The Index to the Library Chronicle: Subject Index

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The Index to the Library Chronicle: Subject Index

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Introduction Author Index

Italicized page numbers refer to photographs and illustrations.

A ^-top-^

"A" (Zukofsky), N.S. nos.38/39 (1987):77-105A.D. Peters Agency. See Peters (A.D.) AgencyA Tutti I Fedeli D'Amore (Alighieri), v.23, nos.2/3 (1993):132Abbeychurch (Yonge), v.23, no.1 (1993):17-19Abbott, Claude Colleer, Further Letters of Gerard Manley Hopkins, N.S. nos.46/47(1989):69ABC of Reading (Pound), v.20, nos.1/2 (1990):14-16, 17Abernethy, Milton A.

Contempo editorship, N.S. no.27 (1984):20-44; v.25, no.3 (1995):111-31, 119-20photograph of, v.20, no.4 (1991):83Pound's Draft of XXX Cantos and, v.25, no.3 (1995):126, 127-31

Abril, Manuel, line-drawing, N.S. no.13 (1980):23Across the River and Into the Trees (Hemingway), N.S. no.30 (1985):16-28Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103, 115Acton, Harold, N.S. no.1 (1970):25Actors. See individual actorsActresses. See individual actressesL'Adamo, sacra rapresentazione (Andreini), v.23, nos.2/3 (1993):126Adams, Ansel, N.S. no.19 (1982):118, N.S. no.19 (1982):121Adams, Maude, N.S. no.36 (1986):70Adding Machine (Rice), v.25, no.1 (1994):6, 15-20, 17-18, 148Addison, Joseph, N.S. no.7 (1974):59-60Adler, Morton, How to Read a Book, v.20, nos.1/2 (1990):14-16Adolpho Betti Collection. See Betti (Adolpho) CollectionAfrican Americans. See also Harlem Renaissance; and specific African Americans

bebop aesthetic and black intellectual tradition, v.24, nos.1/2 (1994):105-17correspondence of Fannie Hurst and Zora Neale Hurston, N.S. no.35 (1986):21-43exhibit on Blacks at the University of Texas, N.S. no.23 (1983):9-10Harlem Renaissance, v.22, no.4 (1992):51-83; v.24, nos.1/2 (1994):105-17jazz and African-American literature, v.24, nos.1/2 (1994):47-51New Negro Movement, v.24, nos.1/2 (1994):105-17photographic archive in Barker Texas History Center, N.S. nos.38/39 (1987):13-15,14

African Palimpsest (Zabus), v.27, no.3 (1997):113Afrikaaner literature, N.S. no.4 (1972):31-37"Afternoons in East Austin: Drawings by Edgar Dorsey Taylor" (exhibit), v.20, no.3(1990):8-12, 9-12Agee, James

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film criticism, v.25, no.2 (1994):110-12Let Us Now Praise Famous Men, v.25, no.2 (1994):103-10, 104, 107, 112, 119Letters of James Agee to Father Flye, v.25, no.2 (1994):95musical-literary style and sonata form of writing, v.25, no.2 (1994):91-119Noa, Noa, v.25, no.2 (1994):113-18, 116-17photograph of, v.25, no.2 (1994):90"Plans for Work: October, 1937," v.25, no.2 (1994):101-03poetry, v.25, no.2 (1994):97-100

Agee (James) Collection, v.25, no.2 (1994):90-119Agee, Mia, v.25, no.2 (1994):90Aida (Ghislanzoni), v.23, nos.2/3 (1993):63-65, 64Aida (Verdi), v.23, nos.2/3 (1993):63-65, 64Aiken, Conrad

childhood, v.23, no.1 (1993):101-02divorce from Jessie McDonald, v.23, no.1 (1993):108-09photograph of, v.23, no.1 (1993):103relationship with M.D. Armstrong, v.23, no.1 (1993):101, 102, 105-07, 111, 117

Aiken, Jessie. See McDonald, JessieAitken Library, N.S. no.7 (1974):59-63Albee, Edward

correspondence with Bob Livingston, v.20, no.3 (1990):82-85, 93correspondence with Harry Joe Brown, v.20, no.3 (1990):76-82, 93HRHRC holdings generally, v.20, no.3 (1990):94-95; v.25, no.1 (1994):115Adrienne Kennedy and, v.25, no.1 (1994):109-10, 139Malcolm, v.25, no.1 (1994):140photographs of, v.20, no.3 (1990):74; v.25, no.1 (1994):81Who's Afraid of Virginia Woolf?, v.20, no.3 (1990):84Zoo Story, v.20, no.3 (1990):75-93, 79, 92

Albert Davis Collection. See Davis (Albert) CollectionAlbert-Birot, Pierre

friendship with Gino Severini, N.S. no.35 (1986):51-53friendship with Guillaume Apollinaire, N.S. no.35 (1986):53-56Modernism and, N.S. no.35 (1986):45-59self-portrait of, N.S. no.35 (1986):44SIC publishing archive, N.S. no.35 (1986):44-59; v.22, no.4 (1992):14sketches, N.S. no.35 (1986):49, 52writings, N.S. no.35 (1986):45, 48-51, 54-56, 55

Alberti, Leon-Battista, Della pittura; Della statua, v.23, nos.2/3 (1993):48Album Musical de Michoacan (Domínguez), v.22, no.3 (1992):108Albumen prints

creation of, N.S. nos.44/45 (1989):136-38, 137Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47, 137, 142, 145-46

Alcide al bivio... (Metastasio), v.23, nos.2/3 (1993):128Aldine Collection, N.S. no.37 (1986):6, 7-8, 8; v.23, nos.2/3 (1993):28-34Aldine Press, v.23, nos.2/3 (1993):33Aldington, Richard

as biographer of Lawrence of Arabia, v.20, no.3 (1990):20correspondence, N.S. no.7 (1974):21-26; N.S. no.40 (1987):100-101photograph of, N.S. no.40 (1987):101

Alfred A. Knopf, Inc. Archive. See Knopf (Alfred A.) Inc. ArchiveAlfred Cortot Collection. See Cortot (Alfred) CollectionAlice's Adventures in Wonderland (Carroll)

book cover, N.S. no.2 (1970):39



HRHRC holdings, N.S. nos.32/33 (1985):23-87illustrations from, N.S. no.2 (1970):43; N.S. nos.32/33 (1985):13, 32, 69, 76, 83title page, N.S. no.2 (1970):39; N.S. nos.32/33 (1985):22translations/editions, N.S. no.2 (1970):39-45

Alighieri, DanteA Tutti I Fedeli D'Amore, v.23, nos.2/3 (1993):132Dante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la suaCommedia, v.23, nos.2/3 (1993):46Divine Comedy, N.S. no.35 (1986):101; v.20, nos.1/2 (1990):118; v.23, nos.2/3(1993):15, 24-25, 30, 46, 59, 88, 132, 163, 164Francesca da Rimini, v.23, nos.2/3 (1993):131-33, 132

All My Pretty Ones (Sexton), v.22, nos.1/2 (1992):191-221, 193All Strange Away (Beckett), N.S. no.28 (1984):133-36, 136All That Fall (Beckett), N.S. no.28 (1984):93-95, 95Allegory on Gluttony (Bosse), v.26, no.3 (1996):24, 25Allegory on Lechery and Lust (Franco), v.26, no.3 (1996):23Allen, Frederick Lewis, v.24, nos.1/2 (1994):50Allinson, Adrian, v.23, no.1 (1993):59Altaroche, Marie-Michel, N.S. no.17 (1981):67Alvarez, José Sixto, v.20, no.3 (1990):13Amado, Jorge, N.S. no.22 (1983):23-30, 25; v.26, nos.1/2 (1995):91-96Amateur Photographer, v.24, nos.3/4 (1994):44-45Amateur Photographer & Cinematographer, v.24, nos.3/4 (1994):46Amateur Photographer & Photographic News, v.24, nos.3/4 (1994):49, 50, 53Amateur Photographer & Photography, v.24, nos.3/4 (1994):38Amateur Photographer's Annual, v.24, nos.3/4 (1994):9Ambrose Vollard (Picasso), v.23, no.4 (1993):83, 87America Settentrionale e Meridionale (Turin), v.23, nos.2/3 (1993):68American Annual of Photography, v.24, nos.3/4 (1994):54American Annual of Photography and Photographic Times Almanac, v.24, nos.3/4(1994):cover, 55American Ballet Theatre, v.20, no.4 (1991):10American Indians, N.S. no.7 (1974):81-85American Mercury, v.26, nos.1/2 (1995):39-49, 42American Photographer, v.24, nos.3/4 (1994):32American Photography, v.24, nos.3/4 (1994):61, 62, 63American Poetry: The Nineteenth Century, v.25, no.4 (1995):6American Poetry Review, v.22, nos.1/2 (1992):6American Short Fiction, v.25, no.2 (1994):21American theater. See Theater artsAmetller, Blas, Poesías, N.S. no.5 (1972):45Ametrallando (Flores), v.22, no.3 (1992):82Amulet, N.S. nos.44/45 (1989):88, 101-02, 103Anashim aherim: mivhar (Other People) (Oz), v.27, no.3 (1997):157Anatolian rugs. See Persian and Anatolian textile collectionAnderson, Margaret, v.20, no.4 (1991):80Anderson, Maxwell

biography, v.25, no.1 (1994):25-26High Tor, v.25, no.1 (1994):25, 35, 37-38HRHRC holdings, v.25, no.1 (1994):25-38, 29-30, 33, 36, 115, 116letters to, v.25, no.1 (1994):28-31, 29-30Lost in the Stars, v.25, no.1 (1994):26-32, 29-30, 33photographs of, v.25, no.1 (1994):33, 36portrait of, v.25, no.1 (1994):116



Winterset, v.25, no.1 (1994):34-35, 36Andreini, Giovanni Battista, Adamo, sacra rapresentazione, v.23, nos.2/3 (1993):126Andrews, Wayne, v.22, no.4 (1992):14Anew (Zukofsky), N.S. no.23 (1983):44-49Anglican Sisterhoods, v.23, no.1 (1993):10, 11-31, 15, 26Anglicus, Bartholomaeus, De proprietatibus rerum, N.S. no.10 (1978):25Annotation

description, v.20, nos.1/2 (1990):167-69Piers Ploughman, v.20, nos.1/2 (1990):167-83

Anthony's Photographic Bulletin, v.24, nos.3/4 (1994):68Anzilotti, Rolando, v.23, nos.2/3 (1993):101Aperture, v.24, nos.3/4 (1994):71Apes of God (Lewis), N.S. no.14 (1980):coverApocalypse (Lawrence), N.S. no.34 (1986):39-51Apollinaire, Guillaume

Calligrames, v.21, nos.1/2 (1991):89correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):86-89, 86friendship with Pierre Albert-Birot, N.S. no.35 (1986):53-56portrait of, v.21, nos.1/2 (1991):89

Applied Photography, v.24, nos.3/4 (1994):72Arabia, T.E. Lawrence's scenes of, N.S. nos.38/39 (1987):25-39Arabic Collection, v.27, no.3 (1997):155-56"Architectural Views of Old London" (exhibit catalog), N.S. no.15 (1981):6-48Architecture

London photographs, N.S. no.15 (1981):6-48Marshall-Walton Papers, N.S. no.9 (1978):61-65, 62-63military architecture, N.S. nos.38/39 (1987):17-25of Trost, N.S. no.16 (1981):78-92

Archives. See names of specific archivesArensberg, Louise, v.21, nos.1/2 (1991):80-81, 81Arensberg, Walter, v.21, nos.1/2 (1991):80-81, 81Argentina, Bebop tradition in, v.24, nos.1/2 (1994):204-06Arikha, Avigdor, N.S. no.28 (1984):87Ariosto, Ludovico, Orlando Furioso, N.S. no.48 (1989):11-12; v.20, nos.1/2 (1990):61-85;v.23, nos.2/3 (1993):36, 38-42, 40Arise Young Men (Oe), v.27, no.3 (1997):56Arlen, Richard, N.S. no.19 (1982):141Armadillo in the Grass, v.26, nos.1/2 (1995):232, 233-34Armstrong, Jessie. See McDonald, JessieArmstrong, Martin Donisthorpe

career, v.23, no.1 (1993):102-16Desert, a Legend, v.23, no.1 (1993):110family life, v.23, no.1 (1993):112, 116-17life and work, v.23, no.1 (1993):99-117photograph of, v.23, no.1 (1993):98relationship with Conrad Aiken, v.23, no.1 (1993):101-02, 105, 111, 117Sleeping Fury, v.23, no.1 (1993):6World War I, v.23, no.1 (1993):102-03

Arnshtam, Alexander, N.S. no.9 (1978):34Arp, Jean, N.S. no.28 (1984):21Art. See also Bookbinding; Caricatures; Photography; and specific artists

conservation and treatment procedures for paintings, N.S. nos.44/45 (1989):79-85, 83-84cubism, N.S. no.12 (1979):16-18



Italian art, v.23, nos.2/3 (1993):137-52Mexican art, N.S. no.5 (1972):32, 33-34; N.S. no.9 (1978):9Molino Campos paintings, N.S. no.3 (1971):62-67, 62, 64-65, 67Russian art books, N.S. no.9 (1978):28, 29-37, 32, 34-35, 37South American art, N.S. no.9 (1978):9Southwestern art, N.S. no.10 (1978):7-8surrealism, N.S. no.16 (1981):17-41, 37

Art and Photography, v.24, nos.3/4 (1994):75Art Collection, Italian art, v.23, nos.2/3 (1993):137-52Art-Union, v.24, nos.3/4 (1994):30ARTnews, v.24, nos.3/4 (1994):370Arts et Métiers Graphiques, v.25, no.2 (1994):20Arturo Taracena Flores Collection. See Taracena Flores (Arturo) CollectionASCAP Award, to Library Chronicle, N.S. no.34 (1986):13-14; N.S. no.41 (1987):15Ascham, Roger, English Works, v.21, nos.3/4 (1991):14-39, 34Asian Collections, v.27, no.3 (1997):61-67Asociación de Literatura Feminina Hispánica papers, v.20, no.3 (1990):18Astrologia, v.23, nos.2/3 (1993):21Astronomy, N.S. no.2 (1970):12-13, 13Atlantic Monthly, N.S. no.40 (1987):67, 70, 72-87Auden, W.H., v.25, no.3 (1995):76, 83-86, 85Aungerville, Richard. See De Bury, RichardAuric, Georges

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):52-55drawing by Jean Cocteau, v.21, nos.1/2 (1991):54music for A Midsummer Night's Dream, v.23, no.4 (1993):63, 66photograph of, v.21, nos.1/2 (1991):53portrait of, v.23, no.4 (1993):62

Austin, Mary, N.S. no.6 (1973):82-85Australia

Joseph Furphy in, N.S. nos.42/43 (1988):103-19Alice Henry in, N.S. nos.42/43 (1988):121-41Grattan (C. Hartley) Collection, N.S. nos.42/43 (1988):27-32, 51-75Grattan's interest in, N.S. nos.42/43 (1988):11-101, 121-41HRHRC holdings, N.S. nos.42/43 (1988):7-201literary publications, N.S. nos.42/43 (1988):39-49Milutinovic (Iris Osborne) Collection, N.S. nos.42/43 (1988):143-59painters, N.S. nos.42/43 (1988):181-201Stead's Man Who Loved Children, N.S. nos.42/43 (1988):161-77University of Texas and, N.S. nos.42/43 (1988):7-9

Australia (Grattan), N.S. nos.42/43 (1988):6Australian Studies Center, N.S. nos.42/43 (1988):7-9, 79Authors' Syndicate, N.S. no.35 (1986):60-87, 60Authorship, stages in authorship-publishing relationship, v.20, nos.1/2 (1990):116-17, 119Autographs, Juliette's door, N.S. no.5 (1972):35-37, 36Automatic writing, N.S. no.8 (1974):26, 27Avant-garde, and Brakhage, N.S. no.17 (1981):84, 85-103Awful Rowing Toward God (Sexton), v.22, nos.1/2 (1992):183, 188, 223-35Ayckbourn, Alan, v.27, nos.1/2 (1996):8Ayid al-Majid, Ismail, v.27, no.3 (1997):152Aztec languages. See Nahuatl

B ^-top-^



Bach, J.S., Clavier Sonaten mit Obligater Violine, N.S. nos.25/26 (1984):17Bachmann, Edwin, N.S. nos.25/26 (1984):10, 11-23Bacon Library subscription series, v.21, nos.3/4 (1991):150, 179-81, 180Baker, Kate

correspondence with Howarth, N.S. nos.42/43 (1988):105-06, 109, 112Furphy and, N.S. nos.42/43 (1988):81, 98, 105-6, 109, 112

Baldwin, James, v.26, nos.1/2 (1995):147-52Balla, Giacomo, Ricostruzione futurista dell'universo, v.23, nos.2/3 (1993):85, 86Ballad of the Sad Cafe (McCullers), v.25, no.1 (1994):70-71, 74, 76, 77-82, 78-79, 81"Ballet: From Court to Theatre" (exhibit), v.20, no.4 (1991):10, 10Ballet, N.S. no.19 (1982):12, N.S. no.48 (1989):8; v.20, no.4 (1991):10, 10Balzac Library subscription series, v.21, nos.3/4 (1991):150, 181-85, 183Banbury, Frith, v.26, no.3 (1996):15; v.27, nos.1/2 (1996):64-68Bangs, José Manuel, N.S. no.3 (1971):58-61, 58, 61Bankhead, Tallulah, N.S. no.41 (1987):31Banks, Banking, and Paper Currencies (Hildreth), N.S. nos.44/45 (1989):87-88, 93, 94, 102Banks, Mrs. G. Linnaeus

drawing of, N.S. no.37 (1986):20Manchester Man, N.S. no.37 (1986):21-27, 25

Barber, Samuel, Four Songs for Voice and Piano, N.S. nos.46/47 (1989):146Barker Texas History Center

Blacks at the University of Texas exhibit, N.S. no.23 (1983):9-10Hickman Archive of black people, N.S. nos.38/39 (1987):13-15, 14McCulloch Brothers' papers, N.S. no.41 (1987):13-15Natchez Trace Collection, N.S. no.35 (1986):9E.D. Taylor collection, v.20, no.3 (1990):8, 9-12women's history resources exhibits, N.S. no.19 (1982):9-11; v.20, no.4 (1991):12-15,13

Barnes, Djuna"Behind the Heart," v.23, no.4 (1993):27-35description of James Joyce, v.20, no.3 (1990):8Nightwood, v.23, no.4 (1993):30-35, 30,photographs of, v.23, no.4 (1993):26, 33relationship with Charles Henri Ford, v.23, no.4 (1993):27-35

Barnes, Harry Elmer, N.S. nos.42/43 (1988):15, 17Barradas, Rafael, N.S. no.13 (1980):19-20, 22-25Barrett, Eaton Stannard, v.23, no.1 (1993):13-14Barrett, Wilson

correspondence, N.S. no.7 (1974):19-20financial and legal records, N.S. no.7 (1974):11-18, 15new school interpretation of Othello, N.S. no.22 (1983):67-87Othello and, N.S. no.22 (1983):77, 85photographs of, N.S. no.7 (1974):10; N.S. no.22 (1983):66, 73, 82

Barry, Sebastian, v.27, nos.1/2 (1996):205-06Barrymore, John, N.S. no.22 (1983):54-59, 58Barrymore, Lionel, N.S. no.24 (1983):21Bartezago, Luigi, v.23, nos.2/3 (1993):160Bartholomew, Freddie, N.S. no.24 (1983):22Basserman, Albert, v.26, no.3 (1996):99Bastin, Henri, N.S. nos.42/43 (1988):cover, 195-96Batrachomyomachia (Homer), N.S. no.7 (1974):62Baudelaire, Charles

Fleurs du mal, N.S. no.27 (1984):47-59, 52, 55photographic portrait of, N.S. no.14 (1980):43



"Baudelaire to Beckett" (exhibit), N.S. no.9 (1978):66, 67-73Bauerle, James E., N.S. no.9 (1978):59-60, 60Bayton, Lady Anne, v.23, no.1 (1993):120, 122Beach, Sylvia

photograph of, N.S. nos.20/21 (1982):21Ulysses French translation and, N.S. nos.20/21 (1982):29-59Ulysses page proofs and, N.S. nos.20/21 (1982):14

Beacham, Roger, This Bitterly Beautiful Land, A Texas Commonplace Book, N.S. no.5(1972):13, 13Beale, Mary

Earl of Rochester and, v.23, no.1 (1993):121-24life and work, v.23, no.1 (1993):119-29portrait of, v.23, no.1 (1993):125portrait of Earl of Rochester, v.23, no.1 (1993):120, 123portrait of Lady Anne Bayton, v.23, no.1 (1993):120, 122

Beat poets, v.24, nos.1/2 (1994):46-47Beaton, Cecil, N.S. no.28 (1984):14Beatty, Warren, v.25, no.2 (1994):coverBeavers, Louise, N.S. no.35 (1986):38Bebop. See also Dial Records; Parker, Charlie

African-American literature and, v.24, nos.1/2 (1994):47-51after World War II, v.24, nos.1/2 (1994):39-40, 70-77ban on, v.24, nos.1/2 (1994):140-42Beat poets and, v.24, nos.1/2 (1994):46-47beginnings, v.24, nos.1/2 (1994):19-25, 34-36, 81, 138-42at Billy Berg's in Los Angeles, v.24, nos.1/2 (1994):36, 67, 69, 141black intellectual tradition and, v.24, nos.1/2 (1994):105-17characteristics, v.24, nos.1/2 (1994):34commercial success, v.24, nos.1/2 (1994):151-54decline and death, v.24, nos.1/2 (1994):154-57definition, v.24, nos.1/2 (1994):141-42Dial recordings of Charlie Parker, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103exhibit, v.24, nos.1/2 (1994):26, 27-47Langston Hughes as bop ethnographer in "Trumpet Player: 52nd Street," v.24, nos.1/2(1994):119-35in jazz canon, v.24, nos.1/2 (1994):157-59at Minton's Playhouse, v.24, nos.1/2 (1994):34-35in 1990s, v.24, nos.1/2 (1994):211-25origin of term, v.24, nos.1/2 (1994):53panel discussion, v.24, nos.1/2 (1994):210, 211-25, 216Charlie Parker's career, v.24, nos.1/2 (1994):17-25, 34-43, 53-103publicity flyer, v.24, nos.1/2 (1994):16reactions to, v.24, nos.1/2 (1994):21, 35, 137-59Russell as writer on, v.24, nos.1/2 (1994):44, 45-46in South America, v.24, nos.1/2 (1994):202, 203-09, 207, 209symposium, v.24, nos.1/2 (1994):7-225

"Bebop Revolution in Words and Music" (exhibit), v.24, nos.1/2 (1994):26, 27-47Bebop Revolution in Words and Music (symposium), v.24, nos.1/2 (1994):7-225Beck, Julian, v.25, no.1 (1994):117Beckett, Samuel

Act Without Words, N.S. no.28 (1984):97-104, 103, 115All Strange Away, N.S. no.28 (1984):133-36, 136All That Fall, N.S. no.28 (1984):93-95, 95catalog of works, N.S. no.28 (1984):5-187



correspondence generally, v.22, no.4 (1992):13correspondence with George Devine, N.S. no.28 (1984):98-99correspondence with George Reavey, N.S. no.28 (1984):43-44, 53, 66, 75, 81, 110-11,125, 129, 151, 155correspondence with Jack MacGowran, N.S. no.28 (1984):129, 141correspondence with Jake Schwartz, N.S. no.28 (1984):90correspondence with John Cadler, N.S. no.28 (1984):111-12correspondence with Mary Manning Howe, N.S. no.28 (1984):43, 66, 98-99, 119correspondence with Nancy Cunard, N.S. no.28 (1984):6, 93, 97-98correspondence with Richard Church, N.S. no.28 (1984):43correspondence with Susan Manning, N.S. no.28 (1984):66, 97early life and early writings of, N.S. no.28 (1984):7-27Echo's Bones and Other Precipitates, N.S. no.28 (1984):28, 29-30Eh Joe, N.S. no.28 (1984):141-42, 143"Eleuthéria," N.S. no.28 (1984):51-52, 52Endgame, N.S. no.28 (1984):96, 97-104, 100, 102exhibit on, N.S. no.27 (1984):8First Love, N.S. no.28 (1984):147-49, 148Fizzles, N.S. no.28 (1984):160, 161-74, 163, 166, 171, 173friends of, N.S. no.28 (1984):39-42Happy Days, N.S. no.28 (1984):124, 125-26How It Is, N.S. no.28 (1984):119-23, 120, 123Imagination Dead Imagine, N.S. no.28 (1984):133-34Lucia Joyce and, N.S. nos.20/21 (1982):75-76Krapp's Last Tape, N.S. no.28 (1984):105-10, 106-07, 109language used in writing, N.S. no.28 (1984):49-50Lost Ones, N.S. no.28 (1984):133-34, 139-40Mercier and Camier, N.S. no.28 (1984):150, 151-53, 152Molloy, Malone Dies, the Unnamable, N.S. no.28 (1984):53-64, 55-56, 59-61Murphy, N.S. no.28 (1984):43-48, 45-47Nobel Prize for Beckett, N.S. no.28 (1984):147Not I, N.S. no.28 (1984):154-56photographs of, N.S. no.28 (1984):33, 41, 42, 79, 90, 100, 123, 137, 144, 163; v.27,nos.1/2 (1996):46Ping, N.S. no.28 (1984):133-34, 138Play, N.S. no.28 (1984):129-30poem by Kay Boyle, v.22, no.4 (1992):13poems in English, N.S. no.28 (1984):111-18, 115, 117postcard to A.J. Leventhal, v.22, no.4 (1992):15sketch of, N.S. no.28 (1984):6Stories and Texts for Nothing, N.S. no.28 (1984):80, 81-92, 84-85, 87, 90-91Waiting for Godot, N.S. no.28 (1984):65-74, 67, 69, 71; v.20, nos.1/2 (1990):38, 39-40, 59; v.27, nos.1/2 (1996):41-63, 62Watt, N.S. no.28 (1984):75-78, 77, 79

Beckett Translating/Translating Beckett (symposium), N.S. no.27 (1984):9"Bede manuscript," N.S. no.35 (1986):96Bedford, Sybille, v.23, no.4 (1993):13, 15Bedford-Jones, H., N.S. no.10 (1978):72, 73-75Beeching, H.C., N.S. nos.46/47 (1989):41-49, 43Beerbohm, Max

exhibit on, N.S. no.11 (1979):7frescoes, N.S. no.11 (1979):89-91, 90watercolor of Arnold Bennett by, N.S. no.2 (1970):33

Beethoven, Ludwig van



dealings with music publishers, N.S. nos.25/26 (1984):15-19First Sonata for Violin and Piano (op. 12, no. 1), N.S. nos.25/26 (1984):19-23, 21letter from, N.S. no.7 (1974):105-15, 107, 111-13lithograph of, N.S. nos.25/26 (1984):cover

Behan, Brendan, v.27, nos.1/2 (1996):81-85"Behind the Heart" (Barnes)

and Barnes's relationship with Charles Henri Ford, v.23, no.4 (1993):27-35text of, v.23, no.4 (1993):37-41

Behrman, Samuel Nathaniel, v.25, no.1 (1994):117-18Beinecke Rare Book and Manuscript Library, Osborn Collection, N.S. no.5 (1972):15-29Bel Geddes, Norman

costume designs for La nave, v.23, nos.2/3 (1993):164-67, 166designs illustrating streamlining, N.S. no.13 (1980):94, 97, 100, 103, 107, 109exhibit of theater designs, N.S. no.41 (1987):11-13, 12HRHRC holdings generally, v.25, no.1 (1994):118-19photograph of, N.S. no.13 (1980):90popularization of streamlining, N.S. no.13 (1980):91-110scene designs for The Divine Comedy, v.23, nos.2/3 (1993):161-64, 163watercolor by, N.S. no.13 (1980):cover

Bell, Clive, N.S. no.48 (1989):17-19, 25, 30, 35, 38, 40Bell, Edward Price, N.S. no.10 (1978):47-54Bender, Todd, Gerard Manley Hopkins, N.S. nos.46/47 (1989):91Bennett, Arnold, N.S. no.2 (1970):31-35, 32, 33Benny, Jack, N.S. no.23 (1983):11Benson, Nettie Lee

career, N.S. no.8 (1974):7-8photographs of, N.S. no.8 (1974):6; v.22, no.3 (1992):6

Benson (Nettie Lee) Latin American CollectionAlvarez scrapbooks, v.20, no.3 (1990):13Asociación de Literatura Feminina Hispánica papers, v.20, no.3 (1990):18bibliographies produced by, N.S. no.2 (1970):13"Chronicles of the New World" exhibit, N.S. no.40 (1987):12, 13-15Cortázar's manuscripts, v.20, no.3 (1990):13family history research, v.22, no.3 (1992):85-97Guatemalan political materials, v.22, no.3 (1992):117-31, 119, 120, 123, 124, 127history, v.22, no.3 (1992):11-21Jitrik materials, v.20, no.3 (1990):18Mexican American Library Program archives, v.22, no.3 (1992):133-53Mexican cultural resources, v.22, no.3 (1992):69-83Mexican Treasury Department, N.S. no.4 (1972):7-8, 8Gabriela Mistral's letters and works, v.20, no.3 (1990):18; v.22, no.3 (1992):23-33, 31music holdings, v.22, no.3 (1992):108, 109-15, 112, 113Nahuatl holdings, v.22, no.3 (1992):41-53, 45, 46, 49, 52Magda Portal's materials, v.20, no.3 (1990):14Rayuela manuscript, v.22, no.3 (1992):34, 35-39, 37, 38Alfonso Reyes's works, N.S. no.3 (1971):45-49serials, v.22, no.3 (1992):98, 99-107, 103, 106sixteenth-century maps, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65Victoria Urbano's papers, v.20, no.3 (1990):18

Benton, Walter, v.26, nos.1/2 (1995):175-76, 177Bergman, Ingrid, N.S. no.24 (1983):24Berlin Diary (Shirer), v.26, nos.1/2 (1995):181Bernard, Émile, v.21, nos.1/2 (1991):132Bernard, St., Golden Pistle, v.20, nos.1/2 (1990):cover



Bernhardt, Sarah, N.S. no.6 (1973):74, 75Bernstein, Leonard

photograph of, v.25, no.1 (1994):47vocal score for Candide, v.25, no.1 (1994):49, 50

Bertelli, Ferdinando, v.26, no.3 (1996):33Besant, Sir Walter, N.S. no.35 (1986):76, 77-81Betti (Adolpho) Collection, v.25, no.2 (1994):32Bhuskute, Govinda Krishna, v.27, no.3 (1997):63Bible

"Biblia del Oso," N.S. no.8 (1974):cover, 63Gutenberg Bible, N.S. no.11 (1979):8, 9; N.S. no.22 (1983):88, 89-99, 95; v.20,nos.1/2 (1990):126; v.21, nos.3/4 (1991):205; v.25, no.4 (1995):88Haddaway's collection, N.S. no.8 (1974):82-84Second Coverdale Bible, N.S. no.27 (1984):16

Bibliographical Monographs, N.S. no.1 (1970):11Bibliographies

William B. Todd, v.21, nos.3/4 (1991):187-213British printing and publishing, v.21, nos.3/4 (1991):122-45Latin-American Collection, N.S. no.2 (1970):13Tucker's imprints, v.21, nos.3/4 (1991):150-79, 151, 156, 161, 164, 169, 172, 177

Bibliography and bibliographersbook collecting and, N.S. no.4 (1972):11-15history of, N.S. no.3 (1971):29-44principles and practices, N.S. no.4 (1972):11-22speech by Sir Frank Francis, N.S. no.3 (1971):29-44terminology, N.S. no.4 (1972):12, 20trends, N.S. no.4 (1972):14-22

Bibliotheca Parsoniana. See Parsons CollectionBilis, A., N.S. no.28 (1984):33Binding. See BookbindingBing. See Ping (Beckett)Binney, E.W., N.S. no.19 (1982):68, 69, 70, 71Bird Lives: The High Life and Hard Times of Charlie "Yardbird" Parker (Russell), N.S.nos.25/26 (1984):137, 138, 145-46Bizhan a Manizhah (A Story Taken from the Shahnamah of Firdawsi), v.27, no.3 (1997):158Black Mischief (Waugh), N.S. no.16 (1981):43-61Black Photographers Annual, v.24, nos.3/4 (1994):88Blacks. See African AmericansBlackstone Hotel (Chicago), N.S. no.9 (1978):63Blake, William (1757-1827), v.27, no.3 (1997):57, 58Blake, William (died 1968), N.S. nos.42/43 (1988):170, 171-72Blesh, Rudi, v.24, nos.1/2 (1994):202; v.26, nos.1/2 (1995):212, 213Blind Man (Roché), v.21, nos.1/2 (1991):207Blindman's Ball, v.21, nos.1/2 (1991):208Bloomsbury Group. See also individual members

correspondence in the Hutchinson (Mary) Collection, N.S. no.48 (1989):15-41drawing of, by Dorothy Brett, N.S. no.48 (1989):26

Bodenheim, Maxwell, v.20, no.4 (1991):80Bodoni, Giambattista, v.23, nos.2/3 (1993):59-60Bodoni Collection, v.23, nos.2/3 (1993):59-60Boek der Psalmen, N.S. nos.25/26 (1984):32La Bohémienne endormie (Rousseau), v.21, nos.1/2 (1991):100Boiardo, Matteo Maria, Orlando Innamorato, N.S. no.48 (1989):11-12Bolingbroke, Henry St. John, First Viscount



politics of, v.25, no.3 (1995):10-11portrait of, v.25, no.3 (1995):6Remarks on the History of England, v.25, no.3 (1995):7-29, 9, 19, 27

Bonar, Ave, Otavalo, N.S. no.35 (1986):14-15, 15Boni, Albert, v.26, nos.1/2 (1995):16-17Boni, Charles, v.26, nos.1/2 (1995):16-17Bonifacius VIII, Liber sextus Decretalium, v.20, nos.1/2 (1990):136, 137Bono Serrano, Gaspar

marginal notes on Obras inéditas de Quintana, N.S. no.5 (1972):46, 49-60relationship with Quintana, N.S. no.5 (1972):47-48

Bonython, Kym, N.S. nos.42/43 (1988):180Book collectors. See CollectorsBook design, v.22, no.4 (1992):85-101; v.26, nos.1/2 (1995):51-57Book dust jackets, N.S. no.30 (1985):39-55. See also specific booksBook of Merlyn, v.23, no.4 (1993):108, 110-12Book publishing. See PublishingBookbinding

argument for restoration, N.S. no.17 (1981):46-59conservation of, N.S. nos.44/45 (1989):116, 117-33, 119-20, 123-24, 127-28, 130, 132emblematic tools decorating Hollis volumes, N.S. no.14 (1980):103exhibits, N.S. no.14 (1980):8"hard-board conservation" bindings, N.S. nos.44/45 (1989):117, 121-22, 123, 125and Thomas Hollis, N.S. no.14 (1980):100-104HRHRC holdings generally, N.S. no.17 (1981):46, 47-49Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9"K-118" bindings, N.S. nos.44/45 (1989):116, 122-33, 124, 127-28, 130"limp" bindings, N.S. nos.44/45 (1989):117-21, 120nineteenth-century book bindings, N.S. nos.44/45 (1989):88-91, 89-91"Nuremberg" bindings, N.S. nos.44/45 (1989):121-25, 123-24Sarah Treverbian Prideaux, N.S. no.16 (1981):103-05, 104"rounded and backed" bindings, N.S. nos.44/45 (1989):117-18, 119, 125

Books. See Bookbinding; Booksellers; Cloth-covered case-bound books; Collectors;Publishing; and specific authors and titles of specific books"Books from the Medici Library" (exhibit), N.S. no.11 (1979):8Books of Hours, N.S. no.3 (1971):68-79, 68, 73, 75; N.S. no.35 (1986):89-90, 97, 100-104Booksellers

antiquarian books, N.S. no.4 (1972):41-43Association Book Company, N.S. no.4 (1972):41James F. Drake, Inc., N.S. no.4 (1972):40-43, 40in early twentieth century, v.26, nos.1/2 (1995):19-20rare books, N.S. no.4 (1972):41-43

Bool, A. & J., N.S. no.15 (1981):6-43, 18, 21Boothby, Penelope. See Kitchin, XieBop. See BebopBoris L. Glassé Collection. See Glassé (Boris L.) CollectionBorzoi 1920, v.26, nos.1/2 (1995):216, 217-18Borzoi Quarterly, v.26, nos.1/2 (1995):221, 222-23Bosman, Herman Charles, N.S. no.4 (1972):31-37, 36Bosse, Abraham, v.26, no.3 (1996):24, 25Botany

exhibit, N.S. no.17 (1981):11-13Lundell (C.L.) Collection, N.S. no.6 (1973):10-11

"Botany from Linnaeus to Lamarck" (exhibit), N.S. no.17 (1981):11-13Botteghe Oscure, v.23, nos.2/3 (1993):94-97, 95, 102-04, 103



Bow, Clara, N.S. no.19 (1982):141Bowden, Ann, Tauchnitz International Editions in English 1841-1955, N.S. no.48(1989):12-13; v.21, nos.3/4 (1991):140Bowen, Elizabeth

photographs of, N.S. no.48 (1989):68, 77; v.26, nos.1/2 (1995):161published by Knopf, v.26, nos.1/2 (1995):58, 59-61, 61, 156, 158-62short stories, N.S. no.48 (1989):69-85, 80Vassar College notebook, N.S. no.48 (1989):73-74

Bowles, Janefeminine values, v.25, no.2 (1994):137-38, 160, 163-67, 169health of, v.25, no.2 (1994):151, 168-69HRHRC holdings generally, v.25, no.1 (1994):119-20Out in the World, v.25, no.2 (1994):121-69, 125, 128, 139-40, 153-54photograph of, v.25, no.2 (1994):120production still of In the Summer House, v.25, no.1 (1994):121

Bowles, Paulexhibits, v.20, no.4 (1991):7-8fragment of unfinished novel, N.S. no.30 (1985):67-71manuscript notes, N.S. no.30 (1985):57-65photographs of, N.S. no.30 (1985):56, 61, 66score for Williams's Glass Menagerie, v.26, no.3 (1996):16Sheltering Sky, v.20, no.4 (1991):6

Bowles (Paul and Jane) Collection, v.25, no.2 (1994):121-69Boyd, Arthur, N.S. nos.42/43 (1988):184Boydell Collection, N.S. no.13 (1980):11Boyle, Father Robert, Metaphor in Hopkins, N.S. nos.46/47 (1989):101Brady, Matthew, N.S. no.4 (1972):60, 62, 65Bragdon, Claude, v.26, nos.1/2 (1995):51-52Braisted, William, v.27, no.3 (1997):49-50, 52Brakhage, Stan, N.S. no.17 (1981):84, 85-103, 101Brancusi, Constantin

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):117Fontaine de Narcisse, v.21, nos.1/2 (1991):118photograph of, v.21, nos.1/2 (1991):114

Brando, Marlon, N.S. no.41 (1987):32-33, 34; v.25, no.1 (1994):57, 59Braque, Georges, N.S. no.48 (1989):106; v.21, nos.1/2 (1991):111-13, 112, 113Brave New World (Huxley), N.S. no.1 (1970):42Brazil

Bebop tradition, v.24, nos.1/2 (1994):206gold mining, N.S. no.11 (1979):27-32, 28, 30

Brecht, Bertolt, v.27, nos.1/2 (1996):97-100Breen, Joseph I., N.S. no.24 (1983):31; N.S. no.36 (1986):15Breitkopf and Härtel (music publisher), N.S. nos.25/26 (1984):14-19, 23Breton, André

holograph manuscripts in Lake Collection, N.S. no.16 (1981):16-41photographs of, N.S. no.16 (1981):16, 21, 40; N.S. no.28 (1984):21

Bréviarie Romain (Demotz de la Salle), N.S. nos.25/26 (1984):40Brewster, David

Letters on Natural Magic, v.25, no.3 (1995):35, 40-43Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton, v.25, no.3(1995):30Newtonian philosophy, v.25, no.3 (1995):34-45

Bridal Souvenir, N.S. nos.44/45 (1989):88, 99-102, 100Bride of Abydos (Byron), N.S. no.9 (1978):82-86, 84-85



Bridges, Roberteditor of Gerard Manley Hopkins, N.S. nos.46/47 (1989):41-73, 50Letters of Gerard Manley Hopkins to Robert Bridges, N.S. nos.46/47 (1989):66Spirit of Man: An Anthology in English & French from the Philosophers & Poets,N.S. nos.46/47 (1989):40

Briefe Exposition, Paraphrase, or Interpretation, upon the Lord of Canterburies Sermon orSpeech (Starbucke), v.20, nos.1/2 (1990):95Briggs, Asa, Essays in the History of Publishing, v.21, nos.3/4 (1991):139Brighton (Sitwell), N.S. no.30 (1985):47"Bringing Home the May" (Robinson)

conservation treatment procedures, N.S. nos.44/45 (1989):143-47, 145-46description of, N.S. nos.44/45 (1989):139-41photographs of, N.S. nos.44/45 (1989):137, 142, 145-46

British Journal of Photography Annual, v.24, nos.3/4 (1994):93British Journal Photographic Almanac and Photographer's Daily Companion, v.24, nos.3/4(1994):25, 96British Library, v.21, nos.3/4 (1991):80-93British literature. See also individual authors

Coleridge Collection, N.S. no.1 (1970):33-38eighteenth-century poetry catalog, N.S. no.13 (1980):39-63about India, v.27, no.3 (1997):69-101literary philosophy in the 1930s, v.25, no.3 (1995):77-109Romantic poetry, N.S. no.41 (1987):63-81seventeenth-century English poetry, N.S. no.13 (1980):31-63twentieth-century English fiction published by Knopf, v.26, nos.1/2 (1995):157-65Waugh (Evelyn) Library, N.S. no.1 (1970):25-29

British theater. See Theater artsBritish theatrical management, N.S. no.7 (1974):11-20, 15Broadsides

emblematic broadsides, N.S. no.11 (1979):62-64German broadside, N.S. no.12 (1979):cover

Brooke-Rose, Christine, v.22, no.4 (1992):6, 9-10Brown, Bob, N.S. no.27 (1984):36-37, 38Brown, Joe Harry, v.20, no.3 (1990):76-82, 93Brown, Katharine (Kay)

film rights to Gone With The Wind, N.S. no.24 (1983):25-28letter from Theodore Geisel to, v.25, no.1 (1994):45, 47, 48photograph of, N.S. no.24 (1983):26

Brown, Robert Morgan, N.S. no.48 (1989):8-10Browne, Sir Thomas, Christian Morals, v.21, nos.3/4 (1991):14-39, 17Browning (Robert and Elizabeth Barrett) Collection, v.25, no.2 (1994):21-22Bruhn, Erik, v.20, no.4 (1991):10Bryan (James P.) Collection, N.S. no.5 (1972):10Bryan, Margaret, v.25, no.3 (1995):38, 39Bryan, William Jennings, N.S. nos.42/43 (1988):30Bryher, v.23, no.1 (1993):63-66Bryson, Bernarda, N.S. no.28 (1984):8Buchanan, Francis Hamilton, v.27, no.3 (1997):90-92, 93, 94Buchanan, Robert, v.23, no.1 (1993):38-41Bücking (Wiesel), Luise, v.21, nos.1/2 (1991):162Buffet-Picabia, Gabrielle, v.21, nos.1/2 (1991):20Buffone (The Fool) (Luzzati), v.23, nos.2/3 (1993):coverBullen, G.W., Essays: Social and Political, 1874-76, N.S. nos.46/47 (1989):122Bullock, Wynn, N.S. no.19 (1982):122



Buñuel, Luis, N.S. no.13 (1980):15, 19Burgess, Anthony, This Man and Music, N.S. nos.46/47 (1989):142, 145Burke, Billie, N.S. no.24 (1983):21Burnshaw, Stanley, N.S. nos.42/43 (1988):74-75, 162-72, 173, 177-79Burr-McIntosh Monthly, v.24, nos.3/4 (1994):103Burton, Richard, v.20, no.3 (1990):84Bus Stop (Inge), v.25, no.2 (1994):55-57, 65Busbey, Arthur, N.S. no.5 (1972):6Bush, Norman, v.25, no.1 (1994):113Bustos, Tomas, Selected Poems: A Hopkins Anthology in Oils, N.S. nos.46/47 (1989):181Bute, Earl of, v.20, no.3 (1990):68-69, 71-73, 73Butler, Rhett. See Gable, ClarkButtitta, Anthony J., N.S. no.27 (1984):20-44; v.20, no.4 (1991):83; v.25, no.3 (1995):111-24, 119-20, 125Byington, Stephen, v.21, nos.3/4 (1991):172Bynner, Witter, v.26, nos.1/2 (1995):122-23Byrne, Sam, N.S. nos.42/43 (1988):192, 195-96Byron, George Gordon, Lord

Bride of Abydos, N.S. no.9 (1978):82-86, 84-85Mazeppa, N.S. no.9 (1978):82-86painting of, N.S. nos.44/45 (1989):22portrait of, N.S. no.2 (1970):47Siege of Corinth, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38

Byron (Lord) Collectionconservation of, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38description of, N.S. nos.44/45 (1989):23Siege of Corinth, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38

C ^-top-^

C. Hartley Grattan Collection. See Grattan (C. Hartley) CollectionCaetani, Princess Margaret, v.23, nos.2/3 (1993):94-100, 98, 100, 102, 103Caffin, Charles, N.S. no.19 (1982):104-05, 109Cain, James M., v.26, nos.1/2 (1995):185, 187, 188Calamity Sue, v.20, no.3 (1990):109Calder, Alexander, v.25, no.2 (1994):32Calder, John, N.S. no.28 (1984):111-12Calithump (Perry), N.S. no.2 (1970):64-66, 65Callahan, Harry, Color Portfolio, N.S. no.30 (1985):10Calligraphy. See LetteringCalling cards. See Carte-de-visiteCallot, Jacques, v.23, nos.2/3 (1993):153-54, 155Camera, v.24, nos.3/4 (1994):102, 105-09Camera Craft, v.24, nos.3/4 (1994):112"Camera Obscura" (exhibit), N.S. no.10 (1978):7Camera Work, N.S. no.14 (1980):12; N.S. no.19 (1982):103-23; v.24, nos.3/4 (1994):18,117, 118Cameron, Julia Margaret

catalog of HRHRC holdings, v.26, no.4 (1996):145-95Ceylonese photographs, v.26, no.4 (1996):135-43exhibition of photographs of, v. 25, no.2 (1994):23; v.26, no.4 (1996):7-8illustrations of Tennyson's Idylls of the King, v.26, no.4 (1996):cover, 89-115images of the Orient, v.26, no.4 (1996):117-43photograph of, v.26, no.4 (1996):6



photography by, v. 25, no.2 (1994):24; v.26, no.4 (1996):cover, 12, 25, 27-30, 39-40,46-47, 52, 54-55, 62, 68-69, 73-74, 77-78, 88, 100-101, 103-04, 109-10, 112, 116,122-23, 130, 133-34, 138, 141, 144Lindsay Smith's essay on, v.26, no.4 (1996):13-31and Thackeray Album, v.26, no.4 (1996):32, 33-61visual meditations on the self, v.26, no.4 (1996):63-87

Camões, Os Lusiadas, N.S. no.5 (1972):9Campbell, Marjorie, N.S. nos.42/43 (1988):11, 17-19Campbell, Roy, and Talking Bronco affair, v.25, no.3 (1995):80, 86-87Campbell, Scott, v.26, no.3 (1996):20, 21Camus, Albert, v.26, nos.1/2 (1995):78-87, 84, 87; v.26, no.3 (1996):13-14Candide (Hellman), v.25, no.1 (1994):44-50, 46-49Cano, Melchor, De Locis Theologica, N.S. no.8 (1974):60Canon law, N.S. no.5 (1972):39-42Canterbury Tales (Chaucer), N.S. no.41 (1987):83-111, 92, 97, 98, 101, 104, 107, 110; v.20,nos.1/2 (1990):114, 115Cantique. See Chanson spirituelleCanto 78 (Pound), N.S. no.29 (1984):29-30Cantor, Eddie, N.S. no.22 (1983):9Cantos of Ezra Pound: Some Testimonies (Pound), v.25, no.3 (1995):129, 131Cantos of Ezra Pound, v.20, nos.1/2 (1990):18, 19, 22, 23, 24, 27, 29, 31-34Canzone de li Ucelli, N.S. nos.25/26 (1984):121-27Capell, Edward, Prolusions; or Select Pieces of antient Poetry, v.20, nos.1/2 (1990):150Capitan Spaventa, v.23, nos.2/3 (1993):146Capote, Truman, My Sister's Hand in Mine: The Collected Works of Jane Bowles, v.25, no.2(1994):121-52Carco, Francis, N.S. no.27 (1984):57Cardigan Manuscript (Canterbury Tales), N.S. no.41 (1987):83-111, 92, 97, 98, 101, 104,107, 110; v.20, nos.1/2 (1990):114Caricatures

of Adolphe, N.S. no.17 (1981):71of Altaroche, N.S. no.17 (1981):67of Caruso, v.23, nos.2/3 (1993):159of Champfleury, N.S. no.17 (1981):73of Clairville, N.S. no.17 (1981):68of Janin, N.S. no.17 (1981):65of Nabokov, N.S. no.17 (1981):76by Nadar, N.S. no.17 (1981):60, 61-75, 65, 67-68, 71, 73of Varèse, v.23, no.4 (1993):29of Waugh's brother, N.S. no.7 (1974):54

Carjat, Étienne, N.S. no.14 (1980):35, 43, 45Carlo Coccioli Collection. See Coccioli (Carlo) CollectionCarlos Villalongín Dramatic Company Archives. See Villalongín (Carlos) DramaticCompany ArchivesCarlton Lake Collection. See Lake (Carlton) CollectionCarlyle, Thomas, N.S. no.17 (1981):54Les Carnets (Roché), v.21, nos.1/2 (1991):216-23Carpenter, Meta, v.20, no.4 (1991):30-32, 32Carpentier, Alejo, N.S. no.22 (1983):40-43; v.26, nos.1/2 (1995):104, 105Carrington, Dora, N.S. no.48 (1989):25, 27, 40-41Carroll, Lewis

Alice's Adventures in Wonderland, N.S. no.2 (1970):38-45; N.S. nos.32/33 (1985):23-87correspondence, N.S. nos.32/33 (1985):178-83



drawings by, N.S. nos.32/33 (1985):177-78etching of, N.S. nos.32/33 (1985):8exhibit, N.S. no.34 (1986):14-15HRHRC holdings, N.S. nos.32/33 (1985):7-233manuscripts by, N.S. nos.32/33 (1985):174-83mathematical and miscellaneous writings by, N.S. nos.32/33 (1985):101-63mnemonic system, N.S. no.11 (1979):77-88, 82, 87periodical publications, N.S. nos.32/33 (1985):165-72photographs of, N.S. no.2 (1970):38; N.S. nos.32/33 (1985):cover, 6, 184photography by, N.S. nos.32/33 (1985):cover, 185-213, 189, 192, 197, 198, 208; v.26,no.4 (1996):20-26, 22, 24self-portrait of, N.S. no.2 (1970):39Sewell Collection, N.S. no.30 (1985):9Through the Looking Glass, N.S. nos.32/33 (1985):89-99Weaver as collector of, N.S. nos.32/33 (1985):9-15Weaver (Warren) Collection, N.S. no.30 (1985):9

Carte-de-visite, N.S. no.4 (1972):60, 61-65Carter, Frederick

Dragon of Revelation, N.S. no.34 (1986):38-51etchings by, N.S. no.34 (1986):38, 44letters from D.H. Lawrence, N.S. no.34 (1986):38-51occult and, N.S. no.34 (1986):40-46sketches by, N.S. no.34 (1986):41, 49, 50

Carter (John) Catullus Collection, N.S. no.10 (1978):14Cartography

Mesoamerica, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65Ortelius's Theatrum Orbis Terrarum, v.23, no.4 (1993):130, 131-43, 134, 137Renaissance, v.23, no.4 (1993):130, 131-43, 133, 134, 137, 140, 141sixteenth century, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65

Caruso, Enrico, v.23, nos.2/3 (1993):159Carvel Collins Faulkner Collection. See Collins (Carvel) Faulkner CollectionCaryl, Joan, Portrait of Hopkins, N.S. nos.46/47 (1989):6Casa del Libro, N.S. no.48 (1989):44, 45, 46-47Casals, Pablo, N.S. no.48 (1989):102Case of Mr. Crump (Lewisohn), v.20, no.4 (1991):99-135, 112Cash, W. J., v.26, nos.1/2 (1995):242-44, 243Cask of Jerepigo (Bosman), N.S. no.4 (1972):34Castañeda, Carlos, v.22, no.3 (1992):138Castillejo, Cristobal de, N.S. no.8 (1974):67Castro, Juan José, correspondence, v.22, no.4 (1992):18Catalogs

"Architectural Views of Old London," N.S. no.15 (1981):6-48Samuel Beckett, N.S. no.28 (1984):5-187Cameron's photographs, v.26, no.4 (1996):145-95Lewis Carroll, N.S. nos.32/33 (1985):7-233"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers," v.26, nos.1/2(1995):7-264Cortot Collection, N.S. nos.25/26 (1984):43-49eighteenth-century poetry, N.S. no.13 (1980):39-63Gill (Eric) Collection, N.S. no.18 (1982):8-193Gone With The Wind exhibit, N.S. no.24 (1983):8-121"Hopkins Lives" exhibit, N.S. nos.46/47 (1989):cover, 7-185Italian Collections Across the Centuries, v.23, nos.2/3 (1993):1-182Henri-Pierre Roché, v.21, nos.1/2 (1991):9-223



"Shouting in the Evening" [British theater in twentieth century], v.26, no.4 (1996):9-212Henry C. Trost drawings, N.S. no.16 (1981):93-102Twentieth-Century American Playwrights: Views of a Changing Culture, v.25, no.1(1994):7-114Weaver (Warren) Collection, N.S. nos.32/33 (1985):7-233Zukofsky (Louis) Manuscript Collection (supplement), N.S. nos.38/39 (1987):106-81

Cathay, N.S. no.23 (1983):54-56, 57Cather, Willa, v.26, nos.1/2 (1995):128, 129-31Catholic Church, and censorship, N.S. no.6 (1973):36-37Catullus Collection, N.S. no.2 (1970):7-9, 8Caxton, William, v.21, nos.3/4 (1991):114-15, 115Cecilia, St., N.S. nos.25/26 (1984):42Céline

Guignol's Band, N.S. no.9 (1978):68-71Pont de Londres, N.S. no.9 (1978):68-71

Cellulose nitrate film, N.S. no.19 (1982):166, 167-78, 169-70, 172-73, 176-77Cempoala map, v.22, no.3 (1992):coverCensorship

in British theater, v.27, nos.1/2 (1996):149-50Catholic Church and, N.S. no.6 (1973):36-37censors' marks on manuscript, N.S. no.6 (1973):24of Chinese fiction, v.27, no.3 (1997):42in eighteenth-century France, N.S. no.6 (1973):24, 25-41Gone With The Wind film, N.S. no.36 (1986):16-31Joyce's Ulysses, N.S. nos.20/21 (1982):91-105, 98public libraries, v.25, no.4 (1995):75-79publishing, v.25, no.4 (1995):75-79school libraries, v.25, no.4 (1995):75-79Selznick International Pictures, N.S. no.36 (1986):11-31Waugh's Black Mischief, N.S. no.16 (1981):43-61

Centeno, Juan, N.S. no.13 (1980):12Center for American History. See Barker Texas History CenterCentury Magazine, N.S. no.17 (1981):15-29Cerf, Bennett, N.S. nos.20/21 (1982):91-105; v.26, nos.1/2 (1995):261-64Cervantes Saavedra, Miguel de, v.25, no.4 (1995):123Cevat, Ahmet, N.S. nos.32/33 (1985):83Chagall, Marc, N.S. nos.38/39 (1987):11-13Chamber (Grisham), v.25, no.4 (1995):103Champfleury, N.S. no.17 (1981):73, 74Chan, Sucheng, Hmong Means Free: Life in Laos and America, v.25, no.4 (1995):74Chandler, Joan, N.S. no.5 (1972):6Chandler, Raymond, v.26, nos.1/2 (1995):189-90Chanson de Roland (Turoldus), v.23, nos.2/3 (1993):37Chanson d'Ève (Fauré), N.S. nos.25/26 (1984):51-54, 53, 54Chanson spirituelle, N.S. nos.25/26 (1984):32-35Chapin, Marguerite. See Caetani, Princess MargaretChaplin, Charlie, N.S. no.22 (1983):9Chappell, Lydia, v.26, nos.1/2 (1995):50Chappell, Warren, v.26, nos.1/2 (1995):50, 56-57Charlemagne, v.23, nos.2/3 (1993):35, 37Charles V, Holy Roman Emperor, N.S. no.13 (1980):82-89, 82Charlton, George, v.23, no.1 (1993):coverChaucer, Geoffrey



Canterbury Tales, N.S. no.41 (1987):83-111; v.20, nos.1/2 (1990):114, 115portrait of, N.S. no.41 (1987):82

Chernyshevsky, N.G., What Is To Be Done?, v.21, nos.3/4 (1991):161Cheynell, Francis, Chillingworthi Novissima, v.20, nos.1/2 (1990):104, 105Chi non sa impari (Florimi), v.23, nos.2/3 (1993):142Child, Julia, v.26, nos.1/2 (1995):193-94Children's Hour (Hellman), v.25, no.1 (1994):39-44, 43Childs, Mary Arnold Crocker. See Lewisohn, MaryChile

census documents, v.22, no.3 (1992):89historical documents, v.22, no.3 (1992):85-97, 89, 92, 95literature, v.22, no.3 (1992):84, 85-97poetry, v.22, no.3 (1992):23-33, 26, 31

Chillingworthi Novissima (Cheynell), v.20, nos.1/2 (1990):104, 105Chinese fiction, v.27, no.3 (1997):39-47Chitrangada, (Tagore), v.27, no.3 (1997):25Christ Church, Oxford, N.S. no.34 (1986):18, 19Christian imagery. See Religious imageryChristian Morals (Browne), v.21, nos.3/4 (1991):14-39, 17Christian View of the Ephemeral Nature of All Worldly Things (Fleischberger), v.26, no.3(1996):28, 30Chromolithographs exhibit, N.S. no.13 (1980):7"Chronicles" (Froissart)

bookplates on, N.S. no.22 (1983):58illustrations from, N.S. no.22 (1983):cover, 55, 63owned by Edward Alexander Parsons, N.S. no.22 (1983):54-56, 58owned by John Barrymore, N.S. no.22 (1983):54-59, 58ownership history of HRHRC copy, N.S. no.22 (1983):51-65photograph of, N.S. nos.44/45 (1989):116

"Chronicles of the New World" (exhibit), N.S. no.40 (1987):12, 13-15Church, Richard, N.S. no.28 (1984):43Church music. See Sacred vocal musicChurch of England. See Anglican SisterhoodsChurchill, Caryl, v.27, nos.1/2 (1996):151-52Cicero, M. T. Ci. De Oratore ad Quintum Fratrem Libri I, v.23, nos.2/3 (1993):18"Cine Cubano: Posters from the Cuban Institute of Art and Film" (exhibit), N.S. no.19(1982):11, 13Cinema. See Films; and names of specific filmsCinq livres (Rabelais), N.S. nos.20/21 (1982):159-70, 169Ciol, Elio, N.S. no.35 (1986):13Circus

Cocteau's concept of "Theater as Circus," v.23, no.4 (1993):46-47, 54-57posters, N.S. no.12 (1979):92, 93-101, 98, 100

Circus Collection, N.S. no.2 (1970):10Cities exhibit, N.S. no.35 (1986):18-19Clairville, N.S. no.17 (1981):68Clavier Sonaten mit Obligater Violine (Bach), N.S. nos.25/26 (1984):17Clemens, Olivia Susan ("Susy"), N.S. no.27 (1984):94, 95-103, 101Clemens, Samuel L.

daughter of, N.S. no.27 (1984):94, 95-103, 101editing of Romance of a Pro-Consul, N.S. no.11 (1979):19, 20letter, v.22, no.4 (1992):8"Murder, a Mystery, and a Marriage," N.S. no.37 (1986):55-75, 62, 73personal library of, N.S. no.27 (1984):93-103



photographs of, N.S. no.27 (1984):101; N.S. no.37 (1986):54portrait of, N.S. no.7 (1974):27-29, 28Shakespeare set and, N.S. no.27 (1984):95-103

Clemens, Susy. See Clemens, Olivia Susan ("Susy")Clement, Caroline, N.S. no.40 (1987):71, 82, 83Cline, C.L., N.S. no.7 (1974):37-41; N.S. no.10 (1978):6-7La Closerie des Lilas (Montparnasse), v.21, nos.1/2 (1991):29Cloth-covered case-bound books

Amulet, N.S. nos.44/45 (1989):88, 101-02, 103Banks, Banking, and Paper Currencies (Hildreth), N.S. nos.44/45 (1989):87-88, 93,94, 102bindings, N.S. nos.44/45 (1989):88-91, 89-91Bridal Souvenir, N.S. nos.44/45 (1989):88, 99-102, 100conservation of, N.S. nos.44/45 (1989):86, 87-103, 89-91, 94, 97, 100, 103London Labour and the London Poor (Mayhew), N.S. nos.44/45 (1989):88, 96-99, 97,102Poetical and Prose Works of Oliver Goldsmith, N.S. nos.44/45 (1989):86, 88, 95-96,102

Cloud, Random, v.20, nos.1/2 (1990):62Clune, Frank, Try Anything Once, N.S. nos.42/43 (1988):47Cobbe, Thomas, N.S. no.11 (1979):65-76, 68, 70, 73Cobden-Sanderson, Thomas James, N.S. no.7 (1974):30-35; N.S. no.17 (1981):46, 50Cobos, Ben, N.S. no.19 (1982):164, 164Coccioli, Carlo, v.20, no.4 (1991):12; v.23, nos.2/3 (1993):119-24, 120, 123; v.26, no.3(1996):12, 13Coccioli (Carlo) Collection, v.23, nos.2/3 (1993):119-24Cocteau, Jean

correspondence on A Midsummer Night's Dream, v.23, no.4 (1993):50-51, 53, 56correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):120-23, 122cubism, v.23, no.4 (1993):83-84, 93-94description of Le Piquey, N.S. no.12 (1979):11-13drawing of Georges Auric, v.21, nos.1/2 (1991):54drawing of Picasso, v.21, nos.1/2 (1991):41drawing of Valentine Hugo, v.21, nos.1/2 (1991):59graphic arts, N.S. no.41 (1987):41-61, 46, 49, 54, 59, 60Head of a Man and Head of a Woman, v.23, no.4 (1993):98, 100, 101, 102Head of a Woman, v.23, no.4 (1993):93-94, 96, 102ideas about art, v.23, no.4 (1993):89-90, 94, 104-05influenced by Pablo Picasso, N.S. no.41 (1987):42, 45Mais oui mais oui...Picasso, v.23, no.4 (1993):70-105Mystères des chambres vides, N.S. no.41 (1987):41-61, 43Orphée, N.S. no.41 (1987):48-57photograph of, N.S. no.41 (1987):40portraits of, N.S. no.12 (1979):10, 11-20; v.23, no.4 (1993):85production of A Midsummer Night's Dream, v.23, no.4 (1993):43-77relationship with Picasso, v.23, no.4 (1993):79-80, 83-84, 89Rien ne trouble les Mortimer, v.23, no.4 (1993):95self-portrait of, v.21, nos.1/2 (1991):119Sketch of Rimbaud in Bed, Ill, N.S. no.9 (1978):38"Theater as Circus" concept, v.23, no.4 (1993):46-47, 54-57

Codex Ashburneri, N.S. no.2 (1970):7, 8Cohen, Barry, N.S. no.5 (1972):6Colbert, Claudette, N.S. no.24 (1983):108; N.S. no.35 (1986):38; v.26, no.3 (1996):85, 89-90, 96, 105



Cold Stone Jug (Bosman), N.S. no.4 (1972):32Coleman, Earl, N.S. nos.25/26 (1984):136; v.24, nos.1/2 (1994):23Coleridge, Hartley, N.S. no.1 (1970):32, 33-38Coleridge, Samuel Taylor, N.S. no.23 (1983):16, 17, 33, 35Coleridge, Sara

contributions to Coleridge scholarship, N.S. no.23 (1983):16, 21, 33-35correspondence with Edward Quillinan, v.23, no.1 (1993):20-22, 21"Essay on Beauty" excerpts, N.S. no.23 (1983):20, 26Greta Hall drawing, N.S. no.23 (1983):23inscriptions in her commonplace book, N.S. no.23 (1983):28-31, 30letters to Derwent Coleridge, N.S. no.23 (1983):22-24, 26-27letters to Henry Nelson Coleridge, N.S. no.23 (1983):27opium addiction, N.S. no.23 (1983):23-25, 31-33"Poppies," N.S. no.23 (1983):32-33portrait of, N.S. no.23 (1983):14

Coleridge Collection, N.S. no.1 (1970):33-38Collaert, Hans, v.26, no.3 (1996):cover, 27Collected Poems (Stevens), v.26, nos.1/2 (1995):124Collections. See names of specific collectionsCollectors

Austin collectors, N.S. no.34 (1986):9-11authors' libraries, N.S. no.34 (1986):7-9James E. Bauerle, N.S. no.9 (1978):59-60, 60Richard de Bury, N.S. no.5 (1972):15-16, 23-24, 28Everett L. DeGolyer, Jr., N.S. no.2 (1970):90-92, 90James F. Drake, Inc., N.S. no.4 (1972):40-43, 40William B. Ferguson III, N.S. no.1 (1970):51Jenkins Garrett, N.S. no.4 (1972):72-74, 72Grattan as collector of Australian literature, N.S. nos.42/43 (1988):39-49George P. Isbell, N.S. no.5 (1972):82, 83-84Nina W. Matheson as collector of Nabokov, N.S. no.17 (1981):76-83Trueman E. O'Quinn, N.S. no.3 (1971):88-90, 88John Peace, N.S. no.6 (1973):106-07Harry Huntt Ransom, N.S. no.10 (1978):10, 11-12Peter J. Rempe, N.S. no.11 (1979):97-99, 98Byron and Susan Sewell, N.S. no.14 (1980):105-09Robert L.B. Tobin, N.S. no.12 (1979):102, 103-05Warren Weaver, N.S. no.2 (1970):38-45Warren Weaver as collector of Lewis Carroll, N.S. nos.32/33 (1985):9-15Sam Whitten, N.S. no.16 (1981):107-09, 106

"Collectors' Choice" (exhibit), N.S. no.34 (1986):9-11College of Fellows of the American Theatre, v.26, no.3 (1996):15Colles, William Morris, N.S. no.35 (1986):60-87, 85Collins, Carvel, v.20, no.4 (1991):16, 17-35, 23Collins (Carvel) Faulkner Collection, v.20, no.4 (1991):16-35, 16, 23, 26, 31, 32, 33Collins, Wilkie

No Thoroughfare, N.S. no.37 (1986):38, 39-53, 49, 52photograph of, N.S. no.37 (1986):44

Colman, Ronald, N.S. no.22 (1983):9Colonna, Francesco, Hypnerotomachia Poliphili, v.23, nos.2/3 (1993):25-27, 26Color Portfolio (Callahan), N.S. no.30 (1985):10Columbus, Christopher, v.23, nos.2/3 (1993):68Columbus, Ferdinand, N.S. no.7 (1974):69-70Come Back Little Sheba (Inge), v.25, no.2 (1994):55-63



Comédie. See Play (Beckett)Coming of the Fairies (Gardner), N.S. no.8 (1974):31Commedia dell'arte, v.23, nos.2/3 (1993):153-54, 155Comment C'est. See How It Is (Beckett)Commonplace books

by D.M. Craik, v.23, no.1 (1993):12-17Killigrew as compiler, N.S. no.13 (1980):31-38sample pages, N.S. no.13 (1980):34, 36

Compañero (Vigil), v.22, no.3 (1992):84"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers" (exhibit), v.26, nos.1/2(1995):7-264Complete Book of Trades (Whittock), v.21, nos.3/4 (1991):cover, 94Concordia Discordantium Canonum. See DecretumConferences and symposia

Bebop Revolution in Words and Music, v.24, nos.1/2 (1994):7-225Beckett Translating/Translating Beckett, N.S. no.27 (1984):9Harry Ransom Conference on New Directions in Textual Studies, v.20, nos.1/2(1990):6-183Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9Leopard, N.S. no.37 (1986):10-12, 11Sources for Reinterpretation -- The Use of Nineteenth-Century Literary Documents,N.S. no.10 (1978):6-7State and Fate of Publishing: A Flair Symposium, v.25, no.4 (1995):1-131

Connolloy, Cyril, N.S. no.1 (1970):39-47Conrad, Joseph

influence on works of James Joyce, N.S. nos.20/21 (1982):145-57and Knopf, v.26, nos.1/2 (1995):23-26, 27letters to Norman Douglas, N.S. no.3 (1971):52-57photograph of, N.S. no.3 (1971):52portrait of, N.S. no.5 (1972):30, 31

Conscience of the University and Other Essays (Ransom), N.S. no.22 (1983):13; N.S. no.30(1985):12Conservation

albumen prints, N.S. nos.44/45 (1989):135-47, 137, 142, 145-46Byron (Lord) Collection, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38cellulose nitrate photographs, N.S. no.19 (1982):167-78cloth-covered case-bound books, N.S. nos.44/45 (1989):87-103, 89-91, 94, 100, 103duplication of photographs, N.S. no.19 (1982):174-75ethical issues, N.S. nos.44/45 (1989):26-27, 31, 39, 42, 44, 55, 87, 92-93, 95, 98exhibit, N.S. no.27 (1984):12Faulkner (William) Collection, N.S. nos.44/45 (1989):cover, 56, 57-77, 61, 64, 67-68,71-72, 75-76Gone With The Wind storyboard, N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14housing, N.S. nos.44/45 (1989):148, 149-55, 153-54Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9internships, N.S. nos.44/45 (1989):78, 79-85, 83-84"K-118" binding structure, N.S. nos.44/45 (1989):116, 117-33, 124, 127-28, 130Lawrence (D. H.) Collection, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54motion picture film, N.S. no.19 (1982):172-74painting conservation, N.S. nos.44/45 (1989):79-85, 83-84photography collections, N.S. no.19 (1982):167-72

Conservation Departmentexhibition policy, N.S. nos.44/45 (1989):12history of, N.S. nos.44/45 (1989):8-19, 13, 18



internships, N.S. nos.44/45 (1989):17new facilities, N.S. no.22 (1983):14, 15programs and seminars, N.S. nos.44/45 (1989):15-16staffing, N.S. nos.44/45 (1989):10-11, 18-19

Conservation treatment proceduresalkalinization, N.S. nos.44/45 (1989):70ammonium hydroxide baths, N.S. nos.44/45 (1989):69-70, 72aqueous treatment, N.S. nos.44/45 (1989):66, 68-69, 68bound manuscripts, N.S. nos.44/45 (1989):22, 23-55, 25-26, 29-30, 33, 38, 40, 43, 46,51-52, 54encapsulation, N.S. nos.44/45 (1989):74, 76ethyl alcohol treatment, N.S. nos.44/45 (1989):69, 71ink analysis, N.S. nos.44/45 (1989):32, 47Klucel G treatment, N.S. nos.44/45 (1989):63, 70lining, N.S. nos.44/45 (1989):73-74, 75paintings survey method, N.S. nos.44/45 (1989):79-80paper, analysis of, N.S. nos.44/45 (1989):28, 34-37, 44-47, 46reversibility, N.S. nos.44/45 (1989):65-66, 96, 98, 101, 103

Contempoadvertisement in, N.S. no.27 (1984):32authors published in, N.S. no.27 (1984):19-45contributors, v.25, no.3 (1995):111, 114-24, 119-20, 125, 131covers, v.20, no.4 (1991):88; v.25, no.3 (1995):119demise of journal, v.20, no.4 (1991):85-86Faulkner and, N.S. no.27 (1984):31, 33-34front pages, N.S. no.27 (1984):18, 38journal, v.20, no.4 (1991):81-82management of, v.25, no.3 (1995):111-12, 115-17, 122-24masthead, v.25, no.3 (1995):120Pound and, v.25, no.3 (1995):111-24, 119-20, 127-31sample page, v.20, no.4 (1991):68

Contempo Collection, N.S. no.27 (1984):19-45"Contemporary Czechoslovakian Photography" (exhibit), v.23, no.4 (1993):23-25, 23, 24Contemporary Texas: A Photographic Portrait, N.S. no.35 (1986):14, 16Controversial books, v.25, no.4 (1995):74, 75-79, 78Convents, Anglican. See Anglican SisterhoodsConversion (Marca-Relli), N.S. nos.44/45 (1989):81-82, 83-84Conway, Gordon, v.22, no.4 (1992):23Cook, Morris, N.S. no.7 (1974):102-03, 103Cookbooks, v.26, nos.1/2 (1995):193-201Cooper, Merian C., N.S. no.36 (1986):61Copernicus, Nicolai, N.S. no.12 (1979):65-66; v.25, no.4 (1995):112Coriolanus (Shakespeare), N.S. no.11 (1979):70Corke, Helen, N.S. no.34 (1986):33Corman, Cid, v.22, nos.1/2 (1992):59Cornhill Magazine, N.S. no.30 (1985):83-112, 108Cornwell, David. See Le Carré, JohnCorpus Juris Canonici, N.S. no.5 (1972):41. See also DecretumCortázar, Julio

manuscripts in Benson Latin American Collection, N.S. no.27 (1984):14; v.20, no.3(1990):13-15Rayuela, v.22, no.3 (1992):15, 34, 35-39, 37, 38

Cortázar (Julio) Collection, N.S. no.27 (1984):13-15, 14Cortés, Hernando, N.S. no.13 (1980):82-89, 82



Cortot, Alfred, N.S. nos.25/26 (1984):24Cortot (Alfred) Collection

catalog, N.S. nos.25/26 (1984):43-49sacred vocal music in, N.S. nos.25/26 (1984):25-49

Corvo, Baron, N.S. no.13 (1980):9Cosgrove, Jack, N.S. no.24 (1983):57-58Costume design

Chout by Emanuele Luzzati, v.23, nos.2/3 (1993):167-68Crane (William) Collection, v.23, no.4 (1993):17, 18exhibit, N.S. no.17 (1981):9-10Gone With The Wind, N.S. no.24 (1983):62-68; N.S. no.36 (1986):32, 33-55, 36, 37,39, 42, 43, 46, 50, 53La Scala production by Luigi Bartezago, v.23, nos.2/3 (1993):160Midsummer Night's Dream, v.23, no.4 (1993):48, 58, 59-63Nave by Norman Bel Geddes, v.23, nos.2/3 (1993):164-65, 166in Russian theater, N.S. no.10 (1978):41-43, 42

Cotten, Joseph, N.S. no.36 (1986):92, 104, 107, 109, 110, 112; v.26, no.3 (1996):89-90Country Journal: or, The Craftsman

front pages, v.25, no.3 (1995):9, 19, 27legal battles, v.25, no.3 (1995):18, 21Remarks on the History of England published in, v.25, no.3 (1995):7-29, 9, 19, 27

Covici (Pascal) Collection, N.S. no.3 (1971):80-81, 80Cowdell, Harry, N.S. no.30 (1985):50-55, 52, 54Craftsman. See Country Journal: or, The CraftsmanCraig, Edward Gordon, N.S. nos.38/39 (1987):15Craik, Dinah Mulock, v.23, no.1 (1993):12-17Crain (W.H.) Collection, N.S. no.40 (1987):10; v.23, no.4 (1993):16-19, 18; v.25, no.1(1994):120-21; v.25, no.2 (1994):19Crandon, Mina Stinson, N.S. no.8 (1974):25Crane, Hart, N.S. no.27 (1984):37, 39-40Cranfill Collection, N.S. no.9 (1978):9Creeley, Robert

friendship with Stan Brakhage, N.S. no.17 (1981):85-103photograph of, N.S. no.17 (1981):86poem samples, N.S. no.17 (1981):85-103, 99

Crevel, René, N.S. no.16 (1981):21; N.S. no.28 (1984):21Crichton, Michael, Jurassic Park, v.25, no.4 (1995):67Cristo si è fermato a Eboli (Levi), v.23, nos.2/3 (1993):108, 109-12, 111Critical Perspectives on Amos Tutuola, v.27, no.3 (1997):111Critique of Modern Textual Criticism (McGann), v.27, no.3 (1997):107Crome Yellow (Huxley), N.S. no.1 (1970):42Cromos, v.22, no.3 (1992):103Cronica van der hilliger stat van Coellen, v.21, nos.3/4 (1991):63Cronje, General, N.S. no.4 (1972):33Cronyn, Hume, N.S. no.28 (1984):103, 109Crowley, Pat, v.25, no.2 (1994):49Cruel Sea (Monsarrat), v.26, nos.1/2 (1995):180Crum, Margaret, First Line Index to Manuscript Poetry in the Bodleian Library before 1800,N.S. no.5 (1972):17Crump, Anne. See Lewisohn, MaryCry, the Peacock (Desai), v.25, no.4 (1995):96Cuban film posters exhibit, N.S. no.19 (1982):11, 13Cubism, N.S. no.12 (1979):16-18Cukor, George



director of Gone With The Wind, N.S. no.24 (1983):12, 75exhibit of film memorabilia of, N.S. no.13 (1980):10photograph of, N.S. no.24 (1983):74

Culture, future of, v.25, no.4 (1995):17-23cummings, e. e., N.S. no.34 (1986):7-8Cunard, Nancy

correspondence with Samuel Beckett, N.S. no.28 (1984):6, 93, 97-98photographs of, N.S. nos.20/21 (1982):82, 88; N.S. no.28 (1984):14; N.S. no.29(1984):16reminiscence of James Joyce, N.S. nos.20/21 (1982):80-89

Cunard (Nancy) CollectionAuden's "Spain" and, v.25, no.3 (1995):82, 83-84marquette of questionnaire, v.25, no.3 (1995):82

Cycling, v.24, nos.3/4 (1994):133Czechoslovakian photography exhibit, v.23, no.4 (1993):23-25, 23

D

D.H. Lawrence Collection. See Lawrence (D.H.) CollectionDacey, Philip, Gerard Manley Hopkins Meets Walt Whitman in Heaven and Other Poems,N.S. nos.46/47 (1989):159Dafne (Rinuccini), N.S. no.2 (1970):10, 11Dahl, Roald, v.26, nos.1/2 (1995):163Dahlberg, Edward, N.S. no.14 (1980):47-65, 51, 61Dahlberg (Edward) Collection, N.S. no.8 (1974):85-88Daily Telegraph, N.S. no.9 (1978):21-26Dali, Salvador, N.S. no.13 (1980):20; N.S. no.28 (1984):21Dana, Charles Anderson, Proudhon and His "Bank of the People", v.21, nos.3/4 (1991):169Dance

ballet, N.S. no.19 (1982):12; N.S. no.48 (1989):8; v.20, no.4 (1991):10, 10choreographer Mary Wigman, v.23, no.4 (1993):16history, N.S. no.8 (1974):11-21

Dancer, Elizabeth Eleanor, N.S. no.19 (1982):76, 76, 77Dancer, John Benjamin

photographic techniques, N.S. no.19 (1982):53-58photographs of, N.S. no.19 (1982):52, 61, 69photographs of children, N.S. no.19 (1982):72, 74photographs of wife, N.S. no.19 (1982):72, 74photography by, N.S. no.19 (1982):58-77, 61, 63-64, 66-67, 69-70, 72, 74-76

Dancer (John Benjamin) Collection, N.S. no.19 (1982):53-77Dancer, Mrs. John Benjamin, N.S. no.19 (1982):71, 72, 74, 76Daniel, Arnaut, N.S. nos.25/26 (1984):125-27Daniell, Thomas, v.27, no.3 (1997):71, 74, 75Daniell, William, v.27, no.3 (1997):71, 74, 75Daniels, William, v.20, no.3 (1990):92Danielson, Jacques, N.S. no.35 (1986):23D'Annunzio, Gabriele. See Alighieri, DanteDante. See Alighieri, DanteDante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la suaCommedia (Alighieri), v.23, nos.2/3 (1993):46Dante's Dream at the Time of the Death of Beatrice (Rossetti), v.23, nos.2/3 (1993):150-52Daragnès, Jean-Gabriel, N.S. no.27 (1984):47-59, 57Dark at the Top of the Stairs (Inge), v.25, no.2 (1994):38, 39, 54, 61Darling, Malcolm and Josie



Forster on being their son's godfather, N.S. no.23 (1983):63-73letters from Forster, N.S. no.23 (1983):64-71, 67"Liking Being Alive," N.S. no.23 (1983):75-79

"Darwinism in Texas" (exhibit), N.S. no.5 (1972):12Das, Sisir Kumar, v.27, no.3 (1997):33-34Daum, Raymond, N.S. no.23 (1983):12David Jackson McWilliams Collection. See McWilliams (David Jackson) CollectionDavid O. Selznick Archive. See Selznick (David O.) ArchiveDavis (Albert) Collection, N.S. no.4 (1972):23-30Davis, Bette, v.25, no.2 (1994):76Davis, Donald, N.S. no.28 (1984):110Davis, J. Frank, v.25, no.1 (1994):121-23, 122Davis, Miles

Donna Lee, v.24, nos.1/2 (1994):161-201photographs of, v.24, nos.1/2 (1994):160, 167

Dawn, Norman O.bird of paradise sketch, v.20, no.3 (1990):coverCalamity Sue, v.20, no.3 (1990):109cinematic special effects collection, v.20, no.3 (1990):97-118, 99, 102, 105-06, 109-10, 113, 114Drifter, v.20, no.3 (1990):108For the Term of His Natural Life, v.20, no.3 (1990):112-15, 113, 114Great Barrier Reef, v.20, no.3 (1990):104life and activity, v.20, no.3 (1990):98-118list of movies, v.20, no.3 (1990):117-21Men of the West, v.20, no.3 (1990):107Missions of California, v.20, no.3 (1990):103-04photographs of, v.20, no.3 (1990):96, 110, 117Story of the Andes, v.20, no.3 (1990):104, 105-06, 107Tundra, v.20, no.3 (1990):116Two Men of Tinted Butte, v.20, no.3 (1990):108

Day, Clarence, v.26, nos.1/2 (1995):178, 179Day Lewis, C., v.25, no.3 (1995):78-80, 81, 83De Barbari, Jacopo, v.23, nos.2/3 (1993):138De Beauvoir, Simone

photograph of, v.22, no.4 (1992):105Second Sex, v.22, no.4 (1992):103-21

De Bello Catilinae (Sallust), N.S. no.27 (1984):15-16De Bello Jurgunthinum (Sallust), N.S. no.27 (1984):15-16De Bury, Richard

collecting habits, N.S. no.5 (1972):15-16, 28Philobiblon, N.S. no.5 (1972):15, 23-24, 28

De Havilland, Olivia, N.S. no.24 (1983):104-05De la Roche, Esmée, N.S. no.40 (1987):83De la Roche, Mazo

Caroline Clement and, N.S. no.40 (1987):82correspondence with Edward Weeks, N.S. no.40 (1987):67-87Jalna Series, N.S. no.40 (1987):67-70, 73-77, 79-81, 85-87photographs of, N.S. no.40 (1987):66, 71, 76, 84

De la Roche, René, N.S. no.40 (1987):83De Locis Theologica (Cano), N.S. no.8 (1974):60De Mille, Cecil B., N.S. no.30 (1985):6De Revolutionibus orbium coelestium, Libri VI (Copernicus), v.25, no.4 (1995):112De Voto, Bernard, v.24, nos.1/2 (1994):50



De Witt, Rita, v.23, no.4 (1993):21Death, and rhetoric of "knowledge," v.26, no.3 (1996):23-51Death of a Salesman (Miller), v.25, no.1 (1994):84-96, 85, 87, 90Deaths and Entrances (Thomas), N.S. no.1 (1970):41Debussy, Claude

correspondence and friendship with Messager, N.S. nos.25/26 (1984):69, 81-84etching, N.S. nos.25/26 (1984):68mélodies, N.S. nos.25/26 (1984):70, 71, 75-76photograph of, N.S. nos.25/26 (1984):87text setting, N.S. nos.25/26 (1984):70-81Trois Ballades de François Villon, N.S. nos.25/26 (1984):69-99

Decorative arts and topography, N.S. no.1 (1970):28-29Decretum, N.S. no. 5 (1972):38-42, 38. See also Corpus Juris Canonici; Glossa OrdinariaDeeping, Warwick, v.26, nos.1/2 (1995):176, 179DeGolyer, Everett L., Jr., N.S. no.2 (1970):90-92, 90Delaney, Shelagh, v.27, nos.1/2 (1996):85-88Delgado, Abelardo, "Open," v.22, no.3 (1992):135Dell, Floyd, v.20, no.4 (1991):80Della metoposcopia (Spontone), v.23, nos.2/3 (1993):52Dell'arte di fabricare i fuochi artificiali... (Anonymous), v.23, nos.2/3 (1993):8Democracy

access to information, v.25, no.4 (1995):43-47Jeffers's speeches on democracy, N.S. no.40 (1987):47-65paranoia and, v.25, no.4 (1995):43-47poetry and, N.S. no.40 (1987):47-65

Denham, Sir JohnCooper's Hill, N.S. no.5 (1972):22Poems and Translations, N.S. no.5 (1972):22

Dennery, Adolphe, N.S. no.17 (1981):71Dennis, Sandy, v.20, no.3 (1990):84Depero, Fortunato, Ricostruzione futurista dell'universo, v.23, nos.2/3 (1993):85, 86Dépeupleur. See Lost Ones (Beckett)Dernière Bande. See Krapp's Last Tape (Beckett)Desai, Anita

Cry, the Peacock, v.25, no.4 (1995):96HRHRC holdings, v.23, no.4 (1993):13-14photograph of, v.23, no.4 (1993):15

Desert, a Legend (Armstrong), v.23, no.1 (1993):110Designer Bookbinders (exhibit), N.S. no.22 (1983):7Desolación (Mistral), v.22, no.3 (1992):31Detective fiction, v.26, nos.1/2 (1995):183-91Deutscher Kamera-Almanach, v.24, nos.3/4 (1994):14, 138, 141Deux anglaises et le continent (Roché)

book wrappers, v.21, nos.1/2 (1991):179description, v.21, nos.1/2 (1991):178-201film photographs, v.21, nos.1/2 (1991):200manuscript drafts, v.21, nos.1/2 (1991):187, 194-96

Deux semaines à la Conciergerie pendant la bataille de la Marne (Roché), v.21, nos.1/2(1991):130-33, 131Deuxième Sexe (de Beauvoir). See Second Sex (de Beauvoir)Devil to Pay in the Backlands (Rosa), v.26, nos.1/2 (1995):102, 103Devine, George, N.S. no.28 (1984):98-99, v.27, nos.1/2 (1996):124-29Devlin, Christopher, Sermons and Devotional Writings of Gerard Manley Hopkins, N.S.nos.46/47 (1989):53



"Devout Woman," v.23, no.1 (1993):11-31Deyrolle, Jean, N.S. no.28 (1984):137Di Lampedusa, Prince Giuseppe Tomasi

Leopard, N.S. no.37 (1986):10-12photograph of, N.S. no.37 (1986):11

Dial, v.20, nos.1/2 (1990):35Dial Records. See also Russell, Ross

Charlie Parker's contract, v.24, nos.1/2 (1994):21-22, 36-37, 85, 86Charlie Parker's recordings, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103publicity flyer, v.24, nos.1/2 (1994):16record labels, v.24, nos.1/2 (1994):cover, 78, 97recording sessions, v.24, nos.1/2 (1994):23, 38recordings of jazz and Bebop, v.24, nos.1/2 (1994):37-40and Ross Russell, N.S. nos.25/26 (1984):137-39, 142

Diálogos (de Salazar), v.22, no.3 (1992):10Dialogue of a Dead Man with his Soul (Sustris), v.26, no.3 (1996):38Dickens, Charles

engraving of, N.S. no.37 (1986):41exhibit, N.S. no.35 (1986):9-11"Ivy Green," N.S. no.6 (1973):80, 81Life and Adventures of Martin Chuzzlewit, v.25, no.4 (1995):16No Thoroughfare, N.S. no.37 (1986):38, 39-53, 49, 52

Dime novels, N.S. no.9 (1978):7; N.S. no.10 (1978):72, 73-75"Dime Novels" (exhibit), N.S. no.9 (1978):7Dimple Hill (Richardson), v.23, no.1 (1993):53Dingell Amendment. See PL-480 ProgramDirectors. See Film directorsDis Joe. See Eh Joe (Beckett)Disderi, André Adolphe, N.S. no.4 (1972):62, 64, 65Dissertation sur la Littérature Orientale (Jones), v.20, no.3 (1990):54Dittmar, Gus C., N.S. no.6 (1973):49Dittmar (Gus C.) Collection, N.S. no.6 (1973):cover, 49-55, 50, 53-54Divine Comedy (Dante)

HRHRC holdings, v.23, nos.2/3 (1993):15, 24-25, 30, 46, 59, 88, 161-64, 163Inferno in Italian text, v.20, nos.1/2 (1990):118manuscript, N.S. no.35 (1986):101scene designs by Norman Bel Geddes, v.23, nos.2/3 (1993):161-64, 163

Dixie, N.S. no.4 (1972):25Dixon, Henry

chronology of career, N.S. no.15 (1981):44-45photography by, N.S. no.15 (1981):cover, 6-42, 6, 8, 12, 13, 14, 17, 19, 22, 25, 26, 28,32

Dixon, T.J.chronology of career, N.S. no.15 (1981):45-46photography by, N.S. no.15 (1981):cover, 6-42, 6, 8, 12, 13, 14, 17, 19, 22, 25, 26, 28,32

Dobell, William, N.S. nos.42/43 (1988):182-83, 185Dobie, J. Frank

Dykes (Jeff) Collection of, N.S. no.4 (1972):8on Earl of Rochester, v.23, no.1 (1993):128essay on LaSalle County Library, N.S. no.1 (1970):54, 55-60letter from Carl Hertzog, N.S. no.2 (1970):72, 73

Dobson, William, N.S. no.10 (1978):56Dodgson, Charles Lutwidge. See Carroll, Lewis



Dodgson, Skeffington, N.S. nos.32/33 (1985):192Dodgson family, N.S. nos.32/33 (1985):189Dodsley, Robert, Preceptor, v.21, nos.3/4 (1991):29Dolce vita (Fellini), v.23, nos.2/3 (1993):93Domínguez, Francisco, Album Musical de Michoacan, v.22, no.3 (1992):108Don Juan (Roché), v.21, nos.1/2 (1991):134-47, 135, 138, 141Dona Flora and Her Two Husbands (Amado), v.26, nos.1/2 (1995):94, 95Donna Lee (Davis), v.24, nos.1/2 (1994):161-201Donoso, José, N.S. no.22 (1983):43-49, 45, 48; v.26, nos.1/2 (1995):88, 106Doolittle, Hilda (H.D.)

friendship with William Carlos Williams, N.S. no.29 (1984):11-12, 14-15, 20, 23-26influence of World War II, N.S. no.29 (1984):26photographs of, N.S. no.29 (1984):10, 21"Walls Do Not Fall," N.S. no.29 (1984):30-31

Dorn, Marion, v.22, nos.1/2 (1992):67-70Dorynne, Jess, N.S. nos.38/39 (1987):15Douglas, Norman, N.S. no.3 (1971):52, 53-57Doves Press, N.S. no.7 (1974):31-35, 33Down Beat, v.24, nos.1/2 (1994):6, 136, 137-59Downes, David A., Gerard Manley Hopkins: A Study of his Ignatian Spirit, N.S. nos.46/47(1989):82Downey, W., N.S. no.4 (1972):63-65, 63Downing, Robert

biographical information, N.S. no.9 (1978):79-80HRHRC holdings, N.S. no.9 (1978):78, 80-81; v.25, no.1 (1994):123-24photograph of, v.25, no.1 (1994):125portrait of, N.S. no.9 (1978):78

Downing (Robert) Theatre Collection, N.S. no.9 (1978):78, 80-81Doyle, Arthur Conan

lecture handbill, N.S. no.8 (1974):coverphotographs of, N.S. no.8 (1974):22, 36relationship with Houdini, N.S. no.8 (1974):32-33spiritualism, N.S. no.8 (1974):23-37

Doyle, Jean Conan, N.S. no.8 (1974):22, 36Draft of the Cantos 17-27 (Pound), v.20, nos.1/2 (1990):20Draft of XVI Cantos (Pound), v.20, nos.1/2 (1990):18, 32Draft of XXX Cantos (Pound), v.25, no.3 (1995):113, 124, 126, 127-31Drake, James F., N.S. no.4 (1972):40, 41-43Drama. See Theater arts; and specific playwrights, plays, directors, and actorsDreiser, Theodore, N.S. no.2 (1970):88; v.20, no.4 (1991):80, 125Dresser, Paul

On the Banks of the Wabash, v.24, nos.1/2 (1994):169-81photograph of, v.24, nos.1/2 (1994):172

Drifter, v.20, no.3 (1990):108Druids, v.27, no.3 (1997):80Drysdale, Russell, N.S. nos.42/43 (1988):183-84Drysdale, William, Half-Caste Woman, N.S. nos.42/43 (1988):186Du Camp, Maxime

photograph of, N.S. no.19 (1982):18as photographer, N.S. no.19 (1982):19-51photography by, N.S. no.19 (1982):27-28, 33, 36-37, 39-40, 42, 48travels of, N.S. no.19 (1982):19-51

Du Rietz, Rolf E., Bibliotheca Polynesia, N.S. no.4 (1972):20Duchamp, Marcel



correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):74, 172, 199, 212drawings, v.21, nos.1/2 (1991):65, 77influence on William Carlos Williams, N.S. no.29 (1984):37-47manuscript, v.21, nos.1/2 (1991):73photographs of, N.S. no.29 (1984):34; v.21, nos.1/2 (1991):78, 81, 82readymades, N.S. no.29 (1984):35-47

Duel in the Sunexhibit, N.S. no.24 (1983):109-10musical score, N.S. no.27 (1984):64-87, 70-71, 82promotion of, N.S. no.27 (1984):61-62, 87-91, 88

Dufek, Tony, v.23, no.4 (1993):25Dulles (John Foster) Collection, N.S. no.13 (1980):10Duncan, Isadora, N.S. no.8 (1974):13, 15, 18Duncan, Ronald, N.S. nos.25/26 (1984):119-35, 134Duse, Eleonora, v.23, nos.2/3 (1993):133, 134, 135Dust jackets. See Book dust jackets; and specific booksDwiggins, William Addison

as book designer at Knopf, Inc., v.22, no.4 (1992):85-101; v.26, nos.1/2 (1995):52-56Caledonia typeface, v.22, no.4 (1992):95letter, v.22, no.4 (1992):92photograph of, v.22, no.4 (1992):84photograph of hands doing lettering, v.22, no.4 (1992):87sample book designs, v.22, no.4 (1992):88, 93-94, 96-101; v.26, nos.1/2 (1995):55

Dykes (Jeff) Collection, N.S. no.4 (1972):8

E ^-top-^

Earl Hines Band, v.24, nos.1/2 (1994):57-58, 60East Indian Palace (Daniell), v.27, no.3 (1997):75Eberstadt Collection, N.S. no.9 (1978):8Echo of Heaven (Oe), v.27, no.3 (1997):51Echo's Bones and Other Precipitates (Beckett), N.S. no.28 (1984):29Edgard and Louise Varèse Collection. See Varèse (Edgard and Louise) CollectionEditing and editors

Beeching as editor of Gerard Manley Hopkins, N.S. nos.46/47 (1989):41-73Contempo magazine, N.S. no.27 (1984):19-45; v.25, no.3 (1995):111-31in first fifteen years of printing, v.20, nos.1/2 (1990):127-49of Fitzgerald's The Great Gatsby, v.21, nos.3/4 (1991):40-59Garvin as newspaper editor, N.S. no.9 (1978):13-27; N.S. no.10 (1978):45-47history of the book and, v.20, nos.1/2 (1990):111-25Howarth as Furphy's editor, N.S. nos.42/43 (1988):103-19Samuel Johnson as, v.21, nos.3/4 (1991):14-39Samuel Johnson as editor, v.21, nos.3/4 (1991):14-39Kauffmann as editor of Percy's The Moviegoer, v.22, no.4 (1992):123-43at Knopf, Inc., v.22, no.4 (1992):15, v.22, no.4 (1992):150-55Lehmann as editor of New Writing, N.S. no.10 (1978):60-71Letters of St. Jerome, v.20, nos.1/2 (1990):140-49, 146, 147magazines and newspapers, v.25, no.4 (1995):25-31Marianne Moore as editor of The Dial, v.22, nos.1/2 (1992):53-59of newspapers, v.25, no.4 (1995):25-31of Poetry magazine, v.20, no.4 (1991):75, 78-81Stracey as editor for T.F. Powys, v.23, no.1 (1993):87-88Twain's editing of Romance of a Pro-Consul, N.S. no.11 (1979):19, 20Weeks as editor of Atlantic Monthly, N.S. no.40 (1987):67, 70, 72-87



Editorial Problem in Shakespeare (Greg), v.20, nos.1/2 (1990):110Education and Culture (Riché), v.21, nos.3/4 (1991):112Edward Dahlberg Collection. See Dahlberg (Edward) CollectionEdward Eberstadt & Sons. See Eberstadt CollectionEdward Weeks Collection. See Weeks, EdwardEdwards, Mary Lee, v.23, no.4 (1993):25Egypt

Du Camp and Flaubert in, N.S. no.19 (1982):26, 29-32, 35, 38, 43-44papyrus collection, N.S. no.35 (1986):8-9photographs of monuments, N.S. no.19 (1982):29, 31-32, 35, 38, 43-44Sphinx, N.S. no.19 (1982):35, 36-37

Eh Joe (Beckett), N.S. no.28 (1984):141-42, 143Ehret, G.D., N.S. no.17 (1981):1218 Poems (Thomas), N.S. no.1 (1970):40-41Eighteenth century

censorship in France, N.S. no.6 (1973):24, 25-41exhibits, N.S. no.13 (1980):8; N.S. no.16 (1981):8-10French literature and book illustrations exhibit, N.S. no.13 (1980):8poetry, N.S. no.13 (1980):39-63

"Eighteenth Century Miscellany" (exhibit), N.S. no.16 (1981):9-10Einstein, Albert

childhood and adolescence, N.S. no.12 (1979):35-37, 54-56compared to Newton, N.S. no.12 (1979):63-78correspondence with Michele Besso, N.S. no.12 (1979):85-86, 87education, N.S. no.12 (1979):35-37, 41, 57-58HRHRC holdings generally, N.S. no.13 (1980):11marriages, N.S. no.12 (1979):39, 41, 56, 86personal characteristics of, N.S. no.12 (1979):49-62photographs of, N.S. no.12 (1979):30, 40professional career, N.S. no.12 (1979):39-47, 59Theory of Relativity, N.S. no.12 (1979):42, 47-48, 73-77, 81-91

Elder, Eldon, v.23, no.4 (1993):17; v.26, no.3 (1996):15Elderton, William, N.S. no.5 (1972):17-20Elegy (Thomas), N.S. no.5 (1972):66, 67"Eleuthéria" (Beckett), N.S. no.28 (1984):51-52, 52Elgin Cathedral, N.S. no.35 (1986):12Eliot, T.S.

correspondence with Marianne Moore, v.22, nos.1/2 (1992):64-71HRHRC holdings generally, v.25, no.1 (1994):124Mary Hutchinson and, N.S. no.48 (1989):18, 30marriage to Vivienne Haigh-Wood, N.S. no.40 (1987):89-111photographs of, N.S. no.40 (1987):88, 95, 98, 104; v.22, nos.1/2 (1992):66, 69plays by, v.27, nos.1/2 (1996):25-30Poems, v.26, nos.1/2 (1995):121, 122portrait of, N.S. no.3 (1971):50, 51published by Knopf, v.26, nos.1/2 (1995):120-22Lytton Strachey and, N.S. no.48 (1989):20Waste Land, N.S. no.17 (1981):43-44, 44; N.S. no.40 (1987):89, 108-11; v.20, nos.1/2(1990):34, 36

Eliot, Vivienne. See Haigh-Wood, VivienneElisofon, Eliot, v.26, no.3 (1996):17, 19, 20Ellen Middleton (Rossetti), v.23, no.1 (1993):29, 30Ellerman, Annie Winifred. See BryherEllison, Ralph, v.24, nos.1/2 (1994):47, 50, 51



Ellmann, Richard, v.23, no.1 (1993):33-35Elssler, Fanny, N.S. no.8 (1974):16Eluard, Paul, N.S. no.28 (1984):21Emblem books

checklist of HRHRC holdings, N.S. no.11 (1979):41-61defined, N.S. no.11 (1979):35-37illustrations, N.S. no.11 (1979):34, 40, 57in Renaissance, N.S. no.11 (1979):34-61

Emblematic broadsides, N.S. no.11 (1979):62-64Emerson, Peter Henry

bibliography of Emerson's works, N.S. no.5 (1972):76-81criticisms of Robinson, N.S. no.19 (1982):92, 94Life and Landscape of the Norfolk Broads, N.S. nos.44/45 (1989):131, 132photograph of, N.S. no.5 (1972):76photography by, N.S. no.5 (1972):cover, 69-81, 71-73, 75, 78-80portrait of, N.S. no.5 (1972):68

Emerson, Ralph Waldo, N.S. nos.38/39 (1987):77-84Eminent Victorians (Strachey), N.S. no.48 (1989):20Emmett, Dan, N.S. no.4 (1972):25En Attendant Godot. See Waiting for Godot (Beckett)Encina, Juan del, N.S. no.7 (1974):67-69Endgame/Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103England. See headings beginning with BritishEnglish literature. See British literatureEnglish Music Printing 1553-1700 (Krummel), v.21, nos.3/4 (1991):130English Verse: 1701-1750 (Foxon), N.S. no.13 (1980):39-63, 43, 56English Works of Roger Ascham (Ascham), v.21, nos.3/4 (1991):14-39, 34Enos, Chris, v.23, no.4 (1993):21, 22, 25Entertainer (Osborne), v.27, nos.1/2 (1996):106-10, 107Environmental conservation, v.26, nos.1/2 (1995):249-51Epistolare (Hieronymus), v.20, nos.1/2 (1990):143Epstein, Alvin, N.S. no.28 (1984):103Epstein, Jacob, v.21, nos.1/2 (1991):46-48, 47Erhardt, H.M., N.S. no.28 (1984):115Eric Gill Collection. See Gill (Eric) CollectionErle Stanley Gardner Collection. See Gardner (Erle Stanley) CollectionErnst, Max, N.S. nos.20/21 (1982):132, 133; N.S. no.28 (1984):21; v.22, no.4 (1992):14Ernst, Morris L.

photographs of, N.S. nos.20/21 (1982):90, 102Ulysses court case and, N.S. nos.20/21 (1982):91-105

Ertegun, Ahmet, v.24, nos.1/2 (1994):202Escobar, Eleuterio, v.22, no.3 (1992):141Espoir (Man's Hope) (Malraux), v.25, no.2 (1994):18, 19Essay on the Law of Bailments (Jones), v.20, no.3 (1990):57Essays in the History of Publishing (Briggs), v.21, nos.3/4 (1991):139Essays on Southern History Written in Honor of Barnes F. Lathrop (Gallagher), N.S. no.19(1982):15Etherington, Don, N.S. nos.44/45 (1989):8-19Ethnographic photography, N.S. no.19 (1982):149-65European literature, v.26, nos.1/2 (1995):63-87. See also British literature; French literature;Spanish Renaissance literature; and specific authorsEvatt, H.V., N.S. nos.42/43 (1988):24, 25, 63, 65Evelyn Waugh Library. See Waugh, EvelynEvery Man in His Humour (Jonson), v.20, nos.1/2 (1990):41-42, 44-45, 110



Ewart, Gavin, v.25, no.3 (1995):90, 92-94Exhibit catalogs. See CatalogsExhibits

"Afternoons in East Austin: Drawings by Edgar Dorsey Taylor,".20, no.3 (1990):8-12,9-12"Allen Ginsberg and Friends," N.S. no.13 (1980):8antique furniture, fine silver and objets d'art, N.S. no.13 (1980):10"Architectural Views of Old London," N.S. no.15 (1981):6-48"Ballet: From Court to Theatre," v.20, no.4 (1991):10, 10"Baron Corvo: An Exhibition," N.S. no.13 (1980):9"Baudelaire to Beckett," N.S. no.9 (1978):66, 67-73"Bebop Revolution in Words and Music," v.24, nos.1/2 (1994):26, 27-47Samuel Beckett, N.S. no.28 (1984):5-187Bel Geddes theater designs, N.S. no.41 (1987):11-13, 12Bicentennial exhibits, N.S. no.10 (1978):8Blacks at the University of Texas, N.S. no.23 (1983):9-10"Books from the Medici Library," N.S. no.11 (1979):8"Botany from Linnaeus to Lamarck," N.S. no.17 (1981):11-13"Paul Bowles -- A Birthday Celebration," v.20, no.4 (1991):6-8, 6"Camera Obscura," N.S. no.10 (1978):7"Camera Work," N.S. no.14 (1980):12Marc Chagall, N.S. nos.38/39 (1987):11-13chromolithographs, N.S. no.13 (1980):7"Chronicles of the New World," N.S. no.40 (1987):12, 13-15"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers," v.26, nos.1/2(1995):7-264Conservation Department, N.S. no.27 (1984):12"Contemporary Czechoslovakian Photography," v.23, no.4 (1993):23-25, 23Cuban film posters, N.S. no.19 (1982):11, N.S. no.19 (1982):13"Darwinism in Texas," N.S. no.5 (1972):12Designer Bookbinders, N.S. no.22 (1983):7"Dickens Revisited," N.S. no.35 (1986):9-11"Dime Novels," N.S. no.9 (1978):7"Eighteenth Century Miscellany," N.S. no.16 (1981):9-10eighteenth-century French literature and book illustrations, N.S. no.13 (1980):8"Ephemera: Selections from the Vertical File Collection," N.S. no.13 (1980):8Eric Gill Centenary Exhibition, N.S. no.19 (1982):7Erle Stanley Gardner exhibition, N.S. no.6 (1973):6, 7fine bindings, N.S. no.14 (1980):8"Finest Adventure: Scholars at Work," N.S. no.22 (1983):7-8; N.S. no.23 (1983):7-8,51-61first photograph from nature, v.25, no.2 (1994):27"Frith in Egypt," N.S. no.11 (1979):7"G.B.S. in Love," N.S. no.9 (1978):7"Gendered Territory: Photographs of Women by Julia Margaret Cameron," v.26, no.4(1996):7-8Gill (Eric) Collection, N.S. no.18 (1982):8-193"Gold Coins of the English Sovereigns," N.S. no.16 (1981):10Gone With The Wind (movie), N.S. no.24 (1983):8-121William Goyen, N.S. no.10 (1978):7Graham Greene posters, v.20, no.4 (1991):8, 9Gregynog Press publications, N.S. no.14 (1980):9Guild of Book Workers, N.S. no.17 (1981):7-8history of logic, N.S. no.14 (1980):12-13



history of photography, N.S. no.13 (1980):9history of writing materials, N.S. nos.38/39 (1987):9-11"Hopkins Lives," N.S. nos.46/47 (1989):cover, 7-185HRHRC twenty-fifth anniversary, N.S. no.19 (1982):7-9Italian Collections Across the Centuries, v.23, nos.2/3 (1993):1-182J. Frank Dobie exhibition, N.S. no.6 (1973):6"John Masefield: The Development of a Writer," N.S. no.11 (1979):8Julio Cortázar: Manuscripts and Books, 1948-1980, N.S. no.27 (1984):15Johannes Kepler, N.S. no.5 (1972):11Leopard, N.S. no.37 (1986):10-12, 11"London at Play," N.S. no.16 (1981):8-9"London Paris New York," N.S. no.35 (1986):18-19Katherine Mansfield, N.S. no.7 (1974):6, 7marionettes, N.S. no.48 (1989):10-12"Max on View," N.S. no.11 (1979):7Middle Eastern materials, v.20, no.3 (1990):14-15Mixtec codices, N.S. no.14 (1980):7"Modern Movement by Cyril Connolly," N.S. no.1 (1970):39-47R.L. Moore, N.S. no.10 (1978):7"Mosaic: Women's History Resources at the Barker," v.20, no.4 (1991):12-15, 13movie posters, N.S. no.14 (1980):10-11music books, N.S. no.27 (1984):10"Naturselbstdruck or Nature-Printing: A Unique Printing Technique," N.S. no.11(1979):8nineteenth-century photography, N.S. no.3 (1971):11-12, 12nineteenth-century trade bookbindings, N.S. no.14 (1980):8"No Symbols Where None Intended: Samuel Beckett at the Humanities ResearchCenter," N.S. no.27 (1984):8"One Hundred Modern Books," N.S. no.5 (1972):8"Optic Nerve: The American Avant-Garde, 1940-80," N.S. no.16 (1981):7-8photographs of the Orient, N.S. nos.38/39 (1987):6, N.S. nos.38/39 (1987):7-9"Photography: A Surrealist Dream Come True," v.25, no.2 (1994):23, 27"Picture Making by Photography," N.S. no.11 (1979):7publications based on HRHRC research, N.S. no.14 (1980):10"Ranuzzi Manuscripts," N.S. no.13 (1980):7"Ray Rector: Cowboy Photographer," N.S. no.17 (1981):10-11Rider Haggard's novels and nonfiction, N.S. no.13 (1980):8"Rite of Spring," N.S. no.48 (1989):8Henri-Pierre Roché, v.21, nos.1/2 (1991):9-223"Russell Lee, Documentarian," N.S. no.40 (1987):15-19"Scholar at Work," N.S. no.7 (1974):8, 9"Sense of Place: Women in Literature," N.S. no.10 (1978):7"Shakespeare For All Time," N.S. no.48 (1989):7-8Shakespearean scene engravings, N.S. no.13 (1980):11"Shaw: An Exhibit," N.S. no.11 (1979):7"Shouting in the Evening" [British theater in twentieth century], v.26, no.4 (1996):9-212"Some Curious and Important Second Editions," N.S. no.17 (1981):8-9"Sources of Classicism: Five Centuries of Architectural Books from the Collections ofthe Humanities Research Center," N.S. no.11 (1979):8"Spanish Civil War: An Exhibition," N.S. no.11 (1979):7Gloria Swanson, N.S. no.30 (1985):7-8Texas maps, N.S. no.5 (1972):10"Texas Poets/Poets in Texas," N.S. no.35 (1986):16-18



"Through Women's Eyes: A Women's History of Texas," N.S. no.19 (1982):9-11"Touring the World," N.S. no.17 (1981):10"Twentieth-Century American Playwrights: Views of a Changing Culture," v.25, no.1(1994):7-114"Victoria's World," N.S. no.3 (1971):11-12, 12; N.S. no.13 (1980):10"Views of Old London," N.S. no.11 (1979):7"Visions of Texas," v.23, no.4 (1993):20, 21, 25William Morris Calligraphic Exhibition, N.S. no.27 (1984):9-10, 11women photographers, v.25, no.2 (1994):23, 24-25"Work & Play of Adrian Wilson," N.S. no.27 (1984):7-8

Experience of Life (Sewell), v.23, no.1 (1993):28Exploration and Empire (Goetzmann), v.26, nos.1/2 (1995):235, 237Explorers of New World, N.S. no.40 (1987):12, 13-15Exter, Alexandra, N.S. no.10 (1978):41-43, 42"Ezekiel" (Powys), v.23, no.1 (1993):90

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Faber and Faber, and Palm-Wine Drinkard, v.27, no.3 (1997):103-20Fabrizio Lupo (Coccioli), v.23, nos.2/3 (1993):120Façade (Walton), N.S. nos.25/26 (1984):101-13Fairbanks, Douglas, N.S. no.22 (1983):9; N.S. no.24 (1983):26Faith of Victorian women, v.23, no.1 (1993):11-31Famous Photographers Magazine, v.24, nos.3/4 (1994):152Farther Off From Heaven (Inge), v.25, no.2 (1994):38, 41-54Fasciculus Temporum (Rolewinck), v.20, nos.1/2 (1990):130-31; v.21, nos.3/4 (1991):60,61-79, 70Faulk, John Henry, N.S. no.27 (1984):13Faulkner, Jack, v.20, no.4 (1991):26Faulkner, Mrs. Jack, v.20, no.4 (1991):26Faulkner, Mrs. William, v.20, no.4 (1991):26Faulkner, William

collected works, v.25, no.4 (1995):51Collins (Carvel) Faulkner Collection, v.20, no.4 (1991):16-35, 16, 23, 26, 31, 32, 33Contempo magazine and, N.S. no.27 (1984):31, 33-34photographs of, N.S. no.27 (1984):35; N.S. nos.44/45 (1989):56; v.20, no.4 (1991):26,33, 83photography by, v.20, no.4 (1991):32relationship with Meta Carpenter, v.20, no.4 (1991):30, 32Royal Street: New Orleans, N.S. no.13 (1980):27-30

Faulkner (William) Collectionburned fragments, N.S. nos.44/45 (1989):cover, 57-77, 61, 64, 67-68, 71-72, 75-76conservation of, N.S. nos.44/45 (1989):cover, 56, 57-77, 61, 64, 67-68, 71-72, 75-76description of, N.S. nos.44/45 (1989):57-59

Faulkner: Novels 1930-1935 (Faulkner), v.25, no.4 (1995):51Fauré, Gabriel (1845-1924)

Chanson d'Ève, N.S. nos.25/26 (1984):51-53, 53, 54correspondence with Vuillermoz, N.S. nos.25/26 (1984):57, 61-65correspondence with Faure, N.S. nos.25/26 (1984):57-61Fugue à 3 parties, N.S. nos.25/26 (1984):54-57, 55Pénélope, N.S. nos.25/26 (1984):58-62photographs of, N.S. nos.25/26 (1984):50, 63

Fauré (Gabriel) Manuscript Collection, N.S. nos.25/26 (1984):50-67Faure, Gabriel (1877-1962), N.S. nos.25/26 (1984):57-61



Faurot, Jeannette, v.27, no.3 (1997):52-53Faux Départs. See All Strange Away (Beckett)Fawn, v.25, no.3 (1995):72-73Feisal, Prince, v.20, no.3 (1990):24Feldman (Lew David) Lecture in Bibliography

censorship in eighteenth-century France, N.S. no.6 (1973):24-41, 24speech by Sir Frank Francis, N.S. no.3 (1971):29-44

Felipe, León, N.S. no.27 (1984):104, 105-13Fellini, Federico, v.23, nos.2/3 (1993):93Fénéon, Félix, v.21, nos.1/2 (1991):108-10, 110Fenêtre ouverte (Picasso), v.21, nos.1/2 (1991):43Ferguson, William B. III, N.S. no.1 (1970):50, 51-52Ficke, Arthur Davison, v.20, no.4 (1991):80Fiction. See Novels; and specific authors and titlesFields, W.C., N.S. no.24 (1983):22Fifteenth century

editing of printed texts, v.20, nos.1/2 (1990):127-49Froissart's "Chronicles," N.S. no.22 (1983):51-65printing, N.S. no.10 (1978):13-36, 15, 24

Film directorsNorman O. Dawn, v.20, no.3 (1990):97-121Gone With The Wind, N.S. no.24 (1983):75-81, 84

Film (magazine), N.S. no.28 (1984):130-31, 131Films. See also Film directors; Gone With The Wind; Screenwriters; and specific film titles,actors, directors, and screenwriters

Stan Brakhage as avant-garde filmmaker, N.S. no.17 (1981):85-103conservation of, N.S. no.19 (1982):172-74Norman O. Dawn and, v.20, no.3 (1990):97-118exhibits on American avant-garde cinema, N.S. no.16 (1981):7-8movie posters exhibit, N.S. no.14 (1980):10-11Selznick's Since You Went Away, N.S. no.24 (1983):108; v.26, no.3 (1996):83-109Smithers and, N.S. no.19 (1982):141special effects, N.S. no.24 (1983):57-58; v.20, no.3 (1990):97-118, 99, 102, 105-06,108-09, 113, 114

Fin de partie/Acte Sans Paroles. See Endgame (Beckett)"Finest Adventure: Scholars at Work" (exhibit), N.S. no.22 (1983):7-8; N.S. no.23 (1983):7-8, 51-61Fingerprinting, N.S. no.14 (1980):25-33Finnegan's Wake (Joyce), N.S. nos.20/21 (1982):159-70First Book of Urizen (Blake), v.27, no.3 (1997):57First Christmas, from "Ben Hur" (Wallace), N.S. no.11 (1979):24, 25First Lady Chatterley (Lawrence)

conservation of, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54description of manuscript, N.S. nos.44/45 (1989):41-42, 44-48, 46treatment procedures, N.S. nos.44/45 (1989):44-55, 46, 51-52, 54

First Love (Beckett), N.S. no.28 (1984):147-49, 148Fitzclarence, Lieutenant Colonel George, v.27, no.3 (1997):68, 98Fitzgerald, F. Scott

Great Gatsby, v.21, nos.3/4 (1991):40-59letter to Joseph Hergesheimer, v.21, nos.3/4 (1991):55memo about Gone With The Wind screenplay, N.S. no.24 (1983):35photograph of, v.21, nos.3/4 (1991):40screenwriter for Gone With The Wind, N.S. no.24 (1983):34-35

Fitzgerald, Robert, v.25, no.2 (1994):91, 93, 96, 98, 101



Fitzpatrick, Brian, N.S. nos.42/43 (1988):63, 65Five Hundred Scorpions (Hearon), v.25, no.2 (1994):10Fizzles (Beckett), N.S. no.28 (1984):160, 161-74, 163, 166, 171, 173Flair (magazine)

covers, v.25, no.4 (1995):cover, 12State and Fate of Publishing: A Flair Symposium, v.25, no.4 (1995):1-131

Flaubert, Gustavefriendship with Maxime Du Camp, N.S. no.19 (1982):19-21, 50-51Lutte du sacerdoce et de l'empire, N.S. no.2 (1970):36, 37photograph of, N.S. no.19 (1982):20travels with Du Camp in Egypt, N.S. no.19 (1982):25-26, 30-32, 45-46

Flawn, Peter, N.S. no.4 (1972):8Flea of Sodom (Dahlberg), N.S. no.14 (1980):48, 56-64Fleischberger, Johann Friedrich, v.26, no.3 (1996):28, 30Fleming, Richard T.

photographs of, N.S. no.6 (1973):10, 12tribute by Joe B. Frantz at memorial services, N.S. no.6 (1973):16-23University of Texas Writers Library, N.S. no.6 (1973):11-15

Fleming (Richard T.) Library of The University of Texas Writers, N.S. no.6 (1973):11-15Fleming, Victor

director of Gone With The Wind, N.S. no.24 (1983):76-78, 84photographs of, N.S. no.16 (1981):6; N.S. no.24 (1983):77, 78; N.S. no.36 (1986):6

Fleurs du mal (Baudelaire), N.S. no.27 (1984):47-59, 52, 55Flonzaley String Quartet, v.25, no.2 (1994):30, 31Flores, José Moreno, Ametrallando, v.22, no.3 (1992):82Florimi, Matteo, Chi non sa impari, v.23, nos.2/3 (1993):142Flynn, Robert, v.26, nos.1/2 (1995):235-36Focus, v.24, nos.3/4 (1994):155Foirades. See Fizzles (Beckett)Folch y Costa, José Antonio, Poesías, N.S. no.5 (1972):45Folmer, Fred, N.S. no.8 (1974):6, 7Fontaine de Narcisse (Brancusi), v.21, nos.1/2 (1991):118Fontaine, Joan, N.S. no.24 (1983):107Food for Peace Program. See PL-480 ProgramFool (Luzzati). See Buffone (The Fool) (Luzzati)For the Term of His Natural Life, v.20, no.3 (1990):112-15, 113, 114Forbes, James, v.27, no.3 (1997):92, 95-97, 95, 97Forbes, Lou, N.S. no.27 (1984):85Ford, Charles Henri

HRHRC holdings, v.23, no.4 (1993):27, 31, 33, 34photographs of, v.23, no.4 (1993):29, 33, 36relationship with Djuna Barnes, v.23, no.4 (1993):27-35

Ford, Ruth, N.S. no.2 (1970):87Forster, E.M.

drawings of, N.S. no.23 (1983):62, 74letters to M.L. and J. Darling, N.S. no.23 (1983):64-71, 67"Liking Being Alive," N.S. no.23 (1983):75-79on love, faith, and coming to terms with being a godfather, N.S. no.23 (1983):63-73portrait of, N.S. no.23 (1983):cover

Fort, Paul, v.21, nos.1/2 (1991):29Foster, Jeanne Robert, v.21, nos.1/2 (1991):42, 90, 114Fotofreund Jahrbuch, v.24, nos.3/4 (1994):156Foulois, Benjamin, N.S. no.19 (1982):128Fowles, John, v.22, no.4 (1992):9, 11



Fox, Charlie, v.24, nos.1/2 (1994):38France. See also headings beginning with French

censorship in eighteenth-century France, N.S. no.6 (1973):24, 25-41puppet theater, N.S. no.41 (1987):42, 44

Francesca da Rimini (D'Annunzio), v.23, nos.2/3 (1993):131-33, 132Franceso da Milano, La Canzone de li Ucelli, N.S. nos.25/26 (1984):121-27Francis, Kay, N.S. no.24 (1983):20Francis, Sir Frank, N.S. no.3 (1971):29-44Franco, Giacomo, v.26, no.3 (1996):23Franco-Prussian War, N.S. no.30 (1985):10Franklin, Benjamin, v.20, no.3 (1990):64, 65-73, 69Franklin, Malcolm, v.20, no.4 (1991):26Franklin, Mrs. Malcolm, v.20, no.4 (1991):26Franklin, Miles

correspondence with Grattan, N.S. nos.42/43 (1988):69, 77-101Grattan's trips to Australia and, N.S. nos.42/43 (1988):61photographs of, N.S. nos.42/43 (1988):74, 86, 127Ten Creek Run, N.S. nos.42/43 (1988):79

Frazee, Harry H., v.25, no.1 (1994):124, 126, 127Frederics, John, N.S. no.36 (1986):33-55, 39Free Briton, v.25, no.3 (1995):20French literature. See also specific authors

"Baudelaire to Beckett" exhibit, N.S. no.9 (1978):66, 67-73exhibit on eighteenth-century literature, N.S. no.13 (1980):8Lake (Carlton) Collection, N.S. no.9 (1978):66, 67-73; v.26, no.3 (1996):13-14in The Modern Movement exhibit, N.S. no.1 (1970):46-47

French musicDebussy's Trois Ballades de François Villon, N.S. nos.25/26 (1984):69-99Fauré (Gabriel) Manuscript Collection, N.S. nos.25/26 (1984):51-6719th and 20th century manuscripts, N.S. nos.25/26 (1984):7-9

Frescoes, N.S. no.11 (1979):89Freud, Sigmund, v.21, nos.1/2 (1991):142Freyre, Gilberto, N.S. no.22 (1983):30-32; v.26, nos.1/2 (1995):96-101, 97Frith, Francis, N.S. no.35 (1986):11-13, 12"Frith in Egypt" (exhibit), N.S. no.11 (1979):7Fritz Henle Collection. See Henle (Fritz) CollectionFroissart, Jean

"Chronicles," N.S. no.22 (1983):51-65, 55, 63; N.S. nos.44/45 (1989):116illustration of, N.S. no.22 (1983):50

Froman, P., N.S. no.9 (1978):37Front Porch (Inge), v.25, no.2 (1994):50-56, 60, 62Frost, Arthur B., N.S. nos.32/33 (1985):134Frueh, Alfred, v.21, nos.1/2 (1991):45Fry, Christopher, v.27, nos.1/2 (1996):30-33Fuentes, Carlos, Where the Air is Clear, v.25, no.4 (1995):106Fugitive Pieces (Hutchinson), N.S. no.48 (1989):17, 22-25, 27-29, 32, 37Fugue à 3 parties in F major (Fauré), N.S. nos.25/26 (1984):51-53, 55Fuller, Loie, N.S. no.8 (1974):15Fullerton, Morton

affair with Edith Wharton, N.S. no.31 (1985):7-18, 73-107letters from Wharton, N.S. no.31 (1985):17, 20, 21-71, 68, 86, 98, 106literary advice from Wharton, N.S. no.31 (1985):48-51, 66-67, 100-104photograph of, N.S. no.31 (1985):10

Funny House of a Negro (Kennedy), v.25, no.1 (1994):109-14, 112-13



Furphy, JosephHowarth as editor of, N.S. nos.42/43 (1988):103-19photograph of, N.S. nos.42/43 (1988):102Rigby's Romance, N.S. nos.42/43 (1988):104-09Such Is Life, N.S. nos.42/43 (1988):77-78, 81, 104-06, 109

Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69Future of Man (Medawar), v.21, nos.3/4 (1991):85Futurism, Italian, v.23, nos.2/3 (1993):83-87

G ^-top-^

"G.B.S. in Love" (exhibit), N.S. no.9 (1978):7Gable, Clark, N.S. no.24 (1983):39, 39, 52, 78, 86; N.S. no.36 (1986):46, 50Gabriel Fauré Manuscript Collection. See Fauré (Gabriel) Manuscript CollectionGabriela Mistral (Samatán), v.22, no.3 (1992):25Gaddis, William, v.22, no.4 (1992):8; v.26, no.3 (1996):9-10Galileo, N.S. no.12 (1979):66Gallagher, Gary W., Essays on Southern History Written in Honor of Barnes F. Lathrop,N.S. no.19 (1982):15Gallico, Paul, v.26, nos.1/2 (1995):139-40Galsworthy, John, N.S. no.6 (1973):61-73, 66-67, 72; v.26, nos.1/2 (1995):21-23Game of the Goose. See Giuco dell'oca (Game of the Goose)Gangoly, O.C., v.27, no.3 (1997):18García, Genaro, N.S. no.10 (1978):13; v.22, no.3 (1992):68García López, Elisa, v.22, no.3 (1992):148García Lorca, Federico, N.S. no.13 (1980):12, 13-26, 15, 22Garden Beyond Paradise (Rumi), v.27, no.3 (1997):8Gardner, Edward L., Coming of the Fairies, N.S. no.8 (1974):31Gardner, Erle Stanley

biographical material, v.22, no.4 (1992):8exhibit, N.S. no.6 (1973):6writer's study at HRHRC, N.S. no.6 (1973):9-10

Gardner (Erle Stanley) Collectiondescription, N.S. no.6 (1973):9-10Erle Stanley Gardner Room, N.S. no.6 (1973):9exhibit from, N.S. no.6 (1973):6

Gardner (Erle Stanley) Room, N.S. no.6 (1973):9-10Gardner, Stephen, N.S. no.5 (1972):6Gardner, W.H., N.S. nos.46/47 (1989):61, 86Garfias, Pedro, N.S. no.13 (1980):22Garibay, Angel María, Poesía Náhuatl, v.22, no.3 (1992):46Garrett, Jenkins, N.S. no.4 (1972):72-74, 72Garrett, Oliver, N.S. no.24 (1983):33-34Garrett, Oliver H.P., Story of Temple Drake, v.20, no.4 (1991):cover, 31Garvin, James Louis

correspondence with Bell, N.S. no.10 (1978):47-54journalism career of, N.S. no.9 (1978):13-27; N.S. no.10 (1978):45-47photograph of, N.S. no.10 (1978):44

Gassner, John, v.25, no.1 (1994):127-28Geisel, Theodore, v.25, no.1 (1994):45, 47, 48Gellhorn, Martha, N.S. no.2 (1970):88"Gendered Territory: Photographs of Women by Julia Margaret Cameron" (exhibit), v.26,no.4 (1996):7-8Genet, Jean



Haute Surveillance, N.S. no.14 (1980):67-99photograph of, N.S. no.14 (1980):66

Genevan Psalter, N.S. nos.25/26 (1984):29, 30-32, 35-36Gentiana bavarica, N.S. no.11 (1979):coverGeorge, Roy, N.S. no.23 (1983):12George III, v.20, no.3 (1990):68-73, 70, 73George Gershwin (Goldberg), v.26, nos.1/2 (1995):210, 212George Sessions Perry Manuscript Collection. See Perry (George Sessions) ManuscriptCollectionGeorgian Poets, v.23, no.1 (1993):107Gepp, Sir Herbert, N.S. nos.42/43 (1988):66, 67Gerard Manley Hopkins Archive. See Hopkins (Gerard Manley) ArchiveGernsheim, Alison, v.24, nos.3/4 (1994):6Gernsheim, Helmut, N.S. no.48 (1989):107; v.24, nos.3/4 (1994):6Gernsheim Collection

carte-de-visite, N.S. no.4 (1972):65description, N.S. nos.44/45 (1989):135-36; v.24, nos.3/4 (1994):7-35Peter Henry Emerson's photographs, N.S. no.5 (1972):69-81exhibit of nineteenth-century photographers, N.S. no.3 (1971):11-12, 12photography serials holdings, v.24, nos.3/4 (1994):7-411Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47,N.S. nos.44/45 (1989):137, 142, 145-46significance, N.S. no.15 (1981):6-7Lindsay Smith's research in, v.26, no.4 (1996):13-14"Victoria's World" exhibit, N.S. no.13 (1980):10

Gershwin, George, v.25, no.2 (1994):32; v.26, nos.1/2 (1995):210, 212Gershwin, Ira, v.26, nos.1/2 (1995):211-12Getting to Know the General (Greene), v.20, no.4 (1991):51Ghislanzoni, Antonio, Aida, v.23, nos.2/3 (1993):63-65, 64Gibran, Kahlil, v.26, nos.1/2 (1995):175Giddins, Gary, v.24, nos.1/2 (1994):210Gide, André, N.S. no.9 (1978):68; N.S. no.12 (1979):11Gilbert, Stuart

as editor of Letters of James Joyce, v.20, no.3 (1990):7-8photograph of, v.20, no.3 (1990):6Ulysses French translation and, N.S. nos.20/21 (1982):29-59, 57

Gilbert, W.S., v.25, no.4 (1995):56Gilchrist, Robert Murray, v.22, no.4 (1992):10Giles, Richard F., Hopkins Among the Poets, N.S. nos.46/47 (1989):109Gill, Eric. See also Gill (Eric) Collection

biographical information, N.S. no.18 (1982):9, 11-15book design by, N.S. no.2 (1970):24centenary exhibit, N.S. no.19 (1982):7lettering by, N.S. no.2 (1970):cover, 15-25, 17-18, 21-22map by, N.S. no.2 (1970):17photograph of, N.S. no.19 (1982):6sketch by, N.S. no.2 (1970):14type design by, N.S. no.2 (1970):20, 23works in Waugh (Evelyn) Library, N.S. no.1 (1970):28

Gill (Eric) Centenary Exhibition, N.S. no.19 (1982):7Gill (Eric) Collection

albums, N.S. no.18 (1982):170-71books illustrated by Gill, N.S. no.18 (1982):161-65books written by Gill, N.S. no.18 (1982):155-60



carvings, N.S. no.18 (1982):114-16catalog, N.S. no.18 (1982):cover, 8-193drawings and sketches, N.S. no.18 (1982):117-54engravings, N.S. no.18 (1982):19-113letters, N.S. no.18 (1982):167-69manuscripts, N.S. no.18 (1982):167-69

Gillespie, Dizzybeginnings of bebop, v.24, nos.1/2 (1994):138-42at Billy Berg's in Los Angeles, v.24, nos.1/2 (1994):36commercial success of Bebop, v.24, nos.1/2 (1994):152, 153decline of Bebop, v.24, nos.1/2 (1994):156in Earl Hines Band, v.24, nos.1/2 (1994):60Charlie Parker's work with, v.24, nos.1/2 (1994):34-36, 57-70photographs of, v.24, nos.1/2 (1994):69, 83, 143, 202publicity flyer, v.24, nos.1/2 (1994):16record album cover, v.24, nos.1/2 (1994):41

Gillette, Michael, N.S. no.5 (1972):6Ginsberg, Allen, N.S. no.13 (1980):8Giorgio Uzielli Collection. See Uzielli (Giorgio) CollectionGitanjali, (Tagore), v.27, no.3 (1997):23, 24Glasheen, Adaline, v.22, no.4 (1992):7Glass Menagerie (Williams), v.26, no.3 (1996):16Glassé (Boris L.) Collection

Russian art books, N.S. no.9 (1978):29-37Russian theater arts, N.S. no.10 (1978):37-43, 42

Gleeson, James, N.S. nos.42/43 (1988):190, 194-95Gleizes, Albert, v.21, nos.1/2 (1991):20Glossa Ordinaria, N.S. no.5 (1972):41. See also DecretumGo Tell It on the Mountain (Baldwin), v.26, nos.1/2 (1995):148, 149-52, 151Goblin Market and Other Poems (Rossetti), v.22, nos.1/2 (1992):12, 15Godden, Jon, v.26, nos.1/2 (1995):166Goetzmann, William, v.26, nos.1/2 (1995):235, 237Gold Coast Customs and Other Poems (Sitwell), v.22, nos.1/2 (1992):35"Gold Coins of the English Sovereigns" (exhibit), N.S. no.16 (1981):10Gold mines in Brazil, N.S. no.11 (1979):27-32, 28, 30Goldberg, Isaac, v.26, nos.1/2 (1995):210, 212Golden Pistle (St. Bernard), v.20, nos.1/2 (1990):coverGoldwyn, Samuel, N.S. no.22 (1983):9Goncharova, Natal'ya, N.S. no.9 (1978):0Gone With The Wind (film)

Academy Awards for, N.S. no.24 (1983):106audience reactions and congratulations, N.S. no.24 (1983):92-95budgeting, N.S. no.24 (1983):90casting, N.S. no.24 (1983):39-51censorship, N.S. no.36 (1986):11-31cinematography, N.S. no.24 (1983):69-72color used in, N.S. no.24 (1983):69completion of filming, N.S. no.24 (1983):83correspondence, N.S. no.36 (1986):24costumes, N.S. no.24 (1983):62-68; N.S. no.36 (1986):32, 33-55, 36, 37, 39, 42, 43,46, 50, 53crew with "boards," N.S. no.24 (1983):59design aspects, N.S. no.24 (1983):52-62directors, N.S. no.24 (1983):75-81, 84



editing, N.S. no.24 (1983):89-90, 89exhibit catalog, N.S. no.24 (1983):8-121film decay, N.S. no.24 (1983):102-03music, N.S. no.24 (1983):88"Negro Problem" and, N.S. no.24 (1983):98-99, 100-101newspaper editorial, N.S. no.36 (1986):29photographs of, N.S. no.36 (1986):6, 10, 21, 46, 50, 53premiere, N.S. no.24 (1983):91-92Production Code, N.S. no.24 (1983):31, 40production data, N.S. no.24 (1983):81-83production personnel, N.S. no.24 (1983):52production photograph, N.S. no.16 (1981):6promotional material, N.S. no.24 (1983):95-98, 95, 97publicity and production photographs, N.S. no.24 (1983):80, 84-88, 103-05reflectors set up for shot, N.S. no.24 (1983):71screenwriters, N.S. no.24 (1983):30, 33-37Selznick on Leigh's accent, N.S. no.24 (1983):82Selznick's notes on potential distribution contracts, N.S. no.24 (1983):38souvenir program cover, N.S. no.24 (1983):coverspecial effects, N.S. no.24 (1983):57-58television rights, N.S. no.24 (1983):99, 102, 102

Gone With The Wind (Mitchell)film rights to, N.S. no.24 (1983):25-28Mitchell's inscription, N.S. no.24 (1983):25

Gone With the Wind (storyboard)conservation of, N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14photographs of, N.S. nos.44/45 (1989):104, 107, 114treatment procedures, N.S. nos.44/45 (1989):109-15, 111-14

Gone With The Wind Exhibitioncatalog, N.S. no.24 (1983):8-121conservation issues, N.S. no.24 (1983):119-21graphic design, N.S. no.24 (1983):116-17organization, N.S. no.24 (1983):114-17overview, N.S. no.24 (1983):9-12poster, N.S. no.24 (1983):13selection criteria, N.S. no.24 (1983):118-19

Gong (Hwang Chun-ming), v.27, no.3 (1997):46Goodbye to a River (Graves), v.22, no.4 (1992):152Gordon, Dexter, v.24, nos.1/2 (1994):38Gore, Mrs. Catherine Frances, N.S. no.37 (1986):28, 29-37, 34Gostling, John, N.S. no.1 (1970):49Gostling Manuscript, N.S. no.1 (1970):48, 49Goudy, Frederic W., v.26, nos.1/2 (1995):52Goyen, William

exhibit, N.S. no.10 (1978):7files, v.22, no.4 (1992):8House of Breath, v.25, no.1 (1994):101-02, 104, 105-08, 107HRHRC holdings, v.25, no.1 (1994):101-08, 103-04, 107, 128literary achievements, v.25, no.1 (1994):101manuscript, v.25, no.1 (1994):104, 105portrait of, v.25, no.1 (1994):130set design for House of Breath, v.25, no.1 (1994):108, 129Whisper to Me, v.25, no.1 (1994):101-02, 103

Grahame, Kenneth, Wind in the Willows, N.S. no.3 (1971):27, 28



Grammar of the Persian Language (Jones), v.20, no.3 (1990):52, 61Grammar of the Spanish Language (Nebrija), N.S. no.7 (1974):64, 66-67Graphic artists. See individual artistsGratian, Decretum, N.S. no.5 (1972):39-42Grattan, C. Hartley

Alice Henry and, N.S. nos.42/43 (1988):121-33Australia, N.S. nos.42/43 (1988):6Australian Literature, N.S. nos.42/43 (1988):61Bitter Bierce, N.S. nos.42/43 (1988):55career as freelance writer, N.S. nos.42/43 (1988):11-20, 52-54as collector of Australian literature, N.S. nos.42/43 (1988):39-49correspondence, N.S. nos.42/43 (1988):29-31, 60-63, 77-101early life, N.S. nos.42/43 (1988):13-14employment at University of Texas, N.S. nos.42/43 (1988):34-37, 51-52Miles Franklin and, N.S. nos.42/43 (1988):77-101photographs of, N.S. nos.42/43 (1988):10, 16, 50, 90as publicist, N.S. nos.42/43 (1988):70-71as reader of Australian books for American publishers, N.S. nos.42/43 (1988):71-73trips to Australia, N.S. nos.42/43 (1988):17, 21, 46, 61, 84-85, 88-89, 97, 126Why We Fought, N.S. nos.42/43 (1988):52-53World War II and, N.S. nos.42/43 (1988):73, 95, 100writings on Australia, N.S. nos.42/43 (1988):54, 56-61

Grattan (C. Hartley) Collectionacquisition by University of Texas, N.S. nos.42/43 (1988):7-9, 27, 34-36Australia and University of Texas, N.S. nos.42/43 (1988):7-9Australian literary publications, N.S. nos.42/43 (1988):39-49basis of Southwest Pacifica Collection, N.S. nos.42/43 (1988):7-9correspondence between Miles Franklin and Grattan, N.S. nos.42/43 (1988):77-101description, N.S. nos.42/43 (1988):26-32, 51-52HRHRC holdings, N.S. nos.42/43 (1988):7-201

Grau, Shirley Ann, v.26, nos.1/2 (1995):153Graves, John, v.22, no.4 (1992):152; v.26, nos.1/2 (1995):228, 238-39Gray, Simon, v.27, nos.1/2 (1996):8, v.27, nos.1/2 (1996):178-80Great Barrier Reef, v.20, no.3 (1990):104Great Britain. See headings beginning with BritishGreat Frontier (Webb), v.21, nos.3/4 (1991):109Great Gatsby (Fitzgerald), v.21, nos.3/4 (1991):40-59, 45, 48Great Morning (Sitwell), N.S. no.30 (1985):54Great War. See World War IGreen Mansions (Hudson), v.26, nos.1/2 (1995):172, 173-74Greene, Graham

biography of the Earl of Rochester, v.23, no.1 (1993):118, 128-29books in Waugh (Evelyn) Library, N.S. no.1 (1970):26career and achievements, v.20, no.4 (1991):43-45, 59-60correspondence with Pollinger Agency, v.25, no.2 (1994):20film and popular culture, v.20, no.4 (1991):54, 56, 57Getting to Know the General, v.20, no.4 (1991):51photographs of, N.S. no.36 (1986):97; v.20, no.4 (1991):36politics, v.20, no.4 (1991):48-52, 51posters, v.20, no.4 (1991):8, 9, 44Potting Shed, v.20, no.4 (1991):57Power and the Glory: A New Novel, v.20, no.4 (1991):41status of Graham Greene studies, v.20, no.4 (1991):37-67theology, v.20, no.4 (1991):45-48



Third Man, N.S. no.36 (1986):92, 93-113, 97, 98, 101, 104, 110; v.20, nos.1/2(1990):121-24, 123, 54

Greetham, D.C., v.27, no.3 (1997):112Greg, W.W., v.20, nos.1/2 (1990):110, 112, 114Gregory the Great, N.S. no.27 (1984):15-16Gregynog Press publications, N.S. no.14 (1980):9Grey, Richard, Memoria Technica; or a New Method of Artificial Memory, N.S. no.11(1979):79-83Griffith (poet), v.22, nos.1/2 (1992):58, 59Griffiths, Trevor, v.27, nos.1/2 (1996):8Grigson, Geoffrey, v.25, no.3 (1995):cover, 76, 77, 79, 93, 98-103Grisham, John, The Chamber, v.25, no.4 (1995):103Groth, John, v.25, no.2 (1994):32Groult, Nicole, v.21, nos.1/2 (1991):49-51, 50Guatemalan politics, v.22, no.3 (1992):117-31, 119, 120, 123, 124, 127Guggenheim, Pegeen, N.S. no.28 (1984):33Guggenheim, Peggy, N.S. no.28 (1984):33Guha-Thakurta, Tapati, v.27, no.3 (1997):18Guía del veraneante, v.22, no.3 (1992):92Guignol's Band (Céline), N.S. no.9 (1978):68-71Guild of Book Workers exhibit, N.S. no.17 (1981):7-8Guillén, Jorge, N.S. no.5 (1972):7Guinan, Texas, v.22, no.4 (1992):79Guinle, Mr. and Mrs. Jorge, v.24, nos.1/2 (1994):202Gustafson, Cliff, N.S. no.29 (1984):54Gutenberg Bible

display, N.S. no.11 (1979):9as educational resource, N.S. no.22 (1983):89-99illustrations from, N.S. no.22 (1983):88, 95pages of, v.20, nos.1/2 (1990):126; v.25, no.4 (1995):88photograph of, N.S. no.11 (1979):8Todd's paper on, v.21, nos.3/4 (1991):205

Gutenberg Galaxy (McLuhan), v.21, nos.3/4 (1991):99Gutenberg leaf, N.S. no.10 (1978):14Guyana Quartet (Harris), v.22, no.4 (1992):12

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H.D. See Doolittle, HildaHaddaway, Arthur, N.S. no.8 (1974):82-84, 83Haigh-Wood, Vivienne

correspondence with Mary Hutchinson, N.S. no.40 (1987):102-07Mary Hutchinson and, N.S. no.48 (1989):18influence on The Waste Land, N.S. no.40 (1987):89, 108-11letter to Richard Aldington, N.S. no.40 (1987):100-101letters to Lady Ottoline, N.S. no.40 (1987):107-08marriage to T.S. Eliot, N.S. no.40 (1987):89-111

Haller, Ernest, N.S. no.24 (1983):70Hamilton, Gerald, v.22, no.4 (1992):10Hammarskjöld, Dag, v.26, nos.1/2 (1995):180-81Hammett, Dashiel, v.26, nos.1/2 (1995):182, 183-85, 186Hamsun, Knut, v.26, nos.1/2 (1995):252, 253-56Handy, W.C.

Bebop and, v.24, nos.1/2 (1994):110-12



exhibit, v.24, nos.1/2 (1994):29, 31photographs of, v.24, nos.1/2 (1994):29, 111

Hanfstaengl, Putzi, v.23, no.4 (1993):33Hanley, James, Indiana, v.24, nos.1/2 (1994):169-81, 179Hanley (T.E.) Collection

James Joyce materials, N.S. nos.20/21 (1982):13-59Beethoven letter, N.S. no.7 (1974):105-15, 107, 111-13fifteenth-century printing, N.S. no.10 (1978):14-15, 15

Happy Days (Beckett), N.S. no.28 (1984):124, 125-26, 127Hare, David, v.25, no.2 (1994):14, 15; v.27, nos.1/2 (1996):153-67, 206-09Harington, Sir John

holograph poem, N.S. no.11 (1979):92, 93-96, 94translation of Orlando Furioso, v.20, nos.1/2 (1990):61-85

Harlem RenaissanceBebop and, v.24, nos.1/2 (1994):105-17Langston Hughes and Knopf, Inc., v.22, no.4 (1992):51-63Knopf, Inc.'s patronage of, v.22, no.4 (1992):65-66, 77-83Van Vechten's patronage of, v.22, no.4 (1992):65-83

Harris, Daniel A., Inspirations Unbidden: The "Terrible Sonnets" of Gerard ManleyHopkins, N.S. nos.46/47 (1989):117Harris, Julie, v.25, no.1 (1994):75Harris, Wilson, v.22, no.4 (1992):12, 13Harrison, Florence, v.22, nos.1/2 (1992):0Harry Pennington Jr. Collection. See Pennington (Harry Jr.) CollectionHarry Ransom Conference on New Directions in Textual Studies, v.20, nos.1/2 (1990):6-183Harry Ransom Humanities Research Center (HRHRC)

Conservation Department, N.S. no.22 (1983):14, 15; N.S. nos.44/45 (1989):8-19description, N.S. no.1 (1970):10-11founding, v.23, no.1 (1993):7name change, N.S. no.8 (1974):8opening, N.S. no.3 (1971):13-18philosophy of, v.23, no.1 (1993):7-8photograph of, N.S. no.3 (1971):15publications, N.S. no.6 (1973):8; N.S. no.17 (1981):6, 7renaming of, N.S. no.27 (1984):7reorganization of, N.S. no.6 (1973):7-8as scholars' research headquarters, N.S. no.23 (1983):51-61twenty-fifth anniversary, N.S. no.19 (1982):7-9

Hart, B.H. Liddell, v.20, no.3 (1990):43Hart, Clive, v.22, no.4 (1992):7Hart, Margaret, v.21, nos.1/2 (1991):184Hart, Pro, N.S. nos.42/43 (1988):195-96Hart, Violet, v.21, nos.1/2 (1991):188Hauptman, Bruno, N.S. no.2 (1970):89Haute Surveillance (Genet), N.S. no.14 (1980):67-99Hawarden, Lady Clementina, v.26, no.4 (1996):18-20, 21Hayter, Stanley William, N.S. no.28 (1984):160Head of a Man and Head of a Woman (Cocteau), v.23, no.4 (1993):98, 100, 101, 102Head of a Woman (Cocteau), v.23, no.4 (1993):93-94, 96, 102Hearon, Shelby, v.25, no.2 (1994):8, 10, 11-12; v.26, nos.1/2 (1995):232, 233-34Hearst, William Randolph, N.S. no.2 (1970):82, 83-84Heat of the Day (Bowen), v.26, nos.1/2 (1995):156, 160-61Heber, Reginald, v.27, no.3 (1997):99, 100Hebrew Collection, v.27, no.3 (1997):159



Hecht, Anthony, v.26, nos.1/2 (1995):125Hecht, Ben, N.S. no.24 (1983):36; v.25, no.1 (1994):128, 131Heine, Thomas Theodor, N.S. no.8 (1974):41-46, 42-45Hellman, Lillian

biography, v.25, no.1 (1994):39-40Candide, v.25, no.1 (1994):44-50, 46-49Children's Hour, v.25, no.1 (1994):39-44, 43HRHRC holdings, v.25, no.1 (1994):39-50, 43, 46-49, 131-32; v.25, no.2 (1994):16letter to, v.25, no.1 (1994):45, 133photograph of, v.25, no.1 (1994):46

Hemingway, ErnestAcross the River and Into the Trees, N.S. no.30 (1985):16-28correspondence, N.S. no.48 (1989):8-10letters to Adriana Ivancich, N.S. no.30 (1985):15-37map of African plane crashes, N.S. no.30 (1985):35Old Man and the Sea, N.S. no.30 (1985):25-30photograph of bedroom, N.S. no.30 (1985):27photographs of, N.S. no.2 (1970):88-89; N.S. no.30 (1985):14, 32typescript pages, v.22, no.4 (1992):8

Hemingway, Mary, N.S. no.30 (1985):14Henderson, Alice Corbin, v.20, no.4 (1991):72, 74, 80Henderson (Alice Corbin) archive, v.27, no.3 (1997):26-31, 27-28Henke, Dellas, N.S. no.28 (1984):72Henle, Fritz

Paris photographs, N.S. no.48 (1989):108, 109-13, 114-21photograph of, N.S. no.48 (1989):86photography by, N.S. no.48 (1989):92-108, 114-21

Henle (Fritz) Collection, N.S. no.48 (1989):87-121, 92-108, 114-21Henry, Alice

C. Hartley Grattan and, N.S. nos.42/43 (1988):121-33Memoirs of Alice Henry, N.S. nos.42/43 (1988):129-41, 132photographs of, N.S. nos.42/43 (1988):120, 127union work, N.S. nos.42/43 (1988):128-29, 139-41Women and the Labor Movement, N.S. nos.42/43 (1988):135

Henry, Shifty, v.24, nos.1/2 (1994):23Henry Peach Robinson Photography Collection. See Robinson (Henry Peach) PhotographyCollectionHepburn, Katharine, N.S. no.24 (1983):21Hergesheimer, Joseph, v.21, nos.3/4 (1991):55; v.22, no.4 (1992):8; v.26, nos.1/2 (1995):26-29, 131-32Hernández, José, Martín Fierro, v.22, no.3 (1992):16Herschel, William James, N.S. no.14 (1980):22, 23-32, 24, 33Hersey, John, v.26, nos.1/2 (1995):144-47Hertzog, Carl, N.S. no.2 (1970):72, 73Hervey, John, Lord, v.25, no.3 (1995):16Hessel, Franz, v.21, nos.1/2 (1991):159, 162-63Hessel, Helen Grund, v.21, nos.1/2 (1991):156, 160, 163Heyward, Leland, N.S. no.2 (1970):88Hickman (R.C.) Archive, N.S. nos.38/39 (1987):13-15, 14Hieronymus, Epistolare, v.20, nos.1/2 (1990):143High Tor (Anderson), v.25, no.1 (1994):25, 35, 37-38Hiller, Albert, N.S. no.17 (1981):46Hindu dharma manava dharma (Bhuskute), v.27, no.3 (1997):63Hines, Patrick Mainer, N.S. no.40 (1987):9



Hines (Earl) Band, v.24, nos.1/2 (1994):57-58, 60Hingle, Pat, v.25, no.2 (1994):40Hiroshima (Hersey), v.26, nos.1/2 (1995):144-47, 145Hirschfeld, Al, v.27, nos.1/2 (1996):8Hirshfeld, Al, v.25, no.1 (1994):coverHispanic Women's Literary Association. See Asociación de Literatura Feminina HispánicapapersHistoire de l'Édition Française (Martin), v.21, nos.3/4 (1991):95, 98, 100, 101Histoire de Nader Chah (Jones), v.20, no.3 (1990):52Historic preservation, v.25, no.4 (1995):49-55History, published by Knopf, v.26, nos.1/2 (1995):240, 241-47History of publishing. See PublishingHistory of science. See ScienceHistory of Science Collection, N.S. no.16 (1981):14History of the Book in Britain (McKenzie), v.21, nos.3/4 (1991):102-03, 108, 110Hitchcock, Alfred

photograph of, N.S. no.36 (1986):56Titanic, N.S. no.36 (1986):57-73

Hmong Means Free: Life in Laos and America (Chan), v.25, no.4 (1995):74Hoblitzelle Theatre Arts Library

dance holdings, N.S. no.8 (1974):10, 11-21, 13, 15, 19, 20Lehman Collection, N.S. no.13 (1980):71-81minstrel shows, N.S. no.4 (1972):23-30

Hodges, William, v.27, no.3 (1997):70-87, 72, 76, 78, 81, 84Hold Autumn in Your Hand (Perry), N.S. no.2 (1970):67-69, 68Hölderlin, Friedrich, v.20, nos.1/2 (1990):160Holiday, Henry, N.S. nos.32/33 (1985):115Hollis, Thomas, N.S. no.14 (1980):100-104Hollywood films. See FilmsHolman, William, N.S. no.6 (1973):7-9Holographs

Breton manuscripts, N.S. no.16 (1981):17-41Harington's New Disclosure of a Stale Subject Called The Metamorphosis of AJAX,N.S. no.11 (1979):92, 93-96, 94

Holy Land map, N.S. no.10 (1978):coverHoly Sinner (Mann), v.26, nos.1/2 (1995):75Home From the Hill (Humphrey), v.25, no.2 (1994):10; v.26, nos.1/2 (1995):229-30, 231,233Home Is the Sailor (Amado), v.26, nos.1/2 (1995):93Homer, Batrachomyomachia, N.S. no.7 (1974):62Homer, Irving, N.S. nos.42/43 (1988):195-96Homilies of Gregory the Great, N.S. no.27 (1984):15-16Honey and the Hemlock (Sagan), v.25, no.4 (1995):42"Hong Li" (Faulkner), N.S. no.13 (1980):27-30, 29Hopkins, Arthur, N.S. nos.46/47 (1989):130Hopkins, Gerard Manley

bibliography of books about, N.S. nos.46/47 (1989):75-134, 138-82biographies, N.S. nos.46/47 (1989):76-81Bridges's influence on, N.S. nos.46/47 (1989):41-73commentaries and handbooks, N.S. nos.46/47 (1989):94-99correspondence, N.S. nos.46/47 (1989):11-39, 19, 51-73creative literature based on, N.S. nos.46/47 (1989):143-63critical studies, N.S. nos.46/47 (1989):81-94drawings by, N.S. nos.46/47 (1989):14, 15, 16, 26, 30-31, 125



dust jackets, N.S. nos.46/47 (1989):56, 61, 66, 69, 74, 82, 85, 86, 91, 92, 98, 101, 102,117, 142Early Poetic Manuscripts and Notebooks of Gerard Manley Hopkins in Facsimile,N.S. nos.46/47 (1989):160editions of, not in canon, N.S. nos.46/47 (1989):135-36emergence from obscurity, N.S. nos.46/47 (1989):41-49Epithalamion, N.S. nos.46/47 (1989):154exhibit catalog, N.S. nos.46/47 (1989):cover, 7-185family of, N.S. nos.46/47 (1989):22-26, 33-37Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69HRHRC archive, N.S. nos.46/47 (1989):11-39iconography, N.S. nos.46/47 (1989):130, 132, 133-82, 168, 170, 176, 181iconography based on poems by, N.S. nos.46/47 (1989):167-82"In the Valley of the Elwy," N.S. nos.46/47 (1989):10, 12-17letter to father, N.S. no.8 (1974):47-51letters from, N.S. nos.46/47 (1989):19, 29-30Letters of Gerard Manley Hopkins to Robert Bridges, N.S. nos.46/47 (1989):66"Loss of the Eurydice," N.S. nos.46/47 (1989):11-39Notebooks and Papers, N.S. nos.46/47 (1989):56obituary, N.S. nos.46/47 (1989):129photographs of, N.S. nos.46/47 (1989):31-32Poems (First Edition), N.S. nos.46/47 (1989):32, 50, 51-73Poems (Second Edition), N.S. nos.46/47 (1989):51-73Poems (Third Edition), N.S. nos.46/47 (1989):51-73Poems (Fourth Edition), N.S. nos.46/47 (1989):50, 51-73poetry discussed, N.S. nos.46/47 (1989):12-17, 41-48popular media, N.S. nos.46/47 (1989):163-67portraits of, N.S. nos.46/47 (1989):6, 16publication of poetry, N.S. nos.46/47 (1989):41-49"Sacrifice," N.S. nos.46/47 (1989):11-39Selected Poems, N.S. nos.46/47 (1989):151Sermons and Devotional Writings, N.S. nos.46/47 (1989):53significant books about, N.S. nos.46/47 (1989):75-121"Spring," N.S. nos.46/47 (1989):11-39translations of, N.S. nos.46/47 (1989):136-37transmission of the Hopkins canon, N.S. nos.46/47 (1989):51-73"Wreck of the Deutschland," N.S. nos.46/47 (1989):51-73in writers' libraries, N.S. nos.46/47 (1989):38-39writing processes, N.S. nos.46/47 (1989):52-55

Hopkins (Gerard Manley) Archive, N.S. nos.46/47 (1989):11-39Horace, N.S. no.35 (1986):93Horizons (Geddes), N.S. no.13 (1980):99-108Horn, Margrethe, N.S. nos.32/33 (1985):69Horne, Lena, v.26, nos.1/2 (1995):134Hosiasson, José, v.24, nos.1/2 (1994):210Hostage (Behan), v.27, nos.1/2 (1996):81-85, 84Houdini, Bess, N.S. no.8 (1974):36Houdini, Harry, N.S. no.8 (1974):32-33, 36Houghton, Claude, v.23, no.1 (1993):54-55, 58House, Humphrey, Note-Books and Papers of Gerard Manley Hopkins, N.S. nos.46/47(1989):56House of Breath (Goyen), v.25, no.1 (1994):101-08, 107, 129Houseman, John, N.S. no.13 (1980):10Houston, Sam, N.S. no.4 (1972):73



How It Is (Beckett), N.S. no.28 (1984):119-23, 120, 123How to Read a Book (Adler), v.20, nos.1/2 (1990):12, 14-16Howard, Leslie, N.S. no.24 (1983):104-05Howard, R. Guy, v.25, no.2 (1994):32-33Howard, Sidney, N.S. no.24 (1983):34Howard, Trevor, N.S. no.36 (1986):109Howarth, Lillian, N.S. nos.42/43 (1988):108, 109Howarth, R.G.

as Furphy's editor, N.S. nos.42/43 (1988):103-19HRHRC holdings, N.S. no.13 (1980):65-69letter from Hugh McCrae, N.S. no.13 (1980):64

Howarth (R.G.) Collection, N.S. no.13 (1980):65-69Howe, Mary Manning, N.S. no.28 (1984):43, 66, 98-99, 119Howells, William Dean, N.S. no.37 (1986):59HRC. See Harry Ransom Humanities Research CenterHRHRC. See Harry Ransom Humanities Research Center (HRHRC)Hudson, W.H., v.26, nos.1/2 (1995):172, 173-74Huebsch, B.W., v.26, nos.1/2 (1995):15-16Hughes, Glenn Arthur, N.S. no.7 (1974):22-26; v.25, no.1 (1994):132Hughes, Langston

Blanche Knopf and, v.22, no.4 (1992):51-63letter, v.26, nos.1/2 (1995):142Not Without Laughter, v.22, no.4 (1992):61photographs of, N.S. no.27 (1984):29; v.22, no.4 (1992):50; v.24, nos.1/2 (1994):118,126published by Knopf, v.26, nos.1/2 (1995):140-43relationship with Knopf, Inc., v.22, no.4 (1992):51-63, 76-77on Scottsboro trials, N.S. no.27 (1984):28-29, 31"Trumpet Player: 52nd Street" and Bebop, v.24, nos.1/2 (1994):119-35Van Vechten and, v.22, no.4 (1992):51-63, 76-83Weary Blues, v.22, no.4 (1992):58; v.24, nos.1/2 (1994):125

Hughes, Ted, v.22, no.4 (1992):21Hugo, Jean, v.21, nos.1/2 (1991):89Hugo, Valentine, v.21, nos.1/2 (1991):59Humanities Research Center. See Harry Ransom Humanities Research Center (HRHRC)Hume and the Enlightenment (Todd), v.21, nos.3/4 (1991):186Humphrey, William, v.25, no.2 (1994):8, 10, 11; v.26, nos.1/2 (1995):229-33Hunter, Kim, N.S. no.41 (1987):34Hunting of the Snark an Agony, in Eight Fits (Carroll), N.S. nos.32/33 (1985):114-19, 115Hurst, Fannie

correspondence with Zora Neale Hurston, N.S. no.35 (1986):21-43Imitation of Life, N.S. no.35 (1986):37-39, 38photographs of, N.S. no.35 (1986):20, 23, 41themes in writing, N.S. no.35 (1986):21, 37-40

Hurston, Zora Nealecollected works, v.25, no.4 (1995):48correspondence with Fannie Hurst, N.S. no.35 (1986):21-43photograph of, N.S. no.35 (1986):26themes in writing, N.S. no.35 (1986):25, 40-43

Hurston: Novels and Stories (Hurston), v.25, no.4 (1995):48Hussein, Sherif, v.20, no.3 (1990):38Hutchinson, Mary

correspondence, N.S. no.48 (1989):15-41, 36, 39correspondence with Vivienne Haigh-Wood, N.S. no.40 (1987):102-07



Fugitive Pieces, N.S. no.48 (1989):17, 22-29, 32, 37photograph of, N.S. no.48 (1989):14Strachey and, N.S. no.48 (1989):15-41

Huxley, AldousBrave New World, N.S. no.1 (1970):42correspondence with J.B. Pinker, N.S. no.2 (1970):28-30, 30Crome Yellow, N.S. no.1 (1970):42HRHRC holdings, N.S. no.9 (1978):41-58, 44interview, N.S. no.1 (1970):42, 44photograph of, N.S. no.9 (1978):44sketch of, N.S. no.2 (1970):26

Huygens, Christian, N.S. no.12 (1979):63, 67, 77Huysmans, Jacob, v.23, no.1 (1993):118Hwang Chun-ming, v.27, no.3 (1997):46Hymnals. See Sacred vocal music

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Icazbalceta, Joaquín García, v.22, no.3 (1992):40Ice Freezes Red (Navarro), v.24, nos.1/2 (1994):181-99Iconography. See also Iconography Collection

Books of Hours, N.S. no.3 (1971):68-79, 68, 73, 75European, N.S. no.4 (1972):cover, 48, 49-57, 51, 53-57José Clemente Orozco, N.S. no.5 (1972):32, 33-34

Iconography Collection. See also Iconographyconservation of, N.S. nos.44/45 (1989):78, 79-85, 83-84Marca-Relli's Conversion, N.S. nos.44/45 (1989):81-82, 83-84Waugh's drawings, N.S. no.7 (1974):42, 43-57, 49, 52, 54, 55

Ideal Reality in Frankish and Anglo-Saxon Society (Wormald), v.21, nos.3/4 (1991):124Idylls of the King (Tennyson), v.26, no.4 (1996):cover, 89-115Ill-Made Knight (White), v.23, no.4 (1993):122-23, 126, 127Illuminated manuscripts, N.S. no.3 (1971):68-79, 68, 73, 75Illustrated London News, v.24, nos.3/4 (1994):183Illustrators and illustrations

circus posters, N.S. no.12 (1979):92, 93-101, 98, 100Cuban film posters collection, N.S. no.19 (1982):11, 13eighteenth-century French literature and book illustrations exhibit, N.S. no.13(1980):8Fleurs du mal, N.S. no.27 (1984):cover, 47-59, 52, 55Gill (Eric) Collection catalog, N.S. no.18 (1982):cover, 8-193movie posters exhibit, N.S. no.14 (1980):10-11Arthur Rackham, N.S. no.3 (1971):cover, N.S. no.3 (1971):19-28, 21, 24-27of Sitwell's books, N.S. no.30 (1985):39-55, 47, 52, 54

Imagination Dead Imagine (Beckett), N.S. no.28 (1984):133-34Imagination morte imaginez. See Imagination Dead Imagine (Beckett)Imitation of Life (film), N.S. no.35 (1986):38Imitation of Life (Hurst), N.S. no.35 (1986):37-39In the American Grain (Williams), N.S. no.29 (1984):66-68, 70-73In the Summer House (Bowles), v.25, no.1 (1994):121Incident at Vichy (Miller), v.25, no.1 (1994):96-100Incunabula

binding by Antwerp Binder, N.S. no.48 (1989):66Catullus Collection, N.S. no.2 (1970):7-9Decretum of Gratian, N.S. no.5 (1972):38, 39-42



Floretus, N.S. no.48 (1989):53Os Lusiadas, N.S. no.5 (1972):9McWilliams (David Jackson) Collection, N.S. no.48 (1989):47, 48, 49-67, 53, 58, 63,66Meder's sermons on the Parable of the Prodigal Son, N.S. no.48 (1989):48Pantheologia of Rainerius de Pisis, N.S. no.48 (1989):63Sententiarum Libri IV, N.S. no.48 (1989):48

India, in British printed books, 1780-1827, v.27, no.3 (1997):69-101Indian Antiquities (Maurice), v.27, no.3 (1997):85, 86-87, 88Indiana (Hanley), v.24, nos.1/2 (1994):169-81, 179Indians. See American IndiansIndustrial design and streamlining, N.S. no.13 (1980):91-110Infinity, v.24, nos.3/4 (1994):22Informatisation de la société (Nora and Minc), v.25, no.4 (1995):64Inge, William

Bus Stop, v.25, no.2 (1994):55-57, 65Come Back Little Sheba, v.25, no.2 (1994):55-63correspondence with Margo Jones, v.25, no.2 (1994):35-65Dark at the Top of the Stairs, v.25, no.2 (1994):38, 39, 54, 61Farther Off From Heaven, v.25, no.2 (1994):38, 41-54Front Porch, v.25, no.2 (1994):50-56, 60, 62HRHRC holdings generally, v.25, no.1 (1994):134-35, 134photographs of, v.25, no.1 (1994):68, 134, 34Picnic, v.25, no.2 (1994):50, 52, 62-66psychological problems, v.25, no.2 (1994):50, 56, 65scene from Picnic, v.25, no.1 (1994):135Splendor in the Grass, v.25, no.2 (1994):cover, 55, 58, 65

Ingenioso hidalgo Don Quixote de la Mancha (Cervantes), v.25, no.4 (1995):123Iniguez, Librado, N.S. no.19 (1982):160Inquiry into the Legal Mode of Suppressing Riots (Jones), v.20, no.3 (1990):57Institute for Fine Bookbinding and Book Conservation, N.S. no.41 (1987):6, 7-11, 9; N.S.nos.44/45 (1989):15-16Intellectual freedom. See CensorshipInternational Surrealist Bulletin, N.S. no.16 (1981):24Internet, v.25, no.4 (1995):57-63. See also TechnologyInternships in Conservation Department, N.S. nos.44/45 (1989):17-18, 78, 79-85Interpretation of Genesis (Powys), v.23, no.1 (1993):85-87Interwoven: A Pioneer Chronicle (Matthews), N.S. no.2 (1970):72-73Iolanthe (Gilbert), v.25, no.4 (1995):56Ionesco, Eugène, v.27, nos.1/2 (1996):89-91, 127-28"I's" (Pronounced Eyes) (Zukofsky), N.S. no.2 (1970):57; N.S. nos.38/39 (1987):106Isbell, George P., N.S. no.5 (1972):82-84, 82Islamic Paradise, v.27, no.3 (1997):125-34Italian art, v.23, nos.2/3 (1993):137-52Italian futurism, v.23, nos.2/3 (1993):83-87Italian libretti, N.S. no.2 (1970):10, 11Ivancich, Adriana

letters from Hemingway, N.S. no.30 (1985):15-37photographs of, N.S. no.30 (1985):14, 18Torre bianca, N.S. no.30 (1985):15-37

"Ivy Green" (Dickens), N.S. no.6 (1973):80, 81

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Jackson, Julia, v.26, no.4 (1996):46-47, 54Jacob, Max, v.21, nos.1/2 (1991):122Jacobson, Dan, v.22, no.4 (1992):12, 13Jaffé (Phillip J.) Collection, N.S. no.10 (1978):37-43, 42Jalna Series (de la Roche), N.S. no.40 (1987):67-87James, Henry

friendship with Edith Wharton, N.S. no.31 (1985):38-44Roderick Hudson, v.20, nos.1/2 (1990):154, 155, 156

James Agee Collection. See Agee (James) CollectionJames B. Newton Collection. See Newton (James B.) CollectionJames Marshall and Marie-Louise Osborn Collection. See Osborn (James Marshall andMarie-Louise) CollectionJames P. Bryan Collection. See Bryan (James P.) CollectionJameson, Storm, v.26, nos.1/2 (1995):157-58Janacek, Leos, v.27, no.3 (1997):34Janequin, Clément

Canzone de li Ucelli, N.S. nos.25/26 (1984):121-27Chant des oiseaux, N.S. nos.25/26 (1984):124

Janin, Jules, N.S. no.17 (1981):65Japanese Collection, v.27, no.3 (1997):49-59Japanese literature, published by Knopf, v.26, nos.1/2 (1995):109-17Jarrell, Randall

correspondence with Marcia Nardi, v.22, nos.1/2 (1992):100Introduction to The Man Who Loved Children, N.S. nos.42/43 (1988):161-63photograph of, N.S. nos.42/43 (1988):176suicide, N.S. nos.42/43 (1988):169

Jarry, Alfredillustrations by, N.S. nos.38/39 (1987):43, 57Par la taille, N.S. nos.38/39 (1987):41-59, 43, 46, 51, 57photograph of, N.S. nos.38/39 (1987):40play production ideas, N.S. nos.38/39 (1987):41-54text of Measuring Up!, N.S. nos.38/39 (1987):61-75Ubu roi, N.S. nos.38/39 (1987):42, 43

JazzAfrican-American literature and, v.24, nos.1/2 (1994):47-51Beat poets and, v.24, nos.1/2 (1994):46-47Bebop Revolution in Words and Music symposium and exhibit, v.24, nos.1/2(1994):7-225Carnegie Hall concert, v.24, nos.1/2 (1994):32, 33characteristics, v.24, nos.1/2 (1994):18-19current views of, v.24, nos.1/2 (1994):13-15Kansas City jazz, v.24, nos.1/2 (1994):31-32New York jazz, v.24, nos.1/2 (1994):76-77in 1990s, v.24, nos.1/2 (1994):211-25Charlie Parker's significance to, v.24, nos.1/2 (1994):17-25rejection of, v.24, nos.1/2 (1994):13-14roots, v.24, nos.1/2 (1994):28-31Russell as writer on Bebop, v.24, nos.1/2 (1994):44, 45-46in South America, v.24, nos.1/2 (1994):202, 203-09, 207, 209

Jean Cocteau (Picasso), v.23, no.4 (1993):80, 83-84, 85, 89Jeff Dykes Collection. See Dykes (Jeff) CollectionJeffers, Donnan, N.S. no.40 (1987):40Jeffers, Garth, N.S. no.40 (1987):40Jeffers, Robinson



photographs of, N.S. no.40 (1987):20, 37, 58poetry, N.S. no.40 (1987):26-45, 29portrait of, N.S. no.40 (1987):coverspeeches, N.S. no.40 (1987):47-65Tor House, N.S. no.40 (1987):28-30, 29, 30, 40, 49

Jeffers (Robinson) CollectionHRHRC acquisition, N.S. no.40 (1987):21-23poems, N.S. no.40 (1987):25-45speeches, N.S. no.40 (1987):47-65

Jeffers, Una, N.S. no.40 (1987):24, 58, 63Jeffries, Maud, N.S. no.22 (1983):79Jerome, Saint, Letters, v.20, nos.1/2 (1990):140-49, 146, 147Jewish Yiddish and Hebrew Collections, v.27, no.3 (1997):159Jitrik, Noé, v.20, no.3 (1990):18Jno. P. Trlica Collection. See Trlica (Jno. P.) CollectionJoe E. Ward Circus Collection. See Ward (Joe E.) Circus CollectionJofré, María Isabel, v.22, no.3 (1992):85-97John, Augustus, N.S. no.5 (1972):8; N.S. nos.38/39 (1987):16John Benjamin Dancer Collection. See Dancer (John Benjamin) CollectionJohn Carter Catullus Collection. See Carter (John) Catullus CollectionJohn Lane Archive. See Lane (John) Archive"John Masefield: The Development of a Writer" (exhibit), N.S. no.11 (1979):8John Mistletoe (Morley), N.S. no.5 (1972):62Johns, Dr., N.S. no.19 (1982):71, 72Johns, Jasper, N.S. no.28 (1984):163Johnson, James Weldon, v.22, no.4 (1992):69Johnson, Larry, Hopkins Lives, N.S. nos.46/47 (1989):coverJohnson, Lyndon Baines, N.S. no.16 (1981):12Johnson (Lyndon Baines) Library, N.S. no.1 (1970):12-23, 12Johnson, Samuel, v.21, nos.3/4 (1991):12, 14-39, 22Johnson, Wendell Stacy, Gerard Manley Hopkins: The Poet as Victorian, N.S. nos.46/47(1989):92Jolson, Al, N.S. no.22 (1983):9Jones, Jennifer (Selznick)

career under David O. Selznick, N.S. no.24 (1983):108-10marriage to Selznick, N.S. no.24 (1983):110-13photograph from Duel in the Sun, N.S. no.24 (1983):110photograph with Selznick, N.S. no.24 (1983):112photographs from Since You Went Away, N.S. no.24 (1983):108; v.26, no.3(1996):86, 89-90, 95, 99

Jones, LeRoi, v.24, nos.1/2 (1994):47-48, 49, 51Jones, Llewellyn, v.20, no.4 (1991):80Jones, Margo

correspondence with William Inge, v.25, no.2 (1994):35-65HRHRC holdings, v.25, no.1 (1994):135-37, 136photograph of, v.25, no.2 (1994):49regional theater production and direction, v.25, no.2 (1994):35-65season flyer for Margo Jones Theatre, v.25, no.1 (1994):136

Jones, Sir WilliamDissertation sur la Littérature Orientale, v.20, no.3 (1990):54Essay on the Law of Bailments, v.20, no.3 (1990):57Grammar of the Persian Language, v.20, no.3 (1990):52, 61handwritten annotations, v.20, no.3 (1990):53Histoire de Nader Chah, v.20, no.3 (1990):52



HRHRC acquisition of collected works, v.20, no.3 (1990):48, v.20, no.3 (1990):49-63,v.20, no.3 (1990):53, v.20, no.3 (1990):56, v.20, no.3 (1990):61Inquiry into the Legal Mode of Suppressing Riots, v.20, no.3 (1990):57life of, v.20, no.3 (1990):51-63"Oriental" period in his life, v.20, no.3 (1990):54-63Poems, Consisting Chiefly of Translations from Asiatick Languages, v.20, no.3(1990):54-55Poeseos Asiaticae Commentariorum, v.20, no.3 (1990):54portrait of, v.20, no.3 (1990):48translation of the sanskrit drama Sakuntalá, v.20, no.3 (1990):62

Jonson, BenEvery Man in His Humour, v.20, nos.1/2 (1990):41-42, v.20, nos.1/2 (1990):44-45portrait of, N.S. no.10 (1978):55-57, N.S. no.10 (1978):56

Jordan, Duke, v.24, nos.1/2 (1994):160Journal of a Route across India through Egypt to England (Fitzclarence), v.27, no.3(1997):68, v.27, no.3 (1997):98Journalism. See also Emerson, Peter Henry; Magazines; Newspapers; Publishing

audiences and, v.25, no.4 (1995):33-41editors, v.25, no.4 (1995):25-31future of, v.25, no.4 (1995):65-73interviews of George Bernard Shaw, N.S. no.8 (1974):53-59paranoia in democracy and, v.25, no.4 (1995):43-47Smithers's photographic journalism, N.S. no.19 (1982):125-47technology and change, v.25, no.4 (1995):65-73

Journals. See Magazines; and specific titles of journalsJourney From Madras Through the Countries of Mysore Canara andMalabar (Buchanan), v.27, no.3 (1997):90-92Joyce, James

aunt and, N.S. nos.20/21 (1982):61-63censorship of, N.S. nos.20/21 (1982):91-105, N.S. 98cinema and, N.S. nos.20/21 (1982):107-39correspondence, v.20, no.3 (1990):8Nancy Cunard and, N.S. nos.20/21 (1982):80-89described by Djuna Barnes, v.20, no.3 (1990):8HRHRC holdings, N.S. no.37 (1986):9-10; v.22, no.4 (1992):7-8insights about, from Ulysses page proofs, N.S. nos.20/21 (1982):12, 13-27, 16Lucia Joyce and, N.S. nos.20/21 (1982):65-79, 73photographs and illustrations of, N.S. nos.20/21 (1982):cover, 6, 60, 73, 118, 140,158; v.20, no.3 (1990):6politics and, N.S. nos.20/21 (1982):87-89, 155-56Rabelais's literary influence on, N.S. nos.20/21 (1982):159-70reconstructing an authentic version of Ulysses, N.S. no.23 (1983):58-61sketch, N.S. no.5 (1972):8John Sullivan and, N.S. nos.20/21 (1982):80-89Trieste Library, N.S. nos.20/21 (1982):141-57, 149, 152, 153, 159-70Ulysses, v.20, no.3 (1990):7-8Ulysses binding, N.S. no.22 (1983):6Ulysses French translation, N.S. nos.20/21 (1982):29-59, 38, 39, 47, 52, 57Ulysses page proofs, v.20, nos.1/2 (1990):6Ulysses revision and proofreading, N.S. nos.20/21 (1982):12, 13-27, 16

Joyce, LuciaSamuel Beckett and, N.S. nos.20/21 (1982):75-76James Joyce and, N.S. nos.20/21 (1982):65-79, 73life, N.S. nos.20/21 (1982):65-79



papers of, N.S. nos.20/21 (1982):65-79photograph of, N.S. nos.20/21 (1982):64

Joyce, Nora, v.20, no.3 (1990):6Joyce Studies Annual, v.20, no.3 (1990):7-8Jules et Jim (Roché), v.21, nos.1/2 (1991):148-77, 149, 160, 164, 168, 178; v.26, no.3(1996):14Jurassic Park (Crichton), v.25, no.4 (1995):67

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K-118 binding structure. See BookbindingKahlo, Frida, N.S. no.48 (1989):104Kandinsky, Wassily, N.S. no.28 (1984):37Kapitulka, Krystyna, Structural Principles of Gerard Manley Hopkins' Poetry, N.S.nos.46/47 (1989):139Kasimiy, Islamcan, v.27, no.3 (1997):162Kauffer, Edward McKnight, v.22, nos.1/2 (1992):67-70, 69Kauffmann, Stanley

as editor of The Moviegoer, v.22, no.4 (1992):123-43letter from Elizabeth Otis, v.22, no.4 (1992):125photograph of, v.22, no.4 (1992):130

Kawabata, Yasunari, v.26, nos.1/2 (1995):108, 111-14, 113, 258-60Kay, Beatrice, N.S. nos.42/43 (1988):14, 16, 17Kazan, Elia, v.25, no.1 (1994):62; v.25, no.2 (1994):58Keaton, Buster, N.S. no.28 (1984):131Keats, John, Otho the Great, N.S. no.4 (1972):58, 59Kelly, Sir Gerald, N.S. no.3 (1971):50, 51Kelly, P.J., N.S. no.28 (1984):103Kemp, John H., Jr., N.S. no.37 (1986):14, 15Kendall, Messmore, v.25, no.1 (1994):137-38Kennan, Kent, v.22, no.4 (1992):18, 19Kennedy, Adrienne

Funny House of a Negro, v.25, no.1 (1994):109-14, 112-13HRHRC holdings, v.25, no.1 (1994):109-14, 112-14, 138papers, v.22, no.4 (1992):9People Who Led to My Plays, v.22, no.4 (1992):11; v.25, no.1 (1994):109-10, 139photograph of, v.25, no.1 (1994):114

Kennedy, Joseph, Jr., v.25, no.1 (1994):114Kenner, Hugh, N.S. no.23 (1983):50, 51-61; v.26, no.3 (1996):6, 7-8Kennerley, Mitchell, v.26, nos.1/2 (1995):13-15Kennington, Eric, "Matar," N.S. nos.38/39 (1987):coverKepler, Johannes, N.S. no.5 (1972):11, 11Kern, Hal, N.S. no.24 (1983):89Keyes, Evelyn, N.S. no.24 (1983):73Kilian, Lukas, v.26, no.3 (1996):28, 29Killigrew, Thomas, N.S. no.13 (1980):31-38King, Carol Weiss, N.S. no.27 (1984):29-30King Lear (Shakespeare), v.20, nos.1/2 (1990):46-47, 50-58, 53, 154, 156Kingdom of This World (Carpentier), v.26, nos.1/2 (1995):104, 105Kitchin, Xie, N.S. nos.32/33 (1985):211Knopf, Alfred A.

apprenticeship period, v.26, nos.1/2 (1995):21-29donation of personal papers to University of Texas, v.26, nos.1/2 (1995):225-27early publishing career of, v.26, nos.1/2 (1995):31-49



and environmental conservation, v.26, nos.1/2 (1995):249-51exhibit catalog, v.26, nos.1/2 (1995):7-264family of, v.26, nos.1/2 (1995):10, 11-12memoirs, v.22, no.4 (1992):29-49and music, v.26, nos.1/2 (1995):203-15as photographer, v.26, nos.1/2 (1995):166, 167-71, 169photographs of, N.S. no.22 (1983):16, 38; v.22, no.4 (1992):28, 32, 44, 79, 144; v.26,nos.1/2 (1995):6, 10, 193, 202, 248portrait of, v.26, nos.1/2 (1995):cover

Knopf (Alfred A.), Inc.and American fiction, v.26, nos.1/2 (1995):129-55and American poetry, v.26, nos.1/2 (1995):119-27bestsellers of, v.26, nos.1/2 (1995):173-81and book design, v.22, no.4 (1992):85-101; v.26, nos.1/2 (1995):51-57cookbooks published by, v.26, nos.1/2 (1995):193-201detective fiction published by, v.26, nos.1/2 (1995):183-91donation of archives to University of Texas, v.26, nos.1/2 (1995):225-27Dwiggins as book designer, v.22, no.4 (1992):85-101editorial policy, v.22, no.4 (1992):156and English fiction, v.26, nos.1/2 (1995):157-65and European literature, v.26, nos.1/2 (1995):63-87exhibit catalog, v.26, nos.1/2 (1995):7-264fiftieth anniversary sketch, v.22, no.4 (1992):24first ten years, v.22, no.4 (1992):29-49and Harlem Renaissance, v.22, no.4 (1992):65-66, 77-83history published by, v.26, nos.1/2 (1995):240, 241-47Langston Hughes and, v.22, no.4 (1992):51-63, 76-77impact on publishing industry, v.22, no.4 (1992):25-27and Japanese literature, v.26, nos.1/2 (1995):109-17and Latin American literature, N.S. no.22 (1983):17-49; v.26, nos.1/2 (1995):89-107logo, v.22, no.4 (1992):25logo as statue, v.22, no.4 (1992):covermarketing of Mann, v.26, nos.1/2 (1995):73-78; v.26, no.3 (1996):53-81marketing of The Second Sex, v.22, no.4 (1992):103-21merger with Random House, v.26, nos.1/2 (1995):261-64multicultural aspects, v.22, no.4 (1992):51-63, 65-83Nobel Prize winners published by, v.26, nos.1/2 (1995):253-60principal individuals, v.22, no.4 (1992):25-27publication of Bowen's Little Girls, v.26, nos.1/2 (1995):59-61publicity and celebrations, v.26, nos.1/2 (1995):216, 217-23publishing of The Moviegoer, v.22, no.4 (1992):123-43Texas connection, v.26, nos.1/2 (1995):228, 229-39and Van Vechten, v.22, no.4 (1992):65-83

Knopf (Alfred A.) Inc. Archivedescription, v.22, no.4 (1992):145-61donation to University of Texas, v.26, nos.1/2 (1995):225-27editorial files, v.22, no.4 (1992):15, 150-55Latin American literature, N.S. no.22 (1983):17-49New York Public Library holdings, v.22, no.4 (1992):147Publishing, N.S. no.10 (1978):11-12Random House file, v.25, no.2 (1994):21research opportunities, v.22, no.4 (1992):25-27, 145-61

Knopf, Alfred, Jr., v.26, nos.1/2 (1995):30, 261Knopf, Blanche Wolf



correspondence, v.22, no.4 (1992):148-49, 155; v.26, nos.1/2 (1995):35, 36, 61donation of personal papers to University of Texas, v.26, nos.1/2 (1995):225-27exhibit catalog, v.26, nos.1/2 (1995):7-264Langston Hughes and, v.22, no.4 (1992):51-63Alfred Knopf and, v.22, no.4 (1992):37, 42-49Latin American literature and, N.S. no.22 (1983):17-20photographs of, N.S. no.22 (1983):19; v.22, no.4 (1992):39, 44; v.26, nos.1/2(1995):30, 224, 248position at Knopf, Inc., v.22, no.4 (1992):30-31, 77-78, 80-82; v.26, nos.1/2(1995):31, 34Van Vechten and, v.22, no.4 (1992):66, 77-82

Koenig, Juliette, N.S. no.5 (1972):35-37, 36Koester (William H.) Collection

Poe materials, N.S. no.3 (1971):82-87, 82, 85-86Rackham illustrations, N.S. no.3 (1971):19-28

Konai, Rajyadhar, N.S. no.14 (1980):28Kora in Hell (Williams), N.S. no.29 (1984):24-25, 41, 58-60, 95, 97-98Kraft, Hy, v.25, no.1 (1994):138, 141Kramnick, Isaac, v.25, no.3 (1995):23-29Krapp's Last Tape (Beckett), N.S. no.28 (1984):49-50, 105-10, 106, 107, 109Kraus, H.P., N.S. no.2 (1970):10Kreutzer Sonata (Tolstoy), v.21, nos.3/4 (1991):151, 164Kreymborg, Alfred, N.S. no.29 (1984):52-53Krummel, D. W., English Music Printing 1553-1700, v.21, nos.3/4 (1991):130Kuper, Beatrice. See Kay, BeatriceKurtz, Wilbur G., N.S. no.24 (1983):54-55Kuster, Una. See Jeffers, UnaKuznetzov, Pavel, N.S. no.9 (1978):28

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La Farge, Oliver, N.S. no.7 (1974):80, 81-85Lackow, Emanuel

lawsuit against Selznick International Pictures, N.S. no.36 (1986):75-91, 77, 78, 82,83, 86Silver Caravans, N.S. no.36 (1986):75-91, 77, 78

Lacombe & Lacroix, N.S. no.4 (1972):60Ladder (Davis), v.25, no.1 (1994):122Lady Chatterley's Lover (Lawrence). See also First Lady Chatterley

cover, v.26, nos.1/2 (1995):38edited typescript, N.S. no.1 (1970):45-46first editions, N.S. no.1 (1970):45holdings of HRHRC, N.S. nos.44/45 (1989):41Knopf publication of, v.26, nos.1/2 (1995):39

Lady Windermere's Fan (Wilde), v.23, no.1 (1993):47Lahey, Father G.F., Gerard Manley Hopkins, N.S. nos.46/47 (1989):79Lake (Carlton) Collection

Breton manuscripts, N.S. no.16 (1981):16-41Cocteau's Mais oui mais oui...Picasso, v.23, no.4 (1993):79-82, 85French literature, N.S. no.9 (1978):66, 67-73; v.26, no.3 (1996):13-14French music, N.S. nos.25/26 (1984):51-99HRHRC holdings generally, v.25, no.2 (1994):31

Lambert, Constant, N.S. nos.25/26 (1984):104, 107-11, 108Lane (John) Archive, N.S. no.35 (1986):8



Lang, John "Chuk," v.22, nos.1/2 (1992):89, 108Langland, William, Piers Plowman, v.20, nos.1/2 (1990):166, 167-83, 176, 182Lao She, v.27, no.3 (1997):41Larbaud, Valery, N.S. nos.20/21 (1982):28, 29-59LaSalle County Library, N.S. no.1 (1970):54, 55-60Latin America. See also Benson (Nettie Lee) Latin American Collection; Mesoamerica; andspecific countries

art, N.S. no.9 (1978):9literature published by Knopf, N.S. no.22 (1983):17-49; v.26, nos.1/2 (1995):89-107music, v.22, no.3 (1992):108, 109-15, 112, 113serials, v.22, no.3 (1992):98, 99-107, 103, 106

Latin American Collection. See Benson (Nettie Lee) Latin American CollectionLaurencin, Marie

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):14-23, v.21, nos.1/2(1991):17, v.21, nos.1/2 (1991):142, v.21, nos.1/2 (1991):171painting by, v.21, nos.1/2 (1991):17photographs of, v.21, nos.1/2 (1991):14, v.21, nos.1/2 (1991):20, v.21, nos.1/2(1991):21, v.21, nos.1/2 (1991):50

Lavigerie, Bishop, N.S. no.4 (1972):63Law. See Canon lawLawrence, D.H.

correspondence with Marianne Moore, v.22, nos.1/2 (1992):53-59edited typescript, N.S. no.1 (1970):45-46First Lady Chatterley, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54illustration of, N.S. nos.44/45 (1989):40and Knopf, v.26, nos.1/2 (1995):37-39Lady Chatterley's Lover, N.S. no.1 (1970):45-46; v.26, nos.1/2 (1995):38, 39photograph of, v.22, nos.1/2 (1992):57Sea and Sardinia, N.S. no.1 (1970):45Sons and Lovers, N.S. no.1 (1970):45Women in Love, N.S. no.7 (1974):71-79, 76-79works in Modern Movement (book and exhibit), N.S. no.1 (1970):44-46

Lawrence (D.H.) Collectionconservation of, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54First Lady Chatterley, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54Lady Chatterley's Lover, N.S. nos.44/45 (1989):41

Lawrence (Ravagli), FriedaCline's visit with, N.S. no.7 (1974):37-41correspondence, N.S. no.6 (1973):87-105photographs of, N.S. no.6 (1973):86, 102; N.S. no.7 (1974):36

Lawrence, T.E.Arabian scenes, N.S. nos.38/39 (1987):25-39drawing of, N.S. nos.38/39 (1987):16drawings and photographs by, N.S. nos.38/39 (1987):17-39, 21-24, 27-28, 30-31, 33-34, 36, 38HRHRC collection, v.20, no.3 (1990):17-47, 21, 22, 27, v.20, no.3 (1990):38letters, v.20, no.3 (1990):25-28, 30-33materials in miscellaneous file, v.20, no.3 (1990):41-42, 44-45materials in vertical file, v.20, no.3 (1990):33-37, 39-41military architecture, N.S. nos.38/39 (1987):17-25photographs of, v.20, no.3 (1990):16, 24, 43quantitative description of HRHRC collection, v.20, no.3 (1990):23, 25watercolor by, N.S. nos.38/39 (1987):37

Lawrence of Arabia. See Lawrence, T.E.



Lawson, Henry, Poetical Works, N.S. nos.42/43 (1988):43Laxness, Halldor, v.26, nos.1/2 (1995):256-58Laycock, Donald, N.S. nos.42/43 (1988):194Lazarus, George L., N.S. no.3 (1971):cover, 19-28, 21, 24-26LBJ Library. See Lyndon Baines Johnson LibraryLe Carré, John, v.26, nos.1/2 (1995):165Lea (Tom) Collection, N.S. no.10 (1978):7-8Leach, Sally, N.S. no.6 (1973):7-8League of United Latin American Citizens, v.22, no.3 (1992):147Lectures on Natural Philosophy (Bryan), v.25, no.3 (1995):39Lee, Russell, N.S. no.37 (1986):13; N.S. no.40 (1987):15-19, 17, 18Lehman, Ernest

film projects documented, N.S. no.13 (1980):71-81HRHRC holdings, v.25, no.2 (1994):26, 27marginal notes on scripts by, N.S. no.13 (1980):76-77, 79screenplays developed by, N.S. no.13 (1980):71-81sketch by, N.S. no.13 (1980):70

Lehmann, Johncorrespondence with Frank Sargeson, N.S. no.10 (1978):59-71files, v.22, no.4 (1992):10literary material by, v.25, no.3 (1995):103-09

Leigh, Viviencasting as Scarlett O'Hara in Gone With The Wind, N.S. no.24 (1983):12, 28, 47-49make-up test for Gone With The Wind, N.S. no.24 (1983):65Margaret Mitchell on casting Leigh as Scarlett O'Hara, N.S. no.24 (1983):28photograph from Fire over England, N.S. no.24 (1983):48photograph of, N.S. no.16 (1981):6photographs from Gone With The Wind, N.S. no.24 (1983):70, 76, 86; N.S. no.36(1986):21, 46, 53

Leighton, Margaret, v.25, no.2 (1994):76Lely, Peter, v.23, no.1 (1993):121Léon, Paul, N.S. nos.20/21 (1982):117-20, 118León-Portilla, Miguel, Trece poetas de mundo azteca, v.22, no.3 (1992):49Léonce Rosenberg in Uniform (Picasso), v.23, no.4 (1993):83, 86Leopard (di Lampedusa), N.S. no.37 (1986):10-12, 11Let Us Now Praise Famous Men (Agee), v.25, no.2 (1994):103-10, 104, 112, 119Lettering

calligraphy exhibit, N.S. no.27 (1984):9-10, 11by Eric Gill, N.S. no.2 (1970):cover, 15-25, 17-18, 21-22

Letters of James Agee to Father Flye (Agee), v.25, no.2 (1994):95Letters of James Joyce, v.20, no.3 (1990):7-8Letters of Mozart & His Family (Anderson), v.21, nos.3/4 (1991):90Letters of St. Jerome, v.20, nos.1/2 (1990):140-49, 146, 147Letters of the Lady Rachel Russell (Craik), v.23, no.1 (1993):16-17Letters on Natural Magic (Brewster), v.25, no.3 (1995):35, 40-43Levine, David, N.S. no.17 (1981):79Lew David Feldman Lecture in Bibliography. See Feldman (Lew David) Lecture inBibliographyLewis, Sinclair, Main Street, v.25, no.4 (1995):93Lewis, Wyndham

Apes of God, N.S. no.14 (1980):covermarginal notes in personal library of, N.S. no.14 (1980):15-21, 19self-portrait of, N.S. no.14 (1980):14

Lewisohn, Ludwig



Case of Mr. Crump, v.20, no.4 (1991):99-135, 112marriage to Mary Childs, v.20, no.4 (1991):103-04Mid-Channel, v.20, no.4 (1991):128photographs of, v.20, no.4 (1991):98, 109portrayal of marriage to Mary Childs, v.20, no.4 (1991):106relationship with Thelma Spear, v.20, no.4 (1991):107-11, 109

Lewisohn, Marymarriage to Ludwig Lewisohn, v.20, no.4 (1991):104photograph of, v.20, no.4 (1991):131portrayal in Case of Mr. Crump, v.20, no.4 (1991):106

Lewton, Val, N.S. no.24 (1983):32; N.S. no.36 (1986):10, 11-31Lhotak, Zdenek, v.23, no.4 (1993):24Lhote, André

Cocteau portrait, N.S. no.12 (1979):15costume design for A Midsummer Night's Dream, v.23, no.4 (1993):48, 58, 59-63criticism of, N.S. no.12 (1979):18Le Piquey and, N.S. no.12 (1979):12

Liber chronicarum. See Nuremberg ChronicleLiber sextus Decretalium (Bonifacius VIII), v.20, nos.1/2 (1990):136, 137Liberty, v.21, nos.3/4 (1991):148-49, 156Libraries

censorship and, 75-79Dobie essay, N.S. no.1 (1970):54, 55-56learning and, v.21, nos.3/4 (1991):80-93Lyndon Baines Johnson Library, N.S. no.1 (1970):12-23, 12Panizzi as librarian, v.21, nos.3/4 (1991):81-82, 92presidential libraries, N.S. no.1 (1970):13-14, 19-21public libraries and censorship, v.25. no.4 (1995):75-79school libraries and censorship, v.25. No.4 (1995):75-79Texas State Library, N.S. no.6 (1973):78-79E.W. Winkler as librarian, N.S. no.4 (1972):66-71, 66

Library ChronicleASCAP Award for, N.S. no.34 (1986):13-14; N.S. no.41 (1987):15description of, N.S. no.1 (1970):7editors of, v.27, no.3 (1997):7publishing history of, v.27, no.3 (1997):7-8

Library of America, v.25, no.4 (1995):6, 48, 49-55Library of Congress, N.S. no.40 (1987):48, 50-60, 65Lichine, Alexis, v.26, nos.1/2 (1995):196, 197Liddell, Alice, N.S. no.2 (1970):38Liebling, William, v.25, no.2 (1994):16, 18-19Liebling-Wood Agency, v.25, no.2 (1994):16, 18-19Life and Adventures of Martin Chuzzlewit (Dickens), v.25, no.4 (1995):16Life and Landscape of the Norfolk Broads (Emerson), N.S. nos.44/45 (1989):131, 132Life Magazine, N.S. no.48 (1989):108, 109-13, 114-21Life with Father (Day), v.26, nos.1/2 (1995):178, 179Liga Pro-defensa Escobar, v.22, no.3 (1992):132Light in the Forest (Richter), v.26, nos.1/2 (1995):136-38, 137"Liking Being Alive" (Forster), N.S. no.23 (1983):63-79Lin, Kevin, v.27, no.3 (1997):53Lincoln, Abraham, N.S. no.30 (1985):10, 11Linnaeus editions, N.S. no.30 (1985):10Lion, Leon, v.23, no.4 (1993):17, 19Lispector, Clarice, N.S. no.22 (1983):37-40; v.26, nos.1/2 (1995):106-07



Liston, Melba, v.24, nos.1/2 (1994):38Literary agents

authors' personal experiences, v.25, no.4 (1995):97-99Authors' Syndicate, N.S. no.35 (1986):61-87Liebling-Wood Agency, v.25, no.2 (1994):16, 18-19Pinker agency and Galsworthy, N.S. no.6 (1973):61-73Pollinger Agency and Graham Greene, v.25, no.2 (1994):20Audrey Wood as, v.25, no.2 (1994):16, 18-19, 41-44, 58

Literature. See British literature; French literature; Medieval period; Polemic literatureLittle, Betty Greene, v.25, no.2 (1994):49Little Girls (Bowen), v.26, nos.1/2 (1995):58, 59-61Little magazines

HRHRC holdings, v.20, no.4 (1991):89-97modernism and, v.20, no.4 (1991):69-87sample covers and pages, v.20, no.4 (1991):68, 73, 80, 88

Littlewood, Joan, v.27, nos.1/2 (1996):78, 79-88Liturgical music. See Sacred vocal musicLivingston, Bob, v.20, no.3 (1990):82-85, 93Lizardi, José Joaquín Fernández de, El Periquillo sarniento, v.22, no.3 (1992):19Lluelyn, Martin, Men-Miracles. With Other Poemes, N.S. no.2 (1970):60-61, 61Locke, Alain, v.24, nos.1/2 (1994):104, 105-17Logic, history of, N.S. no.14 (1980):12-13Lombard, Peter, Sententiarum Libri IV, N.S. no.48 (1989):48London architecture, N.S. no.15 (1981):cover, 6-48, 6, 8, 12, 13, 14, 18, 19, 21, 22, 25, 26,28, 32, 48"London at Play" (exhibit), N.S. no.16 (1981):8-9London Bridge. See Pont de LondresLondon Labour and the London Poor (Mayhew), N.S. nos.44/45 (1989):88, 96-99, 97, 102"London Paris New York" (exhibit), N.S. no.35 (1986):18-19Look Back in Anger (Osborne), v.27, nos.1/2 (1996):34, 35, 38-40, 103-05Lord Byron Collection. See Byron (Lord) CollectionLost in the Stars (Anderson), v.25, no.1 (1994):26-32, 29-30, 33Lost Ones (Beckett), N.S. no.28 (1984):133-34, 139-40Lost Son (Gore), N.S. no.37 (1986):34Lowell, Robert

correspondence, v.22, nos.1/2 (1992):100-103; v.22, no.4 (1992):8handwritten notes, N.S. no.22 (1983):11HRHRC holdings, N.S. no.22 (1983):10, 12; v.20, no.4 (1991):15photograph of, v.22, nos.1/2 (1992):101

Lowry, Carlos, N.S. no.29 (1984):coverLu Xun, v.27, no.3 (1997):38, 40-41LULAC. See League of United Latin American CitizensLundell, Dr. and Mrs. C.L., N.S. no.11 (1979):6Lundell (C.L.) Collection, N.S. no.6 (1973):10-11Lundell Library, N.S. no.11 (1979):6, 9; N.S. no.30 (1985):9-10Os Lusiadas, N.S. no.5 (1972):9Lustra of Ezra Pound with Earlier Poems (Pound), v.26, nos.1/2 (1995):118, 119-20Luther (Osborne), v.27, nos.1/2 (1996):110-12Lutte du sacerdoce et de l'empire (Gustave), N.S. no.2 (1970):36, 37Lyndon Baines Johnson Library, N.S. no.1 (1970):12-23, 12

M ^-top-^

Maak, John, v.20, no.3 (1990):22-23



Macbeth (Shakespeare), v.27, nos.1/2 (1996):22-23, 23Maccard, Louis, N.S. no.28 (1984):137Macdonald, Ross, v.26, nos.1/2 (1995):190-91MacGowran, Jack, N.S. no.28 (1984):129, 141MacKenzie, Norman H., N.S. nos.46/47 (1989):61, 95MacLeish, Archibald

HRHRC holdings, v.25, no.1 (1994):142photograph of, v.24, nos.1/2 (1994):50relations with Ezra Pound, v.25, no.3 (1995):127-31, 129

Macmillan (publisher), v.23, no.1 (1993):43-44MacNeice, Louis, v.25, no.3 (1995):76, 94-98, 96, 99Madden, Katie, v.20, no.3 (1990):109Mafeking Road (Bosman), N.S. no.4 (1972):32, 34, 37Magazine of Science, and School of Arts, v.24, nos.3/4 (1994):206Magazines. See also Publishing; and specific titles of magazines

American Mercury, v.26, nos.1/2 (1995):39-49, 42audiences and, v.25, no.4 (1995):33-41Chinese literary journals, v.27, no.3 (1997):42-43covers, v.25, no.4 (1995):12, 24, 29, 32, 37, 40editing, v.25, no.4 (1995):25-31future of, v.25, no.4 (1995):33-41Life Magazine, N.S. no.48 (1989):108, 109-13, 114-21little magazines, v.20, no.4 (1991):69-97

Magnus, Laurie, Prayers from the Poets, N.S. nos.46/47 (1989):46Main Street (Lewis), v.25, no.4 (1995):93Mainz, as birthplace of printing, v.21, nos.3/4 (1991):61-79Mais oui mais oui...Picasso (Cocteau)

destruction of, v.23, no.4 (1993):92-104interpretation, v.23, no.4 (1993):79-105preservation of, v.23, no.4 (1993):79-80, 97

Malden, Karl, N.S. no.41 (1987):25Mallarmé, Stéphane, N.S. no.14 (1980):34, 35-45, 38, 44Malone Dies. See Molloy, Malone Dies, The Unnamable (Beckett)MALP. See Mexican American Library ProgramMalraux, André, Espoir (Man's Hope), v.25, no.2 (1994):18, 19Mamet, David, Writing in Restaurants, v.25, no.4 (1995):100Man Ray. See Ray, ManMan Who Loved Children (Stead)

autobiographical aspects, N.S. nos.42/43 (1988):163-67dust jacket, N.S. nos.42/43 (1988):167Jarrell's Introduction, N.S. nos.42/43 (1988):161-77

Manesse Codex, N.S. no.4 (1972):8-9Manessische Lieder-Handschrift. See Manesse CodexMann, Thomas, N.S. no.4 (1972):38, 39; v.26, nos.1/2 (1995):62, 73-78, 75; v.26, no.3(1996):52, 53-81Manning, Susan, N.S. no.28 (1984):66, 97Manos (Orozco), N.S. no.5 (1972):cover, 32, 33-34Man's Path to Happiness and Damnation (Merian), v.26, no.3 (1996):26, 27Mansfield, Katherine, N.S. no.7 (1974):6, 7Mansions and the Shanties (Freyre), v.26, nos.1/2 (1995):98, 99Manuale Sacramentorum, v.22, no.3 (1992):112Manuscript Collection (Pre-1700). See also Manuscripts

Chronicles (Froissart), N.S. nos.44/45 (1989):116conservation of, N.S. nos.44/45 (1989):116, 117-33, 119-20, 123-24, 127-28, 130, 132



Speculum Naturale (Vincent of Beauvais), N.S. nos.44/45 (1989):122-27, 123-24, 127Manuscripts. See also Manuscript Collection (Pre-1700); and individual authors

Breton manuscripts, N.S. no.16 (1981):16-41compared with speech and print, v.20, nos.1/2 (1990):87-109de Bury as collector of, N.S. no.5 (1972):15-16, 23-24, 28early British manuscripts, v.21, nos.3/4 (1991):111-14medieval manuscripts, N.S. no.35 (1986):cover, 88, 89-113, 93, 96, 101, 106Renaissance manuscripts, N.S. no.35 (1986):cover, 88, 89-113, 93, 96, 101, 106

Manutius, Aldus, N.S. no.37 (1986):6, 7-8, 8Maps

of African plane crashes, N.S. no.30 (1985):35of Aztec world, v.22, no.3 (1992):49by Eric Gill, N.S. no.2 (1970):17of Cempoala, v.22, no.3 (1992):coverof Holy Land, N.S. no.10 (1978):coversixteenth-century Latin American maps, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65of Teozacoalco, N.S. no.14 (1980):6Texas maps exhibit, N.S. no.5 (1972):10

Marca-Relli, Conrad, Conversion, N.S. nos.44/45 (1989):81-82, 83-84Marcus (Stanley) Collection of Sicilian Marionettes, N.S. no.48 (1989):10-12Marianne Rodker Collection. See Rodker (Marianne) CollectionMarionettes, N.S. no.48 (1989):10-12Maritain, Jacques, v.21, nos.1/2 (1991):12, 13Markings (Hammarskjöld), v.26, nos.1/2 (1995):180-81Markova, Alicia, v.20, no.4 (1991):10Marks, Alfred, N.S. no.15 (1981):9-11, 15, 20, 23Marshall & Fox, N.S. no.9 (1978):62Marshall, Benjamin Howard, N.S. no.9 (1978):61-65, 62-63Marshall-Walton Papers, N.S. no.9 (1978):61-65, 62-63Martín Fierro (Hernández), v.22, no.3 (1992):16Martin, Steve, v.20, no.3 (1990):8Marvell, Andrew, N.S. no.7 (1974):61Mason, Mrs. See Moore, Margaret Jane King, Second Countess Mount CashellMass in C (Fauré), N.S. nos.25/26 (1984):56Massell, Lillian. See Nardi, MarciaMasters, Edgar Lee, N.S. no.6 (1973):82-85Mathematical Principles of Natural Philosophy (Motte), v.25, no.3 (1995):36, 37Matisse, Henri

illustrations for Les Fleurs du mal, N.S. no.27 (1984):cover, 47-59, 52, 55photograph of, N.S. no.27 (1984):46

Matthews, Larry, N.S. no.5 (1972):6Matthews, Sallie Reynolds, Interwoven: A Pioneer Chronicle, N.S. no.2 (1970):72-73Matthiessen, Peter, v.26, no.3 (1996):9Maude (Rossetti), v.23, no.1 (1993):29Maurice, Thomas, v.27, no.3 (1997):85, 86-87, 88, 89Maurice Saillet Collection. See Saillet (Maurice) CollectionMaverick, Maury, v.26, nos.1/2 (1995):224"Max on View" (exhibit), N.S. no.11 (1979):7Mayhew, Henry, London Labour and the London Poor, N.S. nos.44/45 (1989):88, 96-99, 97,102Mazeppa (Byron), N.S. no.9 (1978):82-86Mazes (Kenner), v.26, no.3 (1996):6, 7McAdoo, William, N.S. nos.42/43 (1988):30McCrae, Hugh, N.S. no.13 (1980):64



McCullers, CarsonBallad of the Sad Cafe, v.25, no.1 (1994):70-71, 74, 76, 77-82, 78-79, 81biography, v.25, no.1 (1994):70-71HRHRC holdings, v.25, no.1 (1994):71-82, 75-76, 78-79, 81, 141-42letter from Tennessee Williams to, v.25, no.1 (1994):78, 80Member of the Wedding, v.25, no.1 (1994):70-73, 75photograph of, v.25, no.1 (1994):81

McCulloch, Ben, N.S. no.41 (1987):13-15McCulloch, Henry, N.S. no.41 (1987):13-15McDaniel, Hattie, N.S. no.24 (1983):50, 76, 87; v.26, no.3 (1996):90McDonald, Jessie

divorce from Conrad Aiken, v.23, no.1 (1993):108-09education, v.23, no.1 (1993):102family life (with Aiken), v.23, no.1 (1993):108family life (with Armstrong), v.23, no.1 (1993):112, 116-17marriage to Martin Donisthorpe Armstrong, v.23, no.1 (1993):111photograph of, v.23, no.1 (1993):113

McDonald Observatory, N.S. no.19 (1982):142, 143McGann, Jerome J., v.27, no.3 (1997):107McGhee, Howard, v.24, nos.1/2 (1994):16McLean, Mrs. Walter, v.20, no.4 (1991):26McLeod, Randall. See Cloud, RandomMcLuhan, Marshall, Gutenberg Galaxy, v.21, nos.3/4 (1991):99McSloy, Jane, Spring, N.S. nos.46/47 (1989):173McWilliams, David Jackson

incunabula in McWilliams bequest, N.S. no.48 (1989):47, 49-67photographs of, N.S. no.48 (1989):42, 46remembered in memorial address, N.S. no.48 (1989):43-47

McWilliams (David Jackson) Collection, N.S. no.48 (1989):47, 48, 49-67, 53, 63, 66Measure for Measure (Shakespeare), N.S. no.11 (1979):73Measuring Up! (Jarry)

text of, N.S. nos.38/39 (1987):61-75translation process, N.S. nos.38/39 (1987):41-59

Medawar, P.B., Future of Man, v.21, nos.3/4 (1991):85Meder, Johannes, N.S. no.48 (1989):58Medieval period

Books of Hours, N.S. no.3 (1971):68-79, 68, 73, 75British manuscripts, v.21, nos.3/4 (1991):113-14Canterbury Tales, N.S. no.41 (1987):83-111, 92, 97, 98, 101, 104, 107, 110Froissart's "Chronicles," N.S. no.22 (1983):51-65Homilies of Gregory the Great, N.S. no.27 (1984):15-16Manesse Codex, N.S. no.4 (1972):8-9manuscripts, N.S. no.35 (1986):cover, 88, 89-113, 93, 96, 101, 106Victorians' fascination with, v.23, no.1 (1993):11

Medieval Scribes, Manuscripts and Libraries (Parkes and Watson), v.21, nos.3/4 (1991):127Megías, Manuel Linares, Gerard Manley Hopkins: Antología Bilingüe, N.S. nos.46/47(1989):110Member of the Wedding (McCullers), v.25, no.1 (1994):70-73, 75Memoirs of Alice Henry (Henry), N.S. nos.42/43 (1988):129-41, N.S. 132Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton (Brewster), v.25, no.3(1995):30Memoria Technica (Dodgson), N.S. no.11 (1979):82, 83-88, 87Memoria Technica (Grey), N.S. no.11 (1979):79-83Men-Miracles. With Other Poemes (Lluelyn), N.S. no.2 (1970):60-61, 61



Mencken, H.L., v.26, nos.1/2 (1995):31-33, 39-49, 41Meng ching yu tsa chung (Yen Mo), v.27, no.3 (1997):64Men of the West, v.20, no.3 (1990):107Mercator, Gerardus, v.23, no.4 (1993):139, 140, 141Mercier and Camier (Beckett), N.S. no.28 (1984):150, 151-53, 152Mercy Street (Sexton), v.25, no.1 (1994):153Meredith, George, N.S. no.6 (1973):56-60, 56Merian, Matthaeus the Elder, v.26, no.3 (1996):26, 27Mermaid with Anchor (Picasso), v.21, nos.1/2 (1991):146Merton, Thomas, N.S. no.1 (1970):26Mertz, Harold E., N.S. nos.42/43 (1988):180, 181-201Merwin, W. S., v.26, nos.1/2 (1995):126Meryon, Charles, N.S. no.2 (1970):85Mesoamerica. See also Latin America

Relaciones Geográficas, v.22, no.3 (1992):cover, 55-67, 57, 60, 61, 64, 65Messager, André Charles Prosper, N.S. nos.25/26 (1984):69, 81-84, 82Metronome, v.24, nos.1/2 (1994):137-59Mexican American Library Program

audiovisual materials, v.22, no.3 (1992):150-53description, v.22, no.3 (1992):133-53history, v.22, no.3 (1992):134Liga Pro-defensa Escobar, v.22, no.3 (1992):132literary manuscripts, v.22, no.3 (1992):134-37, 135organizational records, v.22, no.3 (1992):146-50personal papers, v.22, no.3 (1992):137-46

Mexican War, N.S. no.4 (1972):73-74Mexico

art, N.S. no.5 (1972):32, 33-34; N.S. no.9 (1978):9Benson Latin American Collection, v.22, no.3 (1992):69-83Villalongín (Carlos) Dramatic Company Archives, N.S. no.10 (1978):76, 77-80, 79

MGM, N.S. no.24 (1983):17-18, 23Michener, James A., N.S. no.3 (1971):13-14; v.23, no.4 (1993):13, 15Mid-Channel (Lewisohn), v.20, no.4 (1991):128Middle Ages. See Medieval periodMiddle East, v.20, no.3 (1990):14-15Middle East Cooperative Acquisition Program (MECAP). See PL-480 ProgramMiddle Eastern Collection, v.27, no.3 (1997):153-65Midsummer Night's Dream (Shakespeare)

etchings, v.23, no.4 (1993):42, 61Jean Cocteau production, v.23, no.4 (1993):43-77music, v.23, no.4 (1993):27, 29, 51-54, 57, 59, 63-77

Mikado and Other Plays (Gilbert), v.25, no.4 (1995):56Military architecture, N.S. nos.38/39 (1987):17-25Millar, Kenneth. See Macdonald, RossMiller, Arthur

Death of a Salesman, v.25, no.1 (1994):84-96, 85, 87, 90HRHRC holdings, v.25, no.1 (1994):85-100, 85, 87, 90, 142-45Incident at Vichy, v.25, no.1 (1994):96-100literary career, v.25, no.1 (1994):83-84photograph of, v.25, no.1 (1994):143

Miller, Edward, Prince of Librarians, v.21, nos.3/4 (1991):80Miller, J. Hillis, Disappearance of God, N.S. nos.46/47 (1989):85Miller, Vassar, v.22, nos.1/2 (1992):150-52Miller's Tale (Chaucer), v.20, nos.1/2 (1990):114



Millet, Frank, N.S. no.7 (1974):27-29, 28Milne, James, Romance of a Pro-Consul, N.S. no.11 (1979):19, 20Milne, W. & J., N.S. no.4 (1972):64Milton, John, Paradise Lost, N.S. no.7 (1974):31-35, 33Milutinovic, Iris Osborne, N.S. nos.42/43 (1988):142, 143-59, 151Milutinovic, Milor, N.S. nos.42/43 (1988):142, 144, 158Milward, Peter, N.S. nos.46/47 (1989):74, 98Min qimam al-shi'r al-sha'bi fi al-'Iraq: al-'itabah (Ayid al-Majid), v.27, no.3 (1997):152Minc, Alain, L'informatisation de la société, v.25, no.4 (1995):64Mind of the South (Cash), v.26, nos.1/2 (1995):242-44, 243Mining, N.S. no.9 (1978):6; N.S. no.11 (1979):27-32, 28, 30Minstrel shows and minstrelsy, N.S. no.4 (1972):23-30, 25, 26Miriam Lutcher Stark Library. See Stark (Miriam Lutcher) LibraryMishima, Yukio, v.22, no.4 (1992):158; v.26, nos.1/2 (1995):114-16Miss Lonelyhearts (West), N.S. no.27 (1984):40-41Missions of California, v.20, no.3 (1990):103-04Mistletoe, John, N.S. no.5 (1972):63Mistral, Gabriela

Desolacíon, v.22, no.3 (1992):31drawing of, v.22, no.3 (1992):22letter to Guillermo de Torre, v.22, no.3 (1992):20letters in Benson Latin American Collection, v.20, no.3 (1990):13Nubes blancas, v.22, no.3 (1992):26poetry of, v.22, no.3 (1992):23-33, 26, 31symbolism of, v.22, no.3 (1992):24-33

Mitchell, Cameron, v.25, no.2 (1994):49Mitchell, Margaret

film rights to Gone With The Wind, N.S. no.24 (1983):25-28inscription in Gone With The Wind, N.S. no.24 (1983):25letter on casting Vivien Leigh in Gone With The Wind, N.S. no.24 (1983):28photograph of, N.S. no.24 (1983):29

Mixtec codices, N.S. no.14 (1980):7Mnemonic systems

Dodgson's system, N.S. no.11 (1979):77-88Grey's system, N.S. no.11 (1979):79-83

Modern Movement: One Hundred Key Books from England, France and America, 1880-1950 (exhibit), N.S. no.1 (1970):39-47, 43Modernism

Albert-Birot and, N.S. no.35 (1986):45-59Collins (Carvel) Faulkner Collection, v.20, no.4 (1991):16-35"little magazines," v.20, no.4 (1991):69-87

Moeller, Philip, v.25, no.1 (1994):17, 18, 19, 145-46Moffit, Alexander, N.S. no.1 (1970):6Molino Campos, Florencio, N.S. no.3 (1971):62-67, 62, 64-65, 67Molloy, Malone Dies, the Unnamable (Beckett), N.S. no.28 (1984):53-64, 55-56, 59-61Mondragón, Magdalena, v.22, no.3 (1992):77-78, 79"Monna Innominata" (Rossetti), v.22, nos.1/2 (1992):13-29, 26Monroe, Harriet, v.20, no.4 (1991):77, 78-81, 80Monsarrat, Nicholas, v.26, nos.1/2 (1995):180Monsiváis, Carlos, v.22, no.3 (1992):74, 75-76Monumenta Cartographica Collection, N.S. no.10 (1978):14-15, 15Moon chart, N.S. no.2 (1970):13Moore, Margaret Jane King, Second Countess Mount Cashell, N.S. no.12 (1979):21-22, 24,25-29



Moore, Mariannecorrespondence with, N.S. no.1 (1970):46; v.22, nos.1/2 (1992):8, 52-71, 58, 65Marion Dorn and, v.22, nos.1/2 (1992):67-71drawing of, N.S. no.29 (1984):48as editor of The Dial, v.22, nos.1/2 (1992):53-59Edward McKnight Kauffer and, v.22, nos.1/2 (1992):67-71Alfred Kreymborg and, N.S. no.29 (1984):52-53photographs of, N.S. no.29 (1984):10, 54, 69"Poetry," N.S. no.29 (1984):53, 55on poetry, v.22, nos.1/2 (1992):59-60portraits of, N.S. no.1 (1970):30, 31; v.22, nos.1/2 (1992):52"Roses Only," N.S. no.29 (1984):49-50"Sea Unicorns and Land Unicorns," N.S. no.29 (1984):66-68, 70-73Selected Poems, N.S. no.1 (1970):46William Carlos Williams and, N.S. no.29 (1984):49-73

Moore, R.L., N.S. no.10 (1978):7Moore, Steven, v.22, no.4 (1992):8Moore (Steven) Collection, v.26, no.3 (1996):9-10Morel, Auguste, N.S. nos.20/21 (1982):29-59Morgenstern, Dan, v.24, nos.1/2 (1994):210Morison, Samuel Eliot., v.26, nos.1/2 (1995):244-46Morley, Christopher

John Mistletoe notes, N.S. no.5 (1972):64John Mistletoe's bookshop in Oxford, N.S. no.5 (1972):62personal library of, N.S. no.2 (1970):75-81, 77, 80; N.S. no.5 (1972):63photograph of, N.S. no.2 (1970):74Prefaces Without Books, N.S. no.5 (1972):64Thorofare, N.S. no.5 (1972):61-62

Morrell, Julian, N.S. no.40 (1987):95Morrell, Lady Ottoline, N.S. no.40 (1987):93-94, 98, 107-08, 109Morris, Jane Burden, N.S. no.8 (1974):38Morris, William, N.S. no.27 (1984):9-10, 11Morrow, Vic, N.S. no.14 (1980):87Mors Omnia Aequat (Kilian), v.26, no.3 (1996):28, 29Motion Picture Production Code, N.S. no.36 (1986):18Motte, Andrew, Mathematical Principles of Natural Philosophy, v.25, no.3 (1995):36, 37Moviegoer (Percy), v.22, no.4 (1992):123-43, 137Movies. See Film directors; Films; Screenwriters; and specific film titles, actors, directors,and screenwritersMr. Tasker's Gods (Powys), v.23, no.1 (1993):92-94, 95Mr. Weston's Good Wine (Powys), v.23, no.1 (1993):coverMuch Ado About Nothing (Shakespeare), N.S. no.5 (1972):17-19Munch, Edvard, N.S. no.14 (1980):44Münch, Gerhart, N.S. nos.25/26 (1984):120-27Munsel, Patrice, N.S. no.40 (1987):10, 11"Murder, a Mystery, and a Marriage" (Twain), N.S. no.37 (1986):55-75, 62, 73Murdoch family, N.S. nos.32/33 (1985):189Murphy, Mike, v.23, no.4 (1993):20Murphy (Beckett), N.S. no.28 (1984):43-48, 45-47Murray, Charles Fairfax, N.S. no.10 (1978):81-89Murray, Josephine (Giltrap), N.S. nos.20/21 (1982):61-63Music. See also Bebop; Jazz; and specific musicians

Bachmann (Edwin) Collection, N.S. nos.25/26 (1984):11-23Benson Latin American Collection, v.22, no.3 (1992):109-15



Bowles's score for Williams's Glass Menagerie, v.26, no.3 (1996):16Debussy's Trois Ballades de François Villon, N.S. nos.25/26 (1984):69-99Dixie, N.S. no.4 (1972):25Duel in the Sun, N.S. no.27 (1984):62-91, 70-71, 91Fauré (Gabriel) Manuscript Collection, N.S. nos.25/26 (1984):51-67French music manuscripts of 19th and 20th centuries, N.S. nos.25/26 (1984):7-9Gone With The Wind, N.S. no.24 (1983):88Gostling Manuscript, N.S. no.1 (1970):49and Knopf, v.26, nos.1/2 (1995):203-15Midsummer Night's Dream, v.23, no.4 (1993):27, 29, 51-54, 54, 57, 63-77by Purcell, N.S. no.1 (1970):48Russell (Ross) Collection, N.S. nos.25/26 (1984):137-47sacred vocal music in Cortot Collection, N.S. nos.25/26 (1984):25-49Spellbound, N.S. no.36 (1986):75-91, 77, 79, 82, 83, 86, 89Townsman's music section, N.S. nos.25/26 (1984):119-35Walton's Façade, N.S. nos.25/26 (1984):100-113

My Poor Pnin (Nabokov), N.S. no.17 (1981):79My Sister's Hand in Mine: The Collected Works of Jane Bowles (Capote), v.25, no.2(1994):121-52Myrick, Susan, N.S. no.24 (1983):73Mystères des chambres vides (Cocteau), N.S. no.41 (1987):42-61, 43

N ^-top-^

Nabokov, Vladimircaricature, N.S. no.17 (1981):76HRHRC holdings, N.S. no.17 (1981):76-83My Poor Pnin, N.S. no.17 (1981):79Russian translations, N.S. no.17 (1981):76-83

Nadar, Félixas caricature artist, N.S. no.17 (1981):60, 61-75, 65, 67-68, 71, 73photograph of Mallarmé by, N.S. no.14 (1980):38portrait photograph of Champfleury, N.S. no.17 (1981):74as portrait photographer, N.S. no.14 (1980):35-45

Nadar, Paul, N.S. no.14 (1980):34, 35-45Nahuatl

documentation, v.22, no.3 (1992):41-53glyph from Códice Indígena, v.22, no.3 (1992):45map of Aztec world, v.22, no.3 (1992):49poetry, v.22, no.3 (1992):46, 47-51, 52

Nancy Cunard Collection. See Cunard (Nancy) CollectionNapier, Susan, v.27, no.3 (1997):48Narayan, R.K., v.23, no.4 (1993):14, 15, 16Nardi, Marcia

bohemian lifestyle of, v.22, nos.1/2 (1992):74-76change of name and identity, v.22, nos.1/2 (1992):74-75correspondence, v.22, nos.1/2 (1992):8-9, 72-111letters used in William Carlos Williams's Paterson, v.22, nos.1/2 (1992):74, 82-85, 84,89-95on motherhood, v.22, nos.1/2 (1992):97-98photographs of, v.22, nos.1/2 (1992):72, 78, 108relations with William Carlos Williams, v.22, nos.1/2 (1992):77-78, 81-96, 109-10on women and poetry, v.22, nos.1/2 (1992):78-85

Nardi, Paul, v.22, nos.1/2 (1992):78



Narrative of a Journey Through the Upper Provinces of India from Calcutta to Bombay(Heber), v.27, no.3 (1997):99, 100NARS. See National Archives and Records Service (NARS)Nash, Ogden

correspondence, N.S. no.16 (1981):62-77illustrations by, N.S. no.16 (1981):65, 75photographs of, N.S. no.16 (1981):62, 76

Natchez Trace Collection, N.S. no.35 (1986):9Nathan, George Jean, v.26, nos.1/2 (1995):41Nation, Carrie, v.20, no.4 (1991):13National Archives and Records Service (NARS), N.S. no.1 (1970):13, 16, 21Native Americans. See American Indians"Naturselbstdruck or Nature-Printing: A Unique Printing Technique" (exhibit), N.S. no.11(1979):8Navarro, Theodore "Fats"

Ice Freezes Red, v.24, nos.1/2 (1994):181-99photograph of, v.24, nos.1/2 (1994):188

Nazimova, v.26, no.3 (1996):105Nebrija, Antonio de, N.S. no.7 (1974):64, 66-67Nehru, Jawaharlal, v.27, no.3 (1997):22Neighbours (Houghton), v.23, no.1 (1993):55Nelson, John, v.27, no.3 (1997):48Neoclassical period, N.S. no.5 (1972):43-60Nettie Lee Benson Latin American Collection. See Benson (Nettie Lee) Latin AmericanCollectionNew Land New Languages (Wright), N.S. nos.42/43 (1988):38New Light and the New Photography, v.24, nos.3/4 (1994):256New Negro Movement, v.24, nos.1/2 (1994):105-17New Pictorialist, v.24, nos.3/4 (1994):223New Verse, v.25, no.3 (1995):76, 77-79, 93, 98New World explorers, N.S. no.40 (1987):12, 13-15New Writing, Lehmann as editor, N.S. no.10 (1978):60-71New York City skyscraper etchings, N.S. no.17 (1981):15-29New York in 1867, v.25, no.3 (1995):73-74New York Journal American morgue, N.S. no.2 (1970):83-89New York Mechanics, v.25, no.3 (1995):69-72New York sketches, v.25, no.3 (1995):69-75, 75New York Volunteers, v.25, no.3 (1995):75Newcombe, Capt. Stewart F., v.20, no.3 (1990):29Newman, Ernest, v.26, nos.1/2 (1995):202, 203-07Newspapers. See also Journalism

Daily Telegraph, N.S. no.9 (1978):21-26editing, v.25, no.4 (1995):25-31Garvin as editor, N.S. no.9 (1978):13-27; N.S. no.10 (1978):45-47interviews of George Bernard Shaw, N.S. no.8 (1974):53-59Observer, N.S. no.9 (1978):13-14, 26-27; N.S. no.10 (1978):46-48Outlook, N.S. no.9 (1978):26-27

Newton, Sir Isaac. See also Newtonianscompared to Einstein, N.S. no.12 (1979):63-78engraving of, v.25, no.3 (1995):30influence of, v.25, no.3 (1995):31-46, 35-36, 39, 44Philosophiae Naturalis Principia Mathematica, N.S. no.12 (1979):68-73, 71

Newton (James B.) Collection, N.S. no.40 (1987):10Newtonians



analogy and evasion, v.25, no.3 (1995):38-42HRHRC holdings, v.25, no.3 (1995):31-32, 47-49influence of, v.25, no.3 (1995):43-46, 44legacy of, v.25, no.3 (1995):32-38, 35-36

Next Time I'll Sing to You (Saunders), v.25, no.2 (1994):12, 13, 15Niedecker, Lorine

drawing by, v.22, nos.1/2 (1992):131manuscript collection, v.22, nos.1/2 (1992):9, 112-47, 138photographs of, v.22, nos.1/2 (1992):112, 126poetic techniques, v.22, nos.1/2 (1992):114-16T & G: The Collected Poems, 1936-1966, v.22, nos.1/2 (1992):143Louis Zukofsky and, v.22, nos.1/2 (1992):9, 114-27

Nigger Heaven (Van Vechten), v.22, no.4 (1992):65-83, 73Night of the Iguana (Williams)

sample pages, v.25, no.2 (1994):71, 84staging, v.25, no.2 (1994):76, 81, 82-83themes and symbols, v.25, no.2 (1994):67-89

Nightwood (Barnes), v.23, no.4 (1993):30-32, 30, 34-35Nineteenth century. See specific authors and titles and types of literature, such as BritishliteratureNo No Nanette, v.25, no.1 (1994):126No Nos Tientes, v.22, no.3 (1992):124"No Symbols Where None Intended: Samuel Beckett at the Humanities Research Center"(exhibit), N.S. no.27 (1984):8No Thoroughfare (Dickens and Collins), N.S. no.37 (1986):cover, 38, 39-53, 49, 52Noa, Noa (Agee), v.25, no.2 (1994):113-18Nobel Prize, N.S. no.28 (1984):147; v.26, nos.1/2 (1995):253-60Noël. See Chanson spirituelleNora, Simon, Informatisation de la société, v.25, no.4 (1995):64Not I (Beckett), N.S. no.28 (1984):154, 155-56Not Without Laughter (Hughes), v.22, no.4 (1992):61Nouvelles et textes pour rien. See Stories and Texts for Nothing (Beckett)Novels. See also specific authors and titles

American fiction published by Knopf, v.26, nos.1/2 (1995):129-55bestsellers published by Knopf, v.26, nos.1/2 (1995):173-81detective fiction published by Knopf, v.26, nos.1/2 (1995):183-91dime novels, N.S. no.9 (1978):7; N.S. no.10 (1978):72, 73-75English fiction published by Knopf, v.26, nos.1/2 (1995):157-65errors in Fitzgerald's Great Gatsby, v.21, nos.3/4 (1991):40-59publishing of fiction, v.25, no.4 (1995):101-05religious fiction, v.23, no.1 (1993):11-31, 74Steven Moore Collection of late twentieth-century authors, v.26, no.3 (1996):9-10Texas fiction, N.S. no.16 (1981):107-09Victorian industrial novel, N.S. no.37 (1986):20, 21-27, 25Victorian novels, N.S. no.37 (1986):29-37, 34Wolff Collection of nineteenth-century fiction, N.S. no.30 (1985):8-9

Nubes blancas (Mistral), v.22, no.3 (1992):26Nuremberg Chronicle, N.S. no.10 (1978):14, 15

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O. Henry, N.S. no.3 (1971):89-90Oberland (Richardson), v.23, no.1 (1993):67Obras inéditas de Quintana, N.S. no.5 (1972):46, 49-60



Obscene Bird of Night (Donoso), N.S. no.22 (1983):48 , v.26, nos.1/2 (1995):88, 106Obscenity and Joyce's Ulysses, N.S. nos.20/21 (1982):91-105, 98Observer, N.S. no.9 (1978):13-14, 26-27; N.S. no.10 (1978):46-48Oca, Ignacio Montes de, v.22, no.3 (1992):72, 73Odets, Clifford, v.25, no.1 (1994):146Odle, Alan, v.23, no.1 (1993):54, 59Oe, Kenzaburo, v.26, nos.1/2 (1995):116-17; v.27, no.3 (1997):48, 51, 54-59, 56Oh les beaux jours. See Happy Days (Beckett)O'Hara, John, N.S. no.2 (1970):88O'Hara, Scarlett. See Leigh, VivienOld Man and the Sea (Hemingway), N.S. no.30 (1985):25-30"Old Women" (Powys), v.23, no.1 (1993):83Oldmeadow, Ernest, N.S. no.16 (1981):42-61Olive (Craik), v.23, no.1 (1993):17Olivier, Laurence, N.S. no.24 (1983):107; v.27, nos.1/2 (1996):17-19, 18, 107, 171Olson, Charles, N.S. no.14 (1980):46, 47-65, 61On the Banks of the Wabash (Dresser), v.24, nos.1/2 (1994):169-81Once and Future King (White), v.23, no.4 (1993):107-12, 117-28One Hundred Modern Books (exhibit), N.S. no.5 (1972):8, 8O'Neal, Patrick, v.25, no.2 (1994):76O'Neill, Eugene, v.25, no.1 (1994):146-47Ong, Father Walter J., N.S. no.4 (1972):49-50"Open" (Delgado), v.22, no.3 (1992):135"Open Letter to His Eminence the Cardinal Archbishop of Westminster" (Waugh), N.S.no.16 (1981):51-61Opera dei Pupi, N.S. no.48 (1989):10-12"Optic Nerve: The American Avant-Garde, 1940-80" (exhibit), N.S. no.16 (1981):7-8Opuscules sacrés, N.S. nos.25/26 (1984):47O'Quinn, Trueman E., N.S. no.3 (1971):88, 89-90O'Reilly, Montagu. See Andrews, WayneOriental Memoirs (Forbes), v.27, no.3 (1997):92, 95, 96-97Origin of Finger-Printing (Herschel), N.S. no.14 (1980):23-32, 27Orlando Furioso (Ariosto), N.S. no.48 (1989):11-12; v.20, nos.1/2 (1990):61-85Orlando Innamorato (Boiardo), N.S. no.48 (1989):11-12Orozco, José Clemente, Manos, N.S. no.5 (1972):cover, 32, 33-34Orphée (Cocteau)

compared to "Mystères des chambres vides," N.S. no.41 (1987):48-57photograph of, N.S. no.41 (1987):53sketches of, N.S. no.41 (1987):50, 54

Ortelius, Abraham, v.23, no.4 (1993):130, 131-43, 134, 137Orton, Joe, v.27, nos.1/2 (1996):93-96Osborn (James Marshall and Marie-Louise) Collection

bookplate, N.S. no.5 (1972):14description, N.S. no.5 (1972):15-29indexing of, N.S. no.5 (1972):20-21Philobiblon, N.S. no.5 (1972):15, 23-24, 28

Osborne, John, v.23, no.4 (1993):8, 9; v.26, no.3 (1996):16; v.27, nos.1/2 (1996):34, 35, 38-40, 101-23, 114, 119-20, 131-32O'Shea, Daniel T., N.S. no.36 (1986):64Otavalo (Bonar), N.S. no.35 (1986):14-15, 15Othello (Shakespeare), N.S. no.22 (1983):67-87, 85Other Texas Frontier (Ransom), N.S. no.30 (1985):12-13Otho the Great (Keats), N.S. no.4 (1972):58, 59Otis, Elizabeth, v.22, no.4 (1992):125



Out in the World (Bowles), v.25, no.2 (1994):121-69, 125, 128, 139-40, 153-54Outlook, N.S. no.9 (1978):26-27Ouyang Zi, v.27, no.3 (1997):45Owens, Thomas, v.24, nos.1/2 (1994):210Oz, Amos, v.27, no.3 (1997):157

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Paine, Thomas, v.20, no.3 (1990):67Paintings. See also Art; and specific painters

conservation of, N.S. nos.44/45 (1989):79-85, 83-84of Molino Campos, N.S. no.3 (1971):62-67, 62, 64-65, 67

Palm-Wine Drinkard (Tutuola), v.20, no.3 (1990):8; v.27, no.3 (1997):105-06, 107-23, 118Palmer, Nettie

correspondence with Grattan, N.S. nos.42/43 (1988):60-63, 123-24Alice Henry's memoirs and, N.S. nos.42/43 (1988):130-33, 141

Panizzi, Sir Antonio, v.21, nos.3/4 (1991):80, 81-82, 90, 92Panthologia (Rainerius de Pisis), v.22, no.3 (1992):63Papyrus collection, N.S. no.35 (1986):8-9Par la taille (Jarry)

holograph manuscript, N.S. nos.38/39 (1987):60libretto cover, N.S. nos.38/39 (1987):51text of Measuring Up!, N.S. nos.38/39 (1987):61-75translation process, N.S. nos.38/39 (1987):41-59

Paradise. See Islamic ParadiseParadise Lost (Milton), N.S. no.7 (1974):31-35, 33Paramount, N.S. no.24 (1983):19-20Paris, photographs of, N.S. no.48 (1989):108, 109-13, 114-21Paris Commune, N.S. no.30 (1985):10Parker, Bart, v.23, no.4 (1993):21Parker, Charlie. See also Bebop

at Billy Berg's in Los Angeles, v.24, nos.1/2 (1994):36, 53, 67, 69biography, N.S. nos.25/26 (1984):138, 145-46Birdland jazz club, v.24, nos.1/2 (1994):42, 77death, v.24, nos.1/2 (1994):43Dial Record contract, v.24, nos.1/2 (1994):21-22, 36-37, 85, 86Dial record labels, v.24, nos.1/2 (1994):cover, 97Dial recordings, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103Donna Lee, v.24, nos.1/2 (1994):161-64in Earl Hines Band, v.24, nos.1/2 (1994):60early life, v.24, nos.1/2 (1994):54-55early performances and recordings, v.24, nos.1/2 (1994):19-25, 34-36, 55-57, 61-67Embraceable You, v.24, nos.1/2 (1994):71-73Dizzy Gillespie's work with, v.24, nos.1/2 (1994):34-36, 57-70Koko, v.24, nos.1/2 (1994):62-67Lady Be Good, v.24, nos.1/2 (1994):68, 70at Minton's Playhouse, v.24, nos.1/2 (1994):34-35nickname, v.24, nos.1/2 (1994):56Ornithology sheet music cover, v.24, nos.1/2 (1994):59Parker's Mood, v.24, nos.1/2 (1994):74-76personal problems, v.24, nos.1/2 (1994):22, 24-25, 37, 39, 42-43, 70, 89-91photographs of, N.S. nos.25/26 (1984):136; v.24, nos.1/2 (1994):6, 23, 52, 69, 77,148, 160, 202, 222record album cover, v.24, nos.1/2 (1994):41



recording contract, N.S. nos.25/26 (1984):144Red Rodney on, v.24, nos.1/2 (1994):223-24royalties, v.24, nos.1/2 (1994):36-37, 89Russell as biographer, v.24, nos.1/2 (1994):7-11significance, v.24, nos.1/2 (1994):17-25, 53-54string ensemble, v.24, nos.1/2 (1994):77, 77style development, v.24, nos.1/2 (1994):55-57Three Deuces Club card with Parker's handwriting, v.24, nos.1/2 (1994):101

Parkes, M.B., Medieval Scribes, Manuscripts and Libraries, v.21, nos.3/4 (1991):127Parsons, Edward Alexander

owner of "Chronicles," N.S. no.22 (1983):54-56, 58photograph of, N.S. no.30 (1985):72

Parsons Collectionengraved illustrations, N.S. no.30 (1985):75, 78history of HRHRC's acquisition of, N.S. no.30 (1985):73-81lithograph of Pompeian mural, N.S. no.30 (1985):coverrare books, N.S. no.30 (1985):73-81

Pas Moi. See Not I (Beckett)Pascal Covici Collection. See Covici (Pascal) CollectionPassmore, John, N.S. nos.42/43 (1988):188, 193Pasternak, Leonid Ossipovitch, N.S. no.6 (1973):74, 75Pastor, Tony

biography, v.25, no.3 (1995):50, 51-52HRHRC holdings, v.25, no.1 (1994):147-48memorabilia, v.25, no.3 (1995):53, 58, 61, 64, 75New York sketches, v.25, no.3 (1995):69-75, 75photograph of, v.25, no.3 (1995):50theaters, v.25, no.3 (1995):51-75in vaudeville, v.25, no.3 (1995):50, 51-75, 53, 58, 61, 64, 75

Pastor (Tony) CollectionNew York sketches, v.25, no.3 (1995):69-75, 75vaudeville materials, v.25, no.3 (1995):51-75

Paterson (Williams), N.S. no.29 (1984):27, 31-32; v.22, nos.1/2 (1992):74, 82-85, 84, 89-95,92Paton, Alan, v.22, no.4 (1992):13; v.25, no.1 (1994):33Patrice Munsel Collection. See Munsel, PatricePatrick Mainer Hines Collection. See Hines, Patrick MainerPatteson Photography Studio, v.22, no.4 (1992):22, 23Paul and Jane Bowles Collection. See Bowles (Paul and Jane) CollectionPaulhan, Jean, v.21, nos.1/2 (1991):167Payne, B. Iden, N.S. no.19 (1982):12-13, 14Payne, John, N.S. no.6 (1973):7-8Peace, John, N.S. no.6 (1973):107-7, 107Peck, Gregory, N.S. no.24 (1983):110; N.S. no.27 (1984):75Peden, Margaret Sayers, v.22, no.4 (1992):14Pelorson, George, v.25, no.2 (1994):20Pénélope (Fauré), N.S. nos.25/26 (1984):58-60, 62Pennell, Joseph, N.S. no.17 (1981):cover, 14, 15-29, 21, 23, 25, 28Pennington (Harry, Jr.) Collection, N.S. no.16 (1981):14, 15People (magazine), v.25, no.4 (1995):37People Who Led to My Plays (Kennedy), v.22, no.4 (1992):11; v.25, no.1 (1994):109-10,139Percy, Walker, v.22, no.4 (1992):122, 123-43, 137Pérez, Antonio, N.S. no.8 (1974):70



Pericles (Shakespeare), v.20, nos.1/2 (1990):47-50, 48,Péridier Astronomical Library, N.S. no.2 (1970):12-13, 13Periodicals. See Magazines; and names of specific periodicalsPeriquillo sarniento (Lizardi), v.22, no.3 (1992):19Perot, H. Ross, N.S. no.35 (1986):6Perry, George Sessions

Calithump, N.S. no.2 (1970):64-66, 65Hold Autumn in Your Hand, N.S. no.2 (1970):67-69, 68photograph of, N.S. no.2 (1970):62

Perry (George Sessions) Manuscript Collection, N.S. no.2 (1970):63-71Persian and Anatolian textile collection, v.27, no.3 (1997):cover, 125-51, 136, 137, 139,140, 143, 144, 146, 147, 149, 150Persian Collection, v.27, no.3 (1997):159-60Peru, Bebop tradition in, v.24, nos.1/2 (1994):208Peters (A.D.) Agency, v.25, no.3 (1995):80, 83Pforzheimer Library, N.S. no.35 (1986):6, 7-8; N.S. no.48 (1989):7Phillip J. Jaffé. See Jaffé (Phillip J.) CollectionPhillpotts, Henry, Bishop of Exeter, v.23, no.1 (1993):24Philobiblon, N.S. no.5 (1972):15, 23-24, 28Philosophiae Naturalis Principia Mathematica (Newton), N.S. no.12 (1979):68-73, 71Photo * Letter, Journal of the Texas Photographic Society, v.24, nos.3/4 (1994):33Photo arts, v.24, nos.3/4 (1994):244Photo Technique, v.24, nos.3/4 (1994):255Photogram, v.24, nos.3/4 (1994):260-61Photograms of the Year, v.24, nos.3/4 (1994):21, 259Photographers. See Photography; and specific photographersPhotographer's Friend, v.24, nos.3/4 (1994):266Photographer's Record, v.24, nos.3/4 (1994):267Photographic Art Journal, v.24, nos.3/4 (1994):270Photographic Journal, v.24, nos.3/4 (1994):282Photographie: Arts et Métiers Graphiques Paris, v.24, nos.3/4 (1994):297Photography. See also Photography Collection; and specific photographers

aerial photography, N.S. no.19 (1982):129, 136by Cameron, 7-195, v.26, no.3 (1996):cover"Camera Obscura" exhibit, N.S. no.10 (1978):7carte-de-visite, N.S. no.4 (1972):60, 61-65cellulose nitrate film, N.S. no.19 (1982):167-78combination printing, N.S. no.19 (1982):79-80, 82composite photography, N.S. no.19 (1982):79-101conservation, N.S. no.19 (1982):167-78current serial holdings, v.24, nos.3/4 (1994):371-410Czechoslovakian photography exhibit, v.23, no.4 (1993):23-25, 23, 24Dancer's contributions, N.S. no.19 (1982):53-58Elisofon archive, v.26, no.3 (1996):17, 19, 20ethnographic photography, N.S. no.19 (1982):149-65exhibit of nineteenth-century photography, N.S. no.3 (1971):11-12, 12exhibit on history of, N.S. no.13 (1980):9Gernsheim Collection, v.24, nos.3/4 (1994):7-35Henle Collection, N.S. no.48 (1989):87-121, 92-108, 114-21London architecture, N.S. no.15 (1981):6-30motion picture photography, N.S. no.19 (1982):141in nineteenth century, N.S. no.4 (1972):60-65, 60photo albums, N.S. no.4 (1972):61-62, 65pictorialism, N.S. no.37 (1986):14, 15



portrait photography of Mallarmé by Nadar, N.S. no.14 (1980):34, 35-45, 38retrospective serials holdings, v.24, nos.3/4 (1994):39-369Robinson Photography Collection, N.S. no.19 (1982):79-101Russian photography, v.26, no.3 (1996):17, 18serials holdings of HRHRC, v.24, nos.3/4 (1994):7-411Smithers's photographic journalism, N.S. no.19 (1982):125-47stereoscopic photography, N.S. no.19 (1982):59-60straight photography, N.S. no.19 (1982):103-23Texas photographers, N.S. no.35 (1986):14, 16; v.23, no.4 (1993):21; v.26, no.3(1996):20, 21Victorian photography, N.S. no.5 (1972):68-81women photographers exhibit, v.25, no.2 (1994):23, 24-25

Photography (journal), v.24, nos.3/4 (1994):310"Photography: A Surrealist Dream Come True" (exhibit), v.25, no.2 (1994):23, 27Photography Collection. See also Gernsheim Collection; Photography

Bonar's Otavalo, N.S. no.35 (1986):14, 15Ciol photographs, N.S. no.35 (1986):13Color Portfolio of Harry Callahan, N.S. no.30 (1985):10conservation of, N.S. nos.44/45 (1989):129-31, 130Czechoslovakian photographs, v.23, no.4 (1993):25De Witt's photographs, v.23, no.4 (1993):21description of, v.24, nos.3/4 (1994):7-35Emerson's Life and Landscape of Norfolk Broads, N.S. nos.44/45 (1989):131, 132Enos's photographs, v.23, no.4 (1993):21, 22, 25Frith's Elgin Cathedral, N.S. no.35 (1986):11-13, N.S. 12Kemp's pictorial photography, N.S. no.37 (1986):14, 15Lincoln portraits, N.S. no.30 (1985):10nineteenth-century photographic and photomechanical reproduction processes, N.S.no.34 (1986):18Parker's photographs, v.23, no.4 (1993):21Patteson Photography Studio materials, v.22, nos.1/2 (1992):23photography serials holdings, v.24, nos.3/4 (1994):7-411Rephotographic Survey Project, N.S. no.34 (1986):18-19Russian photographs, v.26, no.3 (1996):17, 18Skaaren archive, v.23, no.4 (1993):19Edward Steichen prints acquired, N.S. no.22 (1983):10Steichen's photographs, N.S. no.22 (1983):10Texas photographers, N.S. no.35 (1986):14, 16; v.23, no.4 (1993):21; v.26, no.3(1996):20, 21

Photo-Miniature, v.24, nos.3/4 (1994):251-52Photo-Secession, N.S. no.19 (1982):103-05, 109Physics. See also specific physicists

Copernicanism, N.S. no.12 (1979):65-66Galileo's contribution, N.S. no.12 (1979):66Newtonians, v.25, no.3 (1995):31-49

Pia de' Tolomei (Rossetti), N.S. no.8 (1974):38, 39-40Picabia, Francis, v.21, nos.1/2 (1991):20, 78, 82Picasso, Olga, v.21, nos.1/2 (1991):42Picasso, Pablo

Ambrose Vollard, v.23, no.4 (1993):83, 87correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):38-43, 40cubism, v.23, no.4 (1993):83, 93Fenêtre ouverte, v.21, nos.1/2 (1991):41influence on Jean Cocteau, N.S. no.41 (1987):42, 44



Jean Cocteau, v.23, no.4 (1993):80, 83-84, 83, 89Léonce Rosenberg in Uniform, v.23, no.4 (1993):83, 86Mermaid with Anchor, v.21, nos.1/2 (1991):146photographs of, v.21, nos.1/2 (1991):39, 42, 122; v.23, no.4 (1993):88relationship with Cocteau, v.23, no.4 (1993):79-80, 83-84, 89sketches by, N.S. no.28 (1984):33; N.S. no.41 (1987):45

Pickford, Mary, N.S. no.22 (1983):9Picnic (Inge), v.25, no.2 (1994):50, 52, 62-66"Picture Making by Photography" (exhibit), N.S. no.11 (1979):7Picture Post, v.24, nos.3/4 (1994):315Piers Plowman (Langland), v.20, nos.1/2 (1990):166, 167-83, 176, 183Piety of Victorian women, v.23, no.1 (1993):11-31Pilgrimage (Richardson), v.23, no.1 (1993):52-54, 53Ping (Beckett), N.S. no.28 (1984):133-34, 138Pinker, Eric, N.S. no.6 (1973):62, 71Pinker, James Brand

Arnold Bennett's correspondence with, N.S. no.2 (1970):31-35Galsworthy's correspondence with, N.S. no.6 (1973):61-73Huxley's correspondence with, N.S. no.2 (1970):28-30, 30

Pinter, Harold, v.26, no.3 (1996):15-16; v.27, nos.1/2 (1996):8, 139-48, 143Pisan Cantos (Pound), N.S. no.29 (1984):27PL-480 Program, v.27, no.3 (1997):62, 65, 154-55Plague (Camus), v.26, nos.1/2 (1995):81-82, 83Plain Wrapper Press, N.S. no.23 (1983):8-9Plaine and perfect Method for the easie Understanding of the whole Bible (Vaughan), v.20,nos.1/2 (1990):86"Plans for Work: October, 1937" (Agee), v.25, no.2 (1994):101-03Plath, Sylvia, v.26, nos.1/2 (1995):126-27Play (Beckett), N.S. no.28 (1984):129-30Plays. See Theater arts; and specific playsPlaywrights. See Theater arts; and names of specific playwrightsPlenty (Hare), v.25, no.2 (1994):14, 15Plunkett, Walter

costume designer for Gone With The Wind, N.S. no.24 (1983):62-63, 66-68, 68; N.S.no.36 (1986):32, 33-55, 36, 37costume illustrations, N.S. no.24 (1983):68; N.S. no.36 (1986):36, 37photographs of, N.S. no.24 (1983):63; N.S. no.36 (1986):32

Plural, v.22, no.3 (1992):106Poe, Edgar Allan

etching of, N.S. no.3 (1971):82manuscripts, N.S. no.3 (1971):83-87, 85-86Rackham's illustrations for works by, N.S. no.3 (1971):cover, 26, 28

Poems (Eliot), v.26, nos.1/2 (1995):121, 122Poems (Wilde), v.23, no.1 (1993):44-45Poems, Consisting Chiefly of Translations from Asiatik Languages (Jones), v.20, no.3(1990):54-55Poems of Gerard Manley Hopkins, N.S. nos.46/47 (1989):61Poeseos Asiaticae Commentariorum (Jones), v.20, no.3 (1990):54Poesías de D. Manuel Josef Quintana, N.S. no.5 (1972):43-44, 45, 48Poetical and Prose Works of Oliver Goldsmith, N.S. nos.44/45 (1989):86, 88, 95-96, 102Poetical Works of Henry Lawson (Lawson), N.S. nos.42/43 (1988):43Poetry. See also individual poets

American poetry published by Knopf, v.26, nos.1/2 (1995):119-27Beat poets, v.24, nos.1/2 (1994):46-47



British poets of 1930s, v.25, no.3 (1995):77-109Chili, v.22, no.3 (1992):23-33, 26, 31democracy and, N.S. no.40 (1987):47-65eighteenth-century poetry catalog, N.S. no.13 (1980):39-63Medieval poetry, N.S. no.4 (1972):8-9Nahuatl poetry, v.22, no.3 (1992):47-51Romantic poetry, N.S. no.41 (1987):63-81seventeenth-century English poetry, N.S. no.13 (1980):31-63Spanish poetry, N.S. no.5 (1972):43-60"Texas Poets/Poets in Texas" exhibit, N.S. no.35 (1986):16-18

"Poetry" (Moore), N.S. no.29 (1984):53, N.S. no.29 (1984):55Poetry: A Magazine of Verse, v.20, no.4 (1991):73, 75-81Polemic literature

characteristics of, v.25, no.3 (1995):14, 17, 21, 29Remarks on the History of England, v.25, no.3 (1995):6, 7-29, 9, 19, 27

Polk, Oscar, N.S. no.24 (1983):87Polliger Agency, v.25, no.2 (1994):20Polychronicon, v.21, nos.3/4 (1991):77Pomeranz, Victory, v.22, no.4 (1992):7Pont de Londres (Céline), N.S. no.9 (1978):68-71Popular imagery. See also Popular Imagery Collection

calendars, N.S. no.4 (1972):56, 57Dance of Death motif, N.S. no.4 (1972):55-56, 55engravings, N.S. no.4 (1972):cover, 48, 49, 51, 53-57etchings, N.S. no.4 (1972):54European imagery, N.S. no.4 (1972):cover, 49-57, 51, 53-57HRHRC holdings, N.S. no.4 (1972):49-57W.J. Ong and, N.S. no.4 (1972):49-50woodcuts, N.S. no.4 (1972):56-57, 56

Popular Imagery Collection. See also Popular imagerybroadsides, N.S. no.4 (1972):56-57, 57description, N.S. no.4 (1972):49-57emblem books, N.S. no.11 (1979):39emblematic broadsides, N.S. no.11 (1979):39, 62rhetoric of death and "knowledge," v.26, no.3 (1996):23-51

Portal, Magda, v.20, no.3 (1990):14Portrait photography. See Photography; and individual photographersPosters

circus posters, N.S. no.12 (1979):92, 93-101, 98, 100Cuban film posters collection, N.S. no.19 (1982):11, 13movie posters exhibit, N.S. no.14 (1980):10-11

Potter, Tommy, v.24, nos.1/2 (1994):160Potting Shed (Greene), v.20, no.4 (1991):57Pound, Ezra

ABC of Reading, v.20, nos.1/2 (1990):14-17, 19, 22Canto 78, N.S. no.29 (1984):29-30Cantos of Ezra Pound, v.20, nos.1/2 (1990):19, 22, 23, 24, 27, 29, 31, 33-34Cantos of Ezra Pound: Some Testimonies, v.25, no.3 (1995):129, 131Cathay, N.S. no.23 (1983):54-56, 57Contempo and, v.25, no.3 (1995):111-24, 119-20, 127-31correspondence, N.S. nos.25/26 (1984):119-35; v.22, no.4 (1992):8, 14Draft of the Cantos 17-27, v.20, nos.1/2 (1990):20Draft of XVI.Cantos, v.20, nos.1/2 (1990):18, 32Draft of XXX Cantos, v.25, no.3 (1995):113, 124, 126, 127-31



essays on music, N.S. nos.25/26 (1984):120-22friendship with William Carlos Williams, N.S. no.29 (1984):11-20, 35-36influence of World War II, N.S. no.29 (1984):27, 29-30Lustra of Ezra Pound with Earlier Poems, v.26, nos.1/2 (1995):118, 119-20on Poetry, v.20, no.4 (1991):76-79painting of, N.S. nos.25/26 (1984):118personal library, N.S. no.17 (1981):30-45photographs of, N.S. no.17 (1981):30, 34, 39; N.S. no.29 (1984):13, 16; v.25, no.3(1995):110Pisan Cantos, N.S. no.29 (1984):27relations with Archibald MacLeish, v.25, no.3 (1995):127-31, 129Testament de Villon, N.S. nos.25/26 (1984):120-22waning literary influence, v.25, no.3 (1995):112-15

Powell (Ernest) Collection, v.27, no.3 (1997):10, 11-37Powell, William, N.S. no.24 (1983):20Power and the Glory: A New Novel (Greene), v.20, no.4 (1991):9, 41Powys, John Cowper, v.23, no.1 (1993):55-57, 56, 62Powys, Llewelyn, v.23, no.1 (1993):73Powys, Theodore F.

childhood, v.23, no.1 (1993):74-75"Ezekiel," v.23, no.1 (1993):90family, v.23, no.1 (1993):71, 94fictional representation of Mary Stracey, v.23, no.1 (1993):81-82Interpretation of Genesis, v.23, no.1 (1993):85-87interpretation of the Bible, v.23, no.1 (1993):82-87Mr. Tasker's Gods, v.23, no.1 (1993):92-94, 95Mr. Weston's Good Wine, v.23, no.1 (1993):cover"Old Women," v.23, no.1 (1993):83photograph of, v.23, no.1 (1993):70relationship with Mary Stracey, v.23, no.1 (1993):71-97

Powys Family Collection, v.23, no.1 (1993):60-61Practical and the Pictorial Photographer, v.24, nos.3/4 (1994):322Prados, Emilio, N.S. no.13 (1980):12Preceptor (Dodsley), v.21, nos.3/4 (1991):29Prefaces Without Books (Morley), N.S. no.5 (1972):64Prelude (Wordsworth), v.20, nos.1/2 (1990):155Pre-Raphaelite Brotherhood, N.S. no.41 (1987):65Preservation Program of General Libraries, N.S. nos.44/45 (1989):156, 157-63, 159, 162Presidency, U.S., N.S. no.1 (1970):14-15Presidential libraries. See Libraries; Lyndon Baines Johnson LibraryPresidential Libraries Act of 1955, N.S. no.1 (1970):14Presidential papers, United States

availability, N.S. no.1 (1970):19-22description, N.S. no.1 (1970):13-14, 15-16Johnson (Lyndon Baines) papers, N.S. no.1 (1970):13, 16-19

Prichard, Katherine Susannah, N.S. nos.42/43 (1988):62, 64Prideaux, Sarah Treverbian, N.S. no.16 (1981):103-05, 104Prince of Librarians (Miller), v.21, nos.3/4 (1991):80Prince's Progress and Other Poems (Rossetti), v.22, nos.1/2 (1992):25Princess of Wales, N.S. no.4 (1972):63Pringle, Alan, v.27, no.3 (1997):107-08, 112Printing. See also Gutenberg Bible; and names of specific printers

Samuel Bangs as printer, N.S. no.3 (1971):58-61British history of, v.21, nos.3/4 (1991):93-145



compared with speech and manuscripts, v.20, nos.1/2 (1990):87-109editing texts in first years of printing, v.20, nos.1/2 (1990):127-49fifteenth-century printing, N.S. no.10 (1978):13-36, 15, 24invention of, v.21, nos.3/4 (1991):61-79music publishing and printing from 16th through 19th centuries, N.S. nos.25/26(1984):12-23Russian art books, N.S. no.9 (1978):28, 29-37, 32, 34-35, 37stages in authorship-publishing relationship, v.20, nos.1/2 (1990):116-17, 119sueltas, N.S. no.4 (1972):44-47, 44

Prodigal Son Parable, N.S. no.48 (1989):58Prolusions; or Select Pieces of antient Poetry (Capell), v.20, nos.1/2 (1990):150Proofreading of Joyce's Ulysses, N.S. nos.20/21 (1982):12, N.S. nos.20/21 (1982):13-27,N.S. nos.20/21 (1982):16Prophet (Gibran), v.26, nos.1/2 (1995):175Proudhon and His "Bank of the People" (Dana), v.21, nos.3/4 (1991):169Proverbs for Publishers (Chappell and Chappell), v.26, nos.1/2 (1995):50Psalmbooks. See Sacred vocal musicPsalmi et Hymni Ecclesiastici, N.S. nos.25/26 (1984):39Psalters. See Sacred vocal musicPseaumes de David, N.S. nos.25/26 (1984):28Ptolemaic period, N.S. no.35 (1986):8-9Ptolemy, Cosmographia, N.S. no.10 (1978):coverPublic libraries. See LibrariesPublishing. See also Journalism; Knopf (Alfred A.), Inc.; Literaryagents; Magazines; and other specific publishers

access to information, v.25, no.4 (1995):43-47author-publisher contract, v.21, nos.3/4 (1991):57-59authors' experience, v.25, no.4 (1995):97-99bestsellers published by Knopf, v.26, nos.1/2 (1995):173-81Breitkopf and Härtel, N.S. nos.25/26 (1984):14-19, 23British history of, v.21, nos.3/4 (1991):95-145censorship and, v.25, no.4 (1995):75-79censorship in eighteenth-century France, N.S. no.6 (1973):25-41change and improvement in, v.25, no.4 (1995):107-11cookbooks published by Knopf, v.26, nos.1/2 (1995):193-201digital technologies, v.25, no.4 (1995):57-63in early twentieth century, v.26, nos.1/2 (1995):13-17editing, v.25, no.4 (1995):25-31errors in Fitzgerald's The Great Gatsby, v.21, nos.3/4 (1991):41-56of fiction, v.25, no.4 (1995):101-05Flair symposium on, v.25, no.4 (1995):7-125future of, v.25, no.4 (1995):9-23, 81-87, 113-25Great Gatsby by Fitzgerald, v.21, nos.3/4 (1991):40-59history of, as a field of study, v.22, no.4 (1992):25-27, 51-63information access, v.25, no.4 (1995):25-31Knopf (Alfred A. and Blanche) Library, N.S. no.10 (1978):11-12Knopf exhibit catalog, v.26, nos.1/2 (1995):7-264Knopf, Inc.'s role in, v.22, no.4 (1992):51-63Library of America, v.25, no.4 (1995):6, 48, 49-55music publishing and printing from 16th through 19th centuries, N.S. nos.25/26(1984):12-23in 1920s, v.25, no.4 (1995):89-95in 1980s, v.25, no.4 (1995):89-95speech by Sir Frank Francis, N.S. no.3 (1971):29-44



stages in authorship-publishing relationship, v.20, nos.1/2 (1990):116-17, 119technology and, v.25, no.4 (1995):7-10, 13-15, 57-63, 81-87, 113-25

Pugh, Clifton, N.S. nos.42/43 (1988):189, 194Puppets

French puppet theater, N.S. no.41 (1987):42, 44marionettes, N.S. no.48 (1989):10-12

Purcell, Henry, N.S. no.1 (1970):48Pynchon, Thomas, Vineland, v.25, no.4 (1995):80

Q ^-top-^

Quadflieg, Roswitha, N.S. no.28 (1984):84"Queen of Air and Darkness" (White). See Witch in the Wood (White)Queensland Landscape (Bastin), N.S. nos.42/43 (1988):coverQuillinan, Edward, v.23, no.1 (1993):20-22, 21Quinn, John

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):90-107, 103photograph of art collection, v.21, nos.1/2 (1991):104photographs of, v.21, nos.1/2 (1991):42, 90

Quintana, Manuel JoséBono Serrano's marginal notes on Obras inéditas de Quintana, N.S. no.5 (1972):46,49-60Poesías, N.S. no.5 (1972):43-44, 45, 48relationship with Gaspar Bono Serrano, N.S. no.5 (1972):47

Quinto Censo Jeneral de la Población de Chile, v.22, no.3 (1992):89Qur'an, and Islamic Paradise, v.27, no.3 (1997):126-30

R ^-top-^

R.C. Hickman Archive. See Hickman (R.C.) ArchiveR.G. Howarth Collection. See Howarth (R.G.) CollectionRabelais, François, N.S. nos.20/21 (1982):159-70, 169Rackham, Arthur

illustrations, N.S. no.3 (1971):cover, 19-28, 21, 24-27self-portrait of, N.S. no.3 (1971):25

Rackham (Arthur) Collection, N.S. no.3 (1971):cover, 19-28, 21, 24-27Radice, William, v.27, no.3 (1997):30Rainerius de Pisis, Panthologia, v.22, no.3 (1992):63Raj Quartet (Scott), N.S. no.37 (1986):77-91, 85, 88Ramos, Graciliano, v.26, nos.1/2 (1995):101, 103Random House, v.26, nos.1/2 (1995):261-64Ransom, Harry Huntt

as collector, N.S. no.10 (1978):10, 11-12Conscience of the University and Other Essays, N.S. no.22 (1983):12-13; N.S. no.30(1985):12essays, N.S. no.30 (1985):12-13founding of HRHRC, v.23, no.1 (1993):7Other Texas Frontier, N.S. no.30 (1985):12-13philosophy for HRHRC, v.23, no.1 (1993):7-8photograph of, N.S. no.27 (1984):6portrait of, N.S. no.10 (1978):10renaming of Humanities Research Center, N.S. no.27 (1984):7

Ransom (Harry) Humanities Research Center. See Harry Ransom Humanities ResearchCenter (HRHRC)



Ransom, John Crowe, v.22, nos.1/2 (1992):105-06Ranuzzi Manuscripts, N.S. no.13 (1980):6, 7Rapallo concerts, N.S. nos.25/26 (1984):124-25, 128Rape of Tamar (Jacobson), v.22, no.4 (1992):12Rapsodie espagnole (Ravel), N.S. nos.25/26 (1984):6Rare books. See Cloth-covered case-bound books; Incunabula; Parsons Collection; andspecific booksRatchford, Fannie, N.S. no.7 (1974):7; N.S. no.9 (1978):10, 11-12Rationale of Textual Criticism (Tanselle), v.27, no.3 (1997):107-08Rattigan, Terence, v.27, nos.1/2 (1996):69-77Ravel, Maurice, Rapsodie espagnole, N.S. nos.25/26 (1984):6Ray, Juliet, v.21, nos.1/2 (1991):199Ray, Man

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):171photograph of, N.S. no.28 (1984):21; v.21, nos.1/2 (1991):199photograph of Henri-Pierre Roché, v.21, nos.1/2 (1991):97photograph of Hilda Doolittle by, N.S. no.29 (1984):21

"Ray Rector: Cowboy Photographer" (exhibit), N.S. no.17 (1981):10-11Ray Rector Collection. See Rector, RayRayuela (Cortázar), v.22, no.3 (1992):15, 34, 35-39, 37, 38Reader's Guide to Gerard Manley Hopkins (MacKenzie), N.S. nos.46/47 (1989):95Reason (magazine), v.25, no.4 (1995):24Reavey, George

correspondence with Samuel Beckett, N.S. no.28 (1984):43-44, 53, 66, 75, 81, 110-11, 125, 129, 151, 155photograph of, N.S. no.28 (1984):33sketch of, N.S. no.28 (1984):33

Reavey, Gwynned, N.S. no.28 (1984):33Rebner, Meta. See Carpenter, MetaRector, Ray, N.S. no.16 (1981):13, N.S. no.16 (1981):13; N.S. no.17 (1981):10-11Redford, Robert, v.20, no.3 (1990):91Reed, Carol

director of Third Man, N.S. no.36 (1986):93-113, N.S. 98, 109, 112photographs of, N.S. no.36 (1986):109, 112

Rees, Leslie, Towards an Australian Drama, N.S. nos.42/43 (1988):44Reisman, Jerry, N.S. nos.20/21 (1982):107-39Rejlander, Oscar Gustave, N.S. nos.32/33 (1985):184Relaciones Geográficas

manuscripts, v.22, no.3 (1992):55-67map of Acapistla (1580), v.22, no.3 (1992):64map of Atitlan (1585), v.22, no.3 (1992):65map of Cholula (1581), v.22, no.3 (1992):60map of Meztitlan (1579), v.22, no.3 (1992):61maps, v.22, no.3 (1992):55-67questionnaire, v.22, no.3 (1992):57

Relaciones (Pérez), N.S. no.8 (1974):70Religion of Victorian women, v.23, no.1 (1993):10-31Religious fiction, v.23, no.1 (1993):11-31, v.23, no.1 (1993):74Religious imagery, N.S. no.18 (1982):cover, 9-193Remarks on the History of England (Bolingbroke), v.25, no.3 (1995):7-29, 9, 19, 27Remembering Satan (Wright), v.25, no.4 (1995):45Rempe, Peter J., N.S. no.11 (1979):97-99, 98Renaissance

broadsides, N.S. no.11 (1979):62-64



cartography, v.23, no.4 (1993):130, 131-43, 133, 134, 137, 140, 141emblem books, N.S. no.11 (1979):34-61manuscripts, N.S. no.35 (1986):cover, 88, 89-113, 93, 96, 101, 106Sallust manuscript, N.S. no.27 (1984):15-16Spanish literature, N.S. no.7 (1974):65-70; N.S. no.8 (1974):60, 61-72, 63, 67, 70

Research at HRHRC exhibit, N.S. no.14 (1980):10Revista Musical Chilena, v.22, no.3 (1992):111Reyes, Alfonso, N.S. no.3 (1971):45-49, 47-48Rice, Elmer

Adding Machine, v.25, no.1 (1994):6, 15-20, 17-18, 148biography, v.25, no.1 (1994):15-16HRHRC holdings, v.25, no.1 (1994):16-24, 17-18, 22, 148-49, 148; v.26, no.3(1996):16letter to Philip Moeller from, v.25, no.1 (1994):18, 19Street Scene, v.25, no.1 (1994):15, 20-24, 22

Richardson, DorothyDimple Hill, v.23, no.1 (1993):53friendship with Bryher, v.23, no.1 (1993):63-66life and work, v.23, no.1 (1993):50-69Oberland, v.23, no.1 (1993):67photograph of, v.23, no.1 (1993):50Pilgrimage, v.23, no.1 (1993):52-54, 53, 66-68relationship with H.G. Wells, v.23, no.1 (1993):63-65

Richardson (Sid W.) Collection in the History of Science, N.S. no.1 (1970):8, 10Richardson (Sid W.) Foundation, N.S. no.1 (1970):8Riché, Pierre, Education and Culture, v.21, nos.3/4 (1991):112Richman, Mark, v.20, no.3 (1990):92Richter, Conrad, N.S. nos.42/43 (1988):176; v.26, nos.1/2 (1995):135-39Richthofen, Anna, Freiin von, N.S. no.6 (1973):87, 92-97, 94Richthofen, Else von, N.S. no.6 (1973):86Richthofen, Johanna von, N.S. no.6 (1973):91Riddell, Charlotte, v.23, no.1 (1993):37, 39Rider Haggard, Henry, N.S. no.13 (1980):8Rien ne trouble les Mortimer (Cocteau), v.23, no.4 (1993):95Ries, Ferdinand, N.S. no.7 (1974):105-15Rifles (Vollmann), v.26, no.3 (1996):10, 11Rimbaud, Arthur, N.S. no.9 (1978):38, 39-40Rinuccini, Ottovio, Dafne, N.S. no.2 (1970):10, 11Ritchie, Anne Thackeray

as a writer-in-progress, N.S. no.30 (1985):83-112article fragment from Cornhill Magazine, N.S. no.30 (1985):108letters about William Makepeace Thackeray, N.S. no.30 (1985):83-94letters to friends, N.S. no.30 (1985):94-112photograph of, N.S. no.30 (1985):82"Vanitas Vanitatum," N.S. no.30 (1985):88

"Rite of Spring" (exhibit), N.S. no.48 (1989):8Rivera, Diego

photograph of, N.S. no.48 (1989):105portrait of Jean Cocteau, N.S. no.12 (1979):10, 11-20

RKO, N.S. no.24 (1983):21Robert and Elizabeth Barrett Browning Collection. See Browning (Robert and ElizabethBarrett) CollectionRobert Downing Theatre Collection. See Downing (Robert) Theatre CollectionRobert Lee Wolff Collection. See Wolff (Robert Lee) Collection



Robins, Elizabeth, v.25, no.1 (1994):149-50Robinson, Henry Peach

"Bringing Home the May," N.S. nos.44/45 (1989):134, 135-47, 137, 142, 145-46combination printing, N.S. no.19 (1982):89, 99composite photography, N.S. no.19 (1982):82, 85-87, 91-92, 99Fading Away, N.S. no.19 (1982):84photographs of, N.S. no.19 (1982):78; N.S. nos.44/45 (1989):134photography by, N.S. no.19 (1982):79-101, 83-84, 88, 93, 97, 98, 100Royal Photographic Society, N.S. no.19 (1982):79, 91, 94-96Sleep, N.S. no.19 (1982):99, 100, 101study of young woman, N.S. no.19 (1982):coverWhen Day's Work Is Done, N.S. no.19 (1982):92, 95-96, 97

Robinson (Henry Peach) Photography Collection, N.S. no.19 (1982):79-101Robinson Jeffers Collection. See Jeffers (Robinson) CollectionRoché, Clara Coquet, v.21, nos.1/2 (1991):191Roché, Denise, v.21, nos.1/2 (1991):199Roché, Henri-Pierre

Carnets, v.21, nos.1/2 (1991):216-23correspondence, v.21, nos.1/2 (1991):9-223Deux anglaises et le continent, v.21, nos.1/2 (1991):178-201Deux semaines à la Conciergerie pendant la bataille de la Marne, v.21, nos.1/2(1991):130-33Don Juan, v.21, nos.1/2 (1991):134-47, 138, 141exhibit catalog, v.21, nos.1/2 (1991):9-223friends of, v.21, nos.1/2 (1991):12-129Hommage à John Quinn, collectionneur, v.21, nos.1/2 (1991):107journals, v.21, nos.1/2 (1991):217-23, 217-18, 221-22Jules et Jim, v.21, nos.1/2 (1991):148-77, 160; v.26, no.3 (1996):14Midsummer Night's Dream and, v.23, no.4 (1993):66, 68-71, 73photographs of, v.21, nos.1/2 (1991):cover, 67, 70, 78, 97, 122, 145, 175, 192, 199,214; v.23, no.4 (1993):65Rêve d'une nuit d'été, v.21, nos.1/2 (1991):54Souvenirs sur Wols, v.21, nos.1/2 (1991):127Victor, v.21, nos.1/2 (1991):202-15works, v.21, nos.1/2 (1991):130-223

Roché, Juliette Gleizes, v.21, nos.1/2 (1991):20Rochester, Earl of

Mary Beale and, v.23, no.1 (1993):121-24biography by Graham Greene, v.23, no.1 (1993):118, 129life, v.23, no.1 (1993):119-20Poems, v.23, no.1 (1993):126portrait attributed to Jacob Huysmans, v.23, no.1 (1993):118portrait attributed to Mary Beale, v.23, no.1 (1993):120, 123On Several Occasions With Valentinian; A Tragedy, v.23, no.1 (1993):126

Roderick Hudson (James), v.20, nos.1/2 (1990):154, 155, 156Rodker, John, v.25, no.2 (1994):22Rodker (Marianne) Collection, N.S. no.37 (1986):9-10Rodney, Red

Bebop and, v.24, nos.1/2 (1994):211-14, 216, 223-24photographs of, v.24, nos.1/2 (1994):210, 217, 222

Roethke, Theodore, v.26, nos.1/2 (1995):125Rogers, Bruce, v.26, nos.1/2 (1995):57Rogers, Buddy, N.S. no.19 (1982):141Rogers, Ginger, N.S. no.36 (1986):89



Rolewinck, Werner, Fasciculus Temporum, v.21, nos.3/4 (1991):61-79Rolfe, Frederick, N.S. no.13 (1980):9Rolling Stone, v.25, no.4 (1995):32Roman Catholic Church, N.S. no.35 (1986):89-91Romance of a Pro-Consul (Milne), N.S. no.11 (1979):19, 20Romano, Emanuel, N.S. no.29 (1984):74, 75-80, 81, 83Romansky Collection, N.S. no.30 (1985):10Romantic poets, N.S. no.41 (1987):63-81Romney, George, N.S. no.48 (1989):6Roosevelt, Eleanor, v.26, nos.1/2 (1995):169Rosa, João Guimarães, N.S. no.22 (1983):32-36; v.26, nos.1/2 (1995):102, 103-04"Roses Only" (Moore), N.S. no.29 (1984):49-50Ross Russell Collection. See Russell (Ross) CollectionRossetti, Christina

book illustration, v.22, nos.1/2 (1992):coverEllen Middleton, v.23, no.1 (1993):29, 30Goblin Market and Other Poems, v.22, nos.1/2 (1992):12, 15manuscripts, v.22, nos.1/2 (1992):22, 26Maude, v.23, no.1 (1993):29"Monna Innominata," v.22, nos.1/2 (1992):7-8, 13-29, 26pencil drawing of, v.22, nos.1/2 (1992):19photograph of, N.S. nos.32/33 (1985):198Prince's Progress and Other Poems, v.22, nos.1/2 (1992):25relationship with Dante Gabriel Rossetti, v.22, nos.1/2 (1992):17-18, 23-24"Three Nuns," v.23, no.1 (1993):30

Rossetti, Dante Gabrieldrawings by, N.S. no.41 (1987):72, 76influences on, N.S. no.41 (1987):63-64"last" letter by, N.S. no.9 (1978):74, 75-77manuscripts of poems, N.S. no.41 (1987):64-81, 75Murray as assistant to, N.S. no.10 (1978):81-89Pia de' Tolomei, N.S. no.8 (1974):38, 39-40portraits of, N.S. no.41 (1987):62, 80relationship with Christina Rossetti, v.22, nos.1/2 (1992):17-18, 23-24"Staff and the Scrip," N.S. no.41 (1987):66-81, 74

Rothgeb, John R., v.25, no.1 (1994):150Rountree, Harry, N.S. nos.32/33 (1985):13Rousseau, Henri, v.21, nos.1/2 (1991):100Roussel, Albert, v.21, nos.1/2 (1991):22-25, 22, 25Roxanne (Martin), v.20, no.3 (1990):8Royal Court Theatre, v.27, nos.1/2 (1996):124-38Royal decrees, TxU cedula, N.S. no.13 (1980):83-89Royal Photographic Society, N.S. no.19 (1982):79, 91, 94-96Royal Photographic Society Exhibition Number of the Photographic Journal, v.24, nos.3/4(1994):277Royal Society for Inquiring into the History, Civil and Natural, the Antiquities, Arts,Sciences, and Literature of Asia, v.20, no.3 (1990):58-60Royal Street: New Orleans (Faulkner), N.S. no.13 (1980):27-30Rozsa, Miklos

photographs of, N.S. no.36 (1986):74, 89Spellbound score, N.S. no.36 (1986):75-91, 77, 82, 86, 89

Rubinstein, Arthur, v.26, nos.1/2 (1995):206, 207-09Rudkin, David, v.27, nos.1/2 (1996):8Rugs. See Persian and Anatolian textile collection



Rumi, v.27, no.3 (1997):8Rummonds, Richard-Gabriel, N.S. no.23 (1983):8-9Russell, Bertrand

T.S. Eliot and, N.S. no.40 (1987):94-96Vivienne Haigh-Wood and, N.S. no.40 (1987):90, 96-99

Russell, Lady Rachel, v.23, no.1 (1993):14-17, 15Russell, Ross

Bird Lives, N.S. nos.25/26 (1984):138, 145-46correspondence with Arnold Schoenberg, N.S. nos.25/26 (1984):139, 141, 143-45Dial Records and, N.S. nos.25/26 (1984):137-39, 142; v.24, nos.1/2 (1994):21-22, 37-40, 80-103as Parker biographer, v.24, nos.1/2 (1994):7-11photographs of, N.S. nos.25/26 (1984):136; v.24, nos.1/2 (1994):23, 38, 83, 98as record collector, v.24, nos.1/2 (1994):94-96recording contract with Charlie Parker, N.S. nos.25/26 (1984):144Tempo Music Shop, v.24, nos.1/2 (1994):20, 141as writer on Bebop style, v.24, nos.1/2 (1994):44, 45-46, 154

Russell (Ross) Collectionacquisition and description, v.24, nos.1/2 (1994):7-9Bebop exhibit, v.24, nos.1/2 (1994):26, 27-47description, N.S. nos.25/26 (1984):137-47

"Russell Lee, Documentarian" (exhibit), N.S. no.40 (1987):15-19Russian art books, N.S. no.9 (1978):28, 29-37, 32, 34-35, 37Russian photography, v.26, no.3 (1996):17, 18Russian theater, N.S. no.10 (1978): 10, 37-43, 42

S ^-top-^

Sábato, Ernesto, v.26, nos.1/2 (1995):104Sackaroff, Olga, v.21, nos.1/2 (1991):20Sackler, Howard, v.25, no.1 (1994):151Sacred vocal music, N.S. nos.25/26 (1984):25-41SACWEST, v.27, no.3 (1997):65Sagan, Eli, Honey and the Hemlock, v.25, no.4 (1995):42Sahagún, Fr. Bernardino de, Psalmodia cristiana, v.22, no.3 (1992):52Saillet (Maurice) Collection, N.S. no.37 (1986):9-10St. Denis, Ruth, N.S. no.8 (1974):19St. John, Henry, First Viscount Bolingbroke. See Bolingbroke, Henry St. John, FirstViscountSt. John del Rey Mining Company, Ltd., N.S. no.9 (1978):6; N.S. no.11 (1979):27-32, 28,30Sakuntalá, v.20, no.3 (1990):62Salazar, Cervantes de, Diálogos manuscript, v.22, no.3 (1992):10Sallust, N.S. no.27 (1984):15-16Salomé (Wilde), v.23, no.1 (1993):45Samatán, Marta Elena, Gabriela Mistral, v.22, no.3 (1992):25Samonova, Evgeniga Guganidze, N.S. nos.32/33 (1985):76Samuels, Lee, N.S. no.48 (1989):8-9Sánchez Ventura, Rafael, N.S. no.13 (1980):25Sargeson, Frank, N.S. no.10 (1978):58, 59-71Sartre, Jean-Paul, v.26, no.3 (1996):13-14Satie, Erik

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):56-61, 58music for A Midsummer Night's Dream, v.23, no.4 (1993):57, 59, 71, 73



photograph of residence, v.21, nos.1/2 (1991):61photographs of, v.21, nos.1/2 (1991):57, 114; v.23, no.4 (1993):72

Satire on Drinking, N.S. no.4 (1972):coverSaturday Review, v.24, nos.3/4 (1994):331Saunders, James, v.25, no.2 (1994):12, 13, 15; v.27, nos.1/2 (1996):173-77Scarlet Tree (Sitwell), N.S. no.30 (1985):52Schedel, Hartmann, N.S. no.10 (1978):15Schenck, Joseph M., N.S. no.22 (1983):9Schneider, Alan, N.S. no.28 (1984):103Schoeffer, Peter, N.S. no.5 (1972):41-42Schoenberg, Arnold, N.S. nos.25/26 (1984):139, 141, 143-45"Scholar at Work" (exhibit), N.S. no.7 (1974):8, 9School libraries. See LibrariesSchulze, Alfred Otto Wolfgang (Wols), v.21, nos.1/2 (1991):124-28, 125, 126Schwartz, Jake, N.S. no.28 (1984):90Science

astronomy, N.S. no.2 (1970):12-13, 13botany, N.S. no.6 (1973):10-11; N.S. no.17 (1981):11-13history of, N.S. no.1 (1970):10Newtonians, v.25, no.3 (1995):31-49physics, N.S. no.12 (1979):65-66; v.25, no.3 (1995):31-49

Scott, Harold, N.S. no.14 (1980):87Scott, Paul

Original Notebook, N.S. no.37 (1986):85, 88photograph of, N.S. no.37 (1986):76Raj Quartet, N.S. no.37 (1986):77-91, 85, 88

Scott, Zachary, N.S. no.2 (1970):87; N.S. no.40 (1987):6, 7-8Scottsboro trials, N.S. no.27 (1984):23, 26-31Screenwriters. See also Films

Gone With The Wind, N.S. no.24 (1983):30, 33-37Ernest Lehman as, N.S. no.13 (1980):71-81

Sea and Sardinia (Lawrence), N.S. no.1 (1970):45-46"Sea Unicorns and Land Unicorns" (Moore), N.S. no.29 (1984):66-68, 70-73Second Sex (de Beauvoir), v.22, no.4 (1992):102, 103-21, 108, 113, 116Segal, George, v.20, no.3 (1990):84Selected Poems (Moore), N.S. no.1 (1970):46Selected Poems (Tagore), v.27, no.3 (1997):30Sellon, Priscilla Lydia, v.23, no.1 (1993):20-28, 26Sellon, Captain William Richard, v.23, no.1 (1993):25-27Selznick, David O. See also Selznick (David O.) Archive; Selznick International Pictures

correspondence, N.S. no.36 (1986):24David O. Selznick Productions, N.S. no.24 (1983):106-11Duel in the Sun, N.S. no.24 (1983):109-10; N.S. no.27 (1984):61-91early years, N.S. no.24 (1983):15-18final years, N.S. no.24 (1983):111-13Gone With The Wind, N.S. no.24 (1983):25-106list of films, N.S. no.27 (1984):92-93photographs of, N.S. no.24 (1983):8, 14, 74; N.S. no.27 (1984):60; N.S. no.36(1986):cover, 6, 56, 61, 64, 70poetry by, N.S. no.24 (1983): N.S. no.24 (1983):16. 16productions for other studios, N.S. no.24 (1983):19-23Selznick International Pictures, N.S. no.24 (1983):23-106Since You Went Away, N.S. no.24 (1983):108; v.26, no.3 (1996):83-109Third Man, v.20, no.4 (1991):54



wives of, N.S. no.24 (1983):19, 112Selznick (David O.) Archive. See also Selznick, David O.; Selznick International Pictures

costumes, N.S. no.36 (1986):32, 33-55, 36, 37, 39, 42, 43description of, N.S. no.24 (1983):12-13; N.S. no.36 (1986):6, 7-9; N.S. nos.44/45(1989):106Gone With The Wind, N.S. no.36 (1986):6, 10, 11-55Gone With The Wind (storyboard), N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14HRHRC acquisition of, N.S. no.16 (1981):7Lackow v. Vanguard Films, et al, N.S. no.36 (1986):75-91, 77-79, 82, 83, 86Spellbound, N.S. no.36 (1986):75-91, 77, 79, 82, 83, 86, 89Third Man, N.S. no.36 (1986):92, 93-113, 97, 98, 101, 104, 107, 109, 110, 112Titanic, N.S. no.36 (1986):56, 57-73, 61, 64, 70

Selznick (David O.) Productions, N.S. no.24 (1983):106-11Selznick International Pictures. See also Selznick, David O.; Selznick (David O.)Collection; and specific films

censorship, N.S. no.36 (1986):10, 11-31, 15, 18, 21, 24, 29establishment of, N.S. no.24 (1983):23Gone With The Wind, N.S. no.24 (1983):23-106legal issues, N.S. no.36 (1986):57-73, 61, 64, 74, 75-91, 77-79, 82, 83, 86photograph of studio, N.S. no.36 (1986):70

Selznick, Irene, N.S. no.24 (1983):19Selznick, Lewis J., N.S. no.24 (1983):14, 15, 17"Sense of Place: Women in Literature" (exhibit), N.S. no.10 (1978):7Sententiarum Libri IV (Lombard), N.S. no.48 (1989):48Serials. See also Magazines; Newspapers; and specific magazines and journals

Benson Latin American Collection, v.22, no.3 (1992):98, 99-107, 103, 106photography serials holdings, v.24, nos.3/4 (1994):7-411

Serrano, Lupe, v.20, no.4 (1991):10Set designs

of Elder, v.23, no.4 (1993):17; v.26, no.3 (1996):15Gone With The Wind, N.S. no.24 (1983):52-62House of Breath, v.25, no.1 (1994):108, 129for Merce Cunningham's Four Walls, N.S. no.23 (1983):10, 12

Seurat, Georges, N.S. no.14 (1980):41Seventeenth century

commonplace books, N.S. no.13 (1980):31-38poetry, N.S. no.13 (1980):31-38speech compared to print/manuscripts, v.20, nos.1/2 (1990):87-109

Severini, Gino, N.S. no.35 (1986):51-53Seward, W.H., N.S. no.4 (1972):60Sewell, Byron, N.S. no.14 (1980):105-09, 108Sewell, Elizabeth Missing, Experience of Life, v.23, no.1 (1993):28Sewell, Susan, N.S. no.14 (1980):105-09, 108Sewell Collection, N.S. no.30 (1985):9Sexton, Anne

All My Pretty Ones, v.22, nos.1/2 (1992):191-221, 193Awful Rowing Toward God, v.22, nos.1/2 (1992):183, 188, 223-35biographical materials, v.22, no.4 (1992):8divorce, v.22, nos.1/2 (1992):161draft of title page for Mercy Street, v.25, no.1 (1994):153fan letters from women, v.22, nos.1/2 (1992):164-89, 168, 169, 176, 181, 182HRHRC holdings generally, v.25, no.1 (1994):151-52, 153Mercy Street, v.25, no.1 (1994):153



Vassar Miller and, v.22, nos.1/2 (1992):150-52nervous breakdown, v.22, nos.1/2 (1992):224overview, v.22, nos.1/2 (1992):9-11personal accounts of, v.22, nos.1/2 (1992):149-63personal library of, N.S. nos.46/47 (1989):38-39photographs of, v.22, nos.1/2 (1992):6, 148, 154, 164, 190psychiatric treatment of, v.22, nos.1/2 (1992):150-51, 160-62public appearances of, v.22, nos.1/2 (1992):149-53, 156Pulitzer Prize of, v.22, nos.1/2 (1992):156, 172, 180religious themes in poetry, v.22, nos.1/2 (1992):225-27suicide of, v.22, nos.1/2 (1992):162-63Transformations, v.22, nos.1/2 (1992):158-60, 159, 168, 177, 179, 183views regarding fans, v.22, nos.1/2 (1992):167-68, 184-85visit to Texas, v.22, nos.1/2 (1992):149-53James Wright and, v.22, nos.1/2 (1992):227-35

Shaffer, Peter, v.27, nos.1/2 (1996):8Shakespeare, William

Coriolanus, N.S. no.11 (1979):70donations from Payne family, N.S. no.19 (1982):12-13exhibit, N.S. no.48 (1989):6, 7-8King Lear, v.20, nos.1/2 (1990):46-47, 50-58, 53, 154, 156Macbeth, v.27, nos.1/2 (1996):22-23, 23Measure for Measure, N.S. no.11 (1979):73Midsummer Night's Dream production by Cocteau, v.23, no.4 (1993):43-77Much Ado About Nothing, N.S. no.5 (1972):17-19Othello, N.S. no.22 (1983):67-87Pericles, v.20, nos.1/2 (1990):47-50, 48Taming of the Shrew program, v.22, no.4 (1992):16Thomas Cobbe Edition of, N.S. no.11 (1979):68, 70, 73

Shakespeare's Poems. A Facsimile of the Earliest Editions, v.20, nos.1/2 (1990):102Shapiro, Karl, v.23, no.4 (1993):8, 10, 11"Shaw: An Exhibit," N.S. no.11 (1979):7Shaw, George Bernard

exhibit on "G.B.S. in Love," N.S. no.9 (1978):7interviews of, N.S. no.8 (1974):52, 53-59, 55-56, 58

Shay, Frank, N.S. no.5 (1972):35-37, 36Shelby, Barbara, N.S. no.22 (1983):31, 35-36Shelley, Percy Bysshe, N.S. no.12 (1979):21-32, 24Sheltering Sky (Bowles), v.20, no.4 (1991):6Shen Congwen, v.27, no.3 (1997):41-42Shepard, Ernest H., N.S. no.1 (1970):coverSherriffs, Robert Stewart, v.22, nos.1/2 (1992):52Shifty Henry, N.S. nos.25/26 (1984):136Shining Trumpets (Blesh), v.26, nos.1/2 (1995):212, 213Shipley, Orby, Carmina Mariana, N.S. nos.46/47 (1989):48Shirer, William L., N.S. nos.42/43 (1988):176; v.26, nos.1/2 (1995):181"Shouting in the Evening" [British theater in twentieth century] (exhibit), v.26, no.4(1996):9-212SIC, N.S. no.35 (1986):44-59Sicri Gully, v.27, no.3 (1997):70-71, 72Sid W. Richardson Foundation. See Richardson (Sid W.) FoundationSiege of Corinth (Byron)

conservation of, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38description of manuscript, N.S. nos.44/45 (1989):27-31, 29-30



treatment procedures, N.S. nos.44/45 (1989):31-39, 33, 38Siempre, v.22, no.3 (1992):98Sierra, Carlos J., N.S. no.4 (1972):8Simpson, Colinas, v.20, no.3 (1990):20, 22Simpson, N.F., v.27, nos.1/2 (1996):91-93Since You Went Away, N.S. no.24 (1983):108; v.26, no.3 (1996):83-109Singer, Isaac Bashevis, v.25, no.2 (1994):6, 7-8, 9Singer, William Earl, N.S. no.4 (1972):39Singers. See individual singersSiqueiros, David Alfaro, v.25, no.2 (1994):32Sisterhoods, Anglican, v.23, no.1 (1993):10, 11-31, 15, 26Sisters of the Most Holy Trinity, v.23, no.1 (1993):20-28Sitwell, Edith

books in Waugh Library, N.S. no.1 (1970):27correspondence with Marianne Moore, v.22, nos.1/2 (1992):62-64, 65drawing of, N.S. nos.25/26 (1984):105first editions, N.S. no.1 (1970):44Gold Coast Customs and Other Poems, v.22, nos.1/2 (1992):35manuscripts, v.22, nos.1/2 (1992):36, 45, 46overview, v.22, nos.1/2 (1992):8personal library of, N.S. nos.46/47 (1989):38photographs of, v.22, nos.1/2 (1992):30, 42poetic technique, v.22, nos.1/2 (1992):34-51poetry and Walton's Façade, N.S. nos.25/26 (1984):101-06Taken Care Of, v.22, nos.1/2 (1992):30, 31Twentieth Century Harlequinade and Other Poems, v.22, nos.1/2 (1992):39unpublished poems, v.22, nos.1/2 (1992):8, 31-51, 45, 46

Sitwell, Sir Osbertand book dust jackets and/or illustrations, N.S. no.30 (1985):39-55, 47, 52, 54collaboration with artists, N.S. no.30 (1985):39-55collaboration with Cowdell, N.S. no.30 (1985):50-55drawing of, N.S. nos.25/26 (1984):105photograph of, N.S. no.30 (1985):38

Sitwell, Sacheverell, N.S. nos.25/26 (1984):105Sitwell family

archive, v.22, nos.1/2 (1992):32-33correspondence with Marianne Moore, v.22, nos.1/2 (1992):62-64, 65overview, v.22, nos.1/2 (1992):31-33

Sixteenth-century Mesoamerican maps, v.22, no.3 (1992):cover, 55-67, 60-61, 64-65Skaaren, Warren, v.23, no.4 (1993):19, 19Skyscrapers, N.S. no.17 (1981):14, 15-29, 21, 23, 25, 28Slavic Miscellany

Russian art books, N.S. no.9 (1978):28, 29-37, 32, 34, 37Russian theater arts, N.S. no.10 (1978):37-43, 42

Sleeping Fury (Armstrong), v.23, no.1 (1993):6Smart, Jeffery, N.S. nos.42/43 (1988):191, 195Smith, Al, N.S. no.24 (1983):79Smith, Bessie, v.24, nos.1/2 (1994):30Smith, Harry Bache, v.25, no.1 (1994):152, 154Smith, William, v.25, no.1 (1994):108, 129Smithers, W.D.

ethnographic photography by, N.S. no.19 (1982):149-65as photographer-journalist, N.S. no.19 (1982):125-65photographs of, N.S. no.19 (1982):124, 148



photography by, N.S. no.19 (1982):128, 130, 133-34, 139-40, 143-44, 153-56, 158-61, 163, 164travels of, N.S. no.19 (1982):129, 131-32, 135-36, 141-42, 152, 157, 162

Smithers (W.D.) Photography Collection, N.S. no.19 (1982):125-65Snow, C.P., N.S. no.12 (1979):62Snow Country, v.26, nos.1/2 (1995):108, 111-12Socialist cities, N.S. no.9 (1978):35Society for Photographing Relics of Old London, N.S. no.15 (1981):32-48"Some Curious and Important Second Editions" (exhibit), N.S. no.17 (1981):8-9Sonata for Violin and Piano (Beethoven), N.S. nos.25/26 (1984):19-23, 21Songs. See MusicSons and Lovers (Lawrence), N.S. no.1 (1970):45Sorrell and Son (Deeping), v.26, nos.1/2 (1995):176, 179Sotsialisticheskie goroda (Socialist cities), N.S. no.9 (1978):35Sources for Reinterpretation -- The Use of Nineteenth-Century Literary Documents(symposium), N.S. no.10 (1978):6-7"Sources of Classicism: Five Centuries of Architectural Books from the Collections of theHumanities Research Center" (exhibit), N.S. no.11 (1979):8Sousa, John Phillip, N.S. no.2 (1970):12South African literature, N.S. no.4 (1972):31-37South America. See also Latin America

art, N.S. no.9 (1978):9Bebop tradition, v.24, nos.1/2 (1994):202, 203-09, 207, 209

South Asia Collection, v.27, no.3 (1997):62, 65-67South Asia Consortium-West. See SACWESTSouthcott, Joanna, N.S. no.27 (1984):17Southern, Ann, N.S. no.23 (1983):11Southwest

art in Lea Collection, N.S. no.10 (1978):7-8exhibit on Southwestern women's history, v.20, no.4 (1991):12-15, 13history in Eberstadt Collection, N.S. no.9 (1978):8literature in La Farge Collection, N.S. no.7 (1974):81-85Smithers's documentary photography, N.S. no.19 (1982):149-65

Soviet Union. See headings beginning with RussianSpanish Civil War, N.S. no.7 (1974):86, 87-101, 89, 92, 96, 98, 100; N.S. no.11 (1979):7"Spanish Civil War: An Exhibition," N.S. no.11 (1979):7Spanish drama, N.S. no.4 (1972):44-47, 44Spanish poetry, N.S. no.5 (1972):43-60Spanish Renaissance literature, N.S. no.7 (1974):65-70; N.S. no.8 (1974):60, 61-72, 63, 67,70Spark, Muriel, v.26, nos.1/2 (1995):164-65, 164Spear, Thelma, v.20, no.4 (1991):107-35, 109, 134Special effects

Norman O. Dawn and, v.20, no.3 (1990):97-118Gone with The Wind, N.S. no.24 (1983):57-58

Speculum Naturale (Vincent of Beauvais), N.S. nos.44/45 (1989):122-27, 123-24, 127Speech, compared with manuscripts and printing, v.20, nos.1/2 (1990):87-109Spell, Lota M., Research Materials for the Study of Latin America at The University ofTexas, v.22, no.3 (1992):55Spellbound, N.S. no.36 (1986):75-91, 77, 79, 82, 83, 86, 89Spender, Stephen, v.25, no.3 (1995):86-87, 88, 89, 91Spiritualism, N.S. no.8 (1974):23-37Splendor in the Grass (Inge), v.25, no.2 (1994):cover, 55, 58, 65Spoon River Anthology (Masters), N.S. no.6 (1973):82-85



Sports Library, N.S. no.2 (1970):12SPROL. See Society for Photographing Relics of Old London"Staff and the Scrip" (Rossetti), N.S. no.41 (1987):66-81, 74Stage design. See Set designsStaley, Thomas F., v.26, no.3 (1996):12Stamp Act, v.20, no.3 (1990):65-68, 72-73Stamps, in Mais oui mais oui...Picasso, v.23, no.4 (1993):79-80, 97-98, 99Stanley Marcus Collection. See Marcus (Stanley) Collection of Sicilian MarionettesStarbucke, William, Briefe Exposition, Paraphrase, or Interpretation, upon the Lord ofCanterburies Sermon or Speech, v.20, nos.1/2 (1990):95Stark, Freya, v.25, no.2 (1994):22Stark (Miriam Lutcher) Library

Books of Hours, N.S. no.3 (1971):68-79, 68, 73, 75fifteenth-century printing, N.S. no.10 (1978):13-14, 15Keats's Otho the Great, N.S. no.4 (1972):58, 59George Meredith letters, N.S. no.6 (1973):56, 57-60

Starr, Frances, v.25, no.1 (1994):154State and Fate of Publishing: A Flair Symposium, v.25, no.4 (1995):1-131Stead, Christina, N.S. nos.42/43 (1988):160, 161, 163, 170, 178-79Stecha, Pavel, v.23, no.4 (1993):23Steel, Flora Annie, N.S. no.35 (1986):66-74, 67, 70Steichen, Edward, N.S. no.22 (1983):10Stein, Gertrude

correspondence with Roché, v.21, nos.1/2 (1991):26-35, 33correspondence with Picasso, v.21, nos.1/2 (1991):40photographs of, v.21, nos.1/2 (1991):26, 33

Stein, Leo, v.21, nos.1/2 (1991):36-37, 36Steinbeck, John

correspondence with Covici, N.S. no.3 (1971):80-81photograph of, v.20, no.3 (1990):74Tortilla Flat, N.S. no.3 (1971):80-81, 80

Stephenson, Walter T., N.S. no.35 (1986):84-86, 85Sternbach, Joni, v.25, no.2 (1994):25Stevens, Wallace, N.S. no.29 (1984):84, 85-113; v.26, nos.1/2 (1995):123-25, 124Stieglitz, Alfred, N.S. no.14 (1980):13; N.S. no.19 (1982):103-08Stillfried Rateniz, Baron Raimund. See Von Stillfried Rateniz, Baron RaimundStockwell, Dean, N.S. no.2 (1970):89Stokes, W. Royal, Swing Era New York, v.25, no.4 (1995):78Stonehenge, a Temple Restor'd to the British Druids (Stukeley), v.27, no.3 (1997):79Stoppard, Tom, v.23, no.4 (1993):6, 7-8, 9; v.25, no.2 (1994):16, 17; v.26, no.3 (1996):110,111-61; v.27, nos.1/2 (1996):8, 181-200, 197, 199, 209-12Storey, David, v.27, nos.1/2 (1996):132-34Stories and Texts for Nothing (Beckett), N.S. no.28 (1984):80, 81-92, 84-85, 87, 90-91Storm, Colton, N.S. no.4 (1972):6Storm, Nancy, N.S. no.4 (1972):6Story of Temple Drake, v.20, no.4 (1991):cover, 31Story of the Andes, v.20, no.3 (1990):104, 105-06, 107Storyboards

conservation of, N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14description of, N.S. nos.44/45 (1989):105-06

Stracey, Mary Henrietta Rennellattitudes on religion, v.23, no.1 (1993):92editor for T.F. Powys, v.23, no.1 (1993):87-88fictional representation by T.F. Powys, v.23, no.1 (1993):81-82



photograph of, v.23, no.1 (1993):79relationship with T.F. Powys, v.23, no.1 (1993):71-97

Strachey, Lyttoncorrespondence, N.S. no.48 (1989):15-41, 33, 36, 39Eminent Victorians, N.S. no.48 (1989):20Mary Hutchinson and, N.S. no.48 (1989):15-41photograph of, N.S. no.48 (1989):21sketch of, N.S. no.48 (1989):cover

Strand, Paulphotography by, N.S. no.19 (1982):102, 112, 114, 119straight photography and, N.S. no.19 (1982):103-23

Stranger (Camus), v.26, nos.1/2 (1995):79, 80Stravinsky, Igor, N.S. no.48 (1989):8Streamlining

in industrial design, N.S. no.13 (1980):91-110of vehicles, N.S. no.13 (1980):98-108

Street Scene (Rice), v.25, no.1 (1994):15, 20-24, 22Streetcar Named Desire (Williams)

advertisements, N.S. no.41 (1987):16, 28characters and casting decisions, N.S. no.41 (1987):17-39exhibit items with commentary, v.25, no.1 (1994):53-64, 55, 58-59, 62-63illustration of "Desire" streetcar, N.S. no.41 (1987):coversuccess of, v.25, no.1 (1994):51

Strudwick, William, N.S. no.15 (1981):15Stuart, John. See Bute, Earl ofStukeley, William, v.27, no.3 (1997):79Styne, Jule, v.25, no.1 (1994):154-55Subercaseux vineyard, v.22, no.3 (1992):95Such Is Life (Furphy), N.S. nos.42/43 (1988):77-78, 81, 104-06, 109Sueltas. See Spanish dramaSullivan, John, N.S. nos.20/21 (1982):80-89, 85Sullivan, Louis, N.S. no.16 (1981):78-92Summers, A., N.S. no.4 (1972):63Summers, Mrs. Paul, v.20, no.4 (1991):26Summers, Paul, v.20, no.4 (1991):26Surrealism, N.S. no.16 (1981):17-41, 37Surtidores (García Lorca), N.S. no.13 (1980):13-26, 16, 17Sustris, Friedrich, v.26, no.3 (1996):38Sutton, Elizabeth Jones, After Hopkins's Illustration for "A Vision of the Mermaids", N.S.nos.46/47 (1989):168Svarnakumari Devi, v.27, no.3 (1997):16-17Swallows in the Halls of Former Lords (Ouyang Zi), v.27, no.3 (1997):45Swanson, Gloria, N.S. no.22 (1983):8-10, 9; N.S. no.30 (1985):6, 7-8Swing Era New York: The Jazz Photographs of Charles Peterson (Stokes), v.25, no.4(1995):78Sword in the Stone (White), v.23, no.4 (1993):108-10, 109Sylphides, v.20, no.4 (1991):10Symposia. See Conferences and symposiaSystem of Familiar Philosophy (Walker), v.25, no.3 (1995):44

T ^-top-^

T & G: The Collected Poems, 1936-1966 (Niedecker), v.22, nos.1/2 (1992):143T.E. Hanley Collection. See Hanley (T.E.) Collection



Tablet, N.S. no.16 (1981):42-61Tagore, Abanindranath, v.27, no.3 (1997):18, 20-21, 29-30, 31Tagore, Debendranath, v.27, no.3 (1997):15-16Tagore, Dwarkanath, v.27, no.3 (1997):14-15Tagore, Gaganendranath, v.27, no.3 (1997):18, 29-30, 31Tagore, Rabindranath, v.27, no.3 (1997):10, 11-37, 24, 25, 27, 28, 31Tagore, Sourindro Mohun, v.27, no.3 (1997):17Tagore family tree, v.27, no.3 (1997):29-30, 31Taiwain fiction, v.27, no.3 (1997):43-47Taken Care Of (Sitwell), v.22, nos.1/2 (1992):30, 31Tales of Mystery & Imagination (Poe), N.S. no.3 (1971):cover, 26, 28Tales of Unrest (Conrad), N.S. nos.20/21 (1982):149Tallichet, Margaret, photograph of, N.S. no.24 (1983):44Taming of the Shrew (Shakespeare), v.22, no.4 (1992):16Tandy, Jessica

photographs of, N.S. no.28 (1984):127; N.S. no.41 (1987):25, 28, 34; v.25, no.1(1994):58in Streetcar Named Desire, N.S. no.41 (1987):26-29; v.25, no.1 (1994):58

Tang, MichaelEvensong Triptych, N.S. nos.46/47 (1989):176Wreck of the Deutschland, N.S. nos.46/47 (1989):170

Tang tai Chung-kuo jen ti fo chiao yen chiu, v.27, no.3 (1997):60Tangled Tale, N.S. nos.32/33 (1985):134Tanguy, Yves, N.S. no.16 (1981):cover; N.S. no.28 (1984):21Tanselle, G. Thomas, v.27, no.3 (1997):107-08Taracena Flores, Arturo, v.22, no.3 (1992):116, 117Taracena Flores (Arturo) Collection, v.22, no.3 (1992):117-31Targ (William) Collection, N.S. no.10 (1978):14Tarlton Law Library, N.S. no.5 (1972):39Taste of Honey (Delaney), v.27, nos.1/2 (1996):85-88Tauchnitz International Editions in English 1841-1955 (Todd and Bowden), N.S. no.48(1989):12-13; v.21, nos.3/4 (1991):140Tauchnitz (Publishing Firm), N.S. no.48 (1989):12-13Taylor, Ann, N.S. no.19 (1982):139Taylor, Edgar Dorsey, v.20, no.3 (1990):8-12; v.22, no.3 (1992):9-12Taylor, Elizabeth (actress), v.20, no.3 (1990):84Taylor, Elizabeth (author), v.26, nos.1/2 (1995):162-63Technology and publishing, v.25, no.4 (1995):7-10, 13-15, 57-63, 81-87. See also InternetTelegraph (newspaper). See Daily TelegraphTemple, Shirley, v.26, no.3 (1996):96, 104Ten Creek Run (Franklin), N.S. nos.42/43 (1988):79Tenniel, John, N.S. nos.32/33 (1985):69, 88Tennyson, Alfred, Lord, v.26, no.4 (1996):cover, 89-115Tennyson, Lionel, N.S. nos.32/33 (1985):208Teozacoalco map, N.S. no.14 (1980):6Testament de Villon (Pound), N.S. nos.25/26 (1984):120-22Texana

Bryan (James P.) Collection, N.S. no.5 (1972):10Contemporary Texas: A Photographic Portrait, N.S. no.35 (1986):14, 16Morris Cook's book collection, N.S. no.7 (1974):102-04exhibit on Texas women, v.20, no.4 (1991):12-15, 13Isbell (George P.) Collection, N.S. no.5 (1972):82-84maps exhibit, N.S. no.5 (1972):10John Peace as collector of Texas historical works, N.S. no.6 (1973):106-07



photography acquisitions, N.S. no.16 (1981):12-14, 12-15Texas Declaration of Independence, N.S. no.4 (1972):73"Texas Poets/Poets in Texas" exhibit, N.S. no.35 (1986):16-18Texas writers, v.25, no.2 (1994):8, 10, 11-12This Bitterly Beautiful Land, A Texas Commonplace Book, N.S. no.5 (1972):13, 13"Visions of Texas" exhibit, v.23, no.4 (1993):20, 21, 25Whitten's collection of Texas fiction, N.S. no.16 (1981):107-09

Texas Declaration of Independence, N.S. no.4 (1972):73Texas History Center. See Barker Texas History CenterTexas Library Journal, N.S. no.4 (1972):9, 9Texas Monthly, v.25, no.4 (1995):40Texas photographers, N.S. no.35 (1986):14, 16; v.23, no.4 (1993):21; v.26, no.3 (1996):20,21"Texas Poets/Poets in Texas" (exhibit), N.S. no.35 (1986):16-18Texas State Library, N.S. no.6 (1973):78-79Texas War Records Collection, N.S. no.6 (1973):43Text setting

Arnault Daniel on, N.S. nos.25/26 (1984):125-27Claude Debussy on, N.S. nos.25/26 (1984):70-81Debussy's Trois Ballades de François Villon, N.S. nos.25/26 (1984):76-81Walton's Façade, N.S. nos.25/26 (1984):104-06

Textiles. See Persian and Anatolian textile collectionTextual authority, and American literature, v.25, no.4 (1995):49-55Textual criticism, theory of, v.20, nos.1/2 (1990):151-65Teynard, Félix, N.S. no.19 (1982):34, 35, 38, 41, 43, 43Thackeray, Annie, v.26, no.4 (1996):32, 33-61Thackeray, William Makepeace

daughter Anne and, N.S. no.30 (1985):83-112letter to daughters, N.S. no.30 (1985):87photograph of, N.S. no.4 (1972):60self-sketch, N.S. no.30 (1985):93

Thackeray Album, v.26, no.4 (1996):32, 33-61Theater arts. See also Costume design; Dance; Hoblitzelle Theatre Arts Library; Setdesigns; and specific playwrights, plays, directors, and actors

Barrett's papers on theatrical management, N.S. no.7 (1974):11-20, 15British theater, v.26, no.3 (1996):15; v.27, nos.1/2 (1996):9-212and censorship, v.27, nos.1/2 (1996):149-50Cocteau's concept of "Theater as Circus," v.23, no.4 (1993):46-47, 54-57College of Fellows of the American Theatre, v.26, no.3 (1996):15Downing (Robert) Theatre Collection, N.S. no.9 (1978):78, 79-81minstrel shows, N.S. no.4 (1972):23-30puppet theater, N.S. no.41 (1987):42, 44Russian theater, N.S. no.10 (1978):37-43, 42Spanish drama, N.S. no.4 (1972):44-47, 44Tony Pastor's theaters, v.25, no.3 (1995):51-68, 53, 58, 61, 64"Twentieth-Century American Playwrights: Views of a Changing Culture" exhibit,v.25, no.1 (1994):7-114vaudeville, v.25, no.3 (1995):50, 51-75, 53, 58, 61, 64, 75Villalongín Dramatic Company Archives, N.S. no.10 (1978):76, 77-80, 79

Theatre (serial), v.24, nos.3/4 (1994):350Theatre Arts Collection. See also individual playwrights, directors, actors and stagedesigners

conservation of, N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14



Crain (W.H.) Collection, N.S. no.40 (1987):10; v.23, no.4 (1993):16-19, 18; v.25, no.1(1994):120-21; v.25, no.2 (1994):19donations by Raymond Daum, N.S. no.23 (1983):12donations in 1996, v.26, no.3 (1996):15-16Roy George original negatives, N.S. no.23 (1983):12Gone With The Wind (storyboard), N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14Hines archives, N.S. no.40 (1987):9Hollywood photographs, N.S. no.23 (1983):11, 12Munsel library of musical works, N.S. no.40 (1987):10Scott archives, N.S. no.40 (1987):7-8set designs, N.S. no.23 (1983):10-12Gloria Swanson archives, N.S. no.22 (1983):8-10

Theatre Guild, v.22, no.4 (1992):16, 17; v.25, no.1 (1994):155-56Theatre Workshop, v.27, nos.1/2 (1996):79-88Theatrum Orbis Terrarum (Ortelius), v.23, no.4 (1993):130, 131-43, 133, 134, 137, 140Theme of the Joseph Novels (Mann), v.26, nos.1/2 (1995):62Themes in My Poems (Jeffers), N.S. no.40 (1987):46, 47-48, 51, 61Theory of Relativity. See Einstein, AlbertTher Hoernen, Arnold, Fasciculus Temporum, v.21, nos.3/4 (1991):61-79Theroux, Alexander, v.26, no.3 (1996):9-10Thin Man (Hammett), v.26, nos.1/2 (1995):182, 183Third Man (film)

advertisement, v.20, no.4 (1991):54book edited for film, v.20, nos.1/2 (1990):121-24cast members, N.S. no.36 (1986):107, N.S. 109, 112photographs of, N.S. no.36 (1986):92, 101, 104, 110script page, v.20, nos.1/2 (1990):123Selznick's contribution, N.S. no.36 (1986):93-113Vienna map, N.S. no.36 (1986):98

Third Man (Greene), N.S. no.36 (1986):97; v.20, nos.1/2 (1990):121-24Thirlwall, John C., v.22, no.4 (1992):8This Bitterly Beautiful Land, A Texas Commonplace Book, N.S. no.5 (1972):13This Is My Beloved (Benton), v.26, nos.1/2 (1995):175-76, 177This Property Is Condemned (film), v.20, no.3 (1990):91Thomas, Dylan, N.S. no.1 (1970):40-41; N.S. no.5 (1972):66, 67Thomas, Lowell, v.20, no.3 (1990):18-20Thomas, William, v.27, no.3 (1997):71, 74, 75Thomson, Virgil, v.26, nos.1/2 (1995):208, 211Thorofare (Morley), N.S. no.5 (1972):61-62"Three Nuns" (Rossetti), v.23, no.1 (1993):30Through the Looking Glass and What Alice Found There (Carroll), N.S. nos.32/33(1985):88, 89-99"Through Women's Eyes: A Women's History of Texas" (exhibit), N.S. no.19 (1982):9-11Time Machine (Wells), v.26, nos.1/2 (1995):55Tinker (Edward Larocque and Francis J.) Collection, N.S. no.17 (1981):15-29Tiomkin, Dimitri

photograph of, N.S. no.27 (1984):63score for Duel in the Sun, N.S. no.27 (1984):62-91, 70-71, 91

Tippett, Michael, v.22, no.4 (1992):18, 20Titanic, N.S. no.36 (1986):56, 57-73, 61, 64, 70Tittle, Walter, N.S. no.5 (1972):30, 31Tobenkin Collection, N.S. no.9 (1978):29-37, 35Tobin, Robert L.B., N.S. no.12 (1979):102, 103-05



Todd, William B.bibliography of, v.21, nos.3/4 (1991):187-213exhibit catalogs by, v.21, nos.3/4 (1991):194, 211festschrift honoring, v.21, nos.3/4 (1991):7-213Gutenberg Bible paper by, v.21, nos.3/4 (1991):205Hume and the Enlightenment, v.21, nos.3/4 (1991):186photograph of, v.21, nos.3/4 (1991):6Tauchnitz International Editions in English 1841-1955, N.S. no.48 (1989):12-13; v.21,nos.3/4 (1991):140White House Transcripts, v.21, nos.3/4 (1991):206

Toklas, Alice, v.21, nos.1/2 (1991):33Tolstoy, Leo, Kreutzer Sonata, v.21, nos.3/4 (1991):151, 164Tom Lea Collection. See Lea (Tom) CollectionTomlinson, Charles, v.23, no.4 (1993):10, 11-12; v.25, no.2 (1994):22ton-Felkerzam, Baron Arminii Evgenievich, N.S. no.9 (1978):coverTony Pastor Collection. See Pastor (Tony) CollectionTorre bianca (Ivancich), N.S. no.30 (1985):15-37Tortilla Flat (Steinbeck), N.S. no.3 (1971):80-81, 80Toulouse-Lautrec, Henri de, N.S. no.9 (1978):66; v.21, nos.1/2 (1991):108"Touring the World" (exhibit), N.S. no.17 (1981):10Tournachon, Gaspard Félix. See Nadar, FélixTous ceux qui tombent. See All That FallTowards An Australian Drama (Rees), N.S. nos.42/43 (1988):44Tower Bibliographical Studies, N.S. no.1 (1970):11Townsman (periodical), N.S. nos.25/26 (1984):119-35, 131Tracy, Spencer, N.S. no.2 (1970):88Transformations (Sexton), v.22, nos.1/2 (1992):158-60, 159, 168, 177, 179, 183Translations

Jarry's Par la taille, N.S. nos.38/39 (1987):41-59Joyce's Ulysses, N.S. nos.20/21 (1982):29-59, 38, 39, 47, 52, 57

Travels in India (Hodges), v.27, no.3 (1997):70-71, 72, 74, 77, 80-87Trece poetas de mundo azteca (León-Portilla), v.22, no.3 (1992):49Tree of Man (White), N.S. nos.42/43 (1988):72-73Trieste Library, N.S. nos.20/21 (1982):141-70, 149, 152, 153, 169Trilogy. See Malloy, Malone Dies, The Unnamable (Beckett)Triumph of Death (Bertelli), v.26, no.3 (1996):33Trlica (Jno. P.) Collection, N.S. no.16 (1981):12, 13Trois Ballades de François Villon (Debussy)

composition and revision, N.S. nos.25/26 (1984):70-72orchestration, N.S. nos.25/26 (1984):83, 86-99text setting, N.S. nos.25/26 (1984):76-81

Trost, Henry C.catalog of drawings, N.S. no.16 (1981):93-102as draftsman, N.S. no.16 (1981):78-92drawings by, N.S. no.16 (1981):82, 88, 91, 93-102photographs of Trost Buildings, N.S. no.16 (1981):78, 87, 92

Troutman, Johanna, N.S. no.19 (1982):9, 10Truffaut, François, v.21, nos.1/2 (1991):201"Trumpet Player: 52nd Street" (Hughes), v.24, nos.1/2 (1994):119-35Try Anything Once (Clune), N.S. nos.42/43 (1988):47Tsuchiyama, Tami, v.27, no.3 (1997):52-53Tucker, Albert, N.S. nos.42/43 (1988):184, 187, 192Tucker, Benjamin Ricketson

bookshop catalog, v.21, nos.3/4 (1991):177



photograph of, v.21, nos.3/4 (1991):146as propagandist, v.21, nos.3/4 (1991):148-49subscription series, v.21, nos.3/4 (1991):179-85

Tumarin, Boris, N.S. no.28 (1984):103Tundra, v.20, no.3 (1990):116Turk halk kulturu (Turkish Folklore), v.27, no.3 (1997):161Turkish Collection, v.27, no.3 (1997):160, 161-62Tutuola, Amos, v.20, no.3 (1990):8; v.27, no.3 (1997):102, 103-23, 111Twain, Mark. See Clemens, Samuel L.Twelve cogent reasons for supposing P.B. Sh-ll-y to be the D-v-l Inc- rn-t(Mason), N.S.no.12 (1979):24, 25-29Twentieth-Century American Playwrights: Views of a Changing Culture (exhibit), v.25, no.1(1994):7-114Twentieth Century Harlequinade and Other Poems (Sitwell), v.22, nos.1/2 (1992):39Twenty-Five Poems (Thomas), N.S. no.1 (1970):41Two Men of Tinted Butte, v.20, no.3 (1990):108TxU cedula, N.S. no.13 (1980):83-89, 86Tynan, Kenneth, v.27, nos.1/2 (1996):168-72Tzara, Tristan, N.S. no.28 (1984):21; N.S. no.35 (1986):57-58, 58

U ^-top-^

Ubu roi (Jarry), N.S. nos.38/39 (1987):42, 43Ucelay, José María, N.S. no.13 (1980):24Ulysses (film)

Mario Serandrei script, N.S. nos.20/21 (1982):126-29film shots, N.S. nos.20/21 (1982):121-24, 126-29film tradition and, N.S. nos.20/21 (1982):120-35movie poster, N.S. nos.20/21 (1982):113Reisman-Zukofsky screenplay, N.S. nos.20/21 (1982):107-39

Ulysses (Joyce)binding of, N.S. no.22 (1983):6French translation, N.S. nos.20/21 (1982):29-59, 38, 39, 47, 52, 57Joyce's revision and proofreading, N.S. nos.20/21 (1982):12, 13-27, 16page proofs, v.20, nos.1/2 (1990):6reconstruction of authentic version of, N.S. no.23 (1983):58-61similarity to Rabelais's Les Cinq livres, N.S. nos.20/21 (1982):159-70, 169trial of, N.S. nos.20/21 (1982):91-105, 98typescript acquired by HRHRC, v.20, no.3 (1990):7-8

Undset, Sigrid, v.22, no.4 (1992):157U.S. v. Ulysses, N.S. nos.20/21 (1982):91-105, 98University of Texas. See also Barker Texas History Center; Benson (Nettie Lee) LatinAmerican Collection; Harry Ransom Humanities Research Center (HRHRC)

acquisition of Grattan Collection by, N.S. nos.42/43 (1988):27, 34-36Grattan's employment by, N.S. nos.42/43 (1988):34-37Grattan's impression of, N.S. nos.42/43 (1988):36-37

University of Texas Writers Library (Fleming Collection), N.S. no.6 (1973):11-15Unnamable. See Molloy, Malone Dies, The Unnamable (Beckett)Unseld, Siegfried, N.S. no.28 (1984):90Updike, John, v.26, nos.1/2 (1995):153-55Urban life. See Cities exhibitUrbano, Victoria, v.20, no.3 (1990):18Utne Reader, v.25, no.4 (1995):29Uygur milli giyimleri (Uighur National Costumes) (Kasimiy), v.27, no.3 (1997):162



Uzielli (Giorgio) Collection, N.S. no.37 (1986):6, 7-8, 8

V ^-top-^

Valency, Maurice, v.25, no.1 (1994):68Valera, Juan, v.22, no.3 (1992):73Valéry, Paul, N.S. no.9 (1978):72-73Valli, Alida, N.S. no.36 (1986):92, 101, 109Van Vechten, Carl

Langston Hughes and, v.22, no.4 (1992):52-63, 76-83influence on Harlem Renaissance, v.22, no.4 (1992):65-83Blanche Knopf and, v.22, no.4 (1992):66, 77-82Nigger Heaven, v.22, no.4 (1992):65-83, 73; v.26, nos.1/2 (1995):132photographs of, N.S. no.35 (1986):31; v.22, no.4 (1992):55, 64, 79; v.26, nos.1/2(1995):133photography by, N.S. no.27 (1984):29; v.22, no.4 (1992):69; v.24, nos.1/2 (1994):29,30, 104, 111; v.26, nos.1/2 (1995):133-34, 135role in recognition of African-American artists, v.22, no.4 (1992):65-70, 76-83unofficial editor at Knopf, Inc., v.22, no.4 (1992):65-83

Van Velde, Geer, N.S. no.28 (1984):33Van Velde, Lisl, N.S. no.28 (1984):33Vaquero, N.S. no.6 (1973):76, N.S. no.6 (1973):77Varèse, Edgard

caricature of, v.23, no.4 (1993):29collaboration on music for A Midsummer Night's Dream, v.23, no.4 (1993):57, 59,69-70photograph of, v.23, no.4 (1993):75remembrances of, v.23, no.4 (1993):74-75

Varèse (Edgard and Louise) Collection, v.25, no.2 (1994):28-30, 28Vassilief, Marie, v.21, nos.1/2 (1991):122Vassos, John, N.S. no.27 (1984):20-21Vaudeville

American vaudeville, v.25, no.3 (1995):50, 51-75, 53, 58, 61, 64, 75New York Volunteers, v.25, no.3 (1995):75orchestral music, v.25, no.3 (1995):53playbill, v.25, no.3 (1995):64program cover, v.25, no.3 (1995):61song leaflet page, v.25, no.3 (1995):58Tony Pastor's theaters, v.25, no.3 (1995):51-68, 53, 58, 61, 64

Vaughan, Edward, Plaine and perfect Method, for the easie understanding of the wholeBible, v.20, nos.1/2 (1990):86Verlaine, Paul, N.S. no.9 (1978):39-40Vertical File Collection, N.S. no.13 (1980):8Victor (Roché), v.21, nos.1/2 (1991):202-15, 202, 211-13Victorian period

Dickens-Collins collaboration in No Thoroughfare, N.S. no.37 (1986):39-53exhibits, N.S. no.3 (1971):11-12, 12; N.S. no.13 (1980):10fiction, N.S. no.37 (1986):28, 29-37, 31, 34Mrs. Gore's novels, N.S. no.37 (1986):33-37, 34industrial novels, N.S. no.37 (1986):20, 21-27, 25photography, N.S. no.5 (1972):68-81women and religion, v.23, no.1 (1993):10-31

"Victoria's World" (exhibit), N.S. no.3 (1971):11-12, 12, 10"Views of Old London" (exhibit), N.S. no.11 (1979):7



Vigil, Constancio C., Compañero, v.22, no.3 (1992):84Villalongín, Carlos, N.S. no.10 (1978):79Villalongín (Carlos) Dramatic Company Archives, N.S. no.10 (1978):76, 77-80Villon, François

poetry, N.S. nos.25/26 (1984):72-78Testament de Villon (Pound), N.S. nos.25/26 (1984):120-22, 123Trois Ballades de François Villon (Debussy), N.S. nos.25/26 (1984):70-72, 83, 86-99

Vincens, Juan, N.S. no.13 (1980):12Vincent of Beauvais, Speculum Naturale, N.S. nos.44/45 (1989):122-27, 123-24, 127Vineland (Pynchon), v.25, no.4 (1995):80Vision and Creed of Piers Ploughman. See Piers Plowman (Langland)"Visions of Texans" (exhibit), v.23, no.4 (1993):20, 21, 25Vocal music. See MusicVollmann, William T., v.26, no.3 (1996):9-10, 11Volontés, v.25, no.2 (1994):19-20Von Stillfried Rateniz, Baron Raimund, N.S. nos.38/39 (1987):6Vuillermoz, Émile, N.S. nos.25/26 (1984):57, 61-65

W ^-top-^

W.D. Smithers Photography Collection. See Smithers (W.D.) Photography CollectionW.H. Crain Collection. See Crain (W.H.) CollectionWabash (Dresser), v.24, nos.1/2 (1994):169-81Wages of Sin is Death (Collaert), v.26, no.3 (1996):cover, 27Wagner, Richard, v.22, no.4 (1992):22Wahl, Jean, N.S. no.28 (1984):91Wahlert, Ernst, Sea and the Skylark II, N.S. nos.46/47 (1989):132Waiting for Godot (Beckett)

American productions of, v.27, nos.1/2 (1996):55-57Beckett as director of, v.27, nos.1/2 (1996):57-63exhibit on, v.27, nos.1/2 (1996):41-63genesis of, v.27, nos.1/2 (1996):42-47HRHRC holdings, N.S. no.28 (1984):65-74, 67, 69, 71London productions of, v.27, nos.1/2 (1996):48-54production photographs, v.20, nos.1/2 (1990):38; v.27, nos.1/2 (1996):53, 62scenes from, N.S. no.28 (1984):72, 74versions of, v.20, nos.1/2 (1990):39-40, 59

Walker, Adam, System of Familiar Philosophy, v.25, no.3 (1995):44Walker, Robert, N.S. no.24 (1983):108; v.26, no.3 (1996):89, 95Wallace, Bill, N.S. no.5 (1972):6Wallace, Lew, First Christmas from "Ben Hur", N.S. no.11 (1979):24, 25"Walls Do Not Fall" (Doolittle), N.S. no.29 (1984):30-31Walton, Sir William

Façade, N.S. nos.25/26 (1984):101-13influence of jazz on, N.S. nos.25/26 (1984):106-09photograph of, N.S. nos.25/26 (1984):100text setting, N.S. nos.25/26 (1984):104-06

Ward, Joe E., N.S. no.2 (1970):12Ward (Joe E.) Circus Collection, N.S. no.2 (1970):10Ward, Mrs. Humphrey, N.S. no.37 (1986):31Ward (William A.) Sports Library, N.S. no.2 (1970):12Warren, Dorothy, N.S. no.34 (1986):55Warren Weaver Collection. See Weaver (Warren) CollectionWars. See specific wars



Waste Land (Eliot), N.S. no.17 (1981):43-44, 44; N.S. no.40 (1987):89, 108-11; v.20,nos.1/2 (1990):35Waters, Ethel, N.S. no.35 (1986):31; v.25, no.1 (1994):75Wätjen, Otto von, v.21, nos.1/2 (1991):20Watkins, Maurine, Story of Temple Drake, v.20, no.4 (1991):cover, 31Watkins, Vernon, N.S. no.5 (1972):67Watson, Andrew G., Medieval Scribes, Manuscripts and Libraries, v.21, nos.3/4 (1991):127Watson, Hildegard Lasell, N.S. no.29 (1984):48Watt (Beckett), N.S. no.28 (1984):cover, 75-78, 77, 79Waugh, Evelyn

aluminum montage, N.S. no.7 (1974):coverBlack Mischief, N.S. no.16 (1981):43-61caricature of brother, N.S. no.7 (1974):54childhood drawing, N.S. no.7 (1974):52ink drawing by, N.S. no.16 (1981):50library, N.S. no.1 (1970):25-29, 27"Open Letter to His Eminence The Cardinal Archbishop of Westminster," N.S. no.16(1981):51-61personal library of, N.S. no.34 (1986):8; N.S. nos.46/47 (1989):39photographs of, N.S. no.1 (1970):25; N.S. no.16 (1981):42, 48sketches and drawings by, N.S. no.7 (1974):42, 43-57, 49, 52, 54, 55, 57

Weary Blues (Hughes), v.22, no.4 (1992):58; v.24, nos.1/2 (1994):125Weaver, Warren, N.S. nos.32/33 (1985):9-15Weaver (Warren) Collection, N.S. no.30 (1985):9; N.S. nos.32/33 (1985):7-233Webb, Alan, v.25, no.2 (1994):76Webb, Walter Prescott, N.S. no.4 (1972):73; v.21, nos.3/4 (1991):109Weeks, Edward, N.S. no.40 (1987):67-87Weidman, Jerome, v.25, no.1 (1994):156-57Weill, Kurt, v.25, no.1 (1994):30, 31, 33Welles, Orson, N.S. no.36 (1986):110Wells, H. G., v.26, nos.1/2 (1995):55Welty, Eudora, v.25, no.2 (1994):23Werboff, Michael, N.S. no.1 (1970):30, 31Wertenbaker, Timberlake, v.27, nos.1/2 (1996):201-04West, Hal Doc, N.S. nos.25/26 (1984):136; v.24, nos.1/2 (1994):23West (Herbert) Collection, N.S. no.6 (1973):42, 43-49, 45, 47West, Nathanael, Miss Lonelyhearts, N.S. no.27 (1984):40-41West, William Edward, N.S. no.2 (1970):46, 47Western literature, vaquero poem, N.S. no.6 (1973):76Westman, Nydia, N.S. no.28 (1984):103Westmore, Monty, N.S. no.24 (1983):64-65Weston, Edward, N.S. no.19 (1982):113, 118, 120Whalon, Michael W., v.22, no.4 (1992):27Wharton, Edith

affair with Morton Fullerton, N.S. no.31 (1985):7-18, 73-107friendship with Henry James, N.S. no.31 (1985):38-44letters to Fullerton, N.S. no.31 (1985):17, 20, 21-71, 68, 86, 98, 106as literary mentor of Fullerton, N.S. no.31 (1985):48-51, 66-67, 100-104photographs of, N.S. no.31 (1985):6, 72, 77, 95sketch, N.S. no.31 (1985):cover

What Is To Be Done? (Chernyshevsky), v.21, nos.3/4 (1991):161Wheeler, Lyle, N.S. no.24 (1983):58; N.S. nos.44/45 (1989):104Where the Air Is Clear (Fuentes), v.25, no.4 (1995):106Whisper to Me (Goyen), v.25, no.1 (1994):101-02, 103



Whistler, James McNeil, N.S. no.17 (1981):15-29White, Eric Walter, v.22, no.4 (1992):18White, Mark, N.S. no.35 (1986):6White, Patrick

photograph of, N.S. nos.42/43 (1988):74Tree of Man, N.S. nos.42/43 (1988):72-73

White, T.H.attitudes on gender, v.23, no.4 (1993):108, v.23, no.4 (1993):110, v.23, no.4(1993):115-16, v.23, no.4 (1993):125, v.23, no.4 (1993):128Book of Merlyn, v.23, no.4 (1993):108, v.23, no.4 (1993):110-12drawings, v.23, no.4 (1993):124homosexuality, v.23, no.4 (1993):116-17, v.23, no.4 (1993):119, v.23, no.4(1993):126, v.23, no.4 (1993):128Ill-Made Knight, v.23, no.4 (1993):122-23, v.23, no.4 (1993):126, v.23, no.4(1993):127Once and Future King, v.23, no.4 (1993):107-08, v.23, no.4 (1993):110, v.23, no.4(1993):112, v.23, no.4 (1993):117-20, v.23, no.4 (1993):123, v.23, no.4 (1993):125-26, v.23, no.4 (1993):128perversity in literature, v.23, no.4 (1993):107-29photograph of, v.23, no.4 (1993):106sadism, v.23, no.4 (1993):117-19Sword in the Stone, v.23, no.4 (1993):108-10, v.23, no.4 (1993):109Witch in the Wood, v.23, no.4 (1993):107-29, v.23, no.4 (1993):114, v.23, no.4(1993):124"You Can't Keep a Good Man Down," v.23, no.4 (1993):107, v.23, no.4 (1993):113,v.23, no.4 (1993):121, v.23, no.4 (1993):125-26

White, Walter, v.26, nos.1/2 (1995):144White Monk (Wilson), v.27, no.3 (1997):70, v.27, no.3 (1997):73Whitehead, Alfred North, N.S. no.40 (1987):95, N.S. no.40 (1987):98Whitelaw, Billie, N.S. no.28 (1984):157Whiteman, Paul, v.24, nos.1/2 (1994):114Whitney, John Hay ("Jock")

correspondence, N.S. no.36 (1986):24"Negro Problem" and Gone With The Wind, N.S. no.24 (1983):100-101photographs of, N.S. no.24 (1983):8, N.S. no.24 (1983):26, N.S. no.36 (1986):61telegram on completion of Gone With The Wind, N.S. no.24 (1983):83

Whitten, Sam, N.S. no.16 (1981):106, N.S. no.16 (1981):107-09Whittock, Complete Book of Trades, v.21, nos.3/4 (1991):cover, v.21, nos.3/4 (1991):94Who's Afraid of Virginia Woolf? (Albee), v.20, no.3 (1990):84Wigman, Mary, v.23, no.4 (1993):16Wild Hunter in the Bush of the Ghosts (Tutuola), v.20, no.3 (1990):8Wilde, Oscar

biography by Richard Ellmann, v.23, no.1 (1993):33-35borrowing material from others, v.23, no.1 (1993):36-37collaboration with theater-managers, v.23, no.1 (1993):41-42correspondence with Mrs. Charlotte Riddell, v.23, no.1 (1993):39correspondence with Robert Buchanan, v.23, no.1 (1993):38Lady Windermere's Fan, v.23, no.1 (1993):47photograph of, v.23, no.1 (1993):32Poems, v.23, no.1 (1993):44-45refusals by the publisher Macmillan, v.23, no.1 (1993):43-44Salomé, v.23, no.1 (1993):45self-promotion, v.23, no.1 (1993):37-41Woman of No Importance, v.23, no.1 (1993):40



as writer, v.23, no.1 (1993):33-49Wilder, Thornton, v.22, nos.1/2 (1992):103-04, v.25, no.1 (1994):157-58William A. Ward Sports Library. See Ward (William A.) Sports LibraryWilliam Crain Collection. See Crain (W.H.) CollectionWilliam Faulkner Collection. See Faulkner (William) CollectionWilliam H. Koester Collection. See Koester (William H.) CollectionWilliam Targ Collection. See Targ (William) CollectionWilliams, Florence, N.S. no.29 (1984):28Williams, Tennessee

Bowles's score for Glass Menagerie, v.26, no.3 (1996):16drawing about, v.25, no.1 (1994):coverdrawing of, N.S. no.23 (1983):6HRHRC holdings, v.25, no.1 (1994):52-69, v.25, no.1 (1994):54-55, v.25, no.1(1994):58-59, v.25, no.1 (1994):62-63, v.25, no.1 (1994):68, v.25, no.1 (1994):78,v.25, no.1 (1994):158-59letter to Carson McCullers from, v.25, no.1 (1994):78, v.25, no.1 (1994):80literary career, v.25, no.1 (1994):51-52Night of the Iguana, v.25, no.2 (1994):67-89photographs of, N.S. no.41 (1987):31, v.25, no.1 (1994):54, v.25, no.1 (1994):62,v.25, no.1 (1994):68, v.25, no.1 (1994):161, v.25, no.2 (1994):66Streetcar Named Desire, N.S. no.41 (1987):17-39, v.25, no.1 (1994):51, v.25, no.1(1994):53-64, v.25, no.1 (1994):55, v.25, no.1 (1994):58-59, v.25, no.1 (1994):62-63

Williams, William Carloscorrespondence generally, N.S. no.29 (1984):7-9, v.22, no.4 (1992):8, v.22, no.4(1992):14correspondence with Louis Zukofsky, N.S. no.23 (1983):37-49correspondence with Marcia Nardi, v.22, nos.1/2 (1992):74-75, v.22, nos.1/2(1992):77-96, v.22, nos.1/2 (1992):106-11Duchamp's readymade and, N.S. no.29 (1984):35-47friendship with Ezra Pound, N.S. no.29 (1984):11-20, N.S. no.29 (1984):35-36friendship with Hilda Doolittle, N.S. no.29 (1984):11-12, N.S. no.29 (1984):14-15,N.S. no.29 (1984):20, N.S. no.29 (1984):23-26health problems, N.S. no.29 (1984):104, N.S. no.29 (1984):106, N.S. no.29(1984):111home and office, N.S. no.23 (1983):40In the American Grain, N.S. no.29 (1984):66-68, N.S. no.29 (1984):70-73influence of Marcel Duchamp, N.S. no.29 (1984):35-43influence of World War II, N.S. no.29 (1984):31-32influence on Lorine Niedecker, v.22, nos.1/2 (1992):113Kora in Hell, N.S. no.29 (1984):24-25, N.S. no.29 (1984):41, N.S. no.29 (1984):58-60, N.S. no.29 (1984):95, N.S. no.29 (1984):97-98Marianne Moore and, N.S. no.29 (1984):49-73Marcia Nardi and, v.22, nos.1/2 (1992):77-78, v.22, nos.1/2 (1992):81-96, v.22,nos.1/2 (1992):109-10Marcia Nardi's letters used in Paterson, v.22, nos.1/2 (1992):74, v.22, nos.1/2(1992):82-85, v.22, nos.1/2 (1992):84, v.22, nos.1/2 (1992):89-95Paterson, N.S. no.29 (1984):27, N.S. no.29 (1984):31-32photographs of, N.S. no.23 (1983):36, N.S. no.29 (1984):6, N.S. no.29 (1984):28,N.S. no.29 (1984):45, N.S. no.29 (1984):105, v.22, nos.1/2 (1992):87portrait by Emanuel Romano, N.S. no.29 (1984):74, N.S. no.29 (1984):75-80, N.S.no.29 (1984):81, N.S. no.29 (1984):83review of Zukofsky's Anew by, N.S. no.23 (1983):44-49Spring and All, N.S. no.29 (1984):55-57, N.S. no.29 (1984):93, N.S. no.29 (1984):95Wallace Stevens and, N.S. no.29 (1984):85-113



Williamson, S.W., N.S. no.19 (1982):68-71, N.S. no.19 (1982):69Wilmot, John. See Rochester, Earl ofWilson, Adrian, N.S. no.27 (1984):7-8Wilson, Colin, v.27, nos.1/2 (1996):35-37Wilson, Frank C., N.S. no.11 (1979):11-12Wilson, Jeremy, v.20, no.3 (1990):17-18Wilson, Richard, v.27, no.3 (1997):70, v.27, no.3 (1997):73Wind in the Willows (Grahame), N.S. no.3 (1971):27, N.S. no.3 (1971):28Wines of France (Lichine), v.26, nos.1/2 (1995):196, v.26, nos.1/2 (1995):197Winkler, E.W., N.S. no.4 (1972):66-71, N.S. no.4 (1972):66Winters, Shelley, N.S. no.2 (1970):86Winterset (Anderson), v.25, no.1 (1994):34-35, v.25, no.1 (1994):36Witch in the Wood (White), v.23, no.4 (1993):107-29, v.23, no.4 (1993):114, v.23, no.4(1993):124Within the Tides (Conrad), N.S. nos.20/21 (1982):151, N.S. nos.20/21 (1982):152, N.S.nos.20/21 (1982):153Wittliff, William D., N.S. no.6 (1973):76Woidek, Carl, v.24, nos.1/2 (1994):210Wolf, Bertha, v.26, nos.1/2 (1995):30Wolff, Robert Lee, N.S. no.37 (1986):16Wolff (Robert Lee) Collection

Mrs. G. Linnaeus Banks, N.S. no.37 (1986):20, N.S. no.37 (1986):21-27, N.S. no.37(1986):25Mrs. Catherine Frances Gore, N.S. no.37 (1986):28, N.S. no.37 (1986):29-37, N.S.no.37 (1986):34HRHRC holdings generally, N.S. no.37 (1986):16, N.S. no.37 (1986):17-19nineteenth-century fiction, N.S. no.30 (1985):8-9No Thoroughfare, N.S. no.37 (1986):38, N.S. no.37 (1986):39-53, N.S. no.37(1986):41, N.S. no.37 (1986):44, N.S. no.37 (1986):49, N.S. no.37 (1986):52Victorian industrial novels, N.S. no.37 (1986):20, N.S. no.37 (1986):21-27, N.S.no.37 (1986):25Victorian novels, N.S. no.37 (1986):28, N.S. no.37 (1986):29-37, N.S. no.37(1986):31, N.S. no.37 (1986):34

Wolfit, Sir Donald, v.22, no.4 (1992):17Wols. See Schulze, Alfred Otto WolfgangWoman of No Importance (Wilde), v.23, no.1 (1993):40"Woman Question," v.23, no.1 (1993):10-31Women

exhibit on Southern and Southwestern women's history, v.20, no.4 (1991):12-15, v.20,no.4 (1991):13exhibit on women photographers, v.25, no.2 (1994):23, v.25, no.2 (1994):24-25in William Faulkner's work, v.20, no.4 (1991):30"Gendered Territory: Photographs of Women by Julia Margaret Cameron" (exhibit),v.26, no.4 (1996):7-8religion in Victorian period and, v.23, no.1 (1993):11-31"Sense of Place: Women in Literature" exhibit, N.S. no.10 (1978):7"Through Women's Eyes: A Women's History of Texas" exhibit, N.S. no.19 (1982):9-11

Women and the Labor Movement (Henry), N.S. nos.42/43 (1988):135Women at Point Sur (Jeffers), N.S. no.40 (1987):25, N.S. no.40 (1987):31-35, N.S. no.40(1987):38Women in Love (Lawrence), foreword, N.S. no.7 (1974):71-79, N.S. no.7 (1974):74, N.S.no.7 (1974):76-79Wood, Audrey



as agent for Tennessee Williams and William Inge, v.25, no.2 (1994):41-44, v.25, no.2(1994):58HRHRC holdings, v.25, no.1 (1994):159-60Liebling-Wood agency and, v.25, no.2 (1994):16, v.25, no.2 (1994):18-19photographs of, v.25, no.1 (1994):68, v.25, no.1 (1994):161

Wood, Beatrice, v.21, nos.1/2 (1991):82-85, v.21, nos.1/2 (1991):82, v.21, nos.1/2(1991):84, v.21, nos.1/2 (1991):85Wood, Natalie, v.20, no.3 (1990):91, v.25, no.2 (1994):cover, v.25, no.2 (1994):58Wood, Sam, N.S. no.24 (1983):78, N.S. no.24 (1983):79Wood, William H. See Liebling-Wood agencyWoolf, Leonard, N.S. no.48 (1989):17-18, N.S. no.48 (1989):35Woolf, Virginia

correspondence with Elizabeth Bowen, N.S. no.48 (1989):70, N.S. no.48 (1989):78,N.S. no.48 (1989):81correspondence with Lytton Strachey, N.S. no.48 (1989):33Mary Hutchinson and, N.S. no.48 (1989):17-18, N.S. no.48 (1989):28, N.S. no.48(1989):32, N.S. no.48 (1989):34, N.S. no.48 (1989):37-38personal library, N.S. no.34 (1986):8

Woolley, Monty, v.26, no.3 (1996):104Wordsworth, William, Prelude, v.20, nos.1/2 (1990):155World is a Cage of Fools, N.S. no.4 (1972):coverWorld War I

cartoons, N.S. no.6 (1973):42, N.S. no.6 (1973):50Dittmar Collection, N.S. no.6 (1973):cover, N.S. no.6 (1973):49-55, N.S. no.6(1973):50, N.S. no.6 (1973):53-54patriotic songbook, N.S. no.6 (1973):53publications, N.S. no.6 (1973):cover, N.S. no.6 (1973):45, N.S. no.6 (1973):47West Collection, N.S. no.6 (1973):42, N.S. no.6 (1973):43-49, N.S. no.6 (1973):45,N.S. no.6 (1973):47

World War II, N.S. nos.42/43 (1988):73, N.S. nos.42/43 (1988):95, N.S. nos.42/43(1988):100Wormald, Patrick, Ideal Reality in Frankish and Anglo-Saxon Society, v.21, nos.3/4(1991):124Wrack at Tidesend (Sitwell), N.S. no.30 (1985):52Wrenn Library, N.S. no.8 (1974):73-81, N.S. no.8 (1974):74Wright, James, v.22, nos.1/2 (1992):227-35, v.22, nos.1/2 (1992):229Wright, Judith, New Land New Language, N.S. nos.42/43 (1988):38Wright, Lawrence, Remembering Satan, v.25, no.4 (1995):45Wright, Teresa, v.25, no.2 (1994):39, v.25, no.2 (1994):40Writing exhibit, N.S. nos.38/39 (1987):9-11Writing in Restaurants (Mamet), v.25, no.4 (1995):100Wylie, Elinor, v.26, nos.1/2 (1995):131

X ^-top-^

Xorandor (Brooke-Rose), v.22, no.4 (1992):6

Y ^-top-^

Yeats, Michael, v.20, no.4 (1991):11-12Yen Mo, v.27, no.3 (1997):64Yiddish Collection, v.27, no.3 (1997):159Yonge, Charlotte Mary, v.23, no.1 (1993):17-19, v.23, no.1 (1993):18



"You Can't Keep a Good Man Down" (White), v.23, no.4 (1993):107, v.23, no.4 (1993):113,v.23, no.4 (1993):121, v.23, no.4 (1993):125-26Young, Stanley, v.25, no.1 (1994):160-61Youskevitch, Igor, N.S. no.19 (1982):12

Z ^-top-^

Zabel, Morton Dauwen, v.20, no.4 (1991):75Zabus, Chantal, v.27, no.3 (1997):113Zachary Scott Collection. See Scott, ZacharyZaniello, Tom, Hopkins in the Age of Darwin, N.S. nos.46/47 (1989):102Zarate, Ortiz de, v.21, nos.1/2 (1991):122Zarraga, Angel, v.21, nos.1/2 (1991):62-63, v.21, nos.1/2 (1991):62Zoo Story (Albee), v.20, no.3 (1990):75-93, v.20, no.3 (1990):79, v.20, no.3 (1990):92Zukofsky, Louis

"A" bookcovers, N.S. nos.38/39 (1987):81, N.S. nos.38/39 (1987):86"A" handwritten notes, N.S. nos.38/39 (1987):89"A" manuscript drafts, N.S. nos.38/39 (1987):77-105Anew, N.S. no.23 (1983):44-49catalog of manuscript collection (supplement), N.S. nos.38/39 (1987):106-81correspondence, N.S. no.2 (1970):49, N.S. no.2 (1970):52-55, N.S. no.2 (1970):53,N.S. no.2 (1970):57-59, N.S. no.17 (1981):101, N.S. no.23 (1983):37-49, v.22,nos.1/2 (1992):59-62drawing of, N.S. no.2 (1970):48Emerson and, N.S. nos.38/39 (1987):77-84HRHRC as scholars' research headquarters, N.S. no.23 (1983):56-58"I's" (Pronounced Eyes), N.S. no.2 (1970):57, N.S. nos.38/39 (1987):106manuscripts, N.S. no.2 (1970):49-57, N.S. no.2 (1970):50Lorine Niedecker and, v.22, nos.1/2 (1992):113-27personal library, N.S. no.34 (1986):8photographs of, N.S. nos.20/21 (1982):106, N.S. no.23 (1983):45, N.S. nos.38/39(1987):76, N.S. nos.38/39 (1987):102, v.22, nos.1/2 (1992):115poetics of, N.S. nos.20/21 (1982):135-39Reisman-Zukofsky screenplay of Ulysses, N.S. nos.20/21 (1982):107-3971Williams's review of Anew, N.S. no.23 (1983):44-49

Zukofsky, Paul, N.S. nos.38/39 (1987):95, N.S. nos.38/39 (1987):102

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