56
SCHIRMER'S LIBRARY OF MUSICAL CLASSICS Vol. 750 KAYSER Op. 20 Elementary and Progressive Studie For the Violin (sveCenski) Completei $1^5

36 Violin Studies, Op...PREFACE InusingHansWessely'seditionoftheKreutzerEtudes,and thespecialexercisesbyFranzKneisel("AdvancedEbcercisesforthe Violin

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  • SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

    Vol. 750

    KAYSEROp. 20

    Elementary andProgressive Studie

    For the Violin

    (sveCenski)

    Completei $1^5

  • SCHIRMER'S LIBRAROF MUSICAL CLASSICS

    H. E. K AY S E ROp. 20

    Thirty-Six Elementary

    and Progressive Studies

    For the Violin

    Revised and Fingered by

    LOUIS SVE^ENSKI

    COMPLETE IN ONE VOLUME

    LiWary Vol. 7S0

    IN THREE BOOKS

    ••ell l-LibrMy Vol. 906

    Book II -Library Vol. 307

    Booklll-Llbrory Vol. 900

    G. SCH I RMER, INCNew York

    Copyright, 1919, 1^ Q. Sohinnor, Inc.

    Mm*4 ki *• U >. a.

  • PREFACE

    In using Hans Wessely's edition of the Kreutzer Etudes, and

    the special exercises by Franz Kneisel ("Advanced Ebcercises for the

    Violin")t I have found that a great many students experience diffi-

    culty in carrying out the excellent instructions therein given for

    acquiring a correct position of the left hand (retaining the fingers

    in their places), owing to insufficient attention to the correct placing

    of the lingers during the years of elementary and preparatory study.

    Students who follow faithfully the instructions given in this

    edition of Kajrser's Studies will find themselves repaid—when readyto take up the Kreutzer Etudes—^by having acquired the correctposition of the left hand, without which a reliable technic cannot be

    attained.

    LOUIS sveCenski.UIU

  • studies for ViolinNotes marked « indicate place for "preparatory finger," and should not be sounded.The length of the lines following finger-marks indicates the time during which fingers should retain their places.

    Revised and fingered byLouis STecenski

    H. E. Kayser. Op. 20, Book I

    *

    ^ LL,rr '»** J ** ! rru ^ ' i ' I ' U |jrr'Lrrr** J j' J-

    IAndante, quasi Adag>io

    i l^ l flfTpJ'.N^J'M?!.2.^^ 31= -»- V I g 33:J,

    ^p\>ay'^>

    i rr i r77riJ^ ^^^ ^jk g^rgLTi^^i OT^ i r^gcLr/irt^ci

    *bp p

    "p" ft

    morendo

    ^r/,

    l«113 Copyright, t.ftS, bu O. Schirmer, Inc.I^iateaiBtheU.S.A.

  • Allegretto

    3..^

    4^ ^^}^ \^A \ i^^\i^ih\r^^\rh\^ \ yt^dim. P fx f ^"^ *f fi f

    * ereicr^ f dim. "*** /[JfN^^J/

    £frjrifj-[Q-ir^i:^^n;jP7][^jji^

    erege

    1139P

    v^rt^M.'iiFP

    ftltS

  • AUeero

    ^HHIBi^^H ^^^^^^^^^^^B ^^^^^^^^^^^M ^^^^^^M^^^M /»>•*»*^ ^^^^^^^^^^MCrete.

    ISIIS

  • *— oreite. •'

    lB'a^¥^"

    poco rail.

    MUa

  • 6Allegro vivace

    y^^m c^f/h i j-iJjT-J i Lrjr nf^rririQjir^Ji

    j.¥ ^,T^i^c;riCcrC:»ric:rrtt[i' i c£r^i^»[£ric%»seresc. Jj *- *—

    ri^ri'i^iiiij riiii^iuj^ijM ^m*fe^^^^^ ^^^^^^

    «_i

    ,|,^J,iidf i aTViyi,Ji,ii||ff iiiiLiiWi 'rfrTi | Tijy[i;ii.ri i^;3j ii rrrVif ilVr .̂ j i ^'^ i:u,jjy i gi^'r i

    r;iki|jL^'TOiJi | tf7

  • 6. MAllegro molto

    tirez (down-bow) j

    /A 'j^ '^^^ Jj^^ ^^^^' r rrrr^cFTJ& jgi

    1S1I8

  • 8

    7.

    Allegrro yioderato ,^m 0— H» V- ^ricldgi^"^LC£f i. 0--=-0trr^rf i£

    I'^s*^1erexc.

    1 1

    ^ •

    '

    J deeresc.

    [[jj^H i jjjjtiMiL^

    ^ 4^^^^SHf .f i f . fr. ^ ^ fe • #decrettc. f decre»e.^ ;^=lf^ # JriTiT^, TO rTT. ! rTT3^^^^^^ T

    j-^ *!? 1^. f•nf

    m m^m m}' a."lr7f^i ^ l8 ^ i> F~«

    ereae.

    ^^

    ^^ #-T (^ P. . P S* 1.

    pF*

    t=9.tj^ 1><

    decrenc ereSc.see.

    ^ decreae. • mf I • ct# Fi«ll3

  • m ^h •^rKTp i p.rpr^m

    .{^ij# i %i#ifji; fr i f^.v I ^i^i i r4̂^I ^^ =)»-r^5^S S

  • 10

    Allegro assai

    eresc

    f«ll3

  • u

    ». -uk..!., ^\'^^ tiLf I I'c^ymr^ cresc

    IfcVfi* V^

    •'''^r*r^rrrrir'"rr^f"'r?rf; ideereao. ^ ^S^^JQT

    creite.

    j.t;:^tt^i .;at'03ji,jj„jjj jjjijji^r i

    itiia

  • 12

    Arpeggio

    This Number must also be practised staccato, theelbow perfectly steady and the ^Tist properly bent.

    Allegrro, ma non tanto

    Dieso' Nummer muss auch bei volliger Rnhe des El-bogetis und richtiger Bieguiig des Handgelenkes, gesto-

    Bseu geubt Kerden

    10. a^. }

    ^--^ - J ^^ m^ w^* * «^ ere»e.

    5^ \»»^ p erexc. W^^

    ;2gt

    I&==fc ^"^ s * v« j^^

    ij - J^ ^ >>^ '^->'

    mferenc.

    ^^ S

    ^^5=^!^t^^|!^=i -'^ ^r>—^^—

    #

    '> ,n'^ta;:a-LLlJ'ieart^E£L:ca:

    ' J>- at^ ya "F3«ry iry V

    ^^^^^^»/ f V

    f wf n12118

  • 13

    m # :^±±± ^^J.^ K0 _. * < ** _ --^^' eresc.

    *\y tL^^ ' Wv •- S^

    *^ 0^^ y~.- V

  • 14

    /j>f^/^fJ* fp />//' ff ^ /PfPfPfP

    Allegrro energ-ico * . .^ :

    ^^^^^^^ ag!ZP=^^^^^^^

    ^*f.

    fe"^ rmijii^LLrCLficU'^j^b^^

    j^'i. j?ijff '^ ^Jjj I jtP^^^fV iigXJJjj2? .fTl I J??^ cii" Uj* I *c.^j^ itf L£tr

    '

    s iicj;u;LLfu/i:i;^jLi;^ i i'-f^^''^'^iuiia

  • 16

    / jQT" -^^ / = -••^—^^

    j^''' ^p^ i ^^'i^^sJ^ i 'dA^^mfc jiff^eS^cj^ i '-pL'^jJT^j^ijrn^rA^

    ^^^^^^ f-r-^ # V r ^R^itua

  • 16

    Allegi'o^a non tanfo ibrjUante

    deeresc.

    ^"^ y*1

    1 * ^ v^. 1 —r—-^ *—rr=

    -—^ ^—-i

    ere/io.

    12118

  • 17

    A .1 — V ^ ^B ^S ^H

    crexc.

    tehJTf]^mrT^^

    1«I1S

  • IS

    Revised and fingered by StudiCS fOF VlolillLouis Svedenski

    Allegretto •4'. :. ^±.

    II {"i^iFi^iiii rTrrfrr^^i^^C ;

    H. B. Rajser. Op. 20, Book n4 ;=;.

    8

    1.

    j" tffiJJt'Cflgerexe. o . • k ^^ore»c.

    8_lf;J^prfp

    8^^m*f i Lurfrrf ^^^^^^^i_

    ereftr.

    %.—^1-jj

    a Umpo p i

    H mrMr |iT i-|^»rTr i>rrrfeiic[rigp?^^fnffrgf^•> decreMT rallent V ^-

    -^

    ^^^^^^^58ereaa. 8-

    lfii«

  • Andonif

    fi'i jirr^]]^^"[ff'^^£c!r-ff ci:£reccr i cacr5rc£Lr-^•"ZTT . a _i__£^ /

    "^^^-^

    if,'' I I M^ hilj.ilMCoda

    ^i—.*-

    1»P

    ^

    W

    i«ii«

  • 30

    Allegro moderato

    erexr.

    1^^ J5

    creae. u

    CuCun^ l ^jj^jj^JlJJl^!

    j.i ^ . rr^ .irrjf inrgrf^f i'^r^>*3'

    f''tXLif JJT3^^y^7^J I Cfff ^7S

    f ' 5j^ 5.^ 5.i^j,'|^»^3 ijijr^ Sr^ p^VM

    * ? ^^j^ I jjj3 7'^ 7^ 7 J, I jjTg /JT? Ii{i ^1^ r_n rt^rrcr:^^,-^^

    ltll4

  • 21

    # I i|-iiTYff|fr|-^r jr i^r tfr r r i

    ^rpr^yr'fi n i^^ X m̂ . m̂ .AUTf L/f C/»

    tirez

    (down-bow)

    decrefte.

    •• DOussez —

    *

    '^poussez(up-bow)

    n

    .pj^jy^3y;u_j7-Mmj^JtJJ i jj-jfj3;:fj;;jfr^=— ==- =- "^^—5- '^^—' V— tj^y

    'i''.!7^-'.'jiijji'jj^^nj^j i jjTJjJ^i

    f'Q^S^SP LTf I c^/g/Li-eresc.

    7TJ 3 N.iJjJyJiJ}^^^1,'' nT3r'rnrj !rAiN'3»r ir^r'rrrr^ iI

    ''' S '1l^ 'ig^^ i trxrc£[:;l^d^^^^^^icnjrc^

    ^Ĥ"

  • Allegro

    ^rr

    T r P ^^ ^g fwrir

    asdecresc.

    & ff'f''ffr .

    tti»

  • ^ l_

    ItlM

    ' jr—

    *

  • S4

    Andante, quasi Allegretto

    melodioso

    I it' i iiii'iinig'MnirhMi^iir^^r

    {1,1 gj

    .

    I

    -;|

    fffr ff ifgj n 11^ [7 1^ 1 1 11^ ,1

    1

    «r 'p ^^Jy f risoMo ^ 'f risoliito

    • J^1̂»

    marcntoA I 3 -«?^ 9,^ Sj0t , 8 ^,9 »^-i 2 _^ ^.—.* —

    _ . .—»i

    :ji'' ,iiji,i]3^.ri^i9ittirt!rTrpg^Pi Mp «isOp

  • 25

    AiieeTetto___ r-7- 2 ^ /. -

    i• '\W^'^^ u iprii gi ij iF ^iTi ijif^ ^ li^i iT 1

    ,|'iiiffTVth i hf;

    iTfffrjfi7fFrrp ;7^r'^i

    V fflf i rf ,rrr i Tlrr i fflTiM:Si„in j ;>riJ]1iiijri,i.h

  • I)eddeil,aDd later irProm this marklwith a sprinnnic -^ cut to -^ I

    I

    Allegnro

    19. p\^M iiugaV iW^lB i.t^Wi

    1 1 ere^/e. m «-0*^4 ^r-m\

    ' --^^-"*:/"

    ^ '^£;)i:ifto i^/^^ji%î^^q]'iiniTrrrrirrrfrffffFff(lJirrirtLitLJ

    rfm.

    • "a

    erexe. z 1.

    ItlW

  • Allegfretto

    (near the nut of the how)

    W

    20.j

    "

    ', mm\ \]hi\yv\ imiTLiir igP crew. f dim.

    - _ 1 erene.

    •' Oarco Mr ^mi^^m* U^^pizz.

    FXTp l'^^lLlU'l^ereiie. mfdeerete.

    **:

    L,H.pizz. aico^mtto

    ere»e.

    1-

    i^^

  • 28

    l«lt4

  • 29

    deeresf. 4,

    2 deoresc. erene.

    iji'i iWrniiij^ i^i:fl'ir£r^ i[i^^^"^Uj^rr^'rr i

    j>ii,^^

    .rgj]3ptj.

    A -^^tf * -—s jtf-ltM. £ . • # • pizz. »>'« !==—ifi'i J .U Jjg Ll^^^^f LUJJjlj'JM,|ij'jl_l|i II

  • Allegrro assai

    f erefte.

    Allegrretto

    V.

    itii%

  • 81

    f'''' U^ l

    ji V' ^m

    i_^n^niiimji[^^ i

    ji'i'^-QjinnLui^Li;.?-^ ! • • P :^

    fffi"Piu mosfia

    ii'i>3I|il^f?TinT1 |,|jn.^ll,TPLiLil

    y n n n

    I

    PP

  • 32

    2^j "'' '' ca^

    Allegro assnl

    furioso „ ^ ^^

    ';^^ \̂ :^nJ7!^ I

    1—— J •

    ^^VkS^mf w^^ cresc.

    ^^^^^^^^^^

    fVJitfta/^ig ijF?^f«Ut

  • 88

    Allegro

    uittdim. ^piz2.L.H. ff

    g V ^

    awo

  • AUegrro 2

    ri ^^ iM ĵjM1 .

    /.

    cre/tc. ereite.

    ^^ creac.

    Vw ^ij imi rp3 i ^ff'^ i-^r"cgcrito«crCf i* ' m crene

    I'll £l|;|.^ffl] 1X01^1^1^ I.n^^erese.^^

    F"cca i«tfy ECU 'Ua^^

    ^ »'

    ereite. f dim.

    M^ iSfSiiu^i r-r^?ItlW

  • 85

    Studies for ViolinH. B. Kayser. Op. 20, Book in

    AJlegTO

    dim.

    itttt

  • 36

    i*fe^ i ^^^ Jfcm

    «li«^cre»c.

    ^^m- 1-

    Q^j7]f»rfif7]cjrrrr i»rIfrriJJF

    #(up-boW) 4 nOUBqPZpoussez ^.jg^ » •

    P°^°^^^

    ^ji(f

    Allegro assai 0^ ^L^

    ^^^fmim I j?J^f^^t^i

    ^ ^ Sp fp

    -wmmm\ I .

    *,

    ^ ^ fy fp jp jpi«i»

  • 87

    rrrrcIP^mrrrm^ fp JP fp

    firez

    Sp ^ ^ fp fi» Jp

    fp fp fp Sp jp Jp fp Jp fp fp

    f^ilTMljjff^^ l j^rnri,j^ ^•* * pizz.

    icus

  • 88

    Moderate1-

    1 r* 1J f . .kg fP 1 8-y-

    » L»-^ ^T . ^ 1^-^

    * o * 8 < » «

    ItUK

  • 39

    iB\^l , /f * *- '^ !,.• 1 I

    >?» Jp

    ^^ i"< ^' { i ;!: i j ^^ i/rICllft

  • 40

    Allegro moderato

  • i ^ ^^SPJ^^a*^ leQ-'eo-tif^lwj^iij^^iJJJJ^c^-S

    i ^ ^f£^^^ \^:s::z'^^w^wi^t^^

    ffMSfflj, ij^BrjaJiP,^ifi ifrrrLij .a mm

    JJ 1?P

    «„5 ^'rMff. / ff fx

  • 42

    Allegro, molto agitato

    crettc.

    MU5

  • ^^m iTTn-rrTrFL^^S

    ^^^^^mi*m

  • 44 (op-bow)firez (down-bow)

    3^.

    Allegro moderato.•^ _ dim.

    ^^m* i-

    »

    ^r^^*^-ĉre»c. dim,f

    ••f f'?f-L.,«-fTifL.^. i if'. ^- >r ^•^••- JTn

    ereso.

    1.

    ^ i^f;. :,

    i.-

    ff-f?-f, fff#I

    ^

  • 45

    To practise tlie staccato also with down-bow one mtist inclvde the 8th-note following the six 16th-notes in thesame bow

    Allegro moderato

    ^^m^^^^

    * Tr dm. # ^^ ~" =i«i»

  • 46Andante, poco allegfretto

    f dim.}I rrrj CCTj ''ft-j

    Mf7: ii.i^rj^arj^ij^r"ccr^

    ^^

    ^rrcrfrrrf^*— ^ » ^ 1s ^01 *.-^ *,„_ *-^^g wWT^^-m #4^^ere»e.

    h tEfr^rTfiij:]'ir i r ':rrri^ggfg bJJ r urrr-l

    ^'tt^^Jr'rrr^riffi'Trrr[c^ yf»c£fLirtir%ffi

    i«i»

  • Si:^ Position O

    p a tempo

    hr^\ f r/r^|tS3%r^r I'IL^^ frrMfF^^

    eresc.

  • 48

    Allegro con fuoco

    ir___l^i4^ip^rjtj^at{f[aj^^^^\^is\\'ru\

    i^jhtmrmmr

    is r ail \ lLli^ U Ji^s\ij2\

    l«Uf

  • a tempo

    ifMjj i).jjj7j;rji ijjj"Jj^Jj]Ii^Jirouif i.Uj

    fir I'

    I

    'I

    fif te- 9 a S'J n

    -tt-

    Pfizz.

    I

  • 80

    Allegro.

    Git D strings

    36^

    GAD strings p^^ G«tD

    ti, ffP rP rn ffl^i T.^r.Trrcr.^r^ rrr i ^^r •¥ rv r FHi

    i ffP PT3 ^" m I ffp rp,7 pp ffp rfrfrfrff. ro^ ;?:Z7

    dim. pcre»o.

    $ ^°pt; ffl^'rrr i ',?'?..s^1W?-1j lj i uip FP^^̂̂

    DA y^r\GD DA

    ?:^^^ g^^^^»fIjdM r l »r I i'J^' \X^^>mA^^'-^'l'i>^sJjlil' * ^J^'i'J?\

    /

    ^ D A j^f-rf-^^ »SZ=ffl^I <

    ^f

    G D

    mm1 1 1 4

    ffl°nip;;4j^, , ^f q> ^F ,..r^^ [Tn^^^^^^^ 52=37^ *-^A.E

    i ;j;'E]j^a^eid i^« rilifTrErT«ereitc.

    m\J

    n.—

    ijjjOlBf iJaiyjjg ^erexe.

    BJ%J «/>«

  • ScHiRMER's Libraryof Musi cal Classics

    METHODS, STUDIES AND EXERCISESFOR VIOLIN SOLO

    8BRIB8 ONB

    ALARD, D.Op. 41.

    Tba Ubnty VolaaM Numbv U glvm In fanck«ttt (imi

    ERNST* H. W.24 EtudM-GaprlcM (Lichtenber;:)

    [1389] 1.50

    BACH, J. S.6 Sonatas (H«nmaiui) {221] 1.50

    BBRIOT, G. DEMfttodo pan Aprender el Violin (Lehmann).p. Bk.I[10W] 1.50

    BLUMENSTENGEL, A.Op. 33. 24 StudiM [1032] 1.25

    Scale andtion [603]

    i Arpegalo Studies. Bk. I: Ist Pooi->]; Bk. II: Fint 3 Poutioos [604]. .ea. 75

    BOHMER, C.Op. 54. 75 Studies in Intonation (Schill)

    [1622] 1.25

    GASORTI, A.

    Op. 50. Tlie Technics of Bowing [932] 1.25

    DANGLA, G.Op. 68. 15 Studies. With accompaniment ofa 2d Violin [602] 75

    Op. 73. 20 Brilliant and CharacteristicEtudes [626] 1.00

    Op. 74. School of Mechanism. 50 Daily Ex-ercises [219] 75

    DAVID, F.Violin Harmonics and the Pizzicato (Smith),

    sp. e. [1410] .75

    DONT, J.Op. 35. 24 Etudes and Caprices [1179] 1.25

    Op. 37. 24 Exercises. Preparatory to theStudies of R. Kreutzer and P. Rode [328]. . . . il.OO

    6 Etudes. In Two- to Four-Part Harmony(Auer)[1470] 1.25

    FIORILLO, F.

    36 Studies or Caprices (Schradieck) [228] 1.25

    GAVINES, P.

    24 Studies (Matinees) (Lichtenberg) [929] 1.50

    p. e. [1390].... i.OO

    GRUNWALD, A.First Exercises (Svefenaki).

    HERMANN, F.Op. 20. 100 Violin Studies for Bethiners

    (Mittell). so. e. Bk. I: For the Beginning ofTuition [952]: Bk.I I: For the Development ofFinger- and Bow-Techniea [953].'. ea. 1.25

    Violin School. Part I [742] 1.25

    The same. Part II [743] 1.25

    HOFMANN, R.Op. 25. First Studies. In the Firat Portion.

    Bk. I: The Beginner [863]Bk. II: The ProigreaHve Pupil [864]Bk. Ill: The More Advanced Student [865] ea. .75

    HftlMALY, J.

    Scale-Studies [842] 1.00

    KAYSER, H. E.Op. 20. 36 Elementary and ProftresslTeStudies (Svedenaki). Complete [750r 1.00

    The same. Bk. I [306]; Bk. II [307];Bk. Ill [308]

    Op. 67. The Study of the Positions.34 Short Pieces. [867]

    .75

    .60

    Op. 38. 30 Proftressive Exercises. With ac-companiment of a 2d Violin [429] 1.25

    Any SMrmtr Utrary wlmm4 May it aitaiiud in dolh hindint- Prices will b* fnottd en rtqneAPrias Snbjut la Ckange WiUuml Noliee.

    KREUTZER, R.42 Studies or Caprices (Singer) [230] 1.00

    G. SCHIRMER, INC. NEW YORK