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Band II – High SchoolWeek 1 Unit of Study: Read, describe, analyze and evaluate band music; First Grading PeriodTEKS Band Level II Content)
1.B define musical performances, intervals, music notation, chord structure, rhythm/meter, and harmonic texture, using standard terminology.
2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles..
TEKS Band Level II (Skills and Processes) The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. The student is expected to identify, define and compare concepts of intervals, chord structure
and rhythm using standard terminology.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 1 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble Concepts
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for Band Music, Southern Music Company, 1972, W. Francis McBeth
The teacher will: introduce the band program handbook/expectations for the year introduce a comprehensive/sequential warm-up routine, scales, technical patterns, chord studies, tuning
exercises, and chorales introduce the importance of posture and correct breathing for band review marching band fundamentals/musical expectations model marching band fundamentals for all students
so that the student will: have an understanding of the classroom expectations for the year understand how to properly warm-up and develop their musical foundation. the basic foundations to successful instrumental performance. comprehend the importance of warming up properly on a daily basis understand the accountability piece of being a member of the organization understand the concepts that must be implemented for student success.
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. What is the purpose of providing you with the band handbook?
2. Describe the importance of having a comprehensive and sequential warm-up procedure.
3. Why is posture and proper breathing imperative in any musical organization?
Students will apply the expectations as set forth in the band handbook.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will visually demonstrate proper breathing techniques. Students will mark all music with the steps that it takes to get from one set to another. The steps and the music must
line up.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas Bandmasters Association, Ricci Adams'Musictheory.net, MENC: The National Association for Music Education,
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 2 of 27
Spec
ial E
duca
tion Instructional Modifications/
Accommodations Determined by ARD/IEPHighlighted materialsRecorded examples
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 3 of 27
Band II – High SchoolWeek 2 Unit of Study: Read, describe, analyze and evaluate band music First Grading PeriodTEKS Band Level II (Content)
1.A perform appropriate literature expressively 1.B define musical performances, intervals, music notation, chord structure, rhythm/meter,
and harmonic texture, using standard terminology. 2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance
techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles..
TEKS Band Level II (Skills and Processes) The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. The student is expected to perform expressively The student is expected to identify, define and compare concepts of intervals, chord structure
and rhythm using standard terminology.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 4 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
Concepts
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for Band Music, Southern Music Company, 1972, W. Francis McBeth
The teacher will: review the comprehensive/sequential warm-up routine, scales, technical patterns, chord studies, tuning
exercises, and chorales reinforce the importance of proper breathing mechanics and posture for successful instrumental performance review marching band fundamentals/musical expectations model marching band fundamentals for all students introduce articulation basics
so that the student will: understand how to properly warm-up and develop their musical foundation. the basic foundations to successful instrumental performance. understand the accountability piece of being a member of the organization understand the concepts that must be implemented for student success. comprehend the importance of proper tongue placement.
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of proper articulation and tongue placement.
2. Describe the importance of having a comprehensive and sequential warm-up procedure.
3. Why is posture and proper breathing imperative in any musical organization?
Students will apply the expectations as set forth in the band handbook.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of articulation and resonance.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will visually demonstrate proper breathing techniques. Students will mark all music with the steps that it takes to get from one set to another. The steps and the music must
line up. Students will demonstrate various articulations and the recommended syllables for each.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas Bandmasters Association, Ricci Adams'Musictheory.net, MENC: The National Association for Music Education, http://www.uil.utexas.edu/music/pdf/acknow_rules.pdf
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 5 of 27
Spec
ial E
duca
tion Instructional
Modifications/ Accommodations Determined by ARD/IEPHighlighted materialsRecorded examples
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 6 of 27
Band II – High SchoolWeek 3 Unit of Study: Read, describe, analyze and evaluate musical sounds First Grading PeriodTEKS Band Level II (Content)
1.A perform appropriate literature expressively 1.B define musical performances, intervals, music notation, chord structure, rhythm/meter,
and harmonic texture, using standard terminology. 2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance
techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles..
2.C; Perform expressively, from memory and notation, a varied repertoire of music representing genres and styles from diverse cultures.
3.A Sight-read major, minor, modal, and chromatic melodies
TEKS Band Level II (Skills and Processes) The student is expected to identify melodic and harmonic parts. The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. Using a varied repertoire of music representing styles from diverse cultures, have students
sight-read to develop sight-reading skills at higher level.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 7 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
Concepts
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for
The teacher will: review the comprehensive/sequential warm-up routine, scales, technical patterns, chord studies, tuning
exercises, and chorales reinforce the importance of proper breathing mechanics and posture for successful instrumental
performance review marching band fundamentals/musical expectations model marching band fundamentals for all students review articulation basics
so that the student will: understand how to properly warm-up and develop their musical foundation. the basic foundations to successful instrumental performance. understand the accountability piece of being a member of the organization understand the concepts that must be implemented for student success. comprehend the importance of proper tongue placement.
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of proper articulation and tongue placement.
2. Describe the importance of having a comprehensive and sequential warm-up procedure.
3. Why is posture and proper breathing imperative in any musical organization?
Students will apply the expectations as set forth in the band handbook.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of articulation and resonance.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will visually demonstrate proper breathing techniques. Students will mark all music with the steps that it takes to get from one set to another. The steps and the music must
line up. Students will demonstrate various articulations and the recommended syllables for each.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas Bandmasters Association, Ricci Adams'Musictheory.net, MENC: The National Association for Music Education, http://www.uil.utexas.edu/music/pdf/acknow_rules.pdf
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 8 of 27
Spec
ial E
duca
tion Instructional Modifications/
Accommodations Determined by ARD/IEP
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 9 of 27
Band II – High SchoolWeek 4 Unit of Study: Read, describe, analyze and evaluate band music First Grading PeriodTEKS Band Level II (Content)
1.A perform appropriate literature expressively 1.B define musical performances, intervals, music notation, chord structure, rhythm/meter,
and harmonic texture, using standard terminology. 2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance
techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles..
2.C; Perform expressively, from memory and notation, a varied repertoire of music representing genres and styles from diverse cultures.
3.A Sight-read major, minor, modal, and chromatic melodies 3.B Read and write music that incorporates complex rhythmic patterns in simple, compound,
and asymmetric meters.
TEKS Band Level II (Skills and Processes) The student is expected to define concepts of intervals, music notation and chord structure,
and rhythm/meter using standard terminology. The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. The student is expected to read and write simple, compound, and asymmetric rhythmic
patterns. The student is expected to sight-read new music.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 10 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
Concepts
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for Band Music, Southern Music Company, 1972, W. Francis McBeth
The teacher will: introduce how to successfully utilize Ensemble Concepts (Essential Musicianship for Band) demonstrate the importance of upper bodies that look the same sitting as they do standing review essential performance concepts for both concert/marching band review the comprehensive/sequential warm-up routine, scales, technical patterns, chord studies, tuning
exercises, and chorales reinforce the importance of pulse and use of the metronome reinforce the importance of posture and correct breathing for band
so that the student will: understand how to become more proficient as an ensemble. comprehend how their posture can effect their individual tone qualities/resonance. understand how any extra motion in the body will affect not only the air-stream but most importantly tone
quality. understand how to properly warm-up and develop their musical foundation. focus on maintaining a steady pulse for ensemble success the basic foundations to successful instrumental performance.
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of proper articulation and tongue placement.
2. Describe the importance of having a comprehensive and sequential warm-up procedure.
3. Why is posture and proper breathing imperative in any musical organization?
4. Discuss performance concepts that will affect student performance.
Discuss the importance of working with the metronome.
Students will apply the expectations as set forth in the band handbook.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of articulation and resonance.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will visually demonstrate proper breathing techniques/procedures. Students will apply the essential ensemble concepts to their performance music. Students will demonstrate various articulations and the recommended syllables for each.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 11 of 27
Spec
ial E
duca
tion Instructional Modifications/
Accommodations Determined by ARD/IEP
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 12 of 27
Band II – High SchoolWeek 5 Unit of Study: Read, describe, analyze and evaluate band music First Grading PeriodTEKS Band Level II (Content)
2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles..
2.C; Perform expressively, from memory and notation, a varied repertoire of music representing genres and styles from diverse cultures.
3.A Sight-read major, minor, modal, and chromatic melodies 3.B Read and write music that incorporates complex rhythmic patterns in simple, compound,
and asymmetric meters. 3.C interpret music symbols and terms referring to dynamics, tempo, and articulations during
solo and/or ensemble performances.
TEKS Band Level II (Skills and Processes) The student is expected to exhibit expression, accurate intonation and rhythm, fundamental
skills as they read from notated music from diverse cultures. The student is expected to demonstrate use of knowledge to sight-read music that
incorporates rhythmic patterns in simple, compound and asymmetric meters The student is expected to interpret music symbols and terms referring to dynamics, tempo,
and articulations.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 13 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
Concepts
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for
The teacher will: introduce how to successfully utilize Ensemble Concepts (Essential Musicianship for Band) demonstrate the importance of upper bodies that look the same sitting as they do standing review essential performance concepts for both concert/marching band review the comprehensive/sequential warm-up routine, scales, technical patterns, chord studies, tuning
exercises, and chorales reinforce the importance of pulse and use of the metronome reinforce the importance of posture and correct breathing for band
so that the student will: understand how to become more proficient as an ensemble. comprehend how their posture can effect their individual tone qualities/resonance. understand how any extra motion in the body will affect not only the air-stream but most importantly tone
quality. understand how to properly warm-up and develop their musical foundation. focus on maintaining a steady pulse for ensemble success the basic foundations to successful instrumental performance.
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of proper articulation and tongue placement.
2. Describe the importance of having a comprehensive and sequential warm-up procedure.
3. Why is posture and proper breathing imperative in any musical organization?
4. Discuss performance concepts that will affect student performance.
Discuss the importance of working with the metronome.
Students will apply the expectations as set forth in the band handbook.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of articulation and resonance.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will visually demonstrate proper breathing techniques/procedures. Students will apply the essential ensemble concepts to their performance music. Students will demonstrate various articulations and the recommended syllables for each.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 14 of 27
Spec
ial E
duca
tion Instructional Modifications/
Accommodations Determined by ARD/IEP
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 15 of 27
Band II – High SchoolWeek 6 Unit of Study: Read, describe, analyze and evaluate band music First Grading PeriodTEKS Band Level II (Content)
1.B define musical performances, intervals, music notation, chord structure, rhythm/meter, and harmonic texture, using standard terminology
2.B Demonstrate comprehension of musical styles by seeking appropriate literature for performance
2.C Perform expressively, from memory and notation, a varied repertoire of music representing genres and styles from diverse cultures.
6.A Evaluate musical performances by comparing them to similar or exemplary models and offering constructive suggestions for improvement.
TEKS Band Level II (Skills and Processes) The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. The student is expected to read music that uses simple, compound and asymmetric meters. The student is expected to perform expressively a varied repertoire of music, by memory or
notation, representing styles from diverse cultures The student is expected to compare and evaluate musical performances, theirs or others, to
an exemplary model.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 16 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
ConceptsMatch EnergyFast Air
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for Band Music, Southern Music Company, 1972, W. Francis McBeth
The teacher will: reinforce the importance of successfully utilizing Ensemble Concepts (Essential Musicianship for Band) demonstrate how students should always utilize controlled air that is constant, steady, and smooth the importance of student’s matching tonal energy and color when moving from one note to another review the comprehensive/sequential warm-up routine, scales, technical patterns, chord studies, tuning
exercises, and chorales reinforce the importance of pulse and use of the metronome
so that the student will: understand how to become more proficient as an ensemble. understand how to create a resonant sound. comprehend the concept that they must use equal energy on all notes regardless of intervallic distance. understand how to properly warm-up and develop their musical foundation. focus on maintaining a steady pulse for ensemble success
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of ensemble concepts.
2. Describe the importance of having a comprehensive and sequential warm-up procedure.
3. Describe why it is not about volume but about energy.
4. Discuss the importance of working with the metronome.
Students will apply the essential concepts for band.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of articulation and resonance.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will demonstrate a full, round resonant tone quality. Students will apply the essential ensemble concepts to their performance music. Students will demonstrate various articulations and the recommended syllables for each.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas Bandmasters Association, Ricci Adams'Musictheory.net, MENC: The National Association for Music Education, http://www.uil.utexas.edu/music/pdf/acknow_rules.pdf
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 17 of 27
Spec
ial
Educ
atio
nInstructional Modifications/ Accommodations Determined by ARD/IEP
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 18 of 27
Band II – High SchoolWeek 7 Unit of Study: Read, describe, analyze and evaluate band music First Grading PeriodTEKS Band Level II (Content)
2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles..
2.C; Perform expressively, from memory and notation, a varied repertoire of music representing genres and styles from diverse cultures.
2.D Exhibit, describe, and critique small, and large, ensemble performance techniques experienced and observed during formal and informal concerts.
3.A Sight-read major, minor, modal, and chromatic melodies 3.B Read and write music that incorporates rhythmic patterns in simple, compound, and
asymmetric meters. 3.C interpret music symbols and terms referring to dynamics, tempo, and articulations during
solo and/or ensemble performances. 4.B Compose/arrange segments of instrumental pieces
TEKS Band Level II (Skills and Processes) The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. The student is expected to perform expressively, from memory and notation, The student is expected to read expressively music of diverse cultures. The student is expected to read complex rhythms in simple, compound and asymmetric
meters. The student is expected to interpret music symbols, dynamics, tempo and articulations. The student is expected to evaluate ensemble performances observed
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 19 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
ConceptsMatch EnergyFast Air
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for Band Music, Southern Music Company, 1972, W. Francis McBeth
The teacher will: reinforce the importance of successfully utilizing Ensemble Concepts (Essential Musicianship for Band) demonstrate how students should always utilize controlled air that is constant, steady, and smooth the importance of student’s matching tonal energy and color when moving from one note to another review the comprehensive/sequential warm-up routine, scales, technical patterns, chord studies, tuning
exercises, and chorales reinforce the importance of pulse and use of the metronome
so that the student will: understand how to become more proficient as an ensemble. understand how to create a resonant sound. comprehend the concept that they must use equal energy on all notes regardless of intervallic distance. understand how to properly warm-up and develop their musical foundation. focus on maintaining a steady pulse for ensemble success
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of ensemble concepts.
2. Describe the importance of having a comprehensive and sequential warm-up procedure.
3. Describe why it is not about volume but about energy.
4. Discuss the importance of working with the metronome.
Students will apply the essential concepts for band.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of articulation and resonance.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will demonstrate a full, round resonant tone quality. Students will apply the essential ensemble concepts to their performance music. Students will demonstrate various articulations and the recommended syllables for each.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas Bandmasters Association, Ricci Adams'Musictheory.net, MENC: The National Association for Music Education, http://www.uil.utexas.edu/music/pdf/acknow_rules.pdf
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 20 of 27
Spec
ial
Educ
atio
nInstructional Modifications/ Accommodations Determined by ARD/IEP
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 21 of 27
Band II – High SchoolWeek 8 Unit of Study: Read, describe, analyze and evaluate band music First Grading PeriodTEKS Band Level II (Content)
2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles.
2.C Perform expressively, from memory and notation, a varied repertoire of music representing genres and styles from diverse cultures.
2.D Exhibit, describe, and critique small, large, ensemble performance techniques experienced and observed during formal and informal concerts.
6.A Evaluate musical performances by comparing them to similar or exemplary models and offering constructive suggestions for improvement.
6.B Exhibit informed concert etiquette during live performances in a variety of settings.
TEKS Band Level II (Skills and Processes) The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. The student is expected to read and interpret expressively music while performing etudes,
solos and ensembles. The student is expected to be informed of small/large ensemble performance techniques. The student is expected to be informed of proper behavior during formal and informal
concerts.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 22 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
ConceptsMatch EnergyFast AirTone ColorBalance Initiations/ReleasesPractice Slow at
FirstVocalization
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for
The teacher will: reinforce the importance of successfully utilizing Ensemble Concepts (Essential Musicianship for Band) demonstrate how students should never be allowed to perform beyond their instruments most resonant
sound explain the importance of student’s matching tonal energy and color when moving from one note to
another demonstrate the proper manner in which to articulate the notes and various note patterns demonstrate how the mechanical tuner should be used
so that the student will: understand how to become more proficient as an ensemble. begin to analyze and critically listen to how this will create extraneous noise in their sound…therefore all
tonal center and resonance will be lost. comprehend the concept that they must use equal energy on all notes regardless of intervallic distance. comprehend that you should never stop the tone with the tongue unless the music requires you to do so. understand that it should be used only when establishing a pitch center for the ensemble.
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of ensemble concepts.
2. Describe the importance of never performing beyond your instruments best sound.
3. Describe why it is not about volume but about energy.
4. Discuss the importance of working with the metronome and mechanical tuner.
Students will apply the essential concepts for band.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of matching energy.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will demonstrate a full, round resonant tone quality. Students will apply the essential ensemble concepts to their performance music. Students will demonstrate various articulations and the recommended syllables for each. Students will perform with the fullest tone possible without going beyond their instruments best sound.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas Bandmasters Association, Ricci Adams'Musictheory.net, MENC: The National Association for Music Education, SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 23 of 27
Spec
ial E
duca
tion Instructional Modifications/
Accommodations Determined by ARD/IEP
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 24 of 27
Band II – High SchoolWeek 9 Unit of Study: Read, describe, analyze and evaluate band music First Grading PeriodTEKS Band Level II (Content)
1.A Perform appropriate literature expressively. 2.A exhibit accurate intonation, rhythm, fundamental skills and advanced performance
techniques, using literature ranging from moderately difficult to difficult, while performing independently and in ensembles.
2.C Perform expressively, from memory and notation, a varied repertoire of music representing genres and styles from diverse cultures.
2.D Exhibit, describe, and critique small, large, ensemble performance techniques experienced and observed during formal and informal concerts.
6.A Evaluate musical performances by comparing them to similar or exemplary models and offering constructive suggestions for improvement.
6.B Exhibit informed concert etiquette during live performances in a variety of settings.
TEKS Band Level II (Skills and Processes) The student is expected to exhibit accurate intonation and rhythm, fundamental skills and
advanced performance techniques. The student is expected to read and interpret, expressively, music while performing etudes,
solos and ensembles. The student is expected to be informed of small/large ensemble performance techniques. The student is expected to be informed of proper behavior during formal and informal
concerts.
C Vocabulary Resources Instructional Guidelines
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 25 of 27
olle
ge P
rep
Word Wall Program/Classroom
Expectations Instrument
MaintenanceMarching BandConcert pitchKey SignaturesConcert EtiquettePulse/MetronomePostureBreathing Ensemble ConceptsArticulationEssential Playing
ConceptsMatch EnergyFast AirTone ColorBalance Initiations/ReleasesPractice Slow at
FirstVocalization
Essential Musicianship for Band: Essential Concepts, Hal Leonard Corporation, 2004, by Eddie Green, John Benzer, David Bertman, & Percussion by Evelio Villarreal
Essential Musicianship for Band: Masterwork Studies, Hal Leonnard Corporation, 2004, Paula Crider, Jack Saunders, & Contributing Authors Charles Menghini and Garwood Whaley
Essential Technique 2000, Intermediate to Advanced Studies, Hal Leonard Corporation, 2001, Tim Lautzenheiser, John Higgins, Charles Menghini, Paul Lavender, Tom C. Rhodes, Don Bierschenk, & Percussion Consultant and Editor Will Rapp
Additional Resources:
“Foundations for Superior Performance: Warm-ups & Techniques for Band, Neil A. KJOS Music Company, Publisher, 1997, by Richard Williams & Jeff King
Rehearsal Handbook for Band and Orchestra Students, Meredith Music Publications, 1983, Robert Garofalo
Effective Performance for Band Music, Southern Music Company, 1972, W. Francis McBeth
The teacher will: reinforce the importance of successfully utilizing Ensemble Concepts (Essential Musicianship for Band) demonstrate how students should never be allowed to perform beyond their instruments most resonant
sound explain the importance of student’s matching tonal energy and color when moving from one note to
another demonstrate the proper manner in which to articulate the notes and various note patterns demonstrate how the mechanical tuner should be used
so that the student will: understand how to become more proficient as an ensemble. begin to analyze and critically listen to how this will create extraneous noise in their sound…therefore all
tonal center and resonance will be lost. comprehend the concept that they must use equal energy on all notes regardless of intervallic distance. comprehend that you should never stop the tone with the tongue unless the music requires you to do so. understand that it should be used only when establishing a pitch center for the ensemble.
How to TeachKey Questions
Student BehaviorsGetting the Big Ideas Strategies
ARigor
Relevance
1. Discuss the importance of ensemble concepts.
2. Describe the importance of never performing beyond your instruments best sound.
3. Describe why it is not about volume but about energy.
4. Discuss the importance of working with the metronome and mechanical tuner.
Students will apply the essential concepts for band.
Students will successfully reproduce instrumental warm-up for band on their individual instruments.
Students will understand the importance of matching energy.
Explaining Explicit Teaching Demonstrating Drill & Practice
Assessment Students will successfully demonstrate the high school comprehensive and sequential band warm-up procedure. Students will demonstrate a full, round resonant tone quality. Students will apply the essential ensemble concepts to their performance music. Students will demonstrate various articulations and the recommended syllables for each. Students will perform with the fullest tone possible without going beyond their instruments best sound.
Before: Have students review the basic fundamentals of the band warm-up procedure.
During: Have students demonstrate the ability to perform the warm-up procedure in tune with a focused and centered sound.
After: Evaluate students through performance as individuals or sections (cassette tape).
Technology Connection: Texas Music Educators Association,Texas Bandmasters Association, Ricci Adams'Musictheory.net, MENC: The National Association for Music Education, http://www.uil.utexas.edu/music/pdf/acknow_rules.pdfSAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 26 of 27
Spec
ial E
duca
tion Instructional Modifications/
Accommodations Determined by ARD/IEP
During: Check for Understanding Partner special needs students with other students Partner bilingual students with Spanish speaking students Individually/sections assess students Teach students how to record themselves on the cassette tape player Individually assess students Individually asses students utilizing the “Smart Music Program”
SAISD © 2007-08 High School Band II (First Grading Period Week – 1) Page 27 of 27