Embed Size (px)
Citation preview
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet / University of Zagreb Faculty of Textile Technology
DIPMOD0123
8 UVODNA RIJEČ
4 O TTF-U
12 INTRODUCTION
6 ABOUT TTF
SADRŽAJ / CONTENT16 DIPMOD_0
58 DIPMOD_2
94 AUTORI / AUTHORS
98 IMPRESUM
38 DIPMOD_1
74 DIPMOD_3
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet — o ttf-u
— 5
—
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet (ttf)
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet (ttf) je međunarodno priznata akademska, obrazovna i istraživačka institucija u polju tekstilne tehnologije. ttf potiče i provodi istraživanja u području tehničkih, prirodnih i društveno humanističkih znanosti te u umjetničkom području.
Studijski program Tekstilni i modni dizajn prilagođen je promjenama u svjetskoj modnoj industriji te potrebama studenata za razvijanjem potrebnih vještina i kompetencija. U skladu sa smjernicama propisanim Bolonjskom deklaracijom, ttf je 2005. godine uveo trogodišnji preddiplomski studij te dvogodišnji diplomski studij tekstilnog i modnog dizajna.
Zbog interdisciplinarnog karaktera tekstilnog, industrijskog i modnog dizajna te potrebe za integralnim obrazovanjem studenata, ttf primijenjuje razne tehnološke, znanstvene, dizajnerske i umjetničke pristupe u izvođenju nastave na kolegijima tekstilnog i modnog dizajna kao što su crtanje i slikanje, povijest mode i odijevanja, povijest umjetnosti i modne ilustracije, u kombinaciji s teorijskom nastavom iz vizualnih komunikacija, estetike, sociologije mode te ekonomike i upravljanja marketingom tekstila i odjeće. Ovakav ustroj studijskih programa uspostavlja ravnotežu između tehnološkog, umjetničkog, društvenog i humanističkog pristupa i temeljnog obrazovanja u području modnog dizajna. Različiti studijski smjerovi omogućuju studentima da usavršavaju vještine i kompetencije u skladu s željenom profesionalnom orijentacijom i vlastitim interesima.
Organizacija studijskih programa i kurikulum su usklađeni sa suvremenim svjetskim trendovima. Program se odvija na visokoj znanstvenoj, umjetničkoj i stručnoj razini te sadržajno u skladu sa svjetskim
trendovima, no istodobno omogućuje studentima da izraze individualnu kreativnost koja je ključna u ovakvoj vrsti obrazovanja. Usklađenost studijskih programa s europskim i svjetskim studijskim razinama, kao i otvorena suradnja s europskim sveučilištima i studijima tekstilnog i modnog dizajna podržavaju studentske razmjene koje studentima omogućuju slušanje kolegija i nastavak obrazovanja u inozemstvu.
Jedna od ključnih metoda demonstracije stečenih znaja i vještina u ovim studijskim programima su završni radovi koje studenti predstavljaju u suradnji s nastavnicima sudjelovanjem u internim i javnim modnim revijama i ostalim oblicima umjetničkih i modnih manifestacija. Po završetku studija studenti postaju kompetentni stručnjaci s mogućnosti zapošljavanja u domaćoj i međunarodnoj modnoj industriji. O TTF-U D
IPM
OD
hr
v0
123
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet — ABOUT TTF
— 7
—
University of Zagreb Faculty of Textile Technology (ttf)
University of Zagreb Faculty of Textile Technology (ttf) is an internationally recognized academic, educational and research institution in the field of textile technology and fashion design. The ttf endorses and conducts research in the field of technical and natural sciences, along with research in humanities and social sciences and art.
The study programme of Textile and Fashion Design is adapted to changes and trends in the global fashion industry and students’ needs in developing required skills and competences. In accordance with the guidelines proposed by the Bologna Declaration, the ttf introduced a three-year undergraduate and two-year graduate study programme of Textile and Fashion Design.
Due to the interdisciplinary character of textile, industrial and fashion design and the need for an integral education of students, the ttf combines different technological, scientific, design and artistic approaches in organizing courses in textile and fashion design, such as drawing and painting, history of clothing and fashion, history of art and fashion illustration, combined with theoretical courses such as theories of visual communication, esthetics, fashion sociology, economics and marketing in textile and clothing technology. This kind of study organization brings technological, artistic, social and humanistic approaches into balance with fundamental education in fashion design. Different branches of study were introduced in order to allow students to further develop specific skills and competences according to their desired professional orientation and personal interests.
The organization of the study program and the curriculum are in line and up-to-date with
contemporary world trends. The program maintains a high level of artistic, professional and scientific work and keeps the study contents on top of world trends but also allows students to express individual creativity which is essential to this kind of education. The compatibility of the program with European and worldwide study levels, as well as the collaboration with European universities and studies of textile and fashion design enable student exchange programs, giving students the opportunity to take courses and continue their studies abroad.
One of the key methods of expressing acquired knowledge and skills in this study are final works presented by students in cooperation with teachers by participating in in-house and public fashion shows and other forms of manifestations related to fashion and art. Upon graduation, students of fashion design constitute a competent workforce in domestic and international fashion industry.
ABOUT TTF D
IPM
OD
eng
0123
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet — uvodna riječ
— 9
—
Katalog studentskih radova dipmod_0123 cilj je predstaviti zaokruženu cjelinu od četri modnih revija nastalih u okviru Sveučilišta u Zagrebu na Tekstilno-tehnološkom fakultetu. Ideja modne revije dipmod godišnje je predstavljanje javnosti najboljih mladih diplomanata modnog dizajna stasalih na Tekstilno-tehnološkom fakultetu u Zagrebu. Važnost manifestacije potvrđuje i činjenica da se dipmod od 2015. godine odvija pod visokim pokroviteljstvom Rektora Sveučilišta u Zagrebu prof. dr. sc. Damira Borasa.
Inicijalna ideja potrebe predstavljanja diplomanata modnog dizajna javnosti javlja se 2013. godine kada u predvorju kina sc kreće prva u nizu modnih revija kojima je cilj ustaliti godišnju prezentaciju mladih modnih dizajnera. Lišena estradnog blještavila odjeća koju nam unutar revije dipmod_0 nude diplomantice Jelena Aleksić, Sonja Brstilo, Petra Ivanjoš, Marija Jaramazović, Lidija Lovrić, Vedrana Mastela, Tajana Rajčić, Andreja Štefanac, Martina Težak i Lucija Vrcić nudi novi prostor za promišljanje mode. Iz odabranih kolekcija jasno je vidljiva svjesna tendencija izbjegavanja bavljenja trenutnim modnim trendom. Kolekcijama su obuhvaćena različita tematska područja koja govore u prilog interdisciplinarnosti mode, a bave se reinterpretacijom uličnih stilova, destrukcijom materijala, pitanjima identiteta, fetiša i kamuflaže, propituju odnos umjetnosti i mode, a ne izbjegavaju ni osjetljiva pitanja mogućnosti prevođenja antimodnog u modno.
dipmod_1 koji se održava 2015. godine nastavlja ideju promocije najboljih mladih modnih dizajnera predstavljajući osam modnih dizajnerica kojima se kao gost večeri pridružuje apsolvent Matija Čop. Odjeća koju nam nude diplomantice Tina Buždon, Ema Gašljević, Jelena Holec, Dijana Horvatić, Suzana Koprivnjak, Aleksandra Kostadinović, Ines Košmerl i Dina Štambuk predstavlja kvalitativni odmak od ustaljenih i nerijetko predvidljivih modnih
rješenja. Kolekcije su redom temeljene na jasnim konceptualnim propitivanjima odjevnih oblika pri čemu funkcionalna dimenzija odjeće nije zanemarena. Svjesno izbjegavajući visokomodnu teatralnost te promišljajući konceptualnu funkcionalnost odjevnih oblika cilj je ponuditi alternativniji pristup modi te podcrtati njen interdisciplinarni karakter. U prilog tome govori širok spektar tematskih područja i istraživačkih pristupa koji obuhvaćaju alternativne postupke obrade tekstilnog materijala, introspektivna propitivanja identiteta i njegove kamuflaže kroz medij odjeće i mimikričnog tekstilnog uzorka, kao i pitanja odnosa umjetnosti i mode s posebnim naglaskom na problemu utopijske mode.
dipmod_2 održava se 2016. godine te predstavlja diplomske kolekcije šestero studenata, Arijane Bošnjak, Staše Doblanović, Julije Francisković, Saše Hortiga, Ive Kuzmić i Sanje Švrake, a kao gost večeri pridružuje im se Marko Petrić sa više puta nagrađivanom i međunarodno prezentiranom kolekcijom Objekt u objektu. Zajednička karakteristika predstavljenih kolekcija jaki je autorski rukopis svakog od studenata. Tako Arijana Bošnjak u kolekciji ... into purism estetiku blisku Paco Rabanneu hrabro koristi kao povod za proučavanje kiča u modi. Studentica detektira princip multiplikacije metalnih i plastičnih pločica kao čest oblik estetske zlouporabe u oblikovanju odjeće podcrtavajući tanku granicu između kiča i svega ostalog što kič nije. S druge strane, Staša Doblanović se u kolekciji Bamboo ss2016 dotiče estetike Paco Rabannea prevodeći je u skulpturalni odjevni moment. Oblikujući odjevno oplošje multiplicirajući bambusove pločice u formaciji geometrijskih tijela, stvara geometrijski čistu haptičnu površinu koja bojom drveta nadopunjava modre odjevne oblike isto tako skulpturalnog scuba tekstilnog materijala. Sintaksa likovnog jezika i likovne tehnike prisutni su i u drugim diplomskim kolekcijama od kojih se upotrebom grafičkih tehnika i printa izdvaja kolekcija The Marked Ones Julije
UVODNA RIJEČ D
IPM
OD
hr
v0
123
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet — uvodna riječ Sveučilište u Zagrebu Tekstilno-tehnološki fakultet — uvodna riječ
10 —
11 —
DIP
MO
D h
rv
0123
DIP
MO
D h
rv
012
3Francisković. Print i grafičke tehnike u kontekstu modnog dizajna Julija Francisković koristi kao medij za propitivanje socioloških i psiholoških elemenata iniciranih pitanjem zločina, krivnje i života u izolaciji. Odjeća svedena gotovo do krajnje akromatske skale sa pokojim odjevnim predmetom blagog kolorita, savršena je podloga za print poruka estetski vezanih uz izgled novinskog članka unutar rubrike crne kronike. Antimodni karakter zatvorskog odijela koji pratimo u kolekciji Julije Francisković otvara pitanje granice i prelaska antimodnog u modno, a prisutan je i u kolekciji Rebellious guards Ive Kuzmić. Iva Kuzmić za polazište uzima antimodni kontekst nepromjenjive crvene uniforme Ujedinjenog Kraljevstva interpretirane u anarhističnom kontekstu isto tako antimodne estetike odjeće punk i rock populacije. Koketirajući sa antimodnim odjevnim stilovima Iva Kuzmić stvara odjevne dosjetke rekomponirajući prepoznatljive odjevne simbole u nove odjevne kompozicije. Pitanje identiteta, roda i spola te njihova utjecaja na oblikovanje, izgled i značenje odjeće temeljna su pitanja na koja pronalazimo odgovor u kolekciji The new revolutionaries Saše Hortiga. Odgovor iščitavamo kao radikalan otklon od standardizacije i konvencionalnog u oblikovanju odjeće. Tako Saša Hortig oblikuje kolekciju na kontrastu mini/mega odjevne veličine što rezultira krajnje dramatičnim odjevnim pričama kakve pronalazimo u estetikama Waltera van Beirendoncka ili pak Leight Bowerya. S druge pak strane, krajnje zasićenoj estetici koju pronalazimo u kolekciji The new revolutionaries Saše Hortiga suprotstavljena je rad Sanje Švrake. Bijelo i čistoća, te pitanje (ne)mogućnosti očuvanja iste, polazna su točka istraživanja unutar kolekcije Purity. U duhu purizma Sanja Švraka oblikuje krajnje pročišćenu kolekciju savršeno točne konstrukcije u kojoj se ni najmanjem detalju ne dopušta da naruši međusobni sklad odjevnih oblika. Sanja Švraka upotrebom bijelog nudi nam savršenu podlogu za simboličnu priču o duhovnoj čistoći.
dipmod_3 2017. predstavlja devet mladih autorica i autora čiji radovi problematiziraju odnos odjevenog tijela i okoline. Tijelo u fokusu kao zajednička odrednica svih kolekcija obrađeno je u širokom spektru tema poput tijela i novih tehnologija, tijela kao mjesta poruke, (de)konstruiranog i konceptualnog tijela. Tako u kolekciji K2 - 421 + ≈ 3368 Dalibor Šakić promišlja dvojno tijelo. Dizajner imaginarnom jednadžbom izračunava broj upotrijebljenih šavova koji je aproksimativno jednak broju 3368. Autor analitički pristupa zbrajanju konstrukcijskih postupaka i krojnih dijelova gdje je njihova kvantitativna vrijednost preduvjet za osiguravanje transformabilnosti u oblikovanju odjevnih predmeta za dvoje. Nikola Barbir u kolekciji Humanity poput renesansnog čovjeka pristupa istraživanju bojila stvarajući jedinstveni pigment kojim tretira tekstil. Istraživački pristup nastavlja analiziranjem anatomije ljudskog tijela prepoznajući u postupku seciranja (de)konstrukcijske vrijednosti krojne slike shvaćene kao preslike ljudskog tijela. Nikola kroz kolekciju varira kroj multiplicirajući izdvojene anatomske dijelove ljudske figure. Anatomska slika tijela nalazi se i u fokusu interesa dizajnerice Lane Krmek. U kolekciji Pulse Lana postavlja pitanje funkcionalnosti i estetskih vrijednosti novih tehnologija u modnom dizajnu. Uzevši linije mišićnog tkiva i krvožilni sustav kao estetski predložak za dizajn odjeće dizajnerica kiborgizira tijelo zamjenjujući njegove anatomske vrijednosti optičkim vlaknima. Individualni karakter odjeće postignut je upotrebom mikrokontrolera i led dioda koje suptilno bilježe puls muških i ženskih modela stvarajući intimnu bilješku promjena i reakcija jedno na drugo. Nadalje, suptilnošću promjene odjevnog oplošja bavi se i Matea Bručić u kolekciji Chameleon. Dizajnerica koristi termokromatska i fosforoscentna bojila u svrhu kolorističke transformacije tekstilnog uzorka. Matea u tekstilnom uzorku iščitava njegovu dvojaku prirodu. S jedne strane riječ je o floralnom uzorku inspiriranom orijentalnošću, dok s druge strane
motiv biljke prepoznaje kao simbol akumulirane sunčeve energije. Novonastali tekstil poziv je na dodir i komunikaciju sa okolinom pri čemu je izražajnost tekstilnog uzorka ovisna o intenzitetu vanjskog podražaja. Dodirnu točku u kolekcijama wannabe Nives Bošnjak i Attention — 0,99 % Petre Stanković pronalazimo u apostrofiranju značenja T-shirta kao mjesta poruke. Kolekcija Attention — 0,99 % konotirana je kritičkim stavom spram terora masovnog modnog konzumerizma i brze mode. Petra Stanković akceptira T-shirt kao važno komunikacijsko sredstvo između kupaca i modnih brandova ispisujući agresivne poruke poput feeling smart ili pay 50% now — pay 50 % later na bijele majice antimodnog karaktera kakve susrećemo u izlozima u vrijeme rasprodaja. Uključujući ih u kolekciju, Petra njjihov prvotno antimodni karakter mijenja u modni. S druge strane, Nives Bošnjak poruku na T-shirtu koristi kao sredstvo naglašavanja socijalnih i političkih problema. Porukama if I was A rich girl… ili yeezus is not my lord bijeli T-shirt pretvara u mjesto kritike i otpora sustavu. Posljedično tome, kolekcijom wannabe Nives Bošnjak problematizira koncept političkih poruka u pop kulturi i modnom dizajnu izražavajući jasnu kritiku spram kvarnosti modnog sustava i njegove selebritizacije. Kolekcija Echo Maje Podrug odličan je primjer uzajamne povezanosti (de)konstrukcijskih načela oblikovanja odjeće sa posljedičnom promjenom namjenskog i simboličnog značenja odjevnog predmeta. Za polazišnu točku dizajnerica uzima klasično muško odijelo koje jasno očituje svoj simbolički, rodni, klasni i socijalni karakter te će upravo zbog toga svaka konstrukcijska promjena na njemu uzrokovati i promjenu njegova značenja. Najveći dekonstrukcijski pomaci vidljivi su na kragnama i reveru čime dizajnerica odijelu povećava broj funkcija i provocira interaktivan odnos sa njegovim vlasnikom. Dekonstrukcijski postupci osnova su diplomske kolekcije Matije Čopa. Matija Čop u kolekciji Monster Mum in Funny Farm primijenjuje mušku krojnu sliku na ženski odjevni
predmet. Dislokacijama krojnih dijelova muškog odijela na žensko tijelo Matija problematizira ulogu žene u suvremenom društvu. Kolekcija Monster Mum in Funny Farm metafora je majke u ludnici vremena. Čudovišnu ulogu majke dizajner dodatno razvija u formi konceptualnog performansa gdje se razodijevanje i maskiranje tumači intimnim činom propitivanja identiteta. Težnja ka performansu i konceptualnom promišljanju mode karakteristika su i kolekcije abNormal 6/208 Duje Kodžomana. Konceptualnost pristupa očituje se u činjenici da kolekcija nastaje na principu rezultata ankete koju autor provodi na uzorku od 208 ispitanika. Postavljajući anketna pitanja o šest psihičkih poremećaja dizajner istražuje ulogu stereotipa u percepciji abnormalnosti i psihičkih poremećaja, a dobivene rezultate koristi kao oblikotvorni obrazac u oblikovanju unisex kolekcije modne odjeće.
Raznolikošću obrađenih tema i pristupa oblikovanju odjeće dipmod postaje vodećom platformom za predstavljanje mladih modnih imena. Iz generacije u generaciju predstavlja diplomanate Tekstilno-tehnološkog fakulteta Sveučilišta u Zagrebu koji svojim kolekcijama dokazuju da je moda poput lakmusa. Ona upija u sebe razne utjecaje bilježeći duh i tektoniku vremena pritom otvarajući neprestano nove mogućnosti modnog oblikovanja i komunikacije.
Jasminka Končić
Sveučilište u Zagrebu Tekstilno-tehnološki fakultet — introduction
— 13
—INTRO-DUCTION D
IPM
OD
eng
The catalog of student’s works dipmod_0123 aims to present the cycle of four fashion shows organized by the Faculty of Textile Technology at the University of Zagreb. The idea behind the dipmod fashion show is to present the best fashion design graduates of the Faculty of Textile Technology and their collections to the wider public. The fact that dipmod event has been organized under the auspices of the rector Mr. Damir Boras since 2015, speaks of its importance.
The initial idea to annually present new fashion design graduates to the public first appeared in 2013 with the staging of the first fashion show in the foyer of the sc movie theater. Devoid of showbiz glamor, the dipmod_0 fashion show presents collections by graduates Jelena Aleksić, Sonja Brstilo, Petra Ivanjoš, Marija Jaramazović, Lidija Lovrić, Vedrana Mastela, Tajana Rajčić, Andreja Štefanac, Martina Težak i Lucija Vrcić, offering us a different angle for contemplating fashion. Selected collections clearly indicate the lack of tendency to attend to temporary fashion trends. Asserting the interdisciplinary nature of fashion, the collections cover a variety of topics, as they reinterpret street style, deconstruct the materials, and deal with questions of identity, fetish and camouflage while examining the relationship between fashion and art and addressing even the sensitive issue of transforming anti-fashion into fashion.
dipmod_1 in 2015 continues to promote the very best young designers with eight individual collections. The graduates are joined by a perspective student Matija Čop. The collections presented by the graduates Tina Buždon, Ema Gašljević, Jelena Holec, Dijana Horvatić, Suzana Koprivnjak, Aleksandra Kostadinović, Ines Košmerl and Dina Štambuk offer a significant divergence from conventional and oftentimes predictable fashion designs. All collections are based on clearly conceptual reevaluations of garments whereby their functional dimension remains intact. The ultimate objective of the collections is to offer an
alternative approach to fashion and emphasize its interdisciplinary character by intentionally casting off the theatricality of haute couture while contemplating the conceptual functionality of garments. This objective is accomplished through immersion into a wide aspect of research topics and approaches which include alternative methods of fabric manipulation, introspection on the topic of identity and its camouflage through the medium of clothing and mimicking textile patterns, and also by revisiting the relationship between fashion and art, with the emphasis on the issue of utopian fashion.
dipmod_2 is staged in 2016 and presents the collections of six graduates: Arijana Bošnjak, Staša Doblanović, Julija Francisković, Saša Hortig, Iva Kuzmić and Sanja Švraka, joined by Marko Petrić as the special guest of the evening with his multiply rewarded and internationally presented collection Object in Object. The common feature of all presented collections is a strong author’s signature of all graduates. In her collection ... into purism, Arijana Bošnjak boldly employs esthetics akin to Paco Rabanne as a cause to explore kitsch in fashion. The graduate detects the principle of multiplied metal and plastic sequins as a common form of esthetic abuse in apparel design, redrawing the fine line between kitsch and non-kitsch. In her collection Bamboo ss2016, Staša Doblanović also plays with Rabanne’s esthetics and translates it into sculptural garments. The application of geometrically shaped bamboo plates on the surface of the already sculpted scuba fabric creates a perfectly neat haptic surface of navy blue complemented by the color of wood. The syntax of visual language paired with visual art techniques can be observed in other collections, particularly in the works of Julija Francisković in her collection The Marked Ones. She uses prints and graphic techniques in the context of fashion design as a medium for communicating sociological and psychological aspects of crime, guilt and life in
0123
DIPM
OD DIPM
OD en
geng
012
30123
— 15
—14
tekstilno tehnološki fakultet — introduction
isolation. Achromatic clothing with only few mildly colored garments acts as a perfect canvas for printed messages resembling newspaper articles reporting on crime and violence. The anti-fashion character of a prison uniform in her collection poses a question on boundaries between and the transition of anti-fashion into fashion. The collection Rebellious Guards by Iva Kuzmić addresses the same issue from a different angle. Her collection employs the anti-fashion character of red Queen’s guards’ uniforms as a starting point to investigate its interpretation in the anarchistic context of the equally anti-fashion esthetics of the punk and rock subcultures. Iva’s play with anti-fashion clothing styles creates amusing solutions by incorporating common anti-fashion staple garments in a new outfit. The question of identity, sex and gender and their influence on the construction, appearance and contextual meaning of clothes are the underlying issues addressed in the collection The New Revolutionaries by Saša Hortig. The answer lies in a radical deviation from standardization and conventionality in garment construction. Saša Hortig bases his collection on the contrast of mini/mega clothing sizes, resulting in ultimately dramatic clothing solutions comparable to the esthetics of Walter van Beirendonck or Leigh Bowery. Saturated esthetics of Hortig’s collection is juxtaposed to the works of Sanja Švraka. The (im)possibility of preserving whiteness and cleanliness lies at the foundation of her research in the creation of her collection Purity. In the spirit of purism, Sanja Švraka designs a purified collection of perfectly constructed garments, allowing no details to tip their balance. White fabrics provide a perfect canvas for a symbolic narrative on spiritual cleanliness.
dipmod_3 2017 presents nine new designers whose collections explore the relation of a clad body to its environment. The focus on human body is the common denominator of all collections which cover a wide range of topics such as the body and its
relation to new technologies, body as a billboard, a (de)constructed or a conceptual body. In his collection titled K2 - 421 + ≈ 3368, Dalibor Šakić contemplates a dual body. The designer uses an imaginary equation to calculate the number of seams, which approximately equals 3368. The designer applies an analytic approach by calculating the number of cutting parts and operations in garment construction; their quantitative value is essential for transformability in creating a garment for two. Nikola Barbir takes a “renaissance man “approach in the design of his collection u Humanity; by researching dyestuffs, he creates a unique pigment to treat textiles. He continues his research by analyzing the anatomy of human body; he draws analogies between the dissection procedure and the (de)constructive value of the cutting pattern perceived as a replication of human body. Nikola alters the cuts through his collection as he multiplies particular parts of a human figure. Human anatomy also lies in the focus of interest in Lana Krmek’s work. In her collection Pulse, Lana questions the functionality and esthetic values of modern technologies in fashion design. She uses the outlines of muscular and cardiovascular systems as an esthetic template in her design; the garments create an image of a cyborg body, where its anatomic features are replaced by optical fibers. The individual character of garments lies in the use of microcontrollers and leds which subtly record the pulse of male and female models and keep track of intimate changes in their bodies as they react to one another. Subtle changes of fabric substrates are in the focus of Matea Bručić’s collection Chameleon. The designer uses thermochromic and phosphorescent dyes to achieve color transformations in textile patterns, granting them a dual character. Orient-inspired floral patterns transform into motifs of plants as symbols of accumulated solar energy. The innovative textile of these garments compels us to stay in touch and communicate with the environment as the intensity
tekstilno tehnološki fakultet — introduction
of its patterns correlates to external impulses. The overlapping of collections wannabe by Nives Bošnjak and Attention — 0,99 % by Petra Stanković can be observed in emphasizing the meaning of a T-shirt as a message locus. The collection Attention — 0,99 % delivers criticism of mass fashion consumerism and fast fashion. Petra Stanković establishes a T-shirt as an important communication strategy between buyers and brands where she prints aggressive messages such as feeling smart or pay 50% now
— pay 50 % later on anti-fashion white t-shirts as commonly seen in windows during sales. By making them a part of the collection, Petra changes their anti-fashion character into fashion. On the other hand, Nives Bošnjak is using a message on a T-shirt to emphasize social and political problems. The printed messages if I was A rich girl… or yeezus is not my lord, turn a simple white T-shirt into criticism and a symbol of resistance. Consequently, Nives Bošnjak’s collection wannabe is exploring the concept of political paroles in pop-culture and fashion design, while simultaneously expressing a clear protest towards the corrupt nature of fashion system and its celebrification. Maja Podrug’s collection Echo is an excellent example of intertwining (de)constructing principles of garment making and shifting the use and symbolic meaning of a garment. As her starting point, the designer uses a classic male suit which possesses a clear symbolic, gender, class and social character. Each constructing change in the suit causes a shift in the meaning. The most significant deconstructing changes can be observed on the collar and lapels, where the designer creates new functions of the suit and establishes an interactive relationship with the suit owner. Deconstruction is also the basis for Matija Čop’s graduate collection. In his collection Monster Mum in Funny Farm, Matija Čop applies a menswear cutting pattern to a female garment. By dislocating cutting parts of a male suit to a female body, Matija is questioning the role of a woman in contemporary society. The collection
Monster Mum in Funny Farm serves as a metaphor for a mother in the modern asylum. The monstrous role of the mother is further explored in a conceptual performance where undressing and masking becomes an intimate act of identity questioning. Performance and conceptual traits can also be observed in Duje Kodžoman’s collection abNormal 6/208. His conceptual approach is particularly stressed in the fact that his collection resulted from a survey he conducted on the sample of 208 participants. By asking them questions about six psychological disorders, the designer is exploring the role of stereotypes in the perception of abnormality and psychological disorders; he uses obtained results as motifs in constructing a unisex clothes collection.
The diversity of covered topics and approaches to the garment making process makes dipmod the leading platform for young fashion talents. As every new generation of graduates is introduced, their collections prove that fashion is like litmus. It absorbs various influences and reflects the zeitgeist by continually opening new perspectives in fashion design and communication.
Jasminka Končić
0
0
18 —
19 —
dipmod
Obrazovanje / Education: 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2008→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and
Ime i prezime Jelena Aleksić // Godina rođenja 1986
exhibitions: 2015→ Not Just A Label, Dubai Design District, Dubai 2013→ No Men In The Wild, Cro-A-Porter, Zagreb // ja/M-4, Cro-A_Porter, Zagreb 2012→ Design Expo, Thinking The Future, Ljubljana // Warm Bodies, Cro-A-Porter, Zagreb // Rich Pleats Pleats Rich, Cro-A-Porter, Zagreb 2011→ The Bluepanther, Cro-A-Porter, Zagreb 2009→ Influence Fashion Show, Kopar // Stare siluete_novi materijali / Old Silhouettes_
foto Ivana Kragić
Kontakt / contact+385 98 659 375
New Materials, hdd, Zagreb 2008→ Izložba Hrvatskog dizajna 0708 /Exhibition of Croatian Design 07/08, hdd,Zagreb Radno iskustvo / Work experience: 2014 – 2015→ Estare Culto, konstruktor odjeće / Estare Culto, clothing constructor Nagrade / Awards: 2011→ Fashion Inkubator Portanova, Osijek 2010→ Dreft Fashion Week, Zagreb 2008→ hdd 0708, Zagreb
0
20 —
21 —
dipmod
Ime i prezime Petra Auguštin (Ivanjoš) Godina rođenja 1986
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2008→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design 2009→ en-sait-Ecole Nationale Supérieure des Arts et Industries Textiles, Roubaix, Francuska / ensait-Ecole Nationale Supérieure des Arts et Industries
Textiles, Roubaix, France Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2009→ Fashion Designers Against Cancer, Muzej Mimara, Zagreb // Stare siluete_novi materijali / Old Silhouettes_ New Materials, hdd, Zagreb 2008→ Modni ormar/Fashion Wardrobe, muo, Zagreb // Wella Fashion Week, Zagreb // Izložba Hrvatskog dizajna 0708 / Exhibition of Croatian Design 07/08, hdd,Zagreb Radno iskust-vo / Work experience: 2008 – 2012→ Slobodna modna dizajnerica /
Kontakt / contact+385 98 1392 144
Freelance fashion designer 2012 – 2013→ volonterski rad kod dizajnera Jeremyja Lainga // volunteer work at designer Jeremy Laing, Kanada / Canada 2017– → modni brand Nitoya / Fashion brand Nitoya, fashion designer Nagrade / Awards: 2008→ hdd 0708, Zagreb
foto
Nik
ola
Zelm
anov
ić
0
22 —
23
—
dipmod
Ime i prezime Sonja Brstilo Godina rođenja 1981
Obrazovanje / Education: 2013→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and
exhibitions: 2013 → Deconstructed Sport_Street Colours, Međunarodni festival Dan-D/International design festival D-Day, Zagreb, 2010→ mi (minimalizam), Zagreb Fashion Week, Zagreb 2009/2011/2013→ Grizia, Rovinj Radno iskustvo / Work experience: 2016– → Slobodna ilustra-torica modne i promotivne ilustracije, 2D game art, wall art / Freelance illustrator for fashion illustration, 2D game art and wall art 2015→ Proud
Kontakt / contact+385 98 906 2604
Dog, dizajnerica linije za kućne ljubimce / Proud Dog, designer for a pet clothing line // L’Oreal Professionnel Hrvatska, dizajn promo haljina / L’Oreal Professionnel Croatia, dress design for a promotional purpose
foto
Dam
jan
Nen
adić
0
24 —
25
—
dipmod
Ime i prezime Tajana Douglas (Rajčić) Godina rođenja 1985
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije,
projekti i izložbe / Collections, projects and exhibitions: 2012 → Extra / ordinary design, hdd, Zagreb 2011 → Extra/ordinary design, Kyoto University Museum, Kyoto // Extra/ordinary design, Galerija A - M – U,Tokyo 2009 → Mediterranean Festival of Fashion Influence, Kopar // Stare siluete_novi materijali / Old Silhouettes_New Materials, hdd,
foto Davor Konjikušić
Kontakt / contact+ 1 647 779 5558
Zagreb 2008→ Izložba Hrvatskog dizajna 0708 / Exhibition of Croatian Design 07/08, hdd, Zagreb Radno iskustvo / Work experience: 2012–→ Modna fotografija / Fashion photography / www.artizenmediagroup.com Nagrade / Awards: 2008 → hdd 0708, Zagreb
0
26 —
27
—
dipmod
Ime i prezime Marija Kovač (Jaramazović) Godina rođenja 1986
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2008→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije,
projekti i izložbe / Collections, projects and exhibitions: 2014→ For Us, Fashion Days, Kosovska Mitrovica 2007→ Mala crna haljina, Fashion Week Zagreb, Zagreb Radno iskustvo / Work experience: 2012→ Vlastiti dizajnerski studio / Own designer studio
Kontakt / contact+381 6383 79042
foto
Pet
ra M
rša
0
28 —
29
—
dipmod
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2008→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and
exhibitions: 2012→ Order (dis) order, In A Nutshell: suvremeni hrvatski dizajn/ In A Nutshell: Contemporary Croatian Design, Maribor/Helsinki/Zagreb 2011→ Extra/ordinary design, Shared Innovation-10 Years of Inclusive Design, Tokyo // Order (dis) order, Habitus Baltija, Riga 2010→ Izložba Hrvatskog dizajna 0910 / Exhibition of Croatian Design 0910, muo, Zagreb, Hrvatska // Mediterranean Fashion festival Influence, Kopar
foto Dragana Jelčić
Ime i prezime Lidija Lovrić Godina rođenja 1982
Kontakt / contact+385 91 895 7316
Radno iskustvo / Work experience: 2013→ Studio io-Ivana Omazić, dizajnerica asistentica / Studio io-Ivana Omazić, designer assistant Nagrade / Awards: 2011→ Međunarodni festival Dan-D / International design festival D-Day, Zagreb // Dekanova nagrada Sveučilišta u Zagrebu
— ttf / Dean’s Award University of Zagreb 2010→ hdd 0910, Zagreb // Book in Fashion, Ljubljana
0
30 —
31 —
dipmod
Ime i prezime Vedrana Mastela Godina rođenja 1986
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tek-stilno-tehnološki fakultet | ma studij modnog dizajna / Universi-ty of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Texti-le Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ Gombold Ujra
Merzedes Fashion Week Central Europe, Budimešta 2015→ Art Loves You, 26. Schwarzkopf Cro-A-Porter, Zagreb // Erased, 25. Schwarzko-pf Cro-A-Porter, Zagreb 2014→ Pieces, Fashion Incubator, Osijek // Brands&Sings, Month of Design, Ljubljana 2012→ Destroyed Creation, id International Emerging Fashion Awards, Dunedin 2011→ Destroyed Creation, Habitus Baltija, Riga 2008 – 2011→ Međunarodni festival Dan-D / International design festival D-Day, Zagreb 2009→ Stare
foto Karmen Poznić
Kontakt / contact+385 91 521 8327
siluete_novi materijali / Old Silhouettes_ New Materials, hdd, Zagreb 2008→ Izložba Hrvatskog dizajna 0708 / Exhibition of Croatian Design 07/08, hdd, Zagreb Radno iskustvo / Work experience: Slobodna modna dizajnerica / Freelance fashion designer Nagrade / Awards: 2017→ openmymed, prize finalist 2008→ hdd 0708, Zagreb
0
32 —
33
—
dipmod
Ime i prezime Andreja Štefanac Godina rođenja 1986
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design
foto
Dav
id O
guić
Kontakt / [email protected]
0
34 —
35
—
dipmod
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion
Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2009→ Stare siluete_novi materijali / Old Silhouettes_ New Materials, hdd, Zagreb 2008→ Izložba Hrvatskog dizajna 0708 /Exhibition of Croatian Design 07/08, hdd, Zagreb Nagrade / Awards: 2008→ hdd 0708, Zagreb
Ime i prezime Martina Težak Godina rođenja 1985
Kontakt / [email protected]
foto
Dav
id M
ihoc
i
0
36 —
37
—
dipmod
Ime i prezime Lucija Vrcić Godina rođenja 1987
Obrazovanje / Education: 2012→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2008→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibi-tions: 2015→ Perwoll New Generation, 35. Fashion Week Sarajevo 2014→ Perwoll New Generation, 34. Fashion Week Sarajevo 2010→ Fashion
Show Rexona Crystal, Zagreb 2009→ Influence Fashion Show, Kopar // Stare siluete_novi materijali / Old Silhouettes_ New Materials, hdd, Zagreb 2008→ Izložba Hrvatskog dizajna 0708 / Exhibition of Croatian Design 07/08, hdd, Zagreb Radno iskustvo / Work experience: 2014→ Krojačko dizajnerski obrt za izradu torbica Lucija Vrcić / Designer and tailoring company for bags Lucija Vrcić Nagrade / Awards: 2008→ hdd 0708, Zagreb
foto Neven Petrović
Kontakt / contact+385 97 7122 912
1
1
40
dipmod
41
Ime i prezime Tina Buždon Godina rođenja 1987
Obrazovanje / Education: 2013→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2013→ Međunarodni festival Dan-D/International design festival D-Day, Zagreb // Fashion Festival Croatia, Varaždin 2009→ Stare
siluete_novi materijali / Old Silhouettes_ New Materials, hdd, Zagreb 2008→ Izložba Hrvatskog dizajna 0708 / Exhibition of Croatian Design 07/08, hdd,Zagreb 2007→ Alternativni materijali/Alternative textilles, Galerija ulupuh, Zagreb // Bijelo / Whiteness, Galerija Matice hrvatske, Zagreb Nagrade / Awards: 2008→ hdd 0708, Zagreb
Kontakt / contact+385 91 598 4221
foto
Pet
ra M
rša
1
42
dipmod
43
Ime i prezime Ema Gašljević Godina rođenja 1988
Obrazovanje / Education: 2015→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design 2012→ Central St. Martin’s College of Art and Design, London, Velika Britanija (ljetni tečaj) / Central St. Martin’s College of Art and Design, London, uk (summer course) 2011→ Central St. Martin’s College of Art
and Design, London, Velika Britanija (ljetni tečaj) / Central St. Martin’s College of Art and Design, London, uk (summer course) Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ Erasmus + projekt, Zakopane // Sunny Futurism, 30/10, oris, Zagreb 2015→ Open up! Integration in action!, Erasmus + projekt, Bratsigovo Radno iskustvo / Work experience: 2016 – 2017→ Katarina Džale Soul Fashion, konstruktorica i modna dizajnerica / Katarina Džale Soul Fash-ion, clothing constructor and fashion designer 2015→ Studio io-Ivana
foto Barbara Radelja
Kontakt / contact+385 91 164 7201
Omazić, dizajnerica tekstila / Studio io-Ivana Omazić, textile designer 2011→ Asistentica kostimografkinje za film Petera Greenawaya Golzius and the Pelican Company / costume assistant for a Peter Greenaway movie Golzius and the Pelican Company
1
44
dipmod
45
Ime i prezime Jelena Holec Godina rođenja 1990
Obrazovanje / Education: 2015→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibi-tions: 2016→ 30/10, oris, Zagreb // ds3 Citröen Hrvatska, Zagreb // Izložba Hrvatskog dizajna 1516 / Exhibition of Croatian Design 1516, muo,
Zagreb 2015→ Bodies Revealed, Habitus Baltija, Riga 2014→ Portanova Fashion Incubator, Osijek // Međunarodni festival Dan-D / International design festival D-Day, Zagreb // 3 In A Bundle, Young Balkan Designers, Beograd Radno iskustvo / Work experience: 2016→ Yelena H., modna dizajnerica / Yelena H., fashion designer Nagrade / Awards: 2014→ Portanova Fashion Incubator, Osijek 2011→ Modni ormar / Fashion Wardrobe, Zagreb
Kontakt / contact+385 95 3989 385
foto
Zvo
nim
ir Fe
rina
1
46
dipmod
47
Ime i prezime Dijana Horvatić Godina rođenja 1987
Obrazovanje / Education: 2013→ Sveučilište u Zagrebu | Tek-stilno-tehnološki fakultet | ma studij modnog dizajna / Univer-sity of Zagreb | Faculty of Textile Technology | ma Fashion De-sign 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet
| ba studij modnog dizajna / University of Zagreb | Faculty of Tex-tile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ 30/10, oris, Zagreb
Kontakt / contact+385 5618422
foto
And
rija
Zal
man
ović
1
48
dipmod
49
Ime i prezime Suzana Koprivnjak Jugović Godina rođenja 1989
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2017→ sposanews17, Pula 2016→ Reversed Metamorphosis, 30/10, oris, Zagreb 2015→ Reversed Metamorphosis, Habitus Baltija, Riga // bipa Fashion Hr,
Zagreb // lift by Perwoll, Zagreb 2014→ Fashion Incubator, Osijek 2010→ Modni ormar / Fashion Wardrobe, Zagreb Radno iskustvo / Work experience: 2016– → Olimpias tekstil d.o.o. i Benetton Osijek, modna dizajnerica / Olimpias tekstil d.o.o. i Benetton Osijek, Fashion designer 2014 – 2015→ Sisters, studio za redizajn i prekrajanje Osijek, modna dizajnerica, stilistica i voditeljica prodaje / Sisters, studio for redesign and retailoring Osijek, fashion designer, stylist and sales manager
Kontakt / contact+385 98 9047 538
foto
: Van
ja Š
olin
foto
Van
ja Š
olin
1
50
dipmod
51
Ime i prezime Ines Košmerl Godina rođenja 1989
Obrazovanje / Education: 2015→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ 30/10, oris, Zagreb 2012→ Modni Ormar / Fashion Wardrobe, Zagreb //
Harvard Eleganza Show, Cambridge // Lift by Perwoll, Zagreb // Fotosofia 7, Zagreb 2011→ Triumph Inspiration Award, Zagreb Radno iskustvo / Work experience: 2015– → Studio Alduk, modna dizajnerica i asistentica / Studio Alduk, fashion designer and assistant
foto
Irin
a Ri
nkov
ec
Kontakt / contact+385 9176 44666
1
52
dipmod
53
Ime i prezime Aleksandra Kostadinović Godina rođenja 1986
Obrazovanje / Education: 2013→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna /
University of Zagreb | Faculty of Textile Technology | ba Fashion Design Radno iskustvo / Work experience: TopMan / Arcadia Group London
foto Ana Mihalić
Kontakt / contact+385915414085
1dipmod
— 54 —
Ime i prezime Matija Čop Godina rođenja 1987
G
O
S
Tfo
to Z
voni
mir
Ferin
a (p
ortr
et),
Vanj
a Šo
lin (k
olek
cija
)
55
1
56
dipmod
57
Ime i prezime Dina Štambuk Godina rođenja 1987
Obrazovanje / Education: 2013→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibi-tions: 2014→ Lift by Perwoll, Zagreb 2013→ Fashion Festival Croatia, Varaždin // Međunarodni festival Dan-D / International design festival
D-Day, Zagreb Radno iskustvo / Work experience: 2014 – 2015→ Obrt za krojačke popravke i proizvodnju Krpica, dizajnerica i krojačica / Small company for redesign and tailoring Krpica, designer and tailor 2015→ modna dizajnerica za Amadeus M.A.J. / Fashion designer for Amadeus M.A.J. 2015– → komercijalistica-dizajnerica za Naftalinu / fashion designer for Naftalina
Kontakt / contact+385 99 590 4041
foto
: Iva
n Ti
bor G
rujić
, Oto
kar C
rnal
ić
2
2
— 6
1 —60
dipmod
Ime i prezime Arijana Bošnjak Godina rođenja 1989
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2012→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design
Radno iskustvo / Work experience: 2012→ Fine Life Group, računalna konstrukcija i dizajn večernjih haljina / Fine Life Group, computer con-struction and evening gown design 2017→ Ariyana Bošnjak, konstrukcija i modni dizajn / Ariyana Bošnjak, construction and fashion design
foto Ivan Knežević
Kontakt / contact+387 6350 9939
2
— 6
3 —62
dipmod
Ime i prezime Staša Doblanović Randall Godina rođenja 1990
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2012→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion De-sign 2014→ ensait-Ecole Nationale Supérieure des Arts et Industries Textiles, Roubaix, Francuska / ensait-Ecole Nationale Supérieure des
Arts et Industries Textiles, Roubaix, France Kolekcije, projekti i izlo-žbe / Collections, projects and exhibitions: 2017→ 4sqm of Pure, Fashion&Compassion, Zagreb // 4sqm of Pure, London Fashion Week, Pop up Shop, London 2016→ Bamboo, Sartorial Cut, Pula 2015→ Trokut, Young Balkan Designer, Beograd Radno iskustvo / Work experience: 2013– → Staša, modni dizajnerica / Brand Staša, fashion designer 2015→ Gan Gan, asistentica dizajnerica, London Velika Britanija / Gan Gan,
Kontakt / contact+44 7 497 173379
fashion assistant, London, uk 2015 – 2016→ mehle, asistentica dizajneri-ca, London, Velika Britanija (6 mjeseci) / mehle, fashion assistant, London, uk (6 months) 2017→ Roland Mouret, asistentica dizajnerica, London, Velika Britanija (1 mjesec) / Roland Mouret, fashion assistant, London, uk (1 month) Nagrade / Awards: 2014→ Dreft fashion week, Zagreb
fot
o Zv
onim
ir Fe
rina
2
— 6
5 —64
dipmod
Ime i prezime Julija Francisković Godina rođenja 1990
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije,
projekti i izložbe / Collections, projects and exhibitions: 2016→ The Marked Ones, bafe-Balkan Art Fashion Event, Beograd 2015→ breakdown.hr, Međunarodni festival Dan-D / International design festival D-Day, Zagreb
Kontakt / contact+385 95 562 0053
foto
Ant
onija
Las
ić
2
— 6
7 —66
dipmod
Ime i prezime Saša Hortig Godina rođenja 1991
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2012→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design 2015→ ensait-Ecole Nationale Supérieure des Arts et Indus-tries Textiles, Roubaix, Francuska / ensait-Ecole Nationale Supérieure des Arts et Industries Textiles, Roubaix, France Kolekcije, projekti i
izložbe / Collections, projects and exhibitions: 2016→ oversized, hdd, Zagreb 2014→ Cro-A-Porter, Zagreb 2013→ Fashion.hr, Zagreb // Portanova Fashion Incubator, Osijek 2012→ Modni ormar / Fashion Wardrober, Zagreb Radno iskustvo / Work experience: 2017→ & Other Stories, junior dizajner / & Other Stories, junior designer 2016→ Acne Studios, dizajn i produkcija muške linije (stažist) / Acne Studios, design and production-Menswear (intern) // Studio io-Ivana Omazić, dizajner stažist / Studio io-Ivana Omazić, design studio intern Nagrade
Kontakt /contact+385 9768 68673
[email protected]/in/sasahortig
/ Awards: 2016→ Not Just a Label: Black Sheep // Vogue Italia // Talent Call finalist 2014→ elle Style Awards 2013→ Fashion Incubator, Osijek 2012→ Modni ormar / Fashion Wardrobe, Zagreb
foto
Dar
ija C
ikač
2
— 6
9 —68
dipmod
Ime i prezime Iva Kuzmić Godina rođenja 1982
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije,
projekti i izložbe / Collections, projects and exhibitions: 2016→ Oversized, hdd, Zagreb 2007→ Final Fashion Show Callegari, Zagreb
Kontakt / contact+385 91 504 9567
foto
Iva
Kuzm
ić
2
70
dipmod
Ime i prezime Marko Petrić Godina rođenja 1989
Obrazovanje / Education: 2017→ Universität der Künste Berlin, Njemač-ka, Berlin, Art in Kontext / University of Art Berlin, Germany, Art in Kon-text // Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design 2016→ Universität der Künste Berlin, Njemačka, Berlin (ljetni tečaj) / University of Art Berlin, Berlin, Germany (summer course) Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ Her Circle: Women’s work in archi-
tecture of the 20th century in Serbia and Montenegro, Srpski Kulturni Institut u Parizu, Pariz // Collective Memory, new memories, Galerija Kolektiv Beograd // Object in Object, oversized, hdd, Zagreb // Object in Object, ybd Common grounds, imm Cologne 2015→ Object in Object, ybd Common grounds, Istanbul Design Week, Istanbul // Object in Object, Gombold újra!, Mercedes Fashion Week Budapest, Budimpešta 2013→ wen, ybd everyday heroes, Centar Georges Pompidou Paris, Pariz Rad-no iskustvo / Work experience: 2017→ sadak studio, modni dizajner asistent, Berlin, Njemačka / sadak studio, fashion designer and assistant, Berlin, Germany // 2017→ Mikser Sarajevo, kustos, BiH / Mikser Sarajevo,
G
O
S
T
71
Kontakt / contact+ 49 157 8533631
+ 385 97 693 58 [email protected]
fashion curator, Sarajevo, Bosina and Herzegovina // Mikser Beograd, kustos, Beograd, Srbija / Mikser Beograd, curator, Beograd, Serbia // Metalac, Gornji Milanovac, Srbija / Metalac, dizajner, Gornji Milovac, Serbia // Galerija Kolektiv, Beograd, Srbija / Gallery Kolektiv, curator, Beograd, Serbia 2016→ Metalac, Gornji Milanovac, Srbija / Metalac, in-ternship, Gornji Milovac, Serbia 2012 – 2013→ Talijanski Institut za kulturu, Zagreb, Hrvatska / Italian Institute for Culture, designer, Zagreb, Croatia 2009→ Calzedonia, tekstilni dizajner, Varaždin, Hrvatska / Calzedonia, textile designer, Varaždin, Croatia Nagrade / Awards: 2016→ Object in Object, Izložba hrvatskog dizajna 1516 / Exhibition of Croatian Design
1516, hdd, Zagreb // Dekanova nagrada, ttf — Sveučilište u Zagrebu / Dean’s Award, ttf — University of Zagreb, 2016 // ybd 2015 Pure Talents Contest, Cologne // 2015→ Rektorova nagrada — Sveučilište u Zagrebu / Rector’s Award — University of Zagreb // Object in Object, Young Balkan Designers, Belgrade 2010→ idiva 2010, 4. National Students Exhibition in Design, Varaždin
2
— 7
3 —72
dipmod
Ime i prezime Sanja Švraka Godina rođenja 1989
Obrazovanje / Education: 2015→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibi-tions: 2017→ Fashion&Compassion by Rotract klub Zagreb Kaptol, Zagreb 2016→ 30/10, oris, Zagreb 2014→ Koncept Membrain, Solar
Decathlon Europe, Pariz // Međunarodni festival Dan-D / International design festival D-Day, Zagreb 2011→ Modni ormar/Fashion Wardrobe, Zagreb, Hrvatska Radno iskustvo / Work experience: 2014– → amds Jeans, modna dizajnerica, Zagreb, Hrvatska / amds Jeans, fashion de-signer, Zagreb, Croatia Nagrade / Awards: 2015→ Dekanova nagrada ttf — Sveučilište u Zagrebu / Dean’s Award, ttf — University of Zagreb 2010→ Young! Creative!, Zagreb
Kontakt / contact+385 91 562 7830
foto
Ale
ksan
dra
Birt
a
3
3
— 7
7 —76
dipmod
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Projekti, kolekcije i izložbe / Projects, collections and exhibi-tions: 2011→ Clash of 9, Zagreb 2012, 2010→ Cyborg body Fashion.hr,
Zagreb u (suradnji s Adelom Kliškić / Adela Kliškić collaboration) 2009→ Armor, Modni ormar / Fashion Wardrobe, Zagreb (u suradnji s Adelom Kliškić / Adela Kliškić collaboration) 2008→ Plastic Rose, Modni ormar / Fashion Wardrobe, Zagreb Radno iskustvo / Work experience: 2015 – 2017→ Studio io-Ivana Omazić, konstruktor, Zagreb, Hrvatska / Studio io-Ivana Omazić, clothing constructor, Zagreb, Croatia 2015→ Studio Alduk, dizajner, Zagreb, Croatia / Studio Alduk, designer, Zagreb,
Ime i prezime Nikola Barbir Godina rođenja 1987
Kontakt / [email protected]
Croatia 2010 – 2012→ Coded Edge, dizajner i stilist, Zagreb, Hrvatska / Coded Edge, designer and stylist, Zagreb, Croatia Nagrade / Awards: 2010 – 2008→ Modni ormar / Fashion Wardrobe, Zagreb
foto
Jure
Per
išić
3
— 7
9 —78
dipmod
Ime i prezime Nives Bošnjak Godina rođenja 1992
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2014→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design 2016→ Sveučilište u Zagrebu | Fakultet političkih znanosti | ba studij novinarstva / University of Zagreb | Faculty of Political Science | ba
Journalism Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ Portanova Fashion Incubator, Osijek // oversized, Galerija hdd, Zagreb 2015→ #tdzg, lauba, Zagreb // Polimer Art, Galerija vn, Zagreb 2014→ Modni ormar / Fashion Wardrobe, zpc, Zagreb Radno iskustvo / Work experience: 2016→ Buro24/7, novinarka, Zagreb, Hr-vatska / Buro24/7, journalist, Zagreb, Croatia 2015 – 2016→ Studosfera.net, novinarka / Studosfera.net, journalist, Zagreb, Hrvatska // Novine
Kontakt / contact+385 98 9235348
Global, novinarka, Zagreb, Hrvatska, Global Newspapers, journalist, Za-greb, Croatia 2014→ Fashion.hr, novinarka, Zagreb, Hrvatska / Fashion.hr, journalist, Zagreb, Croatia 2011– → Cro-A-Porter, asistentica dizajnera, Zagreb, Hrvatska / Cro-A-Porter, assistant, Zagreb, Croatia // Fashion Week Zagreb, asistentica dizajnera, Zagreb, Hrvatska / Fashion Week Zagreb, assistant, Zagreb, Croatia
foto
Zvo
nim
ir Fe
rina
(por
tret
), Lu
ka P
ešun
3
— 8
1 —80
dipmod
Ime i prezime Matea Bručić Godina rođenja 1991
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2012→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2017→ blk17, bafe, Beograd 2016→ blk17, Best Fashion Beats Best Venue Hall, Zagreb // Fashion as an Art Form, Park Art, Gradski muzej, Viro-vitica 2015→ Dolce Vita Festival, Rovinj 2013→ Modni ormar / Fashion
Wardrobe, adu, Zagreb 2012→ Fashion.hr Industry / Lift by Perwoll, Zagreb Radno iskustvo / Work experience: 2017→ Krie showroom, asistentica i dizajnerica, Zagreb, Hrvatska / Krie showroom, assistant and designer, Zagreb, Croatia 2016→ Roba & Bon Ton, menadžerica za vizuale i dućan, Zagreb, Hrvatska / Roba & Bon Ton, store and visual manager, Zagreb, Croatia 2015→ Oglasnik d.o.o., modna stilistica, Zagreb, Hrvatska / Oglasnik d.o.o., fashion stylist, Zagreb, Croatia 2014→ elle magazine Hrvatska, ilustratorica, Zagreb, Hrvatska / elle magazine Croatia, illustrator, Zagreb, Croatia 2011– → Weltrusky agencija za
modele, konzultantica, stilistica, Zagreb, Hrvatska / Weltrusky Model Agency scouter, booker, stylist, Zagreb, Croatia 2009 – 2010→ Limoni d.o.o., prodaja, Zagreb, Hrvatska / Limoni d.o.o., sales, Zagreb, Croatia 2006 – 2009→ midikenn model agencija, model, Zagreb, Hrvatska / midikenn Model Agency, model, Zagreb, Croatia Nagrade / Awards: 2012→ Dekanova nagrada ttf — Sveučilište u Zagrebu / Dean’s Award, Faculty of Textile technology, University of Zagreb
Kontakt / contact+385 99 324 7004
[email protected] www.behance.net/BUQELE
www.facebook.com/Buqele/www.instagram.com/buqele
foto
Mat
ija T
urka
lj
— 8
3 —82
dipmod
Obrazovanje / Education: 2017→ University of London / Royal College of Art / London, Velika Britanija / ma studij modnog dizajna University of London / Royal College of Art / London, uk / ma Fashion Design 2016→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design 2012→ Sveučilište u Zagrebu / Tekstilno-tehnološki fakultet / University of Zagreb | Faculty of Textile Technology / ba studij modnog dizajna / ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ In A Nutshell: suvremeni hrvatski
dizajn / In A Nutshell: Contemporary Croatian Design, Design forum, Beč // Paralaksa, Galerija Kranjčar, Zagreb 2015→ Window sill V, msu, Zagreb // Rdeča nit / Red Line, Galerija Piran, Piran // Imageination, mmc, Split 2014→ Međunarodni festival Dan-D / International design festival D-Day, Zagreb // Eccentrico Musivo-Young Artists and Mosaic, Ravenna // Ornament je zločin (da/ne?), Ornament as Crime (Yes/No?), Galerija Vladimir Nazor, Zagreb 2013→ 48. Zagrebački salon, ulupuh, Zagreb // object 13-5, Mittelmoda, Milano // object 12-1, Habitus Baltija, Riga 2012→ object 12-1, Modni ormar / Fashion Wardrobe, Zagreb //
Ime i prezime Matija Čop Godina rođenja 1987
dipmod 3
cho2P4Young/Creative/Chevrolet, Zagreb Radno iskustvo / Work experience: 2016→ Koncept dućan Portrait, art director, Dubrovnik, Hrvatska / Concept store Portrait, art director, Dubrovnik, Croatia 2014→ Ledo Medo, kostimograf, Kazalište Histrion, Zagreb, Hrvatska / Ledo Medo, costume design, Histrion Theatre, Zagreb, Croatia // Predstava Troia’s Discount (režija: Nenad Glavan), kostimograf, zkm, Teatro Piccolo Milano, Zagreb, Hrvatska / Play Troia’s Discount (director: Nenad Glavan), costume design, zkm, Teatro Piccolo Milano, Zagreb, Croatia 2012→ Film Šegrt Hlapić (režija Silvije Petranović), asistent kostimografa, Zagreb,
Hrvatska / Šegrt Hlapić movie (director: Silvije Petranović), costume assistant, Zagreb, Croatia Nagrade / Awards: 2016→ hdd 1516, Zagreb 2015→ Elle Style Award 2014→ Young Balkan Designers 2013→ Rector’s Award, University of Zagreb, Croatia // output Award, Amsterdam, Netherlands // Grand Prix Habitus Baltija, Riga, Latvia
Kontakt / [email protected]
www.matijacop.com // Fb: Matija Cop // Ig: matijacop
foto
Mat
ija Č
op
3
— 8
5 —84
dipmod
Ime i prezime Duje Kodžoman Godina rođenja 1993
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2014→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2017→ abNnormal, Green Room, Zabok 2016→ Izložba Hrvatskog dizajna 1516
/ Exhibition of Croatian Design 1516, muo, Zagreb // oversized, hdd, Zagreb // The Illness of Contemporary Fashion, Sv. Krševan, Šibenik 2015→ Skulpturalna moda, ttf Galerija, Zagreb // Rdeča nit / Red Line, Mestna galerija Piran, Piran 2014→ 7 X Composition, Galerija gradske knjižnice Juraj Šižgorić, Šibenik Radno iskustvo / Work experience: 2014 – 2015→ Studio io-Ivana Omazić, dizajner asistent / Studio io-Ivana Omazić, junior design assistant Nagrade / Awards: 2015→ Posebno
Kontakt / contact +385 95 5975 160
[email protected] www.dujekodzoman.com
priznanje Rektora Sveučilišta u Zagrebu / Special Rector’s Award — University of Zagreb // Vogue Italia / (International Talent Support)
foto
Den
is B
utor
ac
3
— 8
7 —86
dipmod
Ime i prezime Lana Krmek Godina rođenja 1989
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2011→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University
of Zagreb | Faculty of Textile Technology | ba Fashion Design Projekti, kolekcije i izložbe / Projects, collections and exhibitions: 2012→ Art Clubbing, vip Club, Zagreb // Young Creative Chevrolet, Zagreb Radno iskustvo / Work experience: 2015–→ Krojačica / Tailor, Rijeka
foto Tin Crnković
Kontakt / Contact: +385 98138 9984
3
— 8
9 —88
dipmod
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2010→ Sveučilište u Zagrebu / Filozofski fakultet / University of Zagreb / Faculty of Human-ities and Social Sciences / ba studij Povijesti umjetnosti i talijanskog jezika i književnosti / ba Art History and Italian language Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2016→ Echo, Izložba hrvatskog dizajna 1516 / Exhibition of Croatian Design
Ime i prezime Maja Podrug Godina rođenja 1986
1516, hdd, Zagreb 2015→ Flow, Amsterdam Mercedes-Benz Fashion Week, Amsterdam // Odyssey Amsterdam Mercedes-Benz Fashion Week, Amsterdam 2011→ Morlak, Međunarodni festival Dan-D / Inter-national design festival D-Day, Zagreb 2014→ Odyssey, Schwarzkopf Cro-A-Porter, Zagreb // Archive, Schwarzkopf Cro-A-Porter, Zagreb 2013→ Archive, Split City Fashion, Split 2008→ Pastel tense, Fashion Incubator, Osijek Radno iskustvo / Work experience: 2014 – 2017→ mayn bv, Amsterdam, Nizozemska, kreativna direktorica / mayn bv
Kontakt / contact +31 633 080207
Amsterdam, Netherlands, creative director 2016→ Kostimografija za kratkometražni film The Orb / Costume design for a short film The Orb 2014 – 2016→ Studio Berkhout bv, dizajnerica, Amsterdam, Nizozemska / Studio Berkhout bv, Amsterdam, Netherlands, designer 2013→ Kosti-mografija za operu La Serva Padrona, Split, Hrvatska / Costume design for La Serva Padrona (opera), Split, Croatia 2009→ Kostimografija za plesnu predstavu El Harrag, Annaba, Alžir / Costume design for a dance performance El Harrag, Annaba, Algeria Nagrade / Awards: 2016→
Izložba hrvatskog dizajna 1516 / Exhibition of Croatian Design 1516, hdd, Zagreb 2015→ Fashion lab, Mercedes-Benz Fashion Week, Amsterdam 2013→ Split City Fashion, Split 2008→ Fashion incubator, Osijek
foto
Mar
tin B
irač
3
— 9
1 —90
dipmod
Ime i prezime Dalibor Šakić Godina rođenja 1975
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstil-no-tehnološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2009→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij mod-nog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design 2009→ ensait-Ecole Nationale Supérieure des Arts et Industries Textiles, Roubaix, Francuska / ensait-Ecole Nationale Supérieure des Arts et Industries Textiles, Roubaix, France 1997→
Instituto Callegari, talijanska škola mode u Zagrebu / Instituto Calle-gari, Italian Fashion School in Zagreb Kolekcije, projekti i izložbe / Collections, projects and exhibitions: 2012→ Skopje Design Week, Galerija Kurshumli An, Skopje 2012 – 2016→ K1 — x vers./feat. Y, In A Nutshell, Zagreb, Hrvatska, Bruxelles (Belgija), Beograd (Srbija), Helsinki (Finska), Maribor (Slovenija), Beč (Austrija) 2011→ Uniforma, Extra / ordinary design, London 2009→ Stare siluete_novi materijali /Old Silhouettes_ New Materials, hdd, Zagreb 2008→ Izložba Hrvatskog
foto Dalibor Šakić
dizajna 0708 / Exhibition of Croatian Design 07/08, hdd, Zagreb 1997→ Pink Panther, Giovanni Stilisti di Riccione Moda Italia, Riccione Radno iskustvo / Work Experience: 1996– → Masker šminker za kazalište, film i televiziju / Gradsko kazalište Komedija, Gradsko kazalište Trešnja i hrt / Make-up artist for theatre, film and tv / Theatre Komedija, Theatre Trešnja and Croatian National Television Nagrade / Awards: 2008→ hdd 0708, Zagreb, 2010→ hdd 0910, Zagreb 2011→ Dekanova nagrada Sveučilišta u Zagrebu — ttf / Dean’s Award ttf — University of Zagreb
Kontakt / contact+385 98 96 99 020
3
— 9
3 —92
dipmod
Obrazovanje / Education: 2016→ Sveučilište u Zagrebu | Tekstilno-teh-nološki fakultet | ma studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ma Fashion Design 2012→ Sveučilište u Zagrebu | Tekstilno-tehnološki fakultet | ba studij modnog dizajna / University of Zagreb | Faculty of Textile Technology | ba Fashion Design Kolekcije,
projekti i izložbe / Collections, projects and exhibitions: 2014→ Ornament je zločin (da/ne?) / Ornament as Crime (yes/no?), vn Gallery, Zagreb, // Plavo / Blue, Međunarodni festival Dan-D / International design festival D-Day, Zagreb Radno iskustvo / Work experience: 2015 – 2017→ Studio io-Ivana Omazić, stažiranje, ručno oslikavanje
Ime i prezime Petra Stanković Godina rođenja 1988
Kontakt / contact+385 91 799 6260
tekstila, printanje s drvenim elementima / Studio io-Ivana Omazić, fash-ion intern, hand painting textiles, woodblock printing 2017→ Špancirfest, Špancir Abeceda, izrada idejnih rješenja štambilja za tisak / Špancirfest, Špancirfest Alphabet, stamp and print design
foto
Zvo
nim
ir Fe
rina
Aleksić Jelena18 – 19
Lovrić Lidija28 – 29
Mastela Vedrana30 – 31
Štefanac Andreja32 – 33
Težak Martina34 – 35
Vrcić Lucija36 – 37
Auguštin Petra20 – 21
Brstilo Sonja22 – 23
Douglas Tajana24 – 25
Jaramazović Marija26 – 27
DIP
MO
D 0
AUTORI / AUTHORSBuždon Tina40 – 41
Košmerl Ines50 – 51
Kostadinović Aleksandra52 – 53
Matija Čop_gost revije54 – 55
Štambuk Dina56 – 57
Gašljević Ema42 – 43
Holec Jelena44 – 45
Horvatć Dijana46 – 47
Koprivnjak Suzana48 – 49
DIP
MO
D 1
Bošnjak Arijana60 – 61
Petrić Marko_gost revije70 – 71
Švraka Sanja72 – 73
Doblanović Rendall Staša62 – 63
Francisković Julija64 – 65
Hortig Saša66 – 67
Kuzmić Iva68 – 69
DIP
MO
D 2
AUTORI / AUTHORSBošnjak Nives78 – 79
Krmek Lana86 – 87
Podrug Maja88 – 89
Šakić Dalibor90 – 91
Stanković Petra92 – 93
Bručić Matea80 – 81
Kodžoman Duje84 – 85
Barbir Nikola76 – 77
Čop Matija82 – 83
DIP
MO
D 3
IZDAVAČ / PUBLISHER: Sveučilište u Zagrebu Tekstilno-tehnološki fakultet / University of Zagreb Faculty of Textile Technology
ZA IZDAVAČA / FOR PUBLISHER: Sandra Bischof
GLAVNA UREDNICA / CHIEF EDITOR: Jasminka Končić
UREDNIČKI ODBOR / EDITORIAL BOARD: Jasminka Končić, Petra Krpan, Josipa Štefanec
RECENZENTI / REVIEWERS:Prof. art. Ante Tonči VladislavićDoc. dr.sc. Katarina Nina Simončič
MENTORICA PROJEKTA / MENTOR OF THE DIPMOD PROJECT: Jasminka Končić
TEKST / TEXT: Jasminka Končić
DIZAJN / DESIGN: Tessa Bachrach Krištofić, Dina Milovčić, Franka Tretinjak (NJI3)
PRIJEVOD / TRANSLATION: Antonia Treselj
PRIJEVOD BIOGRAFIJA / TRANSLATION OF BIOGRAPHIES: Petra Krpan
TISAK / PRINTING:Sveučilišna tiskara
NAKLADA / EDITION:500
ISBN 978-953-7105-70-9CIP zapis je dostupan u računalnome katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 000995285. / CIP data are available in the digital catalogue of the National and University Library in Zagreb under number 000995285.
IMPRESUMPARTNERI PROJEKTA / PARTNERS: Sveučilište u Zagrebu Studentski centar, Grad Zagreb, Talia models, Ministry of Beauty, Ministarstvo kulture Republike Hrvatske / The University of Zagreb Student Centre, City of Zagreb, Talia models, Ministry of Beauty, Ministry of Culture of the Republic of Croatia
