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Caravaggio and Rembrandt Baroque Visual Art

Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

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Page 1: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Caravaggio and Rembrandt

Baroque Visual Art

Page 2: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Power of Church and Monarchies partially restored

Excess ornamentation valuedRome became an artistic centerArt filled with emotion/dramaRealism instead of idealismChiaroscuro –Kept from Renaissance and

used to create intense drama

Baroque Period Basics

Page 3: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

ItalianPraised for his outstanding detail in paintingCondemned for several reasons:

Personal life – violent, aggressive and confrontational - killed an individual in Rome – consistently jailed

Works were not modest/very violent – excessive/unnecessary nudity - didn’t celebrate beauty as was the norm for art

Many felt his works lacked theological correctness – especially in the Death of the Virgin – The church loved his skill and he was the primary painter for the church– eventually excommunicated due to conflicts with the church – “The Antichrist of Painting”

Caravaggio

Page 4: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

One of best known Baroque artistsDutch (native to the Netherlands)Developed revolutionary technique

Use of large amount of paint Use of fewer brushstrokes Made paintings almost seem unfinished (clear and formal looking

from a distance)Painted many landscapes and made etchings about nature in the

1630s Many featured trees that had been blown over/very dark cloudy

skies

Rembrandt

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1640 works became more solemnFeatured family tragedies he had suffered

1650s his style changed againRicher colorsStronger brushstrokes moved him further from

fine detailLast years he focused on self portraits that

showed his grief and sorrow that he had suffered

Rembrandt Cont.

Page 6: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Bach and Handel

Baroque Music

Page 7: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Like in visual arts, emotion was very importantMost patrons were nobles from state or churchLittle thought of preservation of music

Musicians saw themselves as employees rather than artists and created on demand

Music specific to the occasionFew musicians kept their music – preservation usually

depended on the patron retaining the workCreated independently for the event – often for

festivals, weddings, ceremonies, the church, and holidays

Basics

Page 8: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Court organist in WeimarComposed the great works for organ

Chapel master to the prince of Anhalt1723 became cantor of St. Thomas’ Church in

LeipzigWeekly church cantatasFestive music for major events

Fugue – one-movement composition/uses imitative counterpoint

Bach's Music

Page 9: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Composed music mostly for the publicKnown for genre known as oratorio

(composed music with vocals)His most famous told the life of Jesus

(Messiah)Collapsed at the end of a performance of

Messiah and died 3 days later

Handel's music

Page 10: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Baroque DanceBallet – The Beginnings

Page 11: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

The Birth of BalletGrew from court dance of RenaissanceDance masters became a necessity – nobles

studied with dance mastersMasters started to use rehearsalsDance manuals became common – taught

both dance and social etiquette

Page 12: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Catherine de MediciGiven some credit for beginnings of ballet in France

1533 – married French King Henry IIShe was Italian = French did not like Italy (the marriage

was meant to create an alliance)She brought Italian dance master Balthasar de Beaujoyeaux

– duties of court entertainment1581 – Balthasar created Ballet Comique de la Reine (the

Queen’s Comic Ballet) – first true ballet Included: large sets, songs, poetry, and prose – performed

by court nobles

Page 13: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

King Louis XIVContinued the French tradition of Ballet“The Sun King” – performed role of Apollo in Ballet de la Nuit

(Ballet of the Night) in 16531661 – established Academie Royale de la Danse (Royal

Academy of Dance) – aided in professionalization of the art of ballet

Pierre Beauchamp – king’s ballet master – developed common ballet terminology and technique

Ballet no longer function of court – moved from palace to theatre

First female dancers to professionally perform appeared in 1681 in Le Triomphe de l’Amour (The Triumph of Love)

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5-6 sentence summary

Summary

Page 15: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Baroque Visual Samples

Page 16: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Caravaggio

Page 17: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Conversion of Saint Paul

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Calling of Saint Matthew

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David Victorious over Goliath

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David with the Head of Goliath

Page 21: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

The Entombment of Christ

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Self-Portrait as Bacchus

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Martyrdom of Saint Matthew

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Boy with a Basket of Fruit

Page 25: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

The Crucifixion of Saint Peter

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Judith Beheading Holofernes

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The Musicians

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The Beheading of Saint John the Baptist

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Death of the Virgin

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Victorious Cupid (Amor Vincit Omnia)

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Saint John the Baptist

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Rembrandt

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Self Portrait 1629

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A Scholar

Page 35: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

The Anatomy Lecture of Dr. Nicolaes Tulp

Page 36: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Philosopher in Meditation

Page 37: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

The Blinding of Samson

Page 38: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Self-Portrait 1640

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David and Jonathan

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The Company of Captain Frans Banning Cocq (Night Watch)

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Christ with the Sick around Him, Receiving the Children (etching)

Page 42: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

The Mill

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Aristotle contemplating a bust of Homer

Page 44: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Joseph Accused by Potiphar's Wife

Page 45: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Self-Portrait 1661

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Self-Portrait 1669

Page 47: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

Baroque Music Samples

Page 48: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

BachToccata and Fugue In D Minor Invention 1Anna Magdalena's NotebookJesu, Joy of Man's DesiringAir On a G String

Page 49: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

HandelEv'ry Valley Shall Be ExaltedGlory to God In the HighestWhy Do the Nations So Furiously Rage?

Hallelujah ChorusPastoral Symphony

Page 50: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

VivaldiThe Four Seasons, SpringThe Four Seasons, SummerThe Four Seasons, AutumnThe Four Seasons, WinterConcerto in C Major for Mandolin and

Strings

Page 51: Caravaggio and Rembrandt. Power of Church and Monarchies partially restored Excess ornamentation valued Rome became an artistic center Art filled with

The Power of Art: Caravaggio notes

Baroque ppt. notes with summary

Baroque samples

Baroque Binder Check