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Synopsis
Act I
Act I opens with the auction of some old items at the Paris Opera House. Time is retraced to
tell the mysterious tale of ‘The Phantom’. It begins with the rehearsal of the opera ‘Hannibal’.
Hannibal, played by the famous, Ubaldi Piangi, returns victorious from battle to meet his wife,
played by Carlotta, the theatre’s resident soprano. The owner of the theatre, Lefevre, interrupts
and announces the sale of the theatre to Messrs Firmin and Andre, who are supported by a
young nobleman, Raoul. Only after Lefevre leaves do they realise that the theatre has a
resident ‘Phantom’ who controls the theatre and demands a large and regular fee.
During the rehearsal, a piece of scenery inexplicably falls, narrowly missing Carlotta who
storms out and refuses to sing. The young Christine Daaé, a member of the chorus, is recruited
to sing in her place, with the encouragement of her friend Meg Giry and Meg’s mother
Madame Giry, the dance mistress, who knows more about the Phantom than she lets on.
When Raoul hears Christine sing, he is delighted to realise that she is his long lost childhood
sweetheart. Christine explains that she is unable to rekindle their friendship because of a
mysterious music teacher that she has never actually seen. Raoul chooses to ignore this. The
mysterious music teacher is, of course, the masked Phantom, who whisks Christine away to his
underground lair where the full extent of his lonely existence is revealed. After discovering his
hideously deformed face, Christine is moved to pity by his misery and a new relationship
begins to be forged between them.
However, when she returns to the opera house, The Phantom demands that Christine is given
the lead in the next production, ‘Il Muto’ and that Carlotta should be given the role of a mute
pageboy. The new owners foolishly decide to ignore The Phantom and instead cast Carlotta in
the lead role – which leads to disaster!
Meanwhile, Raoul and Christine cannot help falling in love – she takes him to the top of the
opera house where they swear their undying love for each other. Unfortunately, the jealous
Phantom overhears their conversation and Act I ends with a violent act of revenge.
Act II
Act II opens, six months on, with a joyous masquerade ball celebrating Christine and Raoul’s
engagement. All is going well until the arrival of The Phantom. He has written his own opera,
‘Don Juan’, and demands that it is performed with Christine as the lead.
Raoul has a plan to outwit The Phantom; a marksman and others lay in wait while the new
(and awful) opera is performed. It begins and, as expected, The Phantom is drawn to Christine
who he drags down to his lair. She is in danger and Raoul must save her from her damaged and
sad mentor. Madame Giry gives Raoul a stark warning as he descends into The Phantom’s lair.
It is advice that he does not heed…
Co–Directors (in no particular order)
Mrs R Carroll, Mrs R Le Breton, Mrs L Lynn, Miss F Hardy
Chorus
Alisa Hogg
Evie Sproat
Florence Prior
Nicole Greenway
Ffion Jenkins
Millie-Mae Thompson
Veronika Koscusko
Alex Harbach
Katie Ewin
Jessica Pietersen
Jessica Williams
Belle Hastings
Victoria Boothman
Also all available principals
Choreography and Dance
Principal Choreographer
Miss F Hardy
Choreographers
Eva Smith
Kerry Greenway
Dancers
Eva Smith
Kerry Greenway
Georgina Huntington
Meaghan Lloyd
Ffion Jenkins
Victoria Boothman
Matthew Whitehead
Adam Swainson
Orchestra
Conductor Mrs R Le Breton
Percussion and Sound Tech: Toby Cass
Woodwind 1 Alice Henderson
Woodwind 2 Rosie Cooper
Poppy Deakin
Woodwind 3 Isabella Brown
Woodwind 4 Lucy Irving
Woodwind 5 Marcus Carlsson
Ann Bishop
Horn 1 Pam Harris
Horn 2 Jennifer Woodward
Horn 3 Ben Jackson
Trumpet Ian Sharman
Trombone Jodie Roberts
Graham Harris
Piano David Shingler
Synth Alex Birkett
Violins Philippa Hall (Leader)
Alice Reid
Christie Richardson
Charlie Burfield
Louise Peacock
Viola Esme Hogg
Cello Rachel Owen
Jake Cardigan
Rebecca Clear
Technical and Other Support
Technical Manager
Mr G Desmond
Lighting
Elysha Cockbain
Matthew Ellwood
Sound:
Finlay Zachopoulos
Rory Cuninghame
Meghan Gray
Sarah Shingler
Miriam Stobart
Stage Management
Set Manager
Miss F Hardy
Support
Mrs L Lynn
Miss R Morley
Mrs D Johnson
Mr A Johnson
Mrs G Allin
Miss R Hatton
Daisy Connor
Olivia Zachopoulos
Pyrotechnics Mr A Heyes
Backstage
Mrs M Banks
Mr S Rudd
Mrs G Foster
Front of House
Mrs H Naylor
Mrs J Cass
Ticket Coordinator
Ms K Reynolds
Security
Mr J Scott
Makeup
Jess Sansom
Elizabeth Dixon
Joshua Thompson
Costumes/Sewing
Mrs Elaine Adamson
Mrs J Ellis-Williams
Miss R Hatton
Mrs Tracey Tait
Miriam Stobart
With especial thanks to Mrs
Elaine Adamson who tirelessly
and enthusiastically made a
huge number of skirts, shirts
and other costumes with
incredible close attention to
detail. Together with her
husband, Stewart M Adamson,
she donated not only her time
and effort but also all the fabric.
Mrs Adamson’s heroic efforts
have set up the school costume
cupboard for many years to
come and we are incredibly
grateful.
Set Design
Mrs G Allin
Set Construction
Mr M Irving
Mrs G Allin
Mr A Clay
With special thanks to Mrs R
Blake who gave up a great deal
of her time to make both the
magnificent boat and Phantom
chair. These are major
contributions to the set and we
are extremely grateful for her
efforts.
Set decoration
Mrs E Walker
Mrs G Allin
Elephant banners
Miss R Hatton
Miriam Stobart
General support
Miss F Hardy
Mrs D Small
Bobbie Rowley
Meghan Gray
Elizabeth Dixon
The Principals – Wednesday & Friday
Sam Weakley
as
The Phantom
Sophie Madden
as
Christine
Adam Swainson
as
Raoul
Gemma Bell
as
Madame Giry
Kerry Greenway
as
Meg Giry
Makayla Pieterson
as
Carlotta
Ross French
as
Piangi
Adam Cuninghame
as
Firmin
Robbie Anson
as
Andre
The Principals –Wednesday & Friday
Wilfred Fletcher
as
Reyer
Oliver Hartley-Graham as
Lefevre
Matthew Whitehead as
Buquet
Passarino Brodie Coulthard
Nurse Millie-Mae Thompson
Auctioneer Ted West-Sadler
Officers Scott Cooper- Holmes
Florence Prior
Matthew Whitehead
In Gratitude
The following deserve a particular mention and our very special thanks for their support
Mr G Desmond
for constant support and willingness to think laterally to make things happen on the technical front
Elizabeth Bell at The John Peel Theatre for the loan of many costumes and for making others when we were short
Theatre by the Lake
for the loan of costumes and a replacement smoke machine
Fiona Ryden for picking up our purchases in Grimsby
Sam Wilkinson at the ‘Studio A’
for the loan of set items
‘The Barista’ Coffee Shop for the loan of the gavel
Mr Robert Berry – Lead Consultant, ‘The Really Useful Group’
for his unending support, generosity and kindness in the face of our many questions