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Antique Furniture and PaintingsTuesday 17 November 2009 at 12 noon

CAPES DUNN

at THE AUCTION GALLERIES MANCHESTER

CONDITIONS OF SALE

1. General. Every Lot is sold with all faults and errors of description and the auctioneers disclaim, for themselves and for the vendor, all responsibility for authenticity, age, origin, condition or quality. All statements on such matters whether printed in the Catalogue or made orally are statements of opinion and not representations of fact. Purchasers are deemed to have satisfied themselves on authenticity, condition, etc., before bidding and no-one in the Auctioneers’ employment has authority to make any representation of fact.

2. Bidding. The Auctioneer has absolute discretion to divide any Lot, to combine any two or more Lots, to withdraw any Lots, to refuse bids and to regulate the bidding. He may bid on the vendor’s behalf for all goods which are being offered subject to reserve or at the Auctioneers’ discretion.

3. Fall of Hammer. The highest bidder shall be the buyer - if any dispute arises the Auctioneer has absolute discretion to settle the dispute or to re-offer the Lot. At the fall of the hammer every Lot shall be at the risk of the buyer, and the purchaser shall give to the Auctioneer his name and address and such proportion of the purchase price as the Auctioneer may require, in default of which the Auctioneer may re-offer and re-sell the Lot or Lots in question.

4. Clearance of Purchases. No purchases shall be claimed or removed until the Sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense at the end of the first working day following the Sale, failing which the Auctioneers shall not be responsible if the same are lost, stolen, damaged or destroyed, and all Lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge of 25p per lot per day. If they are not removed within seven days of the Sale the Auctioneers may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneers in respect of any loss shall be restricted to a maximum of the price paid by the purchaser of the Lot.

5. Agency and General. The Auctioneers act as agents only and they disclaim responsibility for default by either buyer or seller. They accept no responsibility in connection with the commissioning of members of their staff to bid for Lots on behalf of intending purchasers. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. The Auctioneers do not guarantee the title of any Lot or Lots sold by them and will not be responsible for any defect in such title.

6. Defaults. If any buyer fails to comply with any of the above conditions the damages recover-able from the defaulter shall include all loss arising from any re-sale of the Lot together with the charges and expenses in respect of both sales and any money deposited in part payment shall be held by the Auctioneers against the defaulter’s liability.

7. Third Party Liability. Every person on the Auctioneer’s premises at any time shall be deemed to be there at his own risk and with notice of the condition of the premises and of the method of arranging furniture, etc. He shall have no claim against the Auctioneers in respect of any injury he may sustain or any accident which may occur.

8. Viewers handling goods on display will be held fully responsible for any damage or break-age.

CHEQUESPurchasers wishing to pay by cheque must produce a Bank reference to the Auctioneers before the sale.

PLEASE NOTE Cheques which are post-dated or written by a third party will not be accepted. There is a

buyer’s premium of 15% + V.A.T. on the hammer price.

Tuesday �7th November 2009Commencing at 12 noon

The Auction Galleries38 Charles StManchesterM1 7DB

Tel 0161 237 6060

capesdunn@googlemail.com

ViewingMonday prior to the sale 10am to 4pmMorning of sale from 9am

Sale No: AF343

Catalogue £5.00

PLEASE NOTEALL GOODS must be removed by 4pm on Thursday �9th November 2009

Antique Furniture and Paintings

CAPES DUNN & CO.

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www.ukauctioneers.com

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PLEASE NOTEThe descriptions in this catalogue are for the purposes of

identifying the lots and are not intended in any way as a guarantee of authenticity. Please see the General Conditions of Sale on the

inside front cover of this catalogue

All weights and measurements are approximate

Buyer's premium is 15% + V.A.T on the hammer price

* Denotes that goods belong to registered persons and V.A.T. will be charged

YOUR ATTENTION IS PARTICULARLY DRAWN TO THE FOLLOWING

Whilst Capes Dunn & Co make every effort to ensure the accuracy of their catalogue and the description of any lot:

(a) Each lot as set out in the catalogue or as divided or combined with any other lot or lots is sold by the vendor with all faults, imperfections and errors of descriptions.

(b) Capes Dunn & Co do not accept responsibility for the authenticity, genuineness, origin, authorship, date, age, period, condition or quality of any lot, unless they have been instructed in writing by the vendor so to certify, and in such case the Auctioneers do so as agents of the vendor and are not themselves responsible for such claims.

(c) All statements, whether printed in the catalogue or made orally as to any of the matters set out in (b) above are statements of opinion only and are not to be taken as being or implying any warranties or representations of fact by Capes Dunn & Co, unless they have been instructed in writing by the vendor so to certify, and in such case the Auctioneers do so as agents of the vendor and are not themselves responsible for such claims.

(d) Droit de Suite

The Artist’s Resale Right Regulations

Following the introduction of the Artist’s Resale Right Regulations on 14 February 2006, Capes Dunn will implement the new levy as follows:

Capes Dunn will collect the same amount as the resale

royalty from the buyer for any work of art covered by the regulations.

Royalty rates will only apply to works sold in the secondary market and not for those sold for the first time, and for works which are sold for €1000 or more. Royalty rates are calculated as a percentage of the sale price on a sliding scale from 4% (from €1000 to €50,000) down to 0.25% (over €500,000).

Resale royalties ARE NOT subject to VAT.

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Rugs and Carpets

6. AFGHANNAHZATALLWOOLPILEHANDMADERUG,withthreelargeoctagonalblackandwhitegulsonanoldgoldground,zigzagandfloret pattern border stripes in stencilled black onoldgoldground,4’x2’6”,bearlabelKayamLtd,London£40-60

7. TURKOMANALLWOOLPILEHANDMADESMALLRUGORMAT,witharowofthreesmalloctagonal guls on a crimson field, broad double border stripes, 2’ x 1’7” £20-30

8. PAKISTANBOKHARASILKYPILERUG,withthree rows of diamond shaped guls on black, white and beige on a crimson field, similar pattern principal border stripe with guard stripes, 2’11” x 2’3” £30-50

9. LARGEEASTERNCARPETwithdiamondshaped centre medallion with pendants inmidnightblueandwhite,withmatchingspandrels, on a pink field, the principal border white with floral meander decoration and guard stripes, 16’ x 11’ £200-300

1. TABRIZ PERSIAN PART SILK RUG, with a rose pink circular and petal shaped central medallion on an off white and trailing floral ground, beige and floral meander border with two pale green guard stripes, 39” x 39”£150-200

2. AFGHANNAHZATHANDMADEALLWOOLRUNNER,oldgoldwitharowsixlargeblackstencilledoctagonalguls,narrowtworowborder, 6’1” x 1’9”, bears label Kayam Ltd, London£40-60

3. AFGHANNAHZATHANDMADEALLWOOLRUNNER,crimsonwitharowofsixlargeblackstencilledoctagonalgulls,blackstencilledborder stripe with reciprocal ‘trefoil’ inner and outer edges, 6’3” x 1’9” £40-60

4. AFGHANHANDMADEALLWOOLRUG,crimsonwith a row of four large black stencilled repeat border pattern with reciprocal ‘trefoil’ inner andouteredges,4’9”x3’3”£40-60

5. TURKOMANPRINCESSBOKHARAPRAYERRUG,ofKatchliorChristianCrossdesign,dividing the field into four rectangles with repeat ‘Y’ pattern in black on a pale gold ground, prayer arch to one end, broad saw tooth pattern ‘feather’ border, with narrow guard stripes, 3’3” x 2’5” £40-60

Lot 1

Lot 5

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Boxes, Objects, Bronzes and Metalwares10. LATE VICTORIAN SWISS MUSICAL BOX, six airs,

the brass winding handle stamped 29723, in ebonised oblong case with original ‘National MusicalBox’labeltotheundersideofthelid,5in (12.7cm) high, 14in x 7 1/2 in (35.6 x 19cm), one tooth missing

11. EARLY TWENTIETH CENTURY SCANDINAVIAN PEG TANKARD AND COVER, tapering form with ornate loop handle, profusely carved withbandsofdrunkenreveller’s,foliageandgeometric designs, 10 1/2 (27.6cm) high, (hinge to cover af.) £40-60

12. EARLY TWENTIETH CENTURY DARK STAINED CARVED WOOD MINIATURE BONNET BOX AND COVER, oval, the floral carved cover with central loop handle, on an oval moulded base, 4” (10.1cm) high, overall 6” (15.2cm) wide £80-120

13. VICTORIAN BLACK LACQUERED AND MOTHER O’PEARL OVAL WALL PANEL, painted with a river landscape with castle and hill in the background, 15 3/4” x 20 1/2” (40cm x 52cm) £25-35

14. CENTENARY BOTTLE OF MOET ET CHANDON CHAMPAGNE, shipped for Simon Brothers and CO., 1926 Vintage, 12” (30.5cm) high £30-50

15. ORNATE GILT BRASS OVAL PICTURE FRAME WITH EASEL SUPPORT, the matted slip applied with foliate scrolls and flower heads, within inaribbontiedbeadedframewithornatepierced floral cresting, 12 1/2” x 9” (31.7cm x 22.9cm)£30-50

16. A VICTORIAN BRASS BED WARMING PAN, FIVE PAIRSOFBRASSCANDLESTICKS,TWOSINGLEBRASSCANDLESTICKS,PARTSETSOF20THCENTURYBRASSBELLWEIGHTS,JAMPANSANDASSORTEDOTHERMETALWARES£80-120

17. PAIR OF ‘KING OF DIAMONDS’ BRASS EJECTOR CANDLESTICKS, 12 1/2in.(31.8cm) high (2) £15-25

18. ANTIQUE COPPER AND BRASS BED WARMING PANwithebonisedturnedwoodhandle,441/2” (113cm) long £25-35

19. GEORGE III MAHOGANY AND CROSSBANDED TEA CADDY, oblong with lozenge shaped ivory escutcheon, twin lidded compartments and later turned pad feet, 5 1/2” (14cm) high, 8 1/2” (21.6cm) wide £30-50

20. HENRI DROPSY (1885-1968) CASTBRONZEBASRELIEFOBLONGPANELOFAFAWNPLAYINGPANPIPES,mountedonan oblong plinth base, signed H. Dropsy and inscribed ‘le Touquet 1936’ verso, 3 1/2” (8.9cm) high £80-120

21. 20TH CENTURY BRONZE FIGURE OF A NUDE WOMAN kneeling on a rock and grasping seaweed, dark brown patination, 7” high£50-75

22. DAVID CORNELL MODERN BRONZE GROUP, RACEHORSEANDJOCKEYINFULLFLOWentitledandsignedthethebronzeovalnaturalistic base ‘Champion Finish’, David Cornell 1985 on oblong black marble plinth, the group 9 1/4” wide overall£80-120

23. BRONZEFIGUREOFANAKEDMAIDEN,AFTERTHE ORIGINAL BY FERDINAND LEPCKE (1866-1905), dark brown patination, modelled seated on a rocky outcropraisedonacircularblackveinedmarblebase,26in. (66cm) high overall, impressed to rear ‘*nd Lepcke, Roma 1891 £250-350

Lot 23

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24. SAM TONKISS (1909-1992)BRONZEHeadofL.S.Lowrysigned and dated (19) 71mounted on black slate plinth13 1/2” (34cm) high, excluding base£2000-3000

25. JAPANESEMEIJIPERIODBRONZEFIGUREOFASUMOWRESTLERBYGYOKO,darkbrownpatination modelled standing in stylised pose in a square, bearing raised seal mark on a carved mahogany base, 8 1/4 in (21cm) high overall£400-600

26. ORIENTAL BRONZE GROUP OF AN EQUESTRIAN FIGURE, dark green patination, modelled as a warrier on horseback, on a plinth base, 16 1/4 in (41.3cm) high £80-120

Mirrors and Lighting27. PAIROFCUTGLASSANDGILTMETALELECTRIC

FIVE LIGHT CHANDELIERS, with centre baluster stem issuing five scroll arms terminating in dished sconces with tear shaped drops, tied by conforming swags, 19” (48.3cm) drop, togetherwithTWOPAIRSOFMATCHINGANDSIMILAR ELECTRIC WALL LIGHTS (4) usual losses and loose parts £150-200

28. EMILEGALLESTYLECAMEOGLASSANDWROUGHTIRONELECTRICTABLELAMPBASE,thedomedshadeacidetchedandoverlaidwith a mountainous river landscape, cameo mark Galle, the base applied with leaves to the tapering column and spiral to the spreading base, 23in. (58.4cm) high £50-80

29. EARLYTWENTIETHCENTURYTWOLIGHTVASELINE GLASS AND GILT METAL TABLE LAMP, the central fluted column with loop handle, issuing a pair of leaf capped scroll arms, terminating in bell shaped shades, raisedonacircular,ebonisedturnedwoodbase, 14 1/2” (36.8cm) high overall

30. PAIROFNINETEENTHCENTURYSITZENDORFFLORALENCRUSTEDLINEDROCOCOSCROLLEDBASES,surmountedwithfemalefigures and cherubs, 14 1/4” (36.2cm) high, togetherwithONEMATCHINGSEToffourlight, three arm candle branches, impressed Germany, 253,24 and blue painted mark (3) £180-250

31. SPODE COPELAND’S CHINA WHITE GLAZED FIGURALELECTRICTABLELAMPBASE,modelled as a semi nude female figure on floral moulded, domed and circular base, 17 1/2” (44.5cm) high, dark green printed mark (cracked) £80-120

32. PAIROFMODERNBLACKCRYSTALTABLELAMP BASES, oblong slab form with square chromed bases and the MATCHING SQUARE SHADES, 29” (73.7cm) high (2) £50-80

33. PAIROFJAPANESESATSUMAPOTTERYTABLELAMP BASES (adapted) of baluster form, decoratedincoloursandgiltwithbandsof raised figures, against mountainous landscapes, 13” (33cm) high (2) (one af.) £20-30

Lot 24

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34. TWOMODERNCHINESEPOTTERYBALUSTERTABLELAMPBASES,onturnedwoodenstands,comprising a SANG DE BOUEF EXAMPLE 18” (45.7cm) high and a WHITE CRACKLE GLAZED EXAMPLE, 13” (33cm) high with shades (4) £30-50

35. TIFFANY STYLE METAL TABLE LAMP 18 1/4” (46.3cm) high (af.) LEAD AND COLOURED GLASSDOMESHADEandANOTHERwithsquare shade 15” (38.1cm) high (2) £50-80

36. REPRODUCTIONBRONZEDMETALANDMARBLEDGLASSTABLELAMPBASEandSQUARE SHADE, 18” (45.8cm) high £30-50

37. PAIR OF VICTORIAN CAST BRASS HINGED WALL LIGHTS, each comprising of a scroll arm with wingedfemalesurmountandscrollingleafcastornament,terminatinginanambertintedflamiform moulded glass shade, 19 1/2” (49.5cm) long, converted to electricity (2) indistinctdiamondregistrationmarks£200-300

38. VICTORIAN GILT BRASS TRIPTYCH TOILET MIRROR, of fold flat construction with swinging centre panel, the backs of the wing mirrors decorated with pictorially printed silk depicting cherubs or courtiers, 15 1/2” high, 27 3/4” wideoverall£30-50

39. GEORGEIISTYLEWALNUTANDPARCELGILTWALL MIRROR, the oblong plate housed in a moulded and fret cut frame with gilt slip and pierced ho-ho bird cresting, 32in. (81.3cm) high£40-60

40. MODERN JASPER CONRAD TEXTURED BLACK LEATHERFRAMEDOBLONGWALLMIRROR,with bevel edged plate, 39 1/2” 31 1/2” (100.3cm x 80cm) £30-45

Clocks and Barometers41. EARLY 20TH CENTURY GERMAN CARVED

OAKMANTELCLOCK,BYWINTERHALTERAND HOFFMEYER, 6” silvered roman chapter ringwithmattedgiltcentre,regulationandstrike/silent subsidiary dials and pierced gilt spandrels powered by an event day movement, strikingontwogongs,housedinanarchtopped case with turned finials, piereced side frets and carved borders, raised on a plinth base, 15 1/4” (38.7cm) high, complete with pendulum and key£120-180

42. LATE VICTORIAN TUNBRIDGE INLAID WALNUT VIENNA STYLE WALL CLOCK, 8” ENAMELLED ROMAN DIAL, powered by a spring driven movement with ebonised pendulum red, strikingonabellhousedinacasewithfret pierced and glazed trunk, floral craved pediment, turned side columns, standing on an under curved feet 33” (83.8cm) high£130 - 260

43. EARLY20THCENTURYOAKDIALTIMEPIECE,BY M.MORRIS, 12” enamelled Roman dial signed, powered by a single fusee movement in a case with turned surround and pegged back, 15 1/2” (39.4cm) diameter£80-120

44. 20THCENTURYLENZKIRCHWALNUTANDORMOLUMOUNTEDCLOCKWITHBRACKETthe4”silveredarabicdialwithscrollengravedcentre, powered by an event day movement strikingonagong,housedinawaistedcaseapplied with masks and ‘c’scrolls standing on scrollfeet,togetherwithwithmatchingundercurved bracket, the clock, 11 12” (29.2cm) high, the bracket 6 3/4” (17.2cm) high (2)£150-200

Lot 37

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45. MODERNGERMANCASTBRASSFIGURALMANTELCLOCK,the3”dialwithribbontiedfloral surmount, being held aloft by a cherub on a circular moulded base 13” (33cm) high£80-120

46. EARLY20THCENTURYGILTBRASSCARRIAGECLOCK, the silvered arabic chapter ring with gilt scrolled centre, housed in a polished corniche style case with top carrying handle, 5” (12.7cm) high, faint presentation inscription tp top£80-120

47. EARLY20THCENTURYNAPOLEONHATSHAPEDMAHOGANYMANTELCLOCK,bearsnamelabelforLloyd,Payne&AmielLtd,Manchester,with6in.silveredArabicdialandeightdaymovement,housedinacasewithcarved trim and later battery operated bell chimeattachedtotheoutsideofthereardoor,10 1/4 in. (26cm) high£30-40

48. 19TH CENTURY FRENCH EMPIRE GRAND SONNIEREGILTWOODCASEDWALLCLOCK,6 1/4 in. enamelled Arablic dial powered by a drum shaped movement with silk suspension strikingontwogongrods,housedinanoblongmoulded case, behind glass, 20in. x 16 1/2 in. (50.8 x 41.9cm) £500-700

49. EARLY20THCENTURYMAHOGANY‘GRANDMOTHER’ LONGCASE CLOCK, RETAILED BY RUSSELLS, LIVERPOOL, 8in. silvered Roman chapter ring enclosing a floral engraved brass centre and gilt cherub head spanderels, powered by an eight day movement, striking on a bell, housed in a flat top case with dentil moulded and blind fret carved frieze, above a glazed door flanged by turned columns, over a long flame cut trunk door, raised on a plain base with bracket feet, 5ft. 10in. (1.78m) high£400-600

50. EDWARDIANINLAIDMAHOGANYNAPOLEONHAT SHAPED MANTEL CLOCK, 6 1/4” silvered Arabic dial powered by a continental eight day movement striking on five gong rods housed in a barber pole and line inlaid case, 10” (25.4) high, 18” (45.7cm) wide£30-50

51. LATE 19TH CENTURY FRENCH BRASS REPEATINGCARRIAGECLOCKBYE.WHITE,PARISroundenameldialsetwithRomannumerals,setintoanengineturnedgiltmask powered by a striking and repeating movement, housed in polished corniche style case with top carrying handle, 6” (15.2cm) high, incribed ‘H.B Crosse’ to the base£250-350Lot 49

Lot 51

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52. EARLY 20TH CENTURY FRENCH OVAL GILT BRASS CURVED GLASS CARRIAGE CLOCK WITHALARM,retailedbyFinnigansLtd,roundenameldialsetwithRomannumeralssetintoagiltmaskwithalarmsubsidiarybelow,thebell striking movement housed in a polished case with turned feet and top carrying handle 5” (12.7cm) high£200-300

53. MODERN SEVEN JEWEL ENGLISH BRASS CARRIAGECLOCKRETAILEDBYASPREYtheenamelleddialsetwithArabicandRomannumerals housed in a polished corniche style case with top carrying handle, 4 3/4” (12cm) high£100-200

54. LATE 19TH CENTURY FRENCH FLORAL MARQUETRY INLAID ROSEWOOD MANTEL CLOCK,BYJ.BRIGHTANDSONS,PARIS4”enamelledRomandial,signedandnumbered5167, powered by an eight day movement with silk suspension, striking on a bell housed in a waisted case with turned feet, 9” (22.8cm) high (dial af)£150-250

55. LATE 19TH CENTURY FRENCH PAINTED MANTEL CLOCK, 3 1/2” enamelled dial set with Roman and Arabic numerals powered by aneightdaymovementstrikingonagong,housed in a waisted case painted with flowers and genre scene and applied with gilt finial and scroll feet, 12 1/2” (31.7cm) high£200-300

56. FRENCHCASEBRASSMANTELCLOCKBYJAYFRERES, circa 1900, 4” enamelled Arabic chapter ring with gilt centre, powered by aneightdaymovementstrikingonagong,housed in a square case with domed top and animal mask captive ring side carrying handle standing on paw feet, 13 1/2” (34.2cm) high£100-200

57. 19TH CENTURY FRENCH BLACK MARBLE COMBINATIONMANTELCLOCKANDANEROIDBAROMETER, the clock with 5” two part roman enamelled dial with visible brocot escapement, powered by an eight day movement striking on a bell, above a matching 4 1/2” enamelled barometer dial with painted scale from 25 to 31 housed in an arch top case with canted forecorners and plinth base, 16 1/2” (42cm) high£400-600

58. MID 19TH CENTURY ROSEWOOD AND BRASS INLAIDBRACKETCLOCK,the8”enamelledroman dial powered by an eight day twin fusee movement, striking on a bell, in a serpentine top case with applied carved foliage decoration,giltmetalsideringhandlesandbrass side fish scale frets raised on gilt metal ball feet, 18 1/2” (47cm) high£800-1200

59. EARLY 19TH CENTURY FRENCH ALABASTER AND GILT ORMOLU MANTEL CLOCK the 3 3/4” enamelled Roman dial powered by an eight daymovementstrikingonabell,housedina case with a seated classical femal figure on a shaped base inset with a Baccanalian embossed plaque, raised on ormolu button feet, 13 3/4” (35cm) high£500-700

Lot 57 Lot 58 Lot 60

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60. LATENINETEENTHCENTURYFRENCHWHITEMARBLEANDORMOLUPORTICOCLOCK,the6” enamelled Roman dial powered by a large barrel shaped movement with silk suspension, sun burst, pendulum and external cartwheel, striking on a bell, housed in a polished white marble case surmounted by a flame and scroll finial, above square section uprights, flanked by slender urn side pieces, on an oblong base inset with Bacchanalian embossed panels, on turned feet, 21 1/4” (54cm) high £1000-1500

61. LATE 19TH CENTURY BLACK SLATE AND VARIEGATED MARBLE MANTEL CLOCK, the 5” enamelled roman dial powered by an eight day movementstrikingonabellhousedinacasewith architectural pediment, four split columns flanking the dial and oblong plinth base, 11 1/4” (28.5cm) high£50-80

62. LATE 19TH CENTURY FRNECH LARGE LACQUERED BRASS FOUR GLASS MANTEL CLOCK, 6” enamelled roman two piece with visible brocot escapement, powered byaneightdaymovementwithmercurycompensation pendulum, striking on a gong, presentation inscription to front of base, 15 1/4” (38.7cm) high£700-900

63. LARGE AND IMPRESSIVE 19TH CENTURY WALNUT QUARTER REPEATING BRACKET CLOCK BY FRODSHAM AND BAKER, 31 GracechurchStreet,London,the9”silveredone piece arched dial, roman numeral, engraved leaf scroll spandrels to the corners and arch and silent/strike lever, signed, powered by an impressive triple fusee movement,strikingthehoursonacoiledgongand chiming the pull quarter repeat on a run ofeightbellsandhammering,housedinagothic arch topped case with carved cresting and turned and carved finials above a pair of columns with leafy capitals flanking the arched door (lacking glass) scroll pierced side frets on aninveredbreakfrontbasewithcarvedandturned feet, 31 1/2” (80cm) high£2000-3000

64. A LATE 19TH CENTURY BRASS CASED MANTEL CLOCK, the movement stamped A.L.M, 14 1/2 in.high£150-200

65. LATE VICTORIAN MAHOGANY CASED MERCURYTUBESTICKBAROMETERwithivoryregister plates, with thermometer , made by G. CartwrightandSon,Preston,38”high£400-600

66. WALNUT VIENNA WALL CLOCK CIRCA 1900, the 8in. two piece enamelled Roman dial powered by a twin train driven movement with wooden pendulum, striking on a bowl, housed in a case with a glazed trunk, formed by split turned columns, standing on a fluted curved foot, 37in. (84cm) high, lacking pediment £120-160

Lot 62 Lot 63

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67. LATE 18TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, the 14in. painted Roman dial with date aperture and floral painted corners, signed Lancaster, powered by a 30 hourmovement,strikingonabell,housedina flat top case with glazed door, flanked by turned columns, over a shaped trunk door and lower panel flanked by square fluted half columns, raised on a plain base, 76 1/2 in. (194.3cm) high£350-450

68. EARLYNINETEENTHCENTURYMAHOGANYLONGCASE CLOCK, 14” painted dial with subsidiarysecondsandcalendardials,building in landscapes to the corners and classical figural scenes to the arch, powered byathirtyhourmovement,strikingonabell,housed in a case with swan neck pediment, break arch door flanked by turned columns, short trunk door flanked by cluster columns, standing on a crossbanded base, 7’8” (2.34m) high, complete with weight and pendulum (hand missing to one of the subsidiary dials) £400-600

69. LATEEIGHTEENTHCENTURYOAKANDMAHOGANYLONGCASECLOCKbyW.Leigh,Newton, 14” painted dial with subsidiary seconds and calendar dials and floral painted corners, signed, powered by an eight day movementstrikingonabell,housedinacase with swan neck pediment, square pillars, flanking the glazed door, shaped trunk door flanked by square, fluted half columns, on a panelled base with turned feet, 7’2” (2.19m) high£500-600

70. OAK RAILWAY WALL CLOCK, 14” painted Roman dial, marked L.N.E.R., powered by a singlefuseemovement,inacasewithturnedsurround and pegged back, 18 1/2” (47cm) diameter£400-600

71. MAHOGANY WHEEL SHAPED ANEROID BAROMETER,retailedbyLloydPayne&Amiel,Manchester,9in.silvereddialmarkersfrom28 to 31 with movable hand, in an arched top casewithtrunkmountedthermometer,36in(91.4cm) £50-80

72. EDWARDIANINLAIDMAHOGANYBALLOONCASED MANTEL CLOCK with white dial, 9 1/4” high£50-80

73. MID 19TH CENTURY ROSEWOOD WHEEL BAROMETER BY A. LUVATE, PRESTON,10in silvered dial marked from 28 to 31 with movablehand,inacasewithswanneckpediment, trunk mounted hygrometer (as found), thermometer and mirror, the lever below,signedA.Luvate,Preston,42in(106.7cm) £100-150

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Furniture75. THOMSON (MOUSEMAN) OF KILBURN OAK

THREE LEG STOOL, with shaped seat and octagonal tapering legs, 14” (35.6cm) high £300-400

76. THOMPSON (MOUSEMAN) OF KILBURN CARVED OAK ELECTRIC TABLE LAMP BASE, the octagonal tapering column spreading to a square plinth base, with leaf carved corners, 12 1/2” (31.8cm) high £150-250

77. GOOD QUALITY LARGE OVAL OAK WAKE STYLE DROPLEAFDININGTABLE,inthestyleofaSeventeenthcenturywakestable,raisedonbaluster legs with double gate supports, 22 3/4” (75.5cm) high, 78” (198.2cm) long, 21 1/2” (54.6cm) wide, 64” (162.5cm) wide when open £300-500

78. SETOFEIGHTELMLADDERBACKDININGCHAIRS, typical form with drop in rush seats (8) £150-200

79. NINETEENTHCENTURYNORTHAMPTONSHIREELMANDFRUITWOODHIGHBACKWINDSORARMCHAIR, the hoop back with fir tree pierced splat and turned spindles, above horse shoe shaped armrest with baluster turned supports, thesolidsaddleseatraisedonturnedlegstiedby a ‘H’ stretcher, 44 1/2” (112.3cm) high £150-200

80. SEVENTEENTH CENTURY OAK COFFER, the moulded rectangular top (probably later) above a lozenge carved three panel front, initialled R.T. raised on extended stile feet, 25 3/4” (65.4cm) high, 45 1/4” (115cm) wide £180-240

81. LATE EIGHTEENTH CENTURY OAK GATELEG TABLE, the oval drop leaf top above a moulded frieze, raised on turned supports, 27 1/2” (69.8cm) high, 40 1/4” (102.2cm) wide, extended, together with two spindle back SINGLE CHAIRS with rush seats (3) (table and one chair part af.) £100-150

82. ANTIQUE OAK BENCH, the thick cut seat on splayed legs with turned stretchers, 18 1/2” (47cm) high, 54 1/4” (137.7cm) long, (one stretcher missing and wood wormed) together withanOAKTHREETIERMURALPLATERACK33 3/4” (85.7cm) high, 44” (111.8cm) wide (2) £75-100

83. GEORGEIIIOAKANDMAHOGANYCROSSBANDED BUREAU, the oblong top aboveafallfrontenclosingagilttooledgreenleather writing surface and pigeon holes and drawers, flanking a pair of fluted pilaster secret drawers and central door to the fitted interior, over a pair short and three long graduated and cockbeaded drawers, fitted with brass swan neck handles, flanked by fluted quarter columnsandraisedonogeebracketfeet,421/2” (108cm) high, 45” (114.3cm) wide £250-350

Lot 77

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84. GOOD GEORGE VI BOW FRONTED MAHOGANY CHEST OF DRAWERS, of small proportions, the moulded top above two short and two long graduated and cockbeaded drawers, all fitted withembossedbrassknobs,raisedonturnedfeet, 31 1/2” (80cm) high, 37” (94cm) wide £300-400

85. GEORGEIIILINEINLAIDMAHOGANYFOLDOVER CARD TABLE, the rounded oblong top above a conforming frieze, raised on square tapering legs, 29 3/4” (75.6cm) high, 36” (91.4cm) wide £200-300

86. SET OF FIVE WILLIAM IV CARVED MAHOGANY SINGLE CHAIRS, the oblong scooped top raised carvedwithscrollingfoliage,aboveconforminghorizontal splats, downswept uprights and flat fronted drop in seats, raised on turned and carved forelegs (5) later seats £200-300

87. GEORGEIIIMAHOGANYBOWFRONTCORNERCUPBOARD,themouldedcorniceaboveapair of cupboard doors, fitted with brass ‘H’ hinges, enclosing three fixed shelves to the interior, 40 3/4” (103.5cm) high

88. NINETEENTHCENTURYMAHOGANYINLAIDOAK BUREAU, the oblong top above a fall front, enclosingaleatherinsetwritingsurfaceandinterior comprising of drawers and pigeon holes, flanking a central cupboard door, above three graduated, cockbeaded drawers fitted with diamond shaped bone escutcheon’s and turned mahogany knobs with mother o’pearl centres, raised on turned supports, 43 1/4” (110cm) high, 42” (106.7cm) wide £200-300

89. GEORGE IV MAHOGANY DROP LEAF WORK TABLE, the oblong moulded top above two graduatedoaklineddrawersandmatchingfaux drawers to the rear, all fitted with turned handles raised on ring turned and tapering legs, terminating in brass castors, 28 1/2” (72.4cm) high, 14 1/2” (36.8cm) wide £300-500

90. GEORGEIIIINLAIDMAHOGANYBUREAU,theoblong tea above a tulipwood and barberpole line inlaid fall front, enclosing a fitted interior of pigeon holes and drawers, flanking a pair of flat column fronted secret drawers and central inlaid cupboard door, over two short and three longgraduatedandcockbeadeddrawers,allfitted with brass swan neck handles, raised on ogee bracket feet, 43 1/4” (110cm) high, 36” (116.8cm) wide together with a LATER MAHOGANYBOOKCASETOP,withmouldedcornice and pair of thirteen panel astragal glazed cupboard doors, enclosing three adjustable shelves to the interior, 4’ (1.22m) high, 45” (114.3cm) wide (2) (bureau sawn) £400-500

91. EARLY NINETEENTH CENTURY MAHOGANY SECRETAIRE CHEST, the oblong top above a panelled deep secretaire drawer, with maple veneered drawers, pigeon holes and writingsurfacetotheinterior,overtwolonggraduated, cockbeaded drawers, all fitted with turned rosewood knobs with mother o’pearl centres, raised on tall bracket feet, 38 1/2” (97.8cm) high, 50” (127cm) wide £300-400

92. JOHNBROADWOODANDSONS,EARLYNINETEENTH CENTURY, MAHOGANY SQUARE PIANO, raised on square tapering legs, mounted with gilt metal paterae, tied by a ‘H’ stretcher, 35 3/4” (90.8cm) high, 68 1/4” (173.3cm) wide £200-300

93. NINETEENTH CENTURY CARVED AND INLAID MAHOGANY CARVER ARMCHAIR, the scooped oblong top rail above a pierced splat with central carved oval paterae, stuff over seat and outswept arms with turned supports raisedonturnedandreededforelegs£80-120

94. GEORGEIIIANDLATERMAHOGANYTRIPODOCCASIONALTABLE,thecircularmouldedtop above a tapering column, raised on an acanthus capped carved tripod base, 22” (55.9cm) high, 23 1/2” (59.7cm) diameter (top split and height reduced) £80-120

95. REGENCYPERIODREEDEDMAHOGANYCARVER ARMCHAIR, the scooped oblong top rail above scroll ladder rail, pink upholstered drop in seat and scroll arms, raised on sabre fore legs, tied by a ‘H’ stretcher £80-120

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96. NINETEENTHCENTURYANDLATERREGENCYSTYLE TWIN PEDESTAL ‘D’ SHAPED DINING TABLE, the reeded edged top above baluster turned columns and outswept tripod bases, terminating in hairy paw brass castors, 29 1/4” (74.2cm) high, 5’ (1.52m) long, 6’5” (1.96m) when extended £100-150

97. LATEGEORGIANMAHOGANYSIDEBOARD,thecrossbanded and ebony line inlaid top above acentralcockbeadedfriezedraweraboveconforming apron, flanked by a cupboard door and cellerette drawer, all fitted with later cast brass knobs, raised on turned, tapering legs, 3’ (91.5cm) high, 59” (150cm) wide £200-300

98. EIGHTEENTHCENTURYOAKDROPLEAFGATELEGDININGTABLEWITHENDFRIEZEDRAWERRAISEDONTURNEDANDBLOCKSUPPORTS(LATER ALTERATIONS) 61” EXTENDED £300-500

99. SET OF SIX (5 + 1) MATCHED LANCASHIRE SPINDLEBACKDININGCHAIRS,WITHRUSHSEATS,TURNEDFRONTSUPPORTSTOPADFEET£400-600

100. SET OF FIVE EARLY TWENTIETH CENTURY INLAIDMAHOGANYDININGCHAIRS,intheSheraton style, comprising A PAIR OF CARVER ARMCHAIRSandTHREESINGLECHAIRS,theshaped top rails above three vertical splats and overstuffed seats, raised on square tapering legs with spade feet, the whole outlinedinsatinwoodcrossbandingandboxwood stringing (5) £80-120

101. HARLEQUIN SET OF SIX NINETEENTH CENTURY ASH,ELMANDFRUITWOODSPINDLEBACKDINING CHAIRS, each with shaped top rail above two rows of five spindles and later rush seat,raisedonturnedlegstiedbystretchers(6) £300-400

102. GEORGIAN OAK BUREAU with associated upper section, the associated cornice, above a pair of panelled and mahogany crossbanded cupboard doors, enclosing six adjustable shelves to the split interior, the bureau with fall front, enclosing pigeon holes and drawers totheinterior,abovetwoshortandthreelong drawers, all fitted with brass swan neck handlesandovalescutcheon’s,raisedonbracket feet, 88 1/2” (224.8cm) 48” (122cm) wide£500-700

103. ANTIQUE OAK BUREAU, of small proportions, the oblong top above a fall front, enclosing pigeon holes, drawers and central door to the long graduated drawers, all fitted with brass swan neck type drop handles with shaped backplates, raised on tall bracket feet, 35 1/4” (89.5cm) high, 312 (78.8cm) wide £400-600

104. 19TH CENTURY AND LATER WALNUT SIDE TABLE, the rectangular top above a long frieze drawer, fitted with brass swan neck type handles with embossed and pierced back plates, raised on plain square tapering legs, 28 1/2 in. (72.4cm) high, 35in. (88.9cm) wide £80-120

105. NEST OF THREE BOXWOOD STRUNG MAHOGANYOCCASIONALTABLES,therectangular cross-banded tops with diamond pattern veneered corners and ebonised lip, outlinedinboxwoodstringing,raisedonelegant square section downswept legs, the largest 27 1/2 in (69.8cm) high, 18 x 12 1/2 in (45.7 x 31.8cm) £80-120

106. PAIR OF VICTORIAN CARVED WALNUT BALLOON BACK SINGLE CHAIRS with floral carved top rails, serpentine fronted stuff-over seats and raised on moulded cabriole front legs (2) £50-75

107. GOOD QUALITY VICTORIAN CARVED AND MARQUETRY WALNUT AND BURR WALNUT TRIPOD OCCASIONAL TABLE, the circular top inlaid with Arabesques and scroll work, within a carved stylised floral border, above a turned and carved collar and raised on three floral capped downswept legs, 29in (73.6cm) high, 19 1/2 in (49.5cm) diameter £200-250

108. VICTORIAN CARVED BEECH NURSING CHAIR, the sloping, deep buttoned back, covered in creamsilk,aboveabowfrontedstuff-overseatandshortcabriolefore-legs£100-150

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109. GEORGE III 18TH CENTURY MAHOGANY CHEST OF DRAWERS of small proportions, the oblong top above turned small oak lined and cockbeadedfriezedrawersandthreematchinglong graduated drawers all fitted with brass swan neck drop handlesw with pierced brass plates and matching escutcheons, raised on bracket feet, 33 1/2” (85.1cm) high, 35” (88.9cm) wide, 16 3/4” (42.5cm) deep (moulding to top sides, replaced and part missing and handles repaired)£400-600

110. 19TH CENTURY AND LATER MAHOGANY PEDESTALTEATABLE,themouldedoblongswivel top above a frieze with fluted corners and applied beaded decoration, raised on aturnedcolumnandfouracanthuscarvedand hipped, downswept legs, terminating in cast brass castors, 30” (76.2cm) high, 38” (96.5cm) wide£50-80

111. VICTORIAN MAHOGANY LARGE LIBRARY BOOKCASE, THE MOULDED CORNICE ABOVE APAIROFGLAZEDCUPBOARDDOORS,ENCLOSING FOUR ADJUSTABLE SHELVES TO THEINTERIOR,THELOWERSECTIONWITHAPAIROFMAHOGANYLINEDANDCOCKBEADEDDRAWERS, FITTED WITH CARVED HANDLES ABOVE A PAIR OF FIELDED PANELLED CUPBOARDDOORS,RAISEDONAPLINTHBASE, 95 1/2 IN (242.5CM) HIGH, 59 1/2 IN (151.2CM) WIDE £800-1200

112. VERY FINE EARLY TWENTIETH CENTURY MIDDLEEASTERNPROBABLYDAMASCUSSINGLESIDEDTHREEFOLDSCREEN,exquisitely inlaid with mother o’pearl, bone, light and dark woods with panels and surroundingbordersofintricateinterlacedand geometric motifs with four oblong panels of Arabic inscription, divided by panels of finely worked dark wood and bone pierced beadwork,thereverseofthescreenwithlight wood panels and dark wood surrounding borders, 61 1/2” high, 52” wide (extended) £8000-1200

113. IMPRESSIVE 19TH CENTURY ANGLO INDIAN CARVED ROSEWOOD PEDESTAL OCCASIONAL TABLE, the circular top with central carved medallion comprising a stylized design of exoticbirds,enclosedwithinfoliatecarvedbandsandmouldededge,aboveashallowfrieze with floral and geometric border, raised onaconforminglotusleafcarvedbalustercolumns, terminating in turned downswept legs, each carved as an elephant’s head withceremonialheaddressandtrunkcoiledaround a flower stem, 31” (78.7cm) high, 36” (91.4cm) diameter£200-300

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Lot 112

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114. NINETEENTH CENTURY PERSIAN LARGE COPPER SILVER OVERLAID CIRCULAR TRAY, welltooledwithacentralroundelofibexamongst lotus and other flowers, within a wide border of standing figures holding spears and bows, ibex, sphinx and other mythical creatureswithnarrowbordersofbirdsandflowers, the raised edge with scalloped rim pierced with foliate scrollwork, 35” diameter £80-120

115. BIEDERMEIER 19TH CENTURY MAHOGANY SIDE CABINET with piano fronted frieze drawer, bow fronted cupboard flanked by advanced Corinthian columns, concaved fronted deep basaldraweronbracketfeet,2ft.2in.widex4ft.9in.high£400-600

116. VICTORIAN INLAID WALNUT AND BURR WALNUT DAVENPORT DESK, the tooled leather writing slope surmounted by a back containingcentraloblongbeveledgemirroredplate above a pen tray and pair of ink bottle holders, flanked by two banks of two short drawers,thelowersectionwithfourmahoganylineddrawers,blackedbyfourmatchingfauxdrawers, all fitted with turned knobs, flanking an inlaid panel front enclosed square section supports raised on a plinth base with turned feet and castors, 40 1/2” (102.9) high, overall, 22” (55.9cm) wide £400-600

Lot 113

Lot 115

Lot 116

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117. VICTORIAN LARGE MAHOGANY SECRETAIRE LIBRARYBOOKCASE,themouldedcornice(af.) above an arched pair of glazed cupboard doors,enclosingfouradjustableshelvestotheinteriorandthreeshortdrawersbelow,all fitted with turned wood knobs, the long secretairedrawertothelowersectionwithtwopanelled faux drawer front, enclosing a birds eye maple front of pigeon holes and drawers, above a pair of arched panelled cupboard doors, flanked by scroll carved corbels and raised on a plinth base, 8’5” (2.57m) high, 4’1 1/4” (1.25m) wide £600-800

118. *FRENCH STYLE MAHOGANY AND BEVELLED GLASS VITRINE, with gilt brass corner mounts,bordersandsabots,havingcavettocornice with central framed glass panel door, having burr wood lower panel with narrow crossbanding,enclosedmirrorlinedinteriorflanking bevelled panels and quadrant forecorners, turned tapering stump supports, 3’7” wide, 5’11” high £400-500

119. VICTORIAN MAHOGANY BOOKCASE, THE MOULDED CORNICE ABOVE A PAIR OF GLAZED CUPBOARDDOORSENCLOSINGTHREEADJUSTABLE SHELVES TO THE INTERIOR, FLANKED BY CARVED CORBELS, THE LOWER SECTIONWITHALONGCUSHIONMOULDEDFRIEZE DRAWER ABOVE A PAIR OF DRILL PANELLEDCUPBOARDDOORS,FLANKEDBYMATCHINGCORBELSANDRAISEDONAPLINTH BASE, 7FT. 5IN. (2.26M) HIGH, 3FT. 10IN. (1.17M) WIDE. £400-600

120. GOOD QUALITY PAIR OF VICTORIAN CARVED ROSEWOOD SINGLE CHAIRS, the back top rails above floral carved and pierced slats and serpentine fronted stuff over seats, raised on bell husk pendant capped moulded cabriole fore-legs (2), both bear paper labels to seat rails for F. Danby’s, Upholstery and Cabinet Works,Leeds£100-150

121. SET OF FOUR LATE VICTORIAN CARVED WALNUTSINGLECHAIRS,THEARCHEDTOPRAILS ABOVE SLENDER PATERAE CARVED SPLATS AND BOW FRONTED STUFF-OVER SEATS,RAISEDONTURNEDTAPERINGFORELEGS

122. A MID VICTORIAN FIGURED WALNUT PEDESTAL BREAKFAST TABLE, the quarter cut oval tilt top withmouldededgeandshallowfrieze,aboveacarvedandturnedcolumn,raisedonfourmoulded downswept scroll legs, terminating in castors, 28” (71.1cm) high, the top 57 1/2” x 42cm (146cm x 106.7cm) with interesting possibly patent locking mechanism to the tilt top £400-600

123. AN EDWARDIAN MARQUETRY INLAID MAHOGANY DISPLAY INVERTED DISPLAY CABINET,themouldedcorniceaboveacentral astragal glazed cupboard door with two plush lined shelves and mirrored back to the interior, flanked by a pair of glazed bow fronted cupboard door with plush lined interior, flanked a pair of inlaid cupboard doors, on serpentine outline, raised on square tapering supports with spade feet, 78 (198cm cm) high, 48 1/2” (123.2cm) wide £700-900

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124. AESTHETICS MOVEMENT EBONISED BURR WOODANDPARCELGILTSIDEBOARD,thestripped galleried cornice above an oblong bevel edged mirror, flanked by floral painted gilt wood panels and open shelves with ring turned supports and oblong bevel edged mirrorsbelow,thelowersectionwiththreecentral mahogany lined drawers, all fitted with ebonised and brass drop handles, flanked by a pair of panelled cupboard doors with carved and floral painted panels, raised on ring turned legs tied by a galleried undertier, 91in. (231.1cm) high, 72in. (182.9cm) wide £300-500

125. LATE VICTORIAN CARVED WALNUTWOOD ADJUSTABLEPIANOSTOOL,thecircularupholstered top above a turned and floral carved column, raised on floral capped carved tripod base, 18 1/2” (47cm) high (af.) £30-50

126. SET OF FIVE (4 + 1) SHERATON STYLE MAHOGANY DINING CHAIRS, the scooped oblong top rails above ‘X’ shaped reeded splats and flat fronted drop in seats, raised on square tapering and reeded forelegs, tied by ‘H’ stretchers (5) £200-300

127. IRISH TWIN PEDESTAL REPRODUCTION MAHOGANYTWINPILLARDININGTABLE,bearing label ‘C.O. Connell, Cork’, the rounded rectangular top with reeded edge, above heavy vase shaped columns and downswept tripod supports terminating in brass hairy paw casters, complete with extra leaf, 29” high, 66” wide, 84 1/2” wide, extended £300-400

128. VICTORIAN MAHOGANY SCOOP BACK EASY ARMCHAIR,thebrowndamaskcoveredbuttoned back above a serpentine fronted seat and down swept arm with elbow rests and scroll carved hand grips, raised on turned fore supports, with castors £150-200

129. LATE NINETEENTH/EARLY TWENTIETH CENTURYTUBSHAPEDLOUNGECHAIR,buttonupholstered in pale gold damask £40-60

130. VICTORIAN MAHOGANY CIRCULAR TABOURET FOOTSTOOL, with floral stripe covered top abovefoliatescrollcarvedsides,raisedonmelon pattern feet, 5 1/2” (14cm) high, 12 1/2” (31.7cm) diameter £40-60

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131. MID VICTORIAN MARQUETRY INLAID AND GILT METALMOUNTEDWALNUTDISPLAYCABINET,the oblong top with moulded ebonised edge, aboveafriezewithcentralscrollinlayandpair of glazed cupboard doors, enclosing two shelves to the plush lined interior, flanked by floral cast corbels and conforming scroll inlays to the uprights, raised on a chamferred plinth base, with turned ebonised feet, 41 1/2” (105.4cm) high, 42” (106.7cm) wide £200-300

132. EARLY TWENTIETH CENTURY OAK BOOKCASE, the moulded cornice above a pair of fifteen panelled astragal glazed cupboard doors, enclosingthreeadjustableshelvestotheinterior, the lower section with a matching pair of nine panelled astragal glazed cupboard doors,enclosingasingleadjustableshelfto the interior, raised on a plinth base, 77” (195.6cm) high, 47” (119.4cm) wide £250-350

134. BAROQUE STYLE BLACK MARBLE AND GILT METALDEMILUNEWALLSHELF,withcherubcast support, 13” (33cm) high, 18” (45.7cm) wide£25-35

135. CONTINENTAL EARLY TWENTIETH CENTURY LARGE CARVED WALNUT AND BURR WALNUT PEDESTAL DESK, the plain oblong top with egganddartmouldededge,aboveascrollingfloral carved central drawer, backed by an open bookshelf to the rear, flanked by a pair of panelled cupboards with carved floral panels and carved circular pull handles enclosing slides to the interior, raised on heavy paw feet, 31” (78.8cm) high, 64 1/2” (163.8cm) wide £600-800

136. GEORGIAN STYLE LARGE MAHOGANY PEDESTAL DESK, the moulded oblong top withgilttooledgreenleatherinsert,abovethree cockbeaded frieze drawers and panelled cupboard door and graduated set of three drawers to the panelled pedestals, blacked by matching faux drawers and cupboard to the rear, all fitted with brass swan neck handles with pierced back plates, raised on plinth bases. 31” (78.7cm) high, 73 1/2” (186.7cm) wide£500-700

137. EARLY 20TH CENTURY LADIES MAHOGANY WRITINGTABLEINTHEHEPPLEWHITESTYLE,the rectangular top with tooled leatherette insert and swan neck back with lattice pierced panels, above a central drawer, flanked by two pairs of short drawers, all with blind front carved decoration and fitted with elegant brass drop handles raised on square tapering and fluted legs with tall spade feet, 28 1/4” (71.8cm) high to the writing surface, 42” (106.7cm) wide

138. CARVED MAHOGANY DEMI-LUNE CARD TABLE INTHENEOCLASSICALTASTE,thefoldovertop with moulded border above a deep frieze with applied oval paterae panels, heading the ram’s mask and bell husk swag capped cariole legs with hairy paw feet, 30 1/2” (77.4cm) high 39 1/4” (99.7cm) wide£150-200

Lot 135

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139. COSTLY LOUNGE SUITE OF 3 PIECES IN CHESTERFIELDSTYLE,COMPRISINGTWOSETTEE’S,7’AND6’WIDE,SETTEE6’,ANDAMATCHINGLOUNGECHAIR,UPHOLSTEREDAND COVERED IN LEAF EMBOSSED BRICK REDFABRICWITHFITTEDCUSHIONSANDTENMATCHINGSCATTERCUSHIONSRAISEDONBUNFEET£200-300

141. MODERN STUDDED BLACK LEATHER AND COW SKIN SQUARE TRUNK, 17 1/4” (43.8cm) £40-60

142. MODERN TEXTURED BLACK LEATHER AND COWSKINWAISTEDCIRCULARFOOTSTOOL,with side handles, 17 1/4” (43.8cm) high £25-40

143. CHINESE CARVED HARDWOOD TALL JARDINIERE STAND, the octagonal top with pink veined marble insert, above a floral carved and pierced frieze, raised on conforming square section cabriole legs, tied by a cross stretcher, 37” (94cm) high, 15” (38.1cm) wide £250-300

144. VICTORIAN MARQUETRY INLAID WALNUT AND BURR WALNUT SEVEN PIECE DRAWING ROOM SUITE, comprising SOFA, 62” (157.5cm) wide, GENT’SARMCHAIR,NURSINGCHAIRANDSETOF FOUR SINGLE CHAIRS, all with marquetry andboxwoodlineinlaidshew-woodframesand stuff over claret coloured upholstered (7) £400-600

145. EDWARDIAN LINE INLAID MAHOGANY TUB CHAIR,theshow-woodframewithcentreovalcarved patera decoration to the top rail, above sides and cushion seat upholstered in cream and floral striped fabric, raised on square section supports, terminating in castors £120-180

146. VICTORIAN MAHOGANY PEDESTAL BREAKFAST TABLE, the oval moulded tilt top above a plain shallow frieze, raised on a heavy turned column and four carved downswept legs, terminating in brown pot castors, 30” (76.2cm) high, the top 53 1/2” x 41” (135.9cm x 104.2cm) £100-200

Oil Paintings147. WILLIAM MEREDITH (b.1851)

OIL PAINTING ON CANVASRural landscape with three female farm workersbeforeafencewithhaystackbeyondsigned and dated 1882 lower right16” x 28” £200-300

148. G. FRANZINI (ITALIAN 19TH CENTURY), OIL PAINTING ON CANVAS, ‘NEOPOLITAN FISHER FAMILY’, a fisherman playing a mandolin to hiswifeanddaughtersatbeforehimonthebeach,atamborineandfruitintheforeground,a moored fishing boat beyond with the bay of Naples in the distance, signed lower left, 40in. x52in.£3000-5000

Lot 148

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149. GORGE PATTEN A.R.A. (1801-1865), OIL PAINTING ON CANVAS, ‘NYMPH AND WOOD PIGEON’,signedwithmonogramanddated1855 lower left, inscribed verso,28in. x 18in. £1000-1500

150. FRANK HOLLINS (EARLY 20TH CENTURY), OIL PAINTING ON CANVAS, A COASTAL SCENE WITH COTTAGES, a figure and sailing vessel at sea, signedlowerleft,11 1/2 in. x 23in. £80-120

151. BRITISH SCHOOL (18TH CENTURY), OIL PAINTING ON CANVAS, HALFLENGTHPORTRAITOFALADYwearingared cloak, holding a rose spray in her left hand, 29in.x24in.£400-600

152. ARTHUR STOCKS R.I. (1846-1889), OIL PAINTING ON CANVAS, ‘STRICT INJUNCTIONS’, a bearded man standing at an open doorway in a wall deliveringanotetoawomaninthedoorway,unsigned,remnantsofartist’slabelverso,inscribedonthemountoftheoriginalgiltframe,31in. x 22in. £800-1200

Lot 149

Lot 151

Lot 152

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153. BRITISH SCHOOL (FIRST HALF 19TH CENTURY), OILPAINTING ON CANVAS, INTERIORWITHNOBLEMANINSIDEATENT,onekneelingbeforeanotherwhoisseatedonaraisedthronewithhiscrownedhelmetonatableathisside,bearinglatersignatureanddate, 24in. x 39in. (canvas holed) £800-1200

154. 18TH CENTURY DUTCH SCHOOL, OILPAINTING ONCOPPER,farmyardwiththatchedbuildings,blacksmithshoeingahorseheldbyaboy,manonhorsebackandthreewomenlookingon,9in. x 12in. (some paint loss) £200-300

155. WALTER WALNE (W.S.W 1911), OILPAINTING ON PANEL, two figures on a moored barge, with ducks swimming by, 9 1/2 in. x 13 1/4 in. (24.1cm x 33.6cm)£ 100-150

156. THOMAS SIDNEY COOPER (1803-1902)OIL ON CANVASRiver Landscape with Cattle in the foregroundSigned15 1/2” x 22” (39cm x 56cm)£1500-2500

Lot 156

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157. BOLOGNESE SCHOOL (17TH CENTURY)OIL PAINTING ON RE LINED CANVASMadonna and child in majesty rising upon acloudsurroundedbycherubsbeneathadraped corner, a bishop holding a crozier and kneeling female below gazing up adoringly, a cherubstandingbetweenthemholdingthebishop’s mitre, another standing behind the female holding a furled white flag, standing and chequered floor before a balustrade and spirally fluted column, possibly a modello for an alterpiece 31 1/2” x 23” (80 x 58.5cm) Generallyinneedofrestoration,thecanvaspunctured with small holes and with scratches to the paint surface, also having come away from the stretcher at the top and left hand side,thecanvashasreceiveddentstotheuneven surface. Extended by approximately 3/4” to the right hand side at a later date, the measurementsaboveexcludingthisextension£3000-4000

158. HOLGER PETER SVANE LUBBERS, DANISH (1850-1931), OILPAINTING ON CANVAS, A line ofsailingvesselsbeingtowedbyasteamtugonacalmday,signedanddated(18)98, 18 1/2 in. x 24 in. £1000-1500

Lot 157

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159. HOLGER HVIFELDT JERICHAU, DANISH (1861-1900), OILPAINTING ON PANEL, Blue grotto Capri, signed lower left and dated verso 1888, 7 1/2 in. x 12 1/2 in.£300-500

160. ANDERS, ANDERSEN LUNB Y *1840-1923), OILPAINTING ON CANVAS, wooded winter landscape under snow with family walking besideahorsedrawncoveredwagononalane,streamtotheright,signedanddated1882, 27in. x 36in. £2000-3000

161. MONOGRAMMED OILPAINTING ON CANVAS, Exterior with donkey and panniers and turkey, 22in. x 19in. £300-500

162. WILLIAM MELLER (1851-1931)OIL ON CANVASWaterfallSigned18” x 14” (45.6cm x 35.6cm) (af)£300-400

163. G. MELLOR (circa 1900) OIL ON CANVASWatermillandwaterfallsigned24” x 18” (61cm x 45.7cm) (af.) £50-70

163A. LOUIS FORTUNEY (1878-1950) (signed F. Andrieux - pseudonym) PAIR OF OIL PAINTINGS ON CANVAS CavalierseatedcountinghiscardwinningsandCavalier seated smoking a clay pipesigned with a pseudonym12” x 8” ( 30.5cm x 20cm) £1000-1500

164. WILLIAM ROBERT JENNINGSOILPAINTINGONARTISTBOARDPoniesonDartmoorhillssignedlowerleft20”x24”£300-400

165. EARLY TWENTIETH CENTURY ENGLISH SCHOOLOIL PAINTING ON CANVASPaththroughsandduneswithviewoftheseaatsunsetwithtwosailingboatsonthehorizonsigned with a monogram probably ‘O.P.F.’ 6” x 9 1/2” £80-120

167. C.BELLIANI (20TH CENTURY)PAIROFOILPAINTINGSONBOARDFlowerPickersSigned9” x 11 1/2” (22.8cm x29.2) (2)£400-600

Lot 160

2�

168. DEREK SHAPIRO (20TH CENTURY)PAIR OF OIL PAINTINGS ON BOARD, OVALSTILLLIFESTUDIES,Bird’sNestsandFlowersSigned, 6 1/2” x 8 1/2” (16.5cm x 21.6cm) (2)£300-500

169. RONALD N. FOLLAND (1932-1999)OIL ON CANVASSmallIslewithbuildingsandmooredboatsSIGNEDFOLLAND17 1/2” X 47 1/2” (44.4cm X 120.7cm)£250-350

170. A.D. BELL (WILFRED KNOX) (1884-1966)OIL ON CANVASSidmouth,Devonsigned16” x 22” (40.7cm x 55.8cm)£50-80

171. VICTORIAN SCHOOL, OIL ON CANVAS still life, flowers in a vase, signed with monogram and dated 1887, 19 1/2” x 25 1/2” (49.5 x 64.7cm) £300-400

172. DAVID SHORT (b.1900) OIL ON CANVASClipper entering harbour under sailsigned18” x 24” (45.8cm x 61cm)£100-150

173. MARY EMERSONOILPAINTINGStill life, flowers and bird’s nestsignedovalmounted9” x 12” (22.9cm x 30.5cm) £120-180

174. SCHOOL OF CHARLES ROBERT LESLIEOILONBOARD‘The Cottage Door’unsignedattributedandtitledverso18” x 13 1/2” (45.8cm x 34.3cm) £200-300

175. FRANS CLAERHOUT (1919-2006)OILONBOARDMotherandChildsigned16 1/2” x 9 1/4” (42cm x 23.5cm) £500-800

176. D. STOCKTON SMITH (twentieth century)OIL ON CANVAS Dartmouth Quay’signed,titledverso13 1/2” x 21 1/2” (39.3cm x 54.6cm)£40-60

177. D. STOCKTON SMITH (twentieth century)OIL ON CANVAS‘The Market’signed,titledverso11 1/2” x 15 1/2” (29.2cm x 39.4cm) £30-40

178. BARRY MASON (b.1947) OILONBOARD ‘China Bound, the tea clipper, Cutty Sarksigned, titled and dated (19) 74 verso11 1/2” x 17 1/2” (29.2cm x 44.4cm)£400-600

179. F.T. KHAHN (twentieth century)OILONBOARDStill life of fruit, plates and goblet on white tableclothsigned11 1/2” x 15 1/2” (29.2cm x 39.4cm) £100-150

180. C. HINLEY (late nineteenth/early twentieth century)OIL ON CANVASFaggot gatherer on path in rural landscape signed8” x 10” (20.3cm x 25.4cm) £40-60

181. J. CONNELLY (twentieth century)OIL PAINTINGS ON CANVAS, A PAIR Interiors with figures in eighteenth century costumesigned and dated 193518” x 2in impressive glazed gilt frames £300-400

182. J.L. CHAPMAN (modern) OILPAINTINGONROUNDEDOBLONGGLASSDOMEBASE a seventeenth century style pastiche with men o’war in an imaginary portsignedlowerleft6 3/4” x 13 1/2” £150-200

183. J.L. CHAPMAN (modern) OILPAINTINGSONPANEL,APAIRnineteenth century style seascapes with shippingeachsignedlowerleft10 1/2” x 12 1/2” £400-600

27

184. J.L. CHAPMAN (modern)OIL PAINTING ON CANVASahomagetoClaudewithseventeenthcenturyships and buildings at sunsetsignedlowerright24”x36”£300-500

185. J.L. CHAPMAN (modern) OILPAINTINGONPANEL A seventeenth century style pastiche of a Mediterranean port with shippingsignedlowerright24”x26”£250-350

186. JILL GIBBS (modern)OILPAINTINGONBOARD ‘The gap in the Trees’23 1/2” x 17 1/2” £40-60

188. PLYLLIS STEWART (early twentieth century) OIL ON CANVAS Estuary scene with fishing smacksigned13 3/4” x 20 1/2” (34.9cm x 52.1cm)£50-80

189. JAMES HEY DAVIES R.C.A. (Manchester 1844-1930)OIL PAINTING ON CANVAS ‘A Poole near Bromborough, Cheshire’landscape with sheep, pond and tree in the foregroundsignedlowerleftandlabelledverso12” x 16” £300-400

Lot 189

2�

190. ALEXANDER M. ROSSI (FL. 1870-1903), WATERCOLOUR, ‘THE LITTLE REBEL’,Interiorwithayounggirlstandingonadesktop with her pet dog, reaching up to take hold of a bird perched on a potted shrub, a bird’s cageheldconcealedbehindherback,signedlowerleft,40in.x27in,RoyalInstituteofPaintersinwatercolourexhibitionlabelversowith price £126.5.00. £3000-5000

191. ARTHUR CLAUDE STRACHAN (1865-1938)WATERCOLOURMotherandChildinCottageGardenSigned17 1/2” X 11” (44.4cm x 27.9cm)£800-1200

192. PHILLIP WESTCOTPASTELPosthumous portrait of Richard Cobden signed and dated 187226” x 19 1/2” (66cm x 49.5cm) inscription to mount ‘Presented to the ManchesterReformClubbythePresident,William Agnew 1880’ £300-400

193. HENRY LIVERSEEGE (1803-1832)WATERCOLOURThe Happy Couple Leaving The ChapelAttributedToMount9” x 11 1/2” (22.8cm x 29.2cm)£400-600

194. EDMUND MORRISON WIMPERIS V.P.R.I (1835-1900)SEPIADRAWING ‘Ben Nevis’ signed with initials and dated (18) 99lowerleft13” x 19 1/2” £200-300

Lot 190

Lot 191

29

195. ANTONIO de SIMONEGOUACHE‘R.S.Y.C. Oceania’ Yacht, out at seasigned, titled and dated 1917 (?)18” x 26 1/2” (45.7cm x 67.3cm) £1500-2000

196. LOLLI (?) (twentieth century)WATERCOLOUR St. Mark’s Square, Venicesigned16 1/4” x 12” (41.3cm x 30.5cm) £100-150

197. E.PIZEY (1900-)WATERCOLOURHouseandGardenSigned14 1/2” x 10” (36.8cm x 25.4cm)£30-50

198. ATTRIBUTED TO JOHN RENTON (fl.1799-1841) SEPIAWATERCOLOUR,HEIGHTENEDFigures in a river landscapeunsigned,attributedtoFryGalleries,Londonlabelverso15” x 12” (39.1cm x 30.5cm)PROVENANCE: L.G Duke, C.B.E.

199. CHARLES MESSENT (twentieth century) WATERCOLOURFiguresinEasternCoffeeHousesigned9” x 12 1/2” (23cm x 31cm)andANOTHERCoastalscene8 3/4” x 11 1/2” (22cm x 29cm)£80-120

200. CHRISTOPHER HUDES (twentieth century) WATERCOLOURDRAWING Still life, Butterfly on fruit, against a mossy banksignedlowerright11” x 9” (28cm x 23cm)ovalmounted,framedandglazed£50-80

201. EDWIN M. BODDINGTON OIL PAINTING ON CANVAS (relined)‘West of BEDDGELERT 1864’landscape11 1/4” 9 1/4” £200-300

202. SAM TOWERS (1862-1943) WATERCOLOURCountrylanewithmaidandcottagesigned and dated 189911 1/2” x 191/2” (29.2cm x 49.5cm)£100-150

203. DONALD MICKLETHWAITE (b.1900)WATERCOLOUR,APAIRHarboursceneswithmooredboatssigned, certificates of authenticity verso10 1/4” x 14” (26cm x 35.5cm)£250-350

204. WALTER EASTWOOD (1867-1943)WATERCOLOURDRAWINGWatermillwithmillstream,horsedrawnwagon waiting with poultry in the yardSigned and dated (19)’3920inx24in£400-500

205. *UNATTRIBUTED (nineteenth century)CHALKONBUFFCOLOUREDPAPER Shoulder length portrait of a gentlemanindistinctlysigned10 1/4” x 7 3/4” (26cm x 19.7cm)

Lot 195

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CAPES DUNN

Forthcoming Sales 2009December

1 Specialist Auction of Northern Artists at 7:00pm

8 Jewellery, Silver, Electroplate, Watches and Gold Coins 15 Collectors’ Sale

PLEASE NOTE

We hold Victorian & Later Period Furniture & Effects sales fortnightly on Mondays (except Bank Holidays). These sales are on view Friday prior 2.30pm - 4.30pm and on the day of sale 9.15am - 11.amSales commence at 11am

UK

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CONDITIONS OF SALE

1. General. Every Lot is sold with all faults and errors of description and the auctioneers disclaim, for themselves and for the vendor, all responsibility for authenticity, age, origin, condition or quality. All statements on such matters whether printed in the Catalogue or made orally are statements of opinion and not representations of fact. Purchasers are deemed to have satisfied themselves on authenticity, condition, etc., before bidding and no-one in the Auctioneers’ employment has authority to make any representation of fact.

2. Bidding. The Auctioneer has absolute discretion to divide any Lot, to combine any two or more Lots, to withdraw any Lots, to refuse bids and to regulate the bidding. He may bid on the vendor’s behalf for all goods which are being offered subject to reserve or at the Auctioneers’ discretion.

3. Fall of Hammer. The highest bidder shall be the buyer - if any dispute arises the Auctioneer has absolute discretion to settle the dispute or to re-offer the Lot. At the fall of the hammer every Lot shall be at the risk of the buyer, and the purchaser shall give to the Auctioneer his name and address and such proportion of the purchase price as the Auctioneer may require, in default of which the Auctioneer may re-offer and re-sell the Lot or Lots in question.

4. Clearance of Purchases. No purchases shall be claimed or removed until the Sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense at the end of the first working day following the Sale, failing which the Auctioneers shall not be responsible if the same are lost, stolen, damaged or destroyed, and all Lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge of 25p per lot per day. If they are not removed within seven days of the Sale the Auctioneers may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneers in respect of any loss shall be restricted to a maximum of the price paid by the purchaser of the Lot.

5. Agency and General. The Auctioneers act as agents only and they disclaim responsibility for default by either buyer or seller. They accept no responsibility in connection with the commissioning of members of their staff to bid for Lots on behalf of intending purchasers. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. The Auctioneers do not guarantee the title of any Lot or Lots sold by them and will not be responsible for any defect in such title.

6. Defaults. If any buyer fails to comply with any of the above conditions the damages recover-able from the defaulter shall include all loss arising from any re-sale of the Lot together with the charges and expenses in respect of both sales and any money deposited in part payment shall be held by the Auctioneers against the defaulter’s liability.

7. Third Party Liability. Every person on the Auctioneer’s premises at any time shall be deemed to be there at his own risk and with notice of the condition of the premises and of the method of arranging furniture, etc. He shall have no claim against the Auctioneers in respect of any injury he may sustain or any accident which may occur.

8. Viewers handling goods on display will be held fully responsible for any damage or break-age.

CHEQUESPurchasers wishing to pay by cheque must produce a Bank reference to the Auctioneers before the sale.

PLEASE NOTE Cheques which are post-dated or written by a third party will not be accepted. There is a

buyer’s premium of 15% + V.A.T. on the hammer price.

Antique Furniture and PaintingsTuesday 17 November 2009 at 12 noon

CAPES DUNN

at THE AUCTION GALLERIES MANCHESTER