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Advanced Computer Graphics (Spring 2013) CS 283, Lecture 15: Image-Based Rendering and Light Fields Ravi Ramamoorthi http://inst.eecs.berkeley.edu/~cs283/sp13

Advanced Computer Graphics (Spring 2013)

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Advanced Computer Graphics (Spring 2013). CS 283, Lecture 15: Image-Based Rendering and Light Fields Ravi Ramamoorthi. http:// inst.eecs.berkeley.edu /~cs283 /sp13. Next few slides courtesy Paul Debevec; SIGGRAPH 99 course notes. IBR: Pros and Cons. Advantages - PowerPoint PPT Presentation

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Page 1: Advanced Computer Graphics  (Spring 2013)

Advanced Computer Graphics (Spring 2013)

CS 283, Lecture 15:

Image-Based Rendering and Light Fields

Ravi Ramamoorthi

http://inst.eecs.berkeley.edu/~cs283/sp13

Page 2: Advanced Computer Graphics  (Spring 2013)

Next few slides courtesy Paul Debevec; SIGGRAPH 99 course notes

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IBR: Pros and Cons Advantages

Easy to capture images: photorealistic by definition Simple, universal representation Often bypass geometry estimation? Independent of scene complexity?

Disadvantages WYSIWYG but also WYSIAYG Explosion of data as flexibility increased Often discards intrinsic structure of model?

Today, IBR-type methods also often used in synthetic rendering (e.g. real-time rendering PRT) General concept of data-driven graphics, appearance Also, data-driven geometry, animation, simulation Spawned light field cameras for image capture

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IBR: A brief history Texture maps, bump maps, environment maps [70s] Poggio MIT 90s: Faces, image-based analysis/synthesis Mid-Late 90s

Chen and Williams 93, View Interpolation [Images+depth] Chen 95 Quicktime VR [Images from many viewpoints] McMillan and Bishop 95 Plenoptic Modeling [Images w

disparity] Gortler et al, Levoy and Hanrahan 96 Light Fields [4D] Shade et al. 98 Layered Depth Images [2.5D] Debevec et al. 00 Reflectance Field [4D] Inverse rendering (Marschner,Sato,Yu,Boivin,…)

Today: IBR hasn’t replaced conventional rendering, but has brought sampled and data-driven representations to graphics

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Outline Overview of IBR Basic approaches

Image Warping [2D + depth. Requires correspondence/disparity]

Light Fields [4D] Survey of some recent work

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Warping slides courtesy Leonard McMillan, SIGGRAPH 99 course notes

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Demo: Lytro Perspective Shift

See demos at http://www.lytro.com/camera Some of my pictures [8/14-9/08] Notice image is everywhere in focus Only small motions, interpolate in aperture

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Outline Overview of IBR Basic approaches

Image Warping [2D + depth. Requires correspondence/disparity]

Light Fields [4D] Survey of some recent work

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Lytro Camera

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Outline Overview of IBR Basic approaches

Image Warping [2D + depth. Requires correspondence/disparity]

Light Fields [4D] Survey of some recent work

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Layered Depth Images [Shade 98]

Geometry

Camera

Slide from Agrawala, Ramamoorthi, Heirich, Moll, SIGGRAPH 2000

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Layered Depth Images [Shade 98]

LDI

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Layered Depth Images [Shade 98]

LDI

(Depth, Color)

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Miller 98, Nishino 99, Wood 00 Reflected light field (lumisphere) on surface Explicit geometry as against light fields. Easier compress

Surface Light Fields

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Acquiring Reflectance Field of Human Face [Debevec et al. SIGGRAPH 00]

Illuminate subject from many incident directions

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Example Images

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Outline Overview of IBR Basic approaches

Image Warping [2D + depth. Requires correspondence/disparity]

Light Fields [4D] Survey of some recent work

Sampled data representations

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Conclusion (my views) IBR initially spurred great excitement: revolutionize pipeline But, IBR in pure form not really practical

WYSIAYG Explosion as increase dimensions (8D transfer function) Good compression, flexibility needs at least implicit geometry/BRDF

Real future is sampled representations, data-driven method Acquire (synthetic or real) data Good representations for interpolation, fast rendering Much of visual appearance, graphics moving in this direction

Understand from Signal-Processing Viewpoint Sampling rates, reconstruction filters Factored representations, Fourier analysis

Light Fields fundamental in many ways, including imaging Will cover light field cameras later under computational photography