2
Special Instructions HJ Template MICS21101L  ©2010 Herff Jon es, Inc., All Rights Reserved Even Page 9 122 duPont Manual High School Job # School 10617 Black Ink Includes Spot Color(s) Process 4-Color (CMYK) X WORK ORDER  MAC WIN PM CS CS2 CS4 ePro Pro OLP FOR PLANT USE Con QPP HJT Pr ep Pl ac e Pr oo f  20 HJ Template Special Instructions Odd Page 9 123 duPont Manual High School Job # School 10617 MICS21101R  ©2010 Herff Jon es, Inc., All Rights Reserved Black Ink Includes Spot Color(s) Process 4-Color (CMYK) X WORK ORDER  MAC WIN PM CS CS2 CS4 ePro Pro OLP FOR PLANT USE Con QPP HJT Pr ep Pl ac e Pr oo f  20 Academics • Band 123 “Band is a very competitive magnet, that’s one thing I don’t like about it—but I guess it makes me a better musician.” Sara Aquadro (12) eigh Perdue (12) braced herself for an emotional performance. She would be playing a piece devoted to a recently deceased teacher, and containing her feelings was a difcult process. “I just built up a wall so I would be able to numb my feelings and not get upset while playing the pieces,” Perdue said. A night usually based on music and holidays took a serious turn during the emotional tribute to Mr. Clint Vaught, a teacher to whom Perdue and many other students had been close with. The band holiday concert on Dec. 6 featured renditions of “La Vita,” “Elegy, ” and “Celebration s” that were dedicated to the life of Mr. Vaught. He had taught Oral Communica tions and Debate and was a longtime teacher at the Youth Performing Arts School. Anticipating sorrow, many members of the production like Perdue prepared themselves emotionally for the performance. Band director Mr. Curtis Essig listened to the students play the music at least seven times in a row in hopes that he wouldn’t be emotional during the actual performance. “When I rst found out about the tribute I thought it was a horrible idea. I didn’t think I’d be able to get through it but when I nally got on stage I was so happy to be able to dedicate my performance to him,” Perdue said. The performance moved Mr. Vaught’s friends and students, and shared feelings of loss and his memory with those who were not close to him. “I’d never really gotten to know him, but I was inspired by how my friends talked about him, and it made me feel passionate about what I was playing, and it made me appreciate it,” Karen Moya (10) said. In the end, there weren’t many dry eyes left in the audience. “The music described him as if he was the song. He deserved the tribute, being such an inspirational person and all the things he did for kids,” Noelle Greenwell (9) said. For percussion ensemble students, the year involved more than just standard high school pieces; percussionists played a piece commissioned specically for the band by Dr. David Maslanka, a professional composer. “It makes me feel really honored,” Garrett Oberst (12) said. “He normally writes for college ensembles and he said this will denitely be a college level piece. It makes me feel proud that our name will always be on that piece of music.” Photo by Christa Iwu In addition to studying for nal exams, band students had to be prepared for convos—short forconvocations—which tested their playing ability. For her December convo, utist Loren Been (11) decided to do something unusual: having her father be her accompanist. The decision had a positive impact on Been’s performance. “Usually we have a piano teacher play along with us, but with having my dad there it made me feel more comfortable when I actually played my piece for a grade,” she said. Photo by Seth Fischer 1.A PLEASINGPERFOR MANCE Playingtheclarinet,ChristopherZhou(9)performsa featuredsoloforthe Mr.ClintVaughttribute. Eventhough Zhoudidnot havetieswith Vaught,hewantedto puton aperformancethatwouldhave madeVaughtproud. “Perfo rmingisabout pleasingtheaudience andthat ’swhatItrytodo,”Zhousaid .2.SYMPHONICSOLOIST •Feelingboth honoredandanxioustohave gottenasolo, AmanBabbarwal(12 ) playstheclarinet.“I feltlikeI wasundera littlebitof pressur eto makeitperfectbut Ijust leteverythinggo andplaythroughmy emotions, ”Babbarwalsaid. 3.FIRSTCHAIR FRESHMAN•FlutistBiweiChen(9) playsduringthe Mr.ClintVaughttribute.She wassurprisedwhenshe wasselectedas rstchair uti st,andshewaslate rchosentopla ya solointhetrib ute.“Hav ingasolohasmadememor econde ntinmyplayingan dtaughtmetoexpr essmy feelingsthroughmyloveof music,”Chensaid.4.BOLDBASSOONIST •Focusingon themusic,Collin Boldin(9)practicesthebassoonin prepar ation fortheconcert. “Istartedplayingthe bassoonformymiddleschoolband. Theteacherneededa bassoonistandIthought itwas acool instrumen tthat nota lotof peopleplayed.I’velovedit everysince,”Boldinsaid.5.A FANTA STICFEATURE •Christop herCusick(12)playsthe trombo neduringthe tributetoMr.Clint Vaught.“My piecewasn’ta partofthe Mr.Vaughttributebut Istillwanted toplaymy personalbest.Forme, that’stryingto notthink abouthowmanypeopleare watchingmeand justmakingmusic,”Cusick said. 6.MUSICMEMORABIL IA•Playingthe saxopho ne,ChianeBoom (9) contribu testo themusic atthe bandholidayconcert.Shelookedto Mr.Vaughtasmotivationwhen playingduringtheconcert. ”Iwas tryingtoremember himthroughmymusic andhis loveforthe artsandused thatto honorhimthroughthe piece,”Boomsaid. PhotosbyMirandaThompson Performance Words by Elizabeth Penava & Lizzie Wiseman•Design by Darby Brown 3 4 6 uets 2 A variety of opportunities led to a variety of musical experiences. Symphonic Band•“We have students from all different grades and magnets in symphonic band so it’s awesome how it brings us all together to play challenging music that ’s still super fun to perform. It’s a feeling of connectedness through the music that we love to play.” Allison Fitzmaurice (11) Wind Ensemble•“This year we’re playing Barnes’s ThirdSymphony that I enjoy, it’s one of my favorites. It was written after his baby daughter had just died. The rst movement is extremely sad and emotional, but later he had a son so the fourth movement is sort of a joyous and happier movement. It’s interesting to see the journey he went on in those years.” Michael Metz (10)  Jazz Ensemble•“We improvise and do different styles and combine different sounds...I combine jazz with dancing. I take tap dance. [Jazz] makes me realize different rhythms, different music notes that have helped me gained more skills and technique in tap dancing, which also involves technique and improvisation.” Ibragimartur Chertmanov (10) PercussionEnsemble•“Hearing the Maslanka piece for the rst time almost made me cry. A lot of high schools don’t have the opportunity to do that and to be able to connect with the composer like we are.”  Jacqueline Leachm an (11) Chamber Ensemble•“It makes you a better musician because of how much repertoire you learn in such little time... I think I’ve gotten better at being in an ensemble. Also just stage fright, I’m not nearly as scared to perform a solo in front of people as I used to be.” Rachel Cummings (10)    t     h   e with Dad 5 1 YMPHONIC After a beloved teacher’s passing, band students honored Mr. Clint Vaught in their annual holiday concert.

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Special Instructions

HJTemplate

MICS21101L ©2010 Herff Jones, Inc.,

All Rights ReservedEvenPage

9122

duPont Manual High SchoolJob # School10617

Black Ink Includes Spot Color(s) Process 4-Color (CMYK)

X

WORK ORDER

 

MAC WIN PM CS CS2 CS4 eProPro OLP

FOR PLANT USE Con QPPHJT P re p P la ce P ro of 

20HJ

Template Special Instructions

OddPage

9123

duPont Manual High SchoolJob # School10617

MICS21101R ©2010 Herff Jones, Inc.,

All Rights Reserved

Black Ink Includes Spot Color(s) Process 4-Color (CMYK)

X

WORK ORDER

 MAC WIN PM CS CS2 CS4 eProPro OLP

FOR PLANT USE Con QPPHJT P re p P la ce P ro of 

20

Academics • Band 123

“Band is a very competitive

magnet, that’s one thing I don’t

like about it—but I guess it makes

me a better musician.”

Sara Aquadro (12)

eigh Perdue (12) braced herself for an

emotional performance. She would be

playing a piece devoted to a recently

deceased teacher, and containing her feelings

was a difcult process.

“I just built up a wall so I would be able to numb

my feelings and not get upset while playing the

pieces,” Perdue said.

A night usually based on music and holidays took

a serious turn during the emotional tribute to Mr. Clint

Vaught, a teacher to whom Perdue and many other

students had been close with. The band holiday

concert on Dec. 6 featured renditions of “La Vita,”

“Elegy,” and “Celebrations” that were dedicated

to the life of Mr. Vaught. He had taught Oral

Communications and Debate and was a longtime

teacher at the Youth Performing Arts School.

Anticipating sorrow, many members of the

production like Perdue prepared themselves

emotionally for the performance. Band director Mr.

Curtis Essig listened to the students play the music at

least seven times in a row in hopes that he wouldn’t

be emotional during the actual performance.

“When I rst found out about the tribute I thought

it was a horrible idea. I didn’t think I’d be able to get

through it but when I nally got on stage I was so

happy to be able to dedicate my performance to

him,” Perdue said.

The performance moved Mr. Vaught’s friends and

students, and shared feelings of loss and his memory

with those who were not close to him.

“I’d never really gotten to know him, but I was

inspired by how my friends talked about him, and

it made me feel passionate about what I was

playing, and it made me appreciate it,” Karen

Moya (10) said.

In the end, there weren’t many dry eyes left in

the audience.

“The music described him as if he was the song.

He deserved the tribute, being such an inspirational

person and all the things he did for kids,” Noelle

Greenwell (9) said.

For percussion ensemble students, the

year involved more than just standard

high school pieces; percussionists played

a piece commissioned specically for

the band by Dr. David Maslanka, a

professional composer. “It makes me

feel really honored,” Garrett Oberst (12)

said. “He normally writes for college

ensembles and he said this will denitely

be a college level piece. It makes me feel

proud that our name will always be on

that piece of music.” Photo by Christa Iwu

In addition to studying for nal

exams, band students had to

be prepared for convos—short

for convocations—which

tested their playing ability. For

her December convo, utist

Loren Been (11) decided

to do something unusual: having her father be her

accompanist. The decision had a positive impact

on Been’s performance. “Usually we have a piano

teacher play along with us, but with having my

dad there it made me feel more comfortable when

I actually played my piece for a grade,” she said.

Photo by Seth Fischer 

1.A PLEASINGPERFORMANCE• Playingtheclarinet,ChristopherZhou(9)performsa featuredsoloforthe Mr.ClintVaughttribute. Eventhough

Zhoudidnot havetieswith Vaught,hewantedto puton aperformancethatwouldhave madeVaughtproud. “Performingisabout pleasingtheaudience

andthat’swhatItrytodo,”Zhousaid. 2.SYMPHONICSOLOIST•Feelingboth honoredandanxioustohave gottenasolo, AmanBabbarwal(12)playstheclarinet.“I feltlikeI wasundera littlebitof pressureto makeitperfectbut Ijust leteverythinggo andplaythroughmy emotions,”Babbarwalsaid.

3.FIRSTCHAIR FRESHMAN•FlutistBiweiChen(9) playsduringthe Mr.ClintVaughttribute.She wassurprisedwhenshe wasselectedas rstchair

utist,andshewaslaterchosentoplaya solointhetribute.“Havingasolohasmadememorecondentinmyplayingandtaughtmetoexpressmy

feelingsthroughmyloveof music,”Chensaid. 4.BOLDBASSOONIST•Focusingon themusic,Collin Boldin(9)practicesthebassoonin preparation

fortheconcert. “Istartedplayingthe bassoonformymiddleschoolband. Theteacherneededa bassoonistandIthought itwas acool instrumentthat

nota lotof peopleplayed.I’velovedit everysince,”Boldinsaid. 5.A FANTASTICFEATURE•ChristopherCusick(12)playsthe tromboneduringthe

tributetoMr.Clint Vaught.“My piecewasn’ta partofthe Mr.Vaughttributebut Istillwanted toplaymy personalbest.Forme, that’stryingto notthink

abouthowmanypeopleare watchingmeand justmakingmusic,”Cusick said.6.MUSICMEMORABILIA•Playingthe saxophone,ChianeBoom (9)

contributesto themusic atthe bandholidayconcert.Shelookedto Mr.Vaughtasmotivationwhen playingduringtheconcert. ”Iwas tryingtoremember

himthroughmymusic andhis loveforthe artsandused thatto honorhimthroughthe piece,”Boomsaid. PhotosbyMirandaThompson

Performance

Words by Elizabeth Penava & Lizzie

Wiseman•Design by Darby Brown

3

4

6

uets2

A variety of opportunities led to a variety of musical experiences.

Symphonic Band•“We have students from all different grades

and magnets in symphonic band so it’s awesome how it brings us all

together to play challenging music that’s still super fun to perform. It’s

a feeling of connectedness through the music that we love to play.”

Allison Fitzmaurice (11)

Wind Ensemble•“This year we’re playing Barnes’s Third Symphony that I

enjoy, it’s one of my favorites. It was written after his baby daughter had just

died. The rst movement is extremely sad and emotional, but later he had a son

so the fourth movement is sort of a joyous and happier movement. It’s interesting

to see the journey he went on in those years.”

Michael Metz (10)

 Jazz Ensemble•“We improvise and do different styles and combine different

sounds...I combine jazz with dancing. I take tap dance. [Jazz] makes me realize

different rhythms, different music notes that have helped me gained more skills

and technique in tap dancing, which also involves technique and improvisation.”

Ibragimartur Chertmanov (10)

Percussion Ensemble•“Hearing the Maslanka piece for the

rst time almost made me cry. A lot of high schools don’t have the

opportunity to do that and to be able to connect with the composer

like we are.”

 Jacqueline Leachman (11)

Chamber Ensemble•“It makes you a better musician because of how

much repertoire you learn in such little time... I think I’ve gotten better at

being in an ensemble. Also just stage fright, I’m not nearly as scared to

perform a solo in front of people as I used to be.”

Rachel Cummings (10)

   t    h  e

with

Dad

5

1

YMPHONIC After a beloved teacher’s

passing, band students

honored Mr. Clint Vaught in

their annual holiday concert.