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Creativity at work
Torino September 25 2007
Han van der Meer
Basic skills
1. Gathering and interpreting data
2. Writing reports
3. 1 : 1 conversation (interviewing, consulting)
4. Presenting (to a group)
5. Facilitating interactive session
CPS is multi usable
• Product development• Process development• Market research• Long Range planning• Business Planning• Technology transfer
Content
1.
2. Techniques for divergent stages
3. Creative person
4. Techniques for convergent stages
5. Setting up a session
FoundationsFoundations
present situation
desired situation
problem
problem solving
Basic model
Open and closed problems
Open Closed Solution
unpredictable Solution predictable
Exploring process Purposeful process
Correctness ofsolution cannot beverified
Correctness ofsolution can beverified
Dependent of personsolving the problem
Independent ofperson solving theproblem
Open problems
Starting with:
How to …?
In what ways might we …?
Wouldn’t it be nice if …?
Open questions
now
dream
Free after Robert Fritz “Creating” 1991
in what ways
might wehow
to
wouldn’t it be nice if
Natural process
idea
solutions
Idea solution
• Separate stages
• Different rules for each stage
The creative process
preparation
incubation
illumination
verificationWallas (1926)
CPS (Creative Problem Solving) model
fact finding
solution finding
problem finding
idea finding
Osborn (1953)
Buffalo, New York
divergent option generation
convergent option selection
acceptance finding
Osborne Parnes model
NIH
NOT INVENTED HERE
Fact fin
din
g
Accep
tance fin
din
g
Adjusted model
Free after Geschka 2004
Co
nten
t find
ing
divergent
convergent
Basic model content finding
divergent
convergent
task
result
- focus on task
- generate options
- select options
- share results
- decide on next step
Parallel and/or serial
X
X
Content
Techniques for divergent stagesTechniques for divergent stages
1. Foundations
2.
3. Creative person
4. Techniques for convergent stages
5. Setting up a session
Basic model
Fact fin
din
g
Accep
tance fin
din
g
Co
nten
t find
ing
divergent
convergent
Golden rules of diverging
• Defer judgement
• Strive for quantity
• Seek combinations
• Freewheel
divergent
convergent
YES, BUT
Defer judgement
YES, AND
Golden rules of diverging
divergent
convergent
• Defer judgement
• Strive for quantity
• Seek combinations
• Freewheel
FRUITS
Generate in 1 minute as much
Extended effort
•Everyday
•Common
•Expected
•Unusual
•Silly
•Little apparent usefulness
•Novel combined with useful
1st wave 2nd wave 3rd wave
Time
En
erg
y
Source: Parnes, 1968
Goal of diverging
as
many
original
ideas as possible
divergent
convergent
Golden rules of diverging
divergent
convergent
• Defer judgement
• Strive for quantity
• Seek combinations
• Freewheel
Three main categories
• Associative methods
• Methods based on confrontation
• Systematic methods
divergent
convergent
Associative methodsAssociative methods•
• Methods based on creative confrontation
• Systematic methods
divergent
convergent
Three main categories
Associative methods
• Basic principleEvery person has different associations and associations chains
Interaction will lead to chain reactions within a group
Associative methods
• Basic rules- Quantity breeds quality- Stepping stones- Defer judgement
• Important techniques- Brainstorming (Osborne)- Brainwriting
(Brainwriting with Post-Its™; 6-3-5; Brainwriting Pool)
Brainstorm rules
1. Freewheel
2. Seek combinations
3. Defer judgement
4. Strive for quantity
(repetition allowed)
How to improve a bath tub
Classical brainstorm
• What helped / was useful
• What hindered / was disturbing
Make Your Responses...
Guidelines for using Post-its
• Readable - Write them clearly, legibly and large enough to be seen
• Concise - Keep them brief, use “telegraphic” form
• Specific - Share the essence, one option per Post-it
• Associative methods
•
• Systematic methods
divergent
convergent
Three main categories
Methods based on creative confrontationMethods based on creative confrontation
Methods based on creative confrontation
• Basic principleForce an ‘AHA-experience’ through conscious alienation from the problem (excursion) and relating the strange elements to the problem (force fit)
problem as given
problem in other
field
solutions for other
field
new solutions
forced fitexcursion
Methods based on creative confrontation
• Basic rulesEstrange from the familiar (excursion) familiarise the strange elements (forced fit)
Important techniques
• Random stimulus
• Hidden presumptions
• SCAMPER
• Focus points from analyses
• Guided Fantasy
• TRIZ
S ubstitute
C ombine
A dapt
M odify Magnify Minify
P ut to other uses
E liminate
R earange, Reverse
Brainstorm Enhancers: SCAMPER
• Associative methods
• Methods based on creative confrontation
•
divergent
convergent
Three main categories
Systematic MethodsSystematic Methods
Systematic methods
Basic principleEvery problem consists of sub-problems and is part of a larger problem
Basic rules• Systematic exploration, arrangement and clustering
of elements of the problem• Systematic exploration of relations between the
problem and other problems or of relations within a problem
Systematic methods
Important techniques
• Progressive abstraction (or Ladder of Abstraction)• Morphology
Progressive abstraction
Basic principle
Regard a problem as a derivative of a
problem of a higher level of abstraction
WHY
HOW
Butter mountain
Cheap surplus butter Sell to Russia
Too much milk
Too many cows
Too many farmers
Cheese Dried milkSchool milk
Stop bonus Export
Stop bonus ?
Example progressive abstraction
Why else? Why? Why else?
How else? How? How else?
NEW STATEMENT: NEW STATEMENT: NEW STATEMENT:
NEW STATEMENT: NEW STATEMENT:NEW STATEMENT:
INITIAL STATEMENT
NEW STATEMENT: NEW STATEMENT: NEW STATEMENT:
NEW STATEMENT:NEW STATEMENT:NEW STATEMENT:
HOW?HOW ELSE? HOW ELSE?
HOW?HOW ELSE? HOW ELSE?
WHY?WHY ELSE? WHY ELSE?
WHY?WHY ELSE? WHY ELSE?
Ladder of Abstraction
Morphology
Especially appropriate for complex
technical problems
Basic principles• Divide the problem into parts
(dimensions)• Find alternative solutions for the main
dimensions• Find total solutions by combining
Example: packaging of fruit juice
Example Morphological box
Dimension Alternatives
Material
Form
Opening
Outside coating
Glass
Rectangle
Screw top
Printed
Tin
Triangle
Puncture
Plastic
Paraffined cardboard
Bag
Tear open
Aluminium
Solution: Tetrapack
How to pack fruit juice
Example Morphological box
Dimension Alternatives
Material
Form
Opening
Outside coating
Glass
Rectangle
Screw top
Printed
Tin
Triangle
Puncture
Plastic
Paraffined cardboard
Bag
Tear open
Aluminium
Solution: ?
How to pack fruit juice
Content
1. Foundations
2. Techniques for divergent stages
3.
4. Tecnniques for convergent stages
5. Setting up a session
Creative personCreative person
Product
Process
Person
Pressure
4 P’s of Creativity
KAI
Style issue: Paradigm
K(irton) A(daption) I(nnovation) Inventory
high
level
styleA I
low
• As sound, conforming, safe, predictable, inflexible, wedded to the system, intolerant of ambiguity.
• Tend to accept the problems as defined with any generally agreed constraints.
• Prefer to generate a few novel, creative, relevant and acceptable solutions.
• Prefer well-established, structured situations.
• Essential for the ongoing functions
High adaptor is seen as:
• Glamorous, exciting, unsound, impractical, risky, abrasive, threatening the established system and creating dissonance.
• Reject the generally accepted perception of problems and redefine them.
• Produce numerous ideas, some of which may not appear relevant.
• Prefer less structured situations.
• Essential in times of change or crisis
High Innovator is seen as:
A I
A - I and mental models
Content
1. Foundations
2. Techniques for divergent stages
3. Creative person
4.
5. Setting up a session
Techniques for convergent stagesTechniques for convergent stages
Convergent stages
divergent
convergent
The ideas mountain
Source: Stevens & Burley, Industrial Research Institute, 2000
0
1
2
3
4
1 2 3 4 5 6 7
stage NPD process
Lo
g10 n
um
ber
of
ideas
3000 plain ideas (unwritten)
300 introduced ideas
125 small projects
15 significant developments
8 largest developments4 launches
1 success
Nu
mb
er
of
ide
as
time
1 successful product
3000
15
5
10
introduction
development
evaluation
1e screening
Mortality curve from 3000 to 1
Objective selection toolsN
um
be
r o
f id
ea
s
time
3000
15
5
10
normal- fast selection / cost reduction
- success improvement
want
Nu
mb
er
of
ide
as
time
3000
15
5
10
financial techniques
weighting techniques
argumentative techniques
intuitive techniques
Stages and techniques
1. Use affirmative judgement
2. Have action in mind
3. Consider the “mother” criteria
- Novelty
- Effectivity
- Feasibility
Golden rules of converging
Intuitive techniques
• hits
• clustering
1st screening
intuition, gut feeling
Clustering
• Look for “common” ideas (resemblance)
• Put them in categories (clusters)
• Spontaneous (no lists/theories from books)
• Rest category = Other
• Restate theme (cluster) with attractive title
An Option “Hits” You When It Is ...
Characteristics of a “Hit”
• On target
• Relevant
• Interesting
• Clear
• Intriguing
• Fascinating
• Workable
• “Right on the money”
Or When It ...•“Sparkles” at you
• Feels right
• Solves the problem
• Goes in the right direction
Source: Treffinger 1987
Argumentative techniques
3.1
• itemised response / ALUo
• hurdless (must, should, extra)
evaluation
ALUo
Advantages• • • Limitations• • Unique properties•
Overcoming Limitation• • • •
What Who When
Action Plan
First Step•
Source: Isaksen, Dorval, Treffinger (1994)
Hurdless
Hurdle 1: Pass the Must criteria
Hurdle 2: Pass the Should criteria
Hurdle 1: Pass the Bonus criteria
Weighting techniques
• multicriteria analyse
• success / fail factors
• feasibility study
Newprod
development
Multi criteria analyses
Criterium Value Weight Score
Expectedturnover
1. < f. 0,5 mln.
2. 0,5 – 1
3. 1 – 3
4. 3 – 5
5. > f. 5 mln.
5
Technologicalnewnes
1. > 80% new
2.
3.
4.
5. < 20% new
3
Etc.
Total weighted score
Research Cooper
Theoretical background
Consulting experience
Great number of
questions
Emperical study
• 100 Canadian companies
• 103 success - cases
• 95 fail - cases
48 relevant questions ) Newprod
8 clusters (factors) ) model
Success factors innovation projects
1. Product superiority 37%
2. Project / company fit 22%
3. Market need, size 15%
4. Newness to the firm 11%
5. Organisation strength 9%
6. Competitive 6%
Source: Cooper R.G., 1992; Van der Meer 1996
3.1
Financial techniques
• Return On Investment
• Net Present Value
introduction
Tools
nu
mb
er o
f id
eas
time
hitsclustering
ALUo
Newprod
Net Present Value
Information
Best practise selection
time
Info
rmat
ion
/ i
dea
s
Content
1. Foundations
2. Techniques for divergent stages
3. Creative person
4. Techniques for convergent stages
5. Setting up a sessionSetting up a session
Setting up a session
1. People
2. Process
3. Techniques, Tools
4. Organisation
5. Materials
Fact fin
din
g
Accep
tance fin
din
g
Co
nten
t find
ing
divergent
convergent
People: 3 basic roles
• Problem ownerProvides the problem;involve in the actual ideageneration session?
• FacilitatorSupervises the process,systematically records allresults and other relevant information
• Resource groupBring in new information/experience;Source of brainpower;Platform for change
Info
rmatio
n fin
din
g
Accep
tance fin
din
g
Co
nten
t find
ing
divergent
convergent
Interactions between 3 roles
Presents initial situation; explains the task
Chooses 1-3 problem statements, assigns priorities and designates reasons as well as emphasis.
Choose 3 - 10 ideas and indicate:
• desires
• weak points
• positive reasons
•next step (action plan)
Problem owner Facilitator
Generate 12-15 problem statements How to…?
1. Generate 50 - n00 idea proposals
2. Select 5 - 20 appealing ideas
Go to next step
Resource Group
Free after Synectics
Facilitator probleem owner
Intake: - Task appraisal - Choice of tools
task
diverging
converging
results
- Explanation background task- Examples off wanted outcomes
- Check on progress- Enough options to consider
- Evaluation of results - Next step
- Check on progress
Process
Form
Storm
Norm
Perform
Helps1. Dissatisfaction with the status quo2. A shared vision of a better state3. Knowledge of practical first steps
Hindrances1. Economic costs of changing2. Psychological costs
Acceptance finding: How to stimulate change
Source: Beckhard, R., Harris, R.T., Organizational Transitions: Managing complex change; Addison-Wesley; 2e druk; Californië; 1987
• Mastering the technique leads to good results; practice and experience is required
• Choice of techniques based on: - stage in process- personal preference
Techniques
Basic design
• Task: Ladder of Abstraction
• Divergent: tools to facilitate the 3 waves
• Convergent: - Hits- Clustering- ALUo
• Preparing action next step
Info
rmatio
n fin
din
g
acceptan
ce find
ing
con
tent fin
din
g
divergent
convergent
Extended effort and techniques
•Brainstorming with Post-its™
• Creative confrontation
•Go with the flow
1st wave 2nd wave 3rd wave
Time
En
erg
y
Source: Parnes, 1968
• Location f.i. leave normal environment
• Devote enough time to preparation and elaboration of the session: 2:1:2
• ‘Warming up’ to build up trust within the group and between group and facilitator
• Devote enough time to the problem definition phase
• Explore logistics
Organisation
• Flipcharts + markers• Post-its / coloured markers• Paper + pens• Coloured stickers• Etc.
Materials
Ideas pay
Ideas nurtured per day
115
18
1
Financial Performance
Nu
mb
er o
f id
eas
Top
ModeratePoor
Source: PriceWaterhouseCoopers 2001
Low High
4 times counter intuitive
1. Role rigidity(problem owner, facilitator, resource group)
2. Separate 4 stages- tasks- divergent- convergent- result / action
3. Divergent stage: more options
4. Convergent stage: affirmative judgement
Additional reading 1
The innovators handbook; problem solving,
communication and teamwork
Vincent Nolan
Sphere Books Limited, 1989
Creativity at Work
Tudor Rickards
Management Library, 1991
Problem solving in Business and Management
Michael J. Hicks
Chapman & Hall, New York, 1991
Lateral ThinkingEdward de BonoWord Lock, 1970
Synetics, the Development of Creative CapacityW.J.J. GordonHarper & Row, New York, 1961
Creating a shared visionMarjory ParkerDialog International, Clarendon Hills, USA, 1990
Adapters and innovatorsMichael Kirton (editor)Routledge, London, 1994
Additional reading 2
Creative Approaches to Problem SolvingScott G. Isaksen, K. Brian Dorval Donald J. TreffingerKendall/Hunt Publishing Company, 2000
40 Principles: TRIZ Keys to Technical Innovation TRIZ Tools, Volume IGenrich Altshuller Technical Innovation Center, Inc., 2001
Additional reading 3
www.eaci.net
Further information
China Creative Studies Institute
President: Mr. Yuan Zhang – du
665 Ti Yu Hui Road (east)
BeiShiHuan XiLu
200083, SHANGHAI
E-mail: [email protected]
Further information