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EducationArts and Humanities in Higher
DOI: 10.1177/14740222060676232006; 5; 243Arts and Humanities in Higher Education
Charles Anderson, Kate Day, Ranald Michie and David RollasonEngaging with Historical Source Work: Practices, pedagogy, dialogue
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Engaging with Historical Source Work
Practices, pedagogy, dialogue
charle s ande r son and kate dayUniversity of Edinburgh, UK
with
ranald mich ie and david rollason
University of Durham, UK
abstract
Although primary source work is a major component of undergraduate history
degrees in many countries, the topic of how best to support this work has been
relatively unexplored. This article addresses the pedagogical support of primary
source work by reviewing relevant literature to identify the challenges under-
graduates face in interpreting sources, and examining how in two courses carefully
articulated course design and supportive teaching activities assisted students to
meet these challenges. This fine-grained examination of the courses is framed
within a socio-cultural account of learning. The findings show how a skilful
drawing of students into the interpretive/discursive practices of source analysis
was associated with an epistemological reframing of historical knowledge and
dialogical forms of teaching that helped the students to take forward a dialectical
engagement with sources.The benefits of an integrated approach to source work
that fosters students affective and intellectual engagement with historical inter-
pretive practices are highlighted.
keywords history learning and teaching, interpreting texts, interpretive practices, primarysource work
i n t ro duc t i on
The analys i s of primary sources features prominently in the curricu-
lum of history degrees in many countries.A survey of historical source work
in UK universities by Aldous and Hicks (2001) found that a high level of
[ 2 43 ]
A&H
Arts & Humanities in Higher EducationCopyright 2006, sage publications , London, Thousand Oaks and New Delhi ISSN 1474-0222
vol 5(3) 243263 doi: 10.1177/14740222060676 23
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importance was universally given to undergraduates engagement with
primary sources, which were normally used in teaching in all the years of a
degree. They found much to commend in current teaching within this area,
and identified many pockets of excellent (but contrasting) practice. The
survey also revealed considerable differences in the purposes and expectationsassociated with undergraduate source work, in assessment of this work and
in the criteria used for assessment. While this survey has provided a valuable
overview of historical source work, there is a need for detailed studies of
what makes for effective support of students engagement with primary
sources.
This article examines practice on a first- and a final-year course, and analyses
the elements of course design and pedagogical approach that helped develop
students understanding of, and engagement in, source work. To achieve a fine-
grained analysis of how source work was being pursued in these two contexts
it is necessary to have a clear view of exactly what is involved in interrogat-
ing sources. Accordingly, the literature review that follows delineates key
components of the complex set of interpretive/discursive practices that consti-
tute historical source analysis.
Primary source work and its challenges
prov id ing an expl ic it account of interpret ivepract ice s
Recent writings on the scholarship of teaching in higher education have
focused on the need to assist students in decoding the disciplines (Pace and
Middendorf, 2004: 2). In this vein, David Pace (2004b: 1175) has drawn
attention to how history represents a unique epistemological and methodo-
logical community, whose rules and procedures must be fully understood and
made explicit before we can generate rigorous knowledge about learning and
teaching in our field. As regards the interpretation of primary sources, it isimportant to recognize points of contrast, as well as commonalities, in the
epistemological stance of historians; for there may be differences between
historians in their views both of the truth claims that can be made on the
basis of source interpretation and of the relation of the author of a histori-
cal text to its content. However, there does seem to be broad agreement in
historians general descriptions of theprocess of source analysis, as evinced in
the following statement by Richard Evans (2000: 230): Historians . . . do not
just listen to the evidence, they engage in a dialogue with it, actively interro-
gating it and bringing to bear on it theories and ideas formulated in the
present.
Arts and Humanities in Higher Education 5 (3)
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source analys i s and ep i stemological stance
This understanding of source analysis as a triadic process, involving dynamic
interchange between the historian, texts and framing perspectives brought to
the texts, also emerges from a number of studies that have tracked historians
encounters with specific documents. This body of research has involvedexamining the thought processes of professional historians and students
engaged in interpreting primary sources, allowing comparisons to be made
between the performance of novices and experts. Here, Sam Wineburg
(1991a, 1991b, 1994, 1998; Wineburg and Fournier, 1994) has been a central
figure. Insights from his studies include recognition of differences in the
epistemological stance to reading primary source documents taken by
novices compared to professional historians. Novices read documents as
sources of information and saw their purpose as gathering information, in
contrast to historians much more complex understanding of the nature of
sources in which texts were viewed as social exchanges and central attention
was given to how texts were defined by their authors (Wineburg, 1991b: 510).
For the expert historians, reading sources was a dialectical process of exchange
between the questions taken to texts and the textual materials themselves, and
was taken forward in a very agentic fashion (Wineburg, 1998). A contrasting
position with respect to activity and authority was displayed by novices:
Historians worked through these documents as if they were prosecuting attorneys; they
did not merely listen to testimony but actively drew it out by putting documents side
by side, by locating discrepancies, and by actively questioning sources and delving into
their conscious and unconscious motives. Students, on the other hand, were like jurors,
patiently listening to testimony and questioning themselves about what they heard, but
unable to question witnesses directly or subject them to cross-examination. For students,
the locus of authority was in the text: for historians, it was in the questions they them-
selves formulated about the text. (Wineburg, 1991b: 511)
Historians also proceeded in a self-aware fashion and were tentative
concerning the conclusions they reached, particularly compared to highschool students (Wineburg, 1991a, 1994). An important process engaged in by
historians was the specification of ignorance (Wineburg,1998: 3345), estab-
lishing the limits of their knowledge of certain matters and setting out plans
to address these limitations.
read ing the t e xt, event and sub-texts
As the historians in Wineburgs studies interacted with primary documents
they recursively constructed a model of the events to which these documents
referred and the relationships of the documents to these particular events
(Wineburg, 1994). In addition, historians could be seen to read for subtexts
of hidden and latent meanings (Wineburg, 1991b: 498), treating the text as
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a rhetoricalartifact and a human artifact. When viewing the text as a rhetori-
cal artifact, the focus is on such matters as authors purposes, rhetorical tech-
niques and the representation of the intended audience of a document
(Wineburg, 1994). In using the term human artifact,Wineburg is referring to
how texts frame reality and disclose information about their authors assump-tions, world views and beliefs (Wineburg, 1991b: 499). The initial challenge
for students in reading for these subtexts lies in developing a different concep-
tion of texts. In Wineburgs own words: Before students can see subtexts, they
must first believe they exist (1991b: 510). Reading subtexts would seem to
require that students develop a concern for how sources representan event and
the motives for this representation, combined with an alertness to what
sources may have been designed to do as well as what they tell us.
corroborat io n, sourci ng and contextual izat io n
Wineburg has shown how historians, in their dialectical encounter with a
source and its subtexts, are guided by the general strategies of corroboration,
sourcing, and contextualization. In employing the corroboration heuristic, the
historians proceeded in a disciplined, cautious manner checking important
details against each other before accepting them as plausible or likely
(Wineburg, 1991a: 77). Novices by contrast were not as alert to discrepancies
and the pursuit of corroborating and disconfirming evidence.
Wineburg describes the sourcing heuristic in the following terms: Whenevaluating historical documents, look first to the source or attribution of the
document. Sourcing alerted the historians to questions of authorship and
allowed them to draw on their accumulated knowledge to weigh textual
information and determine its probity (1991a: 79). It also revealed their
implicit epistemological stance towards sources; that is, the manifestation of
a belief system in which texts were defined by their authors (Wineburg,
1991b: 510).
Contextualization, a concern with situating events in a temporal, physical,cultural context, emerged from Wineburgs research as a central matter in
source analysis. This included a developed awareness of the different linguis-
tic as well as social context of an earlier age. His 1998 study, in particular,
demonstrated that this was not simply a matter of placingevents in an appro-
priate setting, but of historians themselves actively creatinga context for their
work of source analysis as they proceeded through the task.
te xtual read and h i stor ical read
These general strategies of document reading were also evident in Leinhardt
and Youngs (1996) study of expert historians engaging with texts, which
brought out clearly the critical role of intertextuality in historians reading
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and their self-aware, minute attention to text qua text (1996: 477). Besides
this close textual read, the historians whom they studied also engaged in a
historical read, that is, they framed their interpretation of sources in terms of
their specialism (for example, economic history) and their global sense of
historical purpose and their theory of history (Leinhardt and Young, 1996:449). The historical read was foregrounded when the historians engaged with
a familiar document; general heuristics, such as those identified by Wineburg,
were more strongly in evidence when they were tackling an unfamiliar
document. The interaction between historians, conceptual/interpretative
frameworks and the sources that Leinhardt and Young observed led them to
characterize historians as extraordinary . . . readers . . . moving iteratively
between documents and their own historical theories about an issue
(Leinhardt and Young, 1996: 441). In taking ahead both the textual and the
historical read historians displayed that they were aware of and monitor
the analytic, interpretive, constructive nature of their historical reasoning
(1996: 479).
content, d i scur s ive and d i sc i p l inary k nowledge
From their close analysis of historians document-reading procedures,
Leinhardt and Young (1996: 474) were able to show how a historians general
document-reading knowledge interacts with his or her topic-specific
expertise. On the theme of the relationship of content knowledge todocument interpretation Young and Leinhardt (1998: 51) found, in a later
study focusing on students writing from primary documents, that one factor
which influenced individuals use of a text was the depth of knowledge the
student brought to it. Other studies (e.g. Greene, 1994a; Stahl et al., 1996)
also draw attention to the question of how the background knowledge that
readers bring to the task informs their analysis of sources. In addition, Rouet
et al. (1996: 479) remind us that domain experts have a deep knowledge of
text structures, and they use this knowledge to build sophisticated readingstrategies. Greene (1994b: 92) notes that three different kinds of knowledge
distinguish between the performances of historians and those of students in
writing and solving problems in history: discourse knowledge, topic
knowledge and disciplinary knowledge. (By disciplinary knowledge he
appears to refer to such matters as the general heuristics identified by
Wineburg.) While this distinction between types of knowledge may be
helpful in drawing attention to the range of learning that students need to
achieve, it can be argued that within the practice of source analysis these types
of knowledge are likely to be indissolubly associated with each other rather
than presenting as discrete elements.
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b ene f i t s o f encounter ing mult i p l e source s
There is strong agreement in the literature on the beneficial effects of
exposing students to a variety of sources within a given task, as a means of
developing their reasoning about, and with, primary texts. For example,
Rouet et al. (1996: 487) suggest that in their study increasing the diversitywithin the document set may have helped the students take into account
discourse features as well as content. Wiley and Voss (1996) point up the
benefits, in terms of more active knowledge transformation and under-
standing, of getting students to write an argument-focused text from a
number of sources. This area of investigation has also exposed some of the
challenges that students may face when engaging with a number of
documents, such as needing to be able to see relevant content and issues in
terms of the range and the center and avoiding the danger of over-
representing one issue or perspective . . . at the cost of underrepresenting
another (Young and Leinhardt, 1998: 53).
writ ing-up source work
Students using multiple sources may be faced with the task not only of
synthesizing information but of giving personal organization to a body of
material and of weaving a robust chain of inference. The creative, pattern-
making aspect of writing from sources is brought out well by Greene in his
investigation of Students as Authors in the Study of History. He describeshow restructuring meaning from primary documents may entail supplying
new organizational patterns not found in the sources, appropriating infor-
mation as evidence to support an argument, and making connections between
prior knowledge and source content to create a novel text (Greene, 1994a:
138). At the same time, students need to gain sufficient mastery over the
rhetorical conventions of historical writing (Greene, 1994a, 1994b; Young and
Leinhardt, 1998). How students view the audience of their writing about
sources is also a crucial matter. Part of Greenes study focused on comparingstudents and historians interpretations of what was involved in writing
reports and problem-based essays. The historians approach to these tasks kept
in central view the fact that their texts would be produced for a wider
discourse community. They recognized a need to take part in ongoing
debates, responding to earlier contributions, justifying their own focus and
using strategies to establish a personal point of view (Greene, 1994a: 1504).
For the students in Greenes study at least, the audience was seen primarily as
the teacher evaluating their work (1994a: 157). Commenting on this striking
contrast, Seixas (1994: 108) draws out a clear recommendation for teaching:
Greenes findings suggest that teachers might significantly improve the quality
of students history writing by providing opportunities (and standards) for
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students to critique each others essays and thus develop a critical historical
community of their own.
support ing students source work
Turning to publications that focus on supporting students source work, thereare a few that provide clear guidelines to undergraduates (Lorence, 1983;
Strickland, 1990; Pace and Pugh, 1996), emphasizing matters such as perspec-
tive-taking, contextualization, genre identification and the encouragement of
an active interpretative stance. A number of valuable accounts of practice in
designing and enabling student source work have also been produced; for
example, by Pace (2004a: 1718) who highlights the clear modelling of inter-
pretive procedures, practice at distinguishing between essential statements of
a thesis and supporting evidence, building motivation, and giving meaning-
ful feedback each week on well-defined actions.
Explicit modelling of historians source analysis also features as one of the
many elements that Holt (1990) addresses in a very full, thoughtful account
of the purposes and practices used to assist students to pursue documentary
work. On his courses, source work serves as a means of challenging and
developing studentsconceptions of the nature of historical knowledge, aiding
them to unlearn what they think history is (1990: 1). Holt foregrounds the
theme of history as the creation of an analytical narrative. Students sense of
history as involving multiple narratives, and the subtle craft involved innarrative construction, was being developed in part by presenting them with
sources written from contrasting viewpoints out of which they themselves
had to fashion a narrative, thereby learning how to ask the right questions of
our documents (1990: 36). Implicit also in Holts account is the care taken
over the choice of individual documents and their positioning at appropriate
points throughout a course to take ahead students historical practice and their
understanding of substantive issues and concepts.
central e l ements o f h i stor ical interpret ive pract ice s
The preceding sections have highlighted how the activities and strategies of
source analysis deployed by historians are bound up with particular ways of
conceptualizing text and intricately linked with the pursuit of wider histori-
cal purposes and theorizing. This close look at historians own practice in
source work has also brought into sharp relief the challenges faced by
students. It would appear that if students are to participate in this interpre-
tive community, to even a modest degree, they need to make progress in:
developing appropriate epistemological framing what is a source?
employing an active, questioning stance
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acquiring requisite background knowledge
taking relevant and generative questions to sources
applying general heuristics of sourcing, corroboration, contextualization
reading between sources
reading subtexts rhetorical form and structure, alertness to intendedaudience of a source, authors intentions, world-views
taking ahead meaning construction, synthesis and writing-up source work
in a disciplinary appropriate fashion.
As Figure 1 indicates, appropriate engagement with sources requires a flexi-
bility of focus of attention as one constructs an increasingly layered under-
standing which draws on resources outside the individual primary text itself.
This requires a dialectical movement between a source, its historical context,
other sources, the secondary literature, and theoretical models. Ideally also thefocus shifts from time to time to a self-aware scrutiny of how the task is
proceeding.
th e i nv e s t i gat i on o f s ou rc e wo r k
Research conducted within the Enhancing TeachingLearning Environments
(ETL) project has allowed us to explore students understanding of what
source work entails and how they were engaging with its challenges. The
project has also given us the opportunity to examine in considerable detail
the support provided for students source work in two course settings, a first-
year and a final-year module. These modules were followed during theacademic years 2002/3 and 2003/4.A detailed description of the learning and
teaching environment of each course has been constructed based on:
Arts and Humanities in Higher Education 5(3)
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f igure 1 Focus of student engagement with sources.
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course documentation
interviews with staff and ongoing discussion with course teams
the administration of two questionnaires to capture student orientations
and approaches to studying and their experiences of the courses
group interviews with students.
A summary description of the approach taken to the analysis of the data
gained by these methods can be found in Anderson and Day (2005).
The courses in which source work was investigated were offered by a large
history department in a long-established university which attracts students
from across the UK. The first-year course was a 20-week module in early
medieval history, in which a strongly thematic and conceptual approach was
taken to the structuring of subject content. It was staffed by three lecturers
and tutors, and featured a total of 19 lectures and 14 seminars. Studentenrolment over the two years of our research was 107 in 2002/3 and 116 in
2003/4. In 2002/3 18 students were interviewed on their experience of this
course and 29 in 2003/4. The final-year course was a year-long special subject
module in modern financial/institutional history, delivered by one member
of staff, in which weekly seminars combined an interactive blend of tutor
input, student presentations and group discussion. It had an enrolment of 16
students in the academic year 2002/3 and 11 in 2003/4. There were 12
students interviewed in 2002/3 and all 11 of the 2003/4 cohort. Additionalcontextual information can be found on the website in the final report on
the history strand of the ETL project (see Anderson and Day, 2006), where
the first-year module is identified as H3F and the final-year module as H3L.
While the quantitative findings derived from the questionnaires that reveal
students positive perceptions of the courses can be found in the final report,
this article focuses on analysing the students talk (during group interviews)
on source work in the context of the two courses.
Framing students engagement with sources in the first-year module
Focusing first on the first-year course, the student interviews showed that
consideration of primary sources was an ongoing element in both lectures
and seminars. This is now a feature of at least a significant minority of first-
year history courses, some of which may indeed require more extended
examination of individual sources than was the case in the module we
examined.What we viewed as distinctive in this course, however, was the care
displayed in the conceptual framing of students engagement with primarysources and the active encouragement of their own voice in interpreting and
debating primary and secondary sources. Interviews with the lecturers on the
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course and review of the course content revealed the strong emphasis that
was placed on careful analysis of evidence and the attention given to intro-
ducing different sources. Indeed, developing students awareness of different
types of source was seen as a key matter. This was accompanied by a wish to
move students away from a simplistic view of what an evidence-basedapproach entails. The lecturers argued that evidence needs to be understood
in relation to particular conceptual frameworks that are developed to allow
the analysis of a historical context. Encouraging students to engage in imag-
inative historical questioning was another important objective. Staff viewed it
as essential that they assist students to build up the habit of reading both
primary and secondary sources in a careful, reflective fashion; and in this a
perceived teaching challenge was to get students to engage with evidence in
sufficient detail rather than superficially noting its limitations.
communicat ing h i stor ical ways of th ink ing
Students accounts during interviews revealed that staff had clearly commu-
nicated to them the need to examine closely the process of argumentation
and interpretation of evidence associated with a historians portrayal of a topic
or event.At the same time students were being introduced to other key aspects
of historical practice. A large body of interview comment indicated that the
lectures and seminars were firmly focusing students attention not only on the
processes of argumentation and interpretation of evidence underpinninghistorical work, but also on:
historians representations of aspects of the period covered by the course
the contested nature of these representations
the provisional nature of knowledge of the period
taking into account differingrepresentations and perspectives
the need to consider the shaping effects of the world-views and socio-
political contexts of historians themselves
engaging with ongoing debates and constructing a personal, defensibleinterpretation.
source s a s s i t e s o f interpretat ion
Students saw primary sources as featuring continuously in the foreground of
the course, describing, for example, how a range of primary sources was
employed within lectures in a way that engaged interest. The use of sources
in lectures, however, cut deeper than the function of providing engaging
illustrations, clearly demonstrating the interrelationship of evidence and
argument:
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. . . its purely the structure of the lectures. And they emphasize, both aspects that are
important are continually so at the end of it, I mean, if you are going to pick up on
the evidence then an argument will be presented: and then a piece of evidence and
another argument and a piece of evidence.And its just reinforcing that which obviously
they deem as important.
Statements by a number of students suggested that they had appreciated the
way the lecturer modelled the interpretation of sources and their use in
historical argument, which had led them to take on board the interconnect-
edness of primary sources and historical argument.
Primary sources were also viewed by students as a central matter of
concern in seminars, and some interviewees pointed up how tutors could
prompt thinking about questions concerning evidence. Students talk about
primary sources revealed that they were assimilating from lectures and
seminars a sense of these sources as sites of interpretation (rather than, say,
viewing them as straightforwardly conveying information). An understanding
of the interrelationship of source and interpretive activity can be seen in the
following extracts.
Interviewer So overall what would you say youve learnt from this module about
evidence and primary sources?
Student A I think more than anything interpretation. Because youve always
realized the importance of evidence . . . Whereas this is more if we
look at this piece of evidence, do we either go this way or that.
Student B I think most of it is just so many different interpretations of every-
thing, of all the different sources weve used. And its just, we have to
evaluate which one is the best.
Statements such as these would seem to indicate the success of the course in
leading students to frame the activity of source analysis in an appropriate
manner, developing their conceptions of historical knowledge.
The experience of the module had also broadened students conceptionsof what might be regarded as a historical source. One interview participant,
for example, talked of how module staff wished students:
Not just to look at the obvious sources that you can, you can draw evidence from
everywhere really: such as like buildings and book, em manuscripts, and like clothing,
yeah everything.And how to use it in a historical argument like in answering a question,
there are going to be different arguments but youve got, were kind of taught to use
the sources to support the arguments.
expec tat ion of engage d , p er sonal inte rpretat ion
All the interviews revealed that staff had communicated a strong expectation
that the students should display an agentic approach to engaging in debates
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about the module topics and in deploying historical reasoning to come up
with personal interpretations of primary and secondary sources. For example:
it encourages you more to argue more through your point of view that, yeah, there can
always be more than one interpretation but, you know,this is my interpretation and this
is why. I really get that from this module.Yeah.
Interviewees also drew attention to the way in which the lecturers active
display of enthusiasm for the subject activated their own engagement with
the task of personal interpretation.
creat ing an engag ing s pace for interpretat ion
Interviewees pointed up the fact that the module not only required active
personal analysis on their part but also gives us the space to handle these
different interpretations. An open, dialogic presentation of differing viewsencouraged students to display initiative in interpretation: . . . because of the
way he is and the nature of the module is sort of quite an open delivering
to you. It does make you want to go there and try and work it out for
yourself . Some students also indicated how the form of interaction and ethos
established in the seminars supported an engaged, exploratory approach to
historical interpretation.
Theres much more in-depth discussion and like everybody in the group is encouraged
to become involved and its a lot more the testing of your own opinions, like the thingsthat you say are actually tested.
The students quoted have given a sense of how interview participants in
general were aligning themselves with, and making some emotional invest-
ment in, the enterprise of active, personal interpretation of historical
questions and sources. However, a small number of students did not view the
project of displaying initiative in interpretation in a positive light. A few
revealed some resistance to it or raised questions about how qualified they
were as first-year undergraduates to take ahead this professional, historicalpractice. The following interviewee, for example, focused on the difficulty of
reaching an independent interpretation of primary sources at first-year level.
I dont know. I dont think Id feel, even if I saw the source, Id still be relying on someone
elses view. I dont feel I know enough yet to say Im going to disagree with all these
historians and make my own point.
By contrast, other students, such as the individual quoted next, concentrated
more on the progress they had made in analysing primary sources.
Yes, I think thats something that weve developed while we were here. So its quite atransition, kind of, from A-level where you rely on other authors to tell you about the
[primary sources], actually take a chance to actually look at them yourself, make judge-
ments on it.
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Joined-up course design in the final-year module
the l ecturer s a im s for student source work
Appropriate framing of source work, a dialogic teaching approach and strong
backing of students interpretive voices also featured prominently in the
final-year course. In our account of this course, attention is focused on how
students intellectual and affective engagement with sources was enabled by
well-articulated course design. The lecturer saw a final-year special subject
module as allowing joint development of the understanding of a specific
topic and aspects of historical practice, with analysis and interpretation of
original source material forming its core. In this particular course on the City
of London, there was a wish not only to deepen students understanding of
the City as a financial institution but also of the ways in which it has been
represented. In unpacking these representations of the City, students need tobe concerned with probing the motives, background and stance of the
authors of a document, and with developing perspective-taking skills that
enable them to decentre themselves and view matters from the very different
positions of particular historical actors. There was also a wish to alert
students to how accounts of an episode may be recast as events unfold, with
some of the sources used allowing attention to be directed to hindsight and
its effects. It was hoped that through their work with primary sources
students would develop the habit of examining an individual document fromdifferently located viewpoints. The students were expected to read a source
for its representation of an event, to reflect on methodological questions
concerning the nature of the evidence it provided, and to consider how it
could be framed within a wider pattern of events or set of processes. To
achieve an analytical reading of a primary text, they were encouraged to take
ahead a close, internal reading of the source, which included a consider-
ation of its status as evidence, and an external reading in which the source
is interpreted against a wider frame of reference. To assist students to develop
these historical practices, considerable attention was given to including avariety of contrasting types of source arranged in a carefully ordered
sequence, with certain of the documents chosen to have a cumulative effect.
In addition, in 20032004 a central thrust in course development was a
concern to align more closely the consideration of primary documents with
relevant secondary sources.
student understand ing of, and engagement with ,
source workOur interviews with the students revealed how they were grappling with the
practices of primary source analysis the lecturer wished to encourage. With
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a clear appreciation of the contested nature of history, the students empha-
sized the need to display an active, questioning stancetowards sources:
Youre always questioning things, rather like a lawyer. So you question why did they
write that? When did they write it? Who helped them? Why was it published? Youre
always asking questions, you dont take things for granted.
The interviews revealed that the students had been socialized into adopting
the stance of prosecuting attorneys (Wineburg, 1991b: 511), and thus were
engaging in a dialectical encounter with sources. Their experience of
analysing documents, and the scaffolding offered on the module, which
involved the marking up of salient concerns, had also given them a more
precise sense of what the interrogation of evidence involved. They appeared
sensitive to the importance of considering the reliability of particular pieces
of evidence, the background of the author(s) and authorial intentions, and
the time and context of production of a source. Some student statements also
revealed that attention was being given to the form of writing of a document
as well as its content.
Contributions which drew attention to the importance of understanding
the kind of mind-set, values of the creators of sources, demonstrated
concern not only with the reliability of the picture that sources give but
also with how sources representan event or issue and the motives for this
representation. In other words, these students were developing alertness towhat sources may have been designed to do as well as what they tell us. In
addition to this recognition of authorial purpose, there were glimpses in the
interviews of consideration being given to the reception of primary
documents by their original audience, to what people thought initially.
Some students comments revealed how developing the habit of critical
analysis of primary sources could possibly encourage a more challenging
approach to secondary material (particularly if this material was related to
primary documents they had interpreted).In summary then, one can see from the interviews how these final-year
students were coming to have a clear appreciation of matters that are identi-
fied as key in the literature. They saw the need to take a questioning stance
towards and have a dialectical engagement with sources, were concerned to
read for subtexts and to apply the general strategies of sourcing and contex-
tualization.Attention was being given to the form of writing of a document
as well as its content, and there was evidence of the development of perspec-
tive-taking skills the ability to decentre themselves and view matters from
the position of particular historical actors. It is also important to note the very
enthusiastic tone in which both cohorts of students we interviewed talked
about source work. They described how the interest engendered by engaging
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with primary sources had increased their enthusiasm for historical work; and
viewed primary source work as involving active, authentic engagement with
practical history.
the contr ibut ion of congruent de s ign and teach ingapproach
Students engagement with source work and understanding of module
content were enabled by the interaction of positive characteristics of the
teachinglearning environment, each of which will now be touched upon in
turn. (These positive characteristics were also very much in evidence within
the first-year course.)
Carefully articulated course design A successful articulation of course
purposes with learning activities led students to perceive coherence between
module purposes, the secondary literature and source activities. The way in
which the choice and sequencing of specific sources contributed to a
coherent course experience is revealed in the following observation:
Also the choice of documents complement each other quite well. Hes chosen high
profile City reports written by members of the Bank of England. It gives us one aspect
of the City of London. Next week it may be written by an anonymous commentator
whos writing a little bit on the City. The different perspectives we gain from the
documents give us a very rounded view of the subject were studying.
In addition, in 20032004 the seminars integrated the study of primary and
secondary sources, and thereby led students towards reading primary and
secondary sources together interactively. Students found this bi-direction[al]
consideration of primary and secondary sources distinctly helpful, providing
them with a context for your critical analysis of the primary material.
Thus, central to achieving the articulation of different course elements was
the investment of considerable time and effort in choosing and sequencing
documents, secondary sources, course materials, and activities, so as to be in
alignment with the main module themes and purposes.
Display of commitment to teaching and subject enthusiasm Careful course
construction and communication were coupled with authentic involvement
in conveying content and historical practice. Students own efforts were
inspired by a display of commitment to teaching, he does care about the
students, and enthusiasm for the subject:
Student And he conveys his kind of like passion for it.
Interviewer Does that rub off?
Student Yeah, I think its definitely, [another student: Yeah] made us more
enthusiastic.
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A teaching approach which provided support and encouraged independence This
active engagement with teaching and the subject was allied to a teaching
approach that achieved a balance between supportive structuring of students
source work and other course activities, and encouraging independence of
judgement on the students part.Its not trying to say read this and youll be OK. Its more suggestions. Hes making you
think for yourself which I find important.There are some modules and youll learn what
they tell you but you wont have a chance to think for yourself. This one you get given
all the information and you construct your own arguments. Youre not told what to
think.
The open teaching approach was viewed by interviewees as enabling their
own efforts to form personal interpretations of historical issues: youre
actually encouraged to take them all on board [i.e. different arguments andpositions] and formulate your own ideas. Thats turned out to be in practice
what youve been able to do.
A supportive group ethos and effective group work The exercise of independ-
ent judgement in source work and other course activities was also encour-
aged by informal interaction and the presence of a supportive and productive
group ethos which was more conducive to discussion. Collaborative sub-
group work on presentations, and engaged group discussion, which involved
the sharing and exploration of different perspectives, promoted the develop-
ment of understanding: Its just a good combination of ideas that you dontrealize when youre reading something. Someone whos reading the same
thing can get [a] different idea. You get a combination of both ideas that
you hadnt thought of but because theres two of you.
Opportunities for continuous feedback and guidance Students appreciated how
the range of feedback received in relation to all course activities, including
but not confined to written work, assisted them in developing their under-
standing of module content and practice in source work. The formative
coursework that was a feature of the module was described as giving astructure that encouraged continuous application of effort and provided
good practice. The formative essays in particular were seen as requiring
interaction with, and reorganization of, knowledge: I think without the
practice, you can go to it, you can read the book, but without the practice.
Actually writing an essay you have to think differently and you have to do
[a] different thing with the things youve got there. Furthermore, supportive
feedback was made available to students very much on an ongoing basis:
You get feedback from the discussions in the seminar. If you give a presentation, hellpick you up on points and say if theyre good points or not so good points. Whether
youre actually inaccurate, whether your interpretation is a good one. Even if youre just
asking questions or providing answers hell comment on these.
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Students comments revealed that a combination of explicit communication
by the lecturer and feedback on formative work had given them a clear sense
of what was expected of them in undertaking the different types of assess-
ment for the module.
p ract i c e s o f s our c e wor k , p e dago g y , d i a l og ue
The literature review in this article has depicted the complex processes that
historians employ in reading primary texts and the challenges that students
face as they begin to grapple with source work. The following pages then
described in detail the ways in which course design, teaching and learning
activities on a first- and a final-year module assisted students to meet these
challenges and fostered affective as well as intellectual engagement with
primary sources. In singling out these two courses for special attention, we
are not suggesting that they should serve as straightforward templates of good
practice. Other examples of effective approaches could be identified; and it
is likely that appropriate introduction of source work requires careful tailoring
of pedagogical actions to individual course contexts to take account of
students backgrounds and the nature of a particular topic domain. At the
same time, certain of thegeneral features of design and teaching approach that
were evident in these two courses are likely to be productive across all settings.
Accounts of learning that have been concerned to situate it in a socio-cultural context have emphasized the need for novices to be aided to gain
sufficient mastery in performing the practices and making appropriate use of
the discursive resources of professional or disciplinary communities (Wells and
Claxton, 2002). Studies on learning from a socio-cultural perspective have also
emphasized the need to focus attention on the norms and social relations of
a community, and how these norms enable or constrain novices participation
in a communitys practices (Wenger, 1998). Applying these insights to higher
education, Northedge (2003: 22) has noted how learning is a process ofbecoming increasingly competent as both:
a user of various specialist discourses;
a participant within the relevant knowledge communities.
In the courses examined in this article students were being skilfully assisted
to make progress on both these fronts. There was a concerted effort to provide
them with a clear account of the purposes and practices that actuate histori-
cal source work. This explicit communication about source work, and the
modelling of the use of sources within historical argument, may be viewed
as creating the grounds on which dialogue about sources, between staff and
students and between students themselves, could proceed. The spirit in which
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this clear exposition and modelling of disciplinary practices was achieved is
worth highlighting. Students indicated that their efforts were energized by
their lecturers display of evident passion for their discipline and commitment
to teaching. On this theme, Wenger has noted how teachers need to
represent their communities of practice in educational settings. This typeof lived authenticity brings into the subject matter the concerns, sense of
purpose, identification, and emotion of participation (Wenger, 1998: 276).
The display of wholehearted engagement of being within the discipline,
and the sharing of its concerns, was accompanied by careful epistemological
and conceptual framing of students understanding of the use of sources
within history. The first-year course did not introduce source work in a
compartmentalized fashion, as a set of discrete skills, but integrated students
encounter with sources within the general purposes and practices of history
as a discipline. This framing of source work within a wider disciplinary
context was helping students to meet the epistemological challenges associ-
ated with the appropriate reading of sources that Wineburg (1991b) has
identified. It included the presentation of primary texts as sites of interpret-
ation. Thus students were encouraged to regard texts as thinking devices
(Lotman, 1988; Wertsch, 1998, 2002) rather than as straightforward sources of
information.Moving to view primary sources as sites of interpretation carried
with it the possibility for students to deploy a more interactive interpretive
stance, a change in position and activity that is captured well in the followingquotation from Wertsch (2002: 161): approaching a text as a thinking device
involves a more dynamic and interactive stance on the part of the individual
employing it. In this case the textual resource is viewed as the starting point
for an active dialogue rather than something to be simply critiqued or
rejected.
Consonant with the encouragement of an active interpretive stance that
involved a dialectical encounter with sources, the expectations, activities and
ethos of both courses were drawing students in to involved participation in thepractice of historical source work. Careful structuring and supportive shaping
of students understanding and actions were balanced by strong encourage-
ment of their own initiative. We have described how interview participants
saw the first-year course as providing the space to handle these different
interpretations and how a large majority were engaging with the enterprise
of active personal interpretation of historical questions and sources. On the
final-year course students were coming to have a clear appreciation of central
matters in source analysis, coupled with a sense that it involved active,
authentic engagement with practical history. Working from the premise that
Barnett and Coate (2005: 110) foreground in their account of higher
education curricula that forms of knowing produce forms of being, one
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could argue that these courses provide students with the opportunity to take
on a specific form of involved interaction with primary texts, secondary
works and peers: to be a particular kind of interpreter.
Understanding of, and engaged participation in, the practices of source
analysis were enabled by carefully crafted course design. We have illustratedfrom the final-year module how a course design and a teaching approach were
achieved that were congruent (McCune and Hounsell, 2005) with the
purposes and processes that were being pursued in source work. Within this
module studentsefforts were also supported by an articulation of the different
elements of the course that made for a coherent learning experience. This
included careful choice and sequencing of the primary sources themselves to
support an evolving understanding of module themes and of source work.
In addition, attention was given to integrating the study of primary and
secondary sources, facilitating the interactive readingof primary and secondary
texts. On both modules, course design congruent with the purposes and
practices of historical source work was allied to a clear conceptual framing of
source analysis and an open, dialogical form of teaching that encouraged
students own voices to emerge. Thus these courses were not only assisting
students to deploy the disciplinary practices of source work but were also
backing students own agency in analysis and interpretation.
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b iog raph ical note s
charle s ander son and kate day are Senior Lecturers in the School ofEducation, University of Edinburgh. Charles Anderson has as a main research
interest the study of talk and texts in educational settings. He shares with Kate Day
both a focus on higher education and particular areas of enquiry including the
teaching and learning of history at university, the experiences of students under-
taking Masters level dissertations and of their supervisors, and the evaluation of
initiatives involving e-learning. Recent joint publications are: Purposive environ-
ments: Engaging students in the values and practices of history (2005, Higher
Education 49: 31943) and Mastering the dissertation: Lecturers representations of
the purposes and processes of Masters level dissertation supervision (2006, Studies
in Higher Education 31: 14968).Address: Higher and Community Education, The
School of Education, The University of Edinburgh, Patersons Land, Holyrood
Road, Edinburgh EH8 8AQ, UK. [email: [email protected]]
ranald m ich ie and david rollason are Professors of History at the
University of Durham, UK.
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