Apri l – May 2009 | 1514 | PERSPECTIVE

ART DIRECTORS GUILD AWARDS 13th ANNUAL

CHANGELINGJAMES J. MURAKAMI, Production DesignerPATRICK M. SULLIVAN, JR., Art DirectorPAM CARTMEL, Assistant Art DirectorADRIAN GORTON, JEFF HUBBARD, DIANNE WAGER, Set DesignersDOREEN AUSTRIA, Graphic ArtistGARY FETTIS, Set Decorator

THE CURIOUS CASE OF BENJAMIN BUTTONADG AWARD WINNER

DONALD GRAHAM BURT, Production DesignerTOM RETA, Supervising Art DirectorRANDY MOORE, SCOTT PLAUCHÉ, KELLY CURLEY, MICHÈLE LALIBERTÉ, Art DirectorsMOLLY MIKULA, NITHYA SHRINIVASAN, AARON HAYE, Assistant Art Directors

LORRIE CAMPBELL, RYAN HECK, JANE WUU, CLINT WALLACE, RANDY WILKINS, TAMMY LEE, MASAKO MASADA, Set DesignersRICHARD BENNETT, CHRISTOPHER ROSS, IllustratorsJANE FITTS, Graphic DesignerDAVE KELSEY, DraftspersonVICTOR J. ZOLFO, Set Decorator

FROST/NIXONMICHAEL CORENBLITH, Production DesignerBRIAN O’HARA, GREG VAN HORN, Supervising Art DirectorsMICHAEL E. GOLDMAN, JAY PELISSIER, Assistant Art DirectorsLORRIE CAMPBELL, Set DesignerMARTIN CHARLES, Graphic DesignerSUSAN BENJAMIN, Set Decorator

MILKBILL GROOM, Production DesignerCHARLEY BEAL, Art DirectorSUSAN ALEGRIA, Assistant Art DirectorCHAD OWENS, Set DesignerCRAIG HALSTEAD, Graphic DesignerTOM RICHARDSON, Scenic Foreman LAUREN ABRAMS, RICHARD J. BLAKELY, JASON BYERS, DALE HAUGO, JAMES SHEFIK, Scenic ArtistsBARBARA MUNCH, Set Decorator

DOUBTDAVID GROPMAN, Production DesignerPETER ROGNESS, Art DirectorADAM SCHER, MIGUEL LOPEZ-CASTILLO, Assistant Art DirectorsDAWN MASI, Graphic DesignerBOB TOPOL, Lead Scenic ArtistELLEN CHRISTIANSEN, Set Decorator

Opposite page, top: Richard

Bennett’s Photoshop® enhanced

sketch of a train station for THE

CURIOUS CASE OF BENJAMIN

BUTTON. Inset, left to right:

Construction coordinator

Jonas Kirk, Victor Zolfo, Donald

Burt, presenter Marisa Tomei,

and Aaron Haye. Bottom: Jim

Murakami’s pencil sketch of the

telephone switchboard room

for CHANGELING along with a

photograph of the fi nished set.

This page, from top: Nixon’s

San Clemente music room for

FROST/NIXON, Harvey Milk’s

Castro Camera Shop for MILK,

and Sister Aloysius’ classroom

for DOUBT.

EXCELLENCE IN PRODUCTION DESIGN FOR A PERIOD FEATURE FILM

Apri l – May 2009 | 1716 | PERSPECTIVE

© Universal Pictures

© Universal Pictures

© Paramount Pictures

© Miramax Films

© Focus Features

18 | PERSPECTIVE Apr i l – May 2009 | 19

THE SPIDERWICK CHRONICLESJAMES BISSELL, Production DesignerISABELLE GUAY, Supervising Art DirectorDAVID GAUCHER, CHRISTA MUNRO, JEAN-PIERRE PAQUET, ROBERT PARLE, Art DirectorsMEINERT HANSEN, IllustratorFRÉDERIC AMBLARD, BRENT LAMBERT, ALEX TOUKAN, MARIO CHABOT, LUCIE TREMBLAY, CÉLINE LAMPRON, Set DesignersCARL LESSARD, Graphic DesignerJAN PASCALE, Set DecoratorPAUL HOTTE, CDN Head Decorator

WALL•ERALPH EGGLESTON, Production Designer

Opposite page, top, left to

right: Kevin Kavanaugh, Simon

Lamont, Construction Manager

Leigh Gilbert, presenter Fred

Willard, Nathan Crowley, Peter

Lando, and Naaman Marshal.

The photo shows Director Chris

Nolan’s garage with a mock-up

of the Batbike which he and

Nathan Crowley constructed

with parts from Home Depot.

The sketch is Nathan’s. Bottom:

Guy Dyas’ pencil sketch of

a pre-Columbian temple for

INDIANA JONES AND THE

KINGDOM OF THE CRYSTAL

SKULL. This page, top to bottom:

Tony Stark’s shop for IRON

MAN, a SketchUp® model of

the SPIDERWICK mansion,

along with a photograph of the

fi nished set, and the animated

trash-compacter, WALL•E.

© Paramount Pictures

EXCELLENCE IN PRODUCTION DESIGN FOR A FANTASY FEATURE FILM

THE DARK KNIGHTADG AWARD WINNER

NATHAN CROWLEY, Production DesignerKEVIN KAVANAUGH, SIMON LAMONT, Supervising Art DirectorsNAAMAN MARSHALL, CRAIG JACKSON, MARK BARTHOLOMEW, STEVEN LAWRENCE, JAMES HAMBIDGE, Art DirectorsTOBY BRITTON, PETER DORME, PHILLIS LEHMER, Assistant Art DirectorsNEAL CALLOW, ASHLEY WINTER, Stand-by Art DirectorsSTEPHANIE GILLIAM, Set DesignerANDRE CHAINTREUIL, ROBERT WOODRUFF, Computer Set Designers JAMIE RAMA, DAN WALKER, Concept ArtistsJIM CORNISH, Storyboard ArtistJOANNA PRATT, Graphic ArtistPETER LANDO, Set Decorator

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULLGUY HENDRIX DYAS, Production DesignerMARK MANSBRIDGE, Supervising Art DirectorLAWRENCE A. HUBBS, LAUREN POLIZZI, TROY SIZEMORE, LUKE FREEBORN, Art DirectorsPATRICIO FARRELL, NICK NAVARRO, DEAN WOLCOTT, Assistant Art DirectorsRODOLFO DAMAGGIO, COLLIN GRANT, ED NATIVIDAD, NATHAN SCHROEDER, MILES TEVES, IllustratorsMARK HITCHLER, KEVIN LOO, JOSH LUSBY, WILLIAM TALIAFERRO, Set DesignersCLINT SCHULTZ, Graphic DesignerJASON MAHAKIAN, Lead Model Maker TONY BOHORQUEZ, JEFF FROST, Model Makers LARRY DIAS, Set Decorator

IRON MANJ. MICHAEL RIVA, Production DesignerDAVID KLASSEN, Supervising Art DirectorRICHARD F. MAYS, SUZAN WEXLER, Art DirectorsMICHAEL E. GOLDMAN, WENDY RIVA, Assistant Art DirectorsRYAN MEINERDING, RODOLFO DAMAGGIO, PHIL SAUNDERS, IllustratorsPHILIP KELLER, DAVID LOWERY, STEPHEN PLATT, ERIC RAMSEY, Storyboard ArtistsWILLIAM J. LAW III, Senior Lead Set DesignerERNIE AVILA, NOELLE KING, Set DesignersKEVIN CROSS, Specialist Digital Set Designer ANNE PORTER, Junior Set DesignerDIANNE CHADWICK, Graphic DesignerTONY BOHORQUEZ, Model MakerLAURI GAFFIN, Set Decorator

© Warner Bros. Pictures

© Paramount Pictures

© Paramount Pictures

© Walt Disney Pictures

Apri l – May 2009 | 2120 | PERSPECTIVE

QUANTUM OF SOLACEDENNIS GASSNER, Production DesignerCHRIS LOWE, Supervising Art DirectorPAUL INGLIS, JOHN KING, JAMES FOSTER, MARCO RUBEO, MIKE STALLION, Art DirectorsPETER JAMES, NEAL CALLOW, Stand-by Art DirectorsMATT ROBINSON, DEAN CLEGG, GAVIN FITCH, SANDRA PHILLIPS, Assistant Art DirectorsCHRIS BAKER, IllustratorHEATHER POLLINGTON, LAURA GRANT, Graphic Designers ANNA PINNOCK, Set Decorator

GRAN TORINOJAMES J. MURAKAMI, Production DesignerJOHN WARNKE, Art Director GARY FETTIS, Set Decorator

THE WRESTLERTIMOTHY GRIMES, Production DesignerMATTHEW MUNN, Art DirectorTRAVIS CHILD, Scenic Artist THEO SENA, Set Decorator

BURN AFTER READINGJESS GONCHOR, Production DesignerDAVID SWAYZE, Art DirectorDEBORAH JENSEN, JEFFREY MCDONALD, TOBIN OST, NITHYA SHRINIVASAN, Assistant Art DirectorsGREGORY HILL, Graphic DesignerALEX GORODETSKY, Lead Scenic Artist NANCY HAIGH, Set Decorator

Top: A wonderfully detailed

rendering for the gunfi ght and fi re

scene from QUANTUM OF SILENCE,

along with a white model of the set.

Center: Jim Murakami’s sketch of

Walt’s back porch for GRAN TORINO.

Bottom: The mean streets of New

Jersey in THE WRESTLER.

Above: Mumbai

provided the major

settings for SLUMDOG

MILLIONAIRE.

Right: Mark Digby

and presenter Taraji

P. Henson. Below:

Gregory Hill’s sketch

of Krapotnik’s offi ce

for BURN AFTER

READING.

© 2008 Danjaq, United Artists, CPII

© Fox Searchlight Pictures

© Warner Bros. Pictures

© Fox Searchlight Pictures

© Focus Features

EXCELLENCE IN PRODUCTION DESIGNFOR A CONTEMPORARY FEATURE FILM

SLUMDOG MILLIONAIREADG AWARD WINNER

MARK DIGBY, Production DesignerABHISHEK REDKAR, Art DirectorARWEL EVANS, Stand-by Art DirectorMANOJ N. BHOYAR, WAHID SHAIKH, Assistant Art DirectorsBRENDAN HOUGHTON, Storyboard ArtistPRAVEEN KUMAR HENDWAY, SUSHIL KUMAR GIRI, Graphic Designers MICHELLE DAY, Set Decorator

Apri l – May 2009 | 2322 | PERSPECTIVE

THE TUDORSTOM CONROY, Production DesignerCOLMAN CORISH, CARMEL NUGENT, Art DirectorsMELANIE DOWNES, Standby Art DirectorLIZ COLBERT, Assistant Art DirectorAHNA PACKARD, Set DesignerPILAR VALENCIA, Graphic DesignerJENNY OMAN, Set Decorator

UGLY BETTYMARK WORTHINGTON, Production DesignerCHARLES McCARRY, Art DirectorLARRY BROWN, ERIC BRYANT, Assistant Art DirectorsJIM WALLIS, Set DesignerROB BERNARD, Scenic Graphic ArtistALEX GORODETSKY, Charge Scenic ArtistRICH DEVINE, ARCHIE DAMIGO, Set Decorators

PUSHING DAISIES MICHAEL WYLIE, Production DesignerKENNETH J. CREBER, Art DirectorPHILIP DAGORT, JEFF OZIMEK, Set DesignersKIM PAPAZIAN, Graphic DesignerHALINA SIWOLOP, Set Decorator

TRUE BLOOD SUZUKI INGERSLEV, Production DesignerCAT SMITH, Art DirectorMACIE VENER, Assistant Art DirectorDAN CAPLAN, Storyboard ArtistDANIEL BRADFORD, Set DesignerCINDY CARR, RUSTY LIPSCOMB, Set Decorators

EXCELLENCE IN PRODUCTION DESIGN FOR AN EPISODE OF A ONE-HOUR SINGLE-CAMERA TELEVISION SERIES

MAD MENADG AWARD WINNER

DAN BISHOP, Production DesignerCHRISTOPHER BROWN, Art DirectorSHANNA STARZYK, Assistant Art DirectorCAMILLE BRATKOWSKI, Set DesignerROBIN RICHESSON, Graphic DesignerAMY WELLS, Set Decorator

Opposite page, top:

Lighting and mood are

an important element

of MAD MEN’s design.

Inset: Presenter Vincent

Kartheiser, Shanna

Starzyk, Dan Bishop,

Amy Wells, Chris

Brown, and Camille

Bratkowski. Bottom:

An offi ce set with a

beehive motif for

PUSHING DAISIES. This

page, top to bottom:

Aunt Sookie’s house

was a constructed set

in Malibu for TRUE

BLOOD; Tim Conroy’s

pencil sketch of Wulf

Hall, Jane Seymour’s

family home in THE

TUDORS; and a soft-

pencil sketch of a

conference room,

displaying Mode

Magazine’s signature

circles, for UGLY

BETTY, along with a

photograph of the

fi nished set.

© American Movie Classics © HBO

© American Broadcasting Co.

© Warner Bros. Television

© BBC/Showtime

Apri l – May 2009 | 2524 | PERSPECTIVE

Top: The sets are

always jammed

wall-to-wall in CBS

Radford’s Stage 19

for LITTLE BRITAIN

USA. Inset: Michael

Wylie, presenter

Nadine Velazquez, and

Greg Grande. Above:

Leonard and Sheldon’s

apartment for THE

BIG BANG THEORY,

and a production

shot from HOW I

MET YOUR MOTHER.

Right: A production

shot from RULES OF

ENGAGEMENT. Bottom:

Charlie’s Malibu

beach house on stage

at Warner Bros. in

Burbank for TWO AND

A HALF MEN.

EXCELLENCE IN PRODUCTION DESIGN FOR AN EPISODE OF A MULTI-CAMERA TELEVISION SERIES

LITTLE BRITAIN USAADG AWARD WINNER

GREG GRANDE, MICHAEL WYLIE, Production DesignersDAN MALTESE, BRIAN STULTZ, Art DirectorsK.C. FOX, JIM FERREL, Set Decorators

THE BIG BANG THEORY JOHN SHAFFNER, Production DesignerFRANCOISE CHERRY-COHEN, Set Designer ANN SHEA, Set Decorator

HOW I MET YOUR MOTHER STEPHAN OLSON, Production DesignerDANIEL SAKS, Set Designer SUSAN ESCHELBACH, Set Decorator

RULES OF ENGAGEMENT BERNARD VYZGA, Production DesignerJOE PEW, Assistant Art Director JERIE KELTER, Set Decorator

TWO AND A HALF MEN JOHN SHAFFNER, Production Designer FRANCOISE CHERRY-COHEN, Set Designer ANN SHEA, Set Decorator

© Home Box Office

© CBS/Warner Bros. Television© Twentieth Century Fox Television

© S

ony

Pict

ures

Tel

evis

ion

© W

arne

r B

ros.

Tel

evis

ion

© L

ions

Gat

e Te

levi

sion

© NBC Universal Television

© Twentieth Century Fox Television

© H

ome

Box

Offi

ce

© N

BC U

nive

rsal

Tel

evis

ion

EXCELLENCE IN PRODUCTION DESIGN FOR AN EPISODE OF A HALF-HOUR SINGLE-CAMERA TELEVISION SERIES

Top: A subterranean tunnel for WEEDS. Inset: Bill

Durrell, presenter Elizabeth Perkins, Joe Lucky, Julie

Bolder, and construction coordinator Mark Powell. Left,

top to bottom: Jack’s offi ce from 30 ROCK, Set Designer

Lynn Christopher’s pencil sketch for IN TREATMENT,

and a highway rest stop constructed for THE OFFICE.

Above: Earl’s trailer park for MY NAME IS EARL.

WEEDSADG AWARD WINNER

JOSEPH P. LUCKY, Production DesignerWILLIAM DURRELL, Art DirectorJULIE BOLDER, Set Decorator

30 ROCKKEITH IAN RAYWOOD, TERESA MASTROPIERRO, Production DesignersFRED KOLO, PETER BARAN, Art DirectorsELINA KOTLER, Scenic ArtistJENNIFER GREENBERG, Set Decorator

IN TREATMENTSUZUKI INGERSLEV, Production DesignerMICHAEL MAYER, Art DirectorLYNN CHRISTOPHER, Set DesignerCAROL BAYNE KELLEY, Set Decorator

MY NAME IS EARLRANDY SER, Production Designer JOHN ZACHARY, Art DirectorDOUGLAS BERKELEY, Set DesignerMONICA FEDRICK, Graphic DesignerJULIE KAYE FANTON, Set Decorator

THE OFFICE MICHAEL G. GALLENBERG, Production DesignerMATT FYNN, Art DirectorW. RICK NICHOL, Set DesignerSTEVE ROSTINE, Set Decorator

Apri l – May 2009 | 2726 | PERSPECTIVE

THE LIBRARIAN 3ROBB WILSON KING, Production DesignerCHRISTINA E. KIM, MICHAEL WARD, Art DirectorsWRIGHT MCFARLAND, SARAH FORREST, Set DesignersDEREK WENTWORTH, IllustratorMICHAEL DAIGLE, Scenic Lead ArtistROGER JOHNSON, Graphic ArtistLUCI LEAR, Set Decorator

LONE RIDERYUDA ACCO, Production DesignerKATHLEEN MCCARTHY, Set Decorator

RECOUNTPATTI PODESTA, Production DesignerCHRISTOPHER TANDON, Art DirectorKIM LINCOLN, Graphic ArtistHERMAN MCEACHIN, JOHN E. THOMBLESON II, Scenic ArtistsRALPH MEHTA, Set Decorator

EXCELLENCE IN PRODUCTION DESIGN FOR A TELEVISION MOVIE OR MINI-SERIES

JOHN ADAMSADG AWARD WINNER

GEMMA JACKSON, Production DesignerDAVID CRANK, CHRISTIAN MOORE, Supervising Art DirectorsJOHN GOLDSMITH, TABOR LÁZÁR, Art DirectorsDAN KUCHAR, MIKE WARD, Assistant Art DirectorsTED HAIGH, Graphic DesignerRICHARD SALINAS, Lead ScenicKATHY LUCAS, Set Decorator-U.S.A. SARAH WHITTLE, Set Decorator-Hungary

THE ANDROMEDA STRAINJERRY WANEK, Production DesignerDAN HERMANSEN, JOHN MARCYNUK, Art DirectorsDOUG GIRLING, LIZ GOLDWYN, Assistant Art DirectorsMERLIN DERVISEVIC, Set Decorator

Opposite page, top:

Budapest stood in for

Paris in JOHN ADAMS.

Inset: Presenter

Jim Parsons, David

Crank, Gemma

Jackson and John

Goldsmith. Bottom: The

laboratory set from

THE ANDROMEDA

STRAIN. This page,

top to bottom:

LIBRARIAN 3 used an

immense number of

visual effects shots,

Yuda Acco’s marker

and pencil sketch of

Hattaway Mercantile

for LONE RIDER, along

with a photograph of

the finished set, and

the set for Al Gore’s

national campaign

headquarters from

RECOUNT.

© Larry Levinson Productions

© Home Box Office

© Turner Network Television

© Home Box Office

© A&E Television Networks

Apri l – May 2009 | 2928 | PERSPECTIVE

EXCELLENCE IN PRODUCTION DESIGN FOR AN AWARDS SHOW, VARIETY, MUSIC OR NON-FICTION PROGRAM

80TH ANNUAL ACADEMY AWARDSADG AWARD WINNER

ROY CHRISTOPHER, Production DesignerJOE CELLI, Art DirectorGLORIA LAMB, MATT STEINBRENNER, Assistant Art Directors

2008 PRIMETIME EMMY AWARDSJOHN SHAFFNER, JOE STEWART, Production DesignersMATTHEW RUSSELL, Art Director

MTV VIDEO MUSIC AWARDS 2008 HOLLYWOODKEITH IAN RAYWOOD, SCOTT STOREY, Production DesignersSTAR THEODOS KAHN, ARTHUR CHADWICK, JAMES PEARSE CONNELLY, ANDREW STUMME, Art Directors

SATURDAY NIGHT LIVEEUGENE LEE, AKIRA YOSHIMURA, KEITH IAN RAYWOOD, Production DesignersN. JOSEPH DETULLO, Art DirectorHALINA MARKI, MARK RUDOLF, Lead Scenic Artists

TRACEY ULLMAN’S STATE OF THE UNIONDAN BUTTS, Production DesignerKATE BUNCH, Art DirectorBRITT WOODS, Set Decorator

Top: The set for Marketa

Irglova and Glen

Hansard who performed

“Falling Slowly” from

the film ONCE at

the 80TH ACADEMY

AWARDS. Inset: Roy

Christopher. Above: A

full-color model of the

set for 2008 PRIMETIME

EMMY AWARDS. Right:

the home base for

SATURDAY NIGHT LIVE.

Bottom: A Photoshop

rendering for the MTV

VIDEO MUSIC AWARDS.

Top, left to right: A

presentation model

for the CAPITAL ONE

– SANTA commercial,

and a sketch for the

FARMERS INSURANCE

– DROWNED CIRCUS

commercial. Center:

Adam Olson Davis,

presenter Paul

Macarelli, and Jeffrey

Beecroft. Far left: Paul

Sylbert and presenter

Richard Benjamin. Left:

Presenter Ron Howard

is upstaged by George

Lucas.

© American Broadcasting Co.

© AMPAS

© N

BC U

nive

rsal

Tel

evis

ion

© M

TV N

etw

orks LIFETIME ACHIEVEMENT AWARD

Paul Sylbert

CAPITAL ONE COMMERCIAL “SANTA”ADG AWARD WINNER

JEREMY REED, Production DesignerROBERT SILLS, Illustrator

FARMERS INSURANCE COMMERCIAL “DROWNED CIRCUS”

ADG AWARD WINNER CHRIS GORAK, Production DesignerADAM OLSON DAVIS, Art DirectorTRACY GAYDOS, KEVIN KALABA, Assistant Art DirectorsKLAUS HASMANN, Set Decorator

CAPITAL ONE COMMERCIAL “SQUID”JAN ROELFS, Production DesignerERIK POLCZWARTEK, Art DirectorFAY GREENE, Assistant Art DirectorJOHN CHICHESTER, Set Designer

CHEVY COMMERCIAL “DISAPPEAR”SEAN HARGREAVES, Production DesignerKEVIN KALABA, Art Director

VICTORIA’S SECRET COMMERCIAL “HOLIDAY”JEFFREY BEECROFT, Production DesignerSEBASTIAN SCHROEDER, Art DirectorDAWN SEVERDIA, Assistant Art Director

OUTSTANDING CONTRIBUTIONTO CINEMATIC IMAGERYGeorge Lucas

EXCELLENCE IN PRODUCTION DESIGN FOR A COMMERCIAL, PROMO OR PUBLIC SERVICE ANNOUNCEMENT OR MUSIC VIDEO 2008