第一次世界大戰之後的德國：現代啟示錄

劉瑞琪

• The Weimar Republic (1919-29)

• The New Objectivity （新客觀）

Tendenzkunst （宣傳性的藝術）

George Grosz, Self-Portrait, Warning (1927)

George Grosz, Dedication to Oskar Panizza (1918) vs. George Grosz, Metropolis (1916-17)

George Grosz, Germany, A Winter’s Tale (1917-19) vs. George Grosz, People in the Street (1915-16)

George Grosz, After It Was Over, They Played vs. George Grosz, Murder on Acker Street Cards (1917) (1916)

George Grosz, John the Woman Killer (1918) vs. Heinrich Maria Dorringhausen, The Sex

Murderer (1917)

Otto Dix, Sex Murderer: Self-Portrait (1920) vs. Otto Dix, Sexual Murder (1922)

Otto Dix, Sexual Murder (1922) vs. Otto Dix and His Wife Martha (1925)

Otto Dix, Self Portrait as a Soldier (1914) vs. Hugo Erfurth, Otto Dix (1925)

Otto Dix, The Match Vendor Ⅰ (1920) vs. Otto Dix, The Skat Players (1920)

Pablo Picasso, Three Women at the Spring (1921) vs. Otto Dix, The Skat Players

(1920)

俄國的前衛派與德國的包浩斯：現代主義與社會烏托邦

劉瑞琪

• 俄國• Suprematism （絕對主義） , 1915-

• 蘇聯（ 1917 ，十月革命之後）• Russian Constructivism （蘇聯構成主

義） , 或稱 Russian Avant-Garde （蘇聯前衛派）

Kazimir Malevich, Suprematism: Painterly vs. Kazimir Malevich, Suprematist

Composition: Realism of a Player Football (1915) Flying Airplane (1915)

Kazimir Malevich, Black Square (1914-15) vs. Kazimir Malevich, Suprematist

Composition: White on White (1918-19)

Photograph of Kazimir Malevich’s rave vs. Photograph of Kazimir Malevich’s funeral

procession at Moscow Station, Leningrad.

Aleksandr Rodchenko, Pure Red Color, Pure Yellow Color, Pure Blue Color (1921)

Aleksandr Rodchenko, Oval Hanging Construction vs. Mikhad Kaufman, Photograph

(1920) of Rodchenko with Folded Constructions (1921)

Aleksandr Rodchenko, Oval Hanging Construction vs. Installation of the third

(1920) OBMOKHO exhibition (1921)

VladimirTatlin, Monument to the Third International (1919-20)

Lyubov Popova, Spatial Force Construction (1920-21) vs. Lyubov Popova, Constructivist

Composition (1931)

Lyubov Popova, Spatial Force Construction (1920-21) vs. “Curves” from The Encyclopeadia

Slovar (1902)

Lyubov Popova, Spatial Force Construction (1920-21) vs. “Geometric Solids” from The

Encyclopeadia Slovar (1902)

Varvara Stepanova, Five Figures on a White Background (1920) vs. Varvara

Stepanova,

Designs for Sports Clothing (1923)

Varvara Stepanova, Designs for Sports Clothing (1923) vs. Students of the Academy of

Social Education (1923)

Lyubov Popova, The Magnanimous (1922)

Lyubov Popova, Dress design (1923-24)

Lyubov Popova, Dress design (1923-24) vs. Nadezhda Lamanova, Custome Based on

Folk-design (1923)

Lyubov Popova, Textile designs (1923-24) vs. Lyubov Popova, Textile designs: red

triangles in circles, watercolour on paper.

Gustav Klutsis, Dynamic City (1919) vs. Gustav Klutsis, Electrification of the Whole

Country (1920)

Gustav Klutsis, Study for a poster “Workers,

Everyone Must Vote in the Election of Soviets!” (1930)

El Lissitzky, The Constructor (Self-Portrait) (1924) vs. Aleksandr Rodchenko, Photograph

of Varvara Stepanova at Her Desk (1924)

Aleksandr Rodchenko, Photograph of Varvara vs. Aleksandr Rodchenko, Photograph of

working on a textile design (1924) Osip Brik (1924)

Aleksandr Rodchenko, Poster for Battleship Potemkin (1925) vs. Aleksandr

Rodchenko, Poster for The Cinema-Eye

(1923)

Aleksandr Rodchenko, Chauffeur (1933)

Aleksandr Rodchenko, Pioneer with a Horn (1930) vs. Aleksandr Rodchenko, Moculea

(1927)

Aleksandr Rodchenko, One page from the magazine USSR in Construction, 12, Dec.

1933.

Aleksander Gerasimov, Stalin at the Sixteenth Party Congress

of the Russian Communist Party (1929-30)

• 德國的 Bauhaus （包浩斯）• 1919: Weimar

• 1925: Dessau

• 1932: Berlin 郊區

• 1933: Closed

Masters on the roof of the Bauhaus building (1925/26)

Walter Gropius, The Dessau Bauhaus building (1925/26)

Walter Gropius, The Dessau Bauhaus building (1925/26)

Walter Gropius, The Dessau Bauhaus building (1925/26)

Theodor Bogler, Teapots (1923)

Anonymous, Aluminium desk lamp vs. Theodor Bogler, The table lamp with adjustable shade of metal and glass (1925)

Anni Albers, Design for wall-hanging (1926) vs. Anni Albers, Design for wall-hanging

(1927)

Gustav Hassenpflug,

Folding table in three

different positions (1928)

vs.

Anonymous, Folding

chair in three different

positions (1929)

Laszlo Moholy-Nagy, From the Radio Tower, vs. Laszlo Moholy-Nagy, View of the Radio Berlin (1928) Tower, Berlin (1925)

Iwao Yamawaki, The Attack on the Bauhaus (1932)