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HÄNSEL UND GRETEL ENGELBERT HUMPERDINCK conducted by CHRISTIAN THIELEMANN staged by ADRIAN NOBLE ADRIAN ERÖD JANINA BAECHLE DANIELA SINDRAM ILEANA TONCA

EngElbErt Hänsel HumpErdinck undGretel€¦ · EngElbErt HumpErdinck conducted by cHristian tHiElEmann staged by adrian noblE AdriAn Eröd JAninA baEcHlE dAnielA sindram ileAnA tonca

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Page 1: EngElbErt Hänsel HumpErdinck undGretel€¦ · EngElbErt HumpErdinck conducted by cHristian tHiElEmann staged by adrian noblE AdriAn Eröd JAninA baEcHlE dAnielA sindram ileAnA tonca

HänselundGretel

EngElbErt

HumpErdinck

conducted by cHristian tHiElEmannstaged by adrian noblE

AdriAn Eröd

JAninA baEcHlE

dAnielA sindram

ileAnA tonca

Page 2: EngElbErt Hänsel HumpErdinck undGretel€¦ · EngElbErt HumpErdinck conducted by cHristian tHiElEmann staged by adrian noblE AdriAn Eröd JAninA baEcHlE dAnielA sindram ileAnA tonca

Based on one of the best-loved stories by the Brothers Grimm, and with a libretto by his sister, Engelbert Humperdinck’s fairy-tale opera Hänsel und Gretel began life as a private entertainment for his own family before being presented to the wider world as a “Christmas gift” in 1893. An instant success – presented in over 50 German theatres within a year of its Weimar premiere – it soon became one of the most-performed operas in the world and has remained enduringly popular with both children and adults ever since. And, like all the best treats, it’s not just for Christmas!The secret of its lasting success lies, of course, not just in the delicious thrills and spills of the familiar story – with its recognizably realistic child heroes, its grotesquely comical, yet genuinely terrifying witch and its comfortingly happy-ever-after ending – but also in its magical musical mix of memorable folksong-inspired melodies and wonderfully rich and colourful orchestration. The latter brilliantly synthesizes the influences of both Richard Wagner, whom Humperdinck had assisted on the Bayreuth premiere of Parsifal, and Richard Strauss, who conducted Hänsel und Gretel’s Weimar premiere, declaring it “a masterpiece of the highest quality (…) all of it original, new and authentically German”. Mahler was another admirer.In bringing the work back to the Wiener Staatsoper for its first new production since World War II – inventively directed by Adrian Noble, former Artistic Director of Britain’s Royal Shakespeare Company – it’s no surprise that, as one of today’s most admired interpreters of both Wagner and Strauss, German conductor Christian Thielemann should particularly relish the musical echoes of those composers’ works in Humperdinck’s score. In Opera magazine’s words, “He polished all these moments with refinement and subtlety, inspiring the Staatsopernorchester to play with energy, engagement and transparence.” Other reviews were equally ecstatic, praising both the orchestra’s “fabulously resplendent and silky playing” (Frankfurter Allgemeine Zeitung) and Thielemann’s “concern for an elegantly flowing musical line (…) and for a lightness and transparency that allow this noble music to sparkle in manifold ways” – in short, the whole performance was “musically exceptional (…) a miniature miracle in sound” (Wiener Zeitung).

length: 113' shot in HdtV 1080/50i

Cat. no. A 040 50047

a production oforF and unitEl classica

in co-production with ZdF/artein cooperation with Wiener staatsoper

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Orchestra orchester der Wiener staatsoperConductor christian thielemann

Stage Director adrian noble

Peter, a broom-maker adrian ErödGertrud Janina baechle

Hänsel daniela sindramGretel ileana toncaWitch michaela schuster

Sandman and Dew Fairy annika gerhards

Video Director agnes méth

e n g e l b e r t H u m p e r d i n c k

Hänsel und Gretel

World Sales:

Tel. [email protected]

Unitel GmbH & Co. KG, Germany · Tel. +49.89.673469-630 · [email protected] www.unitelclassica.com