Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake

Embed Size (px)

Citation preview

  • 7/27/2019 Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake

    1/15

    !"#$%&' ") *+"+$,-,+,./ 0123 !&%#&$4 5627

    *+"894.-":,& 128203 "

    !"#$%&'(#)*+, ./)0#12"(*#3 +31 %/'(02"(*#3 *3

    4+05+0/( 6(7##18' !"#$ &'( )"&*+

    699*'#3 %239+) #$%&''()(&*+, -./0)&12"

    6:'(0+"(,

    ;#=. -&$=- @-A""BC. D$4E &%B F$&G= :&$-,+,:&-=. ,% & H,I$&%- B=I&-=

    &/"%> .+. ") D$4E

    &%B F$&G= =/: I"-< +&:,-&',.- .+,=%+= &%B

    =+"-":,&%,./J D$4E &%B F$&G=

  • 7/27/2019 Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake

    2/15

    !"#$%&' ") *+"+$,-,+,./ 0123 !&%#&$4 5627

    *+"894.-":,& 128203 M

    J.0.1(*(.5> +.0'+4(%(5*5> +%C(10%4+%*&)(5*5> &%(4&) 1(@/*5 &.*(C(5*5> &%, 4&%A &%(4&) 5*7,(+5

    5./0)&15 /&C+ ./&))+%@+, */(5 '014 0' /(+1&1./(.&) */(%B(%@> .&))(%@ (%5*+&, '01 & .049)+*+ 1+C&)7&*(0% 0'

    @)0;&) /(+1&1./(+5 */&* 807), 7%,+14(%+ */+ &55749*(0% */&* /74&% ;+(%@5 &1+ 504+/08 401+

    ,+5+1C(%@ 0' )0C+ &%, 1+59+.* */&% &%(4&)5< N&.67+5 F+11(,&> '01 (%5*&%.+> +D&4(%+5 */+ 8&A5 (% 8/(./ &

    )0%@ /(5*01A 0' O+5*+1% 9/()0509/A /&5 .0%5*17.*+, P4&%Q &@&(%5* P&%(4&)QR /+ 1+4(%,5 75 */&* */+

    &%(4&) (5 &% 0*/+1 8/0 )00B5 &%, 1+590%,5> 8/0 9055+55+5 P&% (%5(5*+%* @&S+>Q P& ;+%+C0)+%* 01 9(*()+55

    @&S+> 57191(5+, 01 .0@%(S&%*Q #TUM2< F0%%& V&1&8&A 975/+5 '71*/+1> '01.+'7))A ./&))+%@(%@ /74&%

    +D.+9*(0%&)(54 &%, &1@7(%@ */&* /74&% ;+(%@5 &1+ 0%+ 0' P*/+ 4A1(&, 0' +%*&%@)+,> .05/&9(%@ 59+.(+5

    0' */+ +&1*/Q #W2< -/+ (4&@(%+5 (%5*+&, & 801), 0' P;+.04(%@ 8(*/Q (% 8/(./ ;+(%@E*/&* (5> ;+(%@

    /74&%E(5 & 910.+55 8/+1+;A /74&%5 P;+.04+ 8(*/Q 4&%A 0*/+1 .049&%(0% 59+.(+5 #X2< O01B(%@

    &)0%@5(,+ V&1&8&A> @+0@1&9/+1 Y(@+) 3)&1B 57@@+5*5 */&* 8+ .&% 7%,+15*&%, &%(4&)H/74&% (%*+1&.*(0%

    (% *+145 0' Z05&)A% F(9105+K5 ,(5.755(0% 0' .01901+&) @+%+105(*A< ?' 8+ .&% 7%,+15*&%, */+ 47*7&)(*A

    (%/+1+%* (% 071 ;0,()A 1+)&*(0%5/(95 8(*/ &%(4&)5> */+% 8+ .&% ;+@(% *0 *1+&* &%(4&)5 8(*/ */+ 1+59+.*

    &%, @1&*(*7,+ */&* 8+ 0''+1 /74&% ;+(%@5 8/05+ @+%+105(*A 8+ #(,+&))A2 &)1+&,A 1+.0@%(S+ #3)&1B [U2 4&%A +%C(5(0% & 801), (% 8/(./ */+ 7**+1 .0))&95+

    0' /(+1&1./(.&) */(%B(%@ 807), 910,7.+ 47*7&) )0C+ &%, 1+59+.* &40%@ /74&%5> &%(4&)5> &%, %&*71+

    401+ @+%+1&))A< -7./ */(%B+15 5/&1+ & 7*09(&% &9910&./E401+ 59+.('(.&))A> */+A 5/&1+ 8/&* /&5 ;++%

    .&))+, &% +.0)0@(.&) 7*09(&%(54 01 +.0*09(&%(54 (% 8/(./ 50.(+*A (5 %0* ,+'(%+, ;A & /0&1,(%@ 0'

    1+5071.+5 &%, ,04(%&*(0% ;7* ;A */+ 5/&1(%@ 0' 1+5071.+5 &%, 0'*+% & P%&*71&)Q /&140%A &40%@

    59+.(+5< ?% /(5 &%&)A5(5 0' & %74;+1 0' +.0*09(&% */(%B+15> 5./0)&1 I&1(75 ,+ ]+75 .0%.)7,+5 */+

    '0))08(%@^ PJ.0)0@(.&) 7*09(&% */(%B+15 _&1+` 0990%+%*5 0' &;7%,&%* 910,7.*(0% &%, .0%5749*(0% _< < 5/08(%@ */&* */+ +.0*09(&%

    (497)5+ 4(@/* *&B+ & %74;+1 0' '0145> (%.)7,(%@ */05+ */&* +49/&5(S+ P57''(.(+%.A> /(@/ 67&)(*A 0' )('+>

    +@&)(*&1(&%(54> .0447%(*&1(&%(54> )(;+1*&1(&%(54> 1&,(.&) ,+40.1&.A> ,+.+%*1&)(S&*(0%> &991091(&*+

    *+./%0)0@A> &% &''(14&*(0% */&* */+ %&*71&) 801), /&5 (%*1(%5(. C&)7+> & 5+%5+ 0' (,+%*('(.&*(0% 8(*/

    %&*71+> &%, & .1(*(67+ 0' */+ ,+@1&,&*(0% 0' +.0)0@(.&) 5A5*+45Q #"M[2< ?% 5/01*> +.0*09(& (5 P&% +.050.(&)

    (497)5+ *08&1, 1&,(.&))A ;+**+1 1+)&*(0%5/(95 &40%@ 9+09)+ &%, 8(*/ */+ +&1*/>Q &%, '01 4&%A> */(5

    1&,(.&) 1+01(+%*&*(0% 1+67(1+5 */+ .0))&95(%@ 0' /74&%H0C+1H%&*71+ /(+1&1./A #e&1%/()) "T"2< d7.A

    -&1@(550% 57@@+5*5 */&* */+5+ P@1++% 7*09(&5Q 0''+1 P*1&%5@1+55(C+Q 9055(;()(*(+5 '01 +%C(10%4+%*&)(5* 1+H

    (4&@(%(%@5 0' */+ ,04(%&*(0% */&* .711+%*)A 9)&@7+5 P-+)'Hf*/+1 1+)&*(0%5Q #"X"2< \/+ )(*+1&1A 801B5 0'

    504+0%+ )(B+ $157)& d+ ]7(%> '01 (%5*&%.+> 91+5+%* 801),5 (% 8/(./ 4&%H0C+1H804&% &%, /74&%H0C+1H

    %&*71+ /(+1&1./(+5 .&% ;+ 1+H(4&@(%+,> 801),5 */&* 67+5*(0% P*/+ (,+& 0' (49+14+&;)+ ;07%,&1(+5

    ;+*8++% /74&% &%, &%(4&)Q &%, */&* &))08 */+ 1+&,+1 *0 (4&@(%+ & )('+ ,+'(%+, %0* ;A ,04(%&*(0% &%,

    57''+1(%@ ;7* ;A )0C+ #=14;175*+1 "gc2< h01 -&1@(550%> */+ 7*09(&% (497)5+ (%*1(%5(. *0 +%C(10%4+%*&)(5*9/()0509/(+5 09+%5 79 & 59&.+ P(% 8/(./ *1&%5'014&*(C+ (4&@(%(%@5 .&% 0..71 &%, (% 8/(./ */+ 910.+55

    0' ./&%@+ 4&A ;+@(%Q #"W[2< J.0*09(&%(54> '104 */(5 9+159+.*(C+> (5 & C+/(.)+ '01 905(*(C+ 50.(&) ./&%@+ ? 5(*7&*+ I&1@&1+* =*800,K5 D$4E &%B F$&G=&@&(%5* */(5 ;&.B,109 0' +.0*09(&%

    (4&@(%(%@5< O/+1+&5 4&%A %0C+)5 ,+9(.* */+ 7*09(&% 9055(;()(*(+5 (%/+1+%* (% */+ .0))&95(%@ 0' /74&%H

    0C+1H%&*71+ /(+1&1./A> D$4E &%B F$&G= 0''+15 & ,A5*09(&% 9(.*71+ 0' */(5 5&4+ .0))&95+> 91+5+%*(%@

  • 7/27/2019 Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake

    3/15

    !"#$%&' ") *+"+$,-,+,./ 0123 !&%#&$4 5627

    *+"894.-":,& 128203 T

    (%5*+&, */+ %+@&*(C+ .0%5+67+%.+5 0' +%&.*(%@ 0%+ +.0*09(&% C(5(0%< =5 ? +D9)&(% ;+)08> &* */+ /+&1* 0'

    D$4E &%B F$&G= (5 & *+%5(0% ;+*8++% .&9(*&)(5* 5.(+%.+K5 *+%,+%.A *0 4(%(4(S+ /74&%i&%(4&)

    ,(''+1+%.+5 &%, (*5 5(47)*&%+075 (%5(5*+%.+ 790% 4&(%*&(%(%@ /74&% +D.+9*(0%&)(54< eA .0%*10))(%@ &%,

    .0440,('A(%@ */+ 910,7.*(0% &%, 1+910,7.*(0% 0' ;0*/ /74&% ;+(%@5 &%, %0%H/74&% &%(4&)5> */+

    .&9(*&)(5* 5.(+%*(5*5 0' D$4E &%B F$&G=,(4(%(5/ */+ 9055(;()(*A 0' /74&% +D.+9*(0%&)(54> 1+,7.(%@ ;0*/

    %0%H/74&% &%(4&)5 &%, /74&%5 *0 .0%*10))&;)+ .0440,(*(+5< =* */+ 5&4+ *(4+ */&* .01901&*+ 5.(+%.+

    .0))&95+5 /74&%H0C+1H&%(4&) /(+1&1./A> /08+C+1> (* &)50 5*1(C+5 *0 1+(%'01.+ */&* /(+1&1./A ;A ,1&8(%@ &

    .)+&1 ,(5*(%.*(0% ;+*8++% & /74&% 801), 8(*/(% (50)&*+, 5.(+%*('(. 304907%,5 &%, & 5&C&@+ 801),

    07*5(,+ 304907%, 8&))5 9097)&*+, ;A %0%H/74&% &%, ,+/74&%(S+, f*/+15< =)*/07@/ +4;+,,+, (%

    */(5 (%.0%5(5*+%* 801), 0' .&9(*&)(5* 5.(+%.+> & C(5(0%&1A 31&B+ 5++5 ;+A0%, */+ )(4(*+, C(+85 0' */05+

    5.(+%*(5*5 8/0 5(47)*&%+075)A .0))&95+ &%, 1+(%'01.+ /74&%H0C+1H&%(4&) /(+1&1./A< V+ 5++B5 (%5*+&, *0

    40C+ ;+A0%, /74&%H,04(%&*+, /(+1&1./A &%, (*5 &550.(&*+, 57''+1(%@R *0 &./(+C+ */(5 @0&)> /+ .1+&*+5

    */+ 31&B+15> */75 +%&.*(%@ /(5 +.0*09(&% ,1+&4< d(B+ */+ +.0*09(&% */(%B+15 */&* ,+ ]7+5 (,+%*('(+5>

    31&B+ 5++B5 *0 910,7.+ 50.(&) /&99(%+55 ;A 1+5*1&(%(%@ /74&% ,+5(1+E7%)(B+ */+5+ */(%B+15> /(5 5*&*75&5 @+%+*(.(5* &))085 /(4 *0 1+5*1&(% */05+ ,+5(1+5 ;(0)0@(.&))A 31&B+ )0.&*+5 */+ 5071.+ 0' /74&% 57''+1(%@ (% /(+1&1./(.&) 5*17@@)+5 '01

    ,04(%&*(0% */&* +D(5* )&1@+)A ;+.&75+ 0' P'&7)*AQ /74&% 1+910,7.*(C+ /&;(*5< eA 1+H+%@(%++1(%@ /74&%

    ;+(%@5 57./ */&* */+(1 1+910,7.*(C+ /&;(*5 4(4(. */05+ 0' &%(4&)5> 31&B+ .1+&*+5 & @1079 0' /74&%H

    &%(4&)5 8/0 ,+'A &%(4&)i/74&%> %&*71+i.7)*71+ ;(%&1A 09905(*(0%5E8/0 ,+'A> (% 0*/+1 801,5> 8/&*

    e17%0 d&*071 /&5 .&))+, */+ P]1+&* F(C(,+Q #M""2< V08+C+1> (% 01,+1 *0 '7)'()) /(5 +.0*09(&% C(5(0%E0%+ (%

    8/(./ */+ /74&% 1+910,7.*(C+ /&;(*5 1+590%5(;)+ '01 95A./0)0@(.&) 57''+1(%@ &%, /74&%H,1(C+% 908+1

    5*17@@)+5 &1+ +)(4(%&*+, &%, (% 8/(./ /74&%H0C+1H%&*71+ /(+1&1./(+5 &1+ .0))&95+,E31&B+ 475* '(15*

    ,+5*10A /74&%(*A< $%'01*7%&*+)A '01 */+ +.0*09(&% 31&B+> ;A */+ +%, 0' */+ %0C+) */+ 31&B+15 /&C+

    */8&1*+, /(5 C(5(0% ;A ,+40%5*1&*(%@ */+(1 90*+%*(&) '01 /(+1&1./(.&) */(%B(%@< h104 */(5 9+159+.*(C+> 8+

    .&% 1+&, D$4E &%B F$&G= &5 & 1+590%5+ *0 +.0)0@(.&) 7*09(&5> 0%+ */&* *107;)+5 */+ %0*(0% */&*

    +.0*09(&%(54 )+&,5 *08&1, 905(*(C+ 50.(&) ./&%@+ &%, &5B5 8/+*/+1 */+ +)(4(%&*(0% 0' /74&%H0C+1H

    %&*71+ /(+1&1./A (5 ,+5(1&;)+ 01 +C+% 9055(;)+< h71*/+1> ;A 7%,+15*&%,(%@ */+ 8&A5 (% 8/(./ =*800,

    .1(*(67+5 %0* 0%)A .&9(*&)(5* 5.(+%.+ ;7* 7*09(&% +%C(10%4+%*&)(54> 8+ .&% 5++ /08 /+1 801B /(@/)(@/*5

    */+ .049)+D(*A 0' B%08)+,@+ 910,7.*(0% 8/()+ .&7*(0%(%@ */+ 1+&,+1 &@&(%5* 58++9(%@ 9)&%5 '01 */+

    +)(4(%&*(0% 0' 57''+1(%@E1+@&1,)+55 0' 8/+*/+1 8+ .&)) */05+ 9)&%5 .&9(*&)(54> 5.(+%.+> 01

    +%C(10%4+%*&)(54 8(*/ /+1 ,+9(.*(0% 0' */+ ]0,K5 ]&1,+%+15 &%, ,+5.1(9*(0%5 0' ,+.&A(%@

    )&%,5.&9+5> 75+5 D$4E &%B F$&G= *0 +D9)(.(*)A +C0B+ */+ +%C(10%4+%*&)(5* 40C+4+%*> 5./0)&15 0' */(5

    801B *+%, *0 '0.75 0% */+ %0C+)K5 (%,(.*4+%* 0' 5.(+%.+ &%, .&9(*&)(54 1&*/+1 */&% (*5 .1(*(67+ 0'

    +%C(10%4+%*&)(54 01 +.0*09(&%(54< ](75+99(%& e0**& &1@7+5> '01 (%5*&%.+> */&* D$4E &%B F$&G= P(5 &

    1+')+.*(0% 0% 8/&* *0 ,0 8(*/ 5.(+%.+K5 ,(5.0C+1(+5> /08 *0 ;+ .&7*(075 8(*/ */+4> 8/+% *0 5*09>Q 8/()+

    -*+9/+% F7%%(%@ 1+&,5 */+ %0C+) &5 & 801B */&* .0%,+4%5 *+./%05.(+%.+K5 +D9)0(*&*(0% 0' P67&)(*&*(C+/74&% .0%.+1%5Q #bc2< ]1&A50% 300B+ *&B+5 & 504+8/&* ;10&,+1 C(+8> '(%,(%@ (% D$4E &%B F$&G= %0*

    0%)A & .1(*(67+ 0' */+ &;75+5 0' ;(0*+./%0)0@A> ;7* 0' P*+./%(.5Q 401+ @+%+1&))A> (%.)7,(%@ ;0*/ 5.(+%*('(.

    &%, )(%@7(5*(. *00)5 (% /(5 ,+'(%(*(0% 0' *+./%(.5< h01 300B+> (% &,,(*(0% *0 P*71%_(%@` .0%5(,+1&;)+ 5&*(1(.&)

    5.17*(%A 0% ;(0*+./%0)0@A &%, *+./%05.(+%.+>Q =*800, P+D905+5 & ,++9+1 5+&4 &* 8/(./ */+ 4&*+1(&)

  • 7/27/2019 Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake

    4/15

    !"#$%&' ") *+"+$,-,+,./ 0123 !&%#&$4 5627

    *+"894.-":,& 128203 X

    &%, */+ 5+4(0*(. 4++*^ */+ ;(0*+./%0H)0@(.&) &%, .&9(*&)(5*(. 4&%(97)&*(0% 0' %&*71+> *+./%0)0@A> &%,

    */+ /74&%Q #""T2 P*/+ 67(%*+55+%*(&) Q 910,7.+5

    *+./%0)0@(+5 '01 910'(* 1&*/+1 */&% '01 9+150%&) '7)'())4+%* 01 '01 */+ &))+C(&*(0% 0' *+,(075 '0145 0'

    )&;071 #F(I&1.0 "Ug2< eA 5++(%@ /(5 .1+&*(0%5 &5 971+)A (%5*174+%*&)> /+ .&% +&5()A 5++ */+ ,+5*17.*(0% 0'

    /74&%(*A &5 & %+.+55&1A 4+&%5 *0 /(5 ,+5(1+, +%,5< F(I&1.0K5 ,(5.755(0% 0' 31&B+ &5 ;7* (* 4&A )+&, 75 *0 0C+1)00B */+ 8&A5 (% 8/(./ 31&B+ (5 %0* 0%)A */+ 4&B+1 0' 4&*+1(&)

    */(%@5 ;7* 0' ,1+&45< ?%,++,> 1+&,(%@5 )(B+ */+5+ &..07%* '01 31&B+K5 &550.(&*(0% 8(*/ 5.(+%.+ &%,

    .&9(*&)(54 &%, */+ %0C+)K5 .0%5+67+%* .1(*(67+ 0' ;0*/< \/+A ,0 %0* &..07%*> /08+C+1> '01 31&B+K5

    &''(%(*(+5 8(*/ +%C(10%4+%*&) &.*(C(5*5 &%, */+ .1(*(67+ */&* */+ %0C+) 0''+15 0% */+ ;&5(5 0' */05+

    &''(%(*(+5 D$4E &%B F$&G=91+5+%*5 575*&(%&;()(*A &5 &% (,+&) */&* (5 *0 ;+ &./(+C+, %0*

    */107@/ & 104&%*(. +%C(10%4+%*&)(5* +4;1&.+ 0' P*/+ %&*71&)>Q ;7* */107@/ & *+49+1(%@ 0' */&* 8/(./

    .04+5 %&*71&))A *0 /74&% ;+(%@5E&./(+C(%@ 575*&(%&;()(*A> (% 5/01*> 4+&%5 P*&4(%@ */+ /74&% &%(4&)Q

    #UTU2< e+1@*/&))+1 57@@+5*5 */&* 31&B+ &%, N(44A 91+5+%* *80 09*(0%5 '01 &./(+C(%@ 57./ & @0&)^ &

    5.(+%.+H;&5+, &9910&./ */&* (5 0C+1H,+*+14(%+, ;A ;(0)0@(.&) 7%,+15*&%,(%@5 0' /74&% ;+/&C(01 &%, &

    /74&%(*(+5H;&5+, &9910&./ */&* '&()5 *0 &.B%08)+,@+ */+ ;(0)0@(.&) &59+.*5 0' ;+(%@ /74&%< ?% D$4E &%B

    F$&G=> %+(*/+1 0' */+5+ &9910&./+5 .&% 910,7.+ 575*&(%&;()(*A /08+C+1> 8+ 475* 7%,+15*&%, 31&B+ %0* 0%)A &5 & .&9(*&)(5* 5.(+%*(5* ;7* &5 &

    ,1+&4+1> & .1+&*01> & 7*09(&%> &%,E;A C(1*7+ 0' /(5 ,+5(1+ *0 97* &% +%, *0 /74&%H0C+1H%&*71+

    /(+1&1./AE&% +%C(10%4+%*&)(5*< \0 '71*/+1 +D9)(.&*+ 31&B+K5 5*&*75 &5 +%C(10%4+%*&)(5* &%, */+ 10)+

    */&* */&* 5*&*75 9)&A5 (% */+ %0C+)> ? ,(5.755 ;+)08 */+ .0%')(.*+, 5*&*75 0' /74&%H0C+1H%&*71+ /(+1&1./A

    (% 31&B+K5 801), &%, */+ 7*09(&%(54 */&* ,04(%&*+5 /(5 1+590%5+ *0 */&* /(+1&1./A =*800, 4&B+5 .)+&1 */&* &% (4&@(%+, /74&%i&%(4&) 01

    .7)*71+i%&*71+ ,(C(,+ 8()) ;+ &*H(557+ (% */(5 %0C+)< ?% */+ '(15* 9&1&@1&9/5> */+ 1+&,+1 '(%,5 -%084&%>

    '014+1)A N(44A> )(C(%@ (% & 801), (% 8/(./ */+5+ ;(%&1A ,(C(5(0%5 /&C+ ;++% ;)711+,^ P-%084&% 8&B+5

    ;+'01+ ,&8%< V+ )(+5 7%40C(%@> )(5*+%(%@ *0 */+ *(,+ .04(%@ (%> 8&C+ &'*+1 8&C+ 5)05/(%@ 0C+1 */+

    C&1(075 ;&11(.&,+5> 8(5/H8&5/> 8(5/H8&5/> */+ 1/A*/4 0' /+&1*;+&*Q #=*800, T2< V+1+> */+ 910,7.*5 0'.7)*71+EPC&1(075 ;&11(.&,+5QE&1+ )(*+1&))A 4(%@)+, 8(*/ */&* 8/(./ 8+ %014&))A .0%5*17.* &5 %&*71+E

    0.+&% 8&C+5< \/+ 507%, 0' %&*71+ .044(%@)(%@ 8(*/ .7)*71+ (5 */+% .049&1+, *0 & 5A4;0) 0' ;0*/E*/+

    /+&1*;+&*E&% (4&@+ &550.(&*+, ;0*/ 8(*/ & ;(0)0@(.&) 01@&% &%, 8(*/ .7)*71&) .0%5*17.*(0%5 0' )0C+ &%,

    C(*&)(*A< V08+C+1> */+ (4&@+ */&* .0%')&*+5 %&*71+ &%, .7)*71+> .0%C+A(%@ */+ 01@&%(. .044(%@)(%@ 0'

    ;0*/> (5 (44+,(&*+)A '0))08+, ;A & ,+5.1(9*(0% */&* .0%C+A5 & 504+8/&* 401+ &%*&@0%(5*(. 1+)&*(0%5/(9

  • 7/27/2019 Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake

    5/15

    !"#$%&' ") *+"+$,-,+,./ 0123 !&%#&$4 5627

    *+"894.-":,& 128203 W

    ;+*8++% */+ *80^ Pf% */+ +&5*+1% /01(S0% */+1+K5 & @1&A(5/ /&S+> )(* %08 8(*/ & 105A> ,+&,)A @)08

    1(5(%@ (4910;&;)A 07* 0' */+ 9(%B &%, 9&)+ ;)7+ 0' */+ )&@00%< \/+ 5/1(+B5 0' */+ ;(1,5 */&* %+5* 07* */+1+

    &%, */+ ,(5*&%* 0.+&% @1(%,(%@ &@&(%5* */+ +15&*S 1++'5 0' 175*+, .&1 9&1*5 &%, :74;)+, ;1(.B5 &%,

    &5501*+, 17;;)+ 507%, &)405* )(B+ /0)(,&A *1&''(.Q #T2< O/&* 8&5 '(15* ,+9(.*+, &5 & 9+&.+'7)

    .044(%@)(%@ 0' %&*71+ &%, .7)*71+ .04;(%+, (% */+ 5A4;0)(54 0' */+ /+&1*;+&* ;+.04+5 & 5*&1B+1

    :7D*&905(*(0%> 0%+ 8/(./ .0%%0*+5 & 90*+%*(&) 5+9&1&*(0% 0' */&* 8/(./ (5 /74&%H4&,+ &%, */&* 8/(./

    /74&%5 ,+'(%+ &5 P%&*71&) 8/()+ */+ 8&C+5

    */&* 0%.+ 910,7.+, P*/+ 1/A*/4 0' /+&1*;+&*Q %08 P@1(%, &@&(%5*Q &% &1*('(.(&) 1++' .04905+, 0'

    /74&%H4&,+ 0;:+.*5< -(4()&1)A> =*800, 1+9)&.+5 */+ 9+&.+'7) P8(5/H8&5/Q 507%, 0' */+ /+&1*;+&* 8(*/

    P5/1(+B5Q 0' ;(1,5< O/()+ */+ 09+%(%@ 9&1&@1&9/ .0%C+A5 & 90*+%*(&))A 7*09(&% C(5(0% 0' .7)*71+ &%,

    %&*71+ .04(%@ *0@+*/+1> */+ '0))08(%@ 9&1&@1&9/ (44+,(&*+)A .&))5 */&* C(5(0% (%*0 67+5*(0% ;+A0%, /74&%H.0%5*17.*+, 4+&%(%@> &1(5+5> &5 ? 8()) 5/08> &5 & 1+57)* 0' 31&B+K5

    +.0*09(&% C(5(0%> 0%+ */&* ,+5(1+5 */+ .049)+*+ .0))&95+ 0' /(+1&1./A< \/(5 C(5(0%> (% *71%> &105+ '104 */+

    .&9(*&)(5*H5.(+%*('(. 91&.*(.+5 */&* 75+, */+ .0440,('(.&*(0% &%, .0%*10) 0' 1+910,7.*(0% *0 4(%(4(S+

    ,(5*(%.*(0%5 ;+*8++% /74&%5 &%, &%(4&)5 &* */+ 5&4+ *(4+ */&* (* (%5(5*+, 790% */05+ ,(5*(%.*(0%5 D$4E &%B F$&G=91+5+%*5 & 801), 8/+1+ /(+1&1./(.&) ,(5*(%.*(0%5 /&C+ ;++% +1&5+, ;A

    *+./%0)0@(+5 */&* 91+5+%* &)) '0145 0' )('+E/74&% 01 0*/+18(5+E&5 +67&))A C(&;)+ +%*+1*&(%4+%*

    09*(0%5< N(44A &%, 31&B+ *1&,+ '&4075 801B5 0' &1* '01 @+%0.(,+5 *0 9&55 */+ *(4+> ;1085+ */+ 8+; *0

    C(+8 &% +D+.7*(0%> 01 8&*./ & .049+*(*(0% (% 8/(./ */+ @0&) (5 *0 +&* )(C+ &%(4&)5 &5 67(.B)A &5 9055(;)+

    #bgHbT2< V74&% &%, %0%H/74&% &%(4&) )(C+5 &1+ ;7%,)+, (%*0 & 5(%@)+ .&*+@01AE&)) )(C+5 &1+ 0;:+.*5

    8/05+ 971905+ (5 *0 +%*+1*&(% 8/+1+ &)) )('+ '0145 &1+ 0;:+.*5 '01 5*7,A &%, +D9+1(4+%*&*(0%< ?%,++,> */+

    ;(0*+./%0)0@(+5 0' */(5 801), &1+ 50 &,C&%.+,E&%, A+* %0* 50 ,(5*(%.* '104 */+ *+./%0)0@(+5 0' *0,&AE

    */&* */+ 5.(+%*(5*5 0' D$4E &%B F$&G= /&C+ )(**)+ *107;)+ .0%*10))(%@ &)405* .049)+*+)A */+ @+%+*(.

    4&B+79 0' &)) &%(4&)5> (%.)7,(%@ /74&%5

  • 7/27/2019 Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake

    6/15

    !"#$%&' ") *+"+$,-,+,./ 0123 !&%#&$4 5627

    *+"894.-":,& 128203 [

    *+./%0)0@(+5 */&* &))08 /74&% ;+(%@5 *0 *&B+ 0% */+ 01@&%5 0' 9(@00%5 #W[2< ?% */+(1 ,&()A 91&.*(.+5>

    */+%> */+ 5.(+%*(5*5 0' D$4E &%B F$&G=,(4(%(5/ &%(4&)i/74&% ,(5*(%.*(0%5 &%, */+ 9055(;()(*A 0' /74&%

    +D.+9*(0%&)(54 &%, 9(@00%5> */+A &)50 .=''*/+ 910,7.*5

    0' */+(1 )&;071< \/+ 9(@00% 475* ;+ .)05+)A @7&1,+,> &5 (*5 P'(%+)A /0%+, @+%+*(. 4&*+1(&)Q 475* ;+ B+9*

    & 5+.1+* (% 01,+1 *0 4&(%*&(% (*5 C&)7+ #M[2< d(B+8(5+> & ./(.B+% 8(*/ */+ 1(@/* %74;+1 0' ')+5/A

    07*@108*/5 (5 67(*+ */+ C&)7&;)+ .0440,(*A &5 (* .&% 7%,+15+)) &%0*/+1 4+&*H,+&)(%@ .049+*(*01 #MgMH

    MgT2< N75* )(B+ %0%H/74&% &%(4&) ;0,(+5> /74&% ;0,(+5 .&% ;+ 4&%(97)&*+, &..01,(%@ *0 4&1B+*

    ,+4&%,5E& P'01H/&1C+5* ./(),Q 4(@/* ;+ B+9* (% &% P())+@&) ;&;A 01./&1,Q :75* &5 +&5()A &5 f1AD .&% ;+

    50), *0 901%0@1&9/+15 #MT2< ?% */+ L)++;)&%,5> 9+09)+ *1&C+) '104 &)) 0C+1 */+ 801), *0 971./&5+ C&1(075

    /74&% ./&1&.*+1(5*(.5^ P]+%,+1> 5+D7&) 01(+%*&*(0%> /+(@/*> .0)071 0' 5B(% &%, +A+5E(*K5 &)) 0% 01,+1> (*

    .&% &)) ;+ ,0%+ 01 1+,0%+Q #Mbc2< V74&% )('+> (% */(5 801),> (5 :75* &5 910'(*&;)+ &5 */&* 0' & 9(@00%