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CURRICULUM VITAEEDGAR WARREN WILLIAMS, BA, MA, MFA, PhDAddress: 40 Rivocean Drive, Ormond Beach, Florida, USA 32176Tel.: (386)986-0438Email: [email protected], [email protected] page: HTTP://www.edgarwarrenwilliams.com
EDUCATION
PhD, Princeton University, 1982 [transcript page 8, below]MFA, Princeton University, 1977MA, Columbia University, 1973 [transcript page 9, below]BA, with Distinction in Music, Duke University, 1971 [transcript page 10, below]
ACADEMIC POSITIONS
Professor of Music, Emeritus, The College of William & Mary, 2005 to present. [page 7, below]John and Barbara Glynn Family Visiting Professor of Music, Washington & Lee University,
2012–2013Adjunct Professor of Music, Southern Virginia University, 2007-2010.Associate Professor of Music, The College of William & Mary, 1984-2005.Chair, Department of Music, The College of William & Mary, 1986-87; 1993-94.Assistant Professor of Music, The College of William & Mary, 1979–84.Visiting Lecturer in Music, The University of California at Davis, Davis, CA 95616. 1978-79.
CONDUCTING POSITIONS
Conductor/Music Director, The Peninsula Youth Orchestra, 2001 to 2004Conductor/Music Director, William & Mary Orchestra, 1980–1983, 1992–2001.Conductor/Music Director, York River Symphony Orchestra, 1998–2000.Assistant Conductor, UCD Symphony Orchestra, University of California at Davis, 1978–1979.Chorus Master, Princeton Opera Theater, 1977–1978.Assistant Conductor, Princeton University Orchestra, 1977–1978.
COURSES TAUGHT
Absolute Music: The Western Chamber Music Tradition, 1790-1990A Comparative Study of the String Quartets of Mozart and Beethoven [graduate seminar]Brahms—His WorksClaude Debussy—His Time and His WorksDissonance, Difference, and the Self (Examination of the artist in 19th-20th Western culture)Instrumentation/OrchestrationIntroduction to the Musical Traditions of Southern and Eastern AsiaIntroduction to Western Music History and Literature (10th–21st centuries)Listening for Music: An Introduction to ListeningMusic and Philosophy: The Aesthetics of MusicMusic, Modernism, and the Self—The Political Economy of Modernism
Edgar Warren Williams / 1
Readings in Western Intellectual Traditions (a multi-disciplinary great books course)Sound and Film—The Use of Sound in the Shaping of the Cinematic ExperienceSources of Indian Tradition (Planning Seminar participant; course never offered)Techniques of Composition I, II, and IIIThe Music of the 20th CenturyThe Tonal Language—An Introduction to Music TheoryTheory I (Harmony, Voice-leading, Tonal Composition in Smaller Forms)Theory II (Tonal counterpoint [invention/fugue], Tonal Composition in Larger Forms)Theory III (Materials and Techniques of 20th C. Composition)Theory IV (Non-tonal Music Theory)
GRANTS, HONORS, AWARDS
Fellow, Boulez Composer/Conductor Workshops, Carnegie Hall NYC, 1999, 2001Fellow, Oliver Knussen Composer/Conductor Workshop, Carnegie Hall NYC, 2003Faculty Research Assignment, The College of William and Mary, 1988, 1993, 1999Biography in New Grove's Dictionary of American Music and Musicians, 1980, 1998Featured Composer, IRCAM, Centre Georges-Pompidou, Paris, France, 1987Featured Composer, James Madison University, 1985East/West Artist International Competition for Composers, 1980.
PUBLISHED PROSE
[Books]Harmony and Voice Leading. New York: HarperCollins, 1992.Introduction to Music. New York: HarperCollins, 1991. (Co-author with Miller and Taylor.)
[Articles]“Banqueting with the Emperor.” Perspectives of New Music, Volume 35, Number 1(1998)."A View of Schoenberg's Opus 19, No. 2," College Music Symposium, Vol. 25 (1985)."In and About Some Measures of Beethoven," 19th Century Music, November 1983."On Mod 12 Complementary Interval Class Sets," In Theory Only, Vol. 7, No. 2 (June 1983).
[Miscellaneous Publications]Original Csound instruments included in CD accompanying: Richard Boulanger, ed. The
Csound Book. Cambridge: The MIT Press, 2000.
PROFESSIONAL AFFILIATION
Broadcast Music, Inc. (BMI)
Edgar Warren Williams / 2
REFERENCES
[The College of William & Mary]
Daniel Gutwein, Professor of Music, Emeritus (former chair), 301-947-2853. [email protected]
Judith Zwelling, Director of Applied Music, 2005-10, The College of William and Mary, PO Box 8795, Williamsburg VA 23187-8795. 757-220-8024, [email protected]
Christine Niehaus, Director of Applied Music (1995-2004), The College of William and Mary, PO Box 8795, Williamsburg, VA 23187-8795. 757-221-1073. [email protected]
Mary Eason Fletcher, Director of Applied Music (1988-1995), The College of William and Mary, Department of Music, PO Box 8795, Williamsburg, VA 23187-8795. 757-221-1094. [email protected]
[Southern Virginia University]
LaRae Carter, Division Chair of Fine Arts. 540-319-7003, [email protected] , Mark Taylor, Assistant Professor of Music, [email protected]
[Washington and Lee University]Tim Gaylard, Professor of Music (Chair of Music, 2012-13), 540-458-8855, [email protected] Watanabe, Instructor of Music, Washington and Lee University. [email protected]
Edgar Warren Williams / 3
SELECTED WORKSEDGAR WARREN WILLIAMS
(Scores and recordings at HTTP://www.edgarwarrenwilliams.com)
SOLO
CAPRICE for violin alone (1976). Boelke-Bomart/Mobart.DERKE YMAGYNINGS for flute alone (2011). EW.HARLEQUINADE for 'cello alone (1976). Boelke-Bomart/Mobart.LONE. Alto saxophone alone. (1998). EW.MOVEMENTS for horn alone. (1975). Boelke-Bomart/Mobart.PIANO 1985a. Piano. EW.PIANO 1985b. Piano. EW.PIANO 1992a. Piano. EW.PIANO 1992b. Piano. EW.PIANO 1996a. Piano. EW.SIX STUDIES for piano alone (1974). EW.SONATA No. 1 for piano (2005). EW.SONATA No. 2 for piano (2006). EW.
CHAMBER ENSEMBLE
AMORETTI for viola and piano. (1979). Boelke-Bomart/Mobart.HARMONIA (1975). Fl. (2, 2nd dbl. Pic.), A-Fl., Ob., E. Hn., Bsn., Tr., Tbn., Tuba. EW.PIANO QUARTET (2010). EW.PIANO TRIO (2011). EW.QUARTET (2003) for guitars. EW.RITUAL DANCES for violin and viola. EW.STRING QUARTET II (1996). EW.STRING TRIO. (1999). EW.WOOD WIND QUINTET (2011). EW.
ORCHESTRA
NOSFERATU: A Symphony of Terror. (1998-2000; A sound-track of Murnau’s 1922 silent of the same name). 3(d1),2+1,2+1,2+1–4,2,3,1–3 percussion, harp, organ, strings. EW.SINFONIA (1975–6). 1,1+1,1,1–0,1,1,0–1 percussion (Gl., Mb.)–Vn.(2), Va., Vc. EW.SUITE FROM NOSFERATU. (2000). 3(d1),2+1,2+1,2+1–4,2,3,1–3 percussion, harp, organ, strings. EW.THE MYSTIC TRUMPETER (1973). 3-3-3-3, 4-3-3-1, percussion, piano, strings, mixed chorus. EW.OF ORPHALESE (1969). 3-3-3-3, 4-3-3-1, percussion, piano, strings. EW.LANDSCAPES WITH FIGURE (1975; revised and expanded, 1993). 2-2-2-2, 2-0-0-0, strings. EW.CONCERTINO (2004) for solo flute and Chamber Orchestra. 0,1,1,1-0,0,0,0-solo fl.-6,6,4,2,1. EW.
ORCHESTRATIONS
CHRISTMAS CONCERTO (2000) [J.S. Bach]. 2+1,2,2,2-2,3,0,0, timp., strings. EW.SCENES FROM CHILDHOOD (2000) [Rebikov]. 1+1,1,1,1–1,1,0,0 strings. EW.THREE APPALACHIAN CAROLS. (1999-2000) 2,2,2,2-2,2,0,0, 2 perc., soprano, strings. EW.VETERA AUREA [Med./Ren. settings]. (1999) 1+1,2,2,2-2,2,0,0, 1 perc., strings. EW.
Edgar Warren Williams / 4
WIND ENSEMBLE/BAND
MUSIC FROM BEHIND THE MOON (2003). Wind Ensemble. EW.SOME MUSIC FROM BEHIND THE MOON (Suite, 2004). 15’. EW.NOW SHOWING! (1993). Symphonic Band. EW.INTO THE DARK (1992). Symphonic Band. EW.ACROSS A BRIDGE OF DREAMS (1977-78).
Version 1: Symphonic Band. EW.Version 2: Wind Ensemble (1+1,1d1,1,1–1,1,0,0–Perc.(1), Pno., CB). EW.
PROLOGUE. (1967). Symphonic Band. Ludwig.
SOLO VOICE
THE BAWDS OF EUPHONY (1977) (Wallace Stevens) for high voice and piano. Boelke-Bomart/Mobart.THREE SONGS (1978) (Margaret Tongue) for high voice and piano. Boelke-Bomart/Mobart.TWO LYRICS (1976) (James Agee) for medium voice and piano. Boelke-Bomart/Mobart.
CHORAL
AMEN FUGUE. (2001) [Completion of Mozart’s sketches for a fugue on “Amen” from his Requiem]. SATB, the Requiem orchestra. EW.
MISSA (1971). [Requiem mass]. Tr. (2), Hn.(2), Tbn. (2), piano. 6-part men’s chorus (boys chorus, ad lib.). EW.
MULTUM IN PARVO (1972) [Comenius]. Double SATB chorus. EW.UNQUIET HEART (12 part songs, 2008) [James Joyce]. SATB. EW.A BOOK OF KINDS (12 part songs, 2009) [Margaret Tongue]. SATB. EW.THE MYSTIC TRUMPETER (1975) [Whitman]. 3-3-3-3, 4-3-3-1, percussion, piano, strings, mixed
chorus. EW.THE STAR SPANGLED BANNER. (1998) A Canonic Setting for madrigal ensemble. 2’. SSATB. EW.
INCIDENTAL MUSIC
NOSFERATU: A Symphony of Horror. (1998-2001) An original soundtrack for the silent film Nosferatu (Murnau, 1922). EW.
RICHARD II. (1988) Virginia Shakespeare Festival. EW.THE MERRY WIVES OF WINDSOR (1987). Virginia Shakespeare Festival and The Washington Theater
Wing. EW.
PUBLISHERS
"Boelke-Bomart/Mobart"Mobart Music PublicationsBoelke-Bomart, Inc.Agent: Jerona Music,
Hackensack, NJ
"Ludwig"Ludwig Music Publishing Co.557 East 140th St.Cleveland, OH 44110-1999
"EW"Available from the composer:40 Rivocean Drive, Ormond Beach, Florida 32176 [email protected]
Edgar Warren Williams / 5
EDGAR WARREN WILLIAMS, ConductorSELECTED ORCHESTRAL REPERTOIRE
Arensky, Variations on a Theme of Tchaikovsky
Bach, J.C., Sinfonia in Bb, Op. 18/2Bach, J.C., Overtures in 8 parts, Op. 3Bach, J.S. (BWV 816; orch. Goosens),
Suite in GBach, J.S., Brandenburg Concerto
No. 5Bach, J.S., Christmas Concerto (orch.
E.W. Williams) (Premiere)Bach, J.S., Overture No. 3Bartok , Romanian Folk DancesBeethoven, Consecration of the
House OvertureBeethoven, Overture and Complete
Incidental Music to Egmont Beethoven, Overture to The
Creatures of PrometheusBeethoven, Piano Concerto No. 3Beethoven, Symphony No. 1Beethoven, Symphony No. 2Beethoven, Symphony No. 3Beethoven, Symphony No. 5Beethoven, Symphony No. 7Berlioz, Fantastic SymphonyBizet, L’Arlèsienne SuitesBizet, Symphony in CBoyce, Symphony No. 5Brahms, Academic Festival OvertureBrahms, Serenade No. 1Brahms, Tragic OvertureBruch, Violin Concerto No. 2Cage, John The SeasonsCarpenter, Krazy KatCherubini, Anacreon OvertureChopin, Piano Concerto No. 2Cowell, 6 EpisodesCreston, Marimba ConcertoDebussy, Afternoon of a FaunDebussy, Premiere Rhapsody for
Clarinet and OrchestraDvorak, Romance for violin and
Orchestra; Dvorak, Symphony in e (“From the
New World”)Franck, Symphony in d minorGounod, scene from Romeo and
Juliet Grieg, Piano ConcertoGriffes, Nocturne in BGriffes, Sho-joGröndahl, Concerto for TromboneHandel (Harty), The Water Music
SuiteHandel, Overture, Arias, and
Choruses from MessiahHaydn, Symphony No. 103Haydn, Symphony No. 78
Hindemith, Five Pieces for StringsHindemith, Nusch-Nuschi TaenzeHindemith, Six Pieces for StringsHolst, The PlanetsHovahness, Alleluia and FugueIves, The Unanswered QuestionIves, Two Songs for Soprano and
Theater OrchestraKabalevsky, The Comedians, Op. 26Kabalevsky, Violin Concerto No. 1Kalinnikov, Symphony No. 1Liszt, Angelus!Liszt, HamletLiszt, PrometheusLiszt, TotentanzLocatelli, Concerto Grosso
(“Christmas”)MacDowell, Hamlet and OpheliaMahler, Adagietto (from Symphony
No. 5)Mahler, Kindertotenleider Mahler, Movement I (from
Symphony No. 9)Mendelssohn, Symphony No. 3
(“Scottish”)Mendelssohn, Symphony No. 5
(“Reformation”)Mozart, Ballet Music from IdomeneoMozart, Clarinet ConcertoMozart, Divertimento, K. 131Mozart, Flute Concerto No.2Mozart, Magic Flute Overture Mozart, Piano Concerto in A, K. 488Mozart, Piano Concerto in d, K.466Mozart, RequiemMozart, scenes and arias from Don
Giovanni, Cosi fan Tutti, and The Magic Flute
Mozart, Symphony in Eb, K.543Mozart, Symphony in g, K. 183Mozart, Symphony in g, K.550Puccini, Aria, Scene and Duet from
Manon Lescaut Puccini, Intermezzo from Manon
LescautRavel, Mother Goose (Complete
Ballet)Reger, The Hermit Fiddler, Op.128,
No.1 Reger, Isle of the Dead, Op.128, No. 3Rimsky-Korsakov, ScheherazadeRimsky-Korsakov, Suite from Le Coq
d’OrRosetti, Symphony in D (“Pastorale”)Satie, ParadeSchreker, Intermezzo, Op. 8Schubert, Symphony in b
(“Unfinished”)
Schubert, Symphony in C major (“TheGreat”)
Schubert, Symphony No. 4 in C minorSchubert, Symphony No. 5 in B-flat
majorSchumann, Overture, Scherzo, and
Finale, Op. 52Schumann, Piano ConcertoShaw, Clarinet ConcertoShostakovich, Symphony No. 5Sibelius, Symphony No. 2Sibelius, Symphony No.1Simon, Harris, Pieces for Jazz Trio
and Strings (Premiere)Stravinsky, Firebird Suite (1919)Stravinsky, Suite for Small Orchestra
No. 2Stravinsky, Symphony of WindsSwift, Some Trees (Premiere)Tchaikovsky, Overture-Fantasy
Romeo and JulietTchaikovsky, Symphony No. 6Tchaikovsky, Violin ConcertoTelemann, Overture in C (“Water
Music”)Verdi, scene, aria, and duet from Don
Carlo Villa-Lobos, Bachianas Brazilieras
No. 4Wagner, Love-Death from Tristan
and IsoldeWagner, Prelude to Act I, Tristan and
IsoldeWagner, Prelude to Act III, Tristan
and IsoldeWilliams, E. W. 3 Traditional Carols
(Premiere)Williams, E. W. Nosferatu
(Accompaniment to the silent film of the same name) (Premiere)
Williams, E. W. Scenes from Childhood (After Revikov) (Premiere)
Williams, E. W. Vetera Aurea (Med/Ren settings) (Premiere)
Edgar Warren Williams / 6
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DESCRIPTIVE TITLES POI NT S 6RADES RESIOEXCE UXITS
T'rJ:f{T I ETF-Caf'tTlJaY MUSIC IEL:CT;<ON IC MUS IC IP?OS:I'(Ii'JAA IN COMPOSITIONS ivIltAR Ir\ frUS ICAL THirlRY
T'nENT IETI-- CENTUFY VUS IC I IELECTRCI.l IC MUS 1C- I IFFCSEY IN'F IN CCPPOS IT IONSEPINAR IN YUSIC'L TFECRY
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ELfCTRC\IC MUSIC CO!1PO5ITIi]N ICO}PUIfR ItjsTC ISLYt\AN I\ ,ULJSICAL TFIUPY TTIrlusr cAL..ccvPos!r I91 SEMINAiT- I
5EtJINAF-.II VUSICAL TFEORY IVI.|USI CAL CC I'PCS IT ICN SEI! INAR I ICCT*PCs IT IC N CCNFEFENCE
AtiTUi.riJ 1971vuslc G4119XMUSIC G46".j IXIVUSIC G623],XMUSIC C6335X
SPRING I972IJUSIC G43ECYruslc G46C2Yl|USIC GE?3?\YUSIC G63J€Y
A UTUM N
MUSICMUSICMUSICUUSIC
SPR I NGMUS ICI'USIC
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TERM 1 9 /2345Q 3XG46 I OX
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Ph.D. d.g'aa con{crrcJ(oAr E
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7
TXE.ACAOEMIC ACCOMPLISXVINT OI IAE SIUOEhT I5 INOTC TED 8Y TXE RECCRO BOJEuxtEssr{ERrrs^3'^rEMExrrorrrcoxTR^Ry,xr:irrruiwriiRii;-;;;iii'i I cERTrFrEoAsAcoRREcicopyoTxtn ogLrcrrroxg lo txe uxrvEnsrrv.rs srtrsr'ri:i_onl. -- - _t__
r9l lu-!l_osrEs oF cfRTlftcATtox, REpnoDUcao copy oF qtcrx^L tfcoRov^L o,,rNou.MpREs3ox_,.^..1T*1'^'.'.r.:^ru.1... il;;;JUL : ]n* UN0FF|C:AL TRA;,iSQI!lt*
!jlq!l4Tiori !{l_TH R[_GARD- T0 !!ir0_0_!!
LtliGTH 0F TtRl'15: The yeaLinc'ludes two seilesters of sixteenweeks cach and three sunurer terms of five tr'eeks each exceptior the period of july 19i3 to iurre 1915 r'hcti Trinity Collcaeand the SchoJl 0f [ngirtcr'ring ucre on the Nav.y AcceleratedPrograrn with three tenrs cf sixte€ll weeks a year.
UNDERGRADUATT CCLLTGE CRTDIT |{OURS: Credits vrere listed inser€ster hours prior to 1969. A semester hour represents onelecture or recitation period of fifty minutes a r{eek or two tofour clock hours of laboratony a week for a sentester of seven-teen weeks o|i ts equi va l ent,rrrEeginning September 1969, acadenic credit is expressed intems of senrestef courses satisfactorily compie'ued rather thansen€ster hcurs and quality pojnt ratios. One course unit isequjvalent to four senester hou11.
GR\DUATE Alit PR0FESSIoiiAl SClloc)LS CRTDIT H0!RS: Credits areiisted jn se;'rester iiours, A senrester hour represents onei€cture or recj'"aiion period of fifty ninutes a weeli or two tofour clock hours of labo:-atory a Heek for a sernester of seven-teen weeks or its equivalent.
SYHBOLS
t ljss iln P;ss/Fail ccurse after i9li6)U Failure (In Pass/Fai1 course after 1966)F Fai I ureAD AuCi tedI IncompleteX Absent fror:, ExaminationN No grade regoried a-r thjs timeZ Year course r"or wirich grade gjven at end of ne>rt semester!l l"lithdiev; fror, ccurse, no standing recc:dedNC lio creditCR Credi t only/T CoLrr"se taken at UliC-CH, liCSU, or NCCiJ on the Inter-institu-
tional ProEraml,l1 l.lithdrew Il lness*.*Effeclive FalI 197-4--Grades l,lP (!,JithCrew Passing) and ljF(llithdr^ew Failing) rere used in Trinity Coiiege of Arts &
Sciences. Iffeciive Slring 1.975--hP ard liF were u5cd jn aheSchocl of liursing an; School of EnErneerin-0.
r.5Y Ti TRAiiSCP.iPT G2.:.riS - UiiDiRGRAIU;T: 3:ilCClS
(Trinity Coliege of l!"ts & -(:iences, School of Nursin3,and School of !ngir,eer ing)
Quality PointsPer Sem. |lt.rur
DiVINITY SCHOOL
As of the Acadenric Year 1971-72, the Divinity School enrploysthe same grading scale as the UnderSraduate Schools******Beginninq Auoust 1976, academjc credit is expressed interms of senrester courses satisfactorily conrpleted ratherthan semester hcurs and qualit.v pornt ratioS. Orte courseunlt is uivalent to four seir.ester hours.
LAU SCHOOL
6RADING SYSTEI'1: Pnior to Septenb?r 1969, credit was
expressed in the following numerical system.Excel l entVery GoodGood, AveragePoor, Passing
F 0-49 Fai I ureEffec.tive September 1969, for the first year students andSeptenber 1970, for second year students, the followinggraoe sysLer'r ano quolity points wcr'e oj3-.Eiicd.
H Honors 4.0HP High Pass 3.0P PassLP Low Pass 1.0h Iat lure n
Upon the successful retaking of a course in vrhich a studentorigina'l1y received a grade of "F," only +.he passing gradej9 coirputed -in the student's cunulative average. Studentsare limited *,0 a max'imum of six senester hours per Semesterto be taken unCer the Credit/llo Credit cption, suDJect tclimitation that no student nay accumuiate nore than i5 hoursof un3raded credit during his ac.rdemic career at Duke
Unjversity.
Effective Septenoer 1971, first year students nur. -oruo.oon a nunerical grading basis. All students were greded orl
this basis be_qinniro SeDtenDer i972.
Before 1951E - 95-100G - E5-94s - 70-84F-69&Below
A 80-100B 70-19L f,f,-OYD 50-54
I.IUI'138R GRI,DE
3.5 - 4.0 --?.7 - 3.4I.8 - 2.6
r?-l7i.0 - 1.2
After i951A - ExcellentR - SrrnerinrC - AverageD - InferiorF - Failure
LlTri!_!!l!iH
HPP
LPr1967 - Present
A+ 4.0 C+ 2.3A 4.0 C 2.0A- 3.7 C- 1.7
B 3.0 D 1.0B- ?.7 D- 1.0
F .0
GRADUA]E SCHOOL & SCHOO!_ OF FORESTRY
E - [xcelientG - GooC
A - Exceptional 3B - Superior ZC - Satisfactory ID - Low Pass 0( 1955- lvb/--rlua | 'r ty P0r nts Persemester hour, carried cne ( 1)n^ih+ m^r6 nor hnrrr \
(Eeginning in the Fall of 1967, plusand minus signs were added to the
Effective April 1972, students enrolled in the Law Schoolrrith transcripts bearinE gracies obtained prior toSeptember 1969, viere assigned an "adjusted average" basedon a conversion systenl between the old numerical gradingsystem and the current systeni.
A 1.80 or better overall average shall be necessary to be"in good standing" and to graduate.
'.-i:*_ir *:?*r:*:!**::Yr:l'_:**.i. *-ir ***t_Jr*:?*/rL:!-t *'i!y.:t ttii::********i it**** ********Pub'lic Law 90-247, as amended, Privacy Rights of Parents**and Students. requires that the information provided to *+you by the student cannot be released to any other party**without the student's written permission. *I********************************************************I
S - Sat.isfactory passing grades.)F - Failure P - Passing (passlFail course)The Undergraduate gradjng system appiies when a gradurtestudent takes an undergraduate course at the 100-level.
,c!4!!4I!__U!_Bl_!ll_Q_$!_Q!L
Beginning September 1974, the following grade scale becameeffecti ve.A - ExcellentB - SuperiorC - AverageF - Failure(Plus and minus signs are not used for Graduate NursingStudents. ) -
GRADUAT E s cH00L !.'__9$-!fli_-4qul-:Ig4liqilBeginning Selr-er''ber 1977 , the fol lowing grade scale becameeffective.A - ixcellerrtI - SuperiorC - AveregeF - Fai lure(P1us ond minus signs are not used.)
Prior ),o Septerber 1977, the School of 6usinessidninjstraticn ugeC the;ame '.Jrade systerf as theGraduate School.
Duke UniversityDUP.}LAM, NORTH CAFOL1M 27706
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