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COLORS AND MOODS! By Samantha Davids and Francisco Vargas

C O L O R S A N D M O O D S !

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C O L O R S A N D M O O D S !. By Samantha Davids and Francisco Vargas . Heinz Werner (1890 – 1964). Born in Vienna, Austria Loved music; wanted to become a composer Became interested in philosophy and psychology at the University of Vienna Joined the Gestalt movement in Hamburg (1917) - PowerPoint PPT Presentation

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Page 1: C O L O R S  A N D M O O D S !

COLORS AND MOODS!

By Samantha Davids and Francisco

Vargas

Page 2: C O L O R S  A N D M O O D S !

Heinz Werner (1890 – 1964)• Born in Vienna, Austria• Loved music; wanted to become a

composer• Became interested in philosophy and

psychology at the University of Vienna• Joined the Gestalt movement in

Hamburg (1917)• Dismissed from Hamburg because he

was a Jew in 1933 – moved to the USA• Did research on developmentally delayed

and brain-injured children in the US• 1947 hired at Clark University

Page 3: C O L O R S  A N D M O O D S !

Key Terms from Werner•Physiognomic Perception: reacting to the perceived dynamic, emotional, expressive qualities in an object that we feel within ourselves•Symbol formation: a symbol is a word, image, or action that represents something else: an object, concept or event •Dynamic Schematization: a directive, regulative, form-building process aimed at knowing objects•Synesthesia: the syncretic unity of the sense; an intersensory mode of experience

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Werner and Language• Children are very visual and use pictorial imagery to

describe and understand the world around them• Language is a medium of representation:

representing objects and abstract ideas. • Werner thought that language emerges not from an

external source but rather from human experience – and thus tied to cultural environment

• He noted that Native Americans were very physiognomically oriented and that West African languages were based on synesthesia

Page 5: C O L O R S  A N D M O O D S !

Do colors affect our emotions?

Have you ever been “green with envy,” “felt blue,” or “seen red?”

“These are just a few of the ways [Americans] have infused color into our language and

related them to our emotional state of mind.” --Meola, 2005

Page 6: C O L O R S  A N D M O O D S !

Edward Sapir and Benjamin Whorf• Sapir (1884 -1939): anthropologist-linguist– B.A. and M.A in German philology at Columbia– Taught at University of Chicago and Yale University

• Mentor to Whorf (1897 – 1941): linguist– B.A. in Chemical Engineering from MIT– Met Sapir at Yale

• Both interested in cognitive activity; the role of language in cognition

• Both studied various Native American cultures and langauges

Page 7: C O L O R S  A N D M O O D S !

Linguistic Relativity Principle

The hypothesis that human experience is classified and ascribed meaning by different linguistic schemes in varying ways.

“…users of markedly different grammars are pointed by their grammars toward different types of observations and different evaluations of externally similar acts of observation, and hence are not equivalent as observers but must arrive at somewhat different views of the world”

-- Language, Thought, and Reality by Whorf

Page 8: C O L O R S  A N D M O O D S !

Whorf’s Theory• Whorf focused on language in cognition.– He argued that they are not always separate phenomena – Did not claim that language’s function was to facilitate

cognition• Socially generated and sustained patterns in

language become entrenched in cognition and behavior

• Language sustains the complex matrix of mental interconnections– Whorf elaborated Sapir’s cognitive model to show how

socially generated patterns may be internalized and provided the foundation meaningful experiences

Page 9: C O L O R S  A N D M O O D S !

Whorf’s Theory cont. • Linguistic operations are useful in determining “isolates of

meaning” – specific patterns in experience given meaning to make sense of reality

• Each language fosters a particular way of understanding experience – “picture of the universe”

• Prior agreement of meaning – may be explicit, but more often implicit

• “multilingual awareness” furthers the progress of science – aim to understand the core of human conceptual capacity and the nature of reality

• Encouragement for individuals to become aware of differences between speech communities

Page 10: C O L O R S  A N D M O O D S !

Studies on Color language and Emotions

• Barrett, Burkitt, and Davis (2004) discovered that children consistently drew the positive pictures larger than the baseline and with their preferred colors. The children did not consistently decrease the size of the negative figures but did use their least preferred colors– In a later study, the same researchers compared cultures in a

similar set up and discovered that there was a significant difference with regards to color difference was that green, orange and blue were associated more often with the Western children’s sad figure, while yellow was associated with the Steiner group’s sad figure.

• Adelson, R. (2005, February) found support for the relativist hypothesis when comparing the influence of color words on color perception between English children and Himba children.

Page 11: C O L O R S  A N D M O O D S !

Nature vs. Nurture

Nature

Nurture

RousseauSkinnerGesell Vygotsky

Sapir-Whorf

WernerMontessori

Locke

Page 12: C O L O R S  A N D M O O D S !

Our Research Study• To determine if the children with different

cultural backgrounds, as determined by language, would associate different colors with the emotions happy and sad.

• Hypothesis: – there will be differences in color choices for both

Happy and Sad mosaics between children from different cultural backgrounds

Page 13: C O L O R S  A N D M O O D S !

Personal Hypotheses

Sam Francisco Sam Francisco

Happy

Sad

Page 14: C O L O R S  A N D M O O D S !

Experiment

• 2nd and 4th grade from HFA• Survey• Two Stories– Happy painting for the dentist– Sad painting for the turtle’s funeral

Page 15: C O L O R S  A N D M O O D S !

2nd Grade Total Color Usage

14 Students

Most Often for Happy: Red, Pink, Yellow, Green, and Blue, Purple

Most Often for Sad:Green

Page 16: C O L O R S  A N D M O O D S !

2nd Graders

7 Students

Most Often for Happy: Red, Green, Pink, Blue, Purple, Yellow

Most Often for Sad:Green and Blue

Page 17: C O L O R S  A N D M O O D S !

2nd Graders

4 Students

Most Often for Happy: Red, Yellow, Green, Blue, Pink, Purple

Most Often for Sad: Red, Green, and Blue

Page 18: C O L O R S  A N D M O O D S !

2nd Graders3 Students

Most Often for Happy: Red, Orange, Yellow, Green, Blue, Purple, Pink

Most often for Sad: Red, Orange, Yellow, Green, Blue, Purple, Pink, Black

Page 19: C O L O R S  A N D M O O D S !

4th Graders

16 Students

Most Often for Happy:Yellow, Orange,Green

Most Often for Sad: Purple

Page 20: C O L O R S  A N D M O O D S !

4th Graders

9 Students

Most Often for Happy: Purple

Most Often for Sad: Green

Page 21: C O L O R S  A N D M O O D S !

4th Graders

6 Students

Most often for Happy: Yellow, Orange, Red, Green

Most often for Sad: Purple, Black

Page 22: C O L O R S  A N D M O O D S !

4th Graders1 Student

Colors Used for Happy: Yellow, Orange, Red, Purple. Peach, Blue, Green, Pink, Black, Gray

Colors Used for Sad: Purple, Brown, Blue, Green, Black, Gray

Page 23: C O L O R S  A N D M O O D S !

Conclusion from our Study

• In the 2nd grade, there were differences in color usage between language groups for the sad mosaic, but not so much for the happy mosaic.

• In the 4th grade, there were differences in color usage between all language groups for both mosaics.

Page 24: C O L O R S  A N D M O O D S !

Some problems with the Study• 2nd grade didn’t have privacy

folders• Turtle influence • Too “neutral” of an instrument• Did not specify to use only

one color in each space• Had to clarify some questions

– languages spoken at home • Not enough variation in

“cultures” based on language

Page 25: C O L O R S  A N D M O O D S !

Changes we would make• Pictures instead of mosaic –

like continuum of faces • Limit the number of colors

they can choose for each emotion

• Ask the children why they chose the colors they did

• Find an established authority on color psychology

Page 26: C O L O R S  A N D M O O D S !

Thank You!