Engaging With Historical Source Work

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    EducationArts and Humanities in Higher

    DOI: 10.1177/14740222060676232006; 5; 243Arts and Humanities in Higher Education

    Charles Anderson, Kate Day, Ranald Michie and David RollasonEngaging with Historical Source Work: Practices, pedagogy, dialogue

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    Engaging with Historical Source Work

    Practices, pedagogy, dialogue

    charle s ande r son and kate dayUniversity of Edinburgh, UK

    with

    ranald mich ie and david rollason

    University of Durham, UK

    abstract

    Although primary source work is a major component of undergraduate history

    degrees in many countries, the topic of how best to support this work has been

    relatively unexplored. This article addresses the pedagogical support of primary

    source work by reviewing relevant literature to identify the challenges under-

    graduates face in interpreting sources, and examining how in two courses carefully

    articulated course design and supportive teaching activities assisted students to

    meet these challenges. This fine-grained examination of the courses is framed

    within a socio-cultural account of learning. The findings show how a skilful

    drawing of students into the interpretive/discursive practices of source analysis

    was associated with an epistemological reframing of historical knowledge and

    dialogical forms of teaching that helped the students to take forward a dialectical

    engagement with sources.The benefits of an integrated approach to source work

    that fosters students affective and intellectual engagement with historical inter-

    pretive practices are highlighted.

    keywords history learning and teaching, interpreting texts, interpretive practices, primarysource work

    i n t ro duc t i on

    The analys i s of primary sources features prominently in the curricu-

    lum of history degrees in many countries.A survey of historical source work

    in UK universities by Aldous and Hicks (2001) found that a high level of

    [ 2 43 ]

    A&H

    Arts & Humanities in Higher EducationCopyright 2006, sage publications , London, Thousand Oaks and New Delhi ISSN 1474-0222

    vol 5(3) 243263 doi: 10.1177/14740222060676 23

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    importance was universally given to undergraduates engagement with

    primary sources, which were normally used in teaching in all the years of a

    degree. They found much to commend in current teaching within this area,

    and identified many pockets of excellent (but contrasting) practice. The

    survey also revealed considerable differences in the purposes and expectationsassociated with undergraduate source work, in assessment of this work and

    in the criteria used for assessment. While this survey has provided a valuable

    overview of historical source work, there is a need for detailed studies of

    what makes for effective support of students engagement with primary

    sources.

    This article examines practice on a first- and a final-year course, and analyses

    the elements of course design and pedagogical approach that helped develop

    students understanding of, and engagement in, source work. To achieve a fine-

    grained analysis of how source work was being pursued in these two contexts

    it is necessary to have a clear view of exactly what is involved in interrogat-

    ing sources. Accordingly, the literature review that follows delineates key

    components of the complex set of interpretive/discursive practices that consti-

    tute historical source analysis.

    Primary source work and its challenges

    prov id ing an expl ic it account of interpret ivepract ice s

    Recent writings on the scholarship of teaching in higher education have

    focused on the need to assist students in decoding the disciplines (Pace and

    Middendorf, 2004: 2). In this vein, David Pace (2004b: 1175) has drawn

    attention to how history represents a unique epistemological and methodo-

    logical community, whose rules and procedures must be fully understood and

    made explicit before we can generate rigorous knowledge about learning and

    teaching in our field. As regards the interpretation of primary sources, it isimportant to recognize points of contrast, as well as commonalities, in the

    epistemological stance of historians; for there may be differences between

    historians in their views both of the truth claims that can be made on the

    basis of source interpretation and of the relation of the author of a histori-

    cal text to its content. However, there does seem to be broad agreement in

    historians general descriptions of theprocess of source analysis, as evinced in

    the following statement by Richard Evans (2000: 230): Historians . . . do not

    just listen to the evidence, they engage in a dialogue with it, actively interro-

    gating it and bringing to bear on it theories and ideas formulated in the

    present.

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    source analys i s and ep i stemological stance

    This understanding of source analysis as a triadic process, involving dynamic

    interchange between the historian, texts and framing perspectives brought to

    the texts, also emerges from a number of studies that have tracked historians

    encounters with specific documents. This body of research has involvedexamining the thought processes of professional historians and students

    engaged in interpreting primary sources, allowing comparisons to be made

    between the performance of novices and experts. Here, Sam Wineburg

    (1991a, 1991b, 1994, 1998; Wineburg and Fournier, 1994) has been a central

    figure. Insights from his studies include recognition of differences in the

    epistemological stance to reading primary source documents taken by

    novices compared to professional historians. Novices read documents as

    sources of information and saw their purpose as gathering information, in

    contrast to historians much more complex understanding of the nature of

    sources in which texts were viewed as social exchanges and central attention

    was given to how texts were defined by their authors (Wineburg, 1991b: 510).

    For the expert historians, reading sources was a dialectical process of exchange

    between the questions taken to texts and the textual materials themselves, and

    was taken forward in a very agentic fashion (Wineburg, 1998). A contrasting

    position with respect to activity and authority was displayed by novices:

    Historians worked through these documents as if they were prosecuting attorneys; they

    did not merely listen to testimony but actively drew it out by putting documents side

    by side, by locating discrepancies, and by actively questioning sources and delving into

    their conscious and unconscious motives. Students, on the other hand, were like jurors,

    patiently listening to testimony and questioning themselves about what they heard, but

    unable to question witnesses directly or subject them to cross-examination. For students,

    the locus of authority was in the text: for historians, it was in the questions they them-

    selves formulated about the text. (Wineburg, 1991b: 511)

    Historians also proceeded in a self-aware fashion and were tentative

    concerning the conclusions they reached, particularly compared to highschool students (Wineburg, 1991a, 1994). An important process engaged in by

    historians was the specification of ignorance (Wineburg,1998: 3345), estab-

    lishing the limits of their knowledge of certain matters and setting out plans

    to address these limitations.

    read ing the t e xt, event and sub-texts

    As the historians in Wineburgs studies interacted with primary documents

    they recursively constructed a model of the events to which these documents

    referred and the relationships of the documents to these particular events

    (Wineburg, 1994). In addition, historians could be seen to read for subtexts

    of hidden and latent meanings (Wineburg, 1991b: 498), treating the text as

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    a rhetoricalartifact and a human artifact. When viewing the text as a rhetori-

    cal artifact, the focus is on such matters as authors purposes, rhetorical tech-

    niques and the representation of the intended audience of a document

    (Wineburg, 1994). In using the term human artifact,Wineburg is referring to

    how texts frame reality and disclose information about their authors assump-tions, world views and beliefs (Wineburg, 1991b: 499). The initial challenge

    for students in reading for these subtexts lies in developing a different concep-

    tion of texts. In Wineburgs own words: Before students can see subtexts, they

    must first believe they exist (1991b: 510). Reading subtexts would seem to

    require that students develop a concern for how sources representan event and

    the motives for this representation, combined with an alertness to what

    sources may have been designed to do as well as what they tell us.

    corroborat io n, sourci ng and contextual izat io n

    Wineburg has shown how historians, in their dialectical encounter with a

    source and its subtexts, are guided by the general strategies of corroboration,

    sourcing, and contextualization. In employing the corroboration heuristic, the

    historians proceeded in a disciplined, cautious manner checking important

    details against each other before accepting them as plausible or likely

    (Wineburg, 1991a: 77). Novices by contrast were not as alert to discrepancies

    and the pursuit of corroborating and disconfirming evidence.

    Wineburg describes the sourcing heuristic in the following terms: Whenevaluating historical documents, look first to the source or attribution of the

    document. Sourcing alerted the historians to questions of authorship and

    allowed them to draw on their accumulated knowledge to weigh textual

    information and determine its probity (1991a: 79). It also revealed their

    implicit epistemological stance towards sources; that is, the manifestation of

    a belief system in which texts were defined by their authors (Wineburg,

    1991b: 510).

    Contextualization, a concern with situating events in a temporal, physical,cultural context, emerged from Wineburgs research as a central matter in

    source analysis. This included a developed awareness of the different linguis-

    tic as well as social context of an earlier age. His 1998 study, in particular,

    demonstrated that this was not simply a matter of placingevents in an appro-

    priate setting, but of historians themselves actively creatinga context for their

    work of source analysis as they proceeded through the task.

    te xtual read and h i stor ical read

    These general strategies of document reading were also evident in Leinhardt

    and Youngs (1996) study of expert historians engaging with texts, which

    brought out clearly the critical role of intertextuality in historians reading

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    and their self-aware, minute attention to text qua text (1996: 477). Besides

    this close textual read, the historians whom they studied also engaged in a

    historical read, that is, they framed their interpretation of sources in terms of

    their specialism (for example, economic history) and their global sense of

    historical purpose and their theory of history (Leinhardt and Young, 1996:449). The historical read was foregrounded when the historians engaged with

    a familiar document; general heuristics, such as those identified by Wineburg,

    were more strongly in evidence when they were tackling an unfamiliar

    document. The interaction between historians, conceptual/interpretative

    frameworks and the sources that Leinhardt and Young observed led them to

    characterize historians as extraordinary . . . readers . . . moving iteratively

    between documents and their own historical theories about an issue

    (Leinhardt and Young, 1996: 441). In taking ahead both the textual and the

    historical read historians displayed that they were aware of and monitor

    the analytic, interpretive, constructive nature of their historical reasoning

    (1996: 479).

    content, d i scur s ive and d i sc i p l inary k nowledge

    From their close analysis of historians document-reading procedures,

    Leinhardt and Young (1996: 474) were able to show how a historians general

    document-reading knowledge interacts with his or her topic-specific

    expertise. On the theme of the relationship of content knowledge todocument interpretation Young and Leinhardt (1998: 51) found, in a later

    study focusing on students writing from primary documents, that one factor

    which influenced individuals use of a text was the depth of knowledge the

    student brought to it. Other studies (e.g. Greene, 1994a; Stahl et al., 1996)

    also draw attention to the question of how the background knowledge that

    readers bring to the task informs their analysis of sources. In addition, Rouet

    et al. (1996: 479) remind us that domain experts have a deep knowledge of

    text structures, and they use this knowledge to build sophisticated readingstrategies. Greene (1994b: 92) notes that three different kinds of knowledge

    distinguish between the performances of historians and those of students in

    writing and solving problems in history: discourse knowledge, topic

    knowledge and disciplinary knowledge. (By disciplinary knowledge he

    appears to refer to such matters as the general heuristics identified by

    Wineburg.) While this distinction between types of knowledge may be

    helpful in drawing attention to the range of learning that students need to

    achieve, it can be argued that within the practice of source analysis these types

    of knowledge are likely to be indissolubly associated with each other rather

    than presenting as discrete elements.

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    b ene f i t s o f encounter ing mult i p l e source s

    There is strong agreement in the literature on the beneficial effects of

    exposing students to a variety of sources within a given task, as a means of

    developing their reasoning about, and with, primary texts. For example,

    Rouet et al. (1996: 487) suggest that in their study increasing the diversitywithin the document set may have helped the students take into account

    discourse features as well as content. Wiley and Voss (1996) point up the

    benefits, in terms of more active knowledge transformation and under-

    standing, of getting students to write an argument-focused text from a

    number of sources. This area of investigation has also exposed some of the

    challenges that students may face when engaging with a number of

    documents, such as needing to be able to see relevant content and issues in

    terms of the range and the center and avoiding the danger of over-

    representing one issue or perspective . . . at the cost of underrepresenting

    another (Young and Leinhardt, 1998: 53).

    writ ing-up source work

    Students using multiple sources may be faced with the task not only of

    synthesizing information but of giving personal organization to a body of

    material and of weaving a robust chain of inference. The creative, pattern-

    making aspect of writing from sources is brought out well by Greene in his

    investigation of Students as Authors in the Study of History. He describeshow restructuring meaning from primary documents may entail supplying

    new organizational patterns not found in the sources, appropriating infor-

    mation as evidence to support an argument, and making connections between

    prior knowledge and source content to create a novel text (Greene, 1994a:

    138). At the same time, students need to gain sufficient mastery over the

    rhetorical conventions of historical writing (Greene, 1994a, 1994b; Young and

    Leinhardt, 1998). How students view the audience of their writing about

    sources is also a crucial matter. Part of Greenes study focused on comparingstudents and historians interpretations of what was involved in writing

    reports and problem-based essays. The historians approach to these tasks kept

    in central view the fact that their texts would be produced for a wider

    discourse community. They recognized a need to take part in ongoing

    debates, responding to earlier contributions, justifying their own focus and

    using strategies to establish a personal point of view (Greene, 1994a: 1504).

    For the students in Greenes study at least, the audience was seen primarily as

    the teacher evaluating their work (1994a: 157). Commenting on this striking

    contrast, Seixas (1994: 108) draws out a clear recommendation for teaching:

    Greenes findings suggest that teachers might significantly improve the quality

    of students history writing by providing opportunities (and standards) for

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    students to critique each others essays and thus develop a critical historical

    community of their own.

    support ing students source work

    Turning to publications that focus on supporting students source work, thereare a few that provide clear guidelines to undergraduates (Lorence, 1983;

    Strickland, 1990; Pace and Pugh, 1996), emphasizing matters such as perspec-

    tive-taking, contextualization, genre identification and the encouragement of

    an active interpretative stance. A number of valuable accounts of practice in

    designing and enabling student source work have also been produced; for

    example, by Pace (2004a: 1718) who highlights the clear modelling of inter-

    pretive procedures, practice at distinguishing between essential statements of

    a thesis and supporting evidence, building motivation, and giving meaning-

    ful feedback each week on well-defined actions.

    Explicit modelling of historians source analysis also features as one of the

    many elements that Holt (1990) addresses in a very full, thoughtful account

    of the purposes and practices used to assist students to pursue documentary

    work. On his courses, source work serves as a means of challenging and

    developing studentsconceptions of the nature of historical knowledge, aiding

    them to unlearn what they think history is (1990: 1). Holt foregrounds the

    theme of history as the creation of an analytical narrative. Students sense of

    history as involving multiple narratives, and the subtle craft involved innarrative construction, was being developed in part by presenting them with

    sources written from contrasting viewpoints out of which they themselves

    had to fashion a narrative, thereby learning how to ask the right questions of

    our documents (1990: 36). Implicit also in Holts account is the care taken

    over the choice of individual documents and their positioning at appropriate

    points throughout a course to take ahead students historical practice and their

    understanding of substantive issues and concepts.

    central e l ements o f h i stor ical interpret ive pract ice s

    The preceding sections have highlighted how the activities and strategies of

    source analysis deployed by historians are bound up with particular ways of

    conceptualizing text and intricately linked with the pursuit of wider histori-

    cal purposes and theorizing. This close look at historians own practice in

    source work has also brought into sharp relief the challenges faced by

    students. It would appear that if students are to participate in this interpre-

    tive community, to even a modest degree, they need to make progress in:

    developing appropriate epistemological framing what is a source?

    employing an active, questioning stance

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    acquiring requisite background knowledge

    taking relevant and generative questions to sources

    applying general heuristics of sourcing, corroboration, contextualization

    reading between sources

    reading subtexts rhetorical form and structure, alertness to intendedaudience of a source, authors intentions, world-views

    taking ahead meaning construction, synthesis and writing-up source work

    in a disciplinary appropriate fashion.

    As Figure 1 indicates, appropriate engagement with sources requires a flexi-

    bility of focus of attention as one constructs an increasingly layered under-

    standing which draws on resources outside the individual primary text itself.

    This requires a dialectical movement between a source, its historical context,

    other sources, the secondary literature, and theoretical models. Ideally also thefocus shifts from time to time to a self-aware scrutiny of how the task is

    proceeding.

    th e i nv e s t i gat i on o f s ou rc e wo r k

    Research conducted within the Enhancing TeachingLearning Environments

    (ETL) project has allowed us to explore students understanding of what

    source work entails and how they were engaging with its challenges. The

    project has also given us the opportunity to examine in considerable detail

    the support provided for students source work in two course settings, a first-

    year and a final-year module. These modules were followed during theacademic years 2002/3 and 2003/4.A detailed description of the learning and

    teaching environment of each course has been constructed based on:

    Arts and Humanities in Higher Education 5(3)

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    f igure 1 Focus of student engagement with sources.

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    course documentation

    interviews with staff and ongoing discussion with course teams

    the administration of two questionnaires to capture student orientations

    and approaches to studying and their experiences of the courses

    group interviews with students.

    A summary description of the approach taken to the analysis of the data

    gained by these methods can be found in Anderson and Day (2005).

    The courses in which source work was investigated were offered by a large

    history department in a long-established university which attracts students

    from across the UK. The first-year course was a 20-week module in early

    medieval history, in which a strongly thematic and conceptual approach was

    taken to the structuring of subject content. It was staffed by three lecturers

    and tutors, and featured a total of 19 lectures and 14 seminars. Studentenrolment over the two years of our research was 107 in 2002/3 and 116 in

    2003/4. In 2002/3 18 students were interviewed on their experience of this

    course and 29 in 2003/4. The final-year course was a year-long special subject

    module in modern financial/institutional history, delivered by one member

    of staff, in which weekly seminars combined an interactive blend of tutor

    input, student presentations and group discussion. It had an enrolment of 16

    students in the academic year 2002/3 and 11 in 2003/4. There were 12

    students interviewed in 2002/3 and all 11 of the 2003/4 cohort. Additionalcontextual information can be found on the website in the final report on

    the history strand of the ETL project (see Anderson and Day, 2006), where

    the first-year module is identified as H3F and the final-year module as H3L.

    While the quantitative findings derived from the questionnaires that reveal

    students positive perceptions of the courses can be found in the final report,

    this article focuses on analysing the students talk (during group interviews)

    on source work in the context of the two courses.

    Framing students engagement with sources in the first-year module

    Focusing first on the first-year course, the student interviews showed that

    consideration of primary sources was an ongoing element in both lectures

    and seminars. This is now a feature of at least a significant minority of first-

    year history courses, some of which may indeed require more extended

    examination of individual sources than was the case in the module we

    examined.What we viewed as distinctive in this course, however, was the care

    displayed in the conceptual framing of students engagement with primarysources and the active encouragement of their own voice in interpreting and

    debating primary and secondary sources. Interviews with the lecturers on the

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    course and review of the course content revealed the strong emphasis that

    was placed on careful analysis of evidence and the attention given to intro-

    ducing different sources. Indeed, developing students awareness of different

    types of source was seen as a key matter. This was accompanied by a wish to

    move students away from a simplistic view of what an evidence-basedapproach entails. The lecturers argued that evidence needs to be understood

    in relation to particular conceptual frameworks that are developed to allow

    the analysis of a historical context. Encouraging students to engage in imag-

    inative historical questioning was another important objective. Staff viewed it

    as essential that they assist students to build up the habit of reading both

    primary and secondary sources in a careful, reflective fashion; and in this a

    perceived teaching challenge was to get students to engage with evidence in

    sufficient detail rather than superficially noting its limitations.

    communicat ing h i stor ical ways of th ink ing

    Students accounts during interviews revealed that staff had clearly commu-

    nicated to them the need to examine closely the process of argumentation

    and interpretation of evidence associated with a historians portrayal of a topic

    or event.At the same time students were being introduced to other key aspects

    of historical practice. A large body of interview comment indicated that the

    lectures and seminars were firmly focusing students attention not only on the

    processes of argumentation and interpretation of evidence underpinninghistorical work, but also on:

    historians representations of aspects of the period covered by the course

    the contested nature of these representations

    the provisional nature of knowledge of the period

    taking into account differingrepresentations and perspectives

    the need to consider the shaping effects of the world-views and socio-

    political contexts of historians themselves

    engaging with ongoing debates and constructing a personal, defensibleinterpretation.

    source s a s s i t e s o f interpretat ion

    Students saw primary sources as featuring continuously in the foreground of

    the course, describing, for example, how a range of primary sources was

    employed within lectures in a way that engaged interest. The use of sources

    in lectures, however, cut deeper than the function of providing engaging

    illustrations, clearly demonstrating the interrelationship of evidence and

    argument:

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    . . . its purely the structure of the lectures. And they emphasize, both aspects that are

    important are continually so at the end of it, I mean, if you are going to pick up on

    the evidence then an argument will be presented: and then a piece of evidence and

    another argument and a piece of evidence.And its just reinforcing that which obviously

    they deem as important.

    Statements by a number of students suggested that they had appreciated the

    way the lecturer modelled the interpretation of sources and their use in

    historical argument, which had led them to take on board the interconnect-

    edness of primary sources and historical argument.

    Primary sources were also viewed by students as a central matter of

    concern in seminars, and some interviewees pointed up how tutors could

    prompt thinking about questions concerning evidence. Students talk about

    primary sources revealed that they were assimilating from lectures and

    seminars a sense of these sources as sites of interpretation (rather than, say,

    viewing them as straightforwardly conveying information). An understanding

    of the interrelationship of source and interpretive activity can be seen in the

    following extracts.

    Interviewer So overall what would you say youve learnt from this module about

    evidence and primary sources?

    Student A I think more than anything interpretation. Because youve always

    realized the importance of evidence . . . Whereas this is more if we

    look at this piece of evidence, do we either go this way or that.

    Student B I think most of it is just so many different interpretations of every-

    thing, of all the different sources weve used. And its just, we have to

    evaluate which one is the best.

    Statements such as these would seem to indicate the success of the course in

    leading students to frame the activity of source analysis in an appropriate

    manner, developing their conceptions of historical knowledge.

    The experience of the module had also broadened students conceptionsof what might be regarded as a historical source. One interview participant,

    for example, talked of how module staff wished students:

    Not just to look at the obvious sources that you can, you can draw evidence from

    everywhere really: such as like buildings and book, em manuscripts, and like clothing,

    yeah everything.And how to use it in a historical argument like in answering a question,

    there are going to be different arguments but youve got, were kind of taught to use

    the sources to support the arguments.

    expec tat ion of engage d , p er sonal inte rpretat ion

    All the interviews revealed that staff had communicated a strong expectation

    that the students should display an agentic approach to engaging in debates

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    about the module topics and in deploying historical reasoning to come up

    with personal interpretations of primary and secondary sources. For example:

    it encourages you more to argue more through your point of view that, yeah, there can

    always be more than one interpretation but, you know,this is my interpretation and this

    is why. I really get that from this module.Yeah.

    Interviewees also drew attention to the way in which the lecturers active

    display of enthusiasm for the subject activated their own engagement with

    the task of personal interpretation.

    creat ing an engag ing s pace for interpretat ion

    Interviewees pointed up the fact that the module not only required active

    personal analysis on their part but also gives us the space to handle these

    different interpretations. An open, dialogic presentation of differing viewsencouraged students to display initiative in interpretation: . . . because of the

    way he is and the nature of the module is sort of quite an open delivering

    to you. It does make you want to go there and try and work it out for

    yourself . Some students also indicated how the form of interaction and ethos

    established in the seminars supported an engaged, exploratory approach to

    historical interpretation.

    Theres much more in-depth discussion and like everybody in the group is encouraged

    to become involved and its a lot more the testing of your own opinions, like the thingsthat you say are actually tested.

    The students quoted have given a sense of how interview participants in

    general were aligning themselves with, and making some emotional invest-

    ment in, the enterprise of active, personal interpretation of historical

    questions and sources. However, a small number of students did not view the

    project of displaying initiative in interpretation in a positive light. A few

    revealed some resistance to it or raised questions about how qualified they

    were as first-year undergraduates to take ahead this professional, historicalpractice. The following interviewee, for example, focused on the difficulty of

    reaching an independent interpretation of primary sources at first-year level.

    I dont know. I dont think Id feel, even if I saw the source, Id still be relying on someone

    elses view. I dont feel I know enough yet to say Im going to disagree with all these

    historians and make my own point.

    By contrast, other students, such as the individual quoted next, concentrated

    more on the progress they had made in analysing primary sources.

    Yes, I think thats something that weve developed while we were here. So its quite atransition, kind of, from A-level where you rely on other authors to tell you about the

    [primary sources], actually take a chance to actually look at them yourself, make judge-

    ments on it.

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    Joined-up course design in the final-year module

    the l ecturer s a im s for student source work

    Appropriate framing of source work, a dialogic teaching approach and strong

    backing of students interpretive voices also featured prominently in the

    final-year course. In our account of this course, attention is focused on how

    students intellectual and affective engagement with sources was enabled by

    well-articulated course design. The lecturer saw a final-year special subject

    module as allowing joint development of the understanding of a specific

    topic and aspects of historical practice, with analysis and interpretation of

    original source material forming its core. In this particular course on the City

    of London, there was a wish not only to deepen students understanding of

    the City as a financial institution but also of the ways in which it has been

    represented. In unpacking these representations of the City, students need tobe concerned with probing the motives, background and stance of the

    authors of a document, and with developing perspective-taking skills that

    enable them to decentre themselves and view matters from the very different

    positions of particular historical actors. There was also a wish to alert

    students to how accounts of an episode may be recast as events unfold, with

    some of the sources used allowing attention to be directed to hindsight and

    its effects. It was hoped that through their work with primary sources

    students would develop the habit of examining an individual document fromdifferently located viewpoints. The students were expected to read a source

    for its representation of an event, to reflect on methodological questions

    concerning the nature of the evidence it provided, and to consider how it

    could be framed within a wider pattern of events or set of processes. To

    achieve an analytical reading of a primary text, they were encouraged to take

    ahead a close, internal reading of the source, which included a consider-

    ation of its status as evidence, and an external reading in which the source

    is interpreted against a wider frame of reference. To assist students to develop

    these historical practices, considerable attention was given to including avariety of contrasting types of source arranged in a carefully ordered

    sequence, with certain of the documents chosen to have a cumulative effect.

    In addition, in 20032004 a central thrust in course development was a

    concern to align more closely the consideration of primary documents with

    relevant secondary sources.

    student understand ing of, and engagement with ,

    source workOur interviews with the students revealed how they were grappling with the

    practices of primary source analysis the lecturer wished to encourage. With

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    a clear appreciation of the contested nature of history, the students empha-

    sized the need to display an active, questioning stancetowards sources:

    Youre always questioning things, rather like a lawyer. So you question why did they

    write that? When did they write it? Who helped them? Why was it published? Youre

    always asking questions, you dont take things for granted.

    The interviews revealed that the students had been socialized into adopting

    the stance of prosecuting attorneys (Wineburg, 1991b: 511), and thus were

    engaging in a dialectical encounter with sources. Their experience of

    analysing documents, and the scaffolding offered on the module, which

    involved the marking up of salient concerns, had also given them a more

    precise sense of what the interrogation of evidence involved. They appeared

    sensitive to the importance of considering the reliability of particular pieces

    of evidence, the background of the author(s) and authorial intentions, and

    the time and context of production of a source. Some student statements also

    revealed that attention was being given to the form of writing of a document

    as well as its content.

    Contributions which drew attention to the importance of understanding

    the kind of mind-set, values of the creators of sources, demonstrated

    concern not only with the reliability of the picture that sources give but

    also with how sources representan event or issue and the motives for this

    representation. In other words, these students were developing alertness towhat sources may have been designed to do as well as what they tell us. In

    addition to this recognition of authorial purpose, there were glimpses in the

    interviews of consideration being given to the reception of primary

    documents by their original audience, to what people thought initially.

    Some students comments revealed how developing the habit of critical

    analysis of primary sources could possibly encourage a more challenging

    approach to secondary material (particularly if this material was related to

    primary documents they had interpreted).In summary then, one can see from the interviews how these final-year

    students were coming to have a clear appreciation of matters that are identi-

    fied as key in the literature. They saw the need to take a questioning stance

    towards and have a dialectical engagement with sources, were concerned to

    read for subtexts and to apply the general strategies of sourcing and contex-

    tualization.Attention was being given to the form of writing of a document

    as well as its content, and there was evidence of the development of perspec-

    tive-taking skills the ability to decentre themselves and view matters from

    the position of particular historical actors. It is also important to note the very

    enthusiastic tone in which both cohorts of students we interviewed talked

    about source work. They described how the interest engendered by engaging

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    with primary sources had increased their enthusiasm for historical work; and

    viewed primary source work as involving active, authentic engagement with

    practical history.

    the contr ibut ion of congruent de s ign and teach ingapproach

    Students engagement with source work and understanding of module

    content were enabled by the interaction of positive characteristics of the

    teachinglearning environment, each of which will now be touched upon in

    turn. (These positive characteristics were also very much in evidence within

    the first-year course.)

    Carefully articulated course design A successful articulation of course

    purposes with learning activities led students to perceive coherence between

    module purposes, the secondary literature and source activities. The way in

    which the choice and sequencing of specific sources contributed to a

    coherent course experience is revealed in the following observation:

    Also the choice of documents complement each other quite well. Hes chosen high

    profile City reports written by members of the Bank of England. It gives us one aspect

    of the City of London. Next week it may be written by an anonymous commentator

    whos writing a little bit on the City. The different perspectives we gain from the

    documents give us a very rounded view of the subject were studying.

    In addition, in 20032004 the seminars integrated the study of primary and

    secondary sources, and thereby led students towards reading primary and

    secondary sources together interactively. Students found this bi-direction[al]

    consideration of primary and secondary sources distinctly helpful, providing

    them with a context for your critical analysis of the primary material.

    Thus, central to achieving the articulation of different course elements was

    the investment of considerable time and effort in choosing and sequencing

    documents, secondary sources, course materials, and activities, so as to be in

    alignment with the main module themes and purposes.

    Display of commitment to teaching and subject enthusiasm Careful course

    construction and communication were coupled with authentic involvement

    in conveying content and historical practice. Students own efforts were

    inspired by a display of commitment to teaching, he does care about the

    students, and enthusiasm for the subject:

    Student And he conveys his kind of like passion for it.

    Interviewer Does that rub off?

    Student Yeah, I think its definitely, [another student: Yeah] made us more

    enthusiastic.

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    A teaching approach which provided support and encouraged independence This

    active engagement with teaching and the subject was allied to a teaching

    approach that achieved a balance between supportive structuring of students

    source work and other course activities, and encouraging independence of

    judgement on the students part.Its not trying to say read this and youll be OK. Its more suggestions. Hes making you

    think for yourself which I find important.There are some modules and youll learn what

    they tell you but you wont have a chance to think for yourself. This one you get given

    all the information and you construct your own arguments. Youre not told what to

    think.

    The open teaching approach was viewed by interviewees as enabling their

    own efforts to form personal interpretations of historical issues: youre

    actually encouraged to take them all on board [i.e. different arguments andpositions] and formulate your own ideas. Thats turned out to be in practice

    what youve been able to do.

    A supportive group ethos and effective group work The exercise of independ-

    ent judgement in source work and other course activities was also encour-

    aged by informal interaction and the presence of a supportive and productive

    group ethos which was more conducive to discussion. Collaborative sub-

    group work on presentations, and engaged group discussion, which involved

    the sharing and exploration of different perspectives, promoted the develop-

    ment of understanding: Its just a good combination of ideas that you dontrealize when youre reading something. Someone whos reading the same

    thing can get [a] different idea. You get a combination of both ideas that

    you hadnt thought of but because theres two of you.

    Opportunities for continuous feedback and guidance Students appreciated how

    the range of feedback received in relation to all course activities, including

    but not confined to written work, assisted them in developing their under-

    standing of module content and practice in source work. The formative

    coursework that was a feature of the module was described as giving astructure that encouraged continuous application of effort and provided

    good practice. The formative essays in particular were seen as requiring

    interaction with, and reorganization of, knowledge: I think without the

    practice, you can go to it, you can read the book, but without the practice.

    Actually writing an essay you have to think differently and you have to do

    [a] different thing with the things youve got there. Furthermore, supportive

    feedback was made available to students very much on an ongoing basis:

    You get feedback from the discussions in the seminar. If you give a presentation, hellpick you up on points and say if theyre good points or not so good points. Whether

    youre actually inaccurate, whether your interpretation is a good one. Even if youre just

    asking questions or providing answers hell comment on these.

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    Students comments revealed that a combination of explicit communication

    by the lecturer and feedback on formative work had given them a clear sense

    of what was expected of them in undertaking the different types of assess-

    ment for the module.

    p ract i c e s o f s our c e wor k , p e dago g y , d i a l og ue

    The literature review in this article has depicted the complex processes that

    historians employ in reading primary texts and the challenges that students

    face as they begin to grapple with source work. The following pages then

    described in detail the ways in which course design, teaching and learning

    activities on a first- and a final-year module assisted students to meet these

    challenges and fostered affective as well as intellectual engagement with

    primary sources. In singling out these two courses for special attention, we

    are not suggesting that they should serve as straightforward templates of good

    practice. Other examples of effective approaches could be identified; and it

    is likely that appropriate introduction of source work requires careful tailoring

    of pedagogical actions to individual course contexts to take account of

    students backgrounds and the nature of a particular topic domain. At the

    same time, certain of thegeneral features of design and teaching approach that

    were evident in these two courses are likely to be productive across all settings.

    Accounts of learning that have been concerned to situate it in a socio-cultural context have emphasized the need for novices to be aided to gain

    sufficient mastery in performing the practices and making appropriate use of

    the discursive resources of professional or disciplinary communities (Wells and

    Claxton, 2002). Studies on learning from a socio-cultural perspective have also

    emphasized the need to focus attention on the norms and social relations of

    a community, and how these norms enable or constrain novices participation

    in a communitys practices (Wenger, 1998). Applying these insights to higher

    education, Northedge (2003: 22) has noted how learning is a process ofbecoming increasingly competent as both:

    a user of various specialist discourses;

    a participant within the relevant knowledge communities.

    In the courses examined in this article students were being skilfully assisted

    to make progress on both these fronts. There was a concerted effort to provide

    them with a clear account of the purposes and practices that actuate histori-

    cal source work. This explicit communication about source work, and the

    modelling of the use of sources within historical argument, may be viewed

    as creating the grounds on which dialogue about sources, between staff and

    students and between students themselves, could proceed. The spirit in which

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    this clear exposition and modelling of disciplinary practices was achieved is

    worth highlighting. Students indicated that their efforts were energized by

    their lecturers display of evident passion for their discipline and commitment

    to teaching. On this theme, Wenger has noted how teachers need to

    represent their communities of practice in educational settings. This typeof lived authenticity brings into the subject matter the concerns, sense of

    purpose, identification, and emotion of participation (Wenger, 1998: 276).

    The display of wholehearted engagement of being within the discipline,

    and the sharing of its concerns, was accompanied by careful epistemological

    and conceptual framing of students understanding of the use of sources

    within history. The first-year course did not introduce source work in a

    compartmentalized fashion, as a set of discrete skills, but integrated students

    encounter with sources within the general purposes and practices of history

    as a discipline. This framing of source work within a wider disciplinary

    context was helping students to meet the epistemological challenges associ-

    ated with the appropriate reading of sources that Wineburg (1991b) has

    identified. It included the presentation of primary texts as sites of interpret-

    ation. Thus students were encouraged to regard texts as thinking devices

    (Lotman, 1988; Wertsch, 1998, 2002) rather than as straightforward sources of

    information.Moving to view primary sources as sites of interpretation carried

    with it the possibility for students to deploy a more interactive interpretive

    stance, a change in position and activity that is captured well in the followingquotation from Wertsch (2002: 161): approaching a text as a thinking device

    involves a more dynamic and interactive stance on the part of the individual

    employing it. In this case the textual resource is viewed as the starting point

    for an active dialogue rather than something to be simply critiqued or

    rejected.

    Consonant with the encouragement of an active interpretive stance that

    involved a dialectical encounter with sources, the expectations, activities and

    ethos of both courses were drawing students in to involved participation in thepractice of historical source work. Careful structuring and supportive shaping

    of students understanding and actions were balanced by strong encourage-

    ment of their own initiative. We have described how interview participants

    saw the first-year course as providing the space to handle these different

    interpretations and how a large majority were engaging with the enterprise

    of active personal interpretation of historical questions and sources. On the

    final-year course students were coming to have a clear appreciation of central

    matters in source analysis, coupled with a sense that it involved active,

    authentic engagement with practical history. Working from the premise that

    Barnett and Coate (2005: 110) foreground in their account of higher

    education curricula that forms of knowing produce forms of being, one

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    could argue that these courses provide students with the opportunity to take

    on a specific form of involved interaction with primary texts, secondary

    works and peers: to be a particular kind of interpreter.

    Understanding of, and engaged participation in, the practices of source

    analysis were enabled by carefully crafted course design. We have illustratedfrom the final-year module how a course design and a teaching approach were

    achieved that were congruent (McCune and Hounsell, 2005) with the

    purposes and processes that were being pursued in source work. Within this

    module studentsefforts were also supported by an articulation of the different

    elements of the course that made for a coherent learning experience. This

    included careful choice and sequencing of the primary sources themselves to

    support an evolving understanding of module themes and of source work.

    In addition, attention was given to integrating the study of primary and

    secondary sources, facilitating the interactive readingof primary and secondary

    texts. On both modules, course design congruent with the purposes and

    practices of historical source work was allied to a clear conceptual framing of

    source analysis and an open, dialogical form of teaching that encouraged

    students own voices to emerge. Thus these courses were not only assisting

    students to deploy the disciplinary practices of source work but were also

    backing students own agency in analysis and interpretation.

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    b iog raph ical note s

    charle s ander son and kate day are Senior Lecturers in the School ofEducation, University of Edinburgh. Charles Anderson has as a main research

    interest the study of talk and texts in educational settings. He shares with Kate Day

    both a focus on higher education and particular areas of enquiry including the

    teaching and learning of history at university, the experiences of students under-

    taking Masters level dissertations and of their supervisors, and the evaluation of

    initiatives involving e-learning. Recent joint publications are: Purposive environ-

    ments: Engaging students in the values and practices of history (2005, Higher

    Education 49: 31943) and Mastering the dissertation: Lecturers representations of

    the purposes and processes of Masters level dissertation supervision (2006, Studies

    in Higher Education 31: 14968).Address: Higher and Community Education, The

    School of Education, The University of Edinburgh, Patersons Land, Holyrood

    Road, Edinburgh EH8 8AQ, UK. [email: [email protected]]

    ranald m ich ie and david rollason are Professors of History at the

    University of Durham, UK.

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