19767813-Poem-Book

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    etfiction POEMBOOK

    POEMBOOK

    etfiction.com

    By John Reyer Afamasaga

    SUMMARY

    Love, Trust, Honesty & RespectShe mustveApplied her make updonned a towelOne on her headAnd one to cover her chest and legsloaded an SLR cameraand then hoped for the best

    Love she did, her eyes were aliveTrust her lips, kissing I am missingHonesty her mouth a little open, I wishRespect for herself, she never did die

    I held a mirror in front of youTo help you see the beautiful truth

    Our love was deep, our love was pureFor the first time in our lives we felt so sure

    John Reyer Afamasaga

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    Of this! Forsaken book

    The safest place to be is here with meI believe I hear heras I make myself healthy

    with two of these fagsand the same pot of that tarBut theres fearI have done what I can do to put herTruly and undoubtedly out of my limited reachRestrained within a vocabularymild and weak as it is cheapMy actionsLeaving her head in despair, desolatedAnd desperate from her bountiful bodyInside it a bruised heartShe can see in her eyesRed tired, dried, friedall of the time as she pretends to prepareFor today in a mirrorDrip fed with dreadHerThe thing which brings mehow she must feelIn an orange sun that setssoftly behind the rolls of hillsHer beaming in the hallowed moonas it brings, blurs and fades her

    Across these blue black skiesway beyond, yonder, deeper than darkMy hands cut as they carveInto the bodyOf this!Forsaken book

    John Reyer Afamasaga

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    Moon, man Part 1

    I would like to be as direct as permissible when I writeBut if it were not for the unique way our minds twist

    As it sorts the mess which it is dealt each dayIn a world that spins around a sun it orbitsI would probably be more likely to just draw a lineIn the sandAnd stand on one side when I am highAnd on the other sideWhen I am downHopefully this will be in tuneWith the tidesAnd in timeWith the differing reflectionsOff the moon

    John Reyer Afamasaga

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    The nights in a London dungeon

    To Janine,This is a bookWith few entries

    It smells of youLike you hold itIs so dark I can see your eyesAnd I am so hungry I taste saltLike that of our tears.Tidings that will never be as fair as youJohn PS,Write at daybreak therefore read at sundown

    John Reyer Afamasaga

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    A day under the sun in the Americas

    She saysAnd he must wearHis name will be Lazoo

    A John no doubtBut he will give everyoneSoup and flour doughUnleavened and sourThe broth of brewSoiled fruit cleaned in oilsLike you in spiritMuch the sameIn what fair youShe makes out inMy words though they still beThe promisingThe easy way she skipsThrough the treesAnd awayLeaves me thinkingLeaves me hereIm starting to thinkTalking like thisIt must be workingGone, puff,And upIm also

    Away

    John Reyer Afamasaga

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    Long in limbo

    Long in limboSpilling thrillingIn distillable speaking

    When if, and if whenConsequentiallyHypotheticallyIndescribablyStillAs againI tryIn the sunAnd in the rainIf there were some snowWould most likely, Be in there alsoIn windMakingMayBeIs Will!Curly, Wurly, BitsBitten and chewed uponCursive and creativelySeemingly simplisticA Tantric episodeAll on his ownWith nothing to bare

    And then Once all has beenShared, shearedAnd thereforeShavedWith nothingToSave

    John Reyer Afamasaga

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    Cowboys and girls with hay in their hair

    Cowboys and girls with hay in their hairHawaiian guitars and their lullabiesThe barman serves him up the same

    In heart of the AmericasAs he does on the pavements of ParisThe floral dress dry she swaysIn the only spotlight in the barnHer face has its place to rest its gazeMy mind has known no other placeThese boots are dirt tiredI bring her chin upWith my hand on this heartAnd now she takes the stepI better follow the wayThe way she is betterThan me

    John Reyer Afamasaga

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    Crickets, cicaders, insects

    Hey, do you remember the cicaders?Crickets, cicaders, insectsWings breaking wind banging on their weird and wirily wired bodies

    The one around your straw hat, you slap at, as the one around your neck I laugh atTheres a nation of them in these parts, this we know from their loud whispering soundIn the opening up ahead no place for them to be scared, we know the noise will dieBut in the evening under the stars, there they are again in the air, and so in our ears.

    John Reyer Afamasaga

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    She came half way around the worldAnd I liedshe triedBut I still liedShe went and I stayed

    they ordered an executionIm meant to be tiredTorn in two, in jail or a-sailBut I am alivewell, in theory and in spiritIf I find her, this poemWill be read throughout HistoryInstead

    John Reyer Afamasaga

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    I wipe my noseI wipe my eyesI hear in earsHave heard somewhere beforeThe whistling

    Not like in the willowWeeping Like the wind sweepingSweetThenSourSharpTart talk in the darkWillful windIn between branchesLeaving leaves gatheredOrange and yellowIn autumn coming

    John Reyer Afamasaga

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    Around OClock

    Around OfaceAround OgraceAround Osheaths

    Awn of gallantryAwn of hilarityAwn of solitaryGingerly timelyGingerly princelyGingerly similiOf torn behestOf torn inquestOf torn unrestPeacefully kissPeacefully jestPeacefully getAround OClock

    John Reyer Afamasaga

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    Could be different in an instant

    EyeLashSeen

    DarkensSearing tear then dampenedA fledgling smile shimmerStunning fears hear seethingNow believingIn a wink and a two finger clapA think in time it takes to hastenRush as pressinglyOne urges one onwardCould be different in an instant

    John Reyer Afamasaga

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    RAVISH

    RavishdThenThis

    In betweenDoingThisIn yoSkinRavishIn - ThroingAnd some toingSweetSwellingAnd smelling - ZingDeepHip - and thenPillowing - buffedAnd in thereAgainRepeat

    John Reyer Afamasaga

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    What captures your eye?And captivates your mind?And catapults your heart, above its flat line, beyond the possibilities you have felt?

    John Reyer Afamasaga

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    He wooedIt made everyone cooHe smoothedAnd everyone was fooledBut one, she was aloof

    It is her that John Lazoo will want

    John Reyer Afamasaga

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    When they take you awayThey take you awayWhen I have nothing leftI have nothing to giveYou will not need to read

    When I read you

    John Reyer Afamasaga

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    There is only ever one way to the place where you are today!Make what you think!The same time will come again tomorrow!Hurry to be patient!You will be caught!

    Everything changes!Do not wait for change, it will take you forever!If there is only one thing that you do, let it be change!

    John Reyer Afamasaga

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    Participle

    The straightened road narrowsDisintegrating feelings are to loom

    As a car passesThe toe of my bootIs free and away from the insidesOf the fence

    The outside is the wide expanse, I did expectThat is not yet openTo meAnd who am IThat it should show meWhat I know to be hidden

    The greyhounds engine grinds downThe driver is blackAnd the door is jammedNow it is ajarAnd then I pry it wide openAll the way, and up ontoThe third stepI rushTo be nearThe first Person

    John Reyer Afamasaga

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    EXT. BROOKLYN NYC, 1991 A WINTER MORNING

    James Elton, someone in his early twenties, stands on the street. He

    pushes together on the lapels of the charcoal two piece suit to keep

    warm

    He looks at his cowboy boots

    NARRATIVE:

    Both the suit and boots were gifted to him by the lifer he

    shared a cell with for the past five years.

    Behind him and up a bit is a little girl, from the way she props her-

    self up using her arms on the sill of the open window one is either

    concerned for her safety or impressed how clever the two year old is.

    NARRATIVE:

    Thats me Missy Evon. And down there on the street is the father

    of Little Lazoo, the one I was sent to Guide. My mission starts in

    the year 2031, but I believe it started the moment I first met the

    Illiterate Poet.

    John Reyer Afamasaga

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    Little Lazoo

    He grows, and he growsLittle Lazoo has outgrownOrders to behave and to bathe

    He now stands up past my navelhis bicycle is littleCompared with his riddleshe asks as he knowstheir endings and meaningsjust so he can get meto tell him hes everythingTo me and my breathingOne day hell be leavingbut not yet Im givinghim the lessons he needs mewhen that day comesI know hell be willingto commit and be givingto some sweet girl who lovesmy little James Elton hesquickly and alreadyDeftly deceivingBe soft,Hold his head firmlyLittle Lazoo is worthyBathe him in wordsthat will prepare him to

    be what he wills

    John Reyer Afamasaga

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    Camel droppings in this desert

    Ahoy!Heralds the trackerThe burning boulders still steam

    And so he may be somewhereUp ahead on the hump ofA walking mammalThe orange turban weavingIn the hottest sun that will not setThe brown dirty skin on his armsWarm, as the boy sniffs usIn his wake walking him downThats the speed with which they huntThe lone strangerStringing together the ledgerI think tomorrow, well find him thirstySomeone hopeful makes thereAimless task more hopelessAs the others poke fingersIn their ears, eyes and arsesThe boy is really a ManThe man is really a SoldierThe soldier is already an Army

    John Reyer Afamasaga

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    Reptilia

    The crowded market placeIs the best of hiding placesHis orange turban weaves

    And when they believe they have himHe is not there, not theirs, he is no whereCrouched, thoughtful the boy looks onAnd he likes the way their legs lookAs they walk that wayAnd then they walk this wayThe lip of the basket parts, and liftsAnd then it drops beside itselfDa da! Proclaims his smileThe cobra and only the cobraCan see him, its flat head fannedAs it has comeTo say helloTo Little LazooThe End

    John Reyer Afamasaga

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    Story tellers and their tricks

    A King says to the court jesterMake me laugh and then the after thought my minions?Make them cry! He scowled, howled and then frowned

    Forgetting the taxes, as the hatter not yet completely mad, gathersThe scatter, matter, combining and signing, he leisurely luresRehashed, recants, and vamps volleys of folleysA mother warns her little boyOf the imminent dangerThe little masters monster might, hasAsked and he has received a tupence of utteranceAs the moral materializesIn his mothers wise wordsIf he does not change his ways

    A traffic light turns orange just beforeThe red ends the flow

    A sign swings,On the other side the shop keeper seesAn open door,His way home

    Story tellers and their props

    Kneadled dough proovedWithout baking the yeast

    Expands, pockets, making particles of airBefore the oven fire all lined upTheir shape apparent and now to cementTheir real value, for food and for life(Income monies, outgoing down the drains)The glazed buns that did not need to be firedGet eaten and then shat outJust like the shit that makes me want toSpit

    John Reyer Afamasaga

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    The Silverspoon

    Lips let goAnd so it appearsA tongue then licks the lips all over, for more

    half dozen eyes watch eagerlyas it is driven to diveBack down there, scooping from a galorecarbos, dairy and their daily breadcarefully now, the ice-cream is freeoff the other side we fear seriouslyFor some of that dairyIt may goThe familyhave finishedbut they like to talkWith each othernow theyre beginning to squawkThe Silverspoon sits stillerthan the ice-cream meltingand the coffee that is freezingI wish they would shut upAnd just get up and leavebut they smile at each othera daughter, a father, and her one and only motherThe waiter clears the tablewhile the Silverspoon swimsthe coffee cup is clean

    a little sugar at bottom, it clingsThe family holding handsSkipping the little girl goesas they pass me sittingLooking at themFrom inside thisHaunted caf windowThe waiter is so kindHis tips he puts in this handwith this other handI take the spoon as I offer to return

    his money he closes insideThe first of my twobadly frost bitten hands

    John Reyer Afamasaga

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    Float far

    Drift way of into some blueSwell well away from where you are todayAnd pray the tides on that side of the divide

    Are less torrent and more potent, packedWith people passionately singing in tuneResonating renascence and erasWhen all was thoughtful and artistsHung proud and not around dark cornersThink sour as you talk sweetLet no one in wholl spoil the way you sleepWhile walking and working your way throughAnothers nightmare that you just happen to beInsideAs you have already done

    John Reyer Afamasaga

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    Sudden death

    The very bright ballIn the new night is for allBut mostly for making of silver light

    My hands are tightWithholding holes of them poresAnd then I suck deep gulpsOf all her sores, aches, pains and shameI am in between the quickening, skippingBig and bold beats of her heartThe skin is so hot it retortsIn bleeding beads of sweet sweatA hound howls at the heat in the airAnd the piped puff of fluffed airPasses over and on top of the nightHer eyes are still lightAs I exchange hot poundsFor her muskAnd then she is saidTo be all redAs I think my heartIs ahead of my mouthJust a bit before ourSudden death

    John Reyer Afamasaga

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    The Mighty Moon

    He had not realized that the moon never really got the chance to settle into a good day'srest, as the sun always stole the show as it rose, victoriously, just as it set in a majesticfashion each day, both in reality and in the minds of its many fans and worshippers

    around the watching planet.(From etfiction eBook: John Lazoo)

    The silver crust, would crushThe melted molten molarsIf their hind heat threatened to melt the moonMan felt moored upon the moonBounced about a bitBut he did not float off into spaceOr burn a cornea looking at its faceTry planting a logo on the face of the sunThe 50 or more stars would burnBefore the pole, on which they paradeCould be hurled like a stakeFrom a million trillion light years awayOf which the mighty moonOffers the counter spaceWhich the stinking sun relies uponFor it to make, what we callTime

    The grass dried soon and his clothes were dry. The character came through the doorquietly yet confidently, but still slowly. The last bits were drying at the speed at which the

    clouds passed over his head, some spots more rewarding than others, once wet, thenwarm, then dry, and suddenly hot. Lazoo said aloud, That homeless man over thereunder that tree, he hasn't eaten for three whole days(From etfiction eBook: John Lazoo)

    John Reyer Afamasaga

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    Time

    It trimmed its width, as it wandered down itsSometimes horrendous and horrid pathIt planned its breadth as it foretold itself

    In Homer, honing its longing-nessTunneling isms, while funneling fuming fortifying fickle fierceAnd then floundering fortunesFrom found-less folly, fountaining vicious vile vocationsVindicated in vein volumes of vanityCyclic and sickly on souls who so said they sawAs when they crawled, and then sat crossed leggedBefore their spine, stiffened and straightened so their eye lineSeeing horizons when they stood, and not the heels of those they followedOr the shore on which they did stand and therefore wishThat this thing would come to an end

    John Reyer Afamasaga

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    Sun spots

    Have marred and now maimedA mirror complexion of a riverThat roved and wound down to this fork

    Feting fun have shown shadows in deep creasesWorry and its pushers queue down and around that cornerTo apply their treatment, while jolly jokersAdd life while they wipe, swipe and take awayAll grief, but still on a cloudless dayThe orange fiery ball that blazes the skies aloneSeeks places to dry, wither and weatherLeaving the moon to moisten minutes for theThe sun to soak in pain

    John Reyer Afamasaga

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    Mindless Matter

    The mirage motivates the last dropFrom the only cell, open and dehydratedInside the heap that drags itself across the sands

    Of a Sahara in a land deserted by rainBreathing forests, corroding gorging forges of waterSoaked in iodineWith an evaporating memoryAnd now and thenThe corrupted dream banks collapseAs pain tastes like sugarWhile the only saltIs from the bile, both repeating and invitingVomiting and replenishment, the sameI can manage a thinkThat kicks meAnd then it stings meThat says, to meWe mightStill beSane

    John Reyer Afamasaga

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    Dry

    The sun dried the dead skinMaking it possible to peelAnd finally the owner of the broken skin

    Said it has healedThe sun dried the cementEnabling the only passerby to commute along theMost direct path from A to BAnd on their way home - the reverseThis is B to AAnother one of the waysThe sun and its dispositionsResponds to this barrageOf propaganda, slanderingThe sunnier side of lifeIn a murmuring, humming, humeOf clothThat dothOn its ownDoes not everHopefullyDry

    John Reyer Afamasaga

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    Broken record

    The sick songSounded soaked in weak and wet wallowingThe buckling black plastic makes a wave

    The stylus jumps and reworksThe words he winds back unto hisLone self, just like, just like, just likeFinger fucked, his arm is stuckThe needle to the recordCannot truly get beyond this wreckIf I kick the phonographIll forever never everForgive fucked thoughtsThat makes more moneyThan the bucks thatGet sucked throughThe VacuumThat impulse providesFor the snatchers to grabWith both handsThat wanksYou, me, usAndItself

    John Reyer Afamasaga

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    Hurry

    On its arrivalIt findsWarped records

    And planes plagued by driven drynessA mad apathy that does not knowWhich one is apathetic?The one, least prophetic?The one whose apologies we stuff back down its throatCausing blockage, better than the baggageThat it carries from the savageryLeft craving the thingThat burned its carcassCool then, it blows gentlyOn the spot, that still smokesBeneath it, fused skin, red flesh, yellowing fatAn open wound starts to stinksHey Moon!Hurry!Before itsReturn

    John Reyer Afamasaga

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    Just like a Sunday morning baby

    Today its fluffy entourageHang around so it may hide its faceThe record plays peaceful and says

    Just like a Sunday morning babyWhile dew drops cling a little longerTo leaves that stay green in a magnificentHo hum hue of an overcast dayThis mornings paper reads like a puzzleThe editor mustve read some script and then did tryTo step out of its skin in to these tight ways, that we feintIn the afternoon the sky applies its blue faceThe clouds sit in one cornerAs the sun signs, but it is far too far awayFor its rays to hurtle hurtful harm this wayThe record does 33 revolutions per minute and reaches its endThen the arm then lifts the stylusAnd back to beginning the Diamond Head is takenThe sun shines like its forgivenI lift the paper to me foreheadAs the needle finds its positionAnd the clock on the wall saysGood evening

    John Reyer Afamasaga

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    O'Justin Theredore

    The hangover from the night beforeMopes, for a second there it did floatBut the fucking Monday is there

    Outside the window, the whole world is cordoned offThe tape says no go zoneO'Justin Theredore is weakAnd requires weeks, maybe many millenniums to call in back upFor the Evil Ultra Violent Rays the Sun has just this second sentI sneak around on the palms of my hands and the caps of my kneesCracks in the house allow in razor sharp sheets whichDart around and start to melt the floorThe TV has a picture of the rising sea levelsSandbags are but a depressing visualRepresents doom, a conceptThat links this plightTo fights, past, present and in timeAs the water will winThe sun will continueAnd the ones who threaten and tortureMr O'Justin TheredoreMust be brought In

    John Reyer Afamasaga

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    Metallic infirmaries

    The orange sun is roundThe freckle on my arm is brownThe cool lotion is white

    And as I rub it inIt becomes a lighter shadeOf some sort of ah, um?The radio is rowdy and congestedThe announcer has suggestedThat the burn timeIs less than the time it will takeTo crack open a beerDrink it, bellow a loud burbAnd piss in the bushThe people barbequingAnd burning animalAre also burningWhile the cars, factoriesAnd metallic infirmariesAll over the worldAre very fucking busyMessing withOJustin Theredore

    John Reyer Afamasaga

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    Pure

    As the driven snowNow the moon protectsWith its icy eyeing reliable sight

    The rooftops glow in the search lightThat fights every step of its pathIn the steeped darkness of tonightIt ploughs through it allTo see where the hellHe has goneIn hours, it will beA magnificent sightWhen the sun arrivesIn morning shineThe footsteps trodden deepWill be clues for all to seeWhere the mammoth mouthHas walked, while its lips wankIts ever wagging tongueThat continues toSpeakBut for now, it only whispersThrough the trees as it has no needTo be loud, for everyone isFast asleep

    John Reyer Afamasaga

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    The stark lark way

    Move gracefully through the darkGive thought unto the stark lark wayWe find feet amidst the speeding ground

    That comes at us as speckles and now spikesOur eye now realizes the spying sooted FaceMy fist finds and pounds one more timeAs it blurts out loud what it should have thoughtWhat the fuck, are you chaps doing up in this place?It apologizes but one butt too late asI circum-navigate its perturbed and totally pliable to my thinkingIrrefutably numb and naive way it wants the opportunity to thinkBut I have stolen its time, in my back pocketBeneath posterior I sit on its faceIts clock face

    John Reyer Afamasaga

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    Stealth

    Synonymous with airIs how I would describe her airWith which she pretends to prepare

    For today in a theatre of damned dareSure and stead in her errsShe steadies fears and smearsThat may perhaps questionThe validity of her tearsBut them ducts are now drainedAt the news that her manIs truly on his well waysTo herFor herTo have herIn their own Lustful Ways

    John Reyer Afamasaga

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    The Prize

    VicariouslyI eye her vulvaI endeavour

    Weaving this willI vowShe is to meVoluptuousPlenteousOf thoughtAround bending bindsMy mind windsHer handIs whatI wantIn mine

    John Reyer Afamasaga

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    Lick lips and toast God

    Her head lays to one sideHer back is flatas I oil hands lick lips and toast god

    Her skin and my hands meetAnd together they deal with each other sendingMe messages, her trembling and us upwardHer face is there seeing meeven when I am cryingI look deep and breathe with herAs she kisses my mouth with soundShe says come and I follow herTo a place that is publicShe opens and I enterTogether we finally succumbShe is coming, as he brings herAnd leaves her - here beside meSo I can say to her I will always Love youAnd yesI do

    John Reyer Afamasaga

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    to syrup feeling surpluses

    in eyesa sorrowed huetheir depth

    the width then breadth of the world wide moonthey close and I sense youand at once I grow an alluring urge to toucha lonely and forgotten heartmelt with it to syrup feeling surplusesalas it hardensstill I wish blissstill I will will toForget, forego and free meis that cool with you?

    John Reyer Afamasaga

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    on plagues and with ghosts

    I ate herMind, body and hearttill she was in all of my parts

    hardening when I dreamt of herand shortening when I thought she were gonebut in those moments, little less than a hairI still heard her and her fearI am here I hold herin both earsin both arms wrapped aroundup and down her figuredFine and moulded limbs and bunsshe knows me and holds mewhen up and when I amdown a winding pathto some door I shouldnt beThere begging and pleadingon plagues and with ghoststo riddle me to the bonewith lots of lustthat I mustnot trust

    John Reyer Afamasaga

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    Smash this machine so I could kiss your lips

    Good and beautifulOf you and your unselfishnessI now know you let me go

    To see, the way in which I would goI went ways some of them must have hurtI did things that must have caused you griefI now understand and accept our fateEven prayer can only be a voiceOf the words that have all been saidIn dialogue, monologue and jovial pursuit of your heartBut how do I get to you from here?I would have dug ditches to buy you your ringI would have breathed fumes to make you your dressI still could smash this machine so I could kiss your lipsAgain

    John Reyer Afamasaga

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    I think

    This is why I love you, LotteI imagineAnd only us is the

    Bemusing thoughtThat encompassesAll massesOf thinkingAnd relativePointsPoignantAll the timeReflectingBouncing lightFrom your eyesRight to my heartSomewhatAll at onceFeeding, plus beingCounter productiveTo a business manTrying to beAn assassin, killingWhile distillingIll beliefsThat one manFor love

    Can smashGraduatesThat dareState pass marksCertificatesAbove passionI possessTo bring meThe one thingI obsess

    John Reyer Afamasaga

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    Sunlight

    My heartIs darkSolemn

    And notAphoticOf aquaticTreachery?Of tides wooedBy the not so oftenFull moonMy mind isBrightBy lightThat my eyeFindsThis morningThere isSunlight

    John Reyer Afamasaga

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    Shadows

    WowLook at itSoon it will be long

    But now it isShort stout and sweetThe dial is sweepingAnd when it has reachedAn erect peace unto itself12 oclockLook!I am without oneTo followAnd cloakThe darkPaths thatWeWalk

    John Reyer Afamasaga

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    Cloaking

    Soaking the seedsThen let them, germinateIn lesson, and with age

    Rather than hastenThe processLest it recessAnd stall, to blunderA thunder, which just wasA little stutter of a flutterOf pervious repeating permeationThat lays foul, to us onOur one eyedReflection?The detection of bullshitWe have downTo some sortOf Perfection

    John Reyer Afamasaga

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    Change,

    Isometric,On angles,Not so right

    If the equatorIs in the middle of the worldThen why are the poles, cooler?Ah?Force windsTrade windsRain on tails and the wings of galesHit meIn the faceAs I pretend to prepareFor todayIn a mirrorNow clear as I have seen herOn the internetYeah manI have seen herOn the internetBeautiful as hellAnd sexy as sweet sweatShe beliesMy conditionHopefulNot as hapless

    Still inDamnedDamnedDamnedAnd therefore in this LoveForever

    Wheres the change?

    In my beatitude

    Im higher - A better man

    The best man,I have ever been

    Yeah!

    John Reyer Afamasaga

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    The Butterfly Part 1

    Lame, lame, lame as the flame in a hurricaneI really cross my fingersThat they dont say

    That about my gameSame, same, same old crapI think someone should ask themselvesThe love, the moon, the butterflyCan they really wipe away the blues?Joke, joke, jokingly I goFor on the morrowSometime in the mornIll write some poemThat will haveThe moon whispering hopeAnd make reference toThe way a butterflyFlutters its wingsAs it blows windThat none of usCan smell

    John Reyer Afamasaga

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    The Butterfly Part II

    The Butterfly, the Love, the MoonFresh from a cocoon the butterfly flewNow upon a green leaf it is beautiful as it plays

    Then it sees newer life up aheadWaving its wings its symbol is peacefully meantThe butterfly flutters by and onSilent, yet very distinctShe touches his handAnd he does this time with affection respondShe sees his shoulder and her headShe wants to rest it thereShe does as she intendsBut just then, when he was readyA butterfly flew right in betweenHer head and the blade of his backAt night they play with each otherBefore they take to one anotherAnd she wonders as she lies on her back under the moonWhatever happened to the butterfly?The one he joked about today

    John Reyer Afamasaga

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    A book Part 1

    From shoreWind and his oarsRoll waves

    Away and then awayfrom hereA bottle bobs, struthI am a message, a line in some songI sing it, it bringsSails a mast, hi from planksFlat, wide on a sturdy deckWashed with sea, rain, and wineA port to my leftAnd singing from thereOverseasAt Wartime, in someones uniformI bound up, and board herTo ride herShe is smellyMoney in gussetBouncing in a cleavageI take herFrom behindAnd she pays meFor itA book heavily boundFeels like hide

    Of an old cowOn heatI put it awayAs it begins to speak

    John Reyer Afamasaga

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    A book Part 2

    ThenThere, horizonBelow and between

    Heaven, seaI can make and seeA face, that criesA bird flies in and aroundAll of them cloudsIt flees as war beginsWithout weapons, bloodBut for minutes of mindsTo capture one bleeding heartAnd so rip rhythmsTo remember its meaningsBy burning them hereIn my one working eyeNowIt is the in evening of the longest dayThru meThere!To that edgeWhere?Where the moon told me she waits this, push me onAlbeit, she has moved onAnd now to look at where I had come fromthe distance far farther than the circumference

    of any love written or has beenForgotten, or dead from rotNot by us but by themOnFrom hereSee if I care bout how I farethe only heart that matters I tore

    John Reyer Afamasaga

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    Uncut, Unproofed, Untaken to by a knife in the hands if an editor

    Marks!Out of one tonneNot even one!

    Scratched scarred and then scathed atTwisted fisted hissed at, then missedThe point of it allCannot be got at for some ShiteThat of who is? Whom might be?Some kind of gagged godThe originator, the only one to go gander,Ambiguity is again deniedThrough the pagesZip trace from fattening, or scent lining endpapers from trimmingOnly ink from elkUncutUnproofedUntaken to by a knife in the hands if an editor

    John Reyer Afamasaga

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    A Pacifican in wartime

    The crunchingBeneath these bootsThe miles in them

    The dust bitesBottled in mudMarked printsAn earth long, A sky wide, A star highTrudging - Sings, hugging notesTips of waves - Not even their peakMountainous moments and dungeons of regretsSteeped in heaven, ends in hellAs an eye may cast, a mind will spreadWalk them allRun them inAnd having stretched them thinRozelle is in a thieving frame of mind, taking words as she willsFlower as Janines thinking, the nave natives of the AmericasA Pacifican in wartime just sharing a uniform and some of his thingsAt seaOn landfloating out loud

    John Reyer Afamasaga

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    The winds words and a flower Part 1

    The windHad words alsoas well as its oars at sea

    On land he hasWords to wooWords for making a smileWords that wowand words that ask why?It blows themso far they pollinate flowersand populate mindsand take over actionsthat make nations angryA girl blossomedas her mother now fadeson her bed Flower flowsall heart, her hairacross the cold bodythe woman taken by nowThe travellers rattling the beamsthat hold together this dreadful wooden cottageTheres a willow outside her windowit weeps as Flower sleepsthe trees sorrows just like her ownand when the wind is weak from all the blowingIt comes to this tree to sleep and snore sweet

    It brings wordslight and less than grief, and aghasttheyre gifts and secretsnever lessons justsweets

    John Reyer Afamasaga

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    Illicit Blade of Grass

    Sun seekerFine featuresPromiscuous dirt

    Illustrious dustHow is it you know?Where to growSo you can beThe ground beneathThe one to beThat I adoreSeedling inklingBlinking thinkingPushed be thereGerminating makingOmens them crumblingPushed up thereFall free from handThen evenings and morningsHas reached up thereIllicit blade of grassPromiscuous dirtIllustrious dustHow is it you know?

    John Reyer Afamasaga

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    Rozelle Zofen:

    Smile - The sun relies on youCry - The rain waits for youDrown - Your moon is full of thought

    Laugh - As your stars begin to fallThank you, I close my eyesAsleep

    John Reyer Afamasaga

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    She now has three kids

    The synthesized startThe bass, the bass, the bassThe floor, a sea of heads

    The eighties, I lived in the darkMy finger print vinylistic and groovedI smile as I take the mic,I wait till the girl with the pink lips turnsHer eyes wild with rhythm, as I contemplateThe next platter, another way to make her smileTest, 1, test 2, testing againShe now faces me as she dancesShe now has three kidsAnd maybe she has a husbandShops in a superette or a convenience storeWears a g-string to work on Fridays

    John Reyer Afamasaga

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    lifetimes

    Many lines are writtenMany hours are ladenwith her and her name

    shiver when I considerthat another lifetime will beall about her againlike this one and probablythe one before this oneI die

    John Reyer Afamasaga

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    The truth is always

    You, meAnd forever, usThe world that sees

    Seaweeds and tumbleweedsLove that supersedesPointless equations of scienceFormulas of mathematicsRobotics and logic?Stoic in a gothic blackAwkward against pastel's pinkEven contrasting mother earths autumn huesIs like enamel in the dark of our full moon

    John Reyer Afamasaga

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    INT. HOUSE A NORMAL DAY

    A newspaper already read lays at odds on this end of the table. At the

    other end is someone, their shadow is in motion, their actions, diffi-

    cult to describe.

    The sound of the needle being made to touch the record disturbs the

    shadow and so it stops - cast over the head lines on the newspaperwhich read

    HEADLINE

    Stock Markets fluctuate to sound of barrels

    rolling off the refinery

    A look at the phonogram shows the arm and its stylus, still as if mo-

    tionless, the black vinyl moves, its many grooves the midmorning light

    through the sheer curtains highlight.

    Another shadow moves towards where the carpet ends and the tiles begin.

    The leg of the table and the newspaper hanging over edge of the table

    has a quirky tag line.

    TAGLINE

    Man gives Woman the Moon

    On top of the table is food, a wholesome and hot looking breakfast of

    eggs on rye bread, garnished in red fruit and exotic green vegetables.

    The newspaper is handled and folded in two; the last glimpse of the pa-

    per shows another whacky piece

    WHACKY PIECEHarry Houdini escapes from a book

    FADE TO BLACK.

    John Reyer Afamasaga

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    A thought

    Thinks the mindful manBlurts the squandering oafBurdens the mourning mother

    Forgets the fearful fatherEscapes the flightful ladRemembers the beautiful bountiful lassElaborates uponThe meaningfulBut selfish chap

    John Reyer Afamasaga

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    EXT. NEW ORLEANS MARDI GRAS, NEW YEARS EVE 1997 FULL MOON

    MUSIC. CAJUN - LOUD

    The streets are packed, yet there is room, but only for her as she

    skips ahead, Genisis is herself again. John lets her go the stage to

    his left belts out the unbelievable music; the sheer volume makes the

    hairs on the back of his neck stand. Genisis turns and waits, her ringshines, her eyes glisten and he checks himself to see if he is in the

    land of the living. The blue souls and ghosts of the gone must be

    watching, looking down with envy on the luckiest man at Mardi gras

    tonight.

    GENISIS

    (SHOUTS)

    Come on, slow coach

    Somehow the music is drowned by the sound of his cowboy boots that hit

    the ground in unison with the way his heart and her heart beat. The

    profile of the illiterate poet passes, and his wide back, we can only

    imagine to be the plate on which the worlds problems lay. We would

    follow him, but the object that walks towards, we see Genisis.

    JOHN

    (MUMBLES)

    Slow motion, for all the moments I spent searing

    the thoughts of you and other men

    Her smile dampens, and then her understanding bestows forgiveness of

    his jealousy, which soon their love will conquer.

    GENISIS

    Look Hun, its three minutes to midnight

    Her vocal chords are stretched, and his ear is there, as she is all of

    sudden nervous from feeling his pain.

    Genisis

    (YELLS)

    We can turn in for the night Hun

    His head, that is hung, is miraculously but slowly brought up by his

    neck in the open white shirt, as his frail smile, strengthens into one

    bright sight.

    JOHN

    Turn in?

    Genisiss defenses are brought down by the way his shoulders relax,

    right before her beautiful bountiful body is totally convinced, by his

    all encompassing arms

    DISSOLVE.

    John Reyer Afamasaga

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    The Rhetoric

    INT. OLD BAR CHINA TOWN NYC DARK

    MUSIC. FUNK, RTHYM & BLUES - LOUD

    Arley Evon is in her thirties, but you would believe her to be much

    younger. Her jeans inside of her leather boots, accentuate the lengthof her limbs, her hair is how the hairdresser wanted it, and it bounces

    as she widens her stride.

    GEORGE CLINTON

    Yeah this is the story of a famous dog

    On stage, behind his turntables Le Mac listens in his cans to the next

    song, we can here a familiar lyric

    NEXT SONG

    Said its up to me to come up with a strategy, to

    make you mine

    Afamasaga taps a period, by the way he hits the key and then his hand

    is flung in the air as if it were rebounding off, of a trampoline. He

    smiles and Metofeaz frowns, as the boss of LMLA-ink slides the ThinkPad

    to in front of him, hoping he is tired from arguing his point.

    METOFEAZ

    Will I be vilified?

    AFAMASAGA

    Theyll think you have an ego, all of your own

    Le Mac surprises everyone, their slumped bodies and bent postures

    straightened by the sound of Marvin Gaye

    MARVIN GAYE

    I want you, the right way I want you, to want

    me too

    Le Mac now lets go the vinyl under his right hand

    JAMES BROWN

    Fellas, Im ready to get up and do my thing! I

    want to get into it man Can I count it of?

    The door opens; Afamasaga leans back, and places his arms on the top of

    the booth. Arley is now on the dance floor, she is righteously reeling

    in the disco lights, whose origins are of the funk, rhythm and then the

    blues which they drowned themselves in, on discovering they could sing

    their miseries onto oblivion.

    Lazoo is mindful as he steps, down and on to where the microphone

    stands waiting on the small stage

    CUT.

    John Reyer Afamasaga

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    Uniforms

    I have one for racing a school busAnother for being baptised and going to churchTheres even one for failed street sweepers

    And lolly and knicker pinchers and boys who like to look at playboyWhen I grow up I want one forPrison, the army, navy, and parliamentI will get one for making money alsoAnd also one for being on TVAnd one the planet, moon, and stars knowSo when want to jump over the sunTheyll help me get over the moon

    John Reyer Afamasaga

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    TRUFUNKSOLDIER

    TRUThe truth about LOVE, TRUST, HONESTY & RESPECTFUNKTo give off... e.g. smoke, smell, sound, stuff, etcSOLDIERone of a type of worker ants distinguished by an exceptionally large head and jawsISAn individual who works hard in a collective to find and give freely the truth

    John Reyer Afamasaga

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    Tap, tap the word wandAnd out comes a lineoutside the windowThe sun is seenOn the horizon

    deft touch keepsmy mood in tact,Dont want to get too highbefore the sun is in its sky

    One thingbeams in my mindone thing

    John Reyer Afamasaga

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    a paradigm

    of 20 pointsbeginning with u, mean id, that we share

    an idea is born in 2 Uswe love, we fight, we marry and makebabies a familywe communicate with otherswe form a communitymany communitiesmake a worldliving on the outsideof a ballgoing around and aroundall of us and heronly just hanging onglobally

    John Reyer Afamasaga

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    25words from here, plus ones you heardo not, I stress so severely do not!Believe them for they cost meeach one of them cut me

    Alone or abound - 4 letters and lessHurt badly, while in paragraphsParallactically, yet symphonicallythey prance then trounceSpeak graphically in askingFor my head to be hungdown around wheremy feet lay swelling soreAnd the micers trudgespare, thick, unquickenedAnd therefore they areSeen stuck!In the mud

    John Reyer Afamasaga

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    Be a humble bumble bee

    Be a humble bumble bee, manNot like the fleeing farting butterflyNor like the lame flame in the hurricane

    Or, like the wasp who stingsThe strung out babesOn their boobs and bumsBuzz about without much fussRush not here nor thereTake the time toSmell the flowers you visitTatse the honey you make

    John Reyer Afamasaga

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    Im hungry

    Faded and famishedDelirious and nauseasThe food I want repulses me

    Repeats on parts of meWhile the rest of me cravesThe already bitten bitesThe creamy carnal knowledgeThat beams behind the bending glassShinning from having been foggedAnd WIPEd clear, thinning the layers of melted sandI taste grains and lambs brainsAnd see thighs and hind quartersIn the end parts of the compound nounsThat frown when I bring, them outOf the pageI want eatAnd thereforeDevour

    John Reyer Afamasaga

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    Style

    The stylus sits comfortably in its grooveAs it rounds the plastic platter, yet againThe marking instrument, making its way

    To the end of this page, hopefullyAbundant in its bouquetFlavoursome and awesomeApparel for a fine feathered tongueSpeaking languaged lovedNow and then and every so often, laughed atMocked and bemoanedOnly if its value were weighed in volumesThen its might maybe as strong asThe mass of all words wovenNever forgotten, etched on the back of the handThat tries to WIPE, thisTaking a SwipeAt ourStyle

    John Reyer Afamasaga

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    a billboard

    digitAlly pixelAtedcyber - incapableimpRoper un inperSon;

    blog blog blog, blog, blog,A chAtsome Handleinsane, the same; blog blog blog, blog, blog,proclaim - acclaimsthe bAss in veinhi-fi & sky-hipolLutesHoot!intRudeShoot! blog blog blog, blog, blog

    John Reyer Afamasaga

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    The Cortex?

    Nodes spottedAnd modems, their cabling knottedEven the wireless ones have attachments

    For power from the wallIf indeed we are not aloneHopefully we are the brainsThrough the Milky WayAnd way out into outer spaceBut me thinks notAs we can not even look afterThe breadless that line the queuesFor soupA soup lineTo a kitchen cooking free foodIs not metaphysicalBut a realistic plightThat we pretend to be blindAbout, at and for thatWe must work hard ifWe are to be the brainOf this wonderfulUniverse

    John Reyer Afamasaga

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    Vortex

    The emotive windFlew right into my eyesThe dry dead heat of the equator

    Came at me like the tropical cancerLinear precipitating perceptionLike Lazoo on fireSpit flinging fire breathingSome might believe he is heathenOr pagan, praying that the heavensAre leaving this dimensionAnd never forgivingThe many childrenInnocently achievingAdolescence, withoutHinder from the evilThat he encounteredAnd therefore heAdministersIndiscriminatelyTo pacifiersWho held downAnd choked innocenceBefore they ever didDo anythingThat wasWrong

    John Reyer Afamasaga

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    The Nervous System

    RetaliatesSometimes undulyAnd in course hurt is felt

    So unrulyTragedy then bleeds on sakesThe killings and suicidesIn parenthesisAre the sameFor all of themWho now grieveBecause ofWar zonesSomebodies amusement park rideBut they will die downWhen the fireworksSpark meltdown and vomitingFrom the killingAnd when the rides do ageSo, tinder box lightOn a drought dammed plainThe earth we live onIs sometimesBut a twitchFrom catchingAblaze

    John Reyer Afamasaga

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    The devices capture the rapture,Digital formats are becoming warm,Not too far off in the futureColdness colder than this front that has hit usWill have to be manufactured

    On video cameras, phone camerasAnd the eye of the illiterate generations that gyrate and irritateA placid but vengeful planet, an irate sun and their cameraThe moonMan

    John Reyer Afamasaga

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    Prtokollon

    Now geeks roll up their sleevesThey look sideways at the animationsUp there in the air

    The creatorThrough their fingersAnd under the dirty nailsNow prevailsSaliently their thinking isAs they map the way we thinkPhilosiphising the end statement of what it is we seekAnd in the end we submitThe stars in their strataspheresOf which they were only lightsOnly now our technology can affordThe depth with which the gazers, thenLooked far beyond

    John Reyer Afamasaga

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    5:55am

    Night, light hours and dim daysThrough the calm and intoThe inside of confusion

    Those outside looking thru some pin hole - a portUsing a slithering line that syntaxes a tiller threadSee focus full of fury with a touch of funkLocust like movement onto another pageHeld breath as the imminent sigh endsA thought with the poignant of the puniest of viewsIts killing length of pronouncementOne to one hundred million wordsOver a period its name I dreadIts worth I fear its many usesThe guile, I want to wash and the shrewdness of it allI want to pack into a box and sell up on the internetSomewhere at some address, for someone toClick and put away into an e-commerce cartSo I can go home get laidAnd also get paidThats it,in a nut shellInside,a four sided Idea

    John Reyer Afamasaga

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    Ah?

    The immigrants are in your faceThe unemployedAre all over the place

    As you make your wayTo and from your humble abodeThe Television spewsSpeculative and scaring infoAll of which is the cornerstone of what you knowThe knowledge of this age, the findingsThe archeologist may brush dust fromOr if it is mishandleIt may crumbleYour discard for gracesAllows you to stare down the peopleStanding around youIn front of youAnd then pushing you in the backBut what really happens?When your cat purrsOr your baby burpsFrom you rubbing them in their backAh?

    John Reyer Afamasaga

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    emotional techno freaky, fiction, forever

    This is the houseThat John James LazooBuilt

    John Page seesEngines of a SilverSpoon SpaceshipHandsome Homo SapiensA kind of Hybrid Human ConduitHand picked in a really freaky dreamDuring the early parts this MillenniumSpaced out on love for one LotteThe former bit playerFounded LMLA-inkTo tell everyone what to thinkEgo-megalo-maniac lives like hoboWrites 3 books and thinksThat hes the starFrom the dreamThe one who got givenEverything

    John Reyer Afamasaga

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    Chances

    In one million millenniumsOne chance is as unobtainableAs the beginning of time itself

    The rolling wind blows one byAs the draft, is a raft for anotherThe opportunity is a momentWhen isolated hypothesesCornered by their own impossible theoremsThen brain, blown to oneIs the ore in the sporeThat is being breathed by someoneSomewhere, right this very minuteTomorrow, sometimeAfterNow

    John Reyer Afamasaga

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    Book Review from etfiction John Lazoo

    An Illiterate recites his dayHe recalls his mothers wordsThe only guide he has ever required

    While clowning around beneath the treesHe stumbles on his verse, as she takes from him his breatheHis work today is dourIt must be her, in his thumping chestIt must be her, through his non coherent textIt must be her, weighing him downHis attempt to inflect is rather nonchalantAnd on reflection, his reviewIs hereAn illiterate meets a beautiful and well educated woman in Central Park

    John Reyer Afamasaga

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    An asshole

    Twiddle the riddle that sidles inside your sodden and forgotten ah?WhateverShovel the hovel you call a home for your thoughts

    Into ah?Sweep the weeping dead and maligned thinkingYou refer to as feelings, into ah?A Gutter!Step! Metofeaz, come on!Smile, the sun says soNeedle to the grooveThe platter is no sadderThan the dumb fucking calculatorSo I must see you alligators laterMuch, much, fucking laterYou puss sucking masturbatorsSole! ShhhHere she comesYeah!Wowmmm

    John Reyer Afamasaga

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    Context

    Contexts and their pretextsConcepts and their universal and now incestuousGroupings, their droppings and the cellular offings of their

    Decomposition - attrition and nourishmentThe end of and the feeding ofMortal coiling and industrious and pretentious blood cells,Respectively and irreverentlyTheir formation, imbalanced and of a leaningThe scientist is left handedThe financier is right handedThe critics are ambidextrousThe people areSpeechless

    John Reyer Afamasaga

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    Remembers

    EmbersGlowing, stillMy heart and its many cinders

    Go to nigh hinderFreer than feverFresh, just passed onTo a lifer with noneWhatsoever, moreoverAnd wheneverThere is need forSome kind of immunityIs but a punitiveFutile and elusive musingIt must have beenMustered, when oneMustve surely utteredTemperance and AttentivenessAll that I will haveWhen I sitNext toAnd then I willKiss herSweet smilingAnd tender

    John Reyer Afamasaga

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    I Listened

    Till I learnedThat Love is the most powerful weaponAnd hate is but an elaborate and incomplete illusion

    That is easy to createAnd is now so normal for most humans to haveBecause they are lazy, lousy and longing for the thing that isTheirs, if only they would listenTo themselves

    John Reyer Afamasaga

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    She comes to him

    When the sun is set, downAnd so underground it is coolAnd now the moon is round

    Up in the sky

    When the stars climb up above this stratosphereAnd love is dancing everywhereShe comes to him

    On any given nightAnd under them starsOn a tender noteHe makes her float

    They-do-not-know, their TruthThey-cannot-feel, their Pain

    It use to be painBut now its doneShes as numbAs he is dumbToo blind to see

    The moon and its starsHave being and goneThe sun that withered their love

    Leaves them high and dry

    An irascible trepidationLeaves him committed to an endThat does not come