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TRADITIONAL ART
&ARCHITECTURE
OF
CHETTINAD
Culture & Architecture
SOCIAL LIFE OF NAGARATHARS
SALIENT FEATURES OF A CHETTINAD HOUSE
TRADITIONS IN ARTS & CRAFTS
SPACE, FUNCTION & CLIMATE RESPONSIVENESS
COLUMNS, PARAPETS AND CORNICES
RAJAS’ PALACE IN KANADUKATHAN
NAGARATHAR HOUSES IN KARAIKUDI.
Culture & Architecture
Culture & Architecture
• CHETT I N AD is a region of
the Sivaganga district of
southern Tamil Nadu state,
India.
• KARAIK U DI is known as
the capital of Chettinad, which
includes Karaikudi and 74
(traditionally its said as 96)
other villages.
• Since Chettinad was
strategically located on the old
trade route, the Chettiars left
their homes to work as traders
and moneylenders in Burma,
Ceylon (Sri Lanka), Malaysia,
Singapore, Vietnam and other
South-East Asian countries.
• They prospered, returned
home & built massive homes
made of Burmese teak thatCulture & Architecture
• Nagarathars are an exclusive
clan, famous for their
enterprise, hard work and
contributions to society.
• They earned money by
crossing the seas and their
business acumen made them
successful and prosperous.
• Their social life is Unique. At
the apex of the family
household, is the “Aachi” the
senior most female in the
house.
• She controlled, if not every
thing, the finances of the
household.
• As a result of their traveling,
the Chettiars integrated
diverse influences into their
traditions which contributed
to their uniqueness.
Culture & Architecture
• Since the 1970s, many have
become professionals,
entrepreneurs and industrialists.
• While the Nagarathars still see
their roots in Chettinad, over the
years, they have been moving
away from ancient traditions and
customs.
• Chettinad is known for its Culinary
delicacies
• Traditionally, meals for Chettiars are
served on a large banana leaf with rice,
vegetables, pickles, papadams, along with
meat dishes.
• Chettiars are very superstitious with
numbers, dishes have to be served in odd
numbers (i.e. seven or nine dishes per
meal).
• Although the Chettiars are well-known for
their delicious vegetarian preparations,
their recipes include fish and meats also.
• Chettinad can be considered as the master
chefs who prepare food that reflects the
excellence of South Indian look for in the
preparation and serving of food.
CHETTINAD CUISINE
Chettinad cuisine traditionally eaten on
a banana leaf (vaazhai ilai)
Culture & Architecture
Culture & Architecture
The colorful Rituals in
Traditional Weddings
Culture & Architecture
around 9 clan temples. Each
member of the Chettiar community
belongs to a clan and each clan has
its own temple.
• AYANNAR SHRINES
Ayannar is the Tamil God “of
everything ": rain maker, god of
children, cattle, villages, earth,
nature and villagers. He is present in
rural areas. His abodes are not
necessarily temples but outdoor
shrines that are filled with terra-cotta
offerings.
• MARIAMMAN TEMPLES
Mariamman, the Goddess of
smallpox, is the deity of life,
especially of women and children.
She grants children and cures them.
The main festivals take place during
the months of March and
April. There is great fervour during
CUSTOMS & TRADITIONS
Culture & Architecture
FESTIVALS• DEEPAVALI - On
Deepavali day, there is a
grand festive lighting of
traditional lamps by the achis
(the Chettiar wives). The
lamps are placed with other
consecrated offerings on
banana leaves.• NAVA RATRI - Navaratri is the
celebration of Goddesses
Lakshmi, Saraswati, and Durga,
the manifestations of Shakti
(Female Energy or Power).
Customarily, the Navaratri
festival or „Nine Nights festival‟ is
the culmination of nine days and
nignts of joyful celebrations
when the women of a
household are particularly
celebrated .
Culture & Architecture
Temple Festival – the 5
decorated gods,
Panchamurthi - the
annual procession in
open bullock carts
Vaikasi Visakam – carrying of
kavadi, Fire walking &
piercing the body with long
needles & sharp hooks
Culture & Architecture
Puravi Edupu – Horse festival –
beseeching the rain gods for
their mercy
Sevvai(Tuesday)Pongal-
celebrated on first Tuesday of
pongal, the harvest festival
Culture & Architecture
• Athangudi tiles
are prepared by a
unique process in
which local soil
along with
cement, baby jelly
and synthetic
oxides are used.
• The tiles are cast
from the locally
available clay that
is first burnt and
then glazed.
• It is the play of
base colours with
typical
conventional flora
and line-drawing
designs that
ATHANGUDI T ILES
ARTS &
CRAFTS OF
CHETTINAD
Culture & Architecture
Culture & Architecture
• The arts & crafts of Chettinad
occupy a distinct position in South
Indian folklore.
• Wood carving, silver
embellishment, woven saris, palm-
leaf baskets, gold jewellery, hand-
made tiles, architectural styles,
refined cuisine and egg plastering
are among their more visible
contributions to the wide-ranging
repertoire of Indian arts and crafts.
• Chettinad baskets has a special
attraction as they have intricate
patterns made with date-palm
leaves.
Twin Chettinad
baskets woven
in fine silver
Intricate
wooden carved
doorframe
Traditional Jewellery
Traditional thaali -
Marriage necklace
Culture & Architecture
Kandanghi sarees-
hand woven
Palmyra
leaf
Baskets –
‘Kottans’
&
‘Koodais’
Kidarams-big
water storage
vessel
Sombu -
Brass vessel
Crafted
aruvamanai
Ornamental
wooden carving
Spitoons-
Echilpanickam
Culture & Architecture
Use of Burmese teak and multi-color
tiles for cupboards.
The
Traditional
Wooden
Dolls –
The
Chettiar &
The Achi
• A special feature of any chettinad
house is the decorative art of
"Kolam" practiced everyday at
dawn on the cleansed threshold
of the house.
• During auspicious days and
especially on lifecycle rituals like
birth and marriage related
celebrations, this art form on the
Nadu veetu kolam
ARCHITECTURE OF CHETTINADCulture & Architecture
Culture & Architecture
• Most Chettiar mansions
comprised of a public
reception area abutting the
street.
• The basic floor plan of a
Chettinad house consists of
an outside verandah (thinnai)
for guests,
• with a room for conducting
business on one or both
ends;
• an interior courtyard to be
used in ceremonies, with a
raised seating area at one or
both ends;
• a series of small double
rooms opening off the main
courtyard, for storage, prayer
and sleeping and a small
• They later expanded vertically
into two-storeyed structures, and
horizontally through the addition
of numerous halls and courtyards
that could accommodate guests
at marriages and other
ceremonies.
• The rear hall served as the
women‟s domain where the
women of the community reared
children, engaged in food
preservation and went about
other domestic activities.
TYPICAL NAGARATHAR HOUSES
Culture & Architecture
ItalianTiles
• Chettinad
architecture
stands out for
its use of
large spaces
in halls and
courtyards,
ornate
embellishmen
ts like Belgian
glasswork,
intricate
woodwork,
spectacular
ceramic tiles,
stone, iron
and wooden
pillars like
nothing else
that can be
Culture & Architecture
CHETTINAD HOUSES
existed in the older days.
• Buildings are divided into
portions -„Kattu‟.
• Each house in chettinad is made
up of Mugappu, Valavu,
Irandankattu, Moonankattu &
thottam
• Mugappu – The reception;
entrance of the house
• Valavu – Living area of the
house
• In the valavu, there are 4
platforms that are called as
Pattalai, each at 4 corners of the
valavu.
• Pattalai – Living halls of each
family
• Along with Pattalai, valavu
consists of numerous Irattai
veedu.
• Irattai veedu – rooms used by
each family to keep their
• Nadai – Corridor
• Irandankattu – used for
dining / with storerooms for
storing crockery/kitchenware
• Moonamkattu –
Kitchen(adukala)
• Thottam – Garden
• Stables, cowsheds etc.,
“Mugappu" held by pillars made of granite
Culture & Architecture
• The magnificent
mansions in Chettinad
are the finest
examples of
combinations of
vernacular
architecture &
amalgam of South
East & European
architecture.
• The source of
inspiration derived
from can be attributed
to their connection
with Trade, Travel,
Temples, Tradition
and Taste.
• From birth to burial,
the Nagarathars
observed numerous
ceremonies.
The pillared corridors
around the 'valuvu'
(courtyard), lead into
individual rooms, each
meant for a married son.
The long corridors of
second kattu-used for
dining
Culture & Architecture
urban planning,
represented namely by
orthogonal streets and
specific water management
systems, which are also
directly linked to the earlier
Tamil traditions of
rectangular plots and
houses with an inner
courtyard.
• The houses, which evolved
over two centuries, are
veritable palaces.
• On the ground floor, the
architecture is typically
Tamil, while one can see
Western influences on the
higher floors.
• This reflects the Chettiar
way of life, a combination of
their vibrant traditions with
the global economy.
• The marble was brought from
Italy, chandeliers and teak
from Burma, crockery from
Indonesia, crystals from
Europe and wall-to-wall
mirrors from Belgium.
• The woodwork and
stonework was inspired that
of the houses in France and
other European destinations.
• The walls of Chettinad
Nagarathars‟ buildings are
embellished with „Chettinad
plaster‟ whose other names
are:
• White –„Vellai poochchu‟;
• Egg plastering;
• Muthu Poochchu
• Such walls were coated with
several layers comprising
Culture & Architecture
Kanakupullai’s room2nd Courtyard3rd Courtyard 1st Courtyard
Thinnai
kitchen
TYPICAL PLAN OF A CHETTINAD
HOUSE
The open aired 'valavu' (courtyard) with
wooden-pillared corridors on each side. The
pillars were made out of Burmese Teak.
Culture & Architecture
The most important characteristic
features of Chettinad Buildings are
–
1) Cluster Houses, with
2) (Mostly)East West orientation
3) High – rise compound wall
(front side)
4) Entrance Arch with stone steps
5) Elevated plinth,
6) Tiled Portico,
7) Facade with stucco sculptures,
8) Verandah „Thinnai‟ (two
Platforms),
9) Wooden Pillars on it,
10) High door frame with ornate
wood work,
11)Double main door,
12) „pattalai‟ or pattasalai (smaller
version of the thinnai- platforms),
13) Open Courtyard („Mutram –
Valavu‟),
16) Edges of the passages are
lined with cut stone slabs
known as „vellaikkallu‟,
17) The stone pillars meant for
supporting the roof,
18) Sloping clay - tiled roofs,
The color-glass arch flanked by pillars on
either sides
Culture & Architecture
19) Square – flat tiles floor of
the „mutram‟ will have
rectangle stone slabs on all the
four corners to bear the brunt
of the falling rain water,
20) Small single / double
rooms on one side or either
side of the passage
(„suththukkattu‟) length – wise,
21) Kitchen on the last „kattu‟,
22) Staircase on one or two or
all the four corners,
23) Banquet Hall Bhojan Hall
„Panthi kattu‟ on the side of the
first kattu,
24) Floors laid with -Italian
marble Black and White,
Granite & Athangudi tiles -
„Pookkallu‟,
25) Japanese and Spanish tiles
were both used for side walls
27) All the mediums used in
making columns viz, wood,
stone, brick, and iron,
28) First floor facade is
invariably adorned by
colonnade made of stone,
wood, and bricks,
29) Window niches and arches
above are decorated with
stucco work or paintings.
30) Designed for collecting /
harvesting rain water (especially
in courtyard (Mutram).
Central portion of 'valavu', called 'Muttram'
Culture & Architecture
• Chettinad is rich
in cultural heritage,
art and
architecture, and is
well known for its
houses,
embellished with
marble and Burma
teak, wide
courtyards,
spacious rooms,
and for its 18th
century mansions.
• Local legend tells
that their walls
used to be
polished with a
paste made out of
egg-whites to give
a smooth texture.
The Reception
area -
Chettinad
House – with
imported
Italian Marble
flooring
Extensively
carved
Wooden
Ceiling of a
Chettinad
mansion
Culture & Architecture
Moonamkattu – the kitchen courtyardThe Hall
The Pillared Verandah courtyard
Culture & Architecture
RAJA’s PALACe
KANADUKATHAN
Culture & Architecture
• The Chettinad Raja‟s
Palace, home of the
Chettiar family, was built in
1912.
• The pillars around the
courtyard are in Burma teak,
and there is picturesque
combination of scarlet tiles
and sloping woodwork. The
construction material, decor
items and furnishings were
mostly imported, from east
Asian countries and also
from Europe where the Raja
Chettiyar had spread his
sprawling business .
• The woodwork and stone
work were inspired by
French and other European
architecture.
Culture & Architecture
The elegant wooden bracketing
Mugappu - belgium glasswork
Culture & Architecture
Imported Italian chandeliers- Unique
decorated wooden columns
The Central courtyard is used for weddings and
religious ceremonies.
Culture & Architecture
The elegant Dining Hall
Entrance
Hall
The third courtyard
PARAPETS,
CORNICES &
PILLARS /
COLUMNS
Culture & Architecture
Culture & Architecture
Wooden carvings
intricate poetry on wood- richly
carved doorway
Elaborate wooden ceiling in a mansion
Use of animal motifs for brackets
Culture & Architecture
Pillars/Col
Culture & Architecture
Parapets/Cornices
The rich and
intricate detailing
of the parapets and
cornices across the
houses of chettinad
Culture & Architecture
Windows
The colorful Belgian Glasswork
Culture & Architecture
Stucco-work
Stucco Work-ArchitecturecumSculpture
• Stucco work was used on the interior & exterior
walls; stucco sculptural work was employed on the
entrance tower, façade, railing wall & compound wall.
• Images of God, goddess, angels, flora and fauna are
generally portrayed by using the medium of stucco.
• The icons of Gods/Goddesses- Gaja Lakshmi,
„Meenakshi Sundareswarar‟,Shiva Parvathi on
Rishaba bull was often a repeated theme in
Chettinad.
STUCCOWORK
• Gajalakshmi symbolizes
protection and prosperity while
Shiva Parvathi pair represents
happy family life.
Culture & Architecture
Chettinad is a hot and semi-
arid region, The climate was
taken into consideration in the
design of their homes and the
materials used.
• The houses were built around
an East/West central
courtyard which brings shade,
light, coolness and air to the
entire home.
• BUILDING MATERIALS USED
- The materials used for
construction and the essential
components of this luxury
home are brick and lime plaster
walls, terracotta tiled roofs,
stone pillars, teak columns,
and marble and stone floors.
• ROOFING - The roof is
terracotta tiled – which helps in
shutting out the immense heat;
CLIMATE RESPONSIVENESS