Elegant Light

E l e g a n t L i g h t2 0 0 5 - 2 0 0 6

R E S I D E N T I A L

L I G H T I N G

F I X T U R E S

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Preciosa Classical Fixtures

The beginnings of the history of fixtures by our company date back to 1724. Soon, the chandeliers

from the area of Kamenick˘ ·enov found their way to royal palaces and courts of the reigning

dynasties across Europe. The palaces at Versailles and Fontainebleau of King Louis XV. Duchess

Marie Elisabeth's palace in Brussels. The palaces of Maria Theresa in Vienna, the palace of Russian

tsarina Elisabeth and palaces in Prague Castle all were illuminated with the brilliant light of Bohemian

chandeliers. In the course of time, small crystal suns from the north of Bohemia, gleamed in more

than 80 countries of the five continents of our planet.

Bohemian chandeliers won admiration from the very beginning. It was appreciation of the

harmonic style of their design, purity, brilliance, dispersion and diffusion of light, and the

radiance of the spectrum. Perfection of material, unrivalled craftsmanship in glass cutting, and

the perfect interplay of numerous trades during chandelier making won admiration of the

world. The chandeliers from Bohemia were gorgeous enough to decorate even the most

challenging interiors like those of La Scala, Milan, the Royal Opera House in Rome, Hotel

Waldorf, New York and many others.

The desire of humans to lengthen the life of the sunbeam and to bring it to their immediate proximity,

to their homes, was getting more intensive and exacting in the course of time. The functional

requirements were thus complemented with the ultimate ambitions of arts and aesthetics, the

ambitions cultivated by the trends of modern architecture, and the high standards of living.

The assortment of Preciosa lighting fixtures is immensely varied and broad, able to meet all types

of requirements, ranging from the unassuming ones to chandeliers and luminaries “made to measure

and as turnkey products” to exactly match the customer's needs. In addition to the traditional

quality of crystal and the mastery of glass cutting, it is the charm of lead glass and the high lead-

content mechanically cut Premium trimmings that come to the forefront. This new catalogue features,

for the most part, the Premium trimmings that are the best trimmings we offer in the lighting

fixtures market.

We believe you will choose from the varied range of classical fixtures in this catalogue, a lighting

fixture that will make all your dreams come true.

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Traditional

Chandelier trimmings cut from lead-free glass are typical of the traditional

production in Bohemia stretching back to the former half of the 18th

century. Thanks to their look based on tradition and history, they satisfy

even the most discriminating customers. Lighting fixtures dressed with

these trimmings are suitable especially for period interiors. On the

other hand, they create an exciting counterpoint to austere modern

interiors. These trimmings are often used in the production of replicas

of historical lighting fixtures.

Standard

Hand cut or partly machine cut chandelier trimmings. Inspired by rich

glassmaking tradition as well as modern trends, these crystals are

characterized by distinct fire, rainbow sparkle and purity of shape.

Each piece is checked for accuracy of cut and its high quality is

guaranteed. They will satisfy even the most discerning customers.

Chandelier trimmings of the Standard type offer an opportunity to

those searching for quality at a reasonable price.

Premium

A sumptuous type of chandelier trimmings. Fire of the rainbow spectrum,

brilliance, limpidity, glitter and perfect scattering and dispersion of

light - these are their main features resulting from precise cutting using

electronically controlled machines, but also from high quality crystal

containing more then 30% of lead. Traditional mastery and the revealed

mystery of the glass substance blend together with modern technologies

and first-rate design in each of these unique pieces. Chandeliers dressed

with these trimmings of exceptional beauty will lend an air of grandeur

to the ambience even of the most prestigious interiors.

Lighting fixtures with the Premium quality chandelier trimmings are marked

in the catalogue with the following symbol.

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C r y s t a l S y mp h o ny 8 - 27

The work of master glassmakers during the making of chandeliers of plain glass is reminiscent of a symphonic concert

- the dynamic spinning of molten glass, blowing the glassmaker's pipe, or the fine and precise shaping of parts in

glass moulds are a visual concert for one's eyes. The skills of our glassmakers are transferred into the final appearance

of these fixtures. Thanks to the simplicity of their form and the purity of manufacturing, they will suit both the

traditional and modern projects.

L i g h t E l e g a n c e 28 - 41

Elegance is a distinct feature of any of our fixtures, yet it is mainly the well-balanced use of metal in combination with

blown glass and cut trimmings that adds extra lightness to these chandeliers. A wide range of surface finishes enables

us to present various styles, moods and impressions. The resulting design, delicately complemented with cast brass

details and blown glass, is a paragon of artistic harmony.

B o h e m i a n C l a s s i c 42 - 77

Classic Bohemian crystal is known throughout the world for its quality and brilliance. Its history stretches back to the

16th century. Lavishly hand-cut, blown glass parts prevail on these fixtures. To highlight its features, the crystal is

sometimes decorated with golden paint. The sumptuous and impressive appearance of crystal jewels is complemented

with the trimmings of various shapes and sizes. Brilliance, purity and perfect light dif fusion together with more than

30% lead content are the outstanding properties of our Premium trimmings. Another one of many options available

is trimmings of lead-free glass, so typical for traditional manufacturing in Bohemia.

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M a r i a T h e re s a 78 - 103

These ravishing fixtures were inspired by a chandelier made for Maria Theresa in Bohemia in the mid 18th century.

However, not only the empress became fond of it; so did many others who fancied the style and the majestic

manners after her. Typical elements are metal arms overlaid with glass bars and decorated with crystal rosettes. Originally,

the trimming was made of typical flat drops, called “pendles“. Today, trimmings of various shapes are used.

E n a m e l Ro m a n c e 104 - 113

Tender and romantic feelings will waft around you from these fixtures that Preciosa-Lustry is able to make as one

of very few manufacturers in the world. No wonder. The main parts are made of three layers of glass. Crystal is the

basis that is applied with color, translucent glass metal - red, blue or green. The third, top layer is opal glass, which

is hand cut to create small holes that transmit the light through the colored glass into the middle. Finishing touches

are made with hand painting, a unique technology of plastic floral patterns lavishly decorated with 24-carat gold. Every

reflection of color or gold cast by the fixtures will give you a cosy feeling of tea parlours, drawing rooms or clubs -

or any place where you feel comfortable and well.

Roya l H e r i t a ge 114 - 131

The ornamental tastes of the past times and the peaceful atmosphere of the world of our ancestors when time was

running at a much slower pace are brought in the interiors with our cast fixtures. Their manufacturing begins with

sand casting, a hundred-year-old technique. Our master foundry men followed by chasers and metal chisellers complete

each part separately by hand. The products are finished with various kinds of patina and decorations of embossed

ornaments. Full trimmings of lead-content and lead-free crystal, hand cut or machine cut, are available here as well.

In a way, any of these chandeliers is a work of art. A facet that one can see it immediately.

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C r y s t a l S y mp h o ny

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A m a d e u sThe story of Wolfgang Amadeus Mozart is a story of a man of genius, a storyof bewitching beauty and power. Anything else could hardly compare tothe playfulness and inexhaustible beauty and power of melodic variations.For the centuries to come, they will remain vivid and beautiful. TheAmadeus lighting fixtures contain in their appearance the luxuriance ofMozart's tunes, the classic shape and harmonious balance that willcertainly please even the most exacting and timeless demands.

V l t a vaThe most famous river of Bohemia, the image of which is connected toPrague and also to a symphonic poem by Bedfiich Smetana, one of themost popular Czech composers. The Vltava symphonic poem is a partof the My Country cycle that narrates the stories of important momentsin Czech history. As the Vltava river reflects notable castles, chateaux andnatural beauties of Bohemia, so the Vltava fixtures offers reflections filledwith stories and imagination. The fixture shape reminds one of theundulating water surface of the most popular Czech river and of themusic that made it famous.

E ro i c aBeethoven too was one of those composers of the world who found theirsecond home in Bohemia, a country in which they met with appreciationand good conditions for their work. Eroica Symphony was influenced bythe ideas of Enlightenment and Great French Revolution. The freedom,liberty and rebelliousness of Beethoven's music gave significant dramaticevidence of their time and produced a new creative exploit. The carminecolor and the austere delicate shape of the Eroica fixtures get the bestfrom its classic yet still modern model.

A i d aThe name of a famous opera by Verdi, the great composer. Verdi made hisdebut at the age of 26 presenting an opera in La Scala, Milan, an opera housedecorated with chandeliers from Bohemia. Like Aida, a cosmopolitan operacomposed by Verdi for the Suez Canal ceremonial opening, the Aida fixturesentail dramatic suspense, fabulous fantasy and realistic persuasive power.

Fi d e l i oThe only opera by Ludwig van Beethoven ranks among exceptionalcreations in the entire history of opera. The story of faithfulness andheroic surge has special power and a dramatic charge. The Fixtures ofthe Fidelio family are similar to the musical model in many aspects. Theyare full of inner tension and drama, unpretentious distinction, melancholyand harmonically detached view of any transitory crazes of fashion. Up-to-date, classic timeless design are wedded in them.

L a S c a l aBohemia and Italy have always had much in common. Music and glassare the phenomena that have been linking the two countries for centuries.La Scala, Milan, is the sanctuary of Italian opera. All the outstandingworks by Italian composers such as Verdi, Puccini, Rossini, Leoncavalloand many others were introduced there. La Scala became a meeting pointfor the best of Italian opera and Bohemian chandeliers decorating the templeof music. The family of the La Scala lighting fixtures also flaunt theharmony of perfect shapes and noble material.

Fi g a roMozart's opera, Figaro´s Wedding, proved the rarity of Mozart's talent,and infuriated Viennese court society with its unconventionality. Thecharacter of Figaro introduced an idea that resounded to the fullest withthe shots of the French revolution, a couple of years after renderingBeaumarchais's drama and Mozart's opera. As the violator of the normsof his time, Mozart was punished in Vienna by having his contractterminated and having to leave for Prague, where he was warmly receivedand found his second home. Like the opera, the lighting fixtures also provokewith the power of an idea and with the modern spirit of the shape.

E g m o n tOne of the eminent symphonic poems by Ludwig van Beethoven wasinspired by the story of Egmont, the Flemish governor, and the leader ofDutch resistance movement against occupying forces and absolutism inthe late 16th century. Ludwig van Beethoven visited Bohemia manytimes and was giving concerts in halls decorated with crystal chandeliers.In the Egmont fixture, classical power and contemporary fragile graceof the structure are combined.

O t e l l oVerdi's opera from the year 1887. The black glass carries a specialdramatic charge and glamour. It evokes the idea of nobility and lovebeing a prey to doubts of the Moor of Venice. The black glass will hidemany intimate secrets and it is a perfect storyteller and a confidant.

D o n G i ova n n iThe first night of Mozart's “opera of all operas”, as it is often called, washeld in 1787 in the Theatre of the Estates, Prague. The opera wascomposed for Prague and Mozart's statement “my people of Pragueunderstand me” and “my orchestra is in Prague” bear witness to Mozartfinding his home in Prague and understanding the special musical talentsof the Czech people. Just like the keenly innovative nature of the musicof this opera by Mozart, the power of the story of rebellion against a humanorder, the Don Giovanni lighting fixture also embodies unconventiality, succinctform, and the power of expression.

R u s a l k aThe opera Rusalka by Antonín Dvofiák, a famous Czech composer, is oneof the most beautiful Czech operas and world operas in general. It isa fabulous story of a nymph who interfered with the fate and the lives of people.A story full of broad and fine tunes depicting both the fates of humans andnature. The world of people and the world of the water is symbolicallyconfronted in the lighting fixture, in its unrestrained movement, fragility, andunusual color scheme reminding us of nature in its never-ending metamorphoses.

A m a d e u s

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Art. Number Metal Finish Color of Glass Trimmings Dimensions (cm) Dimensions (in) Wattage

1 AS 5219/00/012 Chromium Crystal Traditional �100 i70 � 39 i28 12x 40 W

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2 AS 5219/00/008 Chromium Crystal Traditional � 73 i50 � 29 i20 8x 40 W

3 WS 5219/00/002 Chromium Crystal Traditional fp36 i28 o22 fp14 i11 o9 2x 40 W

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A m a d e u s

V l t a va

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4 AS 5406/00/005 Chromium Crystal No Trim � 59 i75 � 23 i30 5x 40 W

5 WS 5406/00/002 Chromium Crystal No Trim fp40 i32 o21 fp16 i13 o8 2x 40 W

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6 AS 5271/00/006 Chromium Carmine Traditional � 64 i84 � 25 i33 6x 40 W

7 WS 5271/00/002 Chromium Carmine Traditional fp45 i42 o28 fp18 i17 o11 2x 40 W

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E ro i c a

A i d a

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A i d a

Fi d e l i o

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11 AS 5275/00/006 Chromium Smoked Taupe No Trim � 60 i51 � 24 i20 6x 40 W

12 WS 5275/00/002 Chromium Smoked Taupe No Trim fp40 i36 o26 fp16 i14 o10 2x 40 W

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13 AS 5275/00/012 Chromium Smoked Taupe No Trim � 90 i57 � 35 i22 12x 40 W

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Fi d e l i o

L a S c a l a

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L a S c a l a

Fi g a ro

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Fi g a ro

E g m o n t

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22 AS 5519/00/012 Chromium Black Hyalit No Trim � 89 i103 � 35 i41 12x 40 W

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O t e l l o

O t e l l o

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23 AS 5519/00/008 Chromium Black Hyalit No Trim � 62 i76 � 24 i30 8x 40 W

24 WS 5519/00/002 Chromium Black Hyalit No Trim fp28 i28 o17 fp11 i11 o7 2x 40 W

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E g m o n t

D o n G i ova n n i

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27 AS 5234/00/006 Chromium Cry + Blue Cob No Trim � 65 i59 � 26 i23 6x 40 W

28 WS 5234/00/002 Chromium Cry + Blue Cob No Trim fp28 i37 o20 fp11 i15 o8 2x 40 W

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29 AS 5269/00/006 Chromium Cry + Amb No Trim � 76 i74 � 30 i29 6x 40 W

30 WS 5269/00/002 Chromium Cry + Amb No Trim fp45 i48 o24 fp18 i19 o9 2x 40 W

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R u s a l k a

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L i g h t E l e g a n c e

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B o nv i va nA fixture that removes all differences between the classic and thecontemporary. The Bonvivan fixtures are ideal for those who love goodtaste and for the connoisseurs of life. For those who know how to enjoyand make the best of the beauties of the world. For those who cancombine classical forms and values with the dynamics and demands ofthe digital age easily.

R a n d e z vo u sLighting fixtures of simple, classical and stylish lines that make a perfectcompanion to gatherings, for the creation of a family atmosphere,friendship and shared trust. They have values incorporated in themthat - similar to real friendship and good relations - will endure.

L i b e r t i nLibertin will illuminate the room with open-mindedness and freedomof shape and décor. Its mission of light is elegant and simple. It will meetuniversal high demands of interiors for the aesthetics and perfectshape.

B a c c h u sBacchus was the name of the ship that brought the first delivery ofBohemian glass to the shores of the New World, specifically to Baltimore,in 1806. Bacchus is also the name of a Greek god who was not only thegod of wine and good harvest but also the originator of many virtues. Hemade people free from troubles, brought around the joy of life, encouragedthe spirit of sociability and good fun, and released creative powers in artists.Bacchus is a name that has a lot in common with Bohemian glass andwith the fixture of the same name.

No b l e s s eThere are many faces of style and distinction. Many of them may be foundin the diversity of the shapes and nobility of the Noblesse fixtures line.Noblesse fixtures are designed for those who call for sophistication,artistic feelings and style as an essential part of everyday life. Noblessehas a style of its own that features the harmony of the sublime crystalmaterial, shape, and décor.

B o h e m ePuccini's opera about 'la vie de bohème parisienne', about cheerfulness,jealousy, and love. The Boheme collection also evokes the ancient nameof a country that became the cradle of the phenomenal crystal chandeliersin 1724 - the country of Bohemia.

B o nv i va n

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31 AL 5010/00/012 Ant Gold Pat Crystal Frost Premium � 90 i93 � 35 i37 12x 40 W

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32 AL 5010/00/009 Ant Gold Pat Crystal Frost Premium � 75 i83 � 30 i33 9x 40 W

33 WL 5010/00/002 Ant Gold Pat Crystal Frost Premium fp29 i40 o15 fp11 i16 o6 2x 40 W

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B o nv i va n

B a c c h u s

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34 AL 5154/00/010 Ant Gold Pat Full Lead Cry Premium � 66 i76 � 26 i30 10x 40 W

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35 AL 5154/00/006 Ant Gold Pat Full Lead Cry Premium � 61 i65 � 24 i26 6x 40 W

36 WL 5154/00/002 Ant Gold Pat No Glass Parts Premium fp31 i40 o18 fp12 i16 o7 2x 40 W

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B a c c h u s

R a n d e z vo u s

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37 AL 5217/01/006 Black Colour Full Lead Cry Premium � 70 i67 � 28 i26 9x 40 W

38 WL 5217/01/002 Black Colour Full Lead Cry Premium fp32 i21 o19 fp13 i8 o7 2x 40 W

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39 AL 5217/01/009 Black Colour Full Lead Cry Premium � 89 i70 � 35 i28 6x 40 W

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R a n d e z vo u s

No b l e s s e

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40 AL 5195/01/012 Brass Full Lead Cry Premium � 70 i50 � 28 i20 12x 40 W

41 CL 5195/01/003 Brass Full Lead Cry Premium � 37 i30 � 15 i12 3x 40 W

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42 AL 5195/01/008 Brass Full Lead Cry Premium � 70 i45 � 28 i18 8x 40 W

43 WL 5195/01/002 Brass Full Lead Cry No Trim fp33 i23 o14 fp13 i9 o6 2x 40 W

44 TL 5195/01/001 Brass Full Lead Cry No Trim � 20 i30 � 8 i12 1x 40 W

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4344

No b l e s s e

L i b e r t i n

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45 BL 5240/00/002 Aged Brw Pat Full Lead Cry Standard � 45 i62 � 18 i24 2x 40 W

46 WL 5240/00/002 Aged Brw Pat Full Lead Cry Standard fp39 i34 o21 fp15 i13 o8 2x 40 W

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47 AL 5240/00/008 Aged Brw Pat Full Lead Cry Standard � 73 i62 � 29 i24 8x 40 W

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L i b e r t i n

B o h e m e

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48 AL 5194/01/004 Brown Satin Full Lead Cry No Trim � 64 i65 � 25 i26 4x 40 W

49 WL 5194/01/002 Brown Satin Full Lead Cry No Trim fp39 i36 o21 fp15 i14 o8 2x 40 W

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50 AL 5194/01/007 Brown Satin Full Lead Cry No Trim � 75 i75 � 30 i30 7x 40 W

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B o h e m e

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B o h e m i a n C l a s s i c

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J e s t e dA mountain in Northern Bohemia, in the region that made Bohemia world-famous for the art of its glassmakers. It dominates the stately ranges, a virginforest reserve and picturesque nature. The Je‰tûd family lighting fixturesare a crystal showcase of grandeur. They appear to be looking down fromthe canopy of the heavens. They embody the intactness of nature andsparkling snow covering mountain peaks.

D e s n aThe Desna is a small river in the Jizerské Mountains and a small glassmakingtown of the same name in Northern Bohemia. It is another of several places thathave been shaping the great history of Bohemian glassmaking, thus making theglass from Bohemia, a national and global phenomenon. It has acquired the stylecreated equally by mind, heart, hands and the skills of people and outstandingmaterial. The family of Desna fixtures affirms all of these features to a full degree.

Tu r n ovA town in Northern Bohemia celebrated for semi-precious stonesprocessing. In Turnov, the art of cutting glass stones developed in the early18th century. The Bohemian crystal was born then and molten glassproved to have properties outclassing those of natural mountain crystal.The art of crystal cutting spread quickly within all the region of Jablonecand laid foundations for the excellent reputation the Preciosa masters ofcrystal have maintained to the present day. The Turnov fixtures are a perfectshowcase of the refined shape and mastery of crystal cutting.

J a b l o n e cA town in Northern Bohemia situated at the foot of the Jizerské Mountains,surrounded with beautiful scenery. This is the setting of the world headquartersof the Preciosa Company. Centuries ago, during a foray of enemies, the townwas plundered and burnt down. Those who survived left to find a safer placeto live. When they came back after several years, they saw a sign of new life,an apple tree blooming amidst the site of the fire on the ruins. The fruits thetree yielded in the late summer brought life back to the place. People gratefullyaccepted the apple tree as a part of the municipal coat of arms and namedthe town Jablonec (the 'apple' town). The lighting fixtures of the Jablonec family,abounding with rich forms and the contents, reflect upon the life-givingpowers and extensive development of this glassmaking town.

K r i s t i a n ovA former important community of glassmakers in the Jizerské Mountains,Northern Bohemia. In the years 1775 - 1887, there were large glassworksand a school. Kristiánov is one of the significant monuments of Bohemianglassmaking. The Kristiánov lighting fixtures arouse admiration. They are aperfect example of harmonic teamwork of many crafts contributing to theperfection of the Preciosa lighting fixtures.

K r a l ov k aA mountain and a lookout tower in Northern Bohemia over the town of Jablonecnad Nisou where the Preciosa Company - the most significant representativeof Bohemian glass-making - is based. Královka is a Czech word derived from'královsk˘' (royal) and the Královka fixtures are worthy of the royal name.Uniqueness of the shape, nobility of the design and wealth of crystal elementsput the Královka fixtures very high indeed in the hierarchy of prestige.

B r a m b e rkOne of the peaks of the Jizerské Mountains in Northern Bohemia. Anintegral part of a unique virgin forest park and of the region of glassmakerswhere moors and marshes mingle with silky meadows and the waters ofdams and lakes are gleaming in the bosom of the hills. The Bramberklighting fixtures remind us of the crystal purity of nature and of the varietyof the Jizerské Mountains scenery.

P r a h aThe capital of the Czech Republic, the mother of Bohemian towns. One ofthe most frequently visited, most admired tourist destinations in the world wasborn thanks to the skills and work of the best hands and brains and is aptlydescribed as one of the most beautiful European cities. It has always beenan ideational and cultural crossroad of European events. The Praha collectioncontains the best elements of Prague's unique architecture. It reflects the glareof hundreds of Prague towers and spires, the nobility of the halls of PragueCastle, and dozens of unique Prague palaces.

S l ova n k aThe oldest metal lookout tower not only in the glassmakers region but alsoin all of Bohemia. Built on a hill of the same name, it is 11 m high and it wasbought at an exhibition in Vienna and installed in its place in 1887. Eventhen, our cut glass fixtures, similar to the one called Slovanka, decorated manyinteriors of monarchs across Europe.

S e n ovKamenick˘ ·enov is a town in Nor thern Bohemia. In 1724, themanufacturing of crystal chandeliers started up there. During the 300-year history of their existence, the chandeliers have found their way tothe entire world. The Senov lighting fixtures are dignified representativesof the cradle of Bohemian chandeliers. The best of history and moderntimes are combined in them.

B l a n í kA mystic mountain that is surrounded with many legends of knightssleeping inside of it. The knights are believed to wake up and ride out fromthe mountain on horsebacks when Bohemia sees its worst moment.The Blaník lighting fixtures are a contemporary reflection of the knightlyhalls in Czech castles and châteaux. It is an honor to the most challengingprestigious interiors and buildings.

J a n ovA village in Northern Bohemia situated in the Bílá Nisa river valley.Founded around 1630, it has always been noted for its excellentglassmaking history and presence. At M‰eno, a nearby community,glassworks were started as early as 1548. The excellence of the Janovlighting fixtures resulted from the centuries-old development of the art ofBohemian glassmaking.

N i s aThe Nisa River is one of the major rivers of the Jizerské Mountains in NorthernBohemia. The river and its tributaries played a very important part in thedevelopment of glass-making in Northern Bohemia. The limpidity of themountain rivers and brooks is reflected in the crystal shimmer and glow ofthe Nisa lighting fixtures.

L i b e re cA town in Northern Bohemia, situated at the foot of Mount Je‰tûd is an industrial,commercial and cultural center of Northern Bohemia, the region that madeall the country famous thanks to its history of glassmaking and arts. A greatvariety of forms and goblet-shaped light fixtures add a very festive anddominating touch to the Liberec fixtures.

J i z e r aA mountain in Northern Bohemia, after which the Jizerské Mountainswere named, dominates the Virgin Forest Jizera Protected Area and alsothe glassmakers' communities, villages, and towns in which Bohemiancrystal began to be made centuries ago. The Jizerské Mountains in particulargave people wood and fire to operate the furnaces at glassworks. The Jizeralighting fixtures carry a reflection of nature that has stood an age-longwitness to the origin of the crystal perfection and the world reputation ofBohemian glass and chandeliers.

A r i aThe Aria lighting fixtures come from a world of perfect harmony. From thevery beginning of their existence in the first half of the 16th century, thelighting fixtures from Bohemia were created through the harmoniousaccord of many crafts and became the ornaments of the most prestigiousinteriors. They were in tune with music and new ideas. The family of Ariais based on Deco style; it is a contemporary echo of the best traditions ofchandelier making in Bohemia.

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51 AC 5444/00/006 Chromium Full Lead Cry No Trim � 78 i65 � 31 i26 6x 40 W

52 CC 5444/00/003 Chromium Full Lead Cry No Trim � 49 i20 � 19 i8 3x 40 W

53 WC 5444/00/002 Chromium Full Lead Cry No Trim fp50 i43 o26 fp20 i17 o10 2x 40 W

J e s t e dJ e s t e d

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54 AC 5444/00/012 Chromium Full Lead Cry No Trim � 90 i110 � 35 i43 12x 40 W

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J e s t e d

D e s n a

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55 AC 5443/00/012 Chromium Full Lead Cry Premium � 80 i72 � 31 i28 12x 40 W

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57 WC 5443/00/002 Chromium Full Lead Cry Premium fp34 i35 o18 fp13 i14 o7 2x 40 W

58 TC 5443/00/001 Chromium Full Lead Cry No Trim � 13 i28 � 5 i11 1x 40 W

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D e s n a

Tu r n ov

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Tu r n ov

J a b l o n e c

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65 CC 5408/00/012 Chromium Full Lead Cry Premium � 85 i55 � 33 i22 12x 40 W


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68 CC 5408/00/008 Chromium Full Lead Cry Premium � 68 i45 � 27 i18 8x 40 W


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K r i s t i a n ov

K r a l ov k a

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K r a l ov k a

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74 PC 5596/01/004 Chromium Full Lead Cry Premium � 64 i55 � 25 i22 4x 40 W

K r a l ov k aK r a l ov k a

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75 BC 5597/01/003 Chromium Full Lead Cry Premium � 40 i70 � 16 i28 3x 40 W

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B r a m b e rk

B r a m b e rk

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B r a m b e rk

P r a h a

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P r a h a

P r a h a

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83 AC 5367/00/012 Chromium Crystal Standard � 83 i145 � 33 i57 12x 40 W

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S l ova n k a

S e n ov

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S e n ov

B l a n i k

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91 TC 5937/00/001 Chromium Full Lead Cry Premium � 12 i26 � 5 i10 1x 40 W

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J a n ov

N i s a

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92 AC 5999/00/012 24K Gold Full Lead Cry Premium � 62 i77 � 24 i30 12x 40 W

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93 AC 5999/00/006 24K Gold Full Lead Cry Premium � 50 i68 � 20 i27 6x 40 W

94 WC 5999/00/002 24K Gold Full Lead Cry Premium fp35 i34 o22 fp14 i13 o9 2x 40 W

95 TC 5999/00/002 24K Gold Full Lead Cry Premium fp38 i56 o15 fp15 i22 o6 2x 40 W

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96 AC 5143/00/008 Brass Full Lead Cry Premium � 62 i75 � 24 i30 8x 40 W

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99 WC 5496/02/002 Brass Full Lead Cry Premium fp37 i54 o26 fp15 i21 o10 2x 40 W

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A r t D e c o

On the following pages, we are

presenting a unique family of cut glass

fixtures inspired by the Art Deco style.

Art Deco, an artistic style of the 1920's

and 1930's, was influenced by the style

of cubism, futurism and constructivism.

Yet it also adapted certain ideas of

ancient artistic styles of Egypt, Assyria

and Persia. Art deco artists used

stepped forms, round corners and triple-

striped decorative elements. Geometric

preciseness and simple forms are the

typical signs of Art Deco.

The Aria Family, inspired by this artistic

style was initially ordered for our client

from South America. Later, it became

appealing to the customers from the

USA, Europe and Asia. Elegant forms,

precise workmanship and clean lines are

the main assets of this product family.

A r i a

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100 AC 5447/00/004 Matt Brass Crystal/Ruby Traditional � 80 i100 � 31 i39 4x 40 W

101 WC 5447/00/001 Matt Brass Crystal/Ruby Traditional fp16 i42 o24 fp6 i17 o9 1x 40 W

102 TC 5447/00/001 Matt Brass Crystal/Ruby Traditional � 30 i56 � 12 i22 1x 40 W

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103 AC 5447/00/005 Matt Brass Crystal/Ruby Traditional � 109 i111 � 43 i44 5x 40 W

104 TC 5447/00/003 Matt Brass Crystal/Ruby Traditional � 55 i65 � 22 i26 3x 40 W

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M a r i a T h e re s a

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P i c c o l o m i n iCardinal Aeneas Silvio Piccolomini, also known as Pius II, a muchtravelled and educated man born, as early as 1451, an importantwritten testimony of the mastery of glassmakers in Bohemia. “AcrossEurope, no other kingdom may pride itself with so magnificent and somarvelously decorated churches than the Kingdom of Bohemia... Thelight falls down through high and very wide windows of light-coloredglass. And all that may be found not only in large towns but also in villages.”The Piccolomini l ighting f ixtures are amazing due to the lavishdecorativeness and the grandeur of classical style.

V i c o m tThe Vicomt lighting fixtures form a family of the unpretentious eleganceof the estates and of the dispassionate point of view. The nobility of theform, the large number of variations, and the excellence of cut drops andtrimmings make this fixture an outstanding dominant centerpiece ofany prestigious interior in terms of function and decoration.

D u keDukes were always close to the top in the hierarchy of nobility. TheDuke fixtures approximated the highest demands of aesthetics and topquality by their style and perfection of craftsmanship.

B a ro n & B a ro n e s sAlthough the Baron/Baroness fixtures are modern classicist creations,it cannot be denied that the baroque style is the cradle of Bohemianchandeliers as far as their architectural design is concerned. In baroque,every architectural detail was meant to show generous splendor andmagnificence. In the period, chandeliers making had a weakness for theeffects of wealth and picturesqueness. However, in its promise of divineeternity, baroque art actually embraced a strong emotional charge.However, the contemporary concept of the Baron/Baroness lighting fixturesalso lets this element sound very distinctively.

Ro iFrom their very origin in 1724, Bohemian chandeliers represented aroyal fixture. As early as 1751, the chandeliers from Bohemia wereordered for the French royal palace in Versailles, namely for King Louis XV.France dictated fashion in the world then and every monarch in Europewanted to have his or her small Versailles. The brilliance of Bohemianchandeliers became an indispensable accessory in many royal courts acrossEurope. The Roy lighting fixtures are successors to the best traditions ofthe chandelier making in Bohemia

E a rlMany Czech noblemen took credits for the quality of glass from Bohemia.Some of them were Count Clam-Gallas, Count Harrach, or Count Kinsk˘ (theterm 'count' being a continental equivalent to the British 'earl'), whereas thelatter issued special rules for glassmakers within his estate in 1669. Accordingto the rules, every apprentice had to complete 4 years of training. He hadto deposit money in a guild treasure and to give his foremen half a barrel ofbeer. He needed two sponsors who vouched for him and deposited a bailfor the apprentice to guarantee that he would not run away and commit anyoffense. The Earl (Count) fixture is a tribute to all of those who cultivated theeducation and art of Bohemian glassmakers.

L o rdTo own a Lord fixture means to be in a better-class society the commondenominator of which is high aesthetic demands, exquisite taste, andprestige. The Lord fixture is equal to the affiliation to the upper floors of clubsand chambers where decisions of future affairs are made. The Lord fixtureis for those whose requirements for the quality and style of their ambienceare exacting and uncompromising.

C o m t e s s eThe Comtesse fixtures remind us of Archduchess Marie Elisabeth. In1727, she ordered Bohemian chandeliers for her palace in Brussels. It waseven before Bohemia chandeliers appeared in Paris, in the center of theworld and European fashion, and in Versailles, at the court of Louis XV.Comtesse features style and a detached point of view. It is decorative andfull of dazzling light.

C a rd i n a lCardinals often represented the executive powers of their kings andqueens. Surrounded with the glamour and respect equal to those ofkings and emperors, they were actually in charge of finance, diplomacy,and foreign affairs. Frequently, their powers were beyond the powers ofa monarch. In France, Cardinal Richelieu and Cardinal Mazarin wereliving proofs of it. The Cardinal fixtures combine the sophistication of a cardinaland pretentious grandiosity and power.

P r i n c e s sThe Princess fixtures represent a faint reminder of the year of 1765when a royal commissar of French King Louis XV ordered Bohemianchandeliers for the rooms of royal daughters in the chateau of Marly. ThePrincess fixtures float gently as if dancing. There is an amount of whimsicalflirting and light-hearted skittish touch in their design.

P r i n c eIn 1688, Prince Eggenberg awarded the serfs at his estate in Bohemiaprivileges according to which they were allowed to make glass, brew,lumber and burn the wood to heat glassworks and their houses. Also,the glassworks were exempted from the obligation to quarter troops. Theglassmakers and glassworks were given privileges that made glass-making development in Bohemia possible and opened a way for glassproducts and chandeliers to be exported to the world. The family of Princereminds us of the historical privileges and of the modern, contemporaryprivilege of those who want to differ from what is common.

P i c c o l o m i n i I .

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105 AM 5311/00/037 Gold Colour Full Lead Cry Premium � 120 i120 � 47 i47 36x 40 W + 1x 60 W

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107 WM 5311/00/003 Gold Colour Full Lead Cry Premium fp30 i38 o22 fp12 i15 o8 3x 40 W

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123 AM 5300/00/011 Gold Colour Full Lead Cry Premium � 65 i64 � 26 i25 10x 40 + 1x 60 W


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126 FM 5300/00/010 Gold Colour Full Lead Cry Premium � 63 i163 � 25 i64 10x 40 W

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129 AM 5710/01/013 Gold Colour Crystal Frost Premium � 85 i69 � 33 i27 12x 40 W + 1x 60 W

130 WM 5710/01/001 Gold Colour Crystal Frost Premium fp13 i36 o25 fp5 i14 o10 1x 40 W

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131 AM 5235/00/018 Gold Colour Full Lead Cry Premium � 112 i86 � 44 i34 18x 40 W


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133 AM 5235/00/018 Silver Colour Full Lead Cry Premium � 112 i86 � 44 i34 18x 40 W

134 WM 5235/00/002 Silver Colour Full Lead Cry Premium fp30 i27 o23 fp12 i11 o9 2x 40 W

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145 CM 5014/00/008 Gold Colour Full Lead Cry Premium � 70 i39 � 28 i15 8x 40 W



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E n a m e l Ro m a n c e104

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B a l l a d eThe ballade is a form of French medieval romantic songs and also a formof lyric poetry with a given number of rhymes, composed of threestrophes of equal length and a closing, half-a-strophe message. In the 15th

century, Francois Villon developed the form to brilliant perfection. TheBallade collection has much in common with the form of songs and poems.Its atmosphere is lyrical and poetic and it is masterly crafted by thehands of Bohemian glassmakers.

S o n n etThe rhythmical pattern of sonnets has its own order. It is a poem of fourteenlines divided in two four-line and two three-line stanzas. The rhyminglines in each stanza are the first and third and the second and fourth.The sonnet was made famous and popular by great artists, such as Petrarca,Shakespeare, or Michelangelo. The table lamps from the Sonnet familyhave their order of composition set by the craftsmanship, fantasy andcreative discipline of Bohemian glassmakers.

Ro m a n et oRomaneto (a mystery story) is a prosaic genre, specific to the Czech literature.Ingeniously elaborated or even fantastic story forms the basis of a storywhere one episode after another is unveiled until the final point. A storyof this kind may be unveiled in the Romaneto family of fixtures if one focuseson the detailed treatment of components included.

E p o sEpos is a voluminous epic format written in verses characterized witha slow flow of action and numerous episodes. The 300-year longhistory of manufacturing lighting fixtures in Bohemia, their making theirways to palaces and dwellings over the world, can also be traced in theEpos fixtures. They radiate with style and the classical nostalgia of thepast centuries and the diversity of the dynamic present times.

Po e m eThe Poeme fixture is a piece of poetry on the play of light and shade andon the colors of the rainbow that the light in Bohemian cut glass can conjure.The Poeme fixture is a short poem of creativity, work of hands, sense andheart. Only the combination of all the three elements may give rise to a fixtureso graceful and romantic, to the Poeme.

O d eA lyrical poem, originally sung when performed. It was Pindar, a Greekpoet, who first used the form of the ode to glamorise heroes of Greek drama.The noble and dignified style of his odes is also the characteristic featureof this family of enamel lighting fixtures.

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150 AE 5001/00/006 Brass Li Gre + Cry Standard � 62 i63 � 24 i25 6x 40 W

151 WE 5001/00/003 Brass Li Gre + Cry Standard fp33 i26 o23 fp13 i10 o9 3x 40 W

B a l l a d eB a l l a d e

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152 AE 5007/00/016 Brass Li Gre/Opal + Cry Premium � 100 i75 � 39 i30 16x 40 W

153 WE 5007/00/003 Brass Li Gre/Opal + Cry Premium fp35 i40 o27 fp14 i16 o11 3x 40 W

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154 TE 5010/00/001 Brass Carmine No Trim � 27 i32 � 11 i13 1x 60 W

155 TE 5010/00/001 Brass Blue Cobalt No Trim � 27 i32 � 11 i13 1x 60 W

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156 AE 5021/00/008 Brass Opal + Cry Premium � 70 i58 � 28 i23 8x 40 W

157 WE 5021/00/002 Brass Opal + Cry Premium fp32 i32 o19 fp13 i13 o7 2x 40 W

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Ro m a n et o

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158 AE 5200/00/012 Brass Ruby + Cry Premium � 78 i77 � 31 i30 12x 40 W

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159 AE 5200/00/006 Brass Ruby + Cry Premium � 63 i60 � 25 i24 6x 40 W

160 WE 5200/00/002 Brass Ruby + Cry Premium fp33 i34 o18 fp13 i13 o7 2x 40 W

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161 AE 5201/00/012 Brass Sky Blue + Cry Premium � 77 i84 � 30 i33 12x 40 W

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162 AE 5201/00/006 Brass Sky Blue + Cry Premium � 60 i62 � 24 i24 6x 40 W

163 WE 5201/00/002 Brass Sky Blue + Cry Premium fp33 i30 o20 fp13 i12 o8 2x 40 W

O d e

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L o u v reOnce a residence of the French royalty, today a world-famous museum. Inthe Middle Ages, the palaces and gardens of Louvre became a paragonto any royal court in Europe. In the first half of the 18th century, it was thecourt of Louis XV. where deliveries of the first lighting fixtures from Bohemiawere directed.

B a by l o nThe temples and palaces of Babylon ranked among the most popular andmost attractively built structures of the ancient civilization. According to anancient legend, people who had spoken only one language until then builta tower in Babylon that was supposed to reach the skies. To frustrate theconstruction work and to smite their vanity and insolence, the Creatorcaused the Babel, the confusion of tongues. The Babylon fixtures speak withoutwords, using the language of the art of manufacturing details of metal andglass, the language understandable to people all over the world.

E s c o r i a lThe palace in Spain that is called the eighth wonder of the world and the pantheonof the Spanish royalty. When building the Escorial, Phillip II, the King of Spain,preferred the austere style of the architecture of the palace, which he had decoratedwith remarkable works of art. Thus a visit to the Escorial is actually a visit toa gallery of arts. The Escorial fixtures would undoubtedly fit in such a gallery.

A l h a m b r aThe palace and the citadel of the Moorish monarchs of Granada, Spain. Thepalace is a maze of rooms, inner courtyards and gardens running into all sides.No other similar building can compare to Alhambra in terms of the wealthof decorations and splendour. Light and water were employed as essentialelements of its structural composition. Bohemian chandeliers have a lot in commonwith those elements indeed.

Wa l d o r fA luxury hotel in New York of outstanding renown and global popularity, builtin the 1930's and featuring distinctive deco elements. A hotel with 2,000rooms that provides its services to presidents and kings, numerous celebritiesand that has been a venue of notable social events. The interiors of the hotelare decorated with casting chandeliers from Bohemia.

Pa r t h e n o nParthenon is the most perfect construction of the ancient art and itremains impressive as a ruin too. It was consecrated to Goddess Athenaand it provides an excellent example of ancient architecture. In its time, itwas not only a temple but also a gallery of arts, a perfect frame fornumerous statues. It is a piece of art that Bohemian chandeliers would certainlyget on well with.

V y s e h r a dThanks to its history, old myths and legends, Vysehrad won a reputationin the heart of Czech history, as the cradle of the Czech state, the ancestorof Prague Castle, the place where the Czech princes had their thrones andwhere the prophecy and prediction of the future fame of Prague was born.The location of Vysehrad is truly magnificent. It is towering on a high rockover the Vltava River, surrounded by strong ramparts. The Vysehrad castinglamps represent the grandeur of history and the sparkles of contemporarylife swinging behind the Vysehrad ramparts.

Pa l a t i nA hill that relates to the foundation of Rome. A legend says that it was in thisplace in particular where a wolf brought up Romulus and Remus in a cave.Palatin is a place of interesting architecture. Several notable Romans had theirhomes there. Cicero, a great orator, or Catullus, a poet, had their houses there.It is also the place of Emperor Augustus' birth.

Wa l e n s t e i nAlbrecht von Wallenstein, an imperial generalissimo, commissioned the firstand the largest baroque palace built in Prague. The huge complex of palacesaccommodates gardens, courtyards, salla terrena, a riding school, stables, andbarracks, which were an indispensable facility for a military commander ofthe time. The perimeter of the palace site is nearly three quarters of a kilometerlong. Bohemia crystal and casting chandeliers contribute to the beauty of splendidinteriors with ceiling paintings and lavish stucco decorations.

C a p i t o lOne of the Seven Hills of Rome on which the temples, palaces, and historicalbuildings are situated. Once a cult symbol of ancient Rome and the symbolof its power. The words 'caput mundi', the head of the world and 'capital' arederived from Capitol. The municipal council of Rome still meets for itssessions in the Renaissance splendor of Palazza Senatorio.

Pet ro d vo re cThe palace of Russian tsars in Saint Petersburg developed by Peter theGreat with an ambition to surpass the palace of Versailles. The parkoccupying an area of 21 hectares around the palace offers a collectionof fountains and waterworks. Its giant fountains used to consume 34,000liters of water per second. A Russian tsarina made a decision to adorn theinteriors of her palace and in 1756 she ordered chandeliers from Bohemia.

W i n d s o rWindsor Castle has been a country residence for the English royalty almostfor nine centuries. Queen Victoria is buried near Windsor. Her name isconnected with the development of glassmaking in Northern Bohemia ina very significant manner. On the occasion of her death the Czech glassmakersdelivered black glass jewellery to the English court, which became anofficial mourning adornment not only in England but also at several royal courtsof the Europe of those times. The black jewellery thus opened the doors toEngland for other glassware from Bohemia, crystal, and casting chandeliersas well. They became important accessories in many prestigious interiorson the British Isles.

M a rl yThe Chateau of Marly, an abode of royal daughters, is another place inFrance where Bohemian chandeliers arrived during the reign of Louis XV. in1760. Another delivery of chandeliers, for Madame Adelaide de Francethan, was dispatched to Marly in 1756.

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164 AR 5233/00/012 Ant Gold Pat Blue Cobalt No Trim � 70 i80 � 28 i31 12x 40 W

165 WR 5233/00/002 Ant Gold Pat Blue Cobalt No Trim fp31 i33 o22 fp12 i13 o9 2x 40 W

166 TR 5233/00/001 Ant Gold Pat Blue Cobalt No Trim � 46 i71 � 18 i28 1x 60 W

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167 AR 5233/00/012 Ant Gold Pat Opal No Trim � 70 i80 � 28 i31 12x 40 W

168 WR 5233/00/002 Ant Gold Pat Opal No Trim fp31 i33 o22 fp12 i13 o9 2x 40 W

169 TR 5233/00/001 Ant Gold Pat Opal No Trim � 46 i71 � 18 i28 1x 60 W

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170 AR 5003/02/010 Ant Gold Pat Crystal Frost No Trim � 75 i86 � 30 i34 10x 40 W

171 WR 5003/02/002 Ant Gold Pat No Glass Parts No Trim fp28 i18 o17 fp11 i7 o7 2x 40 W

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172 AR 5144/00/012 Ant Gold Pat +Ylw Gre No Glass Parts No Trim � 87 i83 � 34 i33 12x 40 W

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173 PR 5028/01/012 Ant Gold Pat Crystal Frost No Trim � 132 i122 � 52 i48 12x 60 W

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174 AR 5106/02/010 Ant Gold Pat Crystal No Trim � 67 i83 � 26 i33 10x 40 W

175 WR 5106/02/002 Ant Gold Pat Crystal No Trim fp30 i34 o28 fp12 i13 o11 2x 40 W

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176 FR 5345/00/008 Ant Gold Pat No Glass Parts Premium � 62 i165 � 24 i65 8x 40 W

177 FR 5014/01/008 Ant Gold Pat No Glass Parts Premium � 63 i163 � 25 i64 8x 40 W

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178 AR 5345/00/024 Ant Gold Pat No Glass Parts Premium � 116 i110 � 46 i43 24x 40 W

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AS 5219 / 00 / 012� � � � �

� SortA - Arm Type ChandeliersW - Wall BracketsT - Table LampsC - Ceiling ChandeliersB - Basket Type ChandeliersP - Pendant Type ChandeliersF - Floor Lamps

� CategoryS - Crystal SymphonyL - Light EleganceC - Bohemian ClassicM - Maria TheresaE - Enamel RomanceR - Royal Heritage

� Type number

� Variant

� Number of sources of light

THE EXAMPLE OF NUMBERING

Manufacturer reserves the right to effect minor design changes to i ts products.

24K Gold 24K Gold PlatedPart 24K Gold Partly 24K Gold PlatedBrass Polished BrassAnt Gold Pat Antique Gold PatinaYlw Gre Yellow green ColourAged Brw Pat Aged Brown PatinaCrystal Frost Crystal FrostedLi Gre Lime GreenBlue Cob Blue CobaltAmb Amber

Lighting fixtures with the

Premium quality chandelier

trimmings are marked

in the catalogue with the

following symbol.

142

PRECIOSA CUSTOMER CENTRE Opletalova 3197466 67 Jablonec nad NisouCzech RepublicTel. : +420 488 115 555Fax: +420 488 115 665E-mai l : [email protected]

PRECIOSA WORLDWIDE :

PRECIOSA INT'L (HK) LTD.Unit 1206 Cheval ier Commercia l Centre,8 Wang Hoi Road, Kowloon BayHong KongTel. : +852 2753 9595Fax: +852 2753 9997E-mai l : [email protected]

PRECIOSA (SG) PTE. LTD.51 Goldhi l l P laza #08-08/09

Singapore 308900Tel. : +65 6254 4465Fax: +65 6254 4495E-mai l : [email protected]

PRECIOSA INTERNATIONAL, INC.2316 Wehrle Dr iveWil l iamsvi l le, NY 14221U.S.ATel. : + 1 ( 716) 626 9759Fax: + 1 ( 716) 626 9758E-mai l : [email protected]

PRECIOSA GULF, FZEJebel Al i Free Zone, P.O.Box 16894 DubaiU.A.E.Tel. : + 971 48 838 473Fax: + 971 48 837 913E-mai l : sales@gulf .preciosa.com

PRECIOSA INTERNATIONAL, s.r.o.Kalvínske námestie 2, 934 01 LeviceSlovak RepublicTel. : + 421 36 622 41 24Fax: + 421 36 622 41 24E-mai l : [email protected]

PRECIOSA CENTR, A. O.Office 150, Entr. 74th Tverskaya - Yamskaya Str. , 33/39125047 MoscowRussiaTel. /Fax: +7 095 961 31 07

+7 095 961 31 08E-mai l : [email protected]

© PRECIOSA - LUSTRY, a.s. , December 2004

Photos: Fi l ip ·lapal, Jan J. DvofiákDesign: Studio GD, s.r.o.

www.preciosa.com

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