Drawing 300 Resource and Image Bibliography

Drawing 300

Resource and Image Bibliography

By Kevin Dykstra

Student ID# 4566505

March 2nd, 2004

DRAW 300 – Section AA

Professor: Janice Flood Turner

Bibliography


by Kevin Dykstra

Bibliography for Drawing Techniques

Brommer, Gerald F. Drawing Ideas, Materials and Techniques. Davis Publications, Inc., 1978

Constance, Diane. Complete life drawing course, Sterling Publishing Co., Inc., 2001

Edwards, Betty. The new Drawing on the Right side of the Brain. Penguin Putnam Inc., 1999

Entice, Wayne and Peters, Melody. Drawing - Space, Form and Expression. Prentice Hall Inc., 1996

Franck, Frederick. Zen Seeing, Zen Drawing – Meditation in action. Bantam Books, 1993

Gair, Angela. Artist’s Manual – A Complete Guide to Painting and Drawing Materials and Techniques, Chronicle

Books, 1996

Malins, Frederick. Drawing Ideas of the Masters – Artists techniques compared and contrasted. Phaidon Press

Ltd., 1981

McDaniel, Richard. The Drawing Book – Materials and Techniques for Today’s Artists. Watson-Guptill

Publications, 2001

Mendelowitiz, David M. A Guide to Drawing. Holt, Rinehart and Winston, 1976

Parramon. Barron’s Art Handbooks – The Nude, Barron’s Educational Series Inc., 2001

Smith, Ray. The Artist’s Handbook, Alfred A. Knopf, Inc., 1987

Watson, Lucy. Life Drawing Class, Georgetown Publications Inc., 2003

Bibliography for Source of Inspiration (see Image Bibliography)

Acquavella Galleries, Inc. Edgar Degas. Acquavella Galleries, Inc., 1978

Brown, Christopher. Van Dyke Drawings. Harry N. Abrams, Inc., New York, 1991

Cabanne, Pierre. Rembrandt. Konecky and Konecky, 1997

Glenn, Constance W. Jim Dine Drawings, Harry N. Abrams, Inc., New York, 1985

Hubert, Robert L. Seurats’s Drawings, Shorewood Publishers Inc. New York, 1962

Mathey, François. Les Impressionnistes et Leur Temps. Hazan, 1992

Metropolitan Museum of Art, New York. Daumier Drawings. Metropolitan Museum of Art, New York, 1992

Rewald, John. Renoir Drawings. H. Bittner & Company, New York, 1946

Royal Museum of Fine Arts, Antwerp. P.P. Rubens – Paintings - Oil sketches – Drawings. Drukkerij Excelsior,

Antwerp, 1977

Bibliography


by Kevin Dykstra

Schneider, Pierre. The World of Watteau. Time Incorporated, New York, 1967

Simmons, Seymour and Winer, Marc S. A. Drawing - The Creative Process, Prentice Hall Inc., 1977

Société des Espositions du Palais des Beaux-Arts de Bruxelles. Ingres et Delacroix, Dessins et aquarelles. Société

des Espositions du Palais des Beaux-Arts de Bruxelles, 1986

Wilson-Bareau, Juliet. Goya – Drawings from his private albums, Hayward Gallery, 2001

Bibliography for Source Material the 1st Semester

Lomis, Andrew. Figure Drawing For All It’s Worth, The Viking Press, New York, 1946

Tulchin, Lewis. Photographing the nude, A.S. Barnes & Company, Inc, New York, 1964

Yeager, Bunny. How I photograph nudes A.S. Barnes & Company, Inc, London, 1964

Bibliography for Source Material the 2nd Semester

The Noble Prize Internet Archive. Female Nobel Prize Laureates. http://almaz.com/nobel/women.html

Nobel e-Museum, Heroines of Peace. http://almaz.com/nobel/women.html

Welcome to Daw Aung San Suu Kyi’s pages, http://www.dassk.com/

1000 Women for the Nobel Peace Prize 2005. http://www.1000peacewomen.org/eng/html/

Famous and Inspirational Women. http://www.geocities.com/Wellesley/6533/women.html

200 Famous Women, http://famouscreativewomen.com/women-atoz.html

Women Who Have Made History, http://www.geocities.com/Wellesley/3059/fullhist.html

Image Bibliography


by Kevin Dykstra

Lawrence R. Brullo, untitled, Watercolor

washes of various hues and ink, Courtesy

of the Artist

Gustave Courbet, Self-Portrait (The man

with the pipe), c. 1849. Charcoal, 11 ½ x 8

¾ in. Wadsworth Atheneum, Hartford

Daurmier, The Thieves and the Ass, vers

1845. Black Chalk, 340 x 255 mm.

Musée du Louvre, Paris

Bibliography


by Kevin Dykstra

Daurmier, A Woman and Child Crossing a

Bridge, vers 1855. Black chalk, pen and

ink with wash, 290 x 220 mm. André

Bromberg Collection, Paris

Daurmier, A Woman Nursing a Child,

vers 1855. Black chalk, wash and conté

crayon, 163 x 143 mm. Private Collection

Daurmier, A Painter’s Studio, vers 1870.

Stumped charcoal, pen and ink, and wash,

311 x 460 mm. José Mugrabi Collection

Bibliography


by Kevin Dykstra

Edgar Degas, Femmes se poignant, c.

1875-76. Oil on paper mounted on canvas,

12.25 x 17.75 in. The Phillips Collection

Edgar Degas, Danseuses au Repos, 1878.

Pastel on paper, 24 x 22 in

Bibliography


by Kevin Dykstra

Edgar Degas, Trois danseuses dans les

coulisses, c. 1880-85. Oil on canvas,

21 x 25 in. Acquavella Galleries, Inc

Edgar Degas, Danseuse attachant son

chausson, .1887. Pastel and pencil on

paper, 16 1/8 x 15 ¾ in. Acquavella

Galleries, Inc

Bibliography


by Kevin Dykstra

Edgar Degas, Femme prenant un tub,

c. 1886. pastel on paper, 28 3/8 x 22

in. Acquavella Galleries, Inc

Edgar Degas, Danseuse vue de face, le

bras gauche leve, 1887. Pastel on

paper, 18 ¾ x 11 ¾ in. Kimbell Art

Museum

Bibliography


by Kevin Dykstra

Lorenzo di Credi, Saint Bartholomew,

c. 1510. Pencil, white and red chalk on

brown paper, 15 3/16 x 10 5/8 in.

Louvre, Paris

Delacroix, Trois études de nu, vers

1850. Graphite and ink, 265 x 413

mm. Musée du Louvre, Cabinet des

dessin, Paris

Bibliography


by Kevin Dykstra

Jim Dine, Untitled, 1977. Charcoal,

60 x 40 in. Private collection

Jim Dine, The Thin Model, 1976.

Charcoal, oil and crayon, 45 ½ x 31 ½

in. Private collection

Jim Dine, The Early Sitter, 1975.

Charcoal and pastel, 40 ½ x 31 in.

Museum of Fine Arts, Boston

Bibliography


by Kevin Dykstra

Jim Dine, The Blond Runner #2, 1978.

Charcoal and pastel, 45 ½ x 31 ¾ in.

Corman, Beverly Hills, California

Jim Dine, Jessie with a Shell XIV,

1982. Mixed mediums, 43 x 30 ½ in.

Collection Mr. Clement Stone, Lake

Jim Dine, Venus Outlined in Blue,

1983. Mixed mediums, 60 x 44 ¾ in.

Private collection, New York

Bibliography


by Kevin Dykstra

Goya, Young woman arranging her

hair as another rests on a bed, 1796.

Brush and Indian ink, 172 x 101 mm.

Private collection, Sanlucar Album

Goya, Young woman pulling up her

stocking, 1796. Brush and Indian ink,

172 x 100 mm. Private collection,

Sanlucar Album

Francis de Erdely, The Banjo Player,

no date. Balsa stick and ink on brown

paper, 29.5 x 24 in. The Snow

Gallery, San Marino, California.

Bibliography


by Kevin Dykstra

Ingres, Etude draperie, vers 1824.

Graphite and white chalk, 335 x 358

mm. Musée des Beaux-Art, Lille.

Ingres, Mlle Henriette Ursle Claire,

1816. Graphite, 304 x 221 mm. The

Gemeente Museum, Den Haag

Ingres, Louise Gonin, 1821.

Graphite, 208 x 153mm. Musée d’Art

et d’Histoire, Cabinet des dessins,

Genève.

Bibliography


by Kevin Dykstra

Renoir, Bather rubbing her foot,

1885-90. Sauguine heightened with

white, 14 3/8 x 11 in. César de Hauke

Collection

Valerie Love, Figures, no date. Ball

point, 16 x 10 in., Courtesy of the

Artist

Dan Leary, Self-Portrait, no date.

Pastel and powder pigment on paper,

22 ½ x 17 ½ in. Printworks Gallery,

Chicago

Bibliography


by Kevin Dykstra

Renoir, Portrait of Gabrielle, c. 1906.

Sanguine heightened with white, 23 ¼

x 18 ¼ in. Musée du Louvre, Paris.

Renoir, The Flowered Hat, 1893.

Pastel, 25 x 20 in. unknown location

Renoir, Bather, 1882-90. Pastel, 23

¾ x 17 ¾ in. , unknown location.

Bibliography


by Kevin Dykstra

Peter Paul Rubens, Male nude seen

partially from behind,, Black chalk

heightened with white, 315 x 367 mm.

The Ashmolean Museum, Oxford.

Peter Paul Rubens, Two Figures from

‘The Adoration of the Shepherds’ at

Fermo, Pen and brown ink and brown

wash, 140 x 151 mm. Historisch

Museum, Amsterdam.

Peter Paul Rubens, Crouching man

seen from behind – study for the

Raising of the Cross, 1610-1611.

Black chalk heightened with white and

reworked with Chinese ink on faded

yellow paper, 465 x 320 mm. Mr. C.P.

van Eeghen, Amsterdam.

Bibliography


by Kevin Dykstra

Seurat, The Black Bow, 1882-83.

Conté crayon, 31 x 23 in. Private

collection

Seurat, Nude, 1879. Conté crayon,

59.1 x 44.8 in. Courtauld Institute of

Art, London

Seurat, The Artist’s Mother, 1882-83.

Conté crayon, 32.7 x 24 in. The

Metropolitan Museum, New York

Bibliography


by Kevin Dykstra

Seurat, Au Divan Japonais, 1888.

Conté crayon, 20.5 x 23 in. Baron

Gourgaud

Seurat, Woman Seated, Umbrella

Raised, study for the “Grande Jatte”,

1884-85, Conté crayon, 30.2 x 18 in.

A. Dunoyer de Segonzac, Paris

Seurat, Study for Night Stroll, 1887-

88. Ink, 27.5 x 20.5 in. Dr. Eduard

Freiherr von der Heydt, Ascona

Bibliography


by Kevin Dykstra

Everett Shinn, Lovers, 1908.

Brown wash, red charcoal, and

Chinese white on tan paper, 10

3/16 x 12 7/8 in. Allen

Memorial Art Museum, Oberlin

College, Ohio.

Seurat, A Music Hall Artist, 1887-88.

Conté crayon, 30.5 x 23.3 in. Fogg Art

Museum, Harvard University

Charles Sheeler, Feline

Felicity, .1934. Conte crayon

on white paper, 559 x 457 mm.

The Fogg Art Museum,

Harvard

Bibliography


by Kevin Dykstra

Anthony van Dyck, The Carrying of the Cross, 1617-1618. Black chalk with pen

and brown ink and brown and grey washes,

203 x 107 mm. Museum of Art, Rhode

Island School of Design, Providence,

Rhode Island.

Anthony van Dyck, The crucifixion,,

c. 1627-30. Pen with brown ink and

brown wash, with highlights in white

body color on blue-grey paper, 271 x

195 mm. British Museum, London

Antoine Watteau, Reclining bacchante

holding a glass, no date. Red, white

and black chalk on paper

Bibliography


by Kevin Dykstra

Charles White, untitled, Sepia wash

drawing, Courtesy of the artist

Marc Winer, Twisted nude No.4, pencil, fom the book The Creative Process

Fritz Wiegele,

Two young girls,

1935. Rubbed

pencil, 21 3/8 x 12

3/8 in. Collection

Count Antoine

Seilern, London

Documents

Drawing 300 Resource and Image Bibliography