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Esthetics Considerations

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Page 1: Esthetics Considerations
Page 2: Esthetics Considerations

Esthetics Considerations

BY

Mostafa Elhossieny Mohammed

Page 3: Esthetics Considerations

Definition

Interest of Esthetic

Esthetic formula ( Principles)

Esthetic Elements

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It is the appreciation of beauty.

It is NOT absolute but it is extremely subjective.

It differs from individual to another & between

different cultures.

As one perceived as disfigured may be beautiful

to another.

Esthetics

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In dentistry, it is the art of coping or harmonizing

our work to naturality.

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Interest of Esthetic

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Why do we interest

by esthetics?

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It is the primary motivating factor for

patient seeking dental care

Correction of esthetic problems has a

positive effect on the self-confidence

The mouth is a focal point of any emotional

responses.

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Stop hiding your teeth.

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Development in

restorative materials,

adhesive technology

The advancements of

ceramic materials

and techniques.

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It is part of the mouth where high visibility requires a restoration.

It includes Mx. Anteriors , premolars and frequently Mx. 1st molar.

It depends on mouth size, smile width, lip tightness and tooth length

Appearance Zone

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Recolor: The first option is tooth whitening.

Reposition: The second option is orthodontic

repositioning.

Recontour: The third option is to recontour teeth and

equilibrate.

Restore: Once the above options have been explored, the

last option is to restore the teeth with veneers or crowns.

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Smile should express your:

Personality

Emotions

Inter-action in the society

Peacefulness

Happiness

Confidence

Stable muscular structure, joints and skeletal.

Harmony

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Esthetic Formula

It is a function of harmony between

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* The ideal smile represents a maximum harmony

between facial composition and dental composition.

* The goals in the last 20 years to search for standard

parameters to help in diagnosis , evaluation and

resolving the esthetic problems of the smile.

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Smile analysis should be done :

• Direct photo Digital• (in patient mouth) (optional)

• Combination of the three elements can be

achieve best results.

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Steps of smile analysis:

• 1- Meeting the patient and understanding his

requirements.

• 2-Medical and dental history.

• 3-questionnaire

• Problems and demands

• Why the patient is not happy with his smile (shape , color

,…etc)and what is expected

• Emotions and personality ( happy , sad , timid)

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• 4-Clinical examination, x ray and phonetics

evaluation.

• 5- dental photography.

• Proper frontal picture of the patient using DSLR camera , ring

or twin flash , reflectors and contractors.

• Shots should be in upright frontal view .

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Esthetic Elements

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Smile parametersfacial composition

Dental midline

Occlusal plane

Smile line

Commissural line

Gingival display and upper lip

Gingival level and harmony

Axial inclination of the teeth

Zenith of the gingival contour

Incisal length and width

Buccual corridor

Tooth morphology

Sex and age

Personality

Occlussion

symmetry

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I-Facial Esthetics

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1-Facial Midline

The face is divided

into 2 equal vertical

halves by the midline.

For optimal esthetics,

the upper central

incisors midline must

coincide with this

midline

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The face is divided

into 5 equal vertical

lines

2-Rule of Fifth

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3-Facial Height

The face can be

divided into 3 thirds.

This is the perfect

proportion of a

beautiful faces.

Loss of vertical

dimension of occlusion

(lower third of the

face), the facial

esthetic proportion is

NOT optimal

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Increasing vertical dimension of occlusion can have

positive effects on facial esthetics, not just on the

peri-oral areas but on the whole face

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4-Width of Smile

2 Vertical lines from

the pupil of the eye to

the corner of the

mouth. This will be

ideal width of the

mouth on smiling.

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II-Gingival Esthetics

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Esthetic conditions related to the gingival health

and appearance is an essential component of

effective smile design.

Pink esthetics (the gum) is as important as

white esthetics (the teeth) specially with shorter

lip patient that exposes the gums on smiling

The cosmetic dentist will take into consideration

the relationship between pink and white

esthetics during the smile design stage.

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Inflamed, uneven gingival lines detract from a pleasing smile

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It refers to the position of the inferior border of the

upper lip during smile formation.

Amount of Gingival Display

1-Lip Line

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Medium lip line.

Low lip line.

High lip line

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An imaginary line along the incisal

edges of the maxillary anterior

teeth which should mimic the

curvature of the superior border of

the lower lip during smiling.

2- Smile Line

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3-Lip Dynamic

It is the curvature of the lip

It become noticeable by taken video.

It determined :

Tooth – lip relation at rest

Tooth – lip relation at smiling

Lip support

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A- wide dynamic B- restricted dynamic

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It must mimic the

silhouette of the natural

dentition, in the gingival

one third, extending from

the base of the gingival

sulcus past the free gingival

margin into the oral cavity.

4-Emergence Profile

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A proper emergence profile will help avoid

swelling , inflammation of soft tissue and

prevent the appearance of dark spaces in the

cervical (gingival) embrasure.

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It is the apical most points of the gingival margins, and it’s located 1mm

distal to the long axis of the tooth ( except 2,4 & 5 midway)

5-Gingival Zenith

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When closing diastema

The zenith points should be mesially repositioned

to avoid a mesially tilted appearance.

This can be achieved with minor-gingival

alteration at the time of, or prior to, the tooth

preparation.

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– It is an imaginary line

drawn by joining the

zeniths of central incisors

and canines. (0.5-1 mm

shorter for lateral incisors)

– Differences between the

heights of the apical

gingival margins of the

anterior teeth, determining

the ideal gingival contour

for the region.

6-Gingival Line

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The gingiva height at

the same level over of

the laterals , canines

& central ► is

acceptable

The gingiva height

over the laterals is

apical to that of the

canines or central or

both( Reverse )

► NOT accepted

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There are normal variations in the thickness of

and the resistance to recession of gum tissue.

"Thick Biotype", which is very unlikely to

recede or to lose the gum papillae between the

teeth.

"Thin Biotype" that is very susceptible to

recession and loss of the gingival papillae

between the teeth.

7- Gingival Biotypes

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Thick Biotype

Thin Biotype

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When doing veneers, or crowns on teeth with the thin

biotype ► extreme atraumatic care with a higher end

laboratory technician is necessary to prevent loss of tissue.

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III-Macro and Micro-Esthetics

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Macro-esthetics represents the principles that

apply when group of individual teeth are

considered.

Macro-esthetics attempts to identify and

analyze the relationships & ratios between

anterior teeth and surrounding tissue

landmarks.

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Macro- Esthetic

Cultural Basic Artistic Basic

(Age, Sex & Personality )

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A) Cultural Basic

(Age, Sex & Personality )

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Older teeth Younger teeth

A) Cultural Basic

(Age, Sex & Personality )

1-Age:

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MASCULANE FEMININE

2-Sex

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The classic chart from Lombardi, illustrating the

SPA factor.

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Age:

Youthful teeth: unworn incisal edge, defined incisal embrasure, low chroma

and high value

Aged teeth: shorter; so less smile display, minimal incisal embrasure, high

chroma and low value

Sex :

Female form: round smooth, soft delicate

Male form: cuboidal, hard vigorous

Personality :

Aggressive, hostile angry: pointed long “fangy” cusp form

Passive, soft: blunt, rounded, short cusp form

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B)Artistic Basic(Principle of lines)

( Principle of illumination)

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It refers to the vertical contact interface

between two maxillary centrals.

1-Dental Midline

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– It should be perpendicular to the incisal plane, parallel to

the facial midline, and dropping straight down from the

papilla.

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Maxillary and mandibular midlines do NOT

coincide in 75% of cases.

Mismatch between them does NOT affect

esthetics…. WHY????

since mandibular teeth are NOT usually visible

while smiling.

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Minor discrepancies

( < 4mm) between facial and dental midlines

are acceptable and, in many instances, not

noticeable.

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Slanted mid-line Slanted &shifted

mid-line

Minor discrepancies ( < 4mm)

between facial & dental

midlines can be accepted

WITHOUT slanting

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It is the most important determinant in smile creation because once set, it serves

as a reference point to decide the proper tooth proportion and gingival levels.

2-Incisal Edge Positions

( Incisal Plane )

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The incisal edge positionof the lateral is placed0.5 to 1 mm apicallycompared to central andcanine in youngdentitions.

The incisal plane shouldbe parallel to the inter-pupillary line.

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Correct incisal edge position is crucial ► it is

related to the area of the anterior teeth, labial

contours, lip support, anterior guidance,

lingual contours and tooth display

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It compares the vertical alignment of maxillary teeth, visible in the smile line, to

central vertical midline.

3-Axial Tooth Inclinations

Arrangement of the zenith defined by the inclinations of the long axis of the

upper anterior teeth. Papilla between the central incisors filling the space

until half of the height of the crowns of these teeth and gradually reducing in

height to distal.

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It is progressive increase in the mesial

inclination of each subsequent anterior tooth.

It should be least noticeable with the centrals

and more pronounced with the laterals and

slightly more so with the canines.

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Distal inclination of the root apex when

compared to vertical midline

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Interproximal Contact Area (ICA):

(Connector space)

4-Interdental Contact Area & Point

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Between maxillary central incisors ►

50% of the length of central incisor,

Between a maxillary lateral incisor and a

central incisor ► 40% of the length of

the central incisor.

Between a maxillary canine and a lateral

incisor ► 30% of the length of the

central incisor

The Ideal Connector Size:

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The position of anterior contact point should

progress from incisal to cervical from centrals to

canines.

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The incisal embrasures should display a natural, progressive increase in size

or depth from the central to the canine.

5-Incisal Embrasures

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The contact point moves apically as we proceed

from central to canine.

A distal incisal corner is more rounded than its

mesio incisal corner.

Also, if the incisal embrasures are too deep, it

will tend to make the teeth look unnaturally

pointed

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5 mm only

between the

crestal bone &

contact area if

more black

triangle will be

appear.

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Facial view, the width of each anterior tooth is 60% of the width of

the adjacent tooth (mathematical ratio being 1.6:1:0.6).

6-Golden Proportion

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Limitations of Golden Proportion

It is mainly based on the tooth width in frontal view

ONLY,

NO tooth height

NO profile or side view

Difficult to apply as patients have different arch form,

lip anatomy & facial proportions.

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Appearance the limitations of Golden

Proportion clearly with attration.

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It dictates that the centrals must be the dominant teeth in the smile (key of

smile)

W/L of the centrals = 4:5 (0.8–1.0)

Width of 75–80% of Length.

7-Recurring Esthetic Dental Proportion

(RED Concept)

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BUT,, Tooth proportions

are width & height

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The gauges allow for fast & simple analysis of tooth width, tooth length and

gingival length .

CHU’S proportion guide

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9-Buccal Corridor

(Negative Space)

It refers to dark space visible during smile formation between the corners of

the mouth and the buccal surfaces of the maxillary teeth.

It should be a minimum.

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10-Phonetics

It is a major determinant of the tooth length.

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” Minimal tooth reveal”

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“Maximum extension of lips”

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“Overjet,overbite----rest”

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“Mx.Incisors & wet-dry border

of lower lip”

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FACTORS that affecting esthetics in

dental restorations

1-Soft tissue management.

2- Tooth reduction.

3-Shade matching.

4-Tooth color and variation

5- Translucency

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6-Tooth form, size and position.

7- Degree of gloss .

8-Surface characterization .

9-Illusion and perceived size

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Subgingival finish line is indicated for esthatic.

Every effort to produce Subgingival finish line

with minimal soft tissue injury during:

* Retraction Cord Technique.

* Impression Procedure

* Temporary Restoration

* Soft Tissue Response to Final Ceramic

Restoration.

1-Soft Tissue Management

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Retraction cord is

placed into sulcus to

temporary lateral

displacement of

gingiva.

To reduce the soft

tissue injury

A-Retraction Cord Technique

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Used proper cord size & atraumatic packing

pressure

With healthy gingiva:

Small sized ( anterior teeth )

Single medium sized ( posterior teeth )

Never use too large retraction cord or too

many cords ► caused excessive trauma.

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Tissue blanching is

observed immediately

after cord placement &

rapidly disappears.

Prolonged blanching ►

detrimental gingival

changes

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An impression must provide detailed

information about the prepared teeth ,

surrounding intact teeth & associated sot tissue.

So, we must record the gingiva as natural

position as possible.

To allow fabrication of restoration without

gingival recession or any adverse reaction to

gingiva.

B- Impression Procedure

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For best gingiva record :

Remove of cord from sulcus

& Syringed the impression around the

prepared tooth.

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After removal of impression , checking that NO

remnants occur ► To avoid sever tissue

reactions

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Temporary restoration must be proper contour

, adapted well to preparation margin and

smooth surface to promote maintainace tissue

position & health.

Allow cervical embrasures ► for oral hyigene

aids

Time of lift of temporary restoration NOT

excess than 2-3 weeks.

C- Temporary Restoration

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Poor soft tissue response around a

cemented restoration ►poor esthetics.

It may be due to :

over extended or under extended

margin ► plaque accumulation.

D-Soft Tissue Response to Final Ceramic

Restoration.

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2- Tooth Reduction

Facial reduction in

2 planes

Sufficient Facial

reduction of

ceramic restoration

(1-1.5 mm)

Page 109: Esthetics Considerations

Inufficient Facial reduction, laboratory can be

handling by :

* Over contoured restoration ► plaque acc.

*Inadequate porcelain thickness►↓ esthatic.

( can be enhanced by color modification )

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3- Shade Selection

The tooth reduction is insufficient.

A poor selection.

The dental laboratory may have failed to

reproduce the shade.

Also, the porcelain may not have been handled

in such a manner as to reveal its inherent

coloration

Poor Color Match due to:

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4-Tooth Color & Variation

1- Maxillary anterior teeth

Pigmentations : Canines > Central > Lateral

2- Mandibular anterior teeth

Pigmentations : Canines > Central & Lateral

(If a variation in the incisors exists, it is the opposite

of that found in the maxillary incisors)

3-Posterior teeth

Pigmentations : molars > premolars

(Same degree of pigmentation <canine).

Among the Teeth:

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Degree of pigmentation of anterior teeth

are different

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Degree of pigmentation of posterior teeth

are less than canine

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Pigmentations : gingival third > Incisal

( variation on enamel thickness)

Within the Tooth:

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5-Translucency

Appearance of vitality.(alive tooth)

High translucency ► incisal edge, cusp tip &

proximal surface.

The translucency terminate gradually

It is important to duplicate that specially with

low lip line pt. ( due to it is the obvious part of

restoration )

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A halo (incisal edge opacity), contrast to

the translucency

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6-Surface characterization

Surface texture is affected by age

Light reflection plays a role in surface texture

Developing the desired light reflection on a

restoration’s surface by duplication of the

heights of contours and depressions on the

facial surface.

By close-up photographs taken from different

angles .

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Surface texture is affected by age

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Black and white photographs are helpful

in determining Value,

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7- Degree of Glossy

It enhances the natural appearance of the

restoration as it affects the reflection of light.

Excessive gloss lightens the color

Too long heating or heating at elevated

temperatures during glaze firing ► exaggerated

gloss.

Introducing highly glazed wear facets in older

patients ► improves esthetics.

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Introducing highly glazed wear facets in older

patients ► improves esthetics.

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8- Tooth form, size and position. It is usually better for restorations to be shaped

like their contra-lateral teeth.

Slight alterations in form and position to escape

from artificiality.

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9- Illusion and perceived size .

Art of changing the perception to cause an

object to appear different than it actually is.

It helps in solve space problems ( too much or

too little ).

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Principles of lines:

- Horizontal lines ► ↑ Width illusion

- Vertical lines ► ↑ Length illusion

- Flat incisal edge ► ↑ Width illusion

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Canine tip :

- Mesially► ↑ small & narrow tooth illusion

- Distally► ↑ large tooth illusion

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Staining:

- Darkening at the transitional line ►

narrow& small tooth illusion

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