper will go on to demonstrate how, in stark contrast to this active construction of
the Irish woman as aggressor, the Protestant settler woman tends to be represented as
the passive recipient of the rebels’ despicable actions. In order to shed light on the
context in which the texts construct these differential representations of particular
‘types’ of woman, it is necessary to explore the general position of women in 17th
Century society, before narrowing the focus specifically to women’s roles in the 1641
uprising. The paper then moves on to an outline of the theoretical framework of Critical
Discourse Analysis (CDA), and a discussion of the data and selected methodology of
corpus-assisted discourse analysis. Section ** introduces the concept of lexical
portraits, beginning with an examination of the terms man and men in context, by way
of setting up the subsequent analyses of women’s roles. These analyses are presented in
section **, organised according to the three categories identified as most salient for the
construction of women’s identities. We conclude with some remarks on how the
processes involved in the collection and consumption of the Depositions, alongside
their position within a patriarchal and essentially anti-Catholic social context, impacts
and shapes the discursive patterns therein.
2. 17th Century English Woman
The role allocated to women in seventeenth century England was a protected and
conservative one, ‘justified by arguments from her naturally pre-ordained function’
(Fletcher, 1995:61). The characterisation of women as ‘the weaker vessel’ allowed for a
clear division of roles based on gender, as well as women’s ‘exclusion from public life,
4 Nicci MacLeod & Barbara Fennell
responsibility and moral fulfilment’ (MacLean, 1980, in Fletcher, 1995:61). While
women’s perceived frailty limited them to the domestic sphere, men’s perceived
strength and boldness meant that part of their expected duties was the protection of
‘their’ women. It was generally accepted that differences between the sexes were
‘natural and designed to fit women for running the household and men for public duties’
(Eales, 1998:23). Alongside these attitudes, there existed a widespread fear of women’s
power among sixteenth- and seventeenth- century English men, with women who
ignored or disobeyed the guidelines set down by society ‘typified as shrews, wantons or
even witches’ (Eales, 1998:23).
An important consideration in any discussion of the position of women during
the 1640s is the significance of reputation. Honour codes, drawing on assumptions
about manhood and women’s frailty, formed the basis of the system that kept men’s and
women’s social roles distinct. For women, their reputation relied in the main on their
sexual reputation. As Fletcher points out, ‘men’s sexual reputations mattered to them as
well as women’s and their behaviour in this respect was part of their honour code but it
was not its centrepiece as it was for women’ (1995:103). Thus, chastity for the
unmarried woman – and fidelity for the married woman – was pivotal to female honour.
There was a perceived relationship between a woman’s sexual history, her moral worth
and her material circumstances – thus, a woman’s sexual reputation was constructed as
a commodity, for her husband as much as herself. Sexual ownership was one key
element of men’s honour code, and it was seen as men’s duty to ensure the fidelity of
their wives in order to protect their own reputations. These issues will all require
consideration when interpreting the data.
It is also fitting to consider the crucial significance of marriage itself for the
construction of 17th century women’s identities (Laurence, 1994). It was taken as a
given that women would marry and raise a family of their own, and it was believed that
‘women’s proper sphere was the family where they could fulfil their roles as dutiful
daughters, wives and widows’ (Eales, 1998:60). Indeed, it was thought that women who
did not engage in regular sexual relations within marriage were at risk of mental and
physical illness (Eales, 1998). Marriage was represented as a serious undertaking for
both sexes, and was routinely associated with notions of honesty and completeness
(Shepard, 2003). It held a special significance for women, however, as ‘the
metamorphosis from ‘maid’ to ‘wife’ transformed every aspect of their existence’
(Mendelson & Crawford, 1998:126). While women’s experiences of marriage varied
greatly according to their social class, married women throughout the social strata were
expected to fulfil a domestic role and to be heavily involved in processes of family
formation (Eales, 1998). Within the Depositions, female deponents’ marital status is
invariably cited after their name, often by way of explanation for why they are deposing
at all:
LEXICAL PORTRAITS OF WOMEN IN WAR 5
(2)
Joane Parker widdowe (the Relicte of Dominicke Parker late of Dromonam in the
County of Cavan yeoman deceased) being duely sworne & examined before vs...
(Joane Parker, Cavan)
Thus, marital status was pivotal to the construction of women’s identities, while for
men alternative resources such as occupation and social standing were available and
preferred (Fennell, 2009).
As McAreavey (2010) points out, the 1641 Depositions represent women and
children as the primary victims of the rebellion. She also emphasises that events are
‘repeatedly represented in terms of threats to the maternal body...the mutilation and
murder of pregnant, labouring and lactating women, and their children’ (2010:78),
tropes that re-occur throughout the Depositions and the texts that drew on them. The
1641 rebellion, like other catastrophic events of the 17th Century (e.g. the Gunpowder
Plot), ‘generated anti-Catholic texts that were part of a developing narrative of English
history’ (Marotti, 2005:132), and a key component of this anti-Catholicism, particularly
in political texts, was the construction of Catholicism as conflated with barbarity and
inhumanity (Hall & Malcolm, 2010). Thus, it could be argued that the tendency to place
such emphasis on representations of violence against women and children in the
contemporary texts is a recognisable propaganda tool by which the rising Irish were
portrayed as particularly cruel and barbaric (McAreavey, 2010), thereby producing more
persuasive grounds for support of the radical suppression of the rebellion. For the
Depositions too, the processes involved in their collection meant that they were subject
to much in the way of summary and formulaic re-statement, as individual
commissioners and scribes inevitably brought their own influence to bear on witnesses’
accounts. Thus the Depositions, far from being the objective and verbatim records of
testimony they were once claimed to be, were in fact ideal vehicles for government
propaganda.
The aim of this article, then, is to explore the means by which women are
represented across the Depositions, with a particular focus on the vulnerability of
Protestant women as a feature of atrocity propaganda. While women’s reported
experiences of the uprising have been approached from a literary stance, focussing on
the Depositions as ‘trauma narratives’ (McAreavey, 2010), this article considers all
volumes of the Depositions in order to draw out and comment upon recurrent patterns
concerning descriptions of women and their experiences. It provides a systematic and
theoretically informed linguistic analysis that is absent from historical and literary
approaches to the Depositions, and which is now possible thanks to the recently
completed transcription and digitisation of the data. Insofar as it aims to discuss such
representations in relation to the socio-historical context in which they occur, the
6 Nicci MacLeod & Barbara Fennell
research reported on here falls within the remit of Critical Discourse Analysis, as
outlined in the next section.
3. Method
3.1 The Data
Depositions are eye witness accounts that were given orally and recorded in writing by a
scribe (Kytö, Walker & Grund, 2007). The Commission for Distressed Subjects was
established in 1641, and consisted of eight commissioners – all Church of Ireland
clergymen – collecting depositions from refugees who had fled to Dublin (which
remained under British control). As it became clear that refugees from further afield
were unable to make the journey to Dublin, a second commission was set up to collect
depositions from the province of Munster. A further set of documents were collected in
the 1650s by commissioners – generally army officers and local officials – across
Ireland, in order to provide evidence for use in the courts.
The 1641 Depositions have been digitised by historians at Trinity College,
Dublin and the University of Aberdeen, and are available to browse and view online1 .
The data consist of 6,338 individual text files, which include the main sets of
Depositions as described above, as well as letters, copies and other miscellaneous
documents. The Depositions follow a fairly set structure, generally beginning with
information about the deponent’s name, address, status and/or occupation before
moving on to their account of events (see Lawless, Fennell, Murphy & Ó Siochrú, in
prep., for more on the wider 1641 project). Thus, we might describe the Depositions as
quasi-legal texts.
3.2 Corpus Assisted Discourse Analysis
The use of large electronic bodies of language data (corpora) and the various tools
provided by corpus linguistic software has provided critical discourse analysts with an
indispensable set of resources for uncovering evidence of power imbalances and
ideology (see, for example, Krishnamurthy, 1996; Baker & McEnery, 2005; Prentice &
Hardie, 2009). Corpus methods allow for a quantitative angle to an analytical approach
that has traditionally been wholly qualitative, thus addressing some of the criticisms that
have been levelled at discourse analysis on the grounds of potential researcher bias
(Baker, 2006). Furthermore, corpus tools are able to show repetitive associations
between words in ways that an in-depth analysis of a small number of cases cannot, thus
providing ‘better evidence for an underlying hegemonic discourse’ (Baker, 2006:13).
LEXICAL PORTRAITS OF WOMEN IN WAR 7
The application of these tools to the 1641 corpus is a novel aspect of our
Language and Linguistic Evidence in the 1641 Depositions project. The rigorous
analysis made possible by corpus software contrasts with existing Depositions research,
which has approached the data from historical and literary perspectives rather than one
grounded in linguistic theory. Rather than constituting a method of analysis in
themselves, corpus tools allow for the organisation of large amounts of data and the
identification of widespread patterns of language as well as rare examples, which can
‘help to illuminate the existence of discourses that may otherwise be unobserved’
(Baker & McEnery, 2005:198). This provides a point of departure for the selection of
particular phenomena for further investigation.
A critical approach is taken to the analysis of the data, which is to say that the
focus is on the relationships between discourse and social power (van Dijk, 1996). The
approach taken here shares van Dijk’s focus on patterns of privileged access to public
discourse and communication as a valued social resource. Since the overwhelming
majority of Depositions were collected from British Protestant witnesses by
representatives of the British government, it is these groups who are considered to hold
the discursive power. This does not mean that the authors consider the Protestant
settlers to have literally been in a powerful position throughout reported events – rather,
it is their voices that are accessed, thus it is their ‘truth’ that is represented in the data.
In terms of the mechanics of carrying out the analysis, Fairclough’s (1992)
three-dimensional model begins at the level of text, with a description of the linguistic
phenomena therein. For the purposes of the current study the central focus at this level
of analysis is choices in vocabulary, particularly in terms of labels and adjectives
associated with women. Since the Depositions tend to deal with perpetrators, actions
and victims, attention is also paid to transitivity (as defined by Halliday & Matthiessen,
2004), drawing comparisons between the processes associated with women and those
associated with men, and investigating the specific relationships between these
processes and their respective participants, and the contributions of these patterns to
how particular groups are represented. Thus, ‘transitivity’ here is used in a rather broad
sense, describing entire clauses rather than simply verbs and their objects (Thomson,
1996). This approach is compatible with van Leeuwen’s (1996) approach to the analysis
of the representation of social actors, from which the current study draws considerable
influence.
The second phase of Fairclough’s approach is an interpretation of the linguistic
patterns identified during the initial analysis at the level of discourse process. Here,
consideration must be given to who produced the text, for whom, and for what purpose,
and also to intertextuality and interdiscursivity, i.e., the text’s relationship with other
texts, and other types of text. It has been suggested elsewhere that such practices in
relation to historical data are largely inaccessible (Prentice & Hardy, 2009). However,
we do have the information that the depositions are written records of spoken testimony,
recorded by scribes with the authority of commissioners employed by the government.
Thus, the issues arising from the transformation of lay people’s speech into
institutionally useful written documentation (see Haworth, 2010; Rock, 2001) must be
8 Nicci MacLeod & Barbara Fennell
taken into consideration. We might also want to consider any potential clashes between
the expectations of the deponents and those of the officials who had been tasked with
collecting the statements – in Wodak’s (1996) terms, the ‘disorders of discourse’ arising
from ‘the gulfs that separate insiders from outsiders, members of institutions from
clients of those institutions, and elites from the normal citizen uninitiated in the arcana
of bureaucratic language…’ (Wodak, 1996:2). In terms of the consumption of the texts,
it is crucial to bear in mind that although they were collected ostensibly to make a
record of losses and collect information on the uprising (in the 1640s) and to provide
evidence against individual rebels (during the Commonwealth period of the 1650s),
they also had a fundamental role in mobilising Protestant support for the suppression of
the rebellion. The selective reproduction of the most lurid reports from the Depositions
by London’s pamphleteers gave the impression that every Deposition contained similar
accounts of barbaric cruelty on the part of the rebels. In reality however, according to
Clarke’s (1986) estimates, only one in five Depositions reports death by violence.
The causes and effects of these skewed representations bring us on to the third
and final dimension of Fairclough’s framework – the explanation of the relationship
between discourse processes and the social context within which they are produced. At
the level of social practice, consideration of ideological struggles and power inequality
become crucial for explaining why a text or stretch of talk is how it is. A successful
critical discourse analysis has the potential to reveal the ideological assumptions and
power imbalances that have shaped a text’s creation. Thus, in line with Wodak’s (1996)
approach to discourse, much consideration is given to the historical context in which the
texts are situated, as outlined in the previous section.
For our purposes, the corpus tool of most use in starting out at the text-level
analysis is the Concordance function of WordSmith2, which allows the researcher to
observe how a specific search word behaves in context in a given set of texts. The
program returns information on what other words frequently co-occur with the search
word (collocates), how the search word is dispersed throughout the texts, and clusters in
which the search word frequently appears. Examining the relative collocates of a set of
labels attributed to women in the Depositions allows us to draw out and comment upon
the ways in which these ‘types’ of women are written about, and how their role in
events is constructed.
A number of frequently occurring words were omitted from the collocate
searches with the use of a stop list, including grammatical words such as the, of, they, a
etc., as it was felt that such lexically ‘empty’ elements would do little to assist in
building a picture of how women are represented in the Depositions. Furthermore,
words that occurred frequently as a result of the texts’ role as written records of spoken
testimony were also omitted. These included items such as ‘examinant’, ‘deponent’,
‘duely’, ‘sworne’, ‘deposeth’, ‘saith’, and other terms which are over-represented owing
to their place within a number of different formulaic segments of the documents (eg.
‘This Examinant being Duely Examind saith...’). Popular proper names were also
excluded – the noun John, for example, is the fourth most frequently occurring word in
the Depositions after the function words and formulaic items have been removed.
LEXICAL PORTRAITS OF WOMEN IN WAR 9
Further complications arise from the variable spelling that typifies written
documents of this period. This has been addressed with the use of WordSmith’s lemma
matching function, which allows for a list of variants to be grouped together and for the
frequencies and collocates of all variants to be consolidated3. Thus, where a frequency
appears for the item ‘wife’, for example, the number actually represents the total
occurrences of the variants ‘wife’, ‘wiffe’, ‘wyfe’, ‘wyffe’, ‘wyf’, ‘wyefe’, ‘wif’, ‘wief’,
‘wiefe’ and ‘wiff’, enabling an exhaustive search of even the most variably spelled
items. As well as variable spellings, different grammatical forms of verbs were also
matched – thus the figure for ‘stript’ also includes ‘stripping’ and ‘strip’ (along with the
various spellings of all three forms). Because pluralisation is a key feature of how social
actors are represented (van Leeuwen, 1996), singular and plural forms of nouns were
not matched.
4. Lexical Portraiture
The term ‘lexical portraiture’ is used here to describe the means by which categories of
person and group identities are ideologically constructed through lexico-grammatical
choices. It has been noted elsewhere that distinctions between categories of woman
were considered to be very important, with labels indicating their matrimonial status
and the status of their husband or father (Laurence, 1994). As Fletcher points out,
‘[women’s] occupational identity, given their gendered role, was simple and three-fold:
they were spinsters, wives and widows’ (1995:225). While our analysis will go on to
show that there are other options available for the identification of women, it is
certainly true to say that marital status was a fundamental component. Of current
concern is the role that lexical choices in a more general sense – i.e., beyond this closed
set of category labels – have to play in constructing women’s identities within the
Depositions. This approach has been influenced by van Leeuwen’s (1996) framework
for the analysis of the representation of social actors. With a focus on the linguistic
means by which socio-semantic categories are activated, van Leeuwen discusses the
various choices available for including and excluding social actors from a stretch of
discourse. Although the bulk of this article will be concerned with representations of
Protestant women, the opportunity will also be taken here to show how this can be
applied to representations of Irish rebel women, who were often described in subhuman
terms (O’Dowd, 1991). The following extract provides an example.
(3)
And further saith That many of the poore protestants That escaped at the first the bloudy
hands of the Rebell souldjers: were after most cruelly murthered by the very irish
10 Nicci MacLeod & Barbara Fennell
criples & these base trulls and whores that kept them company Whose which
Creples and whores & lewd women did much vawnt & glory in such their cruelties
wherein they had noe little assistance by their children that if as farr as their powres
extended, assisted (if not exceeded, them in ther cruelties merciles & bloudie acts
(Alice Gregg, Armagh)
In this extract we see the collectivisation (van Leeuwen, 1996) of Irish women, with the
labels ‘base trulls’, ‘whores’ and ‘lewd women’ applied to them as a social group.
Furthermore, we see evidence of assumed shared background knowledge in the use of
presupposition through the use of the definite article ‘the very irish criples’ and deictic
expressions ‘these base trulls’. The evaluative terms attached to the women’s actions –
‘cruelly murdered’, ‘their cruelties’, ‘bloudie acts’ also indicates a ‘common sense’
status attached to these evaluations. That the women ‘did much vawnt & glory’ in their
actions is presented as evidence that they are beyond contempt – not content with
merely carrying out these hideous acts, they also see fit to revel in them. This removes
them still further from the ‘poore protestants’, who are passivated ‘were after most
cruelly murdered’ and can act in no way other than to ‘escape’.
It is fitting at this point to turn to the corpus software in an attempt to gain
further insight into the differential roles assigned to men and women. The tables below
show the most frequent collocates for man and men respectively.
Table 1: Collocates of man (n= 1231)
Word Total %
ENGLISH 176 14.30
IRISH 67 5.44
KILLED 65 5.28
WOMAN 52 4.22
OLD 46 3.74
CHILD 43 3.49
MURTHERED 39 3.17
POORE 37 3.01
CAME 35 2.84
HANGED 33 2.68
SCOTCH 31 2.52
REBELLS 27 2.19
GOODE 25 2.03
CALLD 23 1.87
SENT 21 1.71
PROTESTANT 21 1.71
YONG 21 1.71
TOOKE 21 1.71
LEXICAL PORTRAITS OF WOMEN IN WAR 11
SERVANT 20 1.62
WIFE 20 1.62
1 http://1641.tcd.ie 2 http://www.lexically.net/wordsmith/
Table 2:Collocates of men (n= 2695)
CASTLE
20 1.62
A cursory glance at these two lists reveals that frequent collocates of man and men can
be grouped into a number of categories. The first group of collocates to be discussed are
those terms that describe other categories of person, with a high frequency of woman
with child and women with children – in no small part due to the prevalence of the
formulaic constructions man, woman & child and men, women & children throughout
the Depositions, such as in the following extract.
Word Total %
WOMEN 306 11.35
CHILDREN 273 10.13
ENGLISH 214 7.94
NUMBER 154 5.71
KILLED 137 5.08
ARMES 136 5.05
IRISH 114 4.23
ARMED 114 4.23
CAME 98 3.64
COMPANY 85 3.15
REBELLS 77 2.86
PROTESTANTS 69 2.56
CASTLE 64 2.37
HOUSE 57 2.12
MURTHERED 56 2.08
SENT 55 2.04
NAMES 54 2.00
PERSONS 53 1.97
SCOTCH 51 1.89
12 Nicci MacLeod & Barbara Fennell
(4)
And it was comonly reported amongst the Rebells that none of the Protestantes neither
man woman nor child shold live in Ireland
(Elizabeth Peirce, Down)
This string represents each of the categories only in terms of its relationship with the
others, and the sequencing reinforces women’s secondary status. Woman in this context
does not refer to any individual woman, but rather to an abstract, generic category. The
separation of the categories of person and inclusion of woman and child function to
represent the rebels’ actions as total and indiscriminate.
The ethnic and religious classifiers English, Irish, Scotch and Protestant appear
to varying degrees in the two lists, with English unsurprisingly the most frequent in
both. These classifiers will be discussed in greater detail when we move on to
examining women’s identities. The presence of calld as a collocate of man but not of
men is worthy of discussion. It is fairly straightforward to recognise that on many
occasions when an individual is referred to as a man, it is because his name is unknown.
Calld occurs most frequently one position to the right of man, representing those
occasions when an individual is both described as a man and is named. Often these
constructions also include additional modifiers, for example an old man calld Syms.
This pattern is also found with woman, as will be discussed later.
A further theme identifiable in the listsis that of military action and violence.
Words such as killed, murthered and hanged occur most frequently two positions to the
right of man or men, forming both active constructions, where it is the man or men who
carry out the actions, and passive constructions, in which the man/men are the Goals in
these violent material processes. Thus, there are occasions when they are constructed as
powerless actors in the discourse – this is a point to be returned to later. Another item in
this category is castle, which features as a collocate of both man and men, and many of
these instances describe the man in question in an active role, with the castle in object
position. The man is described variously as having sumoned, entered and betrayed the
said castle, which functions to portray him in a decidedly powerful role. A more general
comment to be made about these patterns is that through their association with castles
these men are presented as being in close proximity to the military action.
Another category identified in Tables 1 & 2 is a set of adjectives relating to
vulnerability, including poore, old, yong and goode. Goode appears most frequently to
the right of man in prepositional phrases, in constructions such as a man of good
substance, a man in good esteem and a man of trust & in good opinion with him – that
is to say, in an attributive position. Poore, yong and olde, on the other hand, appear
most frequently immediately to the left, in determiner position. An inspection of these
concordance lines reveals that the adjectives are often used in combination, as in the
following extract.
LEXICAL PORTRAITS OF WOMEN IN WAR 13
(5)
...the said Thomas Dixon drew his sword and murdered the poore ould man Cutting
him in peeces & tooke away his mony...
Phellymy Smyth, Down
As extract 5 demonstrates, the use of these adjectives functions to project an image of
the individual as powerless in the face of violent onslaughts from the enemy – his
identity as a victim is rendered indisputable by these choices. These patterns will be
revisited as we move on to examining constructions of women in the Depositions.
5. Wives & Widows: Portraits of 17th Century Women
5.1 Overview
As discussed earlier, 17th century women’s identity relied in the main on their marital
status and the occupation of their father or husband. Thus, the labels wife and widow
form a central focus of this analysis. We begin, however, with the relatively unmarked
terms woman and women, in order to draw some broad comparisons with man and men
as discussed in the previous section. Like man and men, woman and women are terms
that tend to be used in those instances when the woman or women in question are
unknown to the deponent. In those instances where the subject is known, they tend to be
either named or described in terms of their relationships with named males. The most
frequent collocates of woman and women appear in tables 3 and 4.
Table 3: Collocates of woman (n=373)
Word Total %
ENGLISH 67 17.96
CHILD 57 15.28
MAN 52 13.94
KILLED 43 11.53
IRISH 32 8.58
POORE 22 5.90
OLD 20 5.36
MURTHERED 19 5.09
14 Nicci MacLeod & Barbara Fennell
MEN 19 5.09
WIFE 19 5.09
SERVANT 17 4.56
HOUSE 16 4.29
HANGED 15 4.02
SCOTCH 15 4.02
CALLD 14 3.75
CHILDREN 14 3.75
AFFORESAID 13 3.49
STRIPT 11 2.95
YONG 10 2.68
CAME 9 2.41
REBELLS 9 2.41
SAWE 9 2.41
Table 4: Collocates of women (n=559)
Word Total %
CHILDREN 334 59.75
MEN 306 54.74
ENGLISH 77 13.77
PROTESTANTS 64 11.45
KILLED 47 8.41
NUMBER 43 7.69
PERSONS 35 6.26
STRIPT 28 5.01
POORE 25 4.47
MURTHERED 22 3.94
IRISH 22 3.94
DIVERS 21 3.76
OLD 18 3.22
REBELLS 17 3.04
TIME 16 2.86
DROWNED 16 2.86
SCORE 16 2.86
MAN 13 2.33
CASTLE 13 2.33
NAMES 11 1.97
CHILD 11 1.97
NAKED 11 1.97
CAME 11 1.97
LEXICAL PORTRAITS OF WOMEN IN WAR 15
The first observation to be made is that the overall totals for woman and women are
substantially lower than the corresponding figures for man and men, rendering them less
visible in relation to reportable events. In terms of content, the tables display a number
of similarities with tables 1 and 2, such as the appearance once again of other categories
of person such as man/men and child/children. Where the figures for woman/women
differ in this respect is the frequency with which these co-occurences appear. For
example, while women appears in the context of men in around 11% of instances of
men, over half of the total occurrences of women appear alongside men. Similar patterns
are observable for children, which co-occurs in a little over 10% of the instances of men
but in almost 60% of the instances of women. Thus, while men and their actions are
frequently described independently, women are far more likely to be described only
inasmuch as they and their actions and experiences relate to those of men and children.
Once again we should remind ourselves that a large proportion of these instances can be
accounted for by the formula men, women & children, and that the actual frequency of
women as a concrete group of social actors as opposed to a generalised category is thus
even lower than these figures suggest. In terms of the singular forms man and woman,
similar patterns are evident although the differences are decidedly less substantial.
In terms of the ethnic and religious classifiers English, Irish, Protestant and
Scotch there appears to be little difference in the way they are applied to woman as
compared to man (with combined frequencies for these items being 23.97% and
30.56% respectively) , although for the plural forms the difference is somewhat greater.
While ethnic and religious labels appear alongside men in 16.62% of instances, the
figure for women is a little over 29%. Inspection of the relevant concordance lines
reveals that around half of the occurrences of women with Protestants, for example,
have Protestants in either L2 or R3 position, and the majority of these examples display
the now familiar men, women & children pattern:
(6)
the wiffe of the said Brian kelly cawsed 20 protestants men women and children to be
drowned
Ellenor Fullerton, Armagh
( 7)
Rosse mc Laghlin mc Maghan drowned 17 men women & children all protestantes
(Elizabeth Clark, Louth)
16 Nicci MacLeod & Barbara Fennell
This supports the argument that rather than describing a particular group of women, the
tendency is for this phrase to be used to identify three generic categories of person in
order to represent the rebels’ actions as ruthless and indiscriminate. The fact that men
appear in the accounts without religious and ethnic descriptors with greater frequency
than do women may also be indicative of the lack of any other basis on which to
construct women’s identities – denied opportunities in the public sphere, they are
wholly reliant on their ethnicity and religion as a means of identification outside of their
domestic and familial roles, while men have other resources at their disposal.
5.2 Ethnicity& Religion
A comparison of sample concordances of English woman and Irish woman sheds light
on the differential constructions of these groups, giving insight into what attributes are
associated with each of these categories. In Figure 1 we see the English woman
frequently being presented as the recipient of some violent material process, either in
object position (e.g. 110, 113, 118-120), or as part of a passive construction (112, 128,
141). She is rarely activated, i.e. ‘represented as the active, dynamic force in an
activity’ (van Leeuwen, 1996:43), and when she is it is in processes that reinforce her
powerless state, eg. fled (143), came a begging (135). Thus, the overall impression of
the English woman is not a particularly active one – she rarely engages in a material
process that has an effect on other entities in the physical world. As well as patterns of
transitivity it is revealing to look at the adjectives associated with the English woman.
In the sample list above she is variously described as poore (134-137), yong (143, 144)
and stript (139), adjectives which arguably function to foreground the vulnerability of
these individuals.
LEXICAL PORTRAITS OF WOMEN IN WAR 17
Figure 1: English woman sample concordance (n=52)
There are fewer examples of Irish woman (20 as compared to 52 for English woman).
One simple explanation for this is that the Depositions are primarily about what
happened to the English. A further plausible explanation is the tendency to construct
Irish women as particularly barbaric or otherwise subhuman, prompting the use of
alternatives to Irish woman, which is perhaps too much of an unmarked choice to be
particularly prevalent in the texts (see Extract 3, above). The Irish woman concordance
lines appear in Figure 2.
18 Nicci MacLeod & Barbara Fennell
Figure 2: Irish woman concordances
In terms of transitivity choices, a slightly different pattern emerges for Irish woman than
did for English woman. The Irish woman does find herself occupying the Goal position
in relation to violent material processes (6), albeit to a lesser extent than the English
woman, as well as being presented as the recipient of such acts through passive
constructions (16, 19). The concordance reveals that when the Irish woman is presented
as the victim of a violent act, it is as likely to be at the hands of other Irish people as at
the hands of protestant settlers. It is also telling that a number of the women mentioned
here were either in the employment of protestants at the time (16, 18) or married to a
protestant (10), and this may take us some way towards understanding why they are
described in these relatively neutral terms – these Irish women who are part of the
household are a special case, somehow distinct from the bulk of the barbaric rabble.
A number of these concordances place the Irish woman in a decidedly more
active role than was true for the English woman. On line 5 for example, although the
central action being described is that the woman was brought to this deponent, the
reason given is that she was wounding and attempting to kill...On a less violent note, we
also have an Irish woman cominge down the hill (2) and another carrying water (17).
On line 11, the Irish woman appears as the recipient of the material process gaue, and a
more detailed examination of this text shows how her active involvement in atrocious
acts is constructed through the discourse.
LEXICAL PORTRAITS OF WOMEN IN WAR 19
(8)
An english man and his wiffe gaue 5 li. to an Irish woman to keepe their child; which
shee with the child haveing received) shee quickly after gaue one [ ] 12 d. to a Rebell
for his hyre to murther it which the bloudy Rebell Villaine performed accordingly:
(William Reinolds, Cavan)
In this extract we see how in subsequent clauses the Irish woman becomes activated –
she takes the place of the English man and his wiffe as actor in the same material
process gaue – but tellingly the circumstances differ quite significantly. In the case of
the Irish woman, her reasons for giving the baby to a Rebell are explicitly stated as to
murther it. Thus, her actions are constructed as deliberate and intentional, and she
herself is constructed as an active participant in events that readers are invited to view
as bloudy and Villaine[ous].
Thus the message seems to be that one must be wary even of those Irish individuals
thought to be trustworthy. This is an important point when we consider that, far from
being clashes between strangers (as would be expected in the context of an invasion, for
example), many of the events reported in the Depositions involved neighbour pitched
against neighbour. The reiteration of the treacherous nature of even the most trusted
Irish neighbours is therefore a key element of constructions of a negative out-group
identity, and the perpetuation of fear of the other.
Again, it is revealing to examine the adjectives that are associated with the Irish woman
as a category. In these concordances she is described as Lustie (13), naughty (9) and
mere (8, 15, 20). The use of lustie implies a vigourous enthusiasm for the extreme
violence in which this individual is engaged (the picking up and tossing of a man’s
severed head), while naughty suggests a degree of treachery in the actions of the
individual to whom it is applied. While on the surface mere might be interpreted to
reflect and perpetuate the assumption of the inferiority of the Irish, it is important to
bear in mind that an alternative meaning of the term during this period was as a
synonym of pure, derived from the Latin merus – thus, the mere Irish is likely to refer to
a particular category of the indigenous Irish. Nevertheless, that the mere Irish are
constructed as a separate category is particularly visible in line 15. Rather than referring
to a specific individual mere Irish woman, what is being talked about here is a category
whose members possess such a recognisable set of attributes that there is an established
and familiar way of performing it – in this case for the purposes of disguise. That these
attributes are negatively evaluated is supported by a more detailed look at the text from
which this line is taken.
20 Nicci MacLeod & Barbara Fennell
(9)
They perswaded her to goe in broages, and mantle like a meere Irish woman (for her
more safety in the way) and to Leave all her clothes with them: which she more for
feare, then by their perswasions consenting vnto she came away in a mantle &
broages & soe filthily disguised that when he sawe her she hee scarcely knew her:
(William Timmes, Tipperary)
The inclusion of the information that she consented more for fear indicates that
disguising oneself as an Irish woman is an action requiring defence, and not something
one would engage in under normal circumstances or without coercion. There is thus a
stark contrast between the ways Irish & English women are represented.
5.3 Violence & Military Action
Items relating to violence and military action, generally depicting material processes,
were another category identified in tables 1 & 2, and we see many of the same items
featuring in tables 3 & 4, such as killed, murthered and hanged. However, there is a
difference in where these items appear in relation to the search term. The graph below
shows the overall percentages for the frequency of killed and murthered to the left and
to the right of man, men, woman and women.
LEXICAL PORTRAITS OF WOMEN IN WAR 21
Figure 3: Position of violent material processes in relation to gendered
categories
Figure 3 illustrates that while killed appears to be fairly equally distributed between L
and R positions for man and men, there is an obvious favouring of L positions for
woman and women, with three times as many occurrences in L positions than R. For
murthered it is fairly evenly balanced for men, with a clear preference for R positions in
relation to man and a preference for L positions in relation to woman a nd women. In
order to fully understand what this tells us about representations of men and women in
relation to these events, it is necessary to refer to concordance lines in which these items
appear. An examination of the instances of kill appearing in its most frequent position
in relation to men, R2, reveals a fairly even split between activating and passivating the
men, as shown in
Figure 4.
22 Nicci MacLeod & Barbara Fennell
Figure 4: Men with killed in R2 position
As Figure 4 shows, when killed appears in R2 position in relation to men it is as likely
to be in a passive construction where the men occupy the participant role of goal (e.g.
lines 1235-1237) as in active constructions with the men as actor (e.g. lines 1230, 1238,
1243). The story for women is quite different, with 77% of occurrences of killed
appearing to the left, thus maintaining a structure in which women’s role as victim is
transparant. A selection of these appears below, comprising examples of killed in L4,
L3 and L2 positions.
LEXICAL PORTRAITS OF WOMEN IN WAR 23
N Concordance
215 the Rebells) had burnt & killd ffowrescore [ ] of men women & Childeren in the Castell of Lisgoole, and that
216 A woman tenant to the deponent killed 7 men and women of her English fello{w} tenants in one morning,
217 number of the people soe Killed consisting of men women and children came to one hundreth thowsand
218 number of the people soe Killed consisting of men women and children came to one hundreth thowsand
219 Company tha{t} was with him killed Twentie ffiue men women & children in the said Ballemartin that Night, &
220 haue likewise hanged & killed three poore English women belonging to the Castle of Knockmone
221 the Enimy fell on them & Killed thirty fiue men women & Chilldren & wounded sixtenn or Seuenten
222 there, was stoned and killed, by some Churles & women of the parrish of Kilbeggan: And saith that
223 Examinat; And as concerning the killing of the sayd woemen, he sayeth that he knoweth no further but
N Concordance
234 his Carbine wherewith to have Killd twoe english women: which were vpon the bridge: But his flynt
235 they went forth in the night and killd of men, woemen & Children (poore people labouring people, &
236 another not aboue 12 yeares of age kille{d} 2 women and one man att the Seidge of the Augher. A
237 this exemiat examinat was one, and killed 14 men & Women, and the residue to the Number of 40 were
238 fell vpon killinge the said Irish & so killed of men women & children therescore & odd & the names of
239 Candles, with their swords & pikes killed both man woemen & Children, in number about twenty six fol.
240 steeple nere vnto Ballyserchery they killed 35 men women & children Two of the men I knew, William oge
241 Rebells there reported that there were killed of men women and Children protestantes at or nere the
242 morneing and they likewise killed seuerall [] men women & Children to the number of xvijen persons
N Concordance
173 & Edw: Hogg that their two wiues were kild & two woemen more the first winter in the Rebellion at Bally
174 in the sayd toune dwelling when the Irish killed some woemen, as he this Examinat heard reported He
175 and Makillip why they had killed these woemen ( which were three) the sayd McGunstenan
176 he heard saye that the Irish party had killed dyuerse woemen in the toune of Doune Robert Welsh Taken
177 told this deponent that he himselfe had killed seaven women at Cappoquine, this deponent being prisoner
178 we the Ambosh the rose against them and killed 20 women 4 boyes & about 7 men That there was a boy
179 spight of our teeth; but for your people they killed of women and children and old people aboue 3 score My
180 at Shroole by the Boorks. they killed many women & stripped the rest naked, who it is like
181 out of doores & told her that they had ben killing fiue woemen & two boyes between Ballinderry & Glinauy
182 yeares of age with skeanes would stabb & kyll poore woemen & children they mett in the ffeilds, naye the
Figure 5: Women with killed in L4, L3 or L2 positions
Where killed does appear to the right of women, their role as victim tends to be
preserved, as illustrated in Figure 6, below, which displays concordances for killed in
R1 and R2 positions, where they are passive objects in reduced relatives or where killed
is an attributive adjective.
24 Nicci MacLeod & Barbara Fennell
N Concordance
152 say, That thay haue alsoe knowne & seen 7 poore women killed by the Ormonders Campe, as they were
153 troopers that came from Killeleah, did finde the two woemen killed and cast into the water amongst the
154 Rebells did most Cruelly & unhumaynly stripp the woemen & killed severall of the men & others of the
Figure 6: Women with killed in R1 or R2 position
Moving on to the singular forms, since L3 is the most frequent position in which killed
is found in relation to woman, followed by L2, these concordances appear below in
Figure 7.
N Concordance
152 in one foxes howse, where was likewise kild an English woman att the same tyme as he hath heard, And further saith
153 very long skeane & brack bragged how he had kild an English woman, & what good it had done him to see her child sprawle
154 further saith that the enimies & Irish rebels kild an English woman after they had diuerted her to forsake her religion & turne
155 the first winter after the rebellion did en kill an English=woman neere Drogheda, And further saith not, Connor [mark]
156 & now of or neere Ballycastle aforesaid stabb & kill a naked woeman & her Child with a short pike in a little brooke neere his
157 an Irish woman for wounding & attempting to kill another Irish woman and her child which woman soe accused & brought *
158 affe the skean and that shee was the hardest to kill of any woman that ever he did see, the deponent did ask him what Lyk
159 to Spare the English; & that he threatned to Kill an English Woman, if she woulde Nott deliuer her Mony to him, but what
160 Cohonaght o Gowen now prisoner in Trym, did kill an English woman the wife of John Hovy of Crumlin in the County of Cavan
161 in the head as he wuld and that he had killd an English woman betweene Shrewle & Kilmanaah, and lett two Children
162 That she had hurt (but had an intent to haue killed) the other woman and her child, and to haue eaten the child, wherevpon &
163 other persons; bragging, that he had that day killed a pretty woman, and that she cast her apron about her head when he
164 neere adioyneing to the forte of Leix, & there killed an English woman, & presently hanged fiue or six other protestants their
165 did say That the said Cohanaght O Gowen killed an English woman & further sayeth, That the said Phillip Brady bade bidd
166 ô Gowen that hee the said Coconoght had killed an English woman the first winter after the rebellion neere Drogheda and
N Concordance
183 ffort of Ballileague that fol. 333v 1873 that hee wold kill man woman and Child (in the Collow) of the Irish aswell as hee wold
184 raging manner) threaten and give out, that they wold kill man woman & child of the Irish in the Callow as well as they wold kill
185 here him selfe Cohonnaght a Corbne say that he did kill the woman but did here maney others that was present and before
186 here him selfe (Cohonnaght a Corbne) say that he did kill the woman but did here maney others that was present and before
187 warning from Killeleugh that John Erwyn intendeth to kill man woman & Cheild of that parish through mallice for & in revenge
188 by the Allmighty if he refused this gratious offer to kill man woman and Child belonging to the said deponent Soone after
189 burne & prey all the Country called Ederaown and to kill man, woman, & child they should meete with; and thatt by daylight
190 what els pleased god: And the same then and there killd one woman (a papist) and hurt two or three women more: And at the
191 to assault the Church of Ballentoy, which party killed one woeman through a spike hole in the Church wall by shooting her
192 where this Examinant found the aforesaid warrener killed, & a woman also killed as this Examinant thinketh, that was wife to
193 for pillaginge, which could not be helpt, As for killinge of woman none of my souldiers dare doe as for his life but the
Figure 7: Woman with killed in L3 or L2 position
Figure 7 demonstrates that the most frequent role fulfilled by the category of social
actor woman in the process of killing is one of victim. Note that in these concordances,
we again see women being described in the terms identified earlier – either with
reference to their familial roles (wife, 160; child 156, 157 183, 184, 187-189), to their
ethnicity and/or religion (English, 152-156; Irish, 157; papist, 190) or in terms that
foreground their vulnerability or otherwise contribute to the construction of their
LEXICAL PORTRAITS OF WOMEN IN WAR 25
identities as illegitimate victims (naked, 156; pretty, 163). As with women, where killed
appears to the right of woman, her role as victim is nevertheless maintained through
passive constructions, with the exception of one occurrence, which appears on line 180
in Figure 8, below. Tellingly, there are no occurrences of killed in R1 position in
relation to woman, which would be the unmarked structure for representing her as the
actor.
N Concordance
176 he shed was was A litle Child, saying that he rid after an Irish woman to kill her, and shee having the Child on her back, he
177 where this Examinant found the aforesaid warrener killed, & a woman also killed as this Examinant thinketh, that was wife to
178 further this deponent sayeth to the last Article that the English woman was killed vppon the [] land of the said William and by
179 robbed and killed the said Cardinall and his wife, but the other woman was killed by Edmund Ryan (since slaine) but denyeth
180 & becawse he was credibly informed that such a lyke fatt woman hadd killed and devowred divers others, he this deponent
181 River & there drowned & he alsoe heard that another English woman was Killed without Mungrid gate by Richard Gerrald a
Figure 8: Woman with killed in R2 position
Moving on to the process murthered, there are twice as many occurrences to the right of
man as there are to the left, while the reverse is true for woman. While on first
impressions this discrepancy might indicate that man is more likely than woman to
appear as the actor in such a process, a look at the concordances reveals that this is not
in fact the case – the majority of examples involve the said man as the victim, but
within a passive construction.
N Concordance
634 into the aforesaid Cabin and there found the English man and Murthered him.
635 declare and say in the said towne that hee was the man that murthered the said boy and if any of the
636 Richard England late of Malloe smith an English man was murthered hanged vpon the land of
637 the Rebells themsel That the person & flesh of the man that murthered him sent forth afterwards such a
638 with the rest of the reapers wheare the English man was Murthered by the said reapers, but denieth
639 Bourke of Limerick a Drummer was said to be the man that Murthered them for he was imprisoned for
640 whome he knoweth not, onely the said Slater & his man were murthered by Dermod mc Carty his men of
641 from Credible persons that the said Dixon was one man who Murdered Cormucke maGuine with his
N Concordance
665 saw the doggs eate And presently after the man was soe murdered, the said Art and Company
666 saith shee knew no such man or that any such man was there murdred. And being demanded
667 not. That John O Hyne was the most readiest man in the Murther of the said Persons Vallentine
668 shee heard that the saide James mc Vagh was the Man that did murther this Andrew Yonge this
669 conditions sworn etc & causes mr Walters & his man to be murthered. strips and the women stripped
670 Nagle of Monaniny & Henry Dwen another English man was likewise murthered by rebells whose names
671 (hee lastly saith that on George, Joseph Watts his man ffeltmaker) was Murthered in the parish of
Figure 9: Man with murthered in R2 or R3 position
26 Nicci MacLeod & Barbara Fennell
When it is a woman whose murder is being described, however, the preference is to do
so within an active construction, placing the woman in object position and thus making
latent her status as victim.
It was noted earlier that marital status was pivotal to women’s identity in the
seventeenth century (Eales, 1998), and the Depositions contain some important
differences in the ways it impacts on how different women are represented. The next
section moves on to examine some of these differences.
5.4 Marital Status
The following extract represents the typical format in which deponents’ recall of
individuals involved in events is represented in the text.
(10)
[...] killing & murthering many of the Townesmen men women & children vizt Richard
Lowde{n} of the same glouer, Nicholas Wale of the same broge maker Agnis Suger of
the same spinster Er{}ine Suger of the same spinster Thomasie Saunders of the same
spinster Elizabeth Saunders of the same wife to Robert Saunders of the same mercer
Margrett Nance wife to Henry Nance Taylour Alsis Browne wife to Zacharias Browne [
] Mary Groute spinster { } and Allsis Hill widdowe And ffurther he cannot depose
(Walter Croker, Cork)
As this extract demonstrates, men were typically identified by their place of residence
(the phrase of the same indicating that all these individuals originates from a town,
parish, barony and county that has already been mentioned), and by their occupation
(glouer; broge maker). Women, on the other hand, were identified by their place of
residence and their marital status (spinster, widow, wife). It is worth noting that when a
woman is described as a wife, her husband’s name appears, as does his occupation, e.g.
Margrett Nance wife to Henry Nance Taylour. This supports the argument that women
were largely reliant on their husbands for any sense of status or identity outside of the
family sphere.
Apart from holding very different social meanings, the items spinster, widow and wife
also differ in terms of how they are used within the Depositions. A search for
occurrences of spinster, for example, reveals that the majority function in a process of
classification, that is to say the process by which ‘social actors are referred to in terms
of the major categories by means of which a given society...differentiates between
classes of people’ (van Leeuwen, 1996:54). Furthermore, they tend to form part of a
rather formulaic list of details about an individual, rather than functioning in isolation to
describe the individual. A selection of the concordances appears below.
LEXICAL PORTRAITS OF WOMEN IN WAR 27
N Concordance
10 192 Elizabeth Gough late of Bellamenagh in the County of Cavan spinster deposeth as followeth beeing duly sworne & examined That
11 gent & others Reb rob 35 Margaret ny Mulmore Rely spinster daughter if Mulmore ô Rely that now claimeth the Castle of
12 Andrew Black of Calwally Com predicti Jenett Kearnes widow spinster of Kilkelly alias Ballybrough Com Cavan Brian Suron
13 same Court, the sixteenth day of April 1653 Anne Loftus of Dublin Spinster aged twenty one yeares or thereabouts, being duely
14 Shane o Ruddy of fferna gentleman Joan Donreck of Ballanamore spinster Margett Dun of the the same spinster and at least 100
15 Donreck of Ballanamore spinster Margett Dun of the the same spinster and at least 100 persons Rebells more vnknowne 135 fol.
16 2120 (directly following the examination of John Goll) Mary Bowler spinster, (aged one and twenty yeares or thereabouts) servant to
17 1269 Bojle viijth of May 1653 Anie Mc Brehune of Boyle aforesaid spinster aged thirty yeares or thereabouts deposeth that about six
18 fol. 33r Ann Wiseman late of Knockviccar aforesaid spinster aged 17 yeres & above sworne & examined before the
19 Late of the towne and parish of Ballingary & County of Limrick Spinster widdow duly Sworne & examined before vs by vertue &c
20 that Mrs Anne wodhall wife to Mr woodhall gen with daughter Anne spinster and Josyas walker gen & his wife, Anne Gerrald wife to
21 Baroney of Cundon and Clungibbon and County of Corke Spinster for and in the behalfe of her Husband William Ennington
22 fol. 45r 2083 Ann Horsey, widdowe & Hellen Horsey spinster both of Burgashy in the parish of Rosse barony of Carbry &
23 the Bantry in the Baronry of Beare & Bantry, and County of Corke spinster a Scottish Protestant, duly sworne & examined before vs
24 Gowse Gardner she knoweth not, and one woman calld Margaret a Spinster & a Scottish woman who was first halfe hang’d and then
25 barrony of Condon & Clangibbon and within the com of Corke spinster (an Irish protestant) duely sworne & examined before vs by
26 fol. 76r 731 Martha May spinster in the behalf of her brother & herselfe being partners
27 glouer & Rosse Elizabeth Norman of Glandoore in the said County spinster were likewise murthered by which of the rebells he knoweth
28 parish of Kilmackamoge gen and one Margaret Martyn of the same spinster and John Mumford, & his two sons, calld Henry & James
29 saith that Thomas ffoord Als Tippery of Castlehauen in the County spinster Richard Carpenter of the same fisherman Gabriel Perkins of
30 maker Agnis Suger of the same spinster Er{}ine Suger of the same spinster Thomasie Saunders of the same spinster Elizabeth
31 Nicholas Wale of the same broge maker Agnis Suger of the same spinster Er{}ine Suger of the same spinster Thomasie Saunders of
32 Taylour Alsis Browne wife to Zacharias Browne [ ] Mary Groute spinster { } and Allsis Hill widdowe And ffurther he cannot depose
33 Suger of the same spinster Thomasie Saunders of the same spinster Elizabeth Saunders of the same wife to Robert Saunders of
34 Baroney of Kinalmeiha, and within the County of Corke spinster, by vertue of etc. deposeth & sayth, that about Candlemas
35 said County Anstace mc dermod of the same in the said County spinster likewise parte of thaboue sume is due from the vndernamed
36 since this rebellion turnd papist, & [ ] & Ellish Oge of the same spinster & by the wife of Daniell Dauine of the same taylour &
37 Lady Thurls sheepheard a rebell: thirty shillings & Joane Saunders spinster of Thurls a rebell the totall of his losses amounts to fifty
38 of Mable Byrin late of Castlebarr in the County of Mayo spinster, That aboute the begining of the late rebellion one Mr
39 of Margarett Southwell of Tallow bridge in the County of Corke spinster aged twenty five yeares or thereabouts beinge duely
40 this deponents said Husband & all Husbandmen) and Joane Veale Spinster being one of this deponents servants & Thomas ofline
41 parish of Modelligoe Barronry of Deces and County of Waterford spinster A brittish protestant Deuly Sworne and examined before vs
42 Dauis wife to Henry Dauis, Mary Dauis Boult widdowe Anne Dauis spinster (English protestants) were stripped by the rebells their
43 of the same husb: & Catheren O Carlon of the parish of Killmolash spinster seuenteen shillings 0__xvjj__0 Marion ne Knoghor of the
44 fol. 142r 865. Jane Barton of Ramsfort in the County of Wexford spinster sworne and examined saith That her father Robert Barton
45 Sir James promised to doe iustice therein. Mary Helie of Tirlickin spinster being duely Examined the day aforesaid saith that the
Figure 10: Spinster concordances
It is clear from this sample that the majority of occurrences of spinster appear alongside
an individual’s name, place of residence and often additional kinship-based relational
identification (eg. lines 11 and 20), ethnicity and religious classification (eg. lines 23,
24, 42) and/or age (eg. 13, 16-18). Thus, for women, marital status forms part of a
fairly formulaic (and likely institutionally prescribed) set of details to be recorded about
deponents and named individuals. Since there are only ten occurrences of the male
equivalent bachelor, and three of these refer to the individual’s educated status (eg.
Bachelor of Arts), we can assume that marital status is by no means as significant a
component for men’s identities.
T he word widow, combined with the variants widowe, widow and widdowe,
occurs 636 times in the Depositions. Many of its appearances are within opening
statements, where female Deponents are described according to their place of residence,
28 Nicci MacLeod & Barbara Fennell
age and marital status. As discussed earlier, these opening statements often incorporate
an explanation as to why a woman is testifying at all, and naturally this often involves
the use of the item widow, as in the following extract.
(11)
The Information of examinacion Jane Sanfford widdow late wife of Robert Sanfford of
Crokcanedoeg in the parishe of Disert in the Barronye <of the Barronye> of ffassa and
Dyninge in the Countye of Kilkennye taken this xvijth of Aprill 1644: who beinge
duelye sworne and examined deposeth as followeth
(Jane Sanfford, Kilkenny)
In
(11 we see widdow being used to classify the deponent, much like the vast majority of
occurrences of spinster, while late wife is used in a process of relational identification,
possessivated and thus working to ‘signify the ‘belonging together’, the ‘relationality’
of the possessivated and possessing social actors’ (van Leeuwen, 1996:56). A look at
concordance lines for widow confirms that in the majority of cases it functions in this
way – as a classifier, forming part of a closed set of details commissioners were
required to collect for each deponent and named person. In other examples widow
functions as late wife does in
(11: as a relational identifier, for example the widow of John Stanoway. Another lexical
choice available for this type of representation is relict, which often appears as a
relational identifier when widow has appeared as a classifier, as in (12.
(12)
Alice Clarke Late of Ardmulyan in the Countye of Meath widdowe, relict of Mr
Samuell Clarke Late Deane of Clone Mc Nosh deceased.
(Alice Clarke, Meath)
However, there are a number of occurrences of widow that appear to be functioning
somewhat differently.
(13)
This deponent was left a poore widdow with 7 children, 5 of them since this rebellion
began died by occasion of it.
(Joane Winingtowne, Queens County)
LEXICAL PORTRAITS OF WOMEN IN WAR 29
(14)
the said William Allen her husband about the [fir last] xxiijth of october 1642: goeing
out of his howse into the feilds nere hand. was then and there slaine murthered by the
Rebells leaving her a poore robbed widow and fowre children fatherless
(Joane Allen, Kildare)
In
(13 and
(14, as in numerous other examples throughout the data, the presence of the individuals’
status as widow, rather than forming part of a formulaic set of personal details, serves to
construct them as victims in need of relief. This interpretation is supported by the
presence of information pertaining to the deaths of children and of children being left
fatherles [sic], as well as by the presence of the adjectives poore and robbed. Thus, the
mentioning of an individual’s membership of the class widow invites an interpretation
of them as powerless and deserving of assistance, contributing to what Cope (2001) has
termed the ‘fashioning’ of victims.
The term wife is, unsurprisingly, invariably possessivated (van Leeuwen, 1996),
with the most frequent cluster being his wife and followed closely by the wife of. Table
5 below displays the most frequent collocates of wife.
Table 5: Wife collocates
Word Total %
CHILDREN 730 22.77
STRIPT 178 5.55
FAMILY 94 2.93
CHILD 86 2.68
MURTHERED 80 2.50
GENT 71 2.21
HOUSE 70 2.18
SONNE 67 2.09
REBELLS 62 1.93
DAUGHTER 62 1.93
Given what we have already established about the conventional role of the 17th century
married woman, it is perhaps unsurprising that many of the frequent collocates for
‘wife’ are easily identifiable as relating to the domestic and familial spheres (children,
house, child, daughter, family, son). In combination these suggest an emphasis on
kinship ties and the home in constructing the wife, not forgetting of course that children
30 Nicci MacLeod & Barbara Fennell
frequently co-occurs owing to the extensive use of the string [his] wife and children.
While unsurprising, the application of these tools to the data allows for conclusions
based on an exhaustive analysis of all occurrences across the corpus, reaching beyond
the impressionistic accounts that have hitherto been the norm in research into the
Depositions.
Of considerable interest here is the high frequency of stript, the most frequent
collocate after the expected children. It is of particular interest that while being the
second most frequent collocate for wife, stript appears somewhat lower on the list for
woman and women – and does not appear at all for either man or men. One reason for
the stripping of individuals was to enforce their death by exposure, as in (15, which
follows on from an account of the violent deaths of several men.
(15)
The poore mens wiues were most of them stript and turned out of towne in cold frosty
weat{her} It seemes they were ashamed to kill them; but thought cold and hunger
should doe it if not the Cruell people of the Country:
(Robert Branthwait, Monaghan)
Thus, while the violent killing of women may have been at odds with the rules of
engagement adopted by many of the rebels, the stripping and effective forcing of death
by exposure or other rebels was seemingly more acceptable. Aside from this likely
outcome there was a further significance in the act of stripping. The following extract
implies a symbolic revenge in the act.
(16)
the Lord <C> Roch after hearing Masse, gaue order That Euery English man with in
that Company should be killed and Every English woman should be stript because his
Lady was stript by the English which order of his had as this Examinant verily beleiueth
been Executed vpon the poore English.
(Jane Cooper, Tipperary)
This extract feeds into a general impression across the corpus of the status of women as
property – the stripping of English women is presented as revenge upon English men,
the stripping of Lady Roch as an injury to Lord Roch. This is strikingly evident in the
following extract, where the deponent’s account of the stripping of his wife appears
alongside his material losses.
(16)
LEXICAL PORTRAITS OF WOMEN IN WAR 31
the totall of his losses a mounteth unto the value of fiue pounds and eleuen shillings the
deponent further saith that his wife was striped by the rebells but their names he
knoweth not
(Thomas Herrington, Cork)
The ordering of events (and thus the seeming addition of the stripped wife almost as an
afterthought) is reflective of institutional priorities – the commissioners’ key duty was
to record the losses of despoiled settlers, and in the original Depositions it is these
losses that appear first, followed by other reportable actions. Nevertheless, the
presentation of the stripping in this way is revealing of how wives were viewed during
the period – as commodities whose value, resting as it did in their sexual reputation,
was compromised by an act of stripping. We also saw in Error! Reference source not
found. the presentation of the stripping of women as equivalent to the killing of men.
Further support for this interpretation appears in the following extract.
(17)
& presently ther was a Great number of the Enymye Gotten vpp, & thay fell a killinge
the menn, & strippinge the womenn that weare in the said Roome...Immedyatly a
Lieutenant Collonel of the Irish, & layd hold on the maiors Collor, & tould him that hee
would saue his lyfe, & the said maiors wyfe Cryd to her husband & sayd that thay
weare strippinge her, whear upon the maior wrested himselfe from the said Lieutenant
Collonell;
(Jeane Collens, Queens County)
In (17 the woman is reported as having cried out to her husband about being stripped –
his reported reaction speaks volumes not only about the perceived injury inflicted upon
men by the stripping of their wives, but also about men’s perceived duty to protect their
wives’ dignity. Bearing in mind firstly (as noted earlier) that 17th century women’s
honour lay almost solely in their sexual reputation, and secondly that a key component
of men’s honour code was sexual ownership (Fletcher, 1995), it is reasonable to
interpret the reports of acts of stripping, particularly of women, as a means by which the
rebels were represented as intent on dishonouring the protestant settlers.
6. Concluding Remarks
This article has demonstrated that there are a number of resources available for the
representation of women in this corpus of seventeenth century quasi-legal discourse. A
straightforward comparison of the most frequent collocates of the generic terms man,
men, woman and women provided the point of departure for an investigation into the
lexico-grammatical choices that contribute to an overall impression of the identity of
32 Nicci MacLeod & Barbara Fennell
women in the depositions, and their role in reported events. Firstly, it was demonstrated
that women are more frequently categorised according to their ethnicity and/or religion
than are men, a potential indication that women were more reliant on such factors for
constructing their identity. Furthermore, a comparison of the ethnic markers English and
Irish in relation to woman illustrated some important differences in the constructions of
these two sub-groups that are reflected and maintained through the discourse. While
English women tend to be disempowered, with their status as ‘victim’ made obvious by
both the preferred grammatical structure and adjectival choices, Irish women do not
routinely occupy such a role. They are more frequently activated, and adjectives
associated with them tend to represent them as morally inferior. These findings have the
potential to contribute to discussion about the significance of both religion and ethnicity
in the uprising. Henry Jones, for example, highlighted what he considered to be
evidence of an obvious religious dimension to the conflict, citing support from
Catholics in other parts of Europe, but also emphasised aspects of the accounts that to
his mind supported an overwhelming ‘hatred towards the English ethnicity’ (Cope,
2001:379).
The second basis on which women are differentiated from men identified in the
data was the transitivity choices in relation to the violent material processes killed and
murthered. The first distinction to be made was that women are very rarely presented as
the actor in these processes. Further to this, when a man is portrayed as the victim –
particularly in the case of murthered – there appears to be a preference to do so within a
passive construction, whereas for women their status as victim is made more transparent
through the use of active constructions. As already established, reports of violence
against women were central to the mythologization of the rebellion, and to
constructions of the rebels as particularly barbaric (McAreavey, 2010). Further attempts
to explain the disempowerment of women in texts of the period have taken the approach
that it created a contrast with discourses of male empowerment, functioning to reassure
men of their own capability, and indeed duty, to retaliate (Purkiss, 2005).
The article moved on to constructions based on arguably the single most
important component of 17th century women’s identity – their marital status. The
analyses demonstrated that marital status was pivotal to descriptions of women in the
way that occupation was pivotal for men, and illustrated some important differences in
the ways in which terms relating to marital status – spinster, widow and wife – are used
within the data. While spinster functions purely as a classifier, indicating an
individual’s membership of a particular social group, widow was shown to function in a
number of different ways – as a classifier, a relational identifier, and also to emphasise
victims’ vulnerability and powerlessness. Wife was shown to function exclusively in a
process of relational identification, and it was shown that particular actions hold
particular significance if committed against a wife, most notably the act of stripping,
which appears to be a more serious and newsworthy event when committed against a
married woman than when committed against any other individual. This pattern was
explained in light of what we had already established about the significance of sexual
reputation for women’s honour, and sexual ownership for men’s.
LEXICAL PORTRAITS OF WOMEN IN WAR 33
Considered together, these analyses have demonstrated a number of ways in
which ideology is reproduced through the discourse, and provide a discursive basis for
the argument that the Depositions were one mechanism through which consent for the
suppression of the rebellion was manufactured. The patterns of portraying particular
categories of woman as powerless and in need are evident in the Depositions as well as
in the texts that arose from them, and it is crucial to keep in mind the methods used to
collect them when attempting an explanation of these patterns. Collected from a
frightened and largely illiterate population by government representatives, and
transformed into writing by employees of those representatives, it is perhaps little
wonder that the texts display linguistic patterns that support the dominant thinking of
the time, in relation to gender roles as well as to constructions of the enemy more
generally.
As acknowledged earlier, the analyses presented here do not constitute the full
picture. With so many assailants known to the victims and witnesses, a comprehensive
investigation of the representation of all these social actors would require examination
of named individuals as well as the gendered terms of reference discussed here. It is
hoped, however, that this article has demonstrated the strengths of a corpus assisted
approach to a body of data hitherto approached only from an informal and largely
intuitive standpoint. It has also paved the way for further exploration of representation
within the Depositions, particularly in relation to the the effects of patterns of discourse
production and consumption and the wider social context on the language of conflict.
Notes
1 http://1641.tcd.ie 1 http://www.lexically.net/wordsmith/ 1 I am indebted to Mike Scott for the modifications made to WordSmith Tools as a result of my
comments.
References
Baker, Paul 2006 Using Corpora in Discourse Analysis. London: Continuum
Baker, Paul & McEnery, Tony (2005) ‘A corpus-based approach to discourses of
refugees and asylum seekers in UN and newspaper texts’ Journal of Language
and Politics 4 (2), 197 – 226
Clarke, Aiden 1986 ‘The 1641 depositions’ in P. Fox (Ed.) Treasures of the library:
Trinity College Dublin Dublin: Royal Irish Academy, pp. 111 – 122
First author and second author 34
Cope, Julian 2001 ‘Fashioning victims: Dr. Henry Jones and the plight of Irish
Protestants, 1642’ Historical Research, 74 (186), 370–391
Eales, Jacqueline 1998 Women in Early Modern England, 1500-1700. London: UCL
Press
Fennell, Barbara 2009 ‘Framing the Evidence: Linguistic Features of the 1641
Deposition’. Paper presented at the University of Aberdeen Irish Scottish
Academic Initiative Conference, October 31st 2009.
Hall, Diane & Malcolm, Elizabeth 2010 ‘“The Rebels Turkish Tyranny”:
Understanding Sexual Violence in Ireland during the 1640s’ Gender & History,
22 (1), pp. 55 – 74.
Kytö, Merja, Walker, Terry, & Grund, Peter 2007 ‘English Witness Depositions 1560–
1760: An Electronic Text Edition’. ICAME Journal 31.
Knox, Andrea 2004 ‘Testimonies to history: reassessing women’s involvement in the
1641 rising’ in Louise Ryan & Margaret Ward (Eds.) Irish Women and
Nationalism: Soldiers, New Women & Wicked Hags. Dublin: Irish Academic
Press, 14-29.
Laurence, Anne 1994 Women in England, 1500-1760. London: Weidenfield and
Nicolson
Lawless, Seamus, Fennell, Barbara, Murphy, Elaine & Ó Siochrú, Micheal. (in prep.)
‘The 1641 Depositions Project: Experiences of a Large-Scale Digitisation and
Digital Enhancement Initiative’
Marotti, Arthur 2005 Religious Ideology & Cultural Fantasy: Catholic & Anti-
Catholic Discourses in Early Modern England Notre Dame, Indiana: UND
Press
McAreavey, Naomi 2010 ‘Re(-)membering women: Protestant women’s victim
testimonies during the Irish rising of 1641’ Journal of the Northern Renaissance
2 (1), 72–92
Mendelson, Sara & Crawford, Patricia 1996 Women in Early Modern England
Oxford: OUP
O’Dowd, Mary 1991 ‘Women and war in Ireland in the 1640s’ in Maureen
MacCurtain & Mary O’Dowd (Eds.) Women in Early Modern Ireland
Edinburgh: Edinburgh
University Press, 91–111
Ohlymeyer, Jane 1995 (Ed.) Ireland from Independence to Occupation 1641-1660
Cambridge: Cambridge University Press.
Purkiss, Diane 2005 Literature, Gender and Politics during the English Civil War
Cambridge: CUP
Van Dijk, Teun 1991 Racism and the Press London: Routledge
Van Dijk, Teun 1996 ‘Discourse, power and access’ in Carmen Rosa Caldas-Coulthard
& Malcolm Coulthard (Eds.)
Texts and Practices: Readings in Critical Discourse Analysis London:
Routledge, pp. 84–104
Van Leeuwen, Theo 1996 ‘The representation of social actors’ in Carmen Rosa
SHORT TITLE OF YOUR PAPER 35
Caldas-Coulthard & Malcolm Coulthard (Eds.) Texts and Practices: Readings in
Critical Discourse Analysis London: Routledge, pp. 32–70
About the Authors
Dr Nicci MacLeod completed her PhD at Aston University in Birmingham in 2010 on
the topic of interaction in police interviews with rape victims. She is currently employed
as a Research Fellow at the University of Aberdeen on the AHRC funded project
Language & Linguistic Evidence in the 1641 Depositions, and as Research Associate at
the Centre for Forensic Linguistics, Aston University. Her research interests lie in the
language of violence and the manifestation of power through linguistic and discursive
structures, particularly in legal and investigative contexts.
Dr Barbara Fennell is Senior Lecturer in Language and Linguistics in the School of
Language and Literature at the University of Aberdeen, and Primary Investigator on the
AHRC funded project Language & Linguistic Evidence in the 1641 Depositions. She is
the author of A History of English: A Sociolinguistic Approach, and has published in the
areas of language & identity, discourse analysis, and language and colonialism/post-
colonialism.