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Inside this issue:
President’s Perspective 2
January Speaker Pat
Wells
3
Christmas Fun 4
November Meeting
Grant Gaston
5
ETWG Anthology Fund
Raiser for Conference
6
Nanowrimo request for
submissions
7
Cartoon Corner
13
Books for Kids 8
Cartoon Corner 9
26 Writing Contests 10
ETWG Member Appli-
cation and Sponsors
17
12
ETWG is dedicated to the memories of : Pat Leonard and Kay Resnick, co-founders of the Golden Triangle Writers Guild, Beaumont, Texas,
and Rita Gallagher, co-founder of Romance Writers of America, Houston, Texas. Countless writers owe their writing successes to these fine ladies.
2015 ETWG Officers
Founder—”K” Sellers
President—Roger Middleton Vice President—Sandra Clarke Recording Secretary—Lorna Penland
Correspondence Sec—Pat LaVigne Treasurer—Marvin Mayer
Historian—Linda Nelson Ellis TNC Editor—Janice Ernest Membership—Linda Pirtle
Publicity—Trish Hamilton WebSmith—Nikki Brown Hospitality—Lorna Penland
Conference Committee Linda Pirtle
Trish Hamilton Nancy Larsen Caleb Pirtle
April Coker Roger Middleton Sandra Clarke “K” Sellers
Marvin Mayer Lynn Pinkerton
East Texas Writers’ Guild
Since 2004
December Nuts & Boltz
December 20, 2015 6:00 P.M.
Spring Creek Barbecue on S. Broadway, Tyler, TX
Topic: Open Mike Night
In this issue:
“East Texas Writer’s Guild Anthology Guidelines”
The Next Chapter December 2015 Edition
Visitors are always welcome. After three meetings, however, ETWG encourages you to become a member in order
to continue to receive The Next Chapter and be allowed full voting privileges & discounts on ETWG events.
Page 2 The Next Chapter
P r e s i d e n t ’s
Perspective
2015 Schedule
Come Join Us for These Great Speakers:
November: Grant Gaston, Attorney at Law
December: Christmas Party
2016 Schedule
January: Pat Wells,
February:
Introducing January 2016’s First
Speaker of the Year
Page 3 The Next Chapter
I have been writing most of my life, but I never saw myself as a writer until I joined Atlanta Writers Guild about ten years ago. A few months later, I volunteered to initi-ate and facilitate an all-genre critique group. Not only did I learn to be a better writer, but my level of confidence rose sig-nificantly. When we moved to Knoxville, Tennessee, I joined Knoxville Writers Group and again initiated and facilitated an all-genre critique group. Between Atlanta and Knoxville, my experience leading a cri-tique group totaled seven years. I also took over the job of newsletter editor for KWG. For many years, I edited and wrote articles for newsletters of several organizations. To date, I have only published press releases and local magazine articles, but have com-pleted one novel and have partially written a second. A while back, I placed fourth in a “first chapter” contest open to both domes-tic and international writers. I have also written text and designed layout for bro-chures and enjoy writing inspirational mate
Patricia Wells rial and helping others develop their writing skills. Currently, I am working with Camp Tyler on a commemorative book highlight-ing the camp’s history, community involve-ment, and programs it offers to the children of East Texas. The book will be available in early 2016. On January 11, I will speak at the ETWG meeting on the topic of Critique Groups. My presentation will focus on the benefits of belonging to a critique group, how to deal with issues that come up within the group, the importance of finding the right group, and the role the group facilitator plays in maintaining the order, fairness, and focus that helps create a setting where members feel comfortable about sharing their work and receiving constructive feed-back.
Buy Your Own Gift
Last Christmas, grandpa was feeling his age,
and found that shopping for Christmas gifts
had become too difficult. So he decided to
send checks to everyone instead.
In each card he wrote, "Buy your own pre-
sent!" and mailed them early.
He enjoyed the usual flurry of family festivities,
and it was only after the holiday that he no-
ticed that he had received very few cards in
return. Puzzled over this, he went into his
study, intending to write a couple of his rela-
tives and ask what had happened. It was then,
as he cleared off his cluttered desk that he got
his answer. Under a stack of papers, he was
horrified to find the gift checks which he had
forgotten to enclose with the cards.
Little Johnny went to his mother demanding a new bicycle. His mother decided that he should take a look at himself and the way he acts. She said, "Well Johnny, it isn't Christmas and we don't have the money to just go out and buy you anything you want. So why don't you write a letter to Jesus and pray for one instead." After his temper tantrum his mother sent him to his room. He finally sat down to write a letter to Jesus. Dear Jesus, I've been a good boy this year and would
appreciate a new bicycle. Your Friend, Little Johnny Now Little Johnny knew that Jesus really knew what kind of boy he was (Brat). So, he ripped up the letter and decided to give it another try. Dear Jesus, I've been an OK boy this year and I want a new bicycle. Yours Truly, Little Johnny Well, Little Johnny knew this wasn't totally honest so he tore it up and tried again. Dear Jesus, I've thought about being a good boy this year and can I have a new bicycle? Signed, Little Johnny Well, Little Johnny looked deep down in his heart, which by the way was what his mother was really wanting. He crumpled up the letter and threw it in the trash can and went running outside. He aimlessly wandered about; depressed because of the way he treated his parents and really considering his actions. He finally found himself in front of a Catholic Church. Little Johnny went inside and knelt down, look-ing around not knowing what he should really do. Little Johnny finally got up and began to walk out the door and was looking at all the statues. All of a sudden he grabbed a small one and ran out the door. He went home hid it under his bed and wrote this letter. Jesus, I've broken most of the Ten Commandments; shot spit wads in school, tore up my sister's Barbie doll and lots more. I'm desperate. I've got your ma-ma. If you ever want to see her again, give me a bike. Signed, You know who
Christmas Fun for You!
Page 4 The Next Chapter
Hoh, hoh, hoh! Merry Christmas
Page 5 The Next Chapter
Grant Gaston, Attorney at Law gave informative and entertaining speech to ETWG in November.
The room was crowded and the information ex-change was on. Grant answered questions ranging from copy write laws to liability and contract law.
Grant presented a plethora of good information for writers and entertainers to know.
Everyone gathered afterwards and the questions kept coming.
Thank you Grant for your great con-tribution to the Guild. Wishing you a happy Holiday and a Merry Christ-mas.
Your Submissions needed for the ETWG
Anthology
Ever wanted to be a published author?
Here is your opportunity to see your work
and your name in print.
In order to help raise funds for the 2016 Confer-
ence, the ETWG will be putting together an an-
thology of works from every member. This won-
derful group of works will be sold to raise funds
for the upcoming Conference 2016.
Many authors have started their careers and
continue them to this day as article writers, free-
lancers, poets, lyricist, and short story authors.
Come join in the fun and submit your best so that
the Guild may show off the wonderful skilled
and talented members in our midst.
Information about the anthology is as fol-
lows:
For a fundraising project during 2016, East Texas Writers Guild will publish a new anthology which will include literary works created by its members.
Who is eligible to participate? Any active (dues paid) member of ETWG.
What will the anthology include?
Fiction /Nonfiction
Short stories – all genres
Poetry – ballads, lyrical, ode, etc. Memoirs
Narrative Nonfiction
Historical fiction
What types of manuscripts will not be accepta-ble? Pornographic. Extreme Erotica.
How many words all total can a member submit?
Members may submit a maximum of 1500 words. Below are examples of how this can be done:
1. One short story = 1500 words.
OR
2. Two short stories = one is 1000 words and one is 500 words.
OR
3.
One or more poems (500 words total) and one short story (1000 wds) = 1500
Note: The above are examples only. Members may submit any combination of works so long as his/her total word count (including all submissions) does not exceed the 1500 word limit.
What is the deadline for submissions to ETWG? March 1, 2016.
How will a member submit his/her work to be included in the anthology? All submissions will be electronic. Guidelines and instructions for submis-sion will be on the ETWG Website.
Format for submission: Each submission must be double spaced and in Times New Roman with a 12pt Font.
Will the member need to include a separate cover page? Yes. The cover page should include the fol-lowing information:
Name of Member Telephone Number Word Count of Submission
Genre of the Submission
The Next Chapter Page 6
Anthology Guidelines Continued
Who will edit and produce the anthology? ETWG’s Anthology Committee includes Janice Ernest, Nancy Larson, Pat La Vigne, Caleb Pirtle, and Linda Pirtle. These individuals will read and edit submissions. They will mark corrections (misspelled words, punctuation, etc.) that need to be made and will return the manuscript to the author for corrections. NOTE: Since this is not a competi-tion, the committee will not be judging the submis-sions. All submissions will be accepted with the ex-ception (pornography/erotica).
Does the member need to submit biographical information? Yes, the word limit is a maximum of 100 words. Member should submit a black/white head shot to be included with his/her bio. If you have a photo you have been using for publicity and if the picture is in color, submit it anyway. The photo should have a resolution of 360 dpi for print-ing purposes. Please include your website infor-mation so that readers can find you on the web. They may want to order some of your novels, etc.
Deadline for Member’s Biographical Infor-mation: February 1, 2016
Can the anthology submission be from a pub-lished work? The submission must not have been previously published either in paperback, hard cov-er, or eBook form.
Who retains copyrights to each submission? Members retains copyrights to their submission(s). East Texas Writers Guild has a one-time right to publish the work in its anthology.
Who benefits financially from sales of the anthol-ogy? East Texas Writers Guild will receive the pro-ceeds from all sales of the anthology.
Primary benefit of being included in an antholo-gy: You will be a “published” author!
Did you nanowrimo this year? If so, submit an article or comment to the TNC telling about your experience. If you made the whole 50,000 words, let us know. We want to honor you by publicizing your victory. If you didn’t make it, want to share about your experience? Inquiring minds want to know. Your submission is needed by December 14 in order to be included in the January news letter. I look forward to hearing from you. Send your email to:
Page 7 The Next Chapter
Crossing the Finish Line nanowrimo
Read a Good Book Lately? See if
One of These is For You!
For When all Else is Done,
Only Words Remain.
Words Endure.
Kate Moss
Page 8 The Next Chapter
The Next Chapter Page 9
Ho Ho Ho!
Cartoon Corner
Here are 27 reputable, well-reviewed, free writing
contests for poets, fiction writers, essayists and more.
Some legitimate contests do charge a small entry or
“reading” fee, but often a fee can be a red flag for a
scam, so you may want to stick to free writing con-
tests — and there are certainly enough of them. Fic-tion and nonfiction writing con-tests
Ready to share your novel or personal es-
say with the world? Whether you’re a
newbie or more established writer, you’re
likely eligible for a few of these contests.
1. L. Ron Hubbard Writers of the Fu-ture Contest
Whatever your feelings about L. Ron Hub-
bard’s work and philosophy, the prizes for
this regular contest are nothing to sneeze
at. Every three months, winners earn
$1,000, $750 and $500, or an additional
annual grand prize worth $5,000.
Submissions must be short stories or
novelettes (up to 17,000 words) in the
genre of science fiction or fantasy, and
new and amateur writers are welcome to
apply.
Deadlines: Quarterly on January 1, April
1, July 1 and October 1
2. Graywolf Press Nonfiction Prize
Awarded to “the most promising and in-
novative literary nonfiction project by a
writer not yet established in the genre,”
this prize provides a $12,000 advance
and publication by Graywolf Press.
If you live in the U.S. and have published
at least one book (in any genre), you’re
eligible to submit a current manuscript in
progress for consideration. The judges
look for winners who push the boundaries
of traditional literary nonfiction.
Deadline: Annually in May
3. Drue Heinz Literature Prize
You can win $15,000 and publication by
the University of Pittsburgh Press with
this prize, awarded for a collection of
short fiction.
You may submit an unpublished manu-
script of short stories, two or more novel-
las or a combination of novellas and short
stories. Your total word count should be
between 150 and 300 typed pg. Dead-
line: Annual submission window is May 1
through June 30
4. Tony Hillerman Prize
Presented by St. Martin’s Press and WORDHARVEST, this prize awards the best first mystery novel set in the Southwest with $10,000 and publica-tion by St. Martin’s Press.
It’s open to professional or non-
professional writers who have not yet had
a mystery published, and there are spe-
cific guidelines for the structure of your
story: “murder or another serious crime
or crimes must be at the heart of the sto-
ry, with emphasis on the solution rather
than the details of the crime.”
Deadline: Annually on June 1
The Next Chapter Page 10
Contest Opportunities Continued
5. St. Francis College Literary Prize
This biannual prize honors mid-career
writers who have recently published their
third, fourth or fifth work of fiction. The
winner receives $50,000 but must be
able to appear at St. Francis College in
Brooklyn, NY to deliver a talk on their
work and teach a mini-workshop in fic-
tion to St. Francis students.
Deadline: Biannually; the deadline for
work published between June 2013 and
May 2015 is August 15, 2015
6. Young Lions Fiction Award
This $10,000 award recognizes “young
authors,” which the rules define as any
author aged 35 or younger. Submit any
novel or short story published or sched-
uled to be published in the calendar year.
Works must be written for adults; chil-
dren’s or YA pieces are ineligible.
Deadline: Annually in August
7. Real Simple’s Life Lessons Essay Contest
Have you ever had a “eureka” moment?
If you have, and you can write a compel-
ling personal essay about it in no more
than 1,500 words, you may be able to
win $3,000 in Real Simple’s annual essay
contest.
Deadline: Annually in mid-September
8. New Voices Award
Presented by Lee & Low Books, an award-winning children’s book publisher, this award is given for a previously un-published children’s picture bookmanuscript (of no more than 1,500 words) written by a writer of color.
The winner receives $1,000 cash and a
standard publication contract. You may
submit up to two manuscripts.
Deadline: Submissions must be post-
marked by September 30 each year
9. Ernest J. Gaines Award for Literary Excellence
This contest aims to provide visibility for
emerging African American fiction writers
and to enable them to focus on their
writing by awarding a $10,000 cash
prize. Eligible authors should submit a
work of fiction, such as a novel or short
story collection, published in the calendar
year.
Deadline: Annually; the 2015 deadline
is August 15
Page 11 The Next Chapter
Contest Opportunities Continued
10. PEN/Faulkner Award for Fiction
Honoring the best work of fiction pub-
lished by an American author in a single
calendar year, this award has been given
to the likes of John Updike, Philip Roth
and Ann Patchett.
The winner receives $15,000 and an invi-
tation to read at the award ceremony in
Washington, DC. Four finalists also each
receive a $5,000 award.
Deadline: Annually on October 31 for
books published that calendar year
11. Brooklyn Non-Fiction Prize
Presented by the Brooklyn Film & Arts
Festival, this annual prize awards $500
cash for “the best Brooklyn-focused non-
fiction essay which is set in Brooklyn and
is about Brooklyn and/or Brooklyn peo-
ple/characters.” (So it’s Brooklyn-centric,
if you haven’t picked up on that yet.)
Submissions should be 4 to 10 pages (up
to 2,500 words), and five authors will be
chosen to read and discuss their submis-
sions at the annual December event.
Deadline: Annually in mid-November
12. Anisfield-Wolf Book Awards
Fiction and nonfiction writers who have
recently published a book that
“contributes to our understanding of rac-
ism and our appreciation of the rich di-
versity of human cultures” are eligible for
this award, which offers $10,000 cash as
well media and publicity opportunities.
Submissions must be published in the
prior year (so books published in 2014
are eligible for the 2015 award).
Deadline: Annual submission window is
September 1 through December 31
13. Marfield Prize (a.k.a. National Award for Arts Writing)
Presented by the Arts Club of Washing-
ton, this award seeks to honor nonfiction
books that deal with “any artistic disci-
pline (visual, literary, performing, or me-
dia arts, as well as cross-disciplinary
works).” This may include criticism, art
history, memoirs and biographies, and
essays.
Deadline: Annually in the last quarter of
the year; the 2015 deadline has not yet
been announced
14. W.Y. Boyd Literary Award for Ex-cellence in Military Fiction
If you’re a war buff, this competition is
for you. It awards $5,000 to the best
piece of fiction set during a period when
the U.S. was at war (war may either be
Page 12
Contest Opportunities Continued
be the main plot of the piece or simply
provide the setting). Submissions may
be adult or YA novels.
Deadline: Annually on December 1
15. Friends of American Writers Chi-cago Awards
FAW presents two annual awards: an Adult Literature Award for literary fic-tion or nonfiction, and a Juvenile Litera-ture Award for a children’s/YA book.
Authors must reside in the state of Ar-
kansas, Illinois, Indiana, Iowa, Kansas,
Michigan, Minnesota, Missouri, North Da-
kota, Nebraska, Ohio, South Dakota or
Wisconsin — or they must set their book
in one of those locations. Prize amounts
vary from year to year but are typically
between $500 and $2,000.
Deadline: Annually at the end of the
year; the 2015 deadline is December 10
16. Hektoen Grand Prix Essay Con-test
Hektoen International, an online journal
dedicated to medical humanities, offers
two prizes annually for essays of no
more than 1,600 words in two catego-
ries.
The Grand Prize of $1,200 is given for an
essay suited for their Famous Hospitals
section, while a Silver Prize of $1,000 is
given to the best essay suited for the
sections of Art Flashes, Literary Vi-
gnettes, Moments in History or Physi-
cians of Note.
Deadline: Annually; the 2015 deadline
was January 31
17. Nelson Algren Short Story Award
Presented by the Chicago Tribune, this
award presents $3,500 to one grand
prize winner, $1,000 to four finalists and
$500 to five runners-up for a short fic-
tion story of less than 8,000 words.
You may submit up to two short stories,
but note that your name must not ap-
pear anywhere on your submission as
the process is anonymous.
Deadline: Annually; the 2015 deadline
was February 1
18. Minotaur Books / Mystery Writers of America First Crime Nov-el Competition
Writers 18 and older who have never had
a novel published (in any genre) are eli-
gible for this prize, awarded for an origi-
nal book-length manuscript where
“murder or another serious crime or
crimes is at the heart of the story.” The
winner receives a publication contract
with Minotaur Books and an advance of
$10,000 against future royalties.
Page 13 The Next Chapter
Contest Opportunities Continued
Deadline: Annually in the last quarter of
the year. The deadline for 2015 awards
has passed; the deadline for 2016 awards
has not yet been announced.
19. Stowe Prize
This biennial prize of $10,000 honors an
American author whose work has had an
impact on a critical social justice issue (as
did Harriet Beecher Stowe’s novel Uncle
Tom’s Cabin).
In addition to submitting a copy of your
book or written work, you must also com-
plete a 250-word statement that de-
scribes the tangible impact your piece
has made in the world and outlining any
social justice work you perform outside of
your writing.
Deadline: Biennially in odd-numbered
years. The deadline for 2015 awards has
passed; the deadline for 2017 awards has
not yet been announced.
20. Amy Writing Awards
Christian writers are eligible for this
award, which honors “creative, skillful
journalism that applies biblical principles
to stories about issues and lives.”
Submissions must have been previously
published in a newspaper, local or nation-
al magazine, or on a news website and
must contain at least one quote from the
Bible. Columns and opinion pieces will be
considered, but preference is given to
news or feature article with original re-
porting.
Prizes are given for winners of first
through fifth prizes (in amounts ranging
from $10,000 to $2,000), plus 10
“outstanding merit” awards of $1,000
each.
Deadline: Annually; the deadline for
2014-2015 awards has passed, and the
deadline for 2015-2016 award has not
yet been announced.
Poetry contests
Curious about opportunities for poets?
Your stanzas — rhyming or not — could
be worth a fair amount of money in these
competitions.
21. Naomi Long Madgett Poetry Award
Open to African American poets, previ-
ously published or not, this award pro-
vides a $500 prize and publication by
Boardside Lotus Press for the best book-
length collection of poems (approximately
60 to 90 pages).
Deadline: Annually on March 1
22. James Laughlin Award
If you’re already a published poet, this is
the award for you; it’s given for a second
book of poetry due to come out in the
forthcoming year. The winner receives
$5,000 and an all-expenses-paid week-
Page 14 The Next Chapter
Page 15 The Next Chapter
Contest Opportunities Contin-ued
-long residency. In addition, copies of
her book are distributed to the 1,000
members of the Academy of American
Poets.
Deadline: Annual submission window is
January 1 through May 15
23. African Poetry Book Fund Prizes
The APBF awards three prizes annually for African Poetry. The Glenna Luschei Prize for Afican Poetry gives $5,000 for a book of original African poetry published in the prior year.
The Sillerman First Book Prize for African Poets gives $1,000 and a publication contract for an unpublished book-length collection of poetry by an African author.
The Brunel University African Poetry Prize is a new prize that grants £3,000 to a poet who was born in Africa, is a na-tional of an African country or has Afri-can parents, who has not yet had a full-length book of poetry published. (U.S. citizens qualify.) To submit, you’ll need 10 poems.
Deadlines: See individual prize pages
24. Tufts Poetry Awards
Claremont Graduate University presents
two awards each year to poets they
deem to be “outstanding.” The Kate Tufts
Poetry Award grants $10,000 for a pub-
lished first book of poetry that shows
promise.
The Kingsley Tufts Poetry Award grants a
mammoth $100,000 for a published book
of poetry by an an established or mid-
career poet.
Deadline: Books published between
September 1 and June 30 of each year
are eligible for the following year’s prize.
The deadline for 2015 awards has
passed; the deadline for 2016 awards
has not yet been announced.
Writing contests with multiple categories
Some contests accept submissions in
multiple categories, so you could submit
a novella as well as a poem or other
work.
25. Binghamton University Book Awards
Sponsored by the Binghamton Center for
Writers — State University of New York,
this competition offers a $1,000 prize for
work published in the previous year in
two separate categories. The John Gard-
ner Fiction Book Award goes to the best
novel or collection of fiction, while the
Milt Kessler Poetry Book award goes to
the best book of poems.
Deadline: Annually on March 1
26. Writer’s Digest Annual Writing Competition
(Editor’s note: We were so excited to in-
clude this competition that we over-
Contest Opportunities Continued
competition that we overlooked its entry
fees. We’ll leave it in the post for those
interested in submitting their work, but
please note that this contest is not free.)
One of the longest-running writing com-
petitions — it’s now in its 83rd year —
this contest spotlights up and coming
writers in a number of categories, includ-
ing Memoirs/Personal Essay, Magazine
Feature Article and Genre Short story.
The Grand Prize winner gets $5,000, a feature in Writer’s Digest magazine, a paid trip to a writing conference and more. Runners-up earn prizes in first through tenth places.
Deadline: Early-bird deadline annually in
early May
Where to find more legitimate, free writing contests
Looking for more opportunities to submit
your work to writing contests? Here are a
few great sites to keep an eye on.
Winning Writers
A number of the contests found on our
list came highly recommended by this
site, which compiles some of the best
free literary contests out there. You can
sort contests by recommendation level
(Highly Recommended, Recommended or
Neutral), view plenty of info on require-
ments and even see which contests are
better for beginners, intermediate writers
and pros.
They also offer a handful of contests
themselves, including the Wergle Flomp Humor Poetry Contest (which sounds de-lightful).
Poets & Writers
Another fantastic source for legitimate
writing contests I consulted when compil-
ing this list, Poets & Writers vets compe-
titions, contests, awards and grants to
make sure they’re following legitimate
practises and policies. It’s worth checking
out regularly as it features both annual
and one-time contests.
Cathy’s Comps and Calls
Writer, poet and editor Cathy Bryant
sources legitimate, free-to-enter writing
contests and calls for submission. She
releases a new list of contests and calls
each month, so check back monthly for
new opportunities.
Are you planning to enter any writ-
ing contests this year? Which ones?
Add one more to the list: The Publish or Perish writing contest rewards authors for both a great book and a fantastic market-ing plan.
Start Planning now for Your Next Year in Writing.
Enter, Enter, Enter, You Could be the Next Winner!
Page 16
Areas of writing interest: (mark all that apply)
Fiction: Fantasy
Horror
Mainstream Romance Historical Contemporary Science Fiction
Suspense
Westerns Childrens/Young adult ____
Non-Fiction Poetry Screen Play Other: ________________
East Texas Writers’ Guild P.O. Box 10074
Tyler TX 75711
www.etwritersguild.org
Opinions expressed in The Next Chapter are those of the re-spective contributors only and do not nec-essarily reflect the views of ETWG, its members, officers, board members, or the editor.
Published Aspiring
Thank you to the Above
Sponsors for their
support.
TNC
Submission Guidelines and
deadlines
All submitted data must be re-
ceived by the last Monday of the month prior to the month in
which art/ad/etc. will appear.
Length —up to 500 words.
Format—single space, indent
paragraphs 0.3, Fonts—12 pt. Times New
Roman Photos—jpeg with caption
instructions Send to :
ETWG Membership Application Name:___________________________________________________________________________________
Pseudonym:____________________________________________________________________________
Address:__________________________________________________________City:_________________State:______ Zip: _________
Area Code: _____________ Phone: _________________________ Fax: ________________________ Cell_______________________
E-mail:______________________________________________________________________________________________________________
Website:____________________________________________________________________________________________________________
Regular Membership: $ 24.00
Married Couple Membership: $ 36.00
Student Membership: $18.00
Send completed form along with appropriate dues to:
Treasurer, ETWG PO Box 4597 • Tyler TX 75712
Or
Register and Pay On Line at www.etwritersguild.org,
Office Use Only:
Date Joined: __________ Amt. Pd: $ ______________
Cash: Check #: ____________
Entered into data base by:_______________________