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CLIPSTER®Mastering Excellence
“We know from experience that DCP creation is not so straightforward as it might appear. CLIPSTER® is the single DCP solution that fulfils our objectives of quality, reliability and security.”
Richard Boyd, Head of Technical Services at the BFI
* In line with the latest published specification from IMF/SMTPE
3
CLIPSTER®T HE HE A R T OF YOUR DI
The award-winning CLIPSTER® DI workstation is the perfect solution
for any DI workflow. A complete hardware and software turnkey
finishing system, CLIPSTER® equips users with a robust toolset to
tackle any challenge and enhance the post production of film and
broadcast projects. Use the advanced DVS system for a large variety
of DI steps, from capturing to mastering in several digital distribution
formats. CLIPSTER® already meets the challenges of the future today,
enabling digital deliverables from RAW camera files, the creation of
mezzanine formats like IMF* (Interoperable Master Format) or
AS-02 packages and DCI cinema projects (including 3D), as well as
the conforming and editing of uncompressed 4K data in real time.
Among other prestigious prizes, CLIPSTER®
was honored with the Hollywood Post
Alliance’s Engineering Excellence Award.
MASTERING EXCELLENCE
2
T HE C ORE OF YOUR DI WORK F LOW IN ONE PACK AGE
CLIPSTER® is feature-rich for use in all facets of
post production and mastering. A complete
package, CLIPSTER® enables: capturing of
any video format, including high-resolution
film data; real-time processing, comprehen-
sive conforming and editing of RAW camera
data; scaling and color correction; automated
stereoscopic correction of geometry and
color misalignments; interaction with color
grading tools by third-party vendors; version-
ing in various formats including AS-02 and
IMF; and stereoscopic DCI Mastering. The
DVS DI workstation efficiently manages the
core tasks of the DI workflow in one box,
eliminating time-consuming pre-processing
and copying. CLIPSTER® excels with amazing
flexibility and openness and integrates easily
into new or existing film and broadcast post
production workflows. By consistently
following through on its upgrade paths,
DVS offers CLIPSTER® as a state-of- the-art
workstation designed to meet tomorrow’s
challenges today.
RE A L-T IME S AV E S YOU RE A L T IME
Say goodbye to lost time waiting for vital
DI processing steps to be completed.
CLIPSTER’s real-time features include RAW
processing, conforming, editing, color cor-
rection and versioning. The DI workstation
converts image data to any given format
and easily handles any data, from SD, HD
and 2K up to 4K. Benefit from CLIPSTER’s
real-time features, and use the time savings
to optimize your creative workflow.
UNC OMPRE S SED DATA
CLIPSTER® is the only system worldwide to
process uncompressed, multi-format file
sequences like DPX or TIFF in 8, 10, 12, or
even 16 bit RGB 4:4:4 – all in real time, even
up to 4K. No waiting time; no artifacts!
A N Y QUA L I T Y, A N Y F ORM AT
No matter the format or resolution –
CLIPSTER® can handle it all. In addition to
DPX, OpenEXR, Cineon®, TGA and TIFF, this
powerful workstation supports more than
100 other graphic formats for project use.
CLIPSTER® also handles other formats, such
as JPEG2000, QuickTime®, Apple ProRes
(422, 4444, HQ, LT, Proxy), Avid DNxHD®,
Panasonic DVCPRO HD®, P2 (incl. 3D P2) and
AVC-Ultra (AVC-Intra 50/100 and AVC-Intra
Class 200), Sony XDCAM® HD, Sony SR for-
mats, Windows Media®, MXF, MPEG-1/2,
and RAW data from digital film cameras
such as RED®, ARRI, Sony, Phantom or
Silicon Imaging. Each format has its bene-
fits – which is why CLIPSTER® supports
them all. Work in real time with SD, HD, 2K
and even beyond 4K material, either truly
uncompressed in RGB 4:4:4 or compressed.
SD: 720 x 576
DPX, OpenEXR, TIFF, PNG, BMP, JPEG2000, R3D, ARI, Cineform, MXF, QuickTime®,
Windows Media®, H.264, MPEG-1/2, Panasonic DVCPRO® and AVC-Ultra,
Sony XDCAM®, Avid DNxHD®, and lots of other formats
HD: 1280 x 720
HD: 1920 x 1080
2K: 2048 x 1556
4 x HD: 3820 x 2160
4K: 4096 x 3112
4 5
MASTERING EXCELLENCE
PREMIUM S OF T WA RE MEE T S P OW ERF UL H A RDWA RE
In a unique combination, our hardware and
soft ware are perfectly optimized for each
other. We develop these two components
together to offer our clients ideal tools for
outstanding project performance, from batch
capturing to conforming, to color correction
of uncompressed, high-resolution file
sequences in real time.
A N Y IN, A N Y OU T
When workflows change with every new
project, clients demand flexibility. When pro-
ject data requires complete re-processing
to be delivered in formats ranging from video
tapes to mezzanine formats like IMF or
AS-02 and Digital Cinema Packages, turn to
CLIPSTER®. The DVS DI workstation handles
multiple formats and multiple resolutions in
a single timeline. Files in various color spaces,
bit depths, and sampling rates can be mixed
and matched in your timeline and can be
quickly processed without any conversions.
The CLIPSTER® software has proven itself
over many years of use and assists with any
conforming, editing and versioning steps.
The hardware features 20 video interfaces,
from HD-SDI dual-link to RGBS to DVI and
outputs up to 16 bit.
Real-time color processing in 4K
76
MASTERING EXCELLENCE
IN T UI T I V E GUI F OR CRE AT I V E F REEDOM
Hundreds of buttons for one workflow? CLIPSTER® will not obscure your vision:
The GUI is designed for intuitive operation, with specific user guidance to
support your creativity. As for mastering: Let our wizards ease the way for you.
The wizards guide you through all settings until your individual output package
is written onto the storage. Use CLIPSTER® to implement innovative ideas in
your projects – always in maximum image quality.
98
MASTERING EXCELLENCE
Real-time 3D LUT displayed in a color cube
Comfortable cropping thanks to CLIPSTER®
Sophisticated conforming with CLIPSTER®
HD/2K Film Camera
SD/HD/2K/4K Data
HD/2K/4K Data
HD/2K/4K Data
HD VTR
SD VTR
2K/4K Projector
FireWire®/USB Drive
Film Recorder
NLE Editing
SD/HD/2K/4K Video
SD Video
SD/H
D/2K/4K Video
HD VTR
HD Video
SD VTR SD Video
SD/H
D/2
K/4
K D
ata
Film Scanner
SD/HD/2K/4K D
ata
FireWire®/USB Drive
HD/2K Video
OPENNE S S, CER T IF IC AT E S A ND AWA RD S
An open system, CLIPSTER® provides superior interoperability with
third-party systems. Its flexibility, Windows® NTFS, SAN connectivity,
and OpenFX enable its use for a wide range of video processing,
broadcasting, and digital cinema applications. CLIPSTER® can be
remote-controlled from RS-422 or in a SOA (service-oriented archi-
tecture) over SOAP commands. CLIPSTER® is certified regularly by
other vendors and has been honored with a number of prestigious
accolades, including the Hollywood Post Alliance’s Engineering Ex-
cellence Award and the Digital Cinematography Award. CLIPSTER®
is a valuable partner in any workflow and quickly establishes itself
as an excellent, indispensable team player.
Data
Video
SpycerBox
DVS-SAN
RAW Data
RAW Camera (RED®, ARRI, Sony, Phantom, Silicon Imaging)
SD/HD/2K/4K Data
HD V
ideo
Telecine
DCI Mastering (2D/3D)
IMF & AS-02 Mastering
Multi-format editing
4K conforming EDL/XML/Cutlist
Real-time zoom and pan
Real-time 3D LUT
Secondary color correction
Primary color correction Versioning
1110
MASTERING EXCELLENCE
“What we appreciate about CLIPSTER® is its fas-cinating multi-functionality. You can process almost any kind of file format immediately and that for either playout, finalizing, conversion and brilliant conforming. It is a true time saver and the new DCP module is a big plus for our worldwide projects.”Gunter Puszkar, Head of Post Production/
Visual Effects Supervisor at PostFactory
DemosaicanddecodeRAWfilesinrealtime toenablefastDIworkflows(RED®,ARRI,Sony,Phantom, Silicon Imaging, and a host of other digital cameras)
Control the image processing requirements for developing RAW data
Quickly create high-quality RAW dailies with comprehensiveburn-insfromRAWfiles
SophisticatedconformingofRAWfiles
FCP XML and Avid® ALE support
RAW WORKFLOW WITH CLIPSTER®
QuickTime®
Reference file
RAW files likeR3D, ARI, CIN
Bayer Pattern Camera e. g. RED®, ARRI, Sony
Silicon Imaging HD-SDI single-/dual-link DVI out up to 4K DPX, TIFF, PNG, etc.
Color grader control of CLIPSTER® over RS-422
Color grading with DPX file sequences
Offline editing with FCP
Offline editing with Avid®
EDL/XML
Avid DNxHD®
EDL/ALE
Real-time demosaicing and decoding of RAW files in full 4K resolution
Generate RAW dailies with sophisticated burn-ins
Powerful conforming of RAW files with EDL, XML and ALEs
Color grade in a typical DI workflow controlling CLIPSTER® over RS-422
Generate DPX file sequences in 4K RGB 16 bit in high speed
L IGH T NING FA S T R AW DA IL IE S
Create offline editing content on-the-fly with CLIPSTER’s brand
new burn-in feature set. RAW dailies are generated easily with RAW
material directly from RED®, ARRI, Sony, Phantom, Silicon Imaging,
and a host of other digital cameras, eliminating time-consuming
data processing sessions. CLIPSTER® provides the formats needed
for your offline workflow. The powerful CLIPSTER® engine generates
offline formats in HD/SD, Apple ProRes (422, 4444, HQ, LT, Proxy),
Avid DNxHD® or other commonly used compressed formats with
the metadata and header information burned into the picture.
PROCE S S F UL L 4K R AW F IL E S
Shooting in RAW mode provides the highest quality content and
delivers the utmost flexibility from acquisition through post produc-
tion. The CLIPSTER® hardware accelerator board easily decodes,
demosaics, and processes RAW content faster than real-time.
Moreover, it provides the ability to work with a full resolution RAW file
in 4K 12 bit RGB mode just like RED ONE®, RED EPIC®, ARRI ALEXA
and Sony F65 cameras. Simply drag and drop the RAW files directly
into the CLIPSTER® timeline and press “play.” No pre-processing or
back ground rendering is required. In addition to the video stream,
the audio and all of the metadata are utilized. A sophisticated tool-
set lets you view the camera parameters, enabling ultimate picture
control to achieve just the right look.
3D WORK F LOW
Whether you ingest 3D content using HD-SDI up to 30 frames per
second or use any file-based input format – CLIPSTER® simplifies
the handling of 3D content. Connect two independent streams in
the timeline, right away in the BIN or automatically on import and
both streams will be used in perfect synchronization. Stereo
tracks can be edited as regular video tracks – eliminating the need
to edit the left and right eyes separately. Play out and control both
streams simultaneously over HD-SDI or DVI. A routing feature
helps you to define the left and right eye outputs. Control depth in
real time up to 48 frames per second per eye with a special 3D
panel and the unique Stereoscopic Analyzer STAN – preparing you
for the high frame rate tasks to come. Conforming 3D content is
also painless with CLIPSTER’s sophisticated conforming tool; just
drag and drop the EDL onto the timeline and the stereoscopic im-
ages are created.
T HE RE A L-T IME DIG I TA L C A MER A R AW WORK F LOW
CLIPSTER’s unique Conforming Tool quickly manages and conforms
all original RAW content via EDL, FCP XML or ALE. Using the timecode
and reel number, the RAW files can be assembled on CLIPSTER’s
timeline. By using a split screen you can compare the 4K RAW 12 bit
material with the offline files from editorial, such as QuickTime® or
DNxHD®. CLIPSTER® color corrects or scales each format in real time.
DPX file sequences, for use in third-party color grading software,
are generated faster than real-time. With any RAW files in the time-
line you can control CLIPSTER® with your preferred color grader via
an RS-422 interface in highest quality.
Apple ProRes
Utilize the manually controlled stereoscopic correctiontoolsandbenefitfromthehighly sophisticated automatic correction with the integrated Stereoscopic Analyzer STAN
Check the proper 3D image depth with CLIPSTER’s complete set of display modes and analyzers
All major stereoscopic dual-stream methods are supported (e. g. interleaved, side-by-side, polar-ization, anaglyph red/green, anaglyph red/cyan, Infitec®,etc.)
Easily conform and merge left and right eye streamslikeuncompressedfilesequencesandcontainer formats into the timeline and edit them as regular video tracks
Play back and master high frame rates in 3D including depth-animated subtitles
1312
MASTERING EXCELLENCE
Photo courtesy of Warner Bros. Pictures
DCI MASTERING WITH CLIPSTER® IN 2D AND 3DSTATE-OF-THE-ART DCI MASTERING
CLIPSTER® enables the generation of DCI masters with 2D and 3D
content. Following the DCI specification, CLIPSTER® grants the ability
to create fast and secure stereoscopic Digital Cinema Packages
(DCPs). CLIPSTER’s DCI Mastering Wizard lets you conveniently
perform all steps in the stereoscopic DCI Mastering process including
interleaving (for 3D content), encoding, encryption and wrapping
into MXF files. With CLIPSTER’s unique hardware accelerator, this
process can be accomplished faster than real-time!
“DVS has consistently proven themselves to be an invaluable partner. They showed real willing-ness to work with Park Road and make signifi-cant advancements to the CLIPSTER® platform. They developed the CLIPSTER® to be able to encode 48 fps 3D for DCI mastering, with the increase in bit rate and proprietary encoding hardware the quality and speed of the final output of JPEG2000 is unprecedented. Arguably without DVS’ willingness to innovate and push the boundaries we would not have been able to deliver this film.”Ian Bidgood, Technical Director at Park Road
Meet the latest high frame rate demands with brilliant image quality, based on high bit rate encodingupto500Mbit/sandfinetuneableJPEG2000 settings
EncodehighestqualityJPEG2000X’Y’Z’filesinhigh speed with DVS’ unique hardware-acceleration to handle all frame rate and resolution demands
Conveniently perform all steps in the DCI Mastering process with CLIPSTER’s DCI Mastering Wizard – both in 2D and 3D
Comfortably apply multiple DCI subtitles in XML and PNG style, position them in 2D and 3D and even edit typing errors with instant visual feedback
CheckthefinalDCPusingCLIPSTER’sD-Cinemaemulation in its full 12 bit quality, including subtitling
DCI Mastering also includes support for supplemental DCPs – quickly generate various DCP versions in different languages
Validate any DCP automatically with the included DCI validation tool for full standard compliance and receive trustworthy DCPs on delivery
Work in all phases: interop, transition and full SMPTE
Use the latest DCI additions like audio labelling, D-Boxsupportandbenefitfromguidedpackagenaming corresponding with the DCI’s naming convention
Rely on sophisticated hardware-based KDM generation and encryption, also supporting combinedserverandprojectorcertificates (optional in software)
BenefitfromthemostcompleteandpolishedDCI Mastering feature set on the market to meet even the tightest production schedules
The DCI Mastering Wizard
S OPHIS T IC AT ED DC I M A S T ERING
Generating DCPs is a complex and respon-
sible task: Beginning with the import and
arrangement of delivered video, audio and
subtitle assets, heading into management
of different language versions, reel editing
and handling, image encoding, audio
labelling, correct package naming and
finally the generation of valid KDMs for the
individual cinemas and visual quality control
of the final images and subtitles. All this has
to happen within typically tight deadlines
where mistakes are not acceptable –
DCI Mastering is quite a challenge.
CLIPSTER® will ease your mind as it
smoothly supports and guides you through
all the individual stages of 2D and 3D DCP
creation. Being a long-time SMPTE mem-
ber and in-depth DCP-expert for several
years, Rohde & Schwarz DVS always pro-
vides up-to-date DCI compliance as well as
well-balanced tools for a perfect DCI
Mastering experience. Even with a
tremendous amount of options and tools
CLIPSTER® keeps the process comfortable
and efficient, with the user and timeframe
in mind: With our impressive history in
video board technology, our proprietary
JPEG2000 hardware enables a constant
2K 96 frames per second encoding
performance. This answers highest
throughput demands – solving even the
latest 3D 48 fps high frame rate tasks.
DV S ’S LONG -T ERM E X PERIENCE
In a perfect world, all DCI-compliant devices
would seamlessly interact – in reality, there
are small but significant differences and
you have to make sure that your packages
are encoded in a way that all the various
players, cinema servers and Integrated
Media Blocks (IMB) are capable of handling
them properly. CLIPSTER® will smoothly
see to that. DVS’s long-term experience is
the crucial link between all the individual
steps when producing the final package:
JPEG2000 hardware encoding, wrapping,
labelling and guided-naming are perfectly in
tune to create reliable packages. To maximize
the trust in the final package, CLIPSTER’s
automated DCI validation tool includes a
broad variety of test-patterns that are
securely reported and logged.
QUA L I T Y C OME S F IRS T
When creating the ideal 3D experience,
control over the available depth parameters
is critical and instant visual feedback is
essential. With these requirements in mind,
CLIPSTER® was designed to support all
available output formats to connect to single
or dual projection units and screens. If you
find yourself in a situation where only a 2D
screen is available, the anaglyph-mode
offers a safe fallback. Camera misalignments
while recording must be detected in order to
prevent vertical and rotational offsets from
showing in the editing room and in the
theaters. The highly sophisticated STAN
software (Stereoscopic Analyzer) is tightly
integrated into every CLIPSTER® offering the
most superior 3D error detection available in
the market. For manual correction, all neces-
sary parameters can also be edited and
animated. Use the overlay’s difference and
anaglyph modes to control the result, or
consult the all-new 3D depth histogram to
quickly reference depth allocation – including
configurable thresholds for maximum
disparities. For color differences, the
automatic color matching tool enables you
to align the look between both eyes. With
CLIPSTER’s D-Cinema player emulation, you
can easily control the quality of the final DCP
and view its integrated subtitles – both
standard and depth animated.
3D Subtitling
Photo by James Fisher
Automatic Colormatch
DSM DCDM CPL KDM DCPDCI
1514
MASTERING EXCELLENCE
1716
MASTERING EXCELLENCE
Today, there is a need to generate multimedia deliverables for devices
like IPTV, DVD, Blu-ray, mobile phones, multimedia players, content
services, web applications and gaming consoles in different versions
and languages. CLIPSTER® supports mezzanine files like IMF* (Inter-
operable Master Format) or AS-02 and enables versioning and
inventory management of content for use in multi-version, multi-
lingual, and multi-delivery media environments. Utilize CLIPSTER® to
create mezzanine formats like IMF or AS-02 digital masters with
video, audio, subtitle, and closed caption tracks for business-to-
business file-based workflows and file-based libraries.
C OMPL E T ELY TA PEL E S S
Smoothly transition from tape-based workflows to digital file-based
work flows with CLIPSTER®. Using SOAP (Simple Object Access Proto-
col), automate CLIPSTER® to create your mezzanine files or output
deliverables. Our highly customized intuitive wizards guide you
through every step of the mezzanine workflows, simplifying the
respective processes.
MEZZANINE (IMF/AS-02) WORKFLOW WITH CLIPSTER®
Faster than real-time encoding of JPEG2000 RGB/YUVfilesequencesupto500Mbit/s and beyond (for high frame rates and 4K applications)
Intuitive wizards guide you step by step, simplifying the creation of mezzanine formats like IMF* or AS-02
Subtitling emulation supports subtitle displays in the CLIPSTER® software
Extensive metadata support
SOAP (Simple Object Access Protocol) interface enables CLIPSTER® control via third-party tools
H.264, MPEG-2, MPEG-1, Avid DNxHD®, Apple ProRes, VTR444/422 SD/HD, Blu-ray, DVD, Mobile, Web, IPTV, ...
Picture
Audio
Subtitles
Closed Captions
Main Content Supplemental Content
English French German Spanish ...
English French German Spanish ...
English French German Spanish ...
Mezzanine Format
Mezzanine Format
HD VTR
SD VTR
Digital Cinema Package
CD/DVD/Blu-ray
IPTV
WEB
Mobile
Third-party application
SOAP
DCP DCPDCP
* In line with the latest published specification from IMF/SMPTE
VIDEO FORMATS TECHNICAL DATA
SD525i/59.94 720 x 486 (D1) 960 x 486 (D5)
625i/25 720 x 576 (D1) 960 x 576 (D5)
625i/24 720 x 576 (‘Slow PAL’)
HD1280 x 720p /23.98/24/25/29.97/30/50/59.94/60
1366 x 768p /50/59.94/60/90/120
1920 x 1035i /29.97/30
1920 x 1080i /23.98/24/25/29.97/30
1920 x 1080psF /23.98/24/25/29.97/30
1920 x 1080p /23.98/24/25/29.97/30/50/59.94/60
HSDL2048 x 1556psF /14.99/15/19.98/20
4096 x 3112psF /5
2K2048 x 1080psF /23.98/24
2048 x 1080p /23.98/24
2048 x 1556psF /23.98/24/25/30
2048 x 1556p /23.98/24/25/30
4K4096 x 3112
4096 x 2160
3860 x 2400
4096 x 1714
DCI1998 x 1080psF /23.98/24
2048 x 1080
2048 x 858psF /23.98/24
3996 x 2160
4096 x 1714
SOF T WA RE Capturing, editing, processing, conforming, versioning
and managing tools
DCI Mastering tools for generating encrypted DCPs
(Digital Cinema Packages)
Any resolution from SD to 4K
Video formats in 8/10/12/16 bit and float
Export to JPEG2000, Apple ProRes (422, 4444, HQ, LT,
Proxy), Avid DNxHD®, WMV, QuickTime®,
Panasonic AVC-Ultra, Sony XDCAM® and other
broadcast MXF formats
Support of more than 100 graphic formats
Intuitive GUI
H ARDWARE Intel® multi-core CPUs
Networking with up to 1000 Base-T (Gigabit Ethernet)
DVD writer
Mouse and keyboard
Internal RAID-5 video/audio storage, from 4800 to 14400 GB
2K 54/108/222 min (2048 x 1556/24 fps/10 bit/4:4:4)
HD 124/249/512 min (1920 x 1080/24 fps/10 bit /4:2:2)
20 video interfaces
OP TION AL H ARDWARE CLIPSTER® color correction panel
JPEG2000 4K accelerator
Additional RAID protected storage
Internal RAID-5 video/audio storage from 4800 to 14400 GB
18
MASTERING EXCELLENCE
20The Hobbit: An Unexpected Journey and The Hobbit, and the names of the characters, events, items and places therein, are trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises under license to New Line Productions, Inc. ©2012 Warner Bros. Ent. All Rights Reserved.
KEY FEATURES
Direct capture to AS-02
Subtitle & closed captions conversion to and from .SCC
All mastering formats are handled as project files for efficient
remastering
SP YCER ® Automatic metadata extraction of clips in watch folders
Metadata and DPX header editing
Platform-independent file sharing
Search in local drives or in the whole network
Defragmentation of volumes or file sequences
Metadata and DPX header editing
I /O TOOL Manual and interval capturing
Log and capture via RS-422
Batch capturing and autoconform (EDL)
Capture list creation from an EDL, logging or importing Excel files
VTR emulation mode
3:2 pull-down creation and removal
AUDIO Sample rate conversion and time stretching
Unlimited audio tracks for editing
Sample and frame-based editing
I /O, SY NC AND REMOTE CONTROL S SD-/HD-SDI input and output in YUV(A) or RGB(A) 8/10/12 bit
(single-/dual-link)
Analog RGBS/YUV output, DVI connector
SD down-converted output in PAL/NTSC
16 channels of 24 bit digital audio, 48 kHz I/O (AES/EBU and
embedded audio)
2 analog stereo monitor outputs
RS-422 in & out
T IMELINE & T IMECODE & CONFORMING Multi-track video (2D/3D) and audio timeline
Separate metadata timeline for subtitles and closed captions
Full editing features including EDL and FCP XML
Burn-in for customizable text, timecode, keycode and frame numbers
Timecode or frame readout
Automatic color matching
3D depth histogram and Stereo Analyzer STAN
Timeline archiving function
EFFEC T S Format conversion in real time
Zooming (up- and downscaling) in real time with multiple
scaling algorithms
Panning, cropping, rotation and flip/flop
Scaler and EDL control for color correction systems
Stereoscopic correction toolset
Color processing for RAW files (e.g. RED®, ARRI, Sony)
6 vector, primary and secondary color correction with shapes
3D look-up tables for color management
Dissolves and SMPTE wipes in real time
Color space conversion in real time (YUV RGB X’Y’Z’)
MA S TERING Real-time review including subtitles and/or closed captions
Intelligent high-speed transwrapping and transcoding of
JPEG2000 essences
DCI Mastering with full DCI compliance (supporting Interop,
Transitional1 and full SMPTE)
Hardware-based DCP encryption
DCI subtitling (incl. depth animation, editing)
DCI audio labelling including D-Box support
Automated DCI compliance validation
IMF Mastering following SMPTE specification (incl. application
layer #2 extensions)
AS-02 Mastering with closed captions (aux. data and
VANC) support
KEY FEATURES>>>
SERVICE
Offering superior service for our entire product
portfolio is integral to the DVS philosophy. The
DVS support and service team is comprised of
engineers who consider first-class, professional
customer service their first priority.
DVS offers optimum support and service, with
service packages tailored to clients’ specific
needs. Our service team can assist onsite or
perform services quickly and reliably via remote
control. DVS also has a service website, com-
plete with detailed technical documentation
to provide current updates, upgrades, and
relevant information.
Our services reflect the quality of our products:
Our clients benefit from individualized support
and reliable service.
Our service team is available to you at [email protected]
TRAINING
Learn in-depth about your new DVS product!
With our comprehensive training program, we
offer the opportunity to become completely at
home with your DVS equipment. We’re also
happy to support you with the implementation
and setup of your system.
The authorized DVS Education Center offers
individual training programs onsite and is ready
to assist you with relevant information on each
workflow. We’d also be happy to welcome you
at the DVS headquarters for a hands-on training
session with your new equipment. You will
receive concise training courses for various
product updates, allowing you to immediately
familiarize yourself with new developments.
Our friendly and professional training courses
provide you with the detailed knowledge to
make the most of your equipment.
Ask about our training packages at [email protected]
22
CONTACT
REGIONAL CONTACTS
Rohde & Schwarz DVS GmbH
Krepenstr. 8
30165 Hannover
Germany
Phone: +49 511 67 80 70
Fax: +49 511 37 19 74
www.dvs.de
Europe
Phone: +49 511 67 80 70
North America
Phone: +1 818 846 3600
Latin America
Phone: +1 818 846 3600
Middle East & Africa
Phone: +49 511 67 80 70
Asia/Pacific
Phone: +65 63 07 05 02
Copyright © 2013, all contents by Rohde & Schwarz DVS GmbH.
Specifications and data are subject to change without notice.
Some features may be part of optional or future packages. All
trademarks used herein, whether recognized or not, are the
properties of their respective owners.
Please check www.dvs.de for further information
