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Issue 5 - Journal for the Academic Study of Magic 41 The Role of Grimoires in the Conjure Tradition Dan Harms Casual seekers of information on the practice of magic who look to infamous books of dark reputation, grimoires, often find only disappointment. The annals of folklore hold innumerable tales regarding such books, emphasizing the danger to mortals who seek divine power. One who possesses such a work, the stories say, is surely a master of forbidden arts, and a casual glimpse at a page may transfix an unwary reader. The complicated instructions within must be followed precisely and judiciously, lest the magician find himself following the example set by Mickey Mouse in Fantasia. Although stories may provide us with valuable insights into the beliefs and values of the cultures in which they are collected, they rarely tell us anything about the actual use of such books. In most cases, the situation is even worse: the contents of the grimoires themselves rarely have anything to do with the mythology surrounding them (e.g. Henning 1911, pp. 48-53; Ozanne 1915; Dobie 1930, pp. 337-338; Kerbirou 1947, p. 162; Dorson 1964, pp. 111-113). Outside of stories relating to grimoires, folklore has long concerned itself with the collection of charms and magical formulae. The irony is that many of these charms have themselves appeared in and been disseminated via written collections as Stephen Bachter has pointed out regarding many such incantations collected in Germany. Within

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Issue 5 - Journal for the Academic Study of Magic 41

The Role of Grimoires inthe Conjure TraditionDan Harms

Casual seekers of information on the practice of magic who look toinfamous books of dark reputation, grimoires, often find onlydisappointment. The annals of folklore hold innumerable tales regardingsuch books, emphasizing the danger to mortals who seek divine power.One who possesses such a work, the stories say, is surely a master offorbidden arts, and a casual glimpse at a page may transfix an unwaryreader. The complicated instructions within must be followed preciselyand judiciously, lest the magician find himself following the exampleset by Mickey Mouse in Fantasia. Although stories may provide us withvaluable insights into the beliefs and values of the cultures in whichthey are collected, they rarely tell us anything about the actual use ofsuch books. In most cases, the situation is even worse: the contents ofthe grimoires themselves rarely have anything to do with the mythologysurrounding them (e.g. Henning 1911, pp. 48-53; Ozanne 1915; Dobie1930, pp. 337-338; Kerbirou 1947, p. 162; Dorson 1964, pp. 111-113).

Outside of stories relating to grimoires, folklore has long concerneditself with the collection of charms and magical formulae. The irony isthat many of these charms have themselves appeared in and beendisseminated via written collections as Stephen Bachter has pointedout regarding many such incantations collected in Germany. Within

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former folklore paradigms, great importance was placed upon the oralityof tradition as a marker of �authenticity.� As a result, researchers soughtto avoid or downplay sources obviously based upon a textual tradition(Hayes 1997, pp. vi-vii). More recent scholars, influenced by thepioneering work on office culture of Alan Dundes and Carl Pagter, havebeen more open to the collection of written material,. Charms are seenas a form of literature, and indeed should be included and examined aspart of that corpus (Dundes and Pagter 1975; see also Versnel 2002).Nonetheless, the relation between assumptions about grimoires infolklore and popular media and the actual practice of such works inparticular times and places is still largely unknown. Investigation requiresthe examination, not only of folklore collections, but also trial records,contemporary accounts in newspapers and magazines, local histories,archaeological discoveries, reprints of magical books (bothrepresentative examples and as whole works), and similar sources (e.g.Estopañan 1942, pp. 24-38; Emery 1989, p. 115; Devlin 1987, pp. 167-184; Briggs 1953; Jones 1973; Leventhal 1976, pp. 110-119; Jones 1995,p. 100; Merrifield 1987, pp. 152, 162; Crick 1933; Powdermaker 1966(1939), pp. 294-295; Brown and Hohman 1904; Ebermann 1914).Recent years have seen the availability of such information grow dueto the respect that the study of esotericism and magic has gained in theacademy. Still, despite this increasing corpus, these questions are noteasy to resolve.

Even our most basic hypotheses may prove incorrect when historicalsources put them to the test. For example, we might assume thatownership of a book signifies that the author has read and used it in anypractice of magic in which they engage. This is not necessarily the

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case. In her study of nineteenth-century French newspapers, Devlinobserves that some of the documented practitioners were not able toread the books in their libraries. Instead, they merely possessed themand used magic from other sources or even extrapolated from the books�illustrations for their practice (1987, pp. 165-66). This discovery ismirrored by Davies� work on the cunning folk of England, who oftenused such books as props to establish a practitioner�s legitimacy withtheir clients. His findings also caution against blind use of certaincategories of what is a proper �grimoire.� Themost popular work amongthe cunning folk was Reginald Scot�s Discoverie of Witchcraft (1584), atext dedicated to the discrediting of beliefs in magic and the supernatural(Davies 2002, p. 143).

Likewise, an Italian scholar, Federico Barbierato, has turned to therecords of the Inquisition of Venice to gain insight into the books usedthere in magical practice from the sixteenth to the eighteenth centuries.While the bias of the source might seem problematic, Barbierato usesthese archives to uncover a rich undercurrent of magical activity withmany surprising aspects. Even with printing, such works being illegalin Italy, a thriving trade smuggled books via multiple routes into Venice,where they were disseminated, recopied, revised, excerpted, andrecreated. This market served not only the educated professions thatmight have been seen as the prime market, but people of everysocioeconomic rank. In a striking parallel with the practitioners describedby Devlin centuries later, grimoires were purchased even by the illiteratewho paid others to read them aloud. The details of their practice werealso eclectic; the instructions for virgin parchment or other exoticingredients, one of the staple instructions of the grimoires, were more

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often honored in the breach than the observance (Barbierato 2002).These examples illustrate how what seem to be logical assumptionsregarding practice can fall apart when compared with the evidence onthe ground.

In the hope of illuminating these questions regarding how the bookswere used, this article will explore another use of magical texts within aparticular tradition of practice, following the preliminary work of PatrickPolk (1999). The focus of this study is the charm-books popularizedwithin the Pennsylvania German culture of the nineteenth and twentiethcenturies. These works later received a wider distribution and wereencountered frequently in the African-American magical tradition ofconjure. One of the largest available archives on such material � HarryMiddleton Hyatt�s five-volume compilation, Hoodoo-Conjuration-Witchcraft-Rootwork � will be examined to discover the attitudes towardand usage of these works inside that tradition.

The Grimoires of the Pennsylvania GermansThe late seventeenth and eighteenth centuries saw the emigration ofmany Germans, mostly from the Palatine region, seeking farmland inPennsylvania. Many of these, such as Johannes Kelpius and theDunkers, sought freedom in the United States from religious persecution.This move found its parallel in the local literature, which focused onpraising this new land and providing religious and instructional literature.By the first decades of the nineteenth century, most of the farmlandwas claimed and religious zeal had died down, leaving the PennsylvaniaGermans � labeled by outsiders as the �Pennsylvania Dutch� � to themore practical business of running their isolated farms. The German

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publishers in the NewWorld followed this trend by providing numerousalmanacs and books of household remedies aimed at the settled, self-sufficient farmer (Robacker 1943, pp. 43-48).

Within this literature are three works that would later gain considerableinfluence outside of this region. Their origins are shrouded in mystery,as their authors � or, more accurately, compilers � found it advantageousto conceal their sources behind pseudonyms and false places and datesof publication. Three particular works filtered through the PennsylvaniaGerman community, where they became the stock in trade of the�braucherei� or �hexerei,� rural practitioners who attended the needsof the local farmers in matters of theft, witchcraft, and illness of humansand animals. 1

What might be the first of these books�the fabricated origins of mostof them making such determinations difficult�is Albertus Magnusbewährte und approbirte sympathetische und natürliche egyptische Geheimnisse fürMenschen und Vieh. The first known editions bear the publication dateof 1725 but likely was first issued in Brabant in 1819. This work isattributed to Albert the Great (d. 1280), the famous Dominicanphilosopher and theologian, around whom a tradition of false workshad developed as early as the thirteenth century. This particular workderived from a number of other charm books popular in Germany atthe time, most notably the Romanusbuchlein, a compilation of charmsattributed to Saint Romanus and republished as a critical edition in 1958by Adolf Spamer. Other sources included Staricius� Heldenschatz and a1720 publication, Der aus seiner Asche sich wieder schön verjüngenden Phönix.The English translation, Albertus Magnus, Approved and Verified BothSympathetic and Natural Egyptian Secrets, for Man and Beast, was first

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published in Harrisburg in 1875. The nature of the remedies varieswidely � some rely entirely on substances, while others requireincantations, prayers, and the sign of the cross to be efficacious. Theinfluence of the book was broader than its circulation, with its protectiveprayers being sold as broadsides effective in their own rights. 2 Accordingto the tripartite Egyptian Publishing edition from Chicago in mypossession, the book was supposedly published by �Albertus Magnus�in order to alleviate the suffering of a destitute family. As promised,the remedies within cover the ailments of both animals and humans,including fever, cough, colic, and more supernatural difficulties such aswitchcraft and goblins. The book also contains a number of charms forother effects, including ensuring a successful court case, emboldening aperson, causing the return of stolen goods, or rendering the user immuneto all types of peril.

The next work, Der lange verborgene Freund, oder, getreuer und christlicherUnterricht für Jedermann, was published in 1820 by a German immigrantand author, Johann Georg Hohman, a native of Elsace Township inBerks County and an author of other works of household remedies. Itmight be the first book on magic published in the United States, and itwas certainly the most commercially successful for this period. Unlikemost other authors of such books, Hohmanwas explicit about his identity,using testimonials by those whom he had healed as strategies to legitimizehis work in lieu of the usual references to historical or mythologicalfigures. Much of the work is derived from the Romanusbuchlein � in fact,the latter portion of Hohman�s book is taken entirely from that work, aderivation that Hohman freely admits in his introduction by referring toa �Gypsy-book.� A translated edition, retitled The Long-Lost Friend, was

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first published inWestminster, Maryland in 1855, and the book appearedinmany different German and English editions afterward.3 The contentsof Hohman�s work, while favoring incantations over natural remediesand highlighting an entire section dedicated to escaping the effects ofweapons, are greatly similar in topic to those that appear in EgyptianSecrets. It is surprising, then, that little overlap exists between the twobooks in terms of actual spells, indicating that both were part of alarger genre of charms aimed at the same ends. This did not stopHohman � or more likely, a later imitator � from publishing an undatedversion of The Long-Lost Friend under the title Albertus Magnus, oder derlange verborgene Schatz und Haus-Freund in an attempt to draw upon therecognition granted to both authors.

The third book is perhaps less geared toward a rural American marketthan the others, yet it has become perhaps the most infamous due to itsappearance in folklore across the nation (Dobie 1930, pp. 337-38;Dorson 1964 pp. 111-13, 315-16; Ellis 2004, pp. 72-79). This was DasSechste und Siebente Buch Mosis, das ist, Mosis Magische Geisterkunst, knownin English as the Sixth and Seventh Books of Moses. Although folklore inthe colonies mentions the book in connection with at least one mid-eighteenth century figure (Henning 1911, p. 49), the first printed referenceto the book appears in the Allgemeinen literarischen Anzeiger for 1797(Kilcher 2004). The earliest known printed edition of the Books ofMoses appeared from the Stuttgart publisher Johann Scheible in 1851,following a supposed edition in 1849. Scheible�s work contains whatappear to be numerous treatises under this title, some differing fromeach other only superficially, along with material from such classicFaustian grimoires as Black Raven and Tabellae Rabellinae Geister-Commando.

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To these, Scheible added a pirated chapter from Joseph Ennemoser�sGeschichte der Magie on the magical practices of the Hebrews, as well asa section on �The Magical Uses of the Psalms.� The latter work had along history among Jews, and turns up repeatedly in the records of theInquisition in New Castile (Estopañan 1942, pp. 27, 32). Godfrey Selig(not to be confused with the German Pietist and member of Kelpius��Woman of the Wissahickon� colony, Johannes Gottfried Seelig) editedthe book on the psalms and published it in 1788. Polk states that thecombination of these texts would do much to enhance the work�spopularity (Polk 1999). It was the 1851 edition of the Books of Mosesthat came to America and made its impact in the Pennsylvania Germancommunity. The ArthurWestbrook Company of Cleveland, Ohio, issuedthe first English edition in 1870, with several more following over thedecades. The most popular of these was that published by WilliamLauron DeLaurence of Chicago in 1914. Attesting to its continuedpopularity, a �new revised� edition of this work, with the Secrets of thePsalms given cover billing, was published in 1985 (González-Whipplerand Scheible 1991).

Despite numerous efforts to extirpate the practice of these books�remedies, they remain staples of regional belief and practice. Only acentury and a half after the appearance of The Long-Lost Friend, manylocal practitioners were not aware that their extensive collection ofcharms had their origin in that work (Byington 1964). David Kriebel�srecent fieldwork among powwowers in Pennsylvania German countryconfirms that all three books are still in use, though the usage of theBooks of Moses has dropped off considerably due to its notoriousreputation (2002). Nonetheless, these books would find even greater

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popularity due to the attention of publishers who reprinted anddistributed such works throughout the United States, and even to foreignmarkets.

ConjureConjure, also known as hoodoo, rootwork, or goopher, is a set of magicaltechniques intended to bring about particular ends, such as healing,prosperity, and good luck. During the importation of African slaves tothe New World, many ties to indigenous systems of belief and spiritualauthorities were severed. As a result, those practitioners of indigenousbeliefs who survived the Middle Passage became specialists whoprovided their new communities with spiritual services coveringeverything from medicine to finding a romantic partner to exactingrevenge upon enemies. As many of the traditional medicinal substanceswere not available in this new climate, these specialists adapted materialsfrom indigenous flora and fauna, as well as techniques from NativeAmericans and European Americans, to create a syncretic and uniquebelief system. Conjure became a means by which African-Americans,barred from practice in other fields, could become prosperous, and itattracted a considerable number of female practitioners whose careeroptions were even more limited. Conjure�s influence extended beyondthe African-American community, and many doctors found a new andprosperous trade among their white neighbors. Jim Jordan, a conjuredoctor from Murfreesboro, North Carolina, became the de facto leaderof his small town and the owner of several business enterprises.4

Emancipation and the migration of African-American populations tothe urban North did not disrupt the practice of conjure, but instead

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allowed it to reach new markets. �Doctors� � the title many conjurepractitioners adopted without a formal medical degree � took up residencein these cities, selling goods that increasingly were not collected in naturebut instead purchased from such �spiritual supply� companies as L. W.DeLaurence, Keystone Laboratories, and Valmor King Novelty. Thesecompanies sold not only the ingredients necessary for these remedies,but also a wide range of books � including the Pennsylvania Germangrimoires mentioned above (Long 2001, pp. 189-203). DeLaurencewas perhaps the most notorious of these suppliers, gaining a magicalreputation of his own as far away as Jamaica (Elkins 1986). In only afew short decades, these books became highly popular among conjuredoctors and casual readers alike. By 1957, one folklorist reported thatall three of these books were popular sellers in both Brooklyn andHarlem(Foster 1957). Even today, the Lucky Mojo site lists The Long-Lost Friendas one of its two best-selling books (Yronwode 2006).

The influence of Pennsylvania German grimoires on conjure practice isa direct result of the American grimoire tradition featuring more relianceupon printed sources than that found in other traditions. Althoughmanuscript sources are not altogether lacking in the form of handwrittenbooks or scraps on which particular charms were transmitted, thereorganization and creation of new texts that occurred in Continentalcontexts did not occur in this country. Most publishers were content toreprint older books instead of reassembling new ones, and mostpractitioners were equally unwilling to create their own, newer editionsof such works. Although it is possible that some conjure doctors foundtheir own versions of charms from a particular grimoire in other sources,I have yet to find any mention of them in the compilations of African-

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American conjure beliefs published in the nineteenth century. Theexplicit statements by many practitioners strongly suggest that thesegrimoires from the spiritual supply companies were the origin of theseparticular charms.5 Conjure became less popular as the twentieth centurywore on due to a variety of factors. These included the increasedavailability of professionals such as doctors and lawyers, governmentalprosecution of conjure doctors for mail fraud, and progressive African-American movements that saw conjure as a vestige of a superstitiouspast best left forgotten. A recent revival of conjure has occurred due toan increased interest in alternative spiritualities among African-Americans, but its impact and duration remains to be seen.6

The most prolific chronicler of conjure beliefs was Harry MiddletonHyatt. Born February 21, 1896 in Quincy, Illinois, Hyatt attended awide variety of colleges after high school, eventually obtaining abachelor�s degree fromKenyon College, a bachelor�s andmasters degreesfrom Oxford University, and a doctorate in divinity from Culver-Stockton College. Having obtained his ministerial credentials, he soughtto travel to Africa as a missionary, but, finding that no positions wereopen, he took up various positions in churches in both Ohio and NewYork. In 1924, hemarried Alma EganAltenberg, a well-off manufacturerwhose money was later channeled into the Alma Egan Hyatt Foundation(1932). This organization allowed Hyatt to pursue a career as anindependent researcher into folklore. 7

Hyatt�s career began with the collection of the beliefs in his nativeIllinois. Working with his sister in a small geographical area, he compiledhis monumental Folklore of Adams County, Illinois (1935, with a revisedand updated edition published in 1965). While conducting this work,

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Hyatt became intrigued with the various pieces of magical lore andwitchcraft beliefs that he had encountered during his Adams Countywork. Expanding his scope to the practice of conjure in the UnitedStates, Hyatt canvassed the cities across the rural South to findpractitioners of hoodoo. Hyatt spent countless hours sitting in cheaphotel rooms in African-American neighborhoods, working with localinformants to locate doctors. He recorded their phrases via a microphonehidden under his hat on the table while negotiating with criminals andsuspicious police officers alike. This fieldwork led to his five-volumecompilation Hoodoo-Conjuration-Witchcraft-Rootwork, a tremendouscollection of interviews with practitioners. Both Folklore of Adams County,Illinois and Hoodoo were privately printed, leading to the inclusion ofmuch material that a commercial publisher would likely have excluded.

Some researchers who read Hoodoo were put off by Hyatt�s insistenceon transcribing extensive portions of his conversations with the conjuredoctors (e.g. La Barre 1971). It is this thoroughness, however, whichprovides us with a wealth of material that in most other cases would beconsigned to the dusty recesses of university archives or a fieldworker�spersonal notes. As such, it presents a wealth of data on the practice ofconjure in the 1930s, revealing a great deal about how it was practisedin the words of its practitioners. Thus, Hyatt�s work provides anunparalleled window into the usage of the Pennsylvania Germangrimoires in that system.

The use of Hyatt�s books for the assessment of the grimoires� impact isnot without its issues, however. First are his unsystematic organizationof the material and the lack of an index for thousands of pages. Hyattnever completed what, according to a fragmentary note mentioning

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similar travails in Folklore of Adams County (1970-78, vol. 1, p. xlii),must have been an excessively detailed and comprehensive index. Hyattdoes make up for this to some extent with a detailed table of contents,though much of the material in his transcriptions is not indicated.Another problematic aspect of using Hyatt�s work is that, initialappearances to the contrary, he in fact did employ various devices toensure selection of particular materials. In at least one case, Hyattomitted material that did not interest him simply by turning off therecording device. This might also be the case with material that Hyattrecognized as originating in written sources. In one interview (Number1727), Hyatt turns off the tape recorder when he realizes that a recipefrom The Sixth and Seventh Books of Moses is to follow (vol. 2, p. 1727.).This raises the question of how many other recipes Hyatt recognized asgrimoire-based were removed through a process of selective recording.Nonetheless, enough such rituals from the books remain that a roughpicture of their usage emerges despite this.

Hyatt also presented many of his informants� speeches in what mightbe described as stereotypical African-American dialects, though he doesseem to have made efforts to actually reproduce speech patterns thathe witnessed instead of forcing a single dialect on all his informants.Mortensen suggests that a number of possible solutions may exist forthis problem, depending upon the ethnographer�s preferred uses ofmimesis or an imitation of the fieldwork situation that does notnecessarily capture all details but nonetheless depicts what theethnographer sees as its essential truth (Mortensen 2005, p. 118.). As Iwill be using data collected at quite some distance, both geographicallyand chronologically, however, I fear that any attempt at mimesis from a

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distance would likely be misleading at best. As such, I will maintain thespelling as close to Hyatt�s own as possible, so others might take theopportunity to pursue their own readings.

The Perception of Grimoires in ConjureAmong practitioners of conjure, the attitudes toward written sourcesof charms differed considerably. The �Hoodoo Book Man,� who Hyattinterviewed in New Orleans, had �read de Seven Book of Moses sevenor eight year a�ready,� and went on to attribute the origins of hoodooitself to Moses and his book:

Hoodooism started way back in de time dat Moses days, backin ole ancient times, nine thousand years ago. Now you see,Moses, he was a prophet jis� like Peter, Paul an� James. An�den he quit bein� a prophet an� started de hoodooism � whatwe call de Seven Book of Moses. (Hyatt 1970-78, vol. 2, p. 1758)

Such bold claims were particular to this individual. Nonetheless, othersregarded these grimoires with some respect and were not averse toattributing their learning and success to them. The �Unkus Man� fromNew Orleans spoke highly of the books of �Doctor DeLong� (vol. 2, p.1307) � most likely De Laurence, which would have included the Sixthand Seventh Books of Moses and theEgyptian Secrets. Ida fromNewOrleansclaimed to have �learned under� the famous �Voudon Queen MarieLaveau,� and only later did Hyatt realize she had learned from a booksupposedly written by the legendary figure (vol. 2, p. 1666). A relativeof the conjure doctor Julius P. Caesar mentioned that he �had the bookat home on seals once... but I�� (vol. 2, p. 1645) � Hyatt cut him off,so we never learn what exactly happened to it. When conversation

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came around to the Books of Moses, a woman from Memphis remarked,�If ah had knowed whut chew want, ah�d brought it wit me� (Ibid., p.1724). One wonders how pervasive such misunderstandings amongHyatt and his informants were, and if more grimoire-related materialmight have been collected if practitioners had been able to rely uponthe non-mnemonic sources they used in practice instead of basing theirdescriptions strictly on recall.

Nonetheless, other doctors were more skeptical about the books andtheir utility in practice. An old man from Fayetteville, North Carolina,mentioned getting many occult works from the supply houses butdecided that he �didn�t have any part of de books� because they weresold without guarantees (vol. 2, p. 1053). According to a �Doctor�Caffrey fromNewOrleans, the power to work hoodoo came from birth,and �you can�t get the power� from reading books (vol. 2, p. 1469).Most conjurers, as Anderson has discovered, were apprenticed to anotherconjurer when starting the trade while others claimed that a birthright,or the blessing of a spirit or God, brought about their power. Bookscould be a gateway into the practice of hoodoo, but they were usuallynot considered sufficient to set oneself up as a doctor. Occasionallysomeone attempted to do so, and other practitioners often looked withdisapproval upon those who learned exclusively from written works. 8

In keeping with this, many conjurers saw the lore in books as only a partof, or a supplement to, the spiritual blessings or training to be mastered.An informant from Savannah, Georgia, told Hyatt that she �had takensome work in certain branches of psychology an� astronomy, and thensome work in black art� (vol 2., p. 1268). Hyatt interpreted this tomean mail order courses in salesmanship, knowledge of astrology, and

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the use of hoodoo books. When asked if she used books, MadamCollinsof Memphis, Tennessee answered, �Ah can�t remembah everything thatah have,� suggesting the utility of the book as adjuncts to memorizedlore (vol. 2, p. 1006). The �Unkus Man� from New Orleans pointedout that, even though he and others could go to �Doctor DeLong� andbuy books from him, astrological differences in personality ensured that�a thousand people will come in to you and you won�t find four agreeon one thing� (vol. 2, p. 1307). This certainly seems to have been trueon the practical use of grimoires in hoodoo.

The Use of Grimoires in ConjureWith regard to the Pennsylvania German grimoires, it was the Sixth andSeventh Books of Moses � or rather, the treatise �The Magical Uses of thePsalms� within � that seems to have had the greatest impact on theconjure tradition. In fact, a �doctor� from Fayetteville, North Carolina,told Hyatt outright that the Sixth and Seventh Books were �de onliestbook dat tell yo� whut de Psalms is good fo�� (vol. 2, pp. 1522-23).Numerous practitioners throughout Hyatt describe using the Psalms asan integral part of their practice. Madame Collins recited Psalm 35,noted in the Sixth and Seventh Books as being used against �a lawsuitpending in which you are opposed by unrighteous, revengeful andquarrelsome people,� (DeLaurence 1919, p. 155) to bring her clientssuccess in court (vol. 2, p. 1003). A formula using Psalm 20 inconjunction with rose-water, oil, and salt to extricate oneself from acourt case (DeLaurence 1919, p. 152) was a favorite of Informant 1448from Fayetteville, North Carolina (vol. 2, pp. 1523).

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Such strict adherence to the technique and goals as stated in the �MagicalUses,� however, is unusual. Reading Psalm 109 over a concoction ofwine and mustard for three days, the treatise says, should be used tocause an oppressor misfortune (DeLaurence 1919, p. 166). In thepractice of one of Hyatt�s informants, however, the rite narrows itsfocus to causing its target to be fired (vol. 2, p. 1141). In the �MagicalUses,� Psalm 92, when said with other psalms three times over watercontaining the leaves of vines and myrtle, creates a magical wash thatallows a man to �attain to high honors� (DeLaurence 1919, p. 164). Ahoodoo practitioner in Little Rock simplified the procedure by usingordinary or holy water without the added ingredients or psalms, andusing it as a potion to be drunk for good health instead of socialadvancement (vol. 2, p. 1322). On the other hand, other practitionerselaborated upon the rites they already had � the landlady of one ofHyatt�s contacts used Psalm 48 to deal with enemies, but added that itmust be read on a Monday morning before sunrise with a special prayer(vol. 2, p. 1475).

What is more surprising, given the reputation of the Sixth and SeventhBooks, is the large number of psalm-based recipes that are not based onthe book at all. Psalm 27, according to the Books of Moses, is used sothat one will be �well and kindly received in a strange city� (De Laurence1919, p. 154). Informant 1585 from Algiers reads the same psalm over�pecone oil� and uses this to anoint the client so they can hold theattention of a boss and obtain a job (vol. 2, p. 1072). Anointing withoil is a common procedure with other psalms, but this seems to be anew innovative technique not specified for this psalm.

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Similarly, the Psalms might be blended together with local folklore andother magical traditions to create a new ritual. Nahnee, the self-described�Boss of Algiers,� fused the power of Psalm 91, to which the Sixth andSeventh Books devoted two entire pages, with the traditional African-American story of meeting the devil at the crossroads, to create a newritual. If one is confronted with a difficult task, they should recite thePsalm for nine days, afterward traveling to a fork in the road at midnightto meet a spirit who will render assistance (vol 2., pp. 1357-58). Otherspells incorporate elements of other traditions, such as candle magic,into the psalm magic (vol. 2, pp. 1467, 1612, 1727). It is a shame Hyattstated that he did not record more of this Psalm material (vol. 1, p. ix),possibly due to ecclesiastical bias (Smith 1994, p. 14-15).

The other materials from the Sixth and Seventh Books were less influential,but nonetheless occasional references show up in Hyatt�s material.Notably, there are few references to the use of the seals that form thebulk of the title treatises in the Books of Moses, though Doctor Englishof Norfolk did make use of such in a protective rite (vol. 2, p. 1399),and a Memphis informant used the Sixth Table of Jupiter in conjunctionwith Psalm 72 to avoid a lawsuit (vol. 1, p. 288). The other treatisesfared little better. A female doctor from Waycross, Georgia sought outan angel named �Peelee� before a trial, sending him to talk to the judgeand the prosecutor before the trial begins (vol. 2, p. 1477). This seemsto be a variant of �Pele,� a name of God from the Semiphoras andSchemhamphoras portion of the book where it is noted as �he whoworketh wonders� (De Laurence 1919, p. 126).

Merely because a rite is not performed in its entirety, however, does notmean it does not have influence. Ira Vands or Wands, a blind doctor

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from Florence, South Carolina, noted that rites to drive people insaneor to get a favorable outcome at trial should be carried out �at de hour�cordin� to de Six an� Seven Books of Moses� (vol. 2, pp. 1526-27).This is actually derived from the appendix �The Black Raven,� in whicha set of hours is provided for summoning spirits on various nights ofthe week as part of a procedure for ceremonial magic (DeLaurence1919, p. 101). Instead of calling up demons, however, this timetable isnow used as a more general ritual calendar. This same treatise providesthe inspiration for the �Mojo Expert� from Memphis, who uses a vastlysimplified version of the magical circle and ingredients mentioned inthe text, such as �butterfly blood,� in order to find buried treasure (vol.2, pp. 1247-48). These conjurers have taken ritual instructions intendedfor one purpose � the calling up of evil spirits � and extrapolated fromthem to create new systems for other objectives.

Beyond its contents, the Books of Moseswas seen as possessing an inherentphysical virtue useful in various rites. One way to influence the judgeat a trial, according to a Memphis doctor, was to either have read, orhave slipped into one�s shoes, the Books of Moses (vol. 4, p. 3688). (Giventhe book�s size, it is likely only a few pages would be worn at a time.)Informant 1520 provides her ritual for the creation of that classic hoodoostaple, the �black cat bone,� a bone that bestows invisibility, obtainedby boiling a hapless feline. She claims that a thirteen-day rite ofpurification must be performed, during which the person must read theSixth and Seventh Books of Moses without taking a drink � it can be assumedshe is referring strictly to alcohol (vol. 2, p. 1730). The black cat rite isnowhere described in the Books of Moses, yet its inclusion here suggeststhat it possesses an inherent efficacy to empower a ritual.

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The influence of other grimoires was also felt in the conjure community,though none possessed anywhere near the influence or reputation ofthe Books of Moses. One key example is The Long-Lost Friend; materialfrom this book does turn up occasionally, but not as often as itsaforementioned popularity among sellers would seem to indicate. EvenHyatt remarked upon the paucity of references to the book in hisfieldwork (vol. 2, pp. 1781-82). How do we reconcile the book�spopularity with the lack of its charms in Hyatt�s work? It is likely theanswer lies in the book�s introduction, which contains the followingpassage:

Whoever carries this book with him, is safe from all hisenemies, visible or invisible; and whoever has this book withhim cannot die without the holy corpse of Jesus Christ, nordrowned in any water, nor burn up in any fire, nor can anyunjust sentence be passed upon him. So help me. (Brown andHohman 1904, p. 141)

The book reflects a long tradition among the Pennsylvania Dutch ofprotective documents such as heaven�s letters, fire letters, and houseblessings (Yoder 2005:197-225). Combining the book�s high sales withits low usage among conjure doctors, we might conclude that the vastpopularity of The Long-Lost Friend was not so much because it was abook of charms, but because it was seen to have inherent apotropaicqualities. Nonetheless, some of the rites from Hohman�s book becamepart of the corpus of hoodoo. An excellent example is the wagon ritualfor catching a thief described in The Long-Lost Friend as �How to RecoverStolen Goods,� also found in the Egyptian Secrets and the Romanusbuchlein.When a theft has been committed, the conjurer takes a few chips from

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the door through which the malefactor passed, attaches them to a wheel,and, while spinning it, speaks an incantation9 :

Thief, thief, thief! Turn back again with the stolen things.Thou wilt be constrained by the might of God; (three crosses)God the Father calls thee back; the Son of God turn theeabout, that thou must go back; God the Holy Ghost carriesthee back, till thou art at the place where thou hast stolen�(Brown and Hohman 1904, pp. 137-38)

A number of variations on this ritual are collected in Volume 4 of Hyatt�swork. Once again, we see a vast disparity in techniques. Some of thepractitioners seem to be working this rite straight out of a book � oneNew Orleans practitioner mentions that a word in �Hebrew� must bespoken for the rite, though it eludes the speaker (vol. 4, pp. 3630-31).Others are more flexible in their reading and interpretation of the rite.None presents the spoken charm in full, being content with �In de Nameof de Father an� of de Son an� de Holy Ghost, bring back whut chewdone took� (vol. 4, 3632) or �Thief, return de stolen goods which wastaken outeh mah possession� (vol. 4, 3631), or, as a doctor fromWaycross, Georgia chooses to do, leaving the exact wording unspecific(vol. 4, 3631). Doctor Glover of Charleston reflected the new urbanmilieu of conjure in his version of the ritual, in which an automobilewheel, after the car is placed on a jack, can substitute for the wagonwheel (vol. 4, 3631). One practitioner from Florence, South Carolinabypassed thieves entirely, putting it to use to �turn a woman roun��(vol. 2, p. 1039) 10 .

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In a similar fashion, a charm from the same book �To Gain a Law Suit�also had considerable use among conjure doctors. It appears inHohman�swork as follows:

It is said, that if one has a law-suit, and will take of the largestsage, and will write the names of the 12 Apostles on a leafand put them in his shoe before he goes to the Court House,he will gain his case. (Brown and Hohman 1904, 122)

11

As with the other rites, this one often accumulated elaborate procedures.A few passages from Madame Collins show how the procedure waselaborated based on the placement of the leaves, the omission of thename of Judas, and a call to another spirit:

�yo� git twelve sage leaves an� write the Twelve prophets�[disciples�] names on there � all but Judas. Don�t write Judas�name � leave dat leaf separate. An� that leaf will go in a shoeby itself. An� then if yo� want that person tuh come free fo�murder, then yo� would use Cain as that spirit � yo� would callCain because he slew Abel � an� have Cain to operate withthat person. An� Lucifer�s name wit his spirit, with those sageleaves. (vol. 2, pp. 1010-11)

A similar ritual, described by a man from Brunswick, Georgia, wasperformed by his grandfather, Doctor Jones. Instead of sage leaves, thetwelve apostles� names are written on pieces of paper and tacked to thebottom of the courtroom chairs instead of being worn inside the shoes.Curiously enough, a copy of the Sixth and Seventh Books of Moses wasplaced above the door to the courtroom in order to complete the rite

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(vol. 2, pp. 1747-48). Hyatt himself had misgivings as to the accuracyof the ceremony�s description, so we should examine this with caution(vol. 2, p 1747). Nonetheless, if it is accurate, it represents both howgrimoire traditions might be intermingled, as well as how the supposedlyinherent power of the Books of Moses was appropriated imaginativelyfor the client�s benefit.

Perhaps the least influential of these three works was the Egyptian Secrets,but even this system had its practitioners. The �Mojo Expert� placedgreat stock in the book (vol. 2, p. 1249), and a love spell featuring thetongue of a turtle dove as a crucial ingredient (Albertus Magnus, n.d.,p. 76) was a stock in trade for �Doctor Buzzard,� who had taken on theidentity of the most famous conjure doctor (vol. 2, p. 1420.).

ConclusionIf one theme has emerged from this examination of the use of thePennsylvania German grimoires among the conjure doctors, it is theappropriation and reinterpretation of the material therein to serve thechanging needs of practitioners and clients. It is striking that, despitepopular depictions of the grimoire in folklore as the source of power,none of Hyatt�s informants saw these books as a mainstay of theirpractice to be followed without question. Instead, they edited,transformed, and disseminated such material as a portion of theirpractice, integrating them into new social and cultural milieus and beliefsystems. Although the popular impression is that grimoires as powerfulworks with instructions that must be followed precisely, this datareinforces the impression of previous scholars that these works wereutilized in creative and surprising ways as integral parts of living

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traditions. Whether this is true of similar works in other times andplaces remains to be seen.

Notes1 An additional source of confusion with relevance to our project is

that many European publishers attributed their works to New Worldlocations, such as Philadelphia or Boston, in order to avoid theauthorities� scrutiny or community censure. This makes it difficult toassess just when such books made it to the New World.

2 On Egyptische Geheimnisse, see Wanderer 1976: 223, Peuckert 1954, andYoder 2005:223-24; on Albertus Magnus, see Thorndike 1923-58,vol. 2, 721-750,; on Romanusbuchlein, see Spamer 1958; onHeldenschatz and other grimoires, see Peuckert 1960 and Wanderer1976, 223.

3 Other sources have given 1819 as the date of initial publication butthis has been refuted by Heindel (2002, p. 130). See also Yoder 1976,pp. 235-36; Brown and Hohman 1904, pp. 8, 106; Heindel 2002, p.128-142.

4 Johnson 1963. Given the modern narrative as the conjurer as hero,the role of the conjurer in maintaining the economic disparitybetween whites and African-Americans should not be ignored.

5 For the Continent, see Bachter 2004 and Barbierato 2002. In thissense, the situation in the United States parallels that as described byDavies with regard to Renaissance-era conjure men, who largelyderived their practice from translated and reprinted Continentalsources (2002:123-4).

6 Anderson (2005) and Chireau (2003) provide excellent summaries ofthe roots and historical development of conjure.

7 Much of this biographical information comes from Bell 1979.

8 On training, see Chireau 2003:22-23 and Anderson 2005: 99-100

9 See Spamer 1958:60, analysis 375. It should be noted that a similarrite may be found in the treatise Semiphoras and SchemhamphorisRegis, among those in the back of the Sixth and Seventh Books of Moses

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(see De Laurence 1919, p. 133). It is possible that some of the ritualsHyatt describes might originate from that source, even though itslabeling is much more prominent in Hohman�s work. Nonetheless,when it is possible to distinguish between the two forms of theincantation or the particulars of the rite, every rite I have examined ismore akin to that in The Long-Lost Friend.

10 In Germany, the same charm may have been transformed into a lovespell that makes use of a sewing machine, instead of a wagon wheel,for the mechanism for the ritual. See Spamer 1958, p. 378.

11 The translation in Aurand and Hohman 1929 (p. 31) is identical incontent save that there are multiple leaves to be placed in more thanone shoe.

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