SCHIRMER'S LIBRARYOF MUSICAL CLASSICS
Vol. 750
KAYSEROp. 20
Elementary andProgressive Studie
For the Violin
(sveCenski)
Completei $1^5
SCHIRMER'S LIBRAROF MUSICAL CLASSICS
H. E. K AY S E ROp. 20
Thirty-Six Elementary
and Progressive Studies
For the Violin
Revised and Fingered by
LOUIS SVE^ENSKI
COMPLETE IN ONE VOLUME
LiWary Vol. 7S0
IN THREE BOOKS
••ell l-LibrMy Vol. 906
Book II -Library Vol. 307
Booklll-Llbrory Vol. 900
G. SCH I RMER, INCNew York
Copyright, 1919, 1^ Q. Sohinnor, Inc.
Mm*4 ki *• U >. a.
PREFACE
In using Hans Wessely's edition of the Kreutzer Etudes, and
the special exercises by Franz Kneisel ("Advanced Ebcercises for the
Violin")t I have found that a great many students experience diffi-
culty in carrying out the excellent instructions therein given for
acquiring a correct position of the left hand (retaining the fingers
in their places), owing to insufficient attention to the correct placing
of the lingers during the years of elementary and preparatory study.
Students who follow faithfully the instructions given in this
edition of Kajrser's Studies will find themselves repaid—when readyto take up the Kreutzer Etudes—^by having acquired the correctposition of the left hand, without which a reliable technic cannot be
attained.
LOUIS sveCenski.UIU
studies for ViolinNotes marked « indicate place for "preparatory finger," and should not be sounded.The length of the lines following finger-marks indicates the time during which fingers should retain their places.
Revised and fingered byLouis STecenski
H. E. Kayser. Op. 20, Book I
*
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itiia
12
Arpeggio
This Number must also be practised staccato, theelbow perfectly steady and the ^Tist properly bent.
Allegrro, ma non tanto
Dieso' Nummer muss auch bei volliger Rnhe des El-bogetis und richtiger Bieguiig des Handgelenkes, gesto-
Bseu geubt Kerden
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17
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1«I1S
IS
Revised and fingered by StudiCS fOF VlolillLouis Svedenski
Allegretto •4'. :. ^±.
II {"i^iFi^iiii rTrrfrr^^i^^C ;
H. B. Rajser. Op. 20, Book n4 ;=;.
8
—
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(down-bow)
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*
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n
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(near the nut of the how)
W
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88
Allegro
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awo
AUegrro 2
ri ^^ iM ĵjM1 .
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cre/tc. ereite.
^^ creac.
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M^ iSfSiiu^i r-r^?ItlW
85
Studies for ViolinH. B. Kayser. Op. 20, Book in
AJlegTO
dim.
itttt
36
i*fe^ i ^^^ Jfcm
«li«^cre»c.
^^m- 1-
Q^j7]f»rfif7]cjrrrr i»rIfrriJJF
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-wmmm\ I .
*,
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87
rrrrcIP^mrrrm^ fp JP fp
firez
Sp ^ ^ fp fi» Jp
fp fp fp Sp jp Jp fp Jp fp fp
f^ilTMljjff^^ l j^rnri,j^ ^•* * pizz.
icus
88
Moderate1-
1 r* 1J f . .kg fP 1 8-y-
» L»-^ ^T . ^ 1^-^
* o * 8 < » «
ItUK
39
iB\^l , /f * *- '^ !,.• 1 I
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40
Allegro moderato
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i ^ ^f£^^^ \^:s::z'^^w^wi^t^^
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JJ 1?P
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42
Allegro, molto agitato
crettc.
MU5
^^m iTTn-rrTrFL^^S
^^^^^mi*m
44 (op-bow)firez (down-bow)
3^.
Allegro moderato.•^ _ dim.
^^m* i-
»
^r^^*^-ĉre»c. dim,f
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1.
^ i^f;. :,
i.-
ff-f?-f, fff#I
^
45
To practise tlie staccato also with down-bow one mtist inclvde the 8th-note following the six 16th-notes in thesame bow
Allegro moderato
^^m^^^^
* Tr dm. # ^^ ~" =i«i»
46Andante, poco allegfretto
f dim.}I rrrj CCTj ''ft-j
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i«i»
Si:^ Position O
p a tempo
hr^\ f r/r^|tS3%r^r I'IL^^ frrMfF^^
eresc.
48
Allegro con fuoco
ir___l^i4^ip^rjtj^at{f[aj^^^^\^is\\'ru\
i^jhtmrmmr
is r ail \ lLli^ U Ji^s\ij2\
l«Uf
a tempo
ifMjj i).jjj7j;rji ijjj"Jj^Jj]Ii^Jirouif i.Uj
fir I'
I
'I
fif te- 9 a S'J n
-tt-
Pfizz.
I
80
Allegro.
Git D strings
36^
GAD strings p^^ G«tD
ti, ffP rP rn ffl^i T.^r.Trrcr.^r^ rrr i ^^r •¥ rv r FHi
i ffP PT3 ^" m I ffp rp,7 pp ffp rfrfrfrff. ro^ ;?:Z7
dim. pcre»o.
$ ^°pt; ffl^'rrr i ',?'?..s^1W?-1j lj i uip FP^^̂̂
DA y^r\GD DA
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mm1 1 1 4
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BJ%J «/>«
ScHiRMER's Libraryof Musi cal Classics
METHODS, STUDIES AND EXERCISESFOR VIOLIN SOLO
8BRIB8 ONB
ALARD, D.Op. 41.
Tba Ubnty VolaaM Numbv U glvm In fanck«ttt (imi
ERNST* H. W.24 EtudM-GaprlcM (Lichtenber;:)
[1389] 1.50
BACH, J. S.6 Sonatas (H«nmaiui) {221] 1.50
BBRIOT, G. DEMfttodo pan Aprender el Violin (Lehmann).p. Bk.I[10W] 1.50
BLUMENSTENGEL, A.Op. 33. 24 StudiM [1032] 1.25
Scale andtion [603]
i Arpegalo Studies. Bk. I: Ist Pooi->]; Bk. II: Fint 3 Poutioos [604]. .ea. 75
BOHMER, C.Op. 54. 75 Studies in Intonation (Schill)
[1622] 1.25
GASORTI, A.
Op. 50. Tlie Technics of Bowing [932] 1.25
DANGLA, G.Op. 68. 15 Studies. With accompaniment ofa 2d Violin [602] 75
Op. 73. 20 Brilliant and CharacteristicEtudes [626] 1.00
Op. 74. School of Mechanism. 50 Daily Ex-ercises [219] 75
DAVID, F.Violin Harmonics and the Pizzicato (Smith),
sp. e. [1410] .75
DONT, J.Op. 35. 24 Etudes and Caprices [1179] 1.25
Op. 37. 24 Exercises. Preparatory to theStudies of R. Kreutzer and P. Rode [328]. . . . il.OO
6 Etudes. In Two- to Four-Part Harmony(Auer)[1470] 1.25
FIORILLO, F.
36 Studies or Caprices (Schradieck) [228] 1.25
GAVINES, P.
24 Studies (Matinees) (Lichtenberg) [929] 1.50
p. e. [1390].... i.OO
GRUNWALD, A.First Exercises (Svefenaki).
HERMANN, F.Op. 20. 100 Violin Studies for Bethiners
(Mittell). so. e. Bk. I: For the Beginning ofTuition [952]: Bk.I I: For the Development ofFinger- and Bow-Techniea [953].'. ea. 1.25
Violin School. Part I [742] 1.25
The same. Part II [743] 1.25
HOFMANN, R.Op. 25. First Studies. In the Firat Portion.
Bk. I: The Beginner [863]Bk. II: The ProigreaHve Pupil [864]Bk. Ill: The More Advanced Student [865] ea. .75
HftlMALY, J.
Scale-Studies [842] 1.00
KAYSER, H. E.Op. 20. 36 Elementary and ProftresslTeStudies (Svedenaki). Complete [750r 1.00
The same. Bk. I [306]; Bk. II [307];Bk. Ill [308]
Op. 67. The Study of the Positions.34 Short Pieces. [867]
.75
.60
Op. 38. 30 Proftressive Exercises. With ac-companiment of a 2d Violin [429] 1.25
Any SMrmtr Utrary wlmm4 May it aitaiiud in dolh hindint- Prices will b* fnottd en rtqneAPrias Snbjut la Ckange WiUuml Noliee.
KREUTZER, R.42 Studies or Caprices (Singer) [230] 1.00
G. SCHIRMER, INC. NEW YORK