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Preset Rotary Shutter Angles from 11.2 to 180.0 including 144 and 172.8
CMOS E Shutter Distortion Mechanical Rotary Shutter
Continuous Shutter for variables
ND 0.9 1/8 optical transmittance
3 - stops
ND 1.2 1/16 optical transmittance
4 - stops
ND 1.5 1/32 optical transmittance
5 - stops
ND 1.8 1/64 optical transmittance
6 - stops
0.9: 1/8 OT = 3 Stops1.2: 1/16 OT = 4 Stops (total)1.5: 1/32 OT = 5 Stops (total)1.8: 1/64 OT = 6 Stops (total)
• Eliminates more filtering front of lens
• Eliminates possible flares
• Offers ease of operation in remote situations
Coming Soon: 1-120 fps
Frame RateShutter Angle ND Setting
Exposure Index Highlight Latitude
White Balance Monitoring LUT
Shimmable PL Mount Cooke/i
ARRI LDS
2X
4X
CBK-WA01(USB WiFi Adapter)
F65 Wireless Control Web/Tablet App
Camera uses approx 70w at 23.98
Camera is approx 14lbs w/Accessories
I/OAll Inputs and Outputs on CameraGenlock In for syncing two cameras sensorsShutter In for syncing two cameras shuttersHD-Y Out2x SDI Out (1 at back and 1 at topRemote: for a paintbox to control camera (RMB 150- 750 same protocol)Power (same as F23, F35) 12v/24v mixed, either can power the camera. R4 gets power from Camera 12v and 24v accessorty Outputs along bottomLENS Port (same as used on many ENG camerasEXT. I/O out (for “other” controlers)2x USB outs - Connect the WiFi - SRK- CP1Assign 1 = Mag 2x/4x, Assign 2= Mag Position (from top L to bottom R as you would read)Assign 3 = Hi/Lo Key: Changes output LUT, The button toggles between high-luminance check (gain reduction), low-luminance check (gain amplification), and normal.Assign 4 = (empty/good for Fan Mode/Auto2)Arri mounting plateFan speed (auto 2 = quiet while recording)Memory Stick DUO
Traditional 4k Bayer Sony 8k Sensor
Traditional 4k Bayer Sony F65 8k Sensor
TWICE AS MUCH COLOR PER SAMPLETWICE AS MUCH LUMINANCE PER SAMPLE
LUMINANCE = RESOLUTION
DEMYSTIFYING “MARKETING MATH”
2160
ArriAlexa Studio
2880 Total Photosites
2160
8192 Total Photosites
2700
REDEpic
5120 Total Photosites
.5 Debayer .5 Debayer.5 Demosaic
1440 Horizontal Res12 bit RAW
4096 Horizontal Res16bit RAW
2560 Horizontal Res12bit RAW
1.9:1
2.351.851.781.661.33
F65 full 17x9 (full sensor)
4x3for 2x
Detail in Highlights
Detail in Shadows
EI setting is NOT “baked in”
Rated at 800EI
Highlight Latitude at given EIfrom 18% Gray
Wider Color Gamut than 35mm print
Accurate re-mapping of scene colors
Greater range in Post Production
3200K, 4300K and 5500K
Each Setting is optimized for improved color reproduction similar to film stocks
Not a simple “video white balance” but apreset re-mapping of scene colors into theRAW file
Academy Color Encoding Specification
Developed by: The Academy of Motion Picture Arts and Sciences
“ACES is an IIF encoding specification that uses 16bit half-float precision (associated with the OpenEXR file format) to define a wide gamut digital color encoding appropriate for both photographed and computer generated images.”
4K
The Camera RAWis converted to ACES .exr using anInput Device Transform (IDT)
IDT’s are designed for specific devices. For instance, we use an IDT made for the F65
Grading, Compositing, Intercuttingsources, Archiving: all done in ACES
in 16 bit
ACES files are viewed using viewing LUT’s called Reference Rendering Transforms (RRT’s)
Camera&RAW& ACES& Display&
IDT&RRT/ODT&
Output Device Transforms (ODT’s) are created for specific displays and projection systems
Developed by: The Academy of Motion Picture Arts and Sciences“IIF is an image and color management architecture with a set of encoding specifications, transforms and recommended practices that enable the creation and processing of high fidelity images with greater dynamic range, wider color gamut and greater precision than possible with 10bit Cineon encoding or HDTV standards.”
Image Interchange Framework Academy Color Encoding Specification
Developed by: The Academy of Motion Picture Arts and Sciences
“ACES is an IIF encoding specification that uses 16bit half-float precision (associated with the OpenEXR file format) to define a wide gamut digital color encoding appropriate for both photographed and computer generated images.”
• IIF maintains the greatest possible image fidelity from original source media
• Digital motion picture cameras can exceed current systems based on 10bit
• Little (if any) metadata is exchanged
• Existing “standards’ are outdated
• Multiple viewing transforms (Log vs. Lin, Film, 709, P3 etc)
• Multiple image file formats and encodings
• Increased need to interchange unfinished images in digital form
• Digital Files are the primary exchange format today
• Helps to preserve the full range of highlights, shadows and color renderings captured in camera
• Allows for the option to “light by eye” rather than have to rely on video monitoring
• Enables future expansion for emerging Digital Motion Picture Camera technologies
• Facilitates reliable interchange between images from different sources
• Provides colorists with a larger working palette and a better starting point representative of the actual light values captured on set.
• The first 16bit floating point post production pipeline
• Audio/Video Recorder
• Dockable to F65
• 4K - 16bit Linear RAW Recording
• Coming: SStP Recording at 220, 440 and 880 Mbps
• Coming: Record Variable Frame Rates 1-120fps
• 16 Channels of 24bit Audio Recording
1.5Gbps
2.5Gbps
5.5Gbps
11
SR-256S15/SR-512S25/SR-1TS25/SR-256S55/SR-512S55/SR-1TS55* Memory Card
Transfer Speed (Sustained) SR-256S15: 1.5 Gbps
SR-512S25/SR-1TS25: 2.5 Gbps
SR-256S55/SR-512S55/SR-1TS55: 5.5 Gbps
Capacity (User Capacity)* SR-256S15/SR-256S55: 256 GB (approx. 225 GB)
SR-512S25/SR-512S55: 512 GB (approx. 450 GB)
SR-1TS25/SR-1TS55*: 1 TB (approx. 900 GB)
Input Voltage 3.3 V DC ± 10%
Power Consumption Max. 10 W
Operating Temperature/Humidity Complies with the operating condition of the supported device
Storage Temperature/Humidity -40 °C to +80 °C (-40 °F to +176 °F)/95% or less (non condensation)
Dimensions 60 x 9.4 x 105 mm (2 3/8 x 3/8 x 4 1/4 inches) (excluding protrusions)
Mass Approx. 100 g (3.5 oz.)
Supplied Accessories Card case, Card label sheet, Operation manual
Specifications
Maximum Recording Time (min.)*
* The SR-1TS55 will be available in 2012.
Series S15 S25 S55
Speed 1.5 Gbps 2.5 Gbps 5.5 Gbps
Model Name
SR-256S15 SR-512S25 SR-1TS25 SR-256S55 SR-512S55 SR-1TS55**
Capacity 256 GB 512 GB 1 TB 256 GB 512 GB 1 TB
HD 59.94i SR-Lite 422 114 228 457 114 228 457
SR-SQ 422/444 60 120 241 60 120 241
SR-HQ 444 32 64 128 32 64 128
59.94p SR-Lite 422 60 120 241 60 120 241
SR-SQ 422/444 32 64 128 32 64 128
SR-HQ 444 N.A. 32 65 16 32 65
50i SR-Lite 422 137 274 549 137 274 549
SR-SQ 422/444 72 144 290 72 145 290
SR-HQ 444 38 76 153 38 76 153
50p SR-Lite 422 72 144 290 72 145 290
SR-SQ 422/444 38 76 153 38 76 153
SR-HQ 444 N.A. 39 78 19 39 78
23.98PsF SR-Lite 422 142 285 572 142 286 572
SR-SQ 422/444 77 155 311 77 155 311
SR-HQ 444 40 80 160 40 80 160
Uncompressed 422 27 55 110 27 55 110
Uncompressed 444 N.A. 34 69 17 34 69
4K 23.98PsF F65RAW N.A. 29 59 14 29 59
120PsF F65RAW HFR N.A. N.A. N.A. 5 11 23
* Depending on the data rate of the recording signal (such as 4K, dual-stream, and I/O configuration), usable SRMemory card may be limited. In case of 3D recording, maximum recording time will be approximately half. ** SR-1TS55 card will be available in 2012.
Blue or Black1-25fps
Black Only>25fps
1.5Gbps
2.5Gbps
5.5Gbps
4K
1.5Gbps
2.5Gbps
5.5Gbps
11
SR-256S15/SR-512S25/SR-1TS25/SR-256S55/SR-512S55/SR-1TS55* Memory Card
Transfer Speed (Sustained) SR-256S15: 1.5 Gbps
SR-512S25/SR-1TS25: 2.5 Gbps
SR-256S55/SR-512S55/SR-1TS55: 5.5 Gbps
Capacity (User Capacity)* SR-256S15/SR-256S55: 256 GB (approx. 225 GB)
SR-512S25/SR-512S55: 512 GB (approx. 450 GB)
SR-1TS25/SR-1TS55*: 1 TB (approx. 900 GB)
Input Voltage 3.3 V DC ± 10%
Power Consumption Max. 10 W
Operating Temperature/Humidity Complies with the operating condition of the supported device
Storage Temperature/Humidity -40 °C to +80 °C (-40 °F to +176 °F)/95% or less (non condensation)
Dimensions 60 x 9.4 x 105 mm (2 3/8 x 3/8 x 4 1/4 inches) (excluding protrusions)
Mass Approx. 100 g (3.5 oz.)
Supplied Accessories Card case, Card label sheet, Operation manual
Specifications
Maximum Recording Time (min.)*
* The SR-1TS55 will be available in 2012.
Series S15 S25 S55
Speed 1.5 Gbps 2.5 Gbps 5.5 Gbps
Model Name
SR-256S15 SR-512S25 SR-1TS25 SR-256S55 SR-512S55 SR-1TS55**
Capacity 256 GB 512 GB 1 TB 256 GB 512 GB 1 TB
HD 59.94i SR-Lite 422 114 228 457 114 228 457
SR-SQ 422/444 60 120 241 60 120 241
SR-HQ 444 32 64 128 32 64 128
59.94p SR-Lite 422 60 120 241 60 120 241
SR-SQ 422/444 32 64 128 32 64 128
SR-HQ 444 N.A. 32 65 16 32 65
50i SR-Lite 422 137 274 549 137 274 549
SR-SQ 422/444 72 144 290 72 145 290
SR-HQ 444 38 76 153 38 76 153
50p SR-Lite 422 72 144 290 72 145 290
SR-SQ 422/444 38 76 153 38 76 153
SR-HQ 444 N.A. 39 78 19 39 78
23.98PsF SR-Lite 422 142 285 572 142 286 572
SR-SQ 422/444 77 155 311 77 155 311
SR-HQ 444 40 80 160 40 80 160
Uncompressed 422 27 55 110 27 55 110
Uncompressed 444 N.A. 34 69 17 34 69
4K 23.98PsF F65RAW N.A. 29 59 14 29 59
120PsF F65RAW HFR N.A. N.A. N.A. 5 11 23
* Depending on the data rate of the recording signal (such as 4K, dual-stream, and I/O configuration), usable SRMemory card may be limited. In case of 3D recording, maximum recording time will be approximately half. ** SR-1TS55 card will be available in 2012.
1.5Gbps
2.5Gbps
5.5Gbps
SRPC-4 SRPC-5
Both PC4 and PC5 are similar data transfer units that perform the functions:
- Data ingesting via GbE or 10GbE- Data viewing via HD-SDI output - File Browsing and Viewing via a web-based GUI- Data backup to shuttle drive via eSata
Processing
4K
DIT Station (review/onset look)
SR-PC4
SR-PC5
DAILIES Station (copy and prep)
CDL$
TC$
Sound$Sync$
Color$Grade$
Metadata$Collec4on$
Baselight
DNX
ProRes DVD
XDCAM
ALE
3D LUT
DAILIES Station (Render and Archive)